Label:Planet
Cat-No:PLA03
Release-Date:03.05.2024
Genre:Dub/Reggae
Configuration:7"
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Label:Planet
Cat-No:PLA03
Release-Date:03.05.2024
Genre:Dub/Reggae
Configuration:7"
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1
A J Brown - Human Nature
2
A J Brown - Human Dubwise
This is a Lovers version of an absolute classic! Licensed from the catalogue of the legendary Harry J Studio, in a signature late 80s Digital keyboard & drum-machine style. Originally written by Toto, and made famous by Michael Jackson! As well as being sampled in SWV’s big 90s anthem & by Hip Hop legend NAS.
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Label:Planet
Cat-No:PLA02
Release-Date:03.05.2024
Genre:Dub/Reggae
Configuration:7"
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Label:Planet
Cat-No:PLA02
Release-Date:03.05.2024
Genre:Dub/Reggae
Configuration:7"
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1
T Dynamix & Lisa Ellis - Alone
2
T Dynamix & Lisa Ellis - Your Love
An obscure late 80s double sided killer brought to light! Originally released as a 12 inch, this was dug out of a white label box by Planets head honcho on a North London digging mission. 1989 fusion of Lovers, Street Soul & Soundsystem music from T-Dynamix & Lisa Ellis. Originally based up North near Manchester!
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12"
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Label:Yellow Jackets
Cat-No:YJ008
Release-Date:26.07.2024
Genre:House
Configuration:12"
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Label:Yellow Jackets
Cat-No:YJ008
Release-Date:26.07.2024
Genre:House
Configuration:12"
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1
Joaquin Joe Claussell as Hidden Revealed - Erratic Telepathy (The Cosmic Arts Interpretation)
2
Joaquin Joe Claussell / The Ricky Corey - Who Do You Love? (Josh Honeycomb Extended Basement Dub)(Patrick Gibin Edit)
Chapter number 8 in the Yellow Jackets book is ready to go and will please a whole range of music lovers!
Legendary visionary artist Joe Claussell strengthens up his relationship with Mother Tongue [check the MT distributed Sacred Medicine label that he curates with Ron Trent] serving here a piece of cosmic mind bending fusion entitled ‘Erratic Telepathy ’.
On the flipside Josh Milan’s anthemic remix of Ricky Corey Collective ‘Who Do You Love?’ gets the Patrick Gibin’s Edit treatment and it’s got the name ‘Future Dancefloor Classic’ written all over it! Courtesy of NDATL Muzik
Don’t fear the Sound! More
Legendary visionary artist Joe Claussell strengthens up his relationship with Mother Tongue [check the MT distributed Sacred Medicine label that he curates with Ron Trent] serving here a piece of cosmic mind bending fusion entitled ‘Erratic Telepathy ’.
On the flipside Josh Milan’s anthemic remix of Ricky Corey Collective ‘Who Do You Love?’ gets the Patrick Gibin’s Edit treatment and it’s got the name ‘Future Dancefloor Classic’ written all over it! Courtesy of NDATL Muzik
Don’t fear the Sound! More
2x12" Excl
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Label:Noire & Blanche
Cat-No:N&B015VINYL
Release-Date:30.08.2024
Genre:House
Configuration:2x12" Excl
Barcode:4062548087833
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Label:Noire & Blanche
Cat-No:N&B015VINYL
Release-Date:30.08.2024
Genre:House
Configuration:2x12" Excl
Barcode:4062548087833
1
Tour-Maubourg - Priori Remix- Longing for U
2
Tour-Maubourg - K-Lone Remix- Floating on Silence
3
Tour-Maubourg - Edmondson Remix- Nite People
4
Tour-Maubourg - I:Cube Remix- I Wanna
5
Tour-Maubourg - Hame Remix- Longing for U
6
Tour-Maubourg - Longing For You
7
Tour-Maubourg - I Wanna
8
Tour-Maubourg - Nite People
9
Tour-Maubourg - Floating On Silence
10
Tour-Maubourg - Mighty Groove
Tracklist
EP1 - Floating on Silence Remixes
A1. Priori Remix- Longing for U
A2. K-Lone Remix- Floating on Silence
A3. Edmondson Remix- Nite People
B1. I:Cube Remix- I Wanna
B2. Hame Remix- Longing for U
EP2 - Floating on Silence
A1. Longing For You
A2. I Wanna
A3. Nite People
B1. Floating On Silence
B2. Mighty Groove
Blurb:
Introducing ‘Floating on Silence Remixes’, a reinterpretation of Tour Maubourg’s EP released in 2022, which became a modern house classic and defined his musical color, featuring his eponymous track peaking at more than 2 million streams across platforms. Collaborating with five renowned producers, this new version explores new horizons and takes Tour-Maubourg’s music even further. From the techno of I:Cube to the deep house of K-Lone and Hame, through the minimal stylings of Priori and Edmondson, this project explores new horizons and elevates TourMaubourg’s music. An EP finely crafted by masters of the genre that will appeal to deep house and house aficionados.
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EP1 - Floating on Silence Remixes
A1. Priori Remix- Longing for U
A2. K-Lone Remix- Floating on Silence
A3. Edmondson Remix- Nite People
B1. I:Cube Remix- I Wanna
B2. Hame Remix- Longing for U
EP2 - Floating on Silence
A1. Longing For You
A2. I Wanna
A3. Nite People
B1. Floating On Silence
B2. Mighty Groove
Blurb:
Introducing ‘Floating on Silence Remixes’, a reinterpretation of Tour Maubourg’s EP released in 2022, which became a modern house classic and defined his musical color, featuring his eponymous track peaking at more than 2 million streams across platforms. Collaborating with five renowned producers, this new version explores new horizons and takes Tour-Maubourg’s music even further. From the techno of I:Cube to the deep house of K-Lone and Hame, through the minimal stylings of Priori and Edmondson, this project explores new horizons and elevates TourMaubourg’s music. An EP finely crafted by masters of the genre that will appeal to deep house and house aficionados.
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12"
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Label:Neptune's Dispatch
Cat-No:FORNEPUTNE003
Release-Date:12.07.2024
Configuration:12"
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Label:Neptune's Dispatch
Cat-No:FORNEPUTNE003
Release-Date:12.07.2024
Configuration:12"
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1
Beppe Loda - Untitled
2
Beppe Loda - Untitled
3
Beppe Loda - Untitled
4
Beppe Loda - Untitled
Beppe Loda, the Marlon Brando of disco, is back with a bang for Neptune's Dispatch #3, delivering four scorching tracks infused with his iconic spaghetti disco vibe. Beppe's dance floor-tested toolkit features cosmic bliss, guitar riffs reminiscent of Santana’s long-lost Italian cousin, evocative odes to the queen of love, and a love ballad from Italy's supposed Gatsby. Limited run, no repress.
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Label:Black Music
Cat-No:BM004
Release-Date:26.07.2024
Genre:House
Configuration:12"
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Label:Black Music
Cat-No:BM004
Release-Date:26.07.2024
Genre:House
Configuration:12"
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1
Deon Jamar - Already Seen
2
Deon Jamar - Ok Dub
The 2nd single in the Altars series, featuring Ok Dub b/w Already Seen.
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12" Excl
in stock
Label:Hamam House
Cat-No:hamamhouse02
Release-Date:22.04.2022
Genre:House
Configuration:12" Excl
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Label:Hamam House
Cat-No:hamamhouse02
Release-Date:22.04.2022
Genre:House
Configuration:12" Excl
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1
v.a. - Fattish - gel sehe
2
v.a. - Kozmonotosman - Helvaci
3
v.a. - Kurtadam - Soz yok
4
v.a. - Tokyo matt - pi po pa editsu
ll star cast from 4 different cosmic corners comes the more electronic side of Hamam. T hink of it as the dorian gray of Frankfurt airport , but instead it's at the hamam in istanbul. Fattish - no stranger to electronic versions of loved and cherished turkish songs, Fattish delivers a monster cinematic piece, strings section...the whole lot...check anything he puts his hands on, this one made it to the wax Kozmonotosman - our man on the moon, he visits regularly so if u need any rocks or bits ask him he will bring u, I got loads of rock so u can ask me alternatively.
My man delivers a super dope and groovy number from a not so well known jam from the 70's . Just get down and boogie on this. Kurt Adam - one of the new faves of the Hamam camp, delivers a taverna cut in a housey affair. Don't be fooled by the electronics, I drink raki to this any day at the drinkery. Hold me down if u can m gonna dance in euphoria, hear the wolfman roarrr.
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My man delivers a super dope and groovy number from a not so well known jam from the 70's . Just get down and boogie on this. Kurt Adam - one of the new faves of the Hamam camp, delivers a taverna cut in a housey affair. Don't be fooled by the electronics, I drink raki to this any day at the drinkery. Hold me down if u can m gonna dance in euphoria, hear the wolfman roarrr.
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Label:CAZ PLAK
Cat-No:CAZLP009
Release-Date:20.09.2024
Genre:Jazz
Configuration:LP
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1
Don Cherry & Okay Temiz - Calculating Empires
2
Don Cherry & Okay Temiz - Okay's 5/8
3
Don Cherry & Okay Temiz - Fortune and Men's Eyes
4
Don Cherry & Okay Temiz - 1969 - Take 1
5
Don Cherry & Okay Temiz - 1969
6
Don Cherry & Okay Temiz - Near East / Far East
7
Don Cherry & Okay Temiz - Naive - Take 1
8
Don Cherry & Okay Temiz - Naive
9
Don Cherry & Okay Temiz - Istanbul
NEVER-BEFORE-RELEASED RECORDING of the Sensational and Banned Turkish Theater Play by James Baldwin and Engin Cezzar, Istanbul 1970
Licensed by Gökhan Akçura, author of Engin Cezzar's autobiography, who was personally entrusted with the original master tape by Engin Cezzar.
"One of the most shocking and daring plays staged in Turkish theaters was banned by the Istanbul Governorship on February 7, 1970. The ban on the play, which was watched by 30,000 people in 60 days, did not last long." - Turkish Press, 1970
Meticulously restored from the original master tape, remastered and cut by Shawn Joseph at Optimum Mastering, Bristol, UK.
Includes liner notes by Zeynep Oral (James Baldwin's assistant and journalist), Gökhan Akçura, Okay Temiz, and record producer Erinç Güzel (Caz Plak Istanbul).
In 1970, Turkish theater owner Engin Cezzar produced James Baldwin's groundbreaking play about gay relationships in a 1970s Istanbul prison setting. In 1969, jazz musician Don Cherry, visiting Istanbul with Okay Temiz to record an album, reunited with Baldwin and contributed music to the production. The recording session followed extensive discussions and featured performances by Cherry and Temiz, heightening the play's tension.
An unearthed free jazz masterpiece from 1970s Istanbul.
A1 - Calculating Empires
A2 - Okay's 5/8
A3 - Fortune and Men's Eyes
A4 - 1969 - Take 1
B1 - 1969
B2 - Near East / Far East
B3 - Naive - Take 1
B4 - Naive
B5 - Istanbul More
Licensed by Gökhan Akçura, author of Engin Cezzar's autobiography, who was personally entrusted with the original master tape by Engin Cezzar.
"One of the most shocking and daring plays staged in Turkish theaters was banned by the Istanbul Governorship on February 7, 1970. The ban on the play, which was watched by 30,000 people in 60 days, did not last long." - Turkish Press, 1970
Meticulously restored from the original master tape, remastered and cut by Shawn Joseph at Optimum Mastering, Bristol, UK.
Includes liner notes by Zeynep Oral (James Baldwin's assistant and journalist), Gökhan Akçura, Okay Temiz, and record producer Erinç Güzel (Caz Plak Istanbul).
In 1970, Turkish theater owner Engin Cezzar produced James Baldwin's groundbreaking play about gay relationships in a 1970s Istanbul prison setting. In 1969, jazz musician Don Cherry, visiting Istanbul with Okay Temiz to record an album, reunited with Baldwin and contributed music to the production. The recording session followed extensive discussions and featured performances by Cherry and Temiz, heightening the play's tension.
An unearthed free jazz masterpiece from 1970s Istanbul.
A1 - Calculating Empires
A2 - Okay's 5/8
A3 - Fortune and Men's Eyes
A4 - 1969 - Take 1
B1 - 1969
B2 - Near East / Far East
B3 - Naive - Take 1
B4 - Naive
B5 - Istanbul More
Label:Fruits Records
Cat-No:FTR060
Release-Date:03.05.2024
Genre:Dub/Reggae
Configuration:LP
Barcode:
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Last in:13.08.2024
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Label:Fruits Records
Cat-No:FTR060
Release-Date:03.05.2024
Genre:Dub/Reggae
Configuration:LP
Barcode:
1
Roots Architects - 1000 Light Years ft. High Times Players, Lloyd Obeah Denton
2
Roots Architects - In The Shadow ft. Vin Gordon, Glen DaCosta, Sheldon "ATiiBA" Bernard
3
Roots Architects - Whitewater ft. Ibo Cooper, Lew Chang
4
Roots Architects - Memories of Old ft. Ernest Ranglin, Tyrone Downie
5
Roots Architects - Rose Hall’s Birds ft. Vin Gordon, Glen DaCosta
6
Roots Architects - Squirrel Inna Barrel ft. Ernest Ranglin, Vin Gordon, Karl Bryan
7
Roots Architects - Under The Cotton Tree ft. Glen DaCosta, Ibo Cooper, Cat Coore
8
Roots Architects - 45 Charles Street ft. Roots Radics, Dwight Pickney, Dean Fraser
9
Roots Architects - Everlasting Love ft. Sly & Robbie, Dean Fraser, Peace Diouf
Bringing together over 50 of Jamaica's greatest session musicians, whose work spans from the birth of reggae in the late 1960s until today, Roots Architects is the largest gathering of Jamaican musical talent on one all-instrumental album. Never before have so many veterans, who helped create the immortal rhythms that made reggae internationally successful, been assembled to play on new material without vocals. This album aims to celebrate and pay tribute to the unsung heroes of reggae music: the rhythm builders or Roots Architects.
The project is the brainchild of Swiss keyboardist and producer Mathias Liengme. In 2013, he travelled to Kingston, Jamaica, to produce The Inspirators project, an all-star album gathering Leroy ”Horse-mouth” Wallace, Lloyd Parks, Earl ”Chinna” Smith and Sangie Davis, the four of them acting both as musicians and vocalists. This first experience in Kingston studio life paved the way to what would become the Roots Architects project. In February and March 2017 Mathias Liengme travelled for the fifth time to Kingston to record as many of reggae’s greatest living veteran musicians as he could. With the help of a few of these Architects like Robbie Lyn, Fil Callender or Dalton Browne, he managed to gather over 50 session musicians aged 60 to 85 on nine instrumental songs.
Roots Architects are legends back together in Kingston studios doing what they do best: creating in-strumental music all together! More
The project is the brainchild of Swiss keyboardist and producer Mathias Liengme. In 2013, he travelled to Kingston, Jamaica, to produce The Inspirators project, an all-star album gathering Leroy ”Horse-mouth” Wallace, Lloyd Parks, Earl ”Chinna” Smith and Sangie Davis, the four of them acting both as musicians and vocalists. This first experience in Kingston studio life paved the way to what would become the Roots Architects project. In February and March 2017 Mathias Liengme travelled for the fifth time to Kingston to record as many of reggae’s greatest living veteran musicians as he could. With the help of a few of these Architects like Robbie Lyn, Fil Callender or Dalton Browne, he managed to gather over 50 session musicians aged 60 to 85 on nine instrumental songs.
Roots Architects are legends back together in Kingston studios doing what they do best: creating in-strumental music all together! More
Label:Permanent Vacation
Cat-No:permvac089-1
Release-Date:26.07.2024
Genre:House
Configuration:LP Excl
Barcode:673795708910
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Last in:16.07.2024
Label:Permanent Vacation
Cat-No:permvac089-1
Release-Date:26.07.2024
Genre:House
Configuration:LP Excl
Barcode:673795708910
1
John Talabot - Depak Ine
2
John Talabot - Destiny
3
John Talabot - Oro Y sangre
4
John Talabot - Last Land
5
John Talabot - Journeys
6
John Talabot - Missing you
7
John Talabot - When the past was present
8
John Talabot - El Oeste
9
John Talabot - So will be now
Tracklist:
A.
1. Depak Ine
2. Destiny
3. Oro Y sangre
4. Last Land
B.
1. Journeys
2. Missing you
3. When the past was present
4. El Oeste
5. So will be now
If there is one person, who has been causing a stir on the international club circuit recently, it is Barcelona's John Talabot. Already his debut “My Old School“ (which is meant literally by the way) on Permanent Vacation in 2009 and shortly after that the single “ Sunshine”, which he put out on his own Hivern Disc imprint, made him one of the most promising musicians of the Spanish electronic scene. And those two releases also already set the mark for John Talabot’s unparalleled music: raw, loopy, heavy on the kick drum, sample based, moderate on the tempo, distorted on the drums and light years away from the clean and ever revolving house sound of today. This unique style which also blends influences from afro beat, Detroit techno, Chicago house and cosmic disco, but also northern soul or the energy of Flamenco, immediately turned some heads around. James Murphy, Âme and Aeroplane started including Talabot music in their sets like it was the most natural thing. However - and this is quite rare - he not only gained legions of fans in the house and disco community, but also amongst the leftfield pop and indie rock followers. NME and Resident Advisor both had “Breakthrough“ features on John Talabot and he can be proud of a “Best New Music“ dubbing on
Pitchfork. (Being rather elusive on showing his face in magazines or the web it also came to some funny rumors that John Talabot was the alter ego of a well-known techno producer from Detroit).
At the same time he drew the attention of like-minded artists like James Holden and Luke Abott from Border Community, Blondes or Delorean, which lead to a bunch of fertile collaborations: Luke Abbott and Blondes remixed Talabot’s “Sunshine“ single , John Talabot remixed a track by Delorean and vice versa Delorean’s Ekhi contributed vocals to the track “Journeys “ on John’s album). Another example is the Young Turks Label (home of Jamie XX, Holy Fuck, El Guincho or SBTRKT ) on which he released the “Families“ EP in 2010. It was praised beyond limits. Pitchfork for
instance hailed: “… where pop and house influences sweetly buffer up against one another to provide an unyielding sense of elation“ and even brought Talabot a comparison with artists like Four Tet or Caribou.
While staying true to his sound, John Talabot has nevertheless shown a constant evolution as a producer since his first release. He has traced a solid musical path that has turned him into one of the big references of European House and has made him also a highly in demand Remixer (for the likes of The XX, Francesco Tristano’s “Aufgang” project, Shit Robot on DFA, Thaiti 80, Joakim or Teengirl Fantasy to name just a few ).
A progression that now crystallizes in “ƒin”, his first full-length album for Permanent Vacation. A record, in which the Barcelona mastermind sets aside the danceable immediacy to expand his stylistic palette more than ever. For that purpose, Talabot melts all the elements that have constructed his distinctive sound until now and makes them emerge from a new perspective, in which the construction of complex song structures, intricate rhythms and superpositions of ever-evolving melodies and atmospheres pick up the baton of the “a kick-drum and a sampler” philosophy of his initial productions. The result brings us 11 tracks (we should call them songs really!) dominated by dark ambiances, gaseous textures and bittersweet moods that, above all, reveal a kind of vivacity that’s really hard to find in contemporary electronics. “Fin” is far from being a track collection. From the majestic opener “Depak Ine“ to it’s solemn ending with
“So Will Be Now“ , one of the two tracks that features Talabot’s soul and label mate Pional, each song traces an overall dialogue with the rest, culminating a highly emotional journey through Talabot’s always compelling and unique musical vision. More
A.
1. Depak Ine
2. Destiny
3. Oro Y sangre
4. Last Land
B.
1. Journeys
2. Missing you
3. When the past was present
4. El Oeste
5. So will be now
If there is one person, who has been causing a stir on the international club circuit recently, it is Barcelona's John Talabot. Already his debut “My Old School“ (which is meant literally by the way) on Permanent Vacation in 2009 and shortly after that the single “ Sunshine”, which he put out on his own Hivern Disc imprint, made him one of the most promising musicians of the Spanish electronic scene. And those two releases also already set the mark for John Talabot’s unparalleled music: raw, loopy, heavy on the kick drum, sample based, moderate on the tempo, distorted on the drums and light years away from the clean and ever revolving house sound of today. This unique style which also blends influences from afro beat, Detroit techno, Chicago house and cosmic disco, but also northern soul or the energy of Flamenco, immediately turned some heads around. James Murphy, Âme and Aeroplane started including Talabot music in their sets like it was the most natural thing. However - and this is quite rare - he not only gained legions of fans in the house and disco community, but also amongst the leftfield pop and indie rock followers. NME and Resident Advisor both had “Breakthrough“ features on John Talabot and he can be proud of a “Best New Music“ dubbing on
Pitchfork. (Being rather elusive on showing his face in magazines or the web it also came to some funny rumors that John Talabot was the alter ego of a well-known techno producer from Detroit).
At the same time he drew the attention of like-minded artists like James Holden and Luke Abott from Border Community, Blondes or Delorean, which lead to a bunch of fertile collaborations: Luke Abbott and Blondes remixed Talabot’s “Sunshine“ single , John Talabot remixed a track by Delorean and vice versa Delorean’s Ekhi contributed vocals to the track “Journeys “ on John’s album). Another example is the Young Turks Label (home of Jamie XX, Holy Fuck, El Guincho or SBTRKT ) on which he released the “Families“ EP in 2010. It was praised beyond limits. Pitchfork for
instance hailed: “… where pop and house influences sweetly buffer up against one another to provide an unyielding sense of elation“ and even brought Talabot a comparison with artists like Four Tet or Caribou.
While staying true to his sound, John Talabot has nevertheless shown a constant evolution as a producer since his first release. He has traced a solid musical path that has turned him into one of the big references of European House and has made him also a highly in demand Remixer (for the likes of The XX, Francesco Tristano’s “Aufgang” project, Shit Robot on DFA, Thaiti 80, Joakim or Teengirl Fantasy to name just a few ).
A progression that now crystallizes in “ƒin”, his first full-length album for Permanent Vacation. A record, in which the Barcelona mastermind sets aside the danceable immediacy to expand his stylistic palette more than ever. For that purpose, Talabot melts all the elements that have constructed his distinctive sound until now and makes them emerge from a new perspective, in which the construction of complex song structures, intricate rhythms and superpositions of ever-evolving melodies and atmospheres pick up the baton of the “a kick-drum and a sampler” philosophy of his initial productions. The result brings us 11 tracks (we should call them songs really!) dominated by dark ambiances, gaseous textures and bittersweet moods that, above all, reveal a kind of vivacity that’s really hard to find in contemporary electronics. “Fin” is far from being a track collection. From the majestic opener “Depak Ine“ to it’s solemn ending with
“So Will Be Now“ , one of the two tracks that features Talabot’s soul and label mate Pional, each song traces an overall dialogue with the rest, culminating a highly emotional journey through Talabot’s always compelling and unique musical vision. More
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Label:UFO Inc.
Cat-No:UFO11
Release-Date:19.07.2024
Genre:Techno
Configuration:12"
Barcode:4260600223438
1
D. Carbone - Overloud
2
D. Carbone - Anomalie Detected
3
D. Carbone - Be With Me
4
D. Carbone - Nicht Erreichbar
D. Carbone steps up for the next entry on UFO Inc. with four exhilarating energy boosts. Raised in the Vesuvian area but a longtime resident of Berlin, Davide Carbone has spent years honing in on a bold, industrial-leaning sound that targets the body and mind in equal transcendence. His aesthetics are seemingly on the harsher side, but underneath each phrase lies a carefully arranged sonic mapping that weaves together the raw, the delirious, and the euphoric. As a producer and DJ who works across multiple aliases, Davide's commitment to the culture has been firmly planted over many years of exploring the weirder corners of techno, working with a wide range of beloved labels and performing across the globe. For his debut on UFO Inc, he focuses on a clear sonic paradigm, considering the fusion of uplifting, trance-y breaks and contrasting hard rhythmic frameworks in order to craft a unique space between two extremes.
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LP
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Label:International Anthem
Cat-No:IARC0085LPI
Release-Date:28.06.2024
Genre:Jazz
Configuration:LP
Barcode:789993994373
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Last in:17.07.2024
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Last in:17.07.2024
Label:International Anthem
Cat-No:IARC0085LPI
Release-Date:28.06.2024
Genre:Jazz
Configuration:LP
Barcode:789993994373
SML is bassist Anna Butterss (Jeff Parker, Daniel Villarreal, Makaya McCraven), synthesist Jeremiah Chiu (Ariel Kalma, Marta Sofia-Honer), saxophonist Josh Johnson (Jeff Parker, Makaya McCraven, Nate Mercereau, Marquis Hill), percussionist Booker Stardrum (Amirtha Kidambi, Carl Stone, Lee Ranaldo, Patrick Shiroishi), and guitarist Gregory Uhlmann (Sam Wilkes, Meg Duffy, Perfume Genius). Their debut album Small Medium Large began as a collection of long-form improvisations recorded during two separate two-night stands at beloved Highland Park venue ETA
Tracklist
1.1Rubber Tree Dance
1.2Industry
1.3Herbie for Commercials
1.4Search Bar Hi Hat
1.5Window Sill Song
1.6Switchboard Operations
1.7Soft Sand
1.8Three Over Steel
1.9Chasing Brain
1.10History of Communication
1.11Feed The Birds
1.12Greg's Melody
1.13Dolphin Language
https://listen.k7.com/b7d4a647-d93c-4459-a87e-b6db0d5c8f29 More
Tracklist
1.1Rubber Tree Dance
1.2Industry
1.3Herbie for Commercials
1.4Search Bar Hi Hat
1.5Window Sill Song
1.6Switchboard Operations
1.7Soft Sand
1.8Three Over Steel
1.9Chasing Brain
1.10History of Communication
1.11Feed The Birds
1.12Greg's Melody
1.13Dolphin Language
https://listen.k7.com/b7d4a647-d93c-4459-a87e-b6db0d5c8f29 More
2LP
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Label:Z Records
Cat-No:ZEDDLP058
Release-Date:31.05.2024
Genre:House
Configuration:2LP
Barcode:
Z Records is back with another instalment of badass Funk from the Disco era with Supafunkanova Volume 3 which has been selected by prolific DJ, producer, remixer and record collector Woody Bianchi.
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LP
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Label:Week-End Records
Cat-No:WE10
Release-Date:07.06.2024
Genre:Dub/Reggae
Configuration:LP
Barcode:4250101470585
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Last in:17.10.2024
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Last in:17.10.2024
Label:Week-End Records
Cat-No:WE10
Release-Date:07.06.2024
Genre:Dub/Reggae
Configuration:LP
Barcode:4250101470585
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Keith Hudson - Playing It Cool
2
Keith Hudson - Playing It Right Dub
3
Keith Hudson - Trust & Believe
4
Keith Hudson - In I Dub
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Keith Hudson - California
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Keith Hudson - By Night Dub
7
Keith Hudson - Not Good For Us
8
Keith Hudson - Formula Dub
9
Keith Hudson - Be What You Want To Be
10
Keith Hudson - Be Good Dub
11
Keith Hudson - I Can't Do Without You
12
Keith Hudson - Still Need You Dub
Keith Hudson, who temporarily worked as a dentist in the ghettos of Kingston, emigrated to New York City in 1976 and died there prematurely in 1984. He is best known for his work as a producer for artists such as U-Roy, Big Youth, Ken Boothe and Horace Andy and within short order Hudson brought his all-round talent to full fruition.
In 1974, he produced two ground-breaking albums. “Pick A Dub” was one of the first official dub albums ever, and is still considered to be one of the greatest moments of Jamaican music. In addition, the unique “Flesh Of My Skin, Blood Of My Blood” became the first concept album in reggae history. Thematically dedicated entirely to black history, this masterpiece captivates with an atmosphere that is as dark as it is deeply spiritual, charged by Hudson’s eccentric vocals.
In 1981, he created the dub masterpiece “Playing It Cool, Playing It Right” which he produced with the help of Wackie’s founder and mastermind Lloyd ‘Bullywackie’ Barnes. It remained the only collaboration between the two producers. Hudson decided to release it on his own label Joint International as he has done on his previous releases.
The album continues Hudson’s psycho-acoustic journey into the abyss of existence and has the power to overwhelm the listener with the beauty of artistic self-empowerment. “Too Much Formula” sings Hudson, whose voice occasionally recalls Sly Stone, “Darkest Night” answers an echoing background chorus found elsewhere on the track “California”. Hudson’s production techniques are fascinating on this album. We often hear a kind of flashing-whip sound on the snare, which adds dynamics to the whole album. Rarely has a dub record sounded so electrifying, with radical spatial sound spreading out in all directions and rarely has it been as crystal clear, with warm bass and echophonic treatments as contained within these 30 minutes of music.
43 years after its first release and 20 years after its last re-release on the German-British label Basic Replay (Basic Channel/Honest Jon’s), “Playing It Cool, Playing It Right” is now finally available again via Week-End Records, with a newly revised master and a rare interview with Lloyd ‘Bullywackie’ Barnes, talking on the making of this amazing album. More
In 1974, he produced two ground-breaking albums. “Pick A Dub” was one of the first official dub albums ever, and is still considered to be one of the greatest moments of Jamaican music. In addition, the unique “Flesh Of My Skin, Blood Of My Blood” became the first concept album in reggae history. Thematically dedicated entirely to black history, this masterpiece captivates with an atmosphere that is as dark as it is deeply spiritual, charged by Hudson’s eccentric vocals.
In 1981, he created the dub masterpiece “Playing It Cool, Playing It Right” which he produced with the help of Wackie’s founder and mastermind Lloyd ‘Bullywackie’ Barnes. It remained the only collaboration between the two producers. Hudson decided to release it on his own label Joint International as he has done on his previous releases.
The album continues Hudson’s psycho-acoustic journey into the abyss of existence and has the power to overwhelm the listener with the beauty of artistic self-empowerment. “Too Much Formula” sings Hudson, whose voice occasionally recalls Sly Stone, “Darkest Night” answers an echoing background chorus found elsewhere on the track “California”. Hudson’s production techniques are fascinating on this album. We often hear a kind of flashing-whip sound on the snare, which adds dynamics to the whole album. Rarely has a dub record sounded so electrifying, with radical spatial sound spreading out in all directions and rarely has it been as crystal clear, with warm bass and echophonic treatments as contained within these 30 minutes of music.
43 years after its first release and 20 years after its last re-release on the German-British label Basic Replay (Basic Channel/Honest Jon’s), “Playing It Cool, Playing It Right” is now finally available again via Week-End Records, with a newly revised master and a rare interview with Lloyd ‘Bullywackie’ Barnes, talking on the making of this amazing album. More