Territories: WORLD

LP: Heavy 350gsm Sleeve, Sticker

Tracklisting LP

A1. Pizza Hotline – Ice Planet
A2. Mitch Murder – Terminal Velocity
A3. Pizza Hotline – The Racers We’ve Lost
B1. Mitch Murder – Oceanic Zone
B2. Pizza Hotline – Dark Void
B3. Mitch Murder – Diverge

Info

WRWTFWW Records is honored to present a one of a kind collaboration release between buzzing UK producer and DJ Pizza Hotline and Swedish electronic and synth icon Mitch Murder, delivering 3 gigantic tracks each for the Anti Gravity Tournament album, now available as a limited-edition LP housed in a heavyweight 350gsm sleeve illustrated by the legendary junkboy. It is also available in digital formats.

Inspired by the classic WipEout video game series, this high-energy boosted split-album transports listeners into the futuristic world of anti-gravity racing, a colorful turbo adventure soundtracked by 6 mega tracks of fast-paced atmospheric jungle, thunderous breaks, and liquid drum & bass. The adrenaline-fueled collection delivers maximum energy and dreamy vibes, a true paradise for fans of 90s/Y2K video games, LTJ Bukem, Peshay, Soichi Terada, and previous efforts by Mitch & Pizza.

Anti Gravity Tournament follows 2 critically-acclaimed albums by Pizza Hotline – Level Select and Polygon Island, both still available on WRWTFWW Records, as well as the limited Low Poly Breaks cassette series which sold out in a few minutes.

Mitch Murder is known as one of the originators of synthwave and has released timeless albums on Rosso Corsa Records, Mad Decent, and My Pet Flamingo (TimeSlave Recordings). He is also the man behind the Kung Fury soundtrack and has collaborated with…David Hasselhoff himself!

The astonishing exclusive artwork comes from the one and only junkboy, creative director at Mojang Studios (Minecraft) and all-around design grandmaster.

Fasten your seatbelt and join the fun.

Points of interests

For fans of liquid DNB, jungle, the AMEN break, video games, ambient, synthwave, Playstation, Soichi Terada's Ape Escape, LTJ Bukem, Peshay, Wipeout OST, Pizza Hotline’s Level Select and Polygon Island, David Hasselhoff, futuristic racing tournaments, Minecraft, nice cars, ice planets, and the high speed life.

First ever collaboration project between Pizza Hotline and Mitch Murder – now on limited vinyl!


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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore

GENRE/S: Folk / Electronics

Pedro Vian Vian and Maalem Najib Soudani "Mogador": A Fusion of Analog Electronic Music and Traditional Gnawa Sounds
"Mogador" stands as a compelling exploration of the intersection between seemingly irreconcilable musical worlds: the experimental realm of analog electronic music and the deep-rooted tradition of Gnawa. This project is more than just a juxtaposition of styles; it’s a meeting of minds where the ancient and the modern, the analog and the organic, are woven together into a seamless auditory dialogue.
What truly sets "Mogador" apart is the way Pedro Vian’s use of the EMS AKS Synthi and Buchla doesn’t overpower the mix but instead forms a perfect synergy with Maalem Najib Soudani’s qrebeb and guimbiri. Rather than competing, the analog pulses intertwine with the hypnotic lines of the traditional instruments, amplifying the trance-inducing qualities inherent in Gnawa music. The Maalem’s vocals, steeped in history and spirituality, float over layers of synths that feel both ethereal and tangible, crafting a soundscape that is as cinematic as it is visceral.
This is not just a collision of cultures or a superficial fusion exercise. "Mogador" represents a genuine dialogue between two ways of understanding sound and space, where every element—from the syncopated percussion to the serpentine modular waves—contributes to a sonic landscape that is both haunting and profoundly resonant. Here, tradition isn’t a museum piece, and analog electronics aren’t a rootless futurism; instead, they transform each other, creating something greater than the sum of their parts.

1. Intro
2. Mogador 1 07:03
3. Mogador 2 04:12
4. Mogador 3 04:56
5. Mogador 4 05:38
6. Mogador 5 01:20
7. Outro 00:37





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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore

Format: Vinyl 12” (180 gr., Limited Full Cover)

Track list:

A1 Moments Ahead
A2 Get It Together
B1 Brighter Life
B2 Futures

Release Info:
Tesfa Williams celebrates his personal ancestry and the diversity of black electronic music with a name change on his Heist Recordings debut.

First things first. T. Williams is now Tesfa Williams. And although the dot is gone after the T, by taking that away, the artist openend up a whole world of meaning, personal storytelling and recognition of his roots.

“Originally when I started "T.Williams" it felt like my African first name Tesfa wouldn't be welcomed in the scene. Something I've experienced in general from school, college, work etc….. I grew up in a Rastafarian family with Carribean heritage and my parents decided to give me and my siblings African names to connect us to our African ancestry. I now feel like I’m ready to embrace this part of me as an artist and share it with the world.”

Tesfa Williams is an artist with a long history in UK club music. Long before his critically acclaimed debut album in 2024 ‘Raves of future past’, he was knee-deep in the UK grime scene and throughout the years, he has built a strong reputation in UK funky, soulful house and Garage with remixes of Latch for Disclosure and Sam Smith (yes, that track), bumping originals on Strictly Rhythm, Local Action with Julio Bashmore, and much more. On his debut for Heist, we see the artist dig deep into his black roots and deliver an EP that celebrates his eclectic sound with 4 originals full of high notes.

The ’Beyond today’ EP kicks off with ‘Moments Ahead’, a classic filter-house jam with lovely soulful chops and the perfect amount of grit. It’s the type of funky, peak-time house track that will ignite any dancefloor with its irresistible groove. ‘Get it together’ sees the artists layer some classic R&B vocals over an infectious warehouse groove. It’s the kind of track that’ll grab anyone’s attention on a first listen. The breakbeat loop in the background gives the percussion its dry immediacy and the sparse melodic hits and irresistible vocal chops turn this track into an absolute dancefloor monster.

On the flip, the London producer merges his love for soulful house with contemporary electronics on ‘Brighter life’. There’s something deliciously breezy about this song, where the vocals, chord hits, sweeps, and hits deliver a groove that’s laidback and powerful at the same time. The electronic parts of this track are cleverly laid out to contrast the syrupy sweet vocal and underline the class of the artist’s ability to effortlessly blend genres.

The EP closes with ‘Futures’, a bottom-heavy late-night burner much in the style of Dam Swindle’s 2023 Heist outing ‘Soul’s lament’ or the percussive goodness of Alma Negra tracks such as ‘Conversation’. There’s a nice blend of trippy electronics and driving Rhodes hits, which makes this a track perfect for those moments you simply want to go deep, heads-down, and feel the music.

With ‘Beyond Today’, Tesfa Williams has written a piece of music that pays homage to so many of the genres that have influenced him as well as to his black roots. ‘Beyond Today’ is a contemporary club record that oozes positive energy just the way we like it and we can’t wait to play this one out to all of you.

Enjoy the music and get ready to dance!

Lars & Maarten


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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Tracklist:

01. Hashish
02. The Last Straw
03. Nu Stone Groove
04. On Release
05. Poor Man Beggar Man Thief (Feat Kye)
06. Suicide Bomber
07. Roll Up
08. For Love's Sake


Short info:

Efficient Space honours the memory of producer and MC Ali Omar with Hashish Hits, a posthumous selection from the dub rebel’s self-released discography.
One of ten children in working-class Liverpool, Omar drew deep influence from his father's Arabic heritage—a thread central to his identity and sample origins. After art school and a spell clubbing during Manchester's halcyon days, he relocated to Sydney, where he co-founded the blunted downbeat duo Atone with fellow British expatriate Andy Fitzgerald. As an MC, he infiltrated the city’s house, dub, jungle, and bass circuits, becoming a regular fixture at the Bentley Bar, where he commanded the mic with his versatile, rumbling baritone and charisma.
Freakishly talented in the studio, Omar was a pioneer of the Akai sampler and Atari, deftly recording live sessions straight to DAT. Drawing on industry insights from his sister, Merseybeat firebrand Beryl Marsden—who supported The Beatles on their final UK tour and was signed to Decca and Columbia—the non-conformist sought to build a self-sufficient business model. Between 1998 and 2004, he independently issued four albums on CD through his Hashish Studios imprint, hustling copies directly to local record stores and live shows for instant returns, even hand-sewing screen-printed hessian sleeves for his final release.
Uncompromising in his principles and refusing to suffer fools or charlatans, Omar relished the opportunity to collaborate with those who embodied the same spirit. Hashish Hits offers a snapshot of his inner sanctum—Fitzgerald on the opening track's billowing smoke stacks, the serpentine vocals of Gina Mitchell and the magic hands of mixer Louis Mitchell on 'On Release,' and Wicked Beat Sound System’s Kye on 'Poor Man Beggar Man Thief'. Meanwhile, 'Suicide Bomber' smoulders with the tension of a lost Muslimgauze relic, as the instructional 'Roll Up' and 'The Last Straw' spiral deeper into Omar’s signature production vortex—where space stretches in slow motion and walls reverberate with ricocheting delay.
A true icon of Sydney’s underground scene, the larger-than-life Omar passed away on 23 June 2009 after a valiant battle with cancer. He is remembered for his assertive spirit, larrikin humour, wild anarchic personality, and enduring mantra: “Love and live your life”.


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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore

Territories: Worldwide

DLP: Limited Edition with exclusive artwork by Pierre Thyss and OBI strip

Tracklisting
A1. Opening (Destruction of the Space Colony)
A2. Theme of Super Metroid
A3. Spaceship (No SFX)
A4. Boss Confrontation 1
A5. To Planet Zebes
A6. Planet Zebes (Arrival on Crateria)
A7. Crateria (The Space Pirates Appear)
A8. Item Acquisition Fanfare (No SFX)
A9. Item Room
B1. Chozo Statue Awakens
B2. Brinstar Overgrown With Vegetation Area
B3. Mini Boss Confrontation
B4. Brinstar Red Soil Swampy Area
B5. Norfair Hot Lava Area
B6. Tension
B7. Boss Confrontation 2
C1. Theme of Samus
C2. Wrecked Ship
C3. Maridia Rocky Underwater Area
C4. Maridia Drifting Sandy Underwater Area
D1. Norfair Ancient Ruins
D2. Mysterious Statue Chamber
D3. Tourian
D4. Continue
D5. Samus Aran's Appearance Fanfare
D6. Mother Brain
D7. Ending

Info

WRWTFWW Records is happy to announce the first-ever physical release of Louisiana-based composer and producer Jammin’ Sam Miller’s full HD re-creation/restoration of the beloved Super Metroid video game soundtrack. The limited biovinyl double LP is packed with 27 tracks and features an exclusive artwork by French illustrator Pierre Thyss, as well as an obi strip.

Composed by Kenji Yamamoto and Minako Hamano, the soundtrack for 1994 SNES exploration / action-adventure / sci-fi / alien video game Super Metroid has always been a fan-favorite. A true masterclass in music storytelling, it beautifully evokes the epic and eerie adventure of the game’s protagonist Samus Aran with superb use of atmospheric sounds, space-operatic arrangements, rumbling bass, oppressive techno-futurist moods, tribal drums, and airy synth themes, admirably balancing the ominous feel of a dark menace and contemplative, even soothing, ambient soundscapes.

Jammin' Sam Miller assiduously recreated the soundtrack note by note, by finding the original equipment used to create it, translating the MIDI into a modern studio context, adding in keyboard samples, and re-mixing and re-mastering the whole score. He explains: "This was made possible by locating the original instrument samples from workstation keyboards and drum machines before they were put into the game and rebuilding the soundtrack from the ground up, applying some modern mixing techniques along the way to lift the veil of 16bit compression and create an updated listening experience."

Super Metroid is pressed on biovinyl, a sustainable alternative to traditional vinyl. Biovinyl replaces petroleum in S-PVC by recycling used cooking oil or industrial waste gases, resulting in 100% CO2 savings in bio-based S-PVC production. Furthermore, it is 100% recyclable and reusable, embracing the circular economy ideology.


Points of interests

- For fans of video game soundtracks, SNES, Metroid and Super Metroid and all of them, Samus Aran, atmoshpehric sounds, ambient music, synthwave, the 90s, Zebes Music, painstakingly recreating things.

- First ever release of Louisiana-based composer and producer Jammin’ Sam Miller’s full HD re-creation/restoration of the beloved Super Metroid video game soundtrack – on vinyl!



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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore

GENRE/S: Disco, funk, house

TRACKLIST:
A1. Repo Lady
A2. Bodywork
B1. Woman of The Party
B2. Go Dancin´

SHORT INFO:
4 blazing disco cuts. Mega tip for dancefloor lovers! Ltd to 500.


Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore

Tracklist:
A1. After Five
A2. Day Dreams Of Beaches
B1. After Five – Pablo Bozzi Remix
B2. After Five – Aldonna Remix

Australian producer Luke Alessi is back on DJ Tennis’ iconic Life and Death label with his latest record, the ‘After Five’ EP.
Picture a roaring 1920s debauched, excessive and riotous cocktail party with screaming brass moments meets 1970s funk and disco grooves that loop and tumble you into a hypnotic state while Barry White's voice guides you through the whole experience. ‘After Five’ was designed to make you feel sexy, groovy and a little bit wild.
A sonic journey through moody elegance and late-night allure, the release is complemented by remixes from boundary-pushing producers Pablo Bozzi and Aldonna.
The title track, ‘After Five’, released in November 2024 to an avalanche of praise, proving Luke Alessi’s knack for crafting sophisticated beats that resonate across dancefloors. Named as Pete Tong’s Essential New Tune on his coveted BBC Radio 1 show as well as over ten placements on Spotify and Apple Music editorial playlists, and
heavyweight DJ support from tastemakers like DJ Tennis, Dixon, La Fleur, Laurent Garnier, Jimi Jules, and Demi Riquísimo, it’s clear his track has struck a universal chord.
Pablo Bozzi’s remix follows this, putting his signature Italo flex on the title track turning it into a hedonistic and raucous party anthem. Known for her idiosyncratic sound that mirrors her deep sonic interest for the nineties and early noughties, Aldonna finds her sweet spot between House, Progressive and Trance with her remix of ‘Day
Dreams of Beaches’ reflecting exactly this.
Already part of the Life and Death family since ‘Bey Beh’ and ‘Dale Dale’, Luke Alessi’s music sits in its own lane, refusing to be pigeonholed into any conventional genre. A frequent collaborator of Chloe Caillet, Carlita, Rüfus Du Sol, and many more established talents, 2024 has been a huge year for Alessi, with noticeable DJ debuts from Mexico to Asia via Europe and North America.




Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore

GENRE/S: House, Deep House, Funky, Dub

TRACKLISTS:
A1. Tacking Back
A2. 5AM
A3. Twilight
B1. Empty Room
B2. It's My Dub
B3. Yamanashi

SHORT INFO:
We are thrilled to announce that Takuya Matsumoto is joining the Inhale Exhale family with our upcoming release! The Japanese House veteran presents an extraordinary EP that showcases his remarkable versatility. From block party energy house anthems to Brazilian-inspired feel-good grooves and deep, dub-inflected club tracks, this record is a celebration of life and its most cherished moments. An exquisite homage to the joy of music and existence, this EP is not to be missed.









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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore

WSNWG unveils catalog number 015 with a four track collaboration between Tbilisi-based producer Üvall and label head Rødhåd. After an intense week-long jam session at the WSNWG studio in Berlin in february 2024, the stage was set for KINVA, a vivid, straight forward mind melter.

Written & Produced by Uväll and Rødhåd at WSNWG Studio Berlin.
Mastered by Conor Dalton at Calyx Mastering in Berlin
Vinyl Cut by Schnittstelle Mastering Berlin

KINVA 01 [240209.2]
KINVA 02 [240206]
KINVA 03 [240209.1]
KINVA 04 [240207]


Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore