Tasty Treats Records is happy to present another great artists: Shaka.
Title track is a pure dancefloor track with nice strings,organ solo and with the piano chord with lot of old school house influences.
B side is a totally different kind of song influenced by jazz and latin music with a groovy percussion session,a fat bassline and soulful vibrations.

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Early support and played by among others Vincent Floyd, Jimpster, Alex
Dinham, Laurent Garnier…
Vibes and Grooves delivers a new EP from Shaka.
The A side shines with two of his usual jazzy house tunes. „They
Wrote It On The Wall“ is a hypnotic dance floor mover and „All
Wrapped Up“ brings up some 90s house vibes. The rather calm
mood on the flip side with the voice of Six Lee on the tracks „Dear
Disco“ and „You Should Have That Balls„ characterize a classic B
side.

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Shaka is back on Local Talk with a follow-up to "The Riverwalk EP" released back in 2020.

The Bird's Eye View continues on the same deep, soulful and uplifting house tip with waves of ear-pleasing music.
There's a genuine swing to the opening track Short Circuit that is infectious and Shaka really gets to work on those keys.
It brings back memories of those golden years of house music when every track Strictly Rhythm classic was a classic...

The Birds Eye View offers a deeper and jazzier spin on the lush and spiritual house music Shaka flirts with.
If delightfully playful house music is your secret crush then look no further.

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Since releasing his Shaka EP Vol.1 back in 1995, Swiss House veteran Kurt Spichiger aka Shaka has become a reliable sources of skilfully constructed house music.

Opening track 'Theme From Riverwalk' is a luscious exercise in melodic and soulful deepness. It oozes deep house authenticity and you know you are holding quality just a few bars in, a track that would sound at home on Strictly Jaz Unit Muzic.

On the flip you'll find Shaka confidently skipping between deep melodic house with jazzy melodies, heavily influenced by soulful and spiritual house vibes. 'New Relationship' aims straight to the heart and is the perfect blend of something played by both Joe Clausell and Ron Trent.

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Live and direct from Basel, Switzerland, we're proud to present our next EP on Kolour LTD from talented veteran Shaka. Shaka's mindset of quality over quantity fit beautifully alongside his demo and the match was undeniable. This one is chalked full of those deep, underground house vibes; perfect for any setting.

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Now universally recognized as one the great ambassadors of House Music around the globe, Todd Edwards first built his reputation in the early 90’s with a string of 12" releases from some of New York’s more prominent independent labels. This was an era when on any given week you would have up to 100 new 12" releases from New York based producers, all vying for space on the 12" shop walls. In this hypercompetitive environment it was not easy for a new producer to garner a reputation. But Todd’s releases did not sound like anything else. Using an innovative blend of rhythmic, cut-and-paste vocal samples, rubbery basslines, and slapping percussion, he created a 4 track EP for Nervous in 1994 under the production acronym The Sample Choir. This 12" created such a massive buzz in the UK that it is now considered instrumental in helping to propel Britain’s Sunday clubscene into the genuine cultural phenomenon of speed garage.

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With her new “Let Me Be Your Fantasy” remix package, Anané continues to solidify her position as one of the most talented and charismatic recording artists in the world today. It’s never easy to take on a classic disco tune, which in this case is a song originally released in 1978 by The Love Symphony Orchestra. But working with producers Two Soul Fusion (Louie Vega and Josh Milan), Anané has crafted a new version of this song that retains the glamour of disco while also injecting a raw toughness and rhythm perfectly suited for today’s dancefloors. As is her custom on her remix packages, Anané has pulled together an outstanding team of producers to lay down their own very unique and high impact mixes, including Masters At Work, Dimitri From Paris, Mousse T, Blackchild and Moplen.

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US House Music legend Teddy Douglas of Basement Boys and Jasper St. Co. fame gets set to unleash his first solo artist album, ‘I’m Here’, on the iconic label, Nervous Records. Teddy has gone all out to deliver one of his most creative and musically diverse albums to date. ‘I’m Here’ is a colourful pallet of meaningful songs and grooves that reach far beyond Teddy’s signature soulful Baltimore House sound, with added infusions of Funk, Rock and Jazz, yet still loaded with plenty of Teddy’s trademark House and Disco sounds that we all know and love. Across the album he’s pulled together an array of heavyweight international vocal talent including; UK vocal diva Pauline Taylor; Danish award winning Folk and Blues artist, Richard Farrell; Chi Town Hip House legend, Fast Eddie; dance music’s legendary No.1 vocal queen, Ultra Naté; up and coming Brit Soul talent, Sipho; and Buckshot from Blackmoon appearing as BDI Thug. From the shimmering cover of The Frontline Orchestra’s ‘Don’t Turn Your Back On Me’ with Pauline Taylor on the vocals, to the downtempo rocky vibes of ‘Help!’ with Sipho delivering a spine-tingling gravelly vocal, ‘I’m Here’ is testament to Teddy’s finely tuned expert musicianship and impeccable knack for penning great songs and delivering vibrant covers. Baltimore’s Teddy Douglas has produced everyone from Michael Jackson, Lenny Kravitz, Crystal Waters, Erykah Badu, Martha Wash and Ultra Nate’ and was an important figure in the development of the Baltimore “House” Sound. Teddy has held down a long and successful DJ career since 1983 staring out in Baltimore and spreading his wings globally gracing the decks at clubs such as Yellow in Japan to London’s Ministry of Sound and beyond. In 1985 he met Jay Steinhour and Thommy Davis, who later formed The Basement Boys production company. The Basement Boys have produced countless dance classics like Crystal Waters’ 1991 Gold single, ‘Gypsy Woman’. In the mid 90’s Teddy Douglas and Jay Steinhour opened Basement Boys Records and released club anthems from Teddy Douglas, Jasper St. Co., Ann Nesby, Those Guys, DJ Spen, Byron Stingly, Karizma, Kenny Bobien, Taja Seville and more

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Danny Tenaglia’s new EP on Nervous Records features “Tonight” and “Out From Obscurity” and a remix of his prior Nervous Records release “Move That Body.”

With ”Tonight,” Danny kicks things off with the title track - treating us to both ‘No Beats Intro’ and ‘Beats Intro’ versions. And in doing so - manages to deliver, hands-down, one of the most tantalising and majestically rousing opening gambits we’ve heard in some time.

And when ‘Tonight’ finally bursts its aural banks, circa 1 minute 30 seconds - with the most seamless of transitions, we suddenly find ourselves surfing a decadent wave of hazy Rhodes, staccato bass and mesmeric vocal work - ebbing and flowing right up to it’s opulent and wonderfully soporific conclusion.

Next up we have DT’s re-rub of George Vidal’s ‘Out From Obscurity’; a veritable pressure-cooker of a track, that spins and weaves a sense of poise, tension and drama which escalates stealthily throughout. A stripped-back, rolling synth-driven’, made-to-measure for the 2024 club floor.

Finally - closing this souped-up invigorator of a release - we have ANTRANIG’s remix of Danny and Cevin Fisher’s ‘Move That Body’… a fully tribalized, menagerie-wrapped groove; which wears the sweat, the writhe and all that heat - very much on it’s visceral, live-and-direct sleeve.“

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Super Flu has crafted a unique and special track with a fresh reinterpretation of Cher’s legendary Grammy Award winning song “Believe.” Infusing raw electronic beats and atmospheric soundscapes, this track reimagines the classic in a way that resonates with the burgeoning underground dance community, but at the same time retains the essential melodic elements of the tune that gave it such universal appeal. Experience the haunting allure and hypnotic rhythms that only Super Flu can deliver, redefining a timeless anthem for the next generation of listeners. Early support from Keinemusik, Black Coffee, LP Giobbi, Blondish, Desiree, Adam Ten and more

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"Two-pronged, remix attacks don't come much more exciting and potent than this... as here - thanks to our good friends at Nervous NYC - we're beyond hyped to bring you the legendary Masters At Work and Dave Lee on one single, fully weaponised package. Putting their own, inimitable spins on Louie Vega's ?Music Is My Life? - which features the unique talents of Unlimited Touch - we're treated to a pair of wonderfully complimentary, but no less idiosyncratic re-rubs from these two stalwarts of the scene. With a production hand and artistic touch like no other - Masters At Work lead the way here, with their main remix. Characterised by that trademark looseness and deliciously warm, organic approach - their rework is awash with woozy psychedelia and layered so expertly, that getting lost in the music is both gloriously simple and an absolute pleasure. But no true Vega & Dope remix suite, would be complete without a bonafide Dub version. And for ?Music Is My Life? - this sees the dynamite duo take proceedings down a distinctly more mesmeric and mood-laden path… one where the vocal is instead used as a powerful rhythmic weapon, and the star of the show, is a surreptitiously morphing and shape-shifting, delicately acid-laced synth lead. Next up - having recently switched his attentions to productions under his own namesake - is Z Records' head honcho, Dave Lee. Snapping into life with its crisp and punchy drum work - what Lee's remix does share with that of the Masters is in the over-arching, tripped-out haze which douses proceedings. However - where his remix opts to stick its head well and truly above the parapit, is in it stylistic flavouring. As when it comes to slicing that genre cake, so to split the worlds of Disco and House perfectly down the middle - there's simply no one who does it finer.”

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Here, breathing fresh life into Ruffneck ft. Yavahn’s seminal heater - ?Everybody Be Somebody? - are the mighty Classmatic; re-moulding the mid-nineties classic, into an organically-garbed, rolling-House titan. With Yavahn’s inimitable, sultry tones, sliding across a bed of sub-aquatic bass, rotund kicks, hissing hats and revolving toms - it’s a track, tailor-made for the terraces of Ibiza, beaches of the Adriatic and beyond.

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Trailblazing a new wave of House hero, from the heart of Techno-dominated, Berlin - LOVEFOXY here delivers a dynamite 3 tracker for NYC's Nervous. Opening up proceedings, with a defiant, smile-inducing, soliloquy - is ?Sluthouse?; a track that truly wears the artist's roots on its sleeve. With it being a pure celebration of heyday, US House music at its material core; whilst at the surface - a proud embrace of that inimitable Berlin attitude, atmosphere and desire to always be pushing things forward. With its stripped back garb and distinct sense of purpose - ?Freakfest? is pure club-born fire... its booming kicks, skating rides and racing hats delivering an invigorating sense of urgency that's hard to resist. Summed up beautifully by her latest bio - LOVEFOXY's sound is often epitomised by its 'warm punch'; something that EP closer ?Buisness First? showcases brilliantly. It's muted stabs, reverberating chords and hazy strings providing an almost palatial level of warmth; whilst the resonant bass, galloping kicks and incisive snares pack an almighty, sucker-punch.

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Danny Tenaglia’s discography is chock full of multiple seminal and genre defining classics, but as he shows with his new 12” vinyl release his production skills are as well honed as ever and he can still create tunes that represent a musical moment in time like few others. On the A-side “The Brooklyn Gypsy” is his highly personalized and pumping ode to one of the great anthems of House Music “Gypsy Woman,” produced with the full approval and appreciation from the original creators. And on the flip side “Move That Body” features a signature Danny Tenaglia deep, warm and bass heavy foundation with an inspired and memorable vocal performance from another legend of the New York City House Music community Cevin Fisher. The package includes a unique and frameworthy custom art jacket

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What is it about New York City, that concrete jungle that continually inspires the creative spirit? From Warhol’s Factory to Larry Levan’s Paradise Garage to David Mancuso’s Loft, collectives that celebrate and nurture unfettered, organic artistry have been absolutely intrinsic to the story of this sprawling metropolis. Its latest chapter is being written at the hands of ‘The Maestro’, Grammy Award winner Louie Vega and his Expansions NYC parties, the sound documented in his latest album Expansions In The NYC (Nervous Records).

Starting in February 2019 in Manhattan and Brooklyn venues, Vega’s Expansions NYC parties have their origin not in his revered prowess as a DJ but rather his whole-hearted appreciation of the different elements of the dance floor surrounding him: the dancers, the musicians who bring their instruments to join him ad-hoc on the night, the small, dedicated crowd of clubbers whose ears to the ground keep them informed on the underground party information. The events included 6-hour DJ Sets with Louie under his select curation, and would usually end with 3 AM jam sessions involving keyboardists, guitar players and poets all performing in front of a jam packed crowd. In just a few short years the Expansions NYC events have evolved into an NYC-clubland institution, an intimate celebration of house, funk, disco, afro, R&B and more.

As with his parties, so goes his album. The collective vibe that forms the beating heart of Expansions NYC parties is absolutely front and centre in Expansions In The NYC, Vega drawing in one of the most comprehensive lists of collaborators in recent memory. House heavyweights Honey Dijon, Joe Claussell, Moodymann, Kerri Chandler and Anané rub up against legendary vocalists Bernard Fowler, Cindy Mizelle, Lisa Fischer, Audrey Wheeler and Tony Momrelle. Gospel royalty BeBe Winans and Debbie Winans, pop icon Robyn and rising star Karen Harding sit alongside disco-era champions Unlimited Touch, Cuban jazz pianist Axel Tosca, Nico Vega, Two Soul Fusion with Josh Milan and Vega and underground legend DJ Spinna. At the centre of it all, fingerprint on every beat, touch on every groove, sits a master at work, weaving the individual threads into a rich dance music tapestry.

"In the past few years I’ve found new inspiration both from the musicians I’m working with and the audiences coming to see me at my DJ shows,” Vega says. “So for me this album represents new beginnings, bringing together a beautiful mosaic of artistic perspectives to express musically what we call Expansions In The NYC."

At its heart, Expansions In The NYC is a love letter to New York, as much as melting pot as the city it represents, the scope of its line-up possible only because of the influence and reverence of Vega the artist, the DJ, the producer, the curator. In creating this album, Louie Vega has once again utterly enriched the lives and libraries of music lovers the world over, far beyond the hustling streets of NYC that have so indelibly left their mark on his work.

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Joseph Capriati is firmly established as one of the greatest techno DJs in the world, but growing up in Naples his first connection with electronic dance music was actually in the House Music genre. “Peace And Blessings” feat. Arnold Jarvis is Joseph’s very personal tribute to this genre, where he produced a track that he felt encompassed the vibe and spirituality of House Music. He wanted a song and vocal performance that would equally represent all the best qualities of the genre, and joined with one of the industry’s most iconic and legendary vocal talents Arnold Jarvis to write lyrics and deliver a vocal performance that perfectly complements Joseph’s percussion and synth driven track. Bushwhacka! on board as Mix Engineer on The Groove Mix.

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Sublime deep House of the highest order from New Jersey’s very own Kerri “Kaoz 6:23” Chandler. "The Mood EP" is pure quality from start to finish and is one of Chandler’s lesser spotted releases that is undoubtedly a classic. Released on the legendary Nervous label in 1998 it still stands head and shoulders above most other releases of the time. TRACK LISTING: A1. Just Livin', A2. Dreamscape, B1. Union City Nights


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Grammy Award winner Louie Vega has the unique ability to spotlight and highlight the most essential elements of classic dance tracks and remix and recreate them to create something just as powerful for today’s audiences. Currently in the midst of putting the finishing touches on his forthcoming album, Expansions In The NYC, Louie took some extra time to gather together the original members of the seminal New York – based disco funk band Unlimited Touch and collaborate with them at Log Cabin Studio in Manhattan and his own Daddy’s Workshop Studio in New Jersey to produce the 2020 edition of “I Hear Music In The Streets.”

Unlimited Touch consists of Audrey Wheeler (lead singer), Phil Hamilton, Tony Cintron, Sandy Anderson (RIP), Stephanie James and Lenny Underwood. “I Hear Music In The Streets” was originally released on legendary imprint Prelude Records in 1981.

Growing up in the Bronx, from an early age Louie had an affinity and love for all the various musical genres that were bubbling up in New York during that era defining creative period. It is that passion that has stayed with him during a career that has brought him Grammy’s, several worldwide hit records, and a status as one of the world’s most sought after DJs. It was especially fulfilling for Louie to work with the original members of Unlimited Touch, He quickly realized that their talents were still as strong as ever as they performed musical and vocal elements from the original song, and that they had the vision to see how the song could be re-energized by having Louie add his unique production elements to this seminal tune.

Louie is in the midst of an especially prolific and productive period. In 2016 he released the Grammy nominated Louie Vega Starring….XXVIII full length album; 2018 saw the release of the widely acclaimed and chart topping NYC Disco 2 X CD and 4 X vinyl album on Nervous Records. Known universally as “The Maestro” due to the standards of excellence he maintains in his productions, DJ Performances and live appearances with his Elements of Life Band, Louie Vega is now ready to unleash another gem to add to one of the music industry’s most remarkable body of work.

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Two supreme House Grooves from the world renowned “Maestro” of the dancefloor in the continuing build-up to the Louie Vega “Expansions In The NYC” album release. With “Another Day In My Life” Louie Vega incorporates elements of the classic jam “Never Had A Love So Good” by Charles Johnson (fully cleared and licensed from the legendary Henry Stone Music Company), and creates a driving and infectious soul-infused club anthem that ruled the DJ download platforms prior to its vinyl release. On the AA side, Louie works with his long time collaborator Axel Tosca as well as legendary Chicago DJ / Vocalist Mike Dunn to create his own very soulful and New York flavored interpretation of the renowned 1999 Deep Burnt song by Pepe Bradock, done of course with Pepe Bradocks blessings and appreciation.

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Timmy Regisford’s enduring career is a testament to his talent and ability to always stay ahead of the House Music curve. For his new 2X12” album “Some For This and That” on Nervous Records he has combined afro house vibes with classic R&B vocals and signature Shelter chords and synths to create a musical mosaic unlike anything else currently on the market. “If You Ever Need to Cry” and “Go Outside In The Rain” are the stand-out songs on the album that feature stellar vocal performances, while “Heaven 10 Zillion” and “I Love” will transport the listener straight back to NYC in the 90’s to the best Shelter party they could imagine. “Africa” and “Khannyisa” exhibit the next level of percussion and authentic Afro House vocal elements that will set the direction for this very popular sub genre for years to come.

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Anané’s Take A Ride EP was produced by Two Soul Fusion, aka Louie Vega and Josh Milan, all with live string arrangements courtesy of the Apple Hill String Quartet and conducted by Leroy Burgess. The recording dives from the effortless heights of Punk Disco (Let Me Be Your Fantasy, High) into the swirling eddies of Jazz Funk (Coffy Is The Color) before climbing back out into the languorous arms of Italo-Disco (Tutto Previsto). Strings across the production were The EP is held together in its entirety by the dreamy, sumptuous vocal of its creator Anané, who considers her top line one vital part of the instrumental whole. “I am art,” Anané reflects carefully, “for I am the music as much as I am the singer. Creation means to crawl into the unseen of my own dreams and becoming the beast of my vision, singing to the world as I go by.”

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Doug Gomez’s new album “Puro” is that rare release in our dance music industry where the level of artistry in the music is just as important as this collection’s ability to move the dancefloor. Doug’s extensive experience in the industry, and his own personal development as a producer /DJ, enables him to walk that fine line between musical craftsmanship and dancefloor accessibility. The result is an album that is an essential addition to the collection of all lovers of House Music and Afro-Latin Rhythms. The album’s title track “Puro” flows with a multi percussive rhythmic core that’s embellished with exotic and energetic sythn lines and instrumental elements that display Doug’s international background, while tracks like “Theresa’s Paradise” and “Without You feat. Aaron K. Gray” illuminate his extensive experience in playing and producing tracks that represent the evolution of New York’s storied House Music history. The vinyl release is packaged in a vibrant and multi-layered custom art package that was designed by Doug himself.

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One of the defining releases on Large Music gets a special re-issue after a 16 year wait. Considered by many to be one of the top 3 packages in the early Large catalog, this EP set the trajectory for what would quickly become known as the "West Coast" sound of American House. The main vocal on side A also became a venerable classic at the Shelter in NYC and was played consistently by Timmy Regisford throughout his tenure there. The darker, more disco filtered tones on the flip side were also highly praised and played at the time by French DJs such as Daft Punk, Phil Weeks, Cassius and many others. Rasoul is often overlooked as one of the chief architects of modern Deep House, yet this release certainly secures his elite standing in the annals of House Music history. Essential!

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Iconic Deep House label Large Music returns to the vinyl market with a limited repress of the classic Kerri Chandler release Return 2 Acid. First pressed in 2005, this was the 100th release on Large and has been out of print for 10 years. The A side features Kerri's powerhouse tribute to the glorious days of Acid House laced with driving beats and an incessant 808 acid line. On the flip side Kerri goes old-school, this time with an electro Afrika Bambaataa influenced jam entitled Planet Sonic. Also included for this special reissue is the unreleased Acapella of Return 2 Acid solidifying this as a true collectors item.

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DJ Sneak started releasing music around 30 years ago, whilst Hard Times was also knocking out records at the same time from the likes of Masters At Work, Todd Terry and Roger Sanchez. Sneak has played for the legendary club night many times, but this is his first outing on the label. Sneak delivers 4 peak time classic cuts reminiscent of his early work, which fits in perfectly with the equally longstanding Hard Times label.

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In the mid 90s, deep within London’s underground scene, Matt Hodgson (7th Voyage) and Laurant Webb (Housey Doingz) created an acid record that slowly became a cult favourite, highly sought after by DJs and vinyl collectors. A seamless fusion of raw acid techno energy and house infused groove.

These standout tracks are driven by sharp, meticulously programmed
drums and massive 303 basslines. Each track unfolds as a raw, evolving journey, balancing tension and release with hypnotic precision. It’s the raw signature sound of the time, still as exciting today

Recorded at Swag Studios Croydon in 1996 and initially released on
Surreal, this record quickly became a treasured rarity. Now, it’s back with a notable reissue as part of the Pariter collection.

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