1
NOTSGNIK - The Program
2
NOTSGNIK - Test
The wilful acts of disintegration
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More records from MIDI_bug
1
C3D-E & Hashman - Understood
2
C3D-E & Hashman - Denoise
Neither "self-actional" nor “inter-actional”.
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Customers who bought this also bought this
2023 REPRESS EDITION
Tracklist
A1.Get Closer (Tiger & Woods Remix)
B1.Get Closer (Gerd Janson Coy Club Edit)
B2.Get Closer (DJ Oyster Tool Time)
Shortinfo:
Here we are again! Courtesy of Valerie Dore. Numero due in the Super Sound Singles series on Running Back continues on the re-issue/update tip of inexpensive records.
Big in the charts in 1985, the Italian queen of "romantic dance" made her second single "Get Closer" a clairvoyant poem about… errr… life and love: "when the world is running down - get closer"!
Think stonewashed jeans, endless summers on Italian beaches, boats coming back to the shore.
Remixed by fellow country men Tiger & Woods, "Get Closer" gets sandblasted into our modern times and the necessary treatment to be the peak- and night time hug fest, it's always supposed to be. Add a run out tool by DJ Oyster and a gentle DJ-friendly edit by Gerd Janson of the original to the billboard. And always remember: changing your spell can save you.
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Tracklist
A1.Get Closer (Tiger & Woods Remix)
B1.Get Closer (Gerd Janson Coy Club Edit)
B2.Get Closer (DJ Oyster Tool Time)
Shortinfo:
Here we are again! Courtesy of Valerie Dore. Numero due in the Super Sound Singles series on Running Back continues on the re-issue/update tip of inexpensive records.
Big in the charts in 1985, the Italian queen of "romantic dance" made her second single "Get Closer" a clairvoyant poem about… errr… life and love: "when the world is running down - get closer"!
Think stonewashed jeans, endless summers on Italian beaches, boats coming back to the shore.
Remixed by fellow country men Tiger & Woods, "Get Closer" gets sandblasted into our modern times and the necessary treatment to be the peak- and night time hug fest, it's always supposed to be. Add a run out tool by DJ Oyster and a gentle DJ-friendly edit by Gerd Janson of the original to the billboard. And always remember: changing your spell can save you.
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1
Q Lazzarus - Goodbye Horses (Extended Mix)
2
Q Lazzarus - Goodbye Horses (Instrumental)
3
Q Lazzarus - Hellfire
4
Q Lazzarus - Summertime
5
Q Lazzarus - Goodbye Horses (Acapella)
Repress coming beginning of April!
At long last, Q Lazzarus says hello to Dark Entries. Q Lazzarus is the moniker of Diane Luckey, born in New Jersey in 1960. While living in the East Village in New York City in the 1980s, Diane met songwriter Bill Garvey at a party and they recorded “Goodbye Horses” in his home studio. As the story goes, Luckey met Hollywood director Jonathan Demme when she picked him up in her taxi during a snowstorm in 1986. Demme was wowed by her demo tape, which was playing in the cab, and they ended up hanging out at a restaurant for hours talking about life and music. “He liked it so much, I gave him the tape I was listening to, he said he would call me for one of his movies, but I didn’t really take it seriously.” said Luckey. Demme would have the song “Goodbye Horses” first appear in his offbeat comedy Married to the Mob, and then again more memorably in Silence of the Lambs when Buffalo Bill changes into women’s clothing while drowning out his intended victim’s pleas with loud music. Despite the exposure, both Luckey and Garvey languished in relative obscurity. “Goodbye Horses” is the definition of a cult classic, an ethereal tearjerker driven by Garvey’s lush synth work and Luckey’s unmistakably powerful voice. Garvey says, “the song is about transcendence over those who see the world as only earthly and finite.”
Over 15 years of effort have gone into the making of this release. All five songs on this record were previously unreleased and are sourced from original master tapes. The extended version of “Goodbye Horses” was newly mixed from the original stems by Alberto Hernandez at Fantasy Studios. Instrumental and acapella versions of the song are included, which are also available for the first time. Side B opens with “Hellfire,” a brooding number about the New York BDSM nightclub of the same name, showcasing the range and force of Luckey’s voice. “Summertime” follows, with a sauntering synth-reggae spin on the 1937 George Gershwin number. Both B-side tracks are also new mixdowns and edits from the original stems. This record is released alongside Eva Aridjis Fuentes’s documentary on Q Lazzarus, Goodbye Horses: The Many Lives of Q Lazzarus, a work chronicling the life of the enigmatic Luckey. It is an opportune moment to reflect on the underrecognized artists we have lost and the undeniable brilliance of both Diane Luckey and William Garvey.
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At long last, Q Lazzarus says hello to Dark Entries. Q Lazzarus is the moniker of Diane Luckey, born in New Jersey in 1960. While living in the East Village in New York City in the 1980s, Diane met songwriter Bill Garvey at a party and they recorded “Goodbye Horses” in his home studio. As the story goes, Luckey met Hollywood director Jonathan Demme when she picked him up in her taxi during a snowstorm in 1986. Demme was wowed by her demo tape, which was playing in the cab, and they ended up hanging out at a restaurant for hours talking about life and music. “He liked it so much, I gave him the tape I was listening to, he said he would call me for one of his movies, but I didn’t really take it seriously.” said Luckey. Demme would have the song “Goodbye Horses” first appear in his offbeat comedy Married to the Mob, and then again more memorably in Silence of the Lambs when Buffalo Bill changes into women’s clothing while drowning out his intended victim’s pleas with loud music. Despite the exposure, both Luckey and Garvey languished in relative obscurity. “Goodbye Horses” is the definition of a cult classic, an ethereal tearjerker driven by Garvey’s lush synth work and Luckey’s unmistakably powerful voice. Garvey says, “the song is about transcendence over those who see the world as only earthly and finite.”
Over 15 years of effort have gone into the making of this release. All five songs on this record were previously unreleased and are sourced from original master tapes. The extended version of “Goodbye Horses” was newly mixed from the original stems by Alberto Hernandez at Fantasy Studios. Instrumental and acapella versions of the song are included, which are also available for the first time. Side B opens with “Hellfire,” a brooding number about the New York BDSM nightclub of the same name, showcasing the range and force of Luckey’s voice. “Summertime” follows, with a sauntering synth-reggae spin on the 1937 George Gershwin number. Both B-side tracks are also new mixdowns and edits from the original stems. This record is released alongside Eva Aridjis Fuentes’s documentary on Q Lazzarus, Goodbye Horses: The Many Lives of Q Lazzarus, a work chronicling the life of the enigmatic Luckey. It is an opportune moment to reflect on the underrecognized artists we have lost and the undeniable brilliance of both Diane Luckey and William Garvey.
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1
Mad Professor - Avianca Dubs - Dub 1
2
Mad Professor - Avianca Dubs - Dub 2
Mad Professor is a dub legend. We can't say much more about this release other than it's two dubs of a beautiful record and all time classic and there will be more to follow...
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1
Granti Asher Paulette Tajah - Love Or Physical (Instrumental)
2
Michael Prophet - Body Fusion Version
3
Protek - I Love To Dance With You (The Nighlark Edit)
4
The Cool Notes - Natural Energy
5
Ilija Rudman - Dub 4 Love Secret
Welcome to 'Instrumental Dubs #3', the ongoing series that delves into the world of the Dub Version and beyond. Side one explores the axis of UK Street Soul and Reggae with the opening two tracks produced by Howard Hill and originally released on his Passion Enterprises label in the late eighties. Both 'Versions' have a machine lead rhythm section paired with a reggae skank and snippets of soulful vox. The Proto House of Protek's 'I Love to Dance With You' featured on a Jura Soundsystem DJ Mix for Planet Trip, a one off single from the now sadly deceased Errol Parkes that's been re-edited with love by The Nightlark from Edinburgh.
The B side features The Cool Notes 'Natural Energy', which isn't strictly speaking a Dub Version, but it has that vibe with a primarily instrumental backing track featuring sparse vocals and spacey FX. The album closes with a secret weapon of Ilija Rudman 'Dub 4 Love' that pays homage to a famous track from Acid House's heyday.
Pressed on 180g Heavyweight Vinyl with full sleeve jacket design by Bradley Pinkerton.
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The B side features The Cool Notes 'Natural Energy', which isn't strictly speaking a Dub Version, but it has that vibe with a primarily instrumental backing track featuring sparse vocals and spacey FX. The album closes with a secret weapon of Ilija Rudman 'Dub 4 Love' that pays homage to a famous track from Acid House's heyday.
Pressed on 180g Heavyweight Vinyl with full sleeve jacket design by Bradley Pinkerton.
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1
EX GENERATION - Juno, Minerva, Venus e Fortuna
2
EX GENERATION - Napoli Fresca
3
EX GENERATION - A Pusteggia
4
EX GENERATION - Holding Your Heart
5
EX GENERATION - Seratina
6
EX GENERATION - Cavalluccio Rosso
7
EX GENERATION - Hurting Lies
8
EX GENERATION - Girovago
9
EX GENERATION - Controra
In an unprecedented international collaboration, Energy Exchange Records presents 'The Napoli Exchange' - the brainchild of Energy Exchange Records co-founders, Lewis and Ziggy, joining forces with producer and label boss Federico Gallotti (Tartelet / La Scimmia), the project was inspired by numerous visits to Naples, allured by the mediterranean breeze and of course the underground disco and funk forged by labels such as Early Sounds and Periodica Records. This meeting of minds created an opportunity to build bridges from the historic Italian city to the broader european scene of club crossover music.
A1. Juno, Minerva, Venus e Fortuna
A2. Napoli Fresca
A3. A Pusteggia
A4. Holding Your Heart
B1. Seratina
B2.Cavalluccio Rosso
B3. Hurting Lies
B4. Girovago
B5. Controra
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A1. Juno, Minerva, Venus e Fortuna
A2. Napoli Fresca
A3. A Pusteggia
A4. Holding Your Heart
B1. Seratina
B2.Cavalluccio Rosso
B3. Hurting Lies
B4. Girovago
B5. Controra
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1
Ricardo Villalobos - Heike
2
Ricardo Villalobos - Heike (Mood Mix)
RAWAX proudly presents the 3rd release by Ricardo Villalobos non his own series!
This time we have the honor to unveil "HEIKE", originally released on LOFI Stereo in 1998. This gem will be available only on Vinyl!
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This time we have the honor to unveil "HEIKE", originally released on LOFI Stereo in 1998. This gem will be available only on Vinyl!
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1
D.D. Mirage - Exotic Illusions (Ft. Hotel)
2
D.D. Mirage - Piranesi
3
D.D. Mirage - So Hot
4
D.D. Mirage - Antenna (Ft. Jofi)
5
D.D. Mirage - Feel It Original
6
D.D. Mirage - Cat's Cradle (Ft. Jermango Dreaming)
7
D.D. Mirage - Living Upside Down
8
D.D. Mirage - Night Time (Ft. Private Joy)
180G vinyl pressing
After releasing their well-received 7” and 12” singles ‘Night Time’ and ‘Feel It / So Hot’, Isle of Jura is pleased to present Exotic Illusions, the debut album from D.D. Mirage, the Sydney-based duo of Josh Dives and Disky Dee.
Having first played music together during the mid-2010s in the indie-psyche and punky-shoegaze bands King Colour and SCK CHX, the two Australian musicians/DJs came up in the warehouse party scene that fermented in the wake of the Sydney lockout laws. While organising mixed media events under the Yeah Nah Yeah brand, they discovered the joys of disco, dance-punk and the Balearic beat through Pender St Steppers’ DJ mixes and reissue releases and found themselves changing direction in response.
Written and recorded with a range of vintage keyboards and preamps, instruments and digital studio software, Exotic Illusions is a cosmopolitan love letter to the immaculate blend of Italo disco, Neopolitan funk, Nigerian boogie, cosmic house, synth-pop, UK street soul and lovers rock sounds that have inspired D.D. Mirage since they began this iteration of their ever-evolving musical relationship.
“The name Exotic Illusions refers to our fascination with all of this music made in other parts of the world,” they explain. “During lockdown and thereafter, we indulged in these exotic sounds as an antidote to our lack of travel. This fascination continued as the world opened up again, and we started working on tunes together. It’s also a way of acknowledging that we feel like tourists partaking in these styles and established sounds. They aren’t ours and weren’t born out of the place we’re from, but we hope we’ve been able to add something unique to them.”
In recognition of this, rather than just reinterpreting genre motifs through an antipodean lens, D.D. Mirage opened up lines of communication with some of their favourite musicians from the Neapolitan scene, bassist Daniel Monaco (Rush Hour, Periodica Records) and drummer Andrea De Fazio (Parbleu/ Nu Genea), who recorded the rhythm section for ‘So Hot’. They also wrote to the Manchester-based singer/producer Private Joy, who graced ‘Night Time’ with a smoother-than-silk street soul vocal that helped the single secure crucial plays on NTS and BBC Radio 6.
Opening with the tropical melodies, post-disco machine beats and jilted art-punk singalong chants of the title track, Exotic Illusions unfolds as a series of sturdy, internationally-minded dancefloor excursions. ‘Piranesi’ is boogie with a South American shuffle. ‘So Hot’ is Neapolitan funk with a Leichhardt strut, and ‘Antenna’ (featuring Jofi) is D.D. Mirage’s love letter to ‘80s drum machine bossa nova from Brussels.
On ‘Feel It’, the duo hit a sparking groove that reaches into an eternal sunset of the mind before throwing out a bubbly disco-not disco spoken word bounce on ‘Cat’s Cradle’, featuring psychedelic-pop singer Jermango Dreaming. From there, D.D. Mirage bring it home with a cheeky Aussie drawl on ‘Living Upside Down’ and the nocturnal excellence of ‘Night Time’, making a case for themselves as a significant new force from Australian music to the world.
full sleeve artwork from Bradley Pinkerton.
A1. Exotic Illusions (Feat Hotel)
A2. Piranesi
A3. So Hot
A4. Antenna (Feat Jofi)
B1. Feel It
B2. Cat's Cradle (Feat Jermango Dreaming)
B3. Livin' Upside Down
B4. Night Time (Feat Private Joy)
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After releasing their well-received 7” and 12” singles ‘Night Time’ and ‘Feel It / So Hot’, Isle of Jura is pleased to present Exotic Illusions, the debut album from D.D. Mirage, the Sydney-based duo of Josh Dives and Disky Dee.
Having first played music together during the mid-2010s in the indie-psyche and punky-shoegaze bands King Colour and SCK CHX, the two Australian musicians/DJs came up in the warehouse party scene that fermented in the wake of the Sydney lockout laws. While organising mixed media events under the Yeah Nah Yeah brand, they discovered the joys of disco, dance-punk and the Balearic beat through Pender St Steppers’ DJ mixes and reissue releases and found themselves changing direction in response.
Written and recorded with a range of vintage keyboards and preamps, instruments and digital studio software, Exotic Illusions is a cosmopolitan love letter to the immaculate blend of Italo disco, Neopolitan funk, Nigerian boogie, cosmic house, synth-pop, UK street soul and lovers rock sounds that have inspired D.D. Mirage since they began this iteration of their ever-evolving musical relationship.
“The name Exotic Illusions refers to our fascination with all of this music made in other parts of the world,” they explain. “During lockdown and thereafter, we indulged in these exotic sounds as an antidote to our lack of travel. This fascination continued as the world opened up again, and we started working on tunes together. It’s also a way of acknowledging that we feel like tourists partaking in these styles and established sounds. They aren’t ours and weren’t born out of the place we’re from, but we hope we’ve been able to add something unique to them.”
In recognition of this, rather than just reinterpreting genre motifs through an antipodean lens, D.D. Mirage opened up lines of communication with some of their favourite musicians from the Neapolitan scene, bassist Daniel Monaco (Rush Hour, Periodica Records) and drummer Andrea De Fazio (Parbleu/ Nu Genea), who recorded the rhythm section for ‘So Hot’. They also wrote to the Manchester-based singer/producer Private Joy, who graced ‘Night Time’ with a smoother-than-silk street soul vocal that helped the single secure crucial plays on NTS and BBC Radio 6.
Opening with the tropical melodies, post-disco machine beats and jilted art-punk singalong chants of the title track, Exotic Illusions unfolds as a series of sturdy, internationally-minded dancefloor excursions. ‘Piranesi’ is boogie with a South American shuffle. ‘So Hot’ is Neapolitan funk with a Leichhardt strut, and ‘Antenna’ (featuring Jofi) is D.D. Mirage’s love letter to ‘80s drum machine bossa nova from Brussels.
On ‘Feel It’, the duo hit a sparking groove that reaches into an eternal sunset of the mind before throwing out a bubbly disco-not disco spoken word bounce on ‘Cat’s Cradle’, featuring psychedelic-pop singer Jermango Dreaming. From there, D.D. Mirage bring it home with a cheeky Aussie drawl on ‘Living Upside Down’ and the nocturnal excellence of ‘Night Time’, making a case for themselves as a significant new force from Australian music to the world.
full sleeve artwork from Bradley Pinkerton.
A1. Exotic Illusions (Feat Hotel)
A2. Piranesi
A3. So Hot
A4. Antenna (Feat Jofi)
B1. Feel It
B2. Cat's Cradle (Feat Jermango Dreaming)
B3. Livin' Upside Down
B4. Night Time (Feat Private Joy)
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1
Peverelist - a1 Pulse XIII
2
Peverelist - a2 Pulse XIV
3
Peverelist - b1 Pulse XV
4
Peverelist - b2 Pulse XVI
The fourth instalment in Pev's Pulse series finds him further widening the scope of his sound as he touches on the distinct energies which inform his unique strain of soundsystem techno.
'Pulse XIII' deals in stark, tweaked-out acid lines cutting through a taut drum machine backbone, balanced out with a sci-fi pad which lets you know its Pev at the controls. 'Pulse XIV' finds him dialling up his jungle roots once more for a dreamy excursion into diced up breaks, cascading synths and dislocated piano chord chops. There's a deeper dub techno spirit to 'Pulse XV' and 'Pulse XVI' deals in the raw, bleep-informed jack tracks that have started to creep into Pev's sound as the Pulse series has evolved.
Livity Sound is a label set up by Peverelist in 2011 as a vehicle for a raw and exploratory strain of UK techno, rooted in the heritage of UK dance music and sound system culture. It has since become one of the UK's foremost protagonists for cutting edge underground electronic music.
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'Pulse XIII' deals in stark, tweaked-out acid lines cutting through a taut drum machine backbone, balanced out with a sci-fi pad which lets you know its Pev at the controls. 'Pulse XIV' finds him dialling up his jungle roots once more for a dreamy excursion into diced up breaks, cascading synths and dislocated piano chord chops. There's a deeper dub techno spirit to 'Pulse XV' and 'Pulse XVI' deals in the raw, bleep-informed jack tracks that have started to creep into Pev's sound as the Pulse series has evolved.
Livity Sound is a label set up by Peverelist in 2011 as a vehicle for a raw and exploratory strain of UK techno, rooted in the heritage of UK dance music and sound system culture. It has since become one of the UK's foremost protagonists for cutting edge underground electronic music.
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1
Simone - Mabsouta
2
Simone - Al Eih
3
Simone - Rekka (Bonus Beats Chant)
Repress!
Originally only released on CD, now remastered for vinyl and pressed on 12" maxi format. Featuring 2 original tracks - "Mabsouta" and "Al Eih" including a bonus beat edit of "Rekka" by Castro. "Mabsouta" is a game changing Arabic cover version of a track that stayed in a generation's childhood memories - Tom's Dinner by Suzanne Vega. Simone's beautiful voice in Arabic brings an entirely new meaning to what might have been a track you couldn't hear anymore, highly refreshing!
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Originally only released on CD, now remastered for vinyl and pressed on 12" maxi format. Featuring 2 original tracks - "Mabsouta" and "Al Eih" including a bonus beat edit of "Rekka" by Castro. "Mabsouta" is a game changing Arabic cover version of a track that stayed in a generation's childhood memories - Tom's Dinner by Suzanne Vega. Simone's beautiful voice in Arabic brings an entirely new meaning to what might have been a track you couldn't hear anymore, highly refreshing!
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1
Al Wootton - Facing The Horses Tail
2
Al Wootton - When Hempe Is Spun
3
Al Wootton - Calvinist Hospitality
4
Al Wootton - Imperial Toledano
On Calvinist Hospitality Al Wootton reaches further into psych industrial dub ritualism. Hand percussion rattles through noisy vintage delay units, ricocheting off throbbing subs and bristling texture. Alive and haunted. Drawing on the tribal-industrialism of the 1980s and early 90s, for the soundsystems and dance spaces of tomorrow. Transposing dusty Goan beaches into the abandoned warehouses of post-industrial Europe.
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1
PST - E 22an Syd
2
PST - Myterna
3
PST - Inga Konstigheter
4
PST - Cheap But Good Flip Flops (Wine Bar S Mix)
5
PST - Mint Planets
Following a live show at the Kontra-Musik showcase in the summer of 2024 in Malmo, PST aka Porn Sword Tobacco got so inspired that he went straight into the studio to work on new music. This EP is the result of that warm summer night. The title of the EP in Swedish, Inga Konstigheter, means something that is very straight to the point. And this record is exactly that - no frills. Produced by PST, hand stamped by Ulf-Ulf.
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1
Holo - Blanc
2
Holo - Does It Get Easier ?
3
Holo - Is It All Beautiful ?
4
Holo - Save Us
Tracklist
A1 - Blanc
A2 - Does It Get Easier ?
B1 - Is It All Beautiful ?
B2 - Save Us
Highlight:
Discover the new project from Holo, the talented Australian producer who is reshuffling the cards in house music. Following the success of his last Ep, 'Oceanside Girl', marked by the eponymous track which has racked up 6 million streams, he returns with an even more intoxicating formula. In Melbourne's musical kaleidoscope, a new star emerges, lighting up the horizons of the electronic scene. Australian producer Holo embraces the nocturnal streets of this cosmopolitan city with his latest intoxicating project: "Nights Over Melbourne". Deep house sounds blend harmoniously with ambient and electro landscapes, creating a sonic canvas rich in emotion and texture. Each bass beat resonates like the vibrant pulse of the city, while the ethereal melodies capture the essence of the nocturnal atmosphere, imbued with mystery and energy. Holo doesn't just follow musical trends; he challenges and redefines them. With "Nights Over Melbourne", he demonstrates his mastery of composition and his talent for fusing seemingly disparate genres into captivating harmony. Each track is an exploration, an invitation to plunge into the twists and turns of Holo's imagination.
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A1 - Blanc
A2 - Does It Get Easier ?
B1 - Is It All Beautiful ?
B2 - Save Us
Highlight:
Discover the new project from Holo, the talented Australian producer who is reshuffling the cards in house music. Following the success of his last Ep, 'Oceanside Girl', marked by the eponymous track which has racked up 6 million streams, he returns with an even more intoxicating formula. In Melbourne's musical kaleidoscope, a new star emerges, lighting up the horizons of the electronic scene. Australian producer Holo embraces the nocturnal streets of this cosmopolitan city with his latest intoxicating project: "Nights Over Melbourne". Deep house sounds blend harmoniously with ambient and electro landscapes, creating a sonic canvas rich in emotion and texture. Each bass beat resonates like the vibrant pulse of the city, while the ethereal melodies capture the essence of the nocturnal atmosphere, imbued with mystery and energy. Holo doesn't just follow musical trends; he challenges and redefines them. With "Nights Over Melbourne", he demonstrates his mastery of composition and his talent for fusing seemingly disparate genres into captivating harmony. Each track is an exploration, an invitation to plunge into the twists and turns of Holo's imagination.
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