Rights: World excluding FR & UK

Packaging: 2 x Black Vinyl, 5mm spine sleeve, 2 x printed inner sleeve, marketing sticker

GENRE : Electronics

SHORT PRODUCT INFORMATIONS :

DOUBLE BLACK LP - New reference : Double Black 140 grs Vinyl , 5 mm spine sleeve, 2 x printed inner, marketing sticker. This reissue has been cut at half speed, to ensure maximum audio fidelity for this landmark release.

TRACKLIST

DOUBLE VINYL
Side One
1. Time Becomes
2. Planet of the Shapes

Side Two
1. Lush 3-1
2. Lush 3-2
3. Impact (The Earth Is Burning)

Side Three
1. Remind
2. Walk Now…

Side Four
1. Monday
2. Halcyon + On + On
3. Input Out






SHORT INFOS / KEY POINTS

- Originally released in 1993, 'The Brown Album' marked a significant evolution in Orbital's sound - and was met with widespread critical acclaim. NME awarded it 9/10 in their review, and it was chosen as one of Mixmag's best albums of all time.

- Standout track, "Halcyon + On + On", became an instant classic, known for its ethereal atmosphere and haunting vocal sample from Opus III's It's a Fine Day. The track's dreamy progression and uplifting yet melancholic tone made it a staple in film soundtracks and DJ sets, embodying the emotional depth electronic music could achieve. "Impact (The Earth Is Burning)" is another defining moment, an evolving journey of layered breakbeats and dynamic synth arrangements, reflecting the duo's ability to create both club-ready and introspective music. Meanwhile, "Lush 3-1" and "Lush 3-2" demonstrate Orbital's knack for crafting intricate, evolving grooves, balancing pulsating rhythms with melodic flourishes that keep the listener engaged.

- 'The Brown Album' 2LP reissue has been cut at half speed, to ensure maximum audio fidelity for this landmark release, and is the first time the album has been pressed on vinyl for over ten year




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12" - One Sided - Transparent Vinyl

GENRE/S:
Techno

TRACKLIST:
A Emmanuel Top - Turkish Bazar (Chris Liebing Remake)


SHORT INFO:

Chris Liebing remakes Emmanuel Top's iconic 'Turkish Bazar'. A new version of the 1994 acid rave hit lands on Liebing's CLR.

Chris Liebing's long-awaited remake of Emmanuel Top's 1994 classic 'Turkish Bazar' arrives on CLR this December. Initially released via the Le Petit Prince label, 'Turkish Bazar' is an evergreen club hit, now painstakingly rebuilt by Techno powerhouse Chris Liebing, with each musical element reforged to create an essential new version.

Liebing's version of 'Turkish Bazar' features the instantly recognisable spoken word vocal of the original, while he ups its unmistakable 303 with an additional dose of acid. Raw, unfiltered licks are in tandem with pounding drums as airy pads and dainty sequences aim to soothe dancefloor madness. Extensively road-tested by Chris Liebing and blessed by Emmanuel Top for release via CLR, this is a mammoth revisit that lives up to the original's timeless appeal.

Founded by influential techno lynchpin Chris Liebing in 1999 and reemerging in 2021 after a five-year hiatus, Create Learn Repeat (CLR) has hosted a range of artists like Shlomi Aber, Dubfire, Flug, Bjarki, DJ Dextro and more while also focusing on developing newer acts in the scene such as Risa Taniguchi, The Southern, and Klint.



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TRACKLIST 12” Vinyl
A - DJ Koze - Buschtaxi (Extended Version) 08:37
AA - DJ Koze feat. Marley Waters - Brushcutter 05:19


Info:
A-Side: Buschtaxi (Extended Version) - DJ Koze
Like an unleashed Tarzan, crashing through the skull directly into consciousness with his vine, Koze with Buschtaxi tears through the jungle.

With his unique recipe of psychedelic madness and spiritual potency, he picks up all the lost rave souls and drives them to a place no one knew existed.

Buschtaxi hits differently.



AA-Side: Brushcutter – DJ Koze feat. Marley Waters
A track like a displacement activity.

A deranged DJ Koze with a spinning brush cutter, alone in the desert – nothing to cut, just pure, unleashed power. The fight against nothingness.

Brushcutter isn’t music; it’s a trail burned straight through your consciousness.
It cuts deeper. Harder. Until the bigger picture comes into view again.

--

Original Tracks written and produced by Stefan Kozalla / Published by Kosikos Publishing
“Brushcutter” contains elements from “Onto You” written and composed by Brendon Allyn Waters. Published by Marley Waters Publishing/Sony Sonata. Used by permission. All rights reserved.

Mastering by Hans Frage @ Deinklang
Cover Paintings: Gepa Hinrichsen
Artwork by Lilli Scheuerlein & Jonas Vogt

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Tracklist:
A1. Don’t Make Me Fall In Love - Timmy Regisford Vocal Mix 9:19
B1. Don’t Make Me Fall In Love - Timmy Regisford Instrumental Mix 5:44
B2. Don’t Make Me Fall In Love - Gerd Janson Bass Beat Edit 4:12

Info:
“[…] it was dance music, it had lyrics, it had songs, it wasn’t all instrumental, it was basically uptempo soul music, to be exact.”*

This quote from Timmy Regisford already sums up everything you need to know about his remix of Basic Black’s “Don’t Make Me Fall In Love.” Signed to Motown during Regisford’s reign as vice president and A&R, their self-titled debut album from 1990 is a testament to the massive popularity of new jack swing at the time. In his remix, the co-founder, resident DJ, and key figure of Club Shelter reconfigures the song’s structure with the signature sounds of New York’s prime dance floor scene, while preserving the heartfelt storytelling of the lyrics and the group’s voices on top of an irresistible groove and a bassline to die for.
At the time, it was only available in the record crates of the Big Apple’s DJ elite and later on as a white label in specialist shops. This soulful, yet driving piece, however, never saw an official single release—until now. Lifted from a DAT tape in Tony Humphries’ archive and carefully and faithfully restored, it now even features a condensed, never-before-released instrumental version of the remix, as well as a bass-and-beats-only edit for mixing purposes by yours truly. New jack swing transformed into New York club music by a king. This remix is a testament to Timmy Regisford’s prowess in the studio, but also honors the roots of the music he loves and grew up on—serving as a perpetual piece of the city’s vast history in underground dance music.
Gerd Janson


*Timmy Regisford interview from Jonathan Fleming, What Kind of House Party Is This?, MIY Publishing Ltd,
1995.

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2025 Repress

Tracklist:
A. Nata Alma (Club Smash Hit Version) 08:40
AA Venq Tolep (Hit Club Version) 06:24

Release Info:
Robag Wruhme, working on the material. On the very same piece. And performing two different movements. First, thinking in category Album: who will hear it where? also: mood, position, length. Second, thinking in category Maxisingle: a spinning-tool for the club – another form of another functionality: accelerating the rhythm, lowering the harmonicmelodious, still preserving the nature of the song. And each version should make you HOT for the other!
Nata Alma, a voice loses itself in the infinite, a car brakes, a horse whinnies, the sun scorches relentless. Further, further on, towards the flickering, stoically. Water, flames on the horizon, Fata Morgana, a mirage. »And you might say, we've got no place to go?« - okay? no notokay at all!: Shuffle!
Nata Alma, melancholic Eight-minute-forty. A love song, a wave good-bye: »And you might say, that you need me no more?« sings Sidsel Endresen alongside Bugge Wesseltoft's swells and ebb-aways – metal never sounded so longing; a buzzing swing, a siren call from afar.
Robag Wruhme takes a seat at the organ and plays minor bass notes. He gets up, leaves the room and lays down a dry rock of funk: wooden kick on wooden snare, tight-cut voices, driving hi-hats and shakers, gated synth danglers and percussion loops. Relentless, stoically. »And you might say, that it's over?« – relentless, maybe, but that's how he creates the Further: keep going! dance it off! a new day rising!
And right here. Flip it and keep on moving: Venq Tolep. A summer meadow, grass-stains, a gentle breeze, an early smell of hay. Venq Tolep. Endorphins tickle under the skin. A
percussive spectacle, dance of the insects. Hopping around in flat shoes, the beat is phat and reverberated by a cluster of trees. Stabs on the e-piano set in, picturing the euphoric moment when Loving-feelings walk hand-in-hand with a Hint of Melancholy.
Robag Wruhme, Nata Alma and Venq Tolep - music for dance floors, inside and outside, music for the summer, day and night, and for convertibles on the way there.






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12"
- Selections of rare and sought after tracks from legendary japanese house producers Ecstasy Boys
- Released between 1990 and 1993
- Remastered for vinyl for kicking pleasure



GENRE/S: House, Progressive House, Balearic, Disco

TRACKLIST:

Side A:
Tsukino Oshie (Full Moon Temple Mix)

Side B:
B1. Chichichi Gankannon
B2. Nirvana Sexy (Amoras Dub Disco Heruka Mix)

SHORT INFO:
Glossy Mistakes is proud to unveil Ecstasy Boys Selections, a carefully curated collection of three mesmerizing tracks from the pioneering Japanese electronic trio Ecstasy Boys. These tracks released originally between 1990 and 1994, curated by Glossy Mario, revisits the innovative sounds of the group that shaped underground Japanese club culture during the 90s. While their influence remained largely within Japan, their music resonates far beyond borders, standing as a testament to the creativity and innovation that defined an era of Japanese club culture.
The Ecstasy Boys-formed by Mitsuru Kotaki, Shiro Amamiya, and Tatsuro Amamiya-were a driving force in the Japanese electronic music scene. Known for their eclectic productions and boundary-pushing performances, the trio captivated audiences and influenced a generation of local DJs, producers, and club-goers.
Ecstasy Boys Selections pays homage to this vital chapter in Japanese dance music history, highlighting the trio's creativity. The compilation includes three tracks that exemplify their unique blend of Balearic, leftfield house, and progressive sounds:
- Tsukino Oshie (Full Moon Temple Mix)
A collaboration between Shiro Amamiya and Mark Kamins, this track is a late-night Balearic trance odyssey that captures the spirit of dreamy, moonlit dancefloors. Its hypnotic rhythms, uplifting vocals, and meditative energy make it the perfect opener to this carefully curated selection.
- Chichichi Gankannon
A deeply atmospheric slow jam that gradually builds in a haunting crescendo, Chichichi Gankannon showcases the group's ability to blend emotional resonance with experimental textures. Featuring spectral pianos and warm, otherworldly vibes, it's an ideal track for setting a deeply introspective and cinematic mood.
- Nirvana Sexy (Amoras Dub Disco Heruka Mix)
This disco-infused, leftfield house gem rounds off the collection with irresistible groove and seductive energy. Nirvana Sexy features vocals sung in dozens of languages, weaving together cosmic beats and hypnotic textures to create an unforgettable moment on the dancefloor.
Remastered by Wouter Brandenburg in Amsterdam, Ecstasy Boys Selections breathes new life into these timeless tracks while preserving their original character and depth. Licensed courtesy of Shiro Amamiya and Avex Inc. this release is an essential addition to the libraries of Balearic, house, and experimental music enthusiasts.


5. VITAL SALES POINTS:
- Selections of rare and sought after tracks from legendary japanese house producers Ecstasy Boys
- Released between 1990 and 1993
- Remastered for vinyl for kicking pleasure



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The Deep Series imprint operated as a sub-label of Diaphan Music, both of which released material between 2009 and 2014, as can often be the way for many artists family life and other responsibilities stepped up on the priority list and the label was put on hiatus. Now back to reboot things with a fresh perspective and a focus on Georgios’ music and music from artists he admires, Deep Series begins its new chapter for 2022, bringing fresh deep and dynamic cuts and an uncompromising approach with its future direction.
Leading the release and following on from his recent debut album on Dial is XDB with his ‘Back To The Roots Mix’, the title tells all as this Greek Techno aficionado delivers a classic groove fuelled by loose, bumpy drums, chugging synth stab sequences and twisted resonant loops. ‘Dark Path’ follows next, edging into dubby house territory with skippy percussion, expansive chords, choppy bass stabs and hypnotic vocal chants.
Opening the b-side is ‘Distorted DRMS’, as the name suggest laying focus on raw, crunchy drums throughout while dreamy synth lines and heavy sub bass swells ebb and flow within. Lastly the original mix of ‘GR2’ rounds things out, stripping things back to hazy, ethereal textures, robust, low-slung drums and acid-tinged bass stabs.

A1) GR2 (XDB's Back to the Roots Mix)
A2) Dark Path (Original)
B1) Distorted DRMS (Original)
B2) GR2 (Original)


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2025 repress

Tracklist
A. Pick Up (12" Extended Disco Version)
B. The Love Truck

DJ Koze might be one of the world's best producers, but above all he's a DJ, and it's his DJ ear that governs. Just as in a great set, so with his releases: "Seeing Aliens" came out of nowhere, a big buzzing beast of a track, to announce that Koze was back on the scene and prime everyone for the coming album, knock knock. But now that Koze has your attention, it's time to remind everyone what's most important about club music, pull things back, take a turn to the left, and get deep into the groove.

Thus "Pick Up": the second single from knock knock is 100% pure groove, doubly so in the extended 12" version. In a sense it's incredibly familiar - it is essentially a filter disco record, very close to something you could imagine coming out of Paris around the turn of the millennium. But of course, this is Koze. Nothing is normal or familiar in his world, and he's taken this most foundational of clubland staples into new territory. Flipping samples of Gladys Knight & the Pips "Neither One Of Us (Wants to Be the First to Say Goodbye)" and Melba Moore's "Pick Me Up, I'll Dance", it creates something completely airborne, shot through with emotions such as gods must feel: not quite explicable to the human mind but strong enough to knock you off your feet. In its way it's absolutely as powerful as "Seeing Aliens", but it comes in like the proverbial iron fist in a glove of velvet.

The flip, a ten-minute new track, "The Love Truck" is a big contrast again. If "Pick Up" is giddy flight, "The Love Truck" is woozy floating. Its sharp, clicking percussion recalls 2000s minimal techno, but this time absolutely nothing is generic. The long, intense, on-and-off bass tones, the flickers of birdsong, the pure voices slipping in backwards as if from the future... it's all like the most blissful dream, and culminates in a coda so subtle yet so beautiful it's like ever time you've ever seen the sun rise and thought "I never want this to end", all the while understanding deep down that the fleeting nature of the pleasure is also what give it its power. But of course, being created with that consummate DJ's ear, it's also full of the thrill of wondering what Koze has in store next.



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Tracklist:
A1. Im Weltraum – Original
A2. Im Weltraum – Marabou Dub
A3. Im Weltram – I-F Remix
B1. Im Weltraum – Gerd Janson Remix
B2. Im Weltraum – Gerd Janson Instrumental

Info:
Some records come from the head, others from the heart. Weltraum EP by Cara Carpaccio is a bit of both—an interstellar blend of cosmic vibes, disco roots, and a touch of robot melancholy. Born out of a time when the world felt both distant and strange, the EP channels those moments of isolation, longing, and unexpected creativity into something playful and deeply human. What started as an open-ended studio session turned into a journey guided by synthesizers we could only dream of owning, Marvin the robot’s dry wit from The Restaurant at the End of the Universe, and Cara’s love for cosmic sounds and disco grooves. The tracks came together in single evenings, capturing emotions as they unfolded.
Cara brought her energy, composing, performing, and singing her way into the stars, with Luis (aka Planet Zwo) riffing on guitar to ground it all. Marabou (Fabian) tied it together, wiring up gear, recording, and even finding a remix idea in the middle of mixing.
The result? A collection of tracks that balances nostalgia and futurism, melancholy and euphoria. Adding even more fuel to the ship are remixes from the likes of Intergalactic FM’s I-F + Gerd Janson, and Dan Tyler of the Idjut Boys.





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