LTD Version of the LP, special marbled 4-colour vinyl

LP

Tracklist LP:
A1 CCMYK4
A2 CCMYK8
A3 CCMYK9
A4 CCMYK1
B1 CCMYK3
B2 CCMYK10
B3 Happy Hipster
B4 CCMYK18


Short Info:

Henrik Schwarz & Alma Quartet present CCMYK, a new album on Henrik's own label Between Buttons. Produced in collaboration with the Alma String Quartet, it's a free conversation between classical and electronic music, carefully transformed into a set of astonishing tracks, ready for club or concert hall. Though based on free improvisations between Laptop and String Instruments, CCMYK is not a record of bumbling jams. Rather, it's a record of startling density, control and emotional complexity. This is the sound of open conversation between piercing intellects, taking their individual instruments and musical backgrounds to create a new universe of sound. The vinyl comes in a unique, handmade, limited 4 colour CMYK pressing. Every record is unique! Black is available as well.

Vital Sales Points:
-Henrik Schwarz is one of the biggest collaborators with classical artists in electronic music
-Previous collaborations of Hendrik Schwarz included one with Grammy-winning Metropole Orkest
-Record Release party will be part of well known XJAZZ festival in Berlin Kreuzberg.


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WAS - Word and Sound Medien GmbH
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DE - 22113 Hamburg
Germany
Contact: [email protected]More

LP

Tracklist LP:
A1 CCMYK4
A2 CCMYK8
A3 CCMYK9
A4 CCMYK1
B1 CCMYK3
B2 CCMYK10
B3 Happy Hipster
B4 CCMYK18


Short Info:

Henrik Schwarz & Alma Quartet present CCMYK, a new album on Henrik's own label Between Buttons. Produced in collaboration with the Alma String Quartet, it's a free conversation between classical and electronic music, carefully transformed into a set of astonishing tracks, ready for club or concert hall. Though based on free improvisations between Laptop and String Instruments, CCMYK is not a record of bumbling jams. Rather, it's a record of startling density, control and emotional complexity. This is the sound of open conversation between piercing intellects, taking their individual instruments and musical backgrounds to create a new universe of sound. The vinyl comes in a unique, handmade, limited 4 colour CMYK pressing. Every record is unique! Black is available as well.

Vital Sales Points:
-Henrik Schwarz is one of the biggest collaborators with classical artists in electronic music
-Previous collaborations of Hendrik Schwarz included one with Grammy-winning Metropole Orkest
-Record Release party will be part of well known XJAZZ festival in Berlin Kreuzberg.


Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More

- 3x12“ gatefold vinyl – with turquoise foil embossing

Tracklisting:

LP
1. (A1) Sven Väth – Silvi‘s Dream (Damiano Von Erckert Remix)
2. (A2) Sven Väth – What I Used To Play (Roman Flügel Remix)
3. (B1) Sven Väth – The Worm (Robag Wruhme Remix)
4. (B2) Sven Väth – We Are (Jonathan Kaspar Remix)
5. (C1) Sven Väth – Feiern (Krystal Klear Remix)
6. (C2) Sven Väth – Mystic Voices (Benjamin Damage Remix)
7. (D1) Sven Väth – Nyx (PAS Deep Heet Remix)
8. (D2) Sven Väth – Butoh (Robert Hood Remix)
9. (E1) Sven Väth – Nyx (Planetary Assault Systems Remix)
10. (E2) Sven Väth – Being In Love (Harald Björk Remix)
11. (F1) Sven Väth – Catharsis (Mano Le Tough Remix)
12. (F2) Sven Väth – Silvi‘s Dream (Florian Hollerith Remix)

The life-affirming energy at the heart of Sven Väth‘s recent album Catharsis is revisited, reanimated,
and remixed by some of the most exciting names around, closing the circle on a superlative burst of
recent work that has not only given us the epic original LP, but also the extraordinary compilation What
I Used To Play.

Roman Flügel, Benjamin Damage, Robert Hood, Planetary Assault Systems, Mano Le Tough… do we
need to go on? This hand-picked list of luminaries have answered the call and certainly don’t
disappoint, each fusing their signature sound with Sven‘s DNA to create a wild, uncompromising
companion piece to the original album.

True to form, the running order is very much rooted on the dance floor, Silvi‘s Dream, revisited by
Damiano von Erckert, explodes like a Balearic sunrise. Dreamy strings with a touch of Detroit create a
lovely atmosphere while the beautiful piano sound goes right into your heart and appears as if you
could feel the warm sun on your skin. Roman Flügel’s acidic rework of What I Used To Play is a
homage to the 80s and the early sound of electronic music which creates nostalgic feelings and offers
a greatly produced retro soundscape à la Kraftwerk. Staying close to the original, but with the perfect
amount of spin, it’s a symbiotic interplay of synthetic bass pads, and a tiny bell melody. Robag
Wruhme’s cranking minimal funk takes us down The Worm-hole. A concise interference sound builds
up sustained tension, tangled but structured, deep and yet driving. Robag took over the deep and dirty
rhythms of the original perfectly and delivers a versatile piece. This opening salvo oozes quality and
sets things up perfectly for the electrified celebration of hi-octane technology come.

Jonathan Kaspar‘s growling interpretation of We Are provides a melancholic atmosphere with
fascinating percussion parts. Zaps shoot through the air like small laser pistols while we let ourselves
be carried away by the bass, the frisky vocal stutter effect is the icing on the cake. Speeding things up,
the euphoric trance that engulfs Krystal Klear’s epic version of Feiern. Expansive strings increase up
to ecstasy and guide us to a love-filled unity. This remix is sure to be an excellent peak-time smasher
for the open-air season. On to a wild ride of pure techno with Benjamin Damage, who delivers a dry
and uncompromising Berlin Techno version of Mystic Voices. Harder pace but the string synthesizer
harmony brings light to an otherwise gloomy environment. Next up is Luke Slater’s PAS Deep Heet
Mix to add a retro nineties vibe to proceedings on Nyx. Entering a rough space with gigantic clap
impacts, we are blessed with straightforward Techno. Shimmering and spooling, this groove hits the
mark. Then, as if it was ever in doubt, Sven‘s lofty place in the techno firmament is underlined by a
peak-time contribution by non-less than Detroit legend Robert Hood. Unmistakable, you must
recognize the signature Robert Hood drive on Butoh. Chord stabs fulfill the Detroit feeling with offtaking string elements and high-energy vocal transformations. It’s a warm embrace that triggers
emotions. Planetary Assault Systems then blasts things ever deeper into the cosmos on a second
outing of Nyx. Reduced and to the point but of course, true to form, with powerful tribal percussion
parts and intensive cutting hi-hats.

From there on in, the collection gradually re-enters the atmosphere, burning with a phosphorescent,
melancholy glow. Harald Björk extrapolates Being In Love into a hypnotic groove for the early hours. A
playful and atmospheric electronica interpretation to soothe our souls due to disharmonious synth
pads and a dreamy deformation of the original melody. Mano Le Tough harnesses the ethno-rhythms
and brooding energy of Catharsis into a low-slung, tribal stomper. Anomalous organ parts ring out and
link up with a trance-like sequence, summer feelings arouse as you feel like you can almost smell
Ibizan air. The collection comes full circle with a second equally seductive interpretation of Silvi‘s
Dream by Florian Hollerith. Stripped-down and hypnotic, the homage to Sven's girlfriend Silvi is
extended as a reverence to Sven himself. Sven's profound vocals clearly infuse time and space and
leave a forever-lasting memory of love.

By accident or design, it somehow leaves us with the reassuring sense that, although this specific part
of the journey may be drawing to a close, the mission of the man behind it all most definitely isn't.

written & produced by: Sven Väth & Gregor Tresher

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UPC: 8271705669768 Release : 13.10.2014
Special remarks : Limited version frontside handprinted with linoleum stamp, numbered.
Tracklist
A1. Interlude A2. Valiant A3. Headbanger Polka A4. Movement Seventeen
B1. Take A Quick Break B2. Movement Eleven B3. This is My Day B4. Round Midnight
Short Info:
Sunday Music goes deeper and depper with this fantastic album release. It reflects the love of label owner Henrik Schwarz for jazz, contemporary and chamber music. When norwegians electro-jazz pioneer Bugge Wesseltoft and Henrik Schwarz (!K7/ Innervisions) produced their collaboration "Duo", it was clear that their synergy was both unique within, and revitalizing to, the whole genre of electro-acoustic beat-based improvisation. Now the duo becomes a trio, and the dialogue becomes a Trialogue. Indie/ Jazz Bassist Dan Berglund (e.s.t., Ane Brun) brings additional dimensions and a whole new range of songwriter possibilities, a completely new layer of sound, Tastefully chosen electronic rhythmic patterns and drums, virtuosic piano playing, analog synthesiers, thumping double bass lines. Subtle but high energy walks through your speakers. Moments of quasi-ambient atmosphere sit alongside driving energetic swathes of blues-inflected jamming from the future, near-metallic semi-sinister meteor storms of sound rest easily beside moments of classic jazz noire, and there is a marked assimilation of classical chamber sensibilities. This is a thoroughgoing post-postmodernist soundworld. What the listener will recognise instantly is, simply put, great music.



BUGGE WESSELTOFT (Keys/Percussion)
Since 1990 Bugge Wesseltoft has constantly evolved his sound, restlessly exploring new territory, rarely (if ever) looking back over travelled roads.
He has worked with some of the best-known and respected names in jazz, such as Jan Garbarek, Nils Petter Molvaer, as also toured/ played with Laurent Garnier, Joaquin Joe Claussell, collaborates with Ricardo Villalobos.
He is the founder of the record label Jazzland Recordings, and in this capacity has mentored, produced or collaborated with many great and diverse Norwegian acts.

HENRIK SCHWARZ (Computer/Percussion)
For over 20 years Henrik Schwarz has been one of the most sought-after producers of electronic dance music. His background is the Chicago/Detroit techno culture, but his musical career straddles many different projects.
He has composed film and ballet scores, as well as creating commissioned works for orchestras, chamber ensembles, cooperation with the likes of Nik Bärtsch, Hauschka, Guem. Schwarz produces dance mixes and productions for legends like Michael Jackson, Boy George, indie stars The Foals, Ane Brun, singers Mari Boine, Mark Murphy, Raoul Midon, Ethnic Heritage Ensemble and many more.

DAN BERGLUND (Double Bass)
A rock music lover at heart Berglund been one important third of the group E.S.T., the Esbjorn Svenson Trio.
Dan Berglund is legendary for his deep and full "Mingus-like" bass tone and his "Jimi Hendrixs-like" solos, using all manner of effects to make the double bass sound like screaming electric guitars. This has made him the sensation in many of e.s.t.´s concerts.


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GSQ – Gelatology is a sample-based instrumental hip hop project rooted in crate digging culture, built from jazzfunk, soul, prog-rock and world music sources. The release also launches Gelatology, a new Quattro Bambole
Records sub-catalog dedicated to limited-run, sample-driven vinyl-only releases.

Tracklist:
A1 Gelatology (Manifesto)
A2 Nigerian bounce
A3 Moon (Camenati)
A4 Mahor Dalí
A5 1nceagain
A6 Hairy groove
A7 Flyyy
A8 Sahara (Sunday Morning)
A9 Dilla strings
A10 Boogaloo
A11 Menamenamoi
B1 Gelatology (Intermission)
B2 Soul io lo so
B3 Tema di mammà
B4 Tema dei bambini pt.2
B5 Koffeejam
B6 Leh
B7 Eden sintetico
B8 Loveaway
B9 Salaam
B10 Processione altomare
B11 Gelatology (Closing)

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1xLP, Gatefold Jacket, Insert, Royalty Blue & Gold Galaxy Vinyl, Black Polylined Protective Sleeves

About:
Ten years ago, Adolph Robert Thornton Jr. planted his flag. Released on February 19, 2016, King of Memphis wasn't just a debut studio album; it was a bold declaration of independence and a flawless blueprint for self-made success. To celebrate a decade of this foundational Southern rap masterpiece, Paper Route Empire is honoring Young Dolph's legacy with a series of exclusive, limited-edition 10th Anniversary vinyl variants.

Before King of Memphis, Dolph had already built a massive underground following through a relentless run of mixtapes. But this official debut elevated him from a local hero to a national powerhouse.

By bypassing the major label system and releasing the project entirely through his own Paper Route Empire (PRE), Dolph proved that undeniable talent, relentless hustle, and business savvy were all you needed to take the crown. The album peaked in the Top 50 of the Billboard 200, an incredible feat for a fiercely independent artist at the time, and cemented his status as a CEO who called his own shots.

King of Memphis is all killer, no filler. Over 11 tracks, Dolph's signature slow-flow delivery and larger-than-life charisma glide over heavy-hitting, trap-defining production from a legendary lineup of producers, including Mike WiLL Made-It, Zaytoven, TM88, and Cassius Jay.

With zero guest features, the project relies entirely on Dolph's magnetic presence. From the motivational hustler's anthem "Get Paid" to the menacing confidence of "Let Me See It" and "Royalty," the album plays like a victory lap for a self-made king.

1xLP, Pressed on Royalty Blue & Gold A Side B Side Vinyl. Includes insert & housed in a gatefold jacket.

Key Selling:
- 1xLP, Pressed on Royalty Blue & Gold Galaxy Vinyl. Includes insert &
housed in a gatefold jacket.
- First released on vinyl in 2017 as part of Record Store Day
- Repressed for the 10 year Anniversary - Original release date: 2/19/2016
- Last in stock at retail in 2023
- Debut studio album from Memphis legend, Young Dolph
- Includes the hit single, "Get Paid," as well as stand out hits such as "Fuck It" and "Royalty"
- Young Dolph is one of the faces for independent success in the music industry
- Resale prices on secondary markets remain high
- Young Dolph famously turned down multi-million dollar major label deals to stay independent, and this album was the proof that he didn't need them to chart on the Billboard 200
- The album features ZERO guest features, something rare in today's modern Hip-Hop landscape

Tracklist:
A1/1. Facts
A2/2. Fuck It
A3/3. Royalty
A4/4. Both Ways
A5/5. How Could
B1/6. USA
B2/7. Let Me See
B3/8. Get Paid
B4/9. On My Way
B5/10. It's Goin Down
B6/11. Real Life

Socials:
IG - 4.7 Followers
FB: 1.5M followers
TW: 815k followers:
YT: 2.5M subs / 3.3B+ views


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DE - 22113 Hamburg
Germany
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LP

Special remarks: 180g

Tracklist:
A1) Skin Colored Room 00:04:43
A2) The Well 00:04:37
A3) The Very Thought Of You 00:05:32
A4) Signed, Sealed, Delivered 00:08:04
B1) Silver and Gold 00:03:53
B2) Inverted Bouquet 00:04:44
B3) Cookie 00:04:47
B4) Fully Forked Tongue 00:05:51


Info:
Berlin-based duo Mug present their debut album 'The Well'. With a range of influences from no-wave, shoe-gaze, rock, and ambient, “Mug’s” emotional rawness refracts through a lens of spectral soundscapes and austere textures.
Intimate and sincere, 'The Well' is about licking your wounds after a breakup, finding light within the cracks and letting it grow.
Ludwig Wandinger and Yves B Golden began their musical collaborations based on mutual respect and interest in each artist's vastly different backgrounds. Golden grew up singing in her grandmother’s pentecostal church, but is known widely for published essays and poetry. Wandinger, is an internationally acclaimed drummer, music producer and visual artist, interacting in various fringe music scenes.
What began as long distance collaborations released under various outlets such as Caterina Barbieri´s light years, Wandinger and Golden, now living in the same city, morphed into a protracted exploration of songwriting and improvisation, a process defined by immediacy and unfiltered expression: “first thought, best thought.”
Though “The Well” marks the first release from this impulse driven duo, this album promises an ongoing evolution, or discovery, wherein genre specificity is inconsequential.




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LP

GENRE/S: Dub Techno, Dub House

TRACKLIST:
A1 Epiplegic zone
A2 Night fight
A3 Bioluminescence
B1 Sun set in the ocean
B2 Luminous
B3 Cyclone foraging

SHORT INFO:
Charles.A.D. presents Luminous, a new release on Avantroots that further defnes his deep and immersive vision of dub techno. Across six compositions, the artist creates a hypnotic journey where echoes, atmospheric textures, and minimalist grooves merge into a warm and contemplative sonic experience.
With an elegant and detail-oriented approach, Luminous explores the relationship between space, depth, and movement, allowing each piece to evolve slowly through layers of reverb, deep pulses, and emotional landscapes. The album balances introspection with dancefloor functionality, revealing a mature and coherent side of Charles.A.D’s sonic identity.

This release also marks the artist’s second LP on Avantroots, strengthening an artistic connection built around the exploration of deep, futuristic, and timeless electronic soundscapes.

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Territory: WW excl. US & CA

Tracklist:

Side A
1. 5 MORE MINUTES
2. WAITING TO BEGIN
3. HOUSE OF SIN
4. MOMENTARY BLISS
5. ESCAPE HEAVEN

Side B
1. ANGEL OF APOCALYPSE
2. ENTER THE VOID
3. RURU
4. ULTRAVIOLET WILLOWS
5. DOGMA
6. BELIEVE

Short Info

DOGMA marks a new beginning for Coloray. As the name suggests, the project explores the endless search for meaning in a world that does not always offer one. Across 11 tracks, the artist reflects on queer romance, grief, youthful hope, and melancholic joy. Emotional, chaotic, and imperfect, DOGMA mirrors both the artist and the messy reality of a life unfolding. Rather than forcing rigid structures, the album embraces looseness and human presence. Live recordings and improvised songwriting take center stage- every lyric was written in the moment, and the tracks remain intentionally raw to preserve their imperfections.

In this way, the album is both personal and political. It calls for belief in keeping humanity alive and for dismantling the societal dogmas that push artists away from the core of their creative identity. DOGMA is an honest journey of self-authorship, unfolding through the sounds of new wave, disco-punk, electro, and ambient music.


Key Selling Points

- Coloray is the creative moniker from electronic artist and designer Raynor De Groot. The world first got to know Raynor as one half of Tunnelvisions. A dance-project that toured around Europe since 2017. In 2019 Raynor went solo under the name Coloray.
- Previous releases on Atomnation, Phantasy Sound, Permanent Vacation, Running Back
- Co-founder of Intercept Records







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