We are thrilled to present our next release from one of the best italian producers of the underground scene. Riccardo delivers Club Vision Records four techno-trance tracks finally ready for some dancefloor action.

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Riccardo takes you on a journey from soft and deep mood, to spacey and incisive dancefloor tracks. Enjoy the travel!

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WAS - Word and Sound Medien GmbH
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All things are one! Riccardo in the next chapter of Metropolita offer spatial environment accompanied by incisive drums, Enjoy it!


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On next Metropolita, Riccardo present a mix of different sound shadows, deep mood with soft and solid energetic groove... Do down in his travel!


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Take a seat aboard Venetia's spaceship and begin your electronic journey with his debut EP.

The ride begins with 'Camel' and its purring bass that, for the more attentive, may remind you of an old tune. It continues with “Jet” and its bewitching melody and sweet acid notes.

For the second stop on the voyage, there's 'The Mind', a powerful track blending vocoder and aggrandizing bass. The journey comes to a close with 'Shangri-La Disco', a startling and disconcerting track that can easily put everyone on the same wavelength on a dancefloor.

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Germany
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Fidelio’s triple-vision A-side gives a taste of the unorthodox, blending 90s acid rawness with the timeless elegance. This is where baroque drama meets warehouse ecstasy.

Fidelio unleashes an avant-garde fusion of classical organ melodies and razor-sharp acid basslines, echoing through your spleens. Each track oozes groove, driven by punchy kicks and hi-hats that sizzle like sparks on steel.

Fidelio’s mix pulses with a sense of urgency, like a techno odyssey through a neon-drenched dystopia.

Luca Piermattei will catch you on the flippity-flip. ‘Gas’ feels like a transmission from a synthetic consciousness trying to breach the uncanny valley. The track opens with a pulsating bassline that wobbles like liquid mercury, creating a sense of disorientation. A warped robotic voice enters, glitching and stuttering, its eerie attempt at human inflection both captivating and unsettling.

The groove is undeniable—polyrhythms weave through intricate layers of percussive clicks, offbeat hats, and swelling synth stabs. Just as you think you’ve found the rhythm, the track bends your mind with unpredictable shifts, like machinery spiraling into controlled chaos.

Enter Luca’s wormhole with ‘Third Rec. With Tascam 122’: Meet the captivating 4×4 electro groover that pulls listeners into an otherworldly soundscape. Anchored by pulse-driven basslines, the track delivers a surprising and dynamic arrangement that keeps you guessing.

The sections are seamlessly divided with intricate, pinball-like percussion, creating a playful yet precise rhythm. Perfect for late-night explorations, this track balances hypnotic grooves with unexpected twists, making it a standout on the dancefloor.

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Repress!

Berlin scene figurehead Gilles Aiken, AKA Edward, coming through with a massive Kalahari debut (and it’s safe to say he understood the assignment).

Booting off on a massive remix tip as the veteran producer reinterprets Mike Parker & Aric Rist’s Trybet project, but trust him to allow for a moment of dancefloor introspection. It’s prime early morning gear in a rousing juxtaposition of beatific string harmony and tough-as-nails deepness. Triumphant ‘window shutters open in the club at 5 AM’-type shit.

The other two are quintessential Edward: impressionistic, widescreen odysseys across lysergic terrain, but groove-forward where it counts. A pair of head-spinning explorations intended for the dancefloor, flush with shadowy flex, insectoid detail and tripped-out flourishes while keeping it funked-out in the tradition of Detroit.

The ‘Deep Sea Villain EP’ plumbs the depths of smudged abstraction, and as we’ve come to expect from Edward, it’s big on hallucinatory detail. It all oozes the multi-layered surrealism that typifies his best work. Proper transcendent biz.

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Toscal Records proudly presents its second vinyl release, TSCL002. Following the success of its debut, the label continues to showcase extraordinary talent with this transatlantic collaboration. Bolivian producer Andy Somoza and Valencian artist The Cap Boy unite their creative forces on one captivating record.

The release features two standout tracks from each artist. Andy Somoza delivers the cosmic groove of UFO DJ and the electrifying rhythm of Random Danzer. On the flip side, The Cap Boy offers the infectious energy of Willys and the raw intensity of Angry Cooper.

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Gerd returns to his own Frame Of Mind imprint with another fine selection of tracks. The breakbeat-driven groove of "Brave New Era" aside, all tracks offer different perspectives on early Motor City techno and house. Gerd is showcasing his love for metallic FM-synthesis driven sounds once again. Deep, moody and uplifting.

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Dark Entries has raided the bathhouse to bring us Deep Entries: Gay Electronic Excursions 1979-1985, 10 tracks of obscure queer synth bliss. One of Dark Entries' most important missions has been illuminating neglected facets of gay musical history, with crucial archival works by legends like Patrick Cowley, Sylvester, and Man Parrish. On Deep Entries, the label spans 6 years of gay electronics - from sultry to angsty to camp, these songs are overflowing with snappy 808 snares and sinewy analog synth leads. The '80s were a difficult period for many in the gay community as they grappled with the horrors of the HIV/AIDS crisis. The 10 tracks on Deep Entries, varied in genre and vibe, are united in their portraiture of 1980s gay life, and the hope for love or fleeting romance. Previously unreleased cruising soundtracks come courtesy of Patrick Cowley’s “Love Me Hot” featuring vocalist Paul Parker and Boytronic’s “Tonight (Alternate Mix)” set on Hamburg’s famous “Mile of Sin.” Brisbane-based Megamen deliver the proto-electroclash number “Designed for Living,” which prefigures Madonna’s Marlene Dietrich rap in “Vogue.” Trans vocalist Paula "Ula" Villagrá declares, “Everyone is gay!” on Muzak’s “Happy Song,” a skittering tecnopop anthem. Dereck Higgins' “This Was Something” rings like a lost Joy Division cut draped in bizarre effects, and Polar Praxis’ “(I Want) To Be Different” is a seething ode to alterity. Nightmoves’ “Nightdrive,” is best known as the brooding instrumental B-side to their epochal “Transdance.” Transistor Jet’s “Master Of The Universe (BW's f-w)”, Maxx Mann’s “Just Like a Razor” and Bachelor’s Anonymous’ “A Stranger’s Bed” are mood music for the pleasures of BDSM and one-night stands. The record comes housed in a retro bathhouse fantasy sleeve designed by Gwenaël Rattke and includes a double-sided poster with photographs and lyrics. Deep Entries arrives on December 1st in honor of World AIDS day, and proceeds will go to the San Francisco AIDS Foundation.

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Following last year's "Magic Overlooked" EP, DJ AGITATED returns to the Dolly TS series. "Horses of Volcanoes and the Moon" sounds as big as its title. Frantic vocal loops, deep dub stabs, fast paced strings and funky basslines, sky is the limit! DJ AGITATED delivers beautiful techno for the soul yet again.

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Butter Side Up Records welcomes back Liquid Earth for Deputy Dog, his second EP on the label. It arrives in early May and once again explores a sublime and spaced-out club sound with original artwork by Cleymoore.

New school mainstay Liquid Earth last appeared on this label in the summer of 2020. Since then, the LA-based artist has continued to bring his sound to labels like Kalahari Oyster Cult and his own Liquid Earth Physical. He mixes up elements of the OG 90s tech house sound with fresh West Coast feels, infectious analogue grooves and a real understanding of dance floor dynamics.

This new EP continues that signature sound with opener '2 The Dance Floor' bringing tight, punchy drums and swirling cosmic pads that make for a cinematic trip. 'Deputy Dog' gets more unhinged with its wild modulated leads bleeping and squeaking over brushed metal drums and a fat bassline. 'Rim City' continues to up the ante with party-starting energy coming from quick, slick drums and jungle breaks, raved-up chord patterns and subtle trance vibes. It's a brilliantly busy arrangement to really make the floor cut loose. Last but not least, 'Feels So Good (As It Should)' locks you into a deeper, more marching groove that's coloured with muted neon pads and cosmic motifs.

These are full-flavour tracks that brim with musical character and plenty of dance floor clout.

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