1
Blood Sisters - Ring My Bell
2
Blood Sisters - Ring My Dub
One of the most legendary Lovers versions of a Disco classic, sees a long awaited repress in a 7 Inch format! Complete with crucial Dub Version on the flip. Licensed from the UK Lovers Rock legend and producer Neville King. Essential to have in your box!
40 years of endless play!
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40 years of endless play!
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More records from Planets
1
Audrey Hall - Eight Little Notes
2
Audrey Hall - Notes In Dub
Audrey Hall is one of the UK’s most respected female Reggae & Lovers singers from the 80s! Working with the legendary producer Donovan Germain, here is a reissue, with a Dub for the first time ever. Created from the original multitracks this one sounds heavy in a crucial 80s Reggae Lovers style! Decades of radio and soundsystem support worldwide! Rodigan, Coxsone and more. Crucial female vocals from the brilliant Audrey Hall!
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1
Audrey Hall - Woman In Love
2
Audrey Hall - Woman In Dub
Audrey Hall is one of the UK’s most respected female Reggae & Lovers singers from the 80s! Working with the legendary producer Donovan Germain, here is a reissue, with a fresh Dub created from the original multitrack. Brilliant cover version of the classic tune from Barbara Streisand ‘Woman In Love’!
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1
Chosen Few - In The Rain
2
Chosen Few - Rain Drops
Having recorded this classic several times throughout the decades, this is the incredibly hard to find Chosen Few 80s cut, originally released on Kufe Records here in the UK. Having worked directly with the band, Planets is proud to announce the log overdue re-issue of this killer 80s cover classic. Complete with stunning Trombone cut on the flip!
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1
Melody Beecher - Only One You
2
Melody Beecher - Instrumental Version
Killer and classic 80s Roots Rubadub from the wonderful Reggae diva, Melody Beecher! An obscure cover version, with a star-studded rhythm section, including the likes of Sly & Robbie. Some amazing stories about these days, when working with Paul Beecher on reissuing this gem. All the way from Houston, Texas!
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1
Jennifer Lara - We Can Make It Work
2
Jennifer Lara - We Can Make It Dub
Scorching undercover Boogie Lovers number from the legendary Studio One artist Jennifer Lara! Mid-80s UK production from Uptempo, licensed for a well needed first ever repress. For all 80s Reggae fanatics!
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1
Karen Dixon - I Just Want To Be Free
2
Karen Dixon - Dub To Be Free
Crucial version of the classic Deniece Williams number! Karen Dixon sings it in a Lovers Rock style. From the Neville King archive and licensed for it’s first ever 7 Inch press. Complete with Instrumental Version on the flip!
40 years of endless play!
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40 years of endless play!
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1
A J Brown - Human Nature
2
A J Brown - Human Dubwise
This is a Lovers version of an absolute classic! Licensed from the catalogue of the legendary Harry J Studio, in a signature late 80s Digital keyboard & drum-machine style. Originally written by Toto, and made famous by Michael Jackson! As well as being sampled in SWV’s big 90s anthem & by Hip Hop legend NAS.
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1
T Dynamix & Lisa Ellis - Alone
2
T Dynamix & Lisa Ellis - Your Love
An obscure late 80s double sided killer brought to light! Originally released as a 12 inch, this was dug out of a white label box by Planets head honcho on a North London digging mission. 1989 fusion of Lovers, Street Soul & Soundsystem music from T-Dynamix & Lisa Ellis. Originally based up North near Manchester!
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Customers who bought this also bought this
1
A J Brown - Human Nature
2
A J Brown - Human Dubwise
This is a Lovers version of an absolute classic! Licensed from the catalogue of the legendary Harry J Studio, in a signature late 80s Digital keyboard & drum-machine style. Originally written by Toto, and made famous by Michael Jackson! As well as being sampled in SWV’s big 90s anthem & by Hip Hop legend NAS.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
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1
Villette Holmes - Slow Down
2
Villette Holmes - Slow Down Dub
3
Villette Holmes - Slow Down (Extended Mix)
First ever official reissue of the 1992 digital heater ‘Slow Down’ by Villette Holmes. Produced by the late Cedrica Anthony Hamilton, better known as Soljie, this release captures a master at work.
A veteran engineer at the iconic Channel One Recording Studio, Soljie’s innovative approach at the mixing desk made him a giant of the reggae and dancehall scenes. He was the sonic architect behind many hits of the era, notably serving as the mixing engineer for Shabba Ranks’ seminal Grammy winning albums As Raw As Ever and Xtra Naked. In 1990, he launched his eponymous label, Soljie Records, which became a vehicle for his own distinct productions.
‘Slow Down’ is a quintessential Digi Dub production, balancing a heavy, driving rhythm with strong melodic hooks and a dreamy crossover feel that transcends the genre. Licensed from Soljie’s son, Chioke Hamilton, this reissue comprises the original version and Dub, alongside a previously unreleased Extended version.
Pressed on 140g vinyl and housed in a striking 3mm spine, full colour disco sleeve designed by Bradley Pinkerton.
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A veteran engineer at the iconic Channel One Recording Studio, Soljie’s innovative approach at the mixing desk made him a giant of the reggae and dancehall scenes. He was the sonic architect behind many hits of the era, notably serving as the mixing engineer for Shabba Ranks’ seminal Grammy winning albums As Raw As Ever and Xtra Naked. In 1990, he launched his eponymous label, Soljie Records, which became a vehicle for his own distinct productions.
‘Slow Down’ is a quintessential Digi Dub production, balancing a heavy, driving rhythm with strong melodic hooks and a dreamy crossover feel that transcends the genre. Licensed from Soljie’s son, Chioke Hamilton, this reissue comprises the original version and Dub, alongside a previously unreleased Extended version.
Pressed on 140g vinyl and housed in a striking 3mm spine, full colour disco sleeve designed by Bradley Pinkerton.
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col. 1LP Plankton
SML is the quintet of bassist Anna Butterss, synthesist Jeremiah Chiu, saxophonist Josh Johnson, percussionist Booker Stardrum, and guitarist Gregory Uhlmann. Their second album, How You Been, finds the supergroup of prolific composer/producers pushing ever further into the hyperrealist, collectivist approach to music creation nascently explored on their debut Small Medium Large, which was lauded as “awe-inspiring” by Glide, “exuberant” by the Los Angeles Times, and “an exciting milestone” by Pitchfork.
How You Been represents a breakthrough in the musical language of the group. This new work was crafted via extensive post-production of recorded improvisations from a handful of shows in a similar fashion to their debut, but whereas Small Medium Large was constructed from analog tapes of the band’s very first (and very modest) shows at bygone Highland Park LA venue ETA, How You Been was built with a far higher level of self-awareness and a far deeper pool of source material.
As SML has evolved and spread out in space-time, their fluencies, both as an improvising unit in performance and as a production team in the studio, have sharpened. At inception the band inspired disparate but distinctive artist comparisons like Essential Logic, Oval, Herbie Hancock’s Sextant, and electric Miles Davis, as well as assorted genre touchpoints like Afrobeat, kosmiche, proto-techno and new-jazz. With How You Been their work manages to both collapse and explode such derivatives, displaying a new, high resolution version of SML, fully-flowered into a new strain of sound, bound to incite its own copycats in due time.
“SML might signal a new iteration of jazz, or it might not be jazz at all, or it might not matter.” - Pitchfork
It’s important to note that SML’s sound wasn’t created in a vacuum. The band is part of an extensive community of creative musicians who collaborate in a multitude of ways, and that community has proven to be essential to a growing family tree of innovative, genre-expanding music. Los Angeles in the 2020s is a musical Petri dish in the same way that Cologne & Dusseldorf were for the birth of Krautrock; Canterbury for progressive rock in late-60s; NYC for No Wave & the Downtown sound in the late 70s and 80s; Chicago for genreless, Tortoise-adjacent sounds in the 90s. The musicians of SML represent the core of a new school within the Los Angeles jazz and improvised music scene that seems to breed infinitely overlapping combinations, including Jeff Parker’s ETA IVtet, the Uhlmann Johnson Wilkes trio, Anna Butterss’s own band (as heard on 2024’s Mighty Vertebrate), and various other solo and ensemble projects encompassing every single member of the SML, respectively. Available Friday November 7th, 2025.
Listen: listen.k7.com/e29444dd-0fd1-4859-91d1-6ff8d0730dd0
Tracklist:
1.1Gutteral Utterance
1.2Chicago Four
1.3Taking out the Trash
1.4Plankton
1.5Chicago Three
1.6Daves
1.7Old Mytth
1.8Stepping In / The Loop
1.9Brood Board SHROOM
1.10Odd Evens
1.11How You Been
1.12Moving Walkway
1.13Mouth Words
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SML is the quintet of bassist Anna Butterss, synthesist Jeremiah Chiu, saxophonist Josh Johnson, percussionist Booker Stardrum, and guitarist Gregory Uhlmann. Their second album, How You Been, finds the supergroup of prolific composer/producers pushing ever further into the hyperrealist, collectivist approach to music creation nascently explored on their debut Small Medium Large, which was lauded as “awe-inspiring” by Glide, “exuberant” by the Los Angeles Times, and “an exciting milestone” by Pitchfork.
How You Been represents a breakthrough in the musical language of the group. This new work was crafted via extensive post-production of recorded improvisations from a handful of shows in a similar fashion to their debut, but whereas Small Medium Large was constructed from analog tapes of the band’s very first (and very modest) shows at bygone Highland Park LA venue ETA, How You Been was built with a far higher level of self-awareness and a far deeper pool of source material.
As SML has evolved and spread out in space-time, their fluencies, both as an improvising unit in performance and as a production team in the studio, have sharpened. At inception the band inspired disparate but distinctive artist comparisons like Essential Logic, Oval, Herbie Hancock’s Sextant, and electric Miles Davis, as well as assorted genre touchpoints like Afrobeat, kosmiche, proto-techno and new-jazz. With How You Been their work manages to both collapse and explode such derivatives, displaying a new, high resolution version of SML, fully-flowered into a new strain of sound, bound to incite its own copycats in due time.
“SML might signal a new iteration of jazz, or it might not be jazz at all, or it might not matter.” - Pitchfork
It’s important to note that SML’s sound wasn’t created in a vacuum. The band is part of an extensive community of creative musicians who collaborate in a multitude of ways, and that community has proven to be essential to a growing family tree of innovative, genre-expanding music. Los Angeles in the 2020s is a musical Petri dish in the same way that Cologne & Dusseldorf were for the birth of Krautrock; Canterbury for progressive rock in late-60s; NYC for No Wave & the Downtown sound in the late 70s and 80s; Chicago for genreless, Tortoise-adjacent sounds in the 90s. The musicians of SML represent the core of a new school within the Los Angeles jazz and improvised music scene that seems to breed infinitely overlapping combinations, including Jeff Parker’s ETA IVtet, the Uhlmann Johnson Wilkes trio, Anna Butterss’s own band (as heard on 2024’s Mighty Vertebrate), and various other solo and ensemble projects encompassing every single member of the SML, respectively. Available Friday November 7th, 2025.
Listen: listen.k7.com/e29444dd-0fd1-4859-91d1-6ff8d0730dd0
Tracklist:
1.1Gutteral Utterance
1.2Chicago Four
1.3Taking out the Trash
1.4Plankton
1.5Chicago Three
1.6Daves
1.7Old Mytth
1.8Stepping In / The Loop
1.9Brood Board SHROOM
1.10Odd Evens
1.11How You Been
1.12Moving Walkway
1.13Mouth Words
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1
Jennifer Lara - We Can Make It Work
2
Jennifer Lara - We Can Make It Dub
Scorching undercover Boogie Lovers number from the legendary Studio One artist Jennifer Lara! Mid-80s UK production from Uptempo, licensed for a well needed first ever repress. For all 80s Reggae fanatics!
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1
Karen Dixon - I Just Want To Be Free
2
Karen Dixon - Dub To Be Free
Crucial version of the classic Deniece Williams number! Karen Dixon sings it in a Lovers Rock style. From the Neville King archive and licensed for it’s first ever 7 Inch press. Complete with Instrumental Version on the flip!
40 years of endless play!
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40 years of endless play!
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1
Model 500 - No Ufo's Remix
2
Model 500 - The Chase Remix
3
Model 500 - Off To Battle Remix
4
Model 500 - Night Drive Time Space Transmat
5
Model 500 - Electric Entourage
6
Model 500 - Electronic Remix
7
Model 500 - Ocean to Ocean Instrumental
8
Model 500 - Techno Music M500 Version
9
Model 500 - Sound Of Stereo
Juan Atkin's masterpiece compilation, the blueprint of Techno albums.... the 1993 Model 500 'Classics' compilation with some of Juan Atkins' biggest early Metroplex milestones, with some of them in exclusive remixed versions. 3 decades later Metroplex is re-releasing this collection of hugely influential tracks for a new generation to play from fresh and clean vinyl!. Just like the recent 12" reissue series, this album has been fully remastered with all the care and attention to detail you can imagine. Tracks like ,,No UFOs", ,,The Chase", ,,Techno Music", ,,Night Drive (Time, Space, Transmat)" or ,,Off To Battle" are basically techno ground zero, with the electro influence of mid-80s to late-80s Juan Atkins productions still omnipresent. 30 years on since its original release on R&S records, 'Classics' is still as gritty and timeless a statement as ever. Pure sonic futurism!
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1
Mad Professor - Avianca Dubs - Dub 1
2
Mad Professor - Avianca Dubs - Dub 2
Mad Professor is a dub legend. We can't say much more about this release other than it's two dubs of a beautiful record and all time classic and there will be more to follow...
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1
stardub - 01
2
stardub - 02
3
stardub - 03
4
stardub - 04
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1
Frenk Dublin - Chord Dancer
2
Frenk Dublin - The Last Realm
3
Frenk Dublin - Time & Space
4
Frenk Dublin - Saphire Dub
5
Frenk Dublin - Inspected
Tracklisting
A1 Frenk Dublin - Chord Dancer
A2 Frenk Dublin - The Last Realm
B1 Frenk Dublin - Time & Space
B2 Frenk Dublin - Saphire Dub
B3 Frenk Dublin - Inspected
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A1 Frenk Dublin - Chord Dancer
A2 Frenk Dublin - The Last Realm
B1 Frenk Dublin - Time & Space
B2 Frenk Dublin - Saphire Dub
B3 Frenk Dublin - Inspected
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1
Shelter - Kings, Knights And Rooks
2
Shelter - The Queen's Sacrifice
3
Shelter - King's Indian Dub
4
Shelter - Shutting Out Bishops
Emotional Response is proud to welcome renowned multi-instrumentalist Alan Briand aka Shelter, to the label with a striking new EP that delves deep into the realms of modern Digi-Dub.
Over a myriad of releases Shelter’s dextrous ability to straddle genres, from ambient, Balearic, improvisation and most recently a series of acid ragas, releasing on an impressive roster of today’s electronic labels including Antinote, Growing Bin, International Feel, Séance Centre and his own Protopost imprint.
After making waves on Emotional Response's All Trades compilations with his standout track "The Four Knights Dub," Briand returns to further explore his passion for digital dub and UK roots. Across four tracks, all recorded live, he merges sound design, found sounds, and world music with seismic basslines, creating a truly immersive sonic experience.
The rise of Digital Dub is often traced to the groundbreaking "Under Me Sleng Teng" by Prince Jammy / Wayne Smith, but it was the UK's later reversioning – adding electronic drums to roots and steppers rhythms – that gave birth to the unique sound of Digi-Dub.
Shelter pays homage to this tradition, drawing inspiration from the likes of Alpha & Omega, Bush Chemist, and Jonah Dan. His process is as raw as it is innovative: building an analog setup with a MIDI sequencer, DCO synth, live vocals, and sound effects fed through Boss pedals. Digital drums from the KPR77 and DD10 are layered in, with everything mixed live to tape, no overdubs, capturing the raw, live energy of the performance.
This EP must be experienced as a whole – a continuous live set of steppers 4/4 rhythms, cryptic titles (a nod to chess tactics) that acts as rewinds, paying tribute to dub classics of the past.
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Over a myriad of releases Shelter’s dextrous ability to straddle genres, from ambient, Balearic, improvisation and most recently a series of acid ragas, releasing on an impressive roster of today’s electronic labels including Antinote, Growing Bin, International Feel, Séance Centre and his own Protopost imprint.
After making waves on Emotional Response's All Trades compilations with his standout track "The Four Knights Dub," Briand returns to further explore his passion for digital dub and UK roots. Across four tracks, all recorded live, he merges sound design, found sounds, and world music with seismic basslines, creating a truly immersive sonic experience.
The rise of Digital Dub is often traced to the groundbreaking "Under Me Sleng Teng" by Prince Jammy / Wayne Smith, but it was the UK's later reversioning – adding electronic drums to roots and steppers rhythms – that gave birth to the unique sound of Digi-Dub.
Shelter pays homage to this tradition, drawing inspiration from the likes of Alpha & Omega, Bush Chemist, and Jonah Dan. His process is as raw as it is innovative: building an analog setup with a MIDI sequencer, DCO synth, live vocals, and sound effects fed through Boss pedals. Digital drums from the KPR77 and DD10 are layered in, with everything mixed live to tape, no overdubs, capturing the raw, live energy of the performance.
This EP must be experienced as a whole – a continuous live set of steppers 4/4 rhythms, cryptic titles (a nod to chess tactics) that acts as rewinds, paying tribute to dub classics of the past.
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1
SIMONCINO - Dub theory I
2
SIMONCINO - Dub theory II
3
SIMONCINO - Dub theory III
4
SIMONCINO - Dub theory IV
Tracklist 12” :
A1: Dub theory I
A2: Dub theory II
B1: Dub theory III
B2: Dub theory IV
Short info:
13 years after his first release on Quintessentials, Italian master of Chicago House Simoncino is back on the label! With his impressive release catalogue and his love for vintage sounds, Simoncino is always welcome back. The EP title hints at what his new release is all about: Dub Techno! All of us are still fond of those BC and CR releases, so there’s a strong need to check out Simoncino’s 4 “dub theories”! Classic tunes!
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A1: Dub theory I
A2: Dub theory II
B1: Dub theory III
B2: Dub theory IV
Short info:
13 years after his first release on Quintessentials, Italian master of Chicago House Simoncino is back on the label! With his impressive release catalogue and his love for vintage sounds, Simoncino is always welcome back. The EP title hints at what his new release is all about: Dub Techno! All of us are still fond of those BC and CR releases, so there’s a strong need to check out Simoncino’s 4 “dub theories”! Classic tunes!
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1
Star_Dub - VOODUB 5
2
Star_Dub - VOODUB 6
3
Star_Dub - VOODUB 7
4
Star_Dub - VOODUB 8
Part 2 of the succesful VOODUB EP Series by STAR_DUB.
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