2024 - white vinyl repress

Selected cuts are taken from the " Praise " Part 4 CD !

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Influence of hallucinations induced by chewing roots from the iboga plant on the works of Joaquin Joe Claussell's Edits & Overdubs IBOGA Compilation. The iboga plant is indigenous to the humid, tropical climates of West Central Africa, including Gabon, Cameroon, Congo, and Angola, which are home to the 2nd largest rainforest in the world. It has been used for centuries in spiritual initiation ceremonies and practices, particularly by the Bwiti tradition and religion in Gabon.

Joaquin Joe Claussell was inspired by these influences and went into the studio to create a compilation of edits and overdubs of African vibrational sounds and rhythms. The result is a collection of eleven compositions that showcase the future possibilities of this influential work.

Stay tuned for the upcoming Limited Vinyl EP featuring selected cuts from the compilation. Listen loudly and enjoy the experience!

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There is meaning behind all of my artistic excursions. A personal outcry instigated by a constant need to express my daily life intakes. However, there are times where my rhythm and tone are called upon to align with a profound purpose. This project Progressive Roots Evolution, A song for Healing, was initiated by observing comrades in our immediate music circle, developing and thus dedicating their platform in support of the dancer community and producers.
What you will soon hold in your hands is a music story which demonstrates what manifests when energies dedicated to the art and support of the dancer and sound elevation align.

Enjoy the Journey


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We invite to assist us in welcoming our latest addition to the Sacred Rhythm Music & Cosmic Arts Family. It is with excitement that we introduce to you SORA.
SORA will focus on the likes of deeper, electronic, soundscape compositions; Think more in genres of Joaquin's' widely acclaimed, but now paused Natural Resource, which is the sister label to Spiritual Life Music from back in the mid-nineties to early 2000's.

First up is The Ascension of Light and Wisdom 10 Inch,
Produced and performed by Joaquin Joe Claussell.

On the A Side, we have Subtle Light

Subtle Light provides some organic deepness of which leans more so towards Joaquin's traditional afro Latin influences infused with what we like to call Cosmic Art Trance Music. It is spiritual dance music that up lifting and as usual unique in presentation.

On the be B side we have "Peekaboo Is see You.
Peekaboo Is see You is a deep tech composition that Joaquin has been playing out for quite some time now. Exposed to enthusiastic audiences across the globe, it is a deep bass tech track that is in high demand. We are very excited that finally it will finally see the light of day, all the while spinning on countless turntables globally.

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Joaquin Joe Claussell readies the ‘Raw Tones’ LP on Rekids this June.

The first LP since 2008’s ‘Corresponding Echoes’ on his Sacred Rhythm Music, Joaquin Joe Claussell arrives on Radio Slave’s Rekids for ‘Raw Tones’, a nine-track excursion through the sound of his exquisitely soulful house music.

Originally released on uber limited cassettes, the music within ‘Raw Tones’ caught the ear of Radio Slave, aka Matt Edwards, who messaged Claussell, a friend since remixing Edwards’ Machine project in 2012, and convinced the legendary producer that the music needed a wider audience and, so, ‘Raw Tones’ the LP is here.

Introspective opening cut ‘Lock Down’ draws for breathy strings and swirling pads, followed by the hypnotic and low-slung ‘The Blame Game (Table Top Idea)’, which sees jazzy keys float around carefully crafted dubbed-out ambience and subtle, whispered vocals.

‘Break Free’ ups the energy, bringing a wonky bassline under decisive, machine-like drum hits while both spoken and sung vocals interplay throughout. ‘You Mutha Fuka’ brings rock-solid drums and thick bass underneath delayed vocals before the dreamy chords and twinkling keys of ‘Way Back Then’ close out the B-side.

The gorgeous ‘Air We Breathe (Revisited Cassette Demo)’ marries rolling percussion across live bass and softly drawn-out pads, followed by an instrumental version of ‘Break Free’. The final side of vinyl sees the extended trippiness of ‘If It's All In Your Mind Let It Out’ lead into the floaty low tempo closer ‘Hallucinations Ejaculations’.

Joaquin Joe Claussell, co-founder of Body & Soul with Francois Kervorkian and Danny Krivit, continues to run his Sacred Rhythm Music record label and curate the Cosmic Arts community centre in his hometown of Brooklyn, NYC.




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Side A1: 9:57
Side A2: 6:02
Side B1: 6:45
Side B2: 6:42
ATypical Dopeness © 2020
Joaquin Joe Claussell Unofficial Edits & Overdubs PT Four of Six
Special 12” includes a special FREE download by Email
(for a limited time only)
Continuing on with this dope edits & overdubs series, we’re thrilled to
finally present the next in the series:
Joaquin Joe Claussell Unofficial Edits & Overdubs 12” EP Series
PT 4 of 6. - Cat# Circuit.LP-02-03.
Keeping to the tradition of providing music enthusiast and DJ’s with the
eclectic sounds that this series is known for providing;
PT 4 features genre’s and sound in the likes of Comic Disco, Calypso
Soul, Disco Funk and Jazz Fusion. The EP houses four compositions that
have been extended for DJ play, as well as for longer listening
enjoyment.
This 12” is destined to become another essential piece in the Unofficial
Edits & Overdubs lineage, but also for any record collectors or DJ who
secures a copy.
Comes with access to a very special FREE download code by email
of the eagerly participated unreleased “Tears of Joy” Dub Mix.
Produced and Mixed by Joaquin Joe Claussell
November 25th 2020 is when the Download becomes available by email
and (for a limited time only)

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Side A1: Tuck & Patti - Tears of Joy
Side A2: Skull Snaps - Al's Razorblade
Side B1: Renee Geyer Band - There in the
Morning.
Side B2: The Impossible Dreamers - Life on
Earth

Joaquin Joe Claussell Unoffiffifficial Edits & Overdubs
Part Three of Six Special - 12” Vinyl
Keeping in rhythm with the previous released 2 X12’ EP Pt
One & Two of Six Cat# Circuit. LP01-02 release taken from
the Joaquin Joe Claussell Unoffiffifficial Edits & Overdubs
double CD CAT# Circuit.T.17778 Project; comes this
much-anticipated vinyl of PT Three of Six. Like its
predecessor, this 12” ep features extended DJ versions by
Joaquin Joe Claussell, including but not limited to the
heavily played Tuck & Patti “Tears of Joy” Remix. As
expected, this is a limited release. as well as an additional
jam that is not included on the CD. As usual, this is a
limited release.

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Tracklisting:
Side A1: It All Began in the East (Sacred Rhythm Version)
Side A2: It All Began in the East (Cosmic Arts Koto Version)
Side B1: A Dance for Gratitude (Joaquin's Congo Arts Drum
Version)
Side B2: It All Began in the East (The Cosmic Arts Meditational
Mix)

Originally released on CD with what began as a story told by a foreigner of
how the discovery of music while living in New York has provided her with a
sense of purpose and freedom that was before then unknown to her; The
composition featuring the very talented “Yumi Korusawa” on Japanese
Koto, and tilted “It All Began in The East” - originally released as cosmic
journey into the mind and soul; received the remix treatment by Joaquin Joe
Claussell.
The results are an up tempo afro jazz composition that aside from it resting
on the support of afro percussive rhythms; musically speaking, the
composition is elevated by a dope musical orchestration that is expected of
Joe Claussell deliver. Also included on the 12” ep is another hot
composition remixed by Joaquin’ Remix of the titled “A Dance for
Gratitude.” A dope remix that resembles Joaquin’s Cult Classic afro jam “Je
Ka Jo.” All in all, this is defifinitely a 12” EP that will be played for a very long
time to come.

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Tracklisting:
Side A: Adelhard Roidinger - Kontraband (5:45)
Side B: Radiohead - Little by Little (6:58)

Following hot on the heels of the sold-out Joaquin Joe Claussell
Unoffiffifficial Edits & Overdubs PT 2 comes what is in our humble
opinion, one of our dopest sevens of the series to date. The A side
alone, which is not included on the Unoffiffifficial Edits Project, is a
dope jam was specially selected out of Joe Claussell’s collection,
and is unknown to many-shares in great company with another
dope edit and overdub that’s on the B side. This will be a must have
for anyone who’s looking for other dope music, but especially for
the many 7” collectors that reside out in the world. The trouble,
however, is that there won’t be enough to fifill the demand. But The
good news is that there’s a free download s an associated with this
release.
Don’t Sleep!


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Tracklisting:
Side A: Discombobulated Wiring ( Joe's 1995 Cassette Tape
Demo ) 5:15
Side B: Intellectual Interference (3:18)

X.periments 7Inch PT 2 7inch (includes special download and
special post card)

Important! For those of you who have already received one of our
special X. periments Post Card designed by our very own Akemi
Shimada; look for, and if you dare, use the special link that’s
inserted somewhere on the back of the post card. But let it be
known that you were warned beforehand; for if you do decide to
venture inside; prepare yourself for a journey into dopeness of
sound and vision – have fun…
And now on the music. This is the next eagerly awaited 7”
installment to the Avant Garde X. periemnts series envisioned
and produced by Joaquin Joe Claussell. Difffferent from the sound
experimentation that was presented on previous 7” that came
with the X. periments Box Set Cat# CODE-00651b/a/cd; The A
Side Titled "Discombobulated Wiring” provides a more DJ
Friendly electronically infused dance composition that
reminiscent of electronic dance music of the seventies but with a
modern twist. While the B side titled “Intellectual Interference”
offffers weird noises that are aligned with the root of the X.
periments project, and can be useful as DJ Tool, Sound FX for
over laying or Segues. The 7” includes a special digital download
and a special postcard.
Dare to play difffferently.

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Taken from the previously released immensely popular Praise
series, this 7me volume 5 CD 7lted “Praying for a Be>er
Tomorrow” Compiled by Joaquin Joe Claussell; we bring to you
two specially edited and overdubbed Gospel Disco Stomper's
that are sure to raise the spirits up of any dance flfloor. The A
side features and extended edit of “Lord Look at Your People by
the Crowns of Glory - A gem that Joaquin presented on one of
his earlier Praise compila7ons some 7me before this now
gospel disco craze of which Joaquin Joe Claussell was defifinitely
in the for front of making happen. On the flflip Side is a yet
another overlooked and under appreciated soulful disco tune
7tled “A world of Lonely People by Keith Barrow.
Produced by popular demand this is only the second 12 Inch to
come out of the Praise series. And because the focus for this
compila7on is on a CD format, these 12 inches are a limited
release. Be on the lookout, however for the special vinyl
package that will commemorate the Praise CD series and its
impact on Gospel Music thus far.
Hallelujah and Praises to the all mighty music, sound and
rhythm

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Influence of hallucinations induced by chewing roots from the iboga plant on the works of Joaquin Joe Claussell's Edits & Overdubs IBOGA Compilation. The iboga plant is indigenous to the humid, tropical climates of West Central Africa, including Gabon, Cameroon, Congo, and Angola, which are home to the 2nd largest rainforest in the world. It has been used for centuries in spiritual initiation ceremonies and practices, particularly by the Bwiti tradition and religion in Gabon.

Joaquin Joe Claussell was inspired by these influences and went into the studio to create a compilation of edits and overdubs of African vibrational sounds and rhythms. The result is a collection of eleven compositions that showcase the future possibilities of this influential work.

Stay tuned for the upcoming Limited Vinyl EP featuring selected cuts from the compilation. Listen loudly and enjoy the experience!

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Tracklisting:
A1. Painted Paradise
A2. Funky Motion
A3. Breeze
A4. Scratch
B1. Funky Stuff
B2. One For Jiro
B3. Gentle Wave
B4. Four Up

Release Info:
(clear green color vinyl / LP with OBI, originally released in 1975) 2024 pressing Japanese Import of the Japanese Jazz-Funk classic. Features a cover of “Funky Stuff” by Kool & The Gang. All songs written and arranged by Hiromasa Suzuki

An enduring, pioneering fusion of jazz, funk, soul and rock - with influences from Herbie Hancock, James Brown and Santana - the album features some of the best and most acclaimed Japanese musicians of the time, enlisting the talent-wares of Hiromasa Suzuki on keyboards, Akira Ishikawa on drums and Takeru Muraoka on sax.




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2024 OFFICIAL 7" VINYL REISSUE

INCLUDING "BEWARE OF THE BOYZ" feat. JAY-Z


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Four years after Nuova Napoli, Nu Genea are back with Bar Mediterraneo, a new album and journey, which projects the
sounds of the Neapolitan duo formed by Massimo Di Lena and Lucio Aquilina even further.
Nu Genea's Bar Mediterraneo is an idea of a shared place where people meet and fuse together; a space that leaves its
doors open to travellers and their lives, always exposed to the whims of fate. Some of this can be experienced through the
multitude of sounds that come together in the tracks, layers of different acoustic instruments, voices and synthesizers
merging in a unique musical blend.
Opening up to the voices of many different people, separated by languages but united by the sea and the music, Nu
Genea's hometown, Napoli, becomes a true place of encounter.
You can hear this all along. In "Gelbi", a gorgeously deep and propulsive Ney flute plunges into murky waters of the
melancholic Tunisian dialect sung by Marzouk Mejri. In "Marechia'", unbridled happiness and sun ooze from the delicate
vocals of Célia Kameni and create an acrobatic bridge between French and Neapolitan language. In "Straniero", your
soul is arrested from the moment the slow spell-binding mandolin ignites the hypnotic patterns recorded by the legendary
Afrobeat drummer Tony Allen. In "Bar Mediterraneo", the title track, bittersweet guitar’s riffs, analog waves and choirs are
overwhelming the song giving you what you would like to hear on a boat trip along the Amalfi Coast.
Nu Genea couldn't afford to overlook their firmly anchored roots into the Neapolitan culture and its dialect with "Tienaté",
where the power of neapolitan language (interpreted by Fabiana Martone) supports those quarter-tone strings and the
uncessant folk-disco groove that spreads to the entire song. In "Praja Magia", repetitive mandolin riffs lead the song,
giving space to a choral yet tight vocal line that speaks of Varcaturo, a village close to Napoli. In "Rire", a volley of poetic,
deceptively laidback, lyrical fury interpreted by Sicilian Marco Castello intimately combines with a highly musical, multitextured
instrumental backbone and the swoon of a chanson in its heart. In "La Crisi'', the lyrics of a Raffaele Viviani’s
poem from 1930 have been adapted to a laidback jazz-funk groove in full NG style. In "Vesuvio", revaluing the evocative
verses and powerful mantra of Vesuvio, Nu Genea re-adapted to the dancefloor a folk song by the working-class band E’
Zezi from Pomigliano D'Arco, combining the voices of a school choir with Jupiter-6 arpeggios and bold percussions.
Bar Mediterraneo is the place where people constantly return to transform curiosity into participation, tradition into
sharing, unfamiliar into familiar. When travellers come through its “doors”, carrying their treasures of words and emotions,
they aren’t strangers any more. They take part in a shared experience, enriching themselves and others by leading to
unexpected musical journeys.

TRACKLIST:

A1. Bar Mediterraneo
A2. Tienaté
A3. Gelbi (with Marzouk Mejri)
A4. Marechià (with Célia Kameni)
A5. Straniero
B1. Praja Magia
B2. Vesuvio
B3. Rire
B4. La Crisi

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First Word Records are very proud to bring you 'A Christmas Cwtch', the brand new album from highly-acclaimed Welsh jazz-harpist, Amanda Whiting. Expertly crafted with love, care and dedication, 'A Christmas Cwtch' takes on assorted classics from the likes of Vince Guaraldi, Bill Evans, Holst and Tchaikovsky, and re-presents them with original arrangements by Amanda and her accomplished trio. The end result is a 14-track selection pack of feel-good seasonal jazz-harp magic, including recent singles 'Peace Piece' and 'Skating'. Amanda says "just mention Christmas and you hear Guaraldi, Bill Evans and the sound of sleigh bells and harps. It's my favourite time of year and the music evokes everything warm and cwtchy. Sparkling lights, mince pies, mulled wine and nostalgia around the tree." On the word 'cwtch', Amanda explains that "a 'cwtch' is the most important word to Welsh folk. It's a hug, with a little squeeze. It's a feeling. It's cosy, loving and safe. I wanted this album to hold you, cwtch you and allow you to indulge." Inspired by artists like Dorothy Ashby and Alice Coltrane, Amanda is a classically trained virtuoso, well established in the UK jazz scene, with releases on Jazzman and Albert's Favourites.

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Soundway Records delivers an exciting new compilation, diving ever deeper into South-East Asia. Ayo Ke Disco celebrates the musical identities emerging during the 1970s and 80s from the newly independent countries nestled around the South China Sea.

This time, Soundway’s long-time general manager Alice Whittington (aka DJ Norsicaa) steps into the limelight, embracing her Malaysian heritage and selecting music from her heavy collection of Asian records. Aside from steering the label, she is often found on international stages and radio stations playing an eclectic array of music.

For Ayo Ke Disco (meaning ‘Let’s go to the disco’ in Indonesian), 10 rare tracks of disco-funk, psychedelic funk, synth, city pop, and Hindustani-Arabic rhythms were painstakingly licensed from local labels – forming a snapshot of the vibrant discotheques and live scenes across Indonesia, Singapore, Thailand, Malaysia, Hong Kong and the Philippines.

The vinyl release is also accompanied by the Ayo Ke Disco zine from Norsicaa, with extensive research on the history of music in South-East Asia, archival photos and exclusive interviews with some of the region’s most respected collectors.

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By his early 20s, Kurious was already an in-demand voice on the mic. His 1994 major label debut album, A Constipated Monkey, is a classic of its style, marked by heavy beats and nimble rhymes that are razor-sharp yet frequently hilarious. Despite being hailed as one of hip-hop’s most compelling lyricists, he didn’t release another solo LP for the rest of that decade, but he continued to be sought after. Rap fans the world over know him for his verse on “?,” one of the standout songs from his longtime friend and collaborator MF DOOM’s heralded Operation: Doomsday.

As he prepares for the release of his new album, Majician—the nickname his peers blessed him with a generation ago—Kurious is well on his way to establishing the legacy he’s long deserved. The LP, which was executive produced by MF DOOM before his passing, is a mesmerizing blend of technical wizardry and personal introspection. Take “Eye of Horus,” where the pulsing drums convey an urgency that borders on panic; Kurious weaves a complex tapestry of history and insight, but does so while ducking through and under each pocket in the beat.

Produced in its entirety by Mono En Stereo, Majician is filled with songs like “Eye of Horus,” which dance on the line between confession and confrontation. “Separation Anxiety” is a personal bloodletting in the form of lyrical exercise; “Par For the Course,” which features the elusive Mr. Fantastik, makes drum breaks from the early Reagan era sound totally revitalized. Through the radical amount of work Kurious put into the writing and recording of this material, he’s removed all ambiguity from the question of whether he can stand as one of the premier MCs of his time.

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Repress!

In February 2021, Jan Jelinek's seminal album "Loop-Finding-Jazz-Records" turned 20. The anniversary repress, a double LP with two bonus tracks (B-sides from the Tendency EP, 2000), is a little late to the party.

What the press said about Loop-Finding-Jazz-Records:

“Don’t be misled by the title, though for there isn’t a finger-snapping rhythm c bebop lead anywhere on the album. Instead, Jelinek chooses to explore the visual effect moiré - two shifting patterns creating an implied third dimension - in the audio realm.” (Alternative Press)

“The title acts as explanation for the studio technique that provided the basis for this album, snippets of other people’s arrangements deconstructed through a sampler into loops and then splashed onto an audio canvas.” (ATM)

“Jelinek’s sound evolved out of his dislike for (and inability to play) keyboards.” (RPM)

“Jelinek has abstracted his sources beyond recognition, looping his millisecond samples into flickering patterns of sonic moiré laid atop a dub Techno framework. (...) Jelinek might as well have sampled a horn player’s hissing intake of breath – it would have been ‘jazz’ enough for his purposes.“ (The Wire)

“It’s a perfect inversion of conventional music, a sonic negative. Everything that would typically be foreground is moved back or pushed off the screen altogether, and the flecks of sonic debris that would normally be covered by other sounds are left to carry the melody and rhythm.” (Pitchfork)

“All you need to know is that these onomatopoeic non-specific songs (...) are warm, paradisical creations”. (NME)

“Listen carefully and you’ll hear textures slowly unfolding and mutating. Presuming you’ve not fallen asleep of course.” (iDJ)

“At times, it’s all a bit dripping tap Japanese water torture; so sedentary it drowns in its own motionlessness” (DJ)

“Loop Finding Jazz Records' is a genuine modern classic whose re-release is anything but a cynical mortgage repayment exercise. Consider this a second chance, then pretend you had it all along.” (Boomkat)

PS:

“I’ve been fortunate enough to see Jan Jelinek live once, at Tonic NYC (...). Wearing a black and white striped shirt, he looked like a nihilistic Charlie Brown.” (beachsloth)

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BROKE/ returns to JITNEY MUSIC with the brand new "TEXTURES" LP, a mix of crucial boom bap ranging from smooth and soulful to gritty and hard-hitting. TEXTURES is a tapestry of sound composed of fully realized tracks, unfinished ideas, and rough sketches. Full pic sleeve.

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Dropsonde was originally released by Touch (UK) in 2006. This is a reissue with seven previously unreleased recordings.

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