Cassette , Limited

2. GENRE/S: Ambient

3. TRACKLISTS:
SIDE A: Reset Series Part I
SIDE B: Reset Series Part II
LISTEN: https://on.soundcloud.com/ix66QBiC2H5culV4d4

4. SHORT INFO:
Iñigo Medina aka M4 explores the profound convergence of two disciplines that share a
common foundation: the manipulation of vibration and resonance to transform
consciousness and space: Yoga and Electronic Music.
While Yoga balances the body's energetic vibrations through breath, posture, and
meditation, electronic music employs sustained tones, slowly shifting sequences, and
atmospheric textures that induce trance states and align with meditative brainwave
patterns.
"Reset Series" is characterized by atmospheric, non-danceable soundscapes built on
repetitive sequences and arpeggios that slowly evolve, often processed through delay
and reverb. Both yoga sequences and M4 compositions (the full track is almost an hourlong, divided into two parts) unfold gradually over extended durations . Each practice
invites a journey inward, guiding the practitioner or listener through layers of repeating
motifs that subtly transform, revealing deeper states of awareness with patient attention.
Time becomes elastic; space becomes internal; vibration becomes the universal language
connecting body, environment, and sound.

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LP

2. GENRE/S: Ambient, Electronica

3. TRACKLISTS:
Side A:
01. a boat full of dreams
02. fragile
03. the waiting

Side B:
04. in another way
05. old wounds
06. where we belong

4. SHORT INFO:
“In May 2024, the Brazilian state of Rio Grande do Sul, where I was born and have lived all my
life, faced the worst climate catastrophe in its history. After weeks of relentless, torrential rain, its
rivers overflowed, flooding much of the region. Entire cities were submerged. More than 170
people lost their lives, and hundreds of thousands of animals perished. Amid this dystopian and
desperate situation, flux was composed and recorded in about a week. Initially, the album was
created solely as an exercise to maintain my mental health. But when I finished it, I realized that it
had become a kind of “sound portrait” of this dark moment—days filled with pain and suffering. Yet
it was also a meditation on the ephemerality and fragility of life, and the struggle to survive.”

CREDITS:
All music composed and performed by Carlos Ferreira using electric guitars, ppooll, sampling,
piano, synthesizers and fx pedals.
Cover layout and design: Sergio Vidal
Photos: Leo Caobelli

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LP

GENRE/S: Deep, Dub Techno

TRACKLISTS:
A1 Boundary
A2 Surfacing
A3 Bubble ring
B1 Deep Sea Exploration
B2 Abyss Light
B3 Traitor

SHORT INFO:

The sea has long been central to Japanese culture, symbolizing both sustenance and spiritual
depth. Charles A.D.'s Deep Diver draws inspiration from this, channeling the ancient traditions
of diving and fishing into his music. Historically, the sea has influenced everything from Shinto
rituals to the livelihoods of coastal communities. In Deep Diver, this reverence flows through
aquatic soundscapes, where rhythmic waves of 90s house and Detroit techno meet Japanese
minimal production techniques, New Age and Pacific Jazz. Like the tides, the album ebbs and
flows, creating a serene yet dynamic homage to the timeless connection between Japan and
the sea.
The opening track 'Deep Diver' plunges into the depths, its abstract sound design capturing the
sensation of deep-sea propulsion. Rhythmic bubbles pulse gently alongside slow-moving
chords, creating an otherworldly atmosphere. The textures are lush yet restrained, setting a
tranquil stage that pulls the listener into a submerged world. 'Underwater Ruins' builds on this
aquatic theme, introducing rhythmic layers and bass-heavy notes reminiscent of mid-90s
Japanese ambient techno. The smooth, melodic flow nods to pioneers like Mr.YT and Susumu
Yokota, while subtly incorporating the Detroit techno influence through soulful, deep basslines.
The track feels like a fusion of ambient and techno, balancing serene tones with a rolling
groove, emblematic of Japanese techno soul. As the album progresses into 'Bubble Ring', it
becomes clear that Charles A.D. is a master of minimalism. The production is timeless, leaning
on analog techniques where echo-drenched chords and carefully layered soundscapes take on
an addictive, hypnotic quality. The simplicity of the composition is deceptive, as each element
carries weight, drawing the listener deeper into the rhythm and space between the notes.
'Merperson' is where organic rhythms truly come into play. Charles A.D. gently evolves the
patterns, allowing each percussive hit to flow naturally into the next. Soothing melodies emerge
from within the track’s structure, eventually reaching an emotional peak without ever feeling
forced. The organic nature of the arrangement creates an effortless progression that feels
deeply connected to the natural movement of water.Starting the second half with 'Deep Exploration', the theme of underwater excursions becomes
even more pronounced. Light, steady drumming anchors the track, allowing the melodic layers
to develop gradually. It unfolds with a calm, measured pace, before ending softly, almost as if
the sounds are drifting off into the oceanic depths. 'Diffuse Reflection' stands out as the most
dub house-influenced on the album, with rolling rhythms and hypnotic elements reminiscent of
Maurizio's deep, pulsing sound. Yet here, the production feels submerged, with aquatic effects
swirling around the rhythmic core, blending dub house with a fluid, oceanic touch. 'Traitors'
delves even deeper into dub-inspired territory. Deep, resonant bass hits combine with wooden
drums, while static-like sounds evoke the image of a radio tuning through static to find clarity.
Chords shimmer briefly before fading back into the liquid depths, evoking the ebb and flow of
the tide. The final track on Deep Diver 'Levitation', is a fitting conclusion, as the rhythms merge
and overlap like waves gently lapping the shore. The minimalistic arrangement allows each
element to blend effortlessly into the next, creating a sense of unity and closure. The sounds
move with the gentle grace of water, ending the album in a way that feels both complete and
open-ended, like the infinite motion of the sea.

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LP

GENRE/S: Electronica, Trip Hop, Dub Techno, Ambient

TRACKLIST:
A1 Prologue
A2 CineStill
A3 Buena Vista Social Dub
A4 Monika
B1 Mirror
B2 Eastman
B3 Winter Light
B4 Tiffen

SHORT INFO:
Braulio Lam's Close-Up is a captivating soundscape that blurs the lines between music and photography. Hailing from the border region between San Diego and Tijuana, Lam's inspiration stems from the vibrant cultural exchange and diverse musical traditions of the area. His creativity as a music producer and photographer converges seamlessly into this album, where he manipulates images and sounds, using light as a catalyst for his sonic experiments.
The album's eight tracks showcase Lam's eclectic sonic palette, ranging from electronica and dub techno to ambient and trip hop. The opening track, "Prologue," sets the stage with a haunting guitar echo and a spacious, downtempo beat. Angelic vocals float ethereal over the sonic backdrop, creating a sense of scenic grandeur. "Cinestill" immerses listeners in a sub-aquatic realm with its slow-pulsing beat and cavernous ambiance. "Buena Vista Social Dub" captivates with its sensual vocals, echoing drums, and hypnotic melody. "Monika" evokes a sense of beachy tranquility with its electric guitar and ambient soundscapes, while "Mirror" transports listeners into an atmospheric swirl of broken beats and ambient textures. "Eastman" delves into the depths of dub techno, its hypnotic chords and airy soundscapes creating an otherworldly atmosphere. "Winter Light," showcases Lam's mastery of minimalism. Field recordings of natural sounds, sparse guitar plucks, and evocative imagery paint a stark but beautiful soundscape that lingers long after the
music has faded. "Tiffen" closes the album on a serene note, its gentle island rhythms and floaty textures inviting listeners to relax and unwind.
Overall, Close-Up is a testament to Braulio Lam's boundless creativity and artistry. Its unique fusion of musical styles, experimental sonic textures, and evocative imagery makes it an immersive and captivating listening experience that transports listeners to a realm where the senses intertwine.

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12"

GENRE/S: Dub Techno, Electronica
TRACKLISTS:
1. Deepchord ft. Linval Thompson
2.Pulshar ft. Linval Thompson
3.Deepnaut ft. Linval Thompson
4.Braulio Lam ft. Linval Thompson

SHORT INFO:
Avantroots is one of the leading dub related labels in recent years taking the genre to its furthest and freshest
perspectives while still respecting the history and the figures inside it. One of those historical figures is the legendary
Linval Thompson who's credits and list of those he influenced are pages long.
To have Linval be the lead on this project truly makes this a unique and special release. 'World Crisis' is Linval's
message and it is as definitive as ever. There is a lot of thought put into each step and portion of this project. The overall
traditional dub concept is to feature different voices over the same instrumental where this, flips the script and each
version has a different electronic music producer add their talents to create their own signature account. The result is an
extraordinary and well composed EP. Deepchord, Deepnaut, Pulshar and Braulio Lam were specifically chosen to head
up this treasured task of taking 'World Crisis' into their realms.
The Deepnaut version is a true essence of the future of a more mature island late night cultured dub techno sound. The
track shimmers in a euphoric glow that covers you like a sun on the beach in summer. Linval's voice is front and center
and one could say this may be the most single oriented as it uses the most vocals of any of the renditions here. Braulio
Lam's submission has all the makings of a classic styled dub track. While the beat is transcendent, everything else is
processed in a new school way. And the technique is next level to be clear. Next is Deepchord's version. To say this is
the deepest and most techno might not be much of a surprise. The groove is addictive and the chords sampled into the
rhythm while the melody ebbs and flows are pure magic. Lastly, Pulshar breaks things down to the starkest of the
choices and one of the most hypnotic. Pablo Bolivar and Sergio Sainz Vidal from Pulshar have a knack for injective some
serious island vibes to the electronic scene.
The artwork is also special here. It respects the history of dub culture while advancing the application as it uses AI
generated images combined with human elements. The pictures support the message of the 'World Crisis' speaks on by
Linval Thompson. This is a special release no doubt. Avant-Roots are very happy with the variety offered by the artists of
their label and this release. They shined when it came to harnessing the essence of this track and infusing it into their
particular version of electronic dub.

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[2LP Gatefold]

“Music that came from some intimate and deeply ethereal place that effortlessly bridged the gap between the dance
floor and the home-listening environment. Pulshar is a unique dub-heavy, soulful, psychedelic journey.”
Vladimir Ivkovic.
“A crossover sound that the deepest electronic heads and mainstream music fans can equally enjoy. The energy in their
music is universal, and moves all who are exposed to it. One of my all-time favorites”
Rod Modell ( Deepchord / Echospace )


GENRE/S: Dub, Electronica, Deep House

TRACKLISTS:
A1 Down by the river
A2 Mr. Money man
A3 Maerdream
A4 ACT 2
B1 Better than tears
B2 S.T.A.R.S
B3 Da Creator
B4 Montparnasse 2am
B5 ACT 1
C1 Jungle fever
C2 Nospheratu
C3 Sacrifice of love
C4 Dream when it's wrong
D1 The price you pay
D2 California state of mind
D3 Stepping stones
D4 Marathon man

SHORT INFO:
A double vinyl compilation that perfectly captures Pulshar’s sound: an elegant mixture of Dub, Techno, R&B &
Ambient. Contains 12 tracks previously unreleased on vinyl.
This release was certainly not meant to be a 'Best of' compilation but it is a collection of special moments that Sergio and
Pablo wanted to capture and share on one definitive release.This is an opportunity to look back on Pulshar's career in a
retrospective and reflect about how their background and influences have led to the complete sound of the act.
UMBRA / LUX (title based on their production technique that naturally blends dark and light aesthetics) contains 17
tracks that traverse the gamut of their sound with an impeccable level of quality.



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Format: 5LP Box Set

Special remarks: LTD Edition, Artwork by John Frusciante

LP1 New album
LP2 Available on vinyl for the first time
LP3/4 Debut album on green vinyl
LP5 Second album on red vinyl

Tracklist

Info:

LP1 (Rotation)
A1. Tysch
A2. Crane
A3. Now P-PL
B1. Talking SH-7
B2. Rotation Of Weight

LP2 (High Low)
A1. Hew Branderson
A2. Motiern
A3. Culminate
B1. Singular Scope
B2. Genex
B3.Unending

LP3/4 Trickfinger I
A1. After Below
A2. Before Above
B1. Rainover
B2. Sain
C1. 85h
C2. 4:30
D1. 100mc4
D2. Phurip

LP5 Trickfinger II
A1. Shift Sync
A2. Ruche
A3. Exlam
B1. Hasan
B2. Cuh
B3. Stall

Info:
When I recorded the first 2 Trickfinger records, I had recently discovered that you could make electronic music in a room with a bunch of synced machines going at the same time, record it on a
CD burner and have a finished track. I've heard this process described as “overdubbing into the air”. It was as exciting to me as my first 4 track was when I was 14. I wasn't trying to be good, or
original. I was just excited that music could be made that way; it felt like I was a whole group of musicians playing together… or like I was jamming with ghosts of myself. This has actually been a
very common way of making electronic music since the 80s, particularly in the main pioneering genres like Chicago Acid and Detroit Techno, but anyways I didn't figure it out until 2006. In 2007,
I started doing it myself, which resulted in what was eventually released as Trickfinger, and Trickfinger II. I was just home from tour and was still in the middle of recording The Empyrean.

A couple of years later I started making music by overdubbing onto a computer, but using the same machines. I tried to make music that didn't sound like anything else. I saw a way of combining
Progressive Rock and Synth Pop which nobody had done. And I was combining my songwriting and guitar playing with these old machines in a way which I was sure was unique. I had reached a point
where it was more important to do something original than to do something good, whatever “good” means.

Some of this music did not get a proper release, and is compiled here as the vinyl record High Low. I don't think I have ever tried so hard at making music as I did during that period. This in contrast to
those two Trickfinger records, where I wasn't trying at all. There’s something to be said for both mental states. When you're in one, the other seems impossible. I was really pushing myself on High
Low. Looking back, it was as if I had an audience inside myself, driving me to go beyond my abilities, while at the same time I had a total disregard for any concept of an actual audience. It
was one of those periods in life where things come together in a certain way that feels natural at the time, but seems foreign in retrospect. It felt like I was going to die if I didn't do something musically
different.

The fourth record in this box is me breaking in a new mixing console, making live-to-stereo music. The record is called Rotation, and it is all new music. These tracks are more in the “not trying”
category, since we're on that subject. I had just come home from tour, and was just really glad to be in the studio with my machines. Acid Test thought it would be nice to do a box set commemorating the 10th anniversary of the release of Trickfinger, and so we put together this box set, with homemade cover art.
John Frusciante 2026


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NEW 2023 ALBUM,CD Digipack customized
Formed in the late 70's, the duo is still grooving at their studio in Vesterbro, Copenhagen.
Laid Back gained their first international major break through in the 80's with Sunshine Reggae and White Horse. The dualism and originality of the two songs has left a worldwide and everlasting reputation of their music. The 3rd evergreen from their hand was made in 1990 named Bakerman altogether with a music video by Lars Von Trier.
More recently, the two members has co-founded their own record company, Brother Music, which has released Laid Back singles such as Cocaine Cool, remixes from Soul Clap, and latest the mini-album Cosyland and the chill out album, Cosmic Vibes.
In 2013 they released the double album Uptimistic Music.
2019 was the 40th anniversary and release of the album Healing Feeling.

2023 marks the year of a new 21track studio album "Road To Fame"

As for concerts, Laid Back is touring worldwide at cherry picked sunny locations with their two-man electronic set up and selected festivals with the band.


TRACKLIST:
1
Road To Fame
DKFN72300101
Composers Guldberg-Stahl

2
Funky Dreamer
DKFN72300102
Composers Guldberg-Stahl

3
Sitting In My Sofa
DKFN72300103
Composers Guldberg-Stahl

4
Wooden House In Sweden
DKFN72300104
Composers Guldberg-Stahl

5
Art Of Love
DKFN72300105
Composers Neumann-Guldberg-Stahl

6
My Baby Blue
DKFN72300106
Composers Guldberg-Stahl

7
Groovy Sunshine
DKFN72300107
Composers Guldberg-Stahl

8
Chill Out Man
DKFN72300108
Composers Guldberg-Stahl

9
Impression
DKFN72300109
Composers Guldberg-Stahl

10
You Are A Star
DKFN72300110
Composers Guldberg-Stahl

11
Beautiful Loser
DKFN72300111
Composers Guldberg-Stahl

12
Why Is Everybody In Such A Hurry
DKFN72300112
Composers Guldberg-Stahl

13
Green Village
DKFN72300113
Composers Guldberg-Stahl

14
Pass It On
DKFN72300114
Composers Guldberg-Stahl

15
Be The One You Are
DKFN72300115
Composers Guldberg-Stahl

16
Bright Side Of The Sun
DKFN72300116
Composers Guldberg-Stahl

17
Everybody's Looking For You
DKFN72300117
Composers Guldberg-Stahl

18
Happy Blues Man
DKFN72300118
Composers Guldberg-Stahl

19
Musk Malone
DKFN72300119
Composers Guldberg-Stahl

20
Mig
DKFN72300120
Composers Guldberg-Stahl

21
Mikkel Brygger
DKFN72300121
Composers Guldberg-Stahl



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CD

Tracklist CD: 1. Train Incident - 2. The Meeting - 3. Momentum - 4. The Idea - 5. Another Side - 6. Tipping Point - 7. Fortitude - 8. Valley - 9. Moving On

Release Info:
Fluxion's Ripple Effect is the film score for a non-existing motion picture. This 9-track album is the result of experimentation and the combination of the producer's two most cherished art forms: electronic music and score music.

Ironically the two worlds rarely seem to meet, despite the fact that score music has adopted a looser form in order to better adapt to film accompaniment, bringing it closer to electronic music which attempts to contradict form or shed it altogether. Fluxion felt the need to bring these two musical forms into dialogue with each other, lending structure to electronic and deconstructing score music to create a malleable and expressive hybrid.

The album's production took two years from its original conception for the subliminal story to unfold into the completed product. Fluxion wanted to say as much as possible through the music, leaving the visuals as a blank canvas for the listener to create their own story. In the end, the goal is to give each member of the audience a unique audiovisual experience based on their own perception and interpretation.




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Territories: WORLD

Genre: Jazz, Fusion, Funk-Rock, Improvisation

LP: Limited Edition, Heavy 350gsm Sleeve, Obi

Tracklisting LP
A1. Block 10:14
A2. Progie 06:46
B1. Bandar 09:59
B2. Suspended 12:03

Info
We Release JAZZ is very happy to announce the limited vinyl edition of Obad’s powerful new album Suspended, a vivid document of the Tehran ensemble’s endlessly evolving sonic universe — now available as a limited LP housed in a heavyweight sleeve with an Obi strip and featuring original artwork by Iranian painter Sadra Baniasadi.
Suspended is a superbly spontaneous, improvisational blend of exploratory jazz fusion, progressive funk-rock, and transcendental groove. Built from lived experience and shaped by Tehran’s pulse, Obad’s music is kinetic and intuitive — an ever-morphing dialogue between rhythm and texture, emotion and message.
With Farid Farzian Pour on drums, Siavash Karimi on electric guitar, Kiarash Radmehr on bass guitar, and Hamidreza Keshavrpajuh (aka Pajuh) on tenor saxophone, Obad creates a soundworld where hypnotic basslines meet thunderous, free-flowing percussion; where searing guitar motifs coil around saxophone phrases that move from whispered invocation to explosive catharsis. Suspended captures the quartet at full creative stretch: alive, unguarded, and deeply attuned to one another.
Sadra Baniasadi’s striking cover painting mirrors the album’s energy — bold, dreamlike, charged with movement, and extending Obad’s world into the visual realm.
Suspended stands as a major statement from one of Iran’s most compelling contemporary ensembles, marking Obad’s first release on We Release JAZZ and continuing the label’s commitment to boundary-pushing music born from profound listening, place, and collective intuition.
________________________________________
Points of interest
• For fans of exploratory jazz fusion, improvised music, progressive funk-rock, transcendental groove, Tehran, urban energy, meditative intensity, shamanistic rituals, deep vibes, heartful connections, music shaped by environment and lived experience.
• Limited-edition vinyl release of Suspended, capturing Obad’s spontaneous and continuously evolving ensemble sound.
• Features the Tehran quartet of Farid Farzian Pour (drums), Siavash Karimi (electric guitar), Kiarash Radmehr (bass guitar), and Hamidreza Keshavrpajuh aka Pajuh (tenor saxophone).
• Housed in a heavyweight sleeve with Obi.
• Original artwork by Iranian painter Sadra Baniasadi.


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Listen: https://open.spotify.com/track/06iPWbs7FDigzZ0hSW7lo1?si=3ebe7f7e85d045bb (Not So Virgo of You single)

About:
Straight from the backseat of a tinted SUV and into the headphones of every die-hard fan from the West Side to the coast, LUCKI returns with Dr*gs R Bad-a title that's half-ironic, half-exhausted, and 100% Tune. This isn't a PSA; it's a high-speed, low-pass filtered look at a life where the designer denim is heavy and the heart is even heavier. Drowning in those signature ethereal, space-trap melodies that sound like a 4:00 AM fever dream, LUCKI trades his usual nonchalance for a raw, "out of luck" transparency that reminds his cult following why he's the undisputed king of the heartbreak flex. It's the soundtrack for the late-night drives and the "everything's a movie" lifestyle where the credits are starting to blur, proving once again that nobody captures the beautiful, nihilistic chaos of the climb quite like Neptune.

Key Marketing/Selling:
- Lucki is considered by many to be one of the godfathers of soundcloud rap scene
- Lucki is an underground icon in the rap space
- Lucki is known among fans for his impeccable beat selection/album sonics
- Extremely rabid fan base
- Named one of the 50 innovators in Hip-Hop shaping Rap's next 50 years - Rolling Stone
- Routinely sells out of physical and merch drops, with product often reselling for high prices on the secondary market
- Debut studio album, Flawless Like Me (2022), debuted at number 12 on the Billboard 200
- Second studio album, S*x M*ney Dr*gs (2023),debuted at number 15 on the Billboard 200
- All three of Lucki's studio albums have peaked in the Billboard 200 have peaked at number 20 or higher
- Flawless Like Me and S*x M*ney Dr*gs were both commercially successful physical products at retail
- Multiple PSA style trailers to be released in support of the album
- Interview & documentary both set to be dropped ahead of album release
- Tour set to be announced on album release week


Tracklist:
Tracklist to be revealed at a later date

Socials:
Twitter: 440.5k followers
IG: 1.4M followers
YT: 569k subs / 459M+ views


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