Label:Les Disques Bongo Joe
Cat-No:BJR106LP
Release-Date:13.12.2024
Genre:Alternative/Electronic
Configuration:LP
Label:Les Disques Bongo Joe
Cat-No:BJR106LP
Release-Date:13.12.2024
Genre:Alternative/Electronic
Configuration:LP
1
La Société Étrange - Coke
2
La Société Étrange - Voiturin à Phynances
3
La Société Étrange - Des Nouvelles De Pélaguiz
4
La Société Étrange - Premier Soulier
5
La Société Étrange - Première Valise
6
La Société Étrange - Orangeade
Les Disques Bongo Joe is reissuing Au Revoir, the debut album by Société Étrange, originally released in 2015 on the Lyon-based label S.K. Records, and now considered a cult classic. This Lyon trio, composed of Antoine Bellini (electronics), Romain Hervault (bass), and later joined by Jonathan Grandcollot (percussion), explores a minimalist instrumental soundscape, where repetition and tension play a central role.
Au Revoir was created with a raw and intuitive approach, mostly composed during the group’s earliest days. At the time, Antoine and Romain were working as a duo, experimenting with drum machines and electronic sounds inspired by the post-punk of the 80s, the robotic grooves of Neu! and Cluster, and the DIY spirit of early hip-hop. The result is a music that is both hypnotic and introspective, where the presence and absence of sonic elements balance with minimal precision. Between electronic layers and winding bass lines, the tracks move forward like on a foggy road, uncertain but captivating.
For this reissue, Société Étrange offers two new recordings. One of them is a revisited version of Voiturin à Phynance, renamed Voiturin à Fifinance for the occasion, with Jonathan Grandcollot now fully integrated into the group. His percussive style, both organic and melodic, has profoundly transformed the group’s sonic dynamics, adding richness and texture to this new version. The previously unreleased track Blanchard completes the edition, offering another facet of their universe, more spontaneous and free.
This reissue is more than just a re-release of an out-of-print album. It is a testament to the evolution of Société Étrange, a group that blurs genre boundaries, seamlessly blending post-punk, krautrock, dub, and electronic minimalism. With Au Revoir, the trio crafts a singular instrumental sound, where each note seems to carry a unique weight and intention, borrowing equally from abstraction and narrative.
A1 - Coke
A2 - Voiturin à Phynances
A3 - Des Nouvelles De Pélaguiz
B1 - Premier Soulier
B2 - Première Valise
B3 - Orangeade
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Au Revoir was created with a raw and intuitive approach, mostly composed during the group’s earliest days. At the time, Antoine and Romain were working as a duo, experimenting with drum machines and electronic sounds inspired by the post-punk of the 80s, the robotic grooves of Neu! and Cluster, and the DIY spirit of early hip-hop. The result is a music that is both hypnotic and introspective, where the presence and absence of sonic elements balance with minimal precision. Between electronic layers and winding bass lines, the tracks move forward like on a foggy road, uncertain but captivating.
For this reissue, Société Étrange offers two new recordings. One of them is a revisited version of Voiturin à Phynance, renamed Voiturin à Fifinance for the occasion, with Jonathan Grandcollot now fully integrated into the group. His percussive style, both organic and melodic, has profoundly transformed the group’s sonic dynamics, adding richness and texture to this new version. The previously unreleased track Blanchard completes the edition, offering another facet of their universe, more spontaneous and free.
This reissue is more than just a re-release of an out-of-print album. It is a testament to the evolution of Société Étrange, a group that blurs genre boundaries, seamlessly blending post-punk, krautrock, dub, and electronic minimalism. With Au Revoir, the trio crafts a singular instrumental sound, where each note seems to carry a unique weight and intention, borrowing equally from abstraction and narrative.
A1 - Coke
A2 - Voiturin à Phynances
A3 - Des Nouvelles De Pélaguiz
B1 - Premier Soulier
B2 - Première Valise
B3 - Orangeade
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
More records from Les Disques Bongo Joe
1
Khaled Barkat - Galouli Ensaha
2
Cheb Tati - Dub El Hammam
3
Khaled Barkat - Zourini
4
Asif - Tafsut
Here's the third installment of Sofa Records' Disco Single series! Featuring four standout tracks from Algeria's 1980s music scene, this collection showcases the cultural diversity and creativity of the country.
Listen here. Galouli Enshara (A1) and Zourini (B1) are two captivating pop-boogie-funk tracks by Khaled Barkat, a self-taught multi-instrumentalist from Algiers. Produced by Khaled himself in 1983, and recorded at the esteemed brothers Torki’s studio in Algiers along with his friends—and talented musicians —Yazid Fentazi, Redouane Ayoub, Mustapha Mekerkeband Mhenni Benlala. The album, if he had a certain success (Khaled Barkat is considered as a pop music iconin his country)was somewhat overshadowed by the popularity of other genres in Algeria, such as raï music. We're thrilled to put if for the first time on vinyl! And spread this music to a wider audience.
Dub El Hammam (A2) is by raï vocalist Cheb Tati, hailing from Oran. In the 1980s, as raï gained recognition in the global music industry, Tati was brought to London in 1989 to record an album with reggae/dub producer Denis Bovell. Among other tracks, this heavy, top-notch 1980s digital dub track resulted from their collaboration.
Last but not least, the final track on the single is sourced from the only known recording of Asif, a Kabyle band from Lille formed by three brothers. The band was created in the late 1970s, and the selected track, Tafsut (B2), was recorded in 1985. A beautiful pop-boogie tune that we considered a marvelous conclusion to this single.
This record was made in collaboration with Les Disques Bongo Joe. All tracks are fully licensed.
A1 - Khaled Barkat - Galouli Ensaha
A2 - Cheb Tati - Dub El Hammam
B1 - Khaled Barkat - Zourini
B2 - Asif - Tafsut
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Listen here. Galouli Enshara (A1) and Zourini (B1) are two captivating pop-boogie-funk tracks by Khaled Barkat, a self-taught multi-instrumentalist from Algiers. Produced by Khaled himself in 1983, and recorded at the esteemed brothers Torki’s studio in Algiers along with his friends—and talented musicians —Yazid Fentazi, Redouane Ayoub, Mustapha Mekerkeband Mhenni Benlala. The album, if he had a certain success (Khaled Barkat is considered as a pop music iconin his country)was somewhat overshadowed by the popularity of other genres in Algeria, such as raï music. We're thrilled to put if for the first time on vinyl! And spread this music to a wider audience.
Dub El Hammam (A2) is by raï vocalist Cheb Tati, hailing from Oran. In the 1980s, as raï gained recognition in the global music industry, Tati was brought to London in 1989 to record an album with reggae/dub producer Denis Bovell. Among other tracks, this heavy, top-notch 1980s digital dub track resulted from their collaboration.
Last but not least, the final track on the single is sourced from the only known recording of Asif, a Kabyle band from Lille formed by three brothers. The band was created in the late 1970s, and the selected track, Tafsut (B2), was recorded in 1985. A beautiful pop-boogie tune that we considered a marvelous conclusion to this single.
This record was made in collaboration with Les Disques Bongo Joe. All tracks are fully licensed.
A1 - Khaled Barkat - Galouli Ensaha
A2 - Cheb Tati - Dub El Hammam
B1 - Khaled Barkat - Zourini
B2 - Asif - Tafsut
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Customers who bought this also bought this
1
Sven Wunder - Setting Off
2
Sven Wunder - Misty Shore
3
Sven Wunder - Take A Seat
4
Sven Wunder - Daybreak
5
Sven Wunder - Still Moorings
6
Sven Wunder - Scenic Byway
7
Sven Wunder - Leeward
8
Sven Wunder - Windward
9
Sven Wunder - Resting Place
10
Sven Wunder - Warmer Air
11
Sven Wunder - Deep Sea
12
Sven Wunder - Turning Tides
13
Sven Wunder - Liquid Mountains
At daybreak, as sunlight travels through the atmosphere and begins to reach Earth’s surface, daylight gradually emerges. This marks the transition from night to the beginning of a brand-new day. As the temperature rises—especially after clear, calm nights—relative humidity decreases, and mist, formed of tiny suspended droplets, begins to evaporate. Warm air rises and cool air sinks, creating an interplay of temperature, humidity and sunlight that gives way to a soft, diffuse glow. The sea breeze slowly clears the morning mist, setting life in motion once again as the world wakes up.
‘Daybreak’ is Sven Wunder’s fifth full-length album, seamlessly continuing the progression of his musical oeuvre. It takes the listener on a vivid maritime expedition, beginning the moment the first rays of light break the darkness of the night and embarking on a lush journey through the early hours of the day and far beyond, until the light slowly fades and night falls once again. True to Wunder’s now-distinctive artistry, ‘Daybreak’ is marked by elaborately crafted compositions and elegant pop-jazz arrangements for flute, percussion, brass and strings—supported by a decisive rhythm section, all of which add depth and build on his body of work, continuing to unfold his creative path.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
‘Daybreak’ is Sven Wunder’s fifth full-length album, seamlessly continuing the progression of his musical oeuvre. It takes the listener on a vivid maritime expedition, beginning the moment the first rays of light break the darkness of the night and embarking on a lush journey through the early hours of the day and far beyond, until the light slowly fades and night falls once again. True to Wunder’s now-distinctive artistry, ‘Daybreak’ is marked by elaborately crafted compositions and elegant pop-jazz arrangements for flute, percussion, brass and strings—supported by a decisive rhythm section, all of which add depth and build on his body of work, continuing to unfold his creative path.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Ingleton Falls - It's Just A Hobby
2
Ingleton Falls - Possessed
3
Ingleton Falls - She Felt Love
4
Ingleton Falls - High
5
Ingleton Falls - Mind Yer Head
Isle Of Jura’s second longplayer reissue is an album from Ingleton Falls that touches upon Ambient, Dub, House and Balearic styles and was originally released in 1991 as a limited run of 100 self distributed cassette tapes Ingleton Falls are Andy Hannam Seymour and Andy Eardley from Tyne and Wear in Newcastle. Having come from a more traditional band background originally, Ingleton Falls was their electronic project and the result of a love of acts like Dub Syndicate, African Headcharge, Gary Clail, The Orb and The KLF. Andy Hannam Seymour remembers “It was a very creative time musically, there was a lot going on around us that used new technology. I was excited by the possibilities. Up until then I'd been playing guitar with a more traditional drums/bass/guitar/vocal band with all the 'musical differences' that entailed (the two bands ran side by side for a while). I also liked the idea that you could write and record a piece of music that was ready to release yourself, rather than it being a demo or having to pay a lot of cash for studio time. That DIY aspect was a lot of fun.” The album is split into 2 parts, ‘Aware’ and ‘Unaware’. Andy explains “We decided that 'side1' and side2' were pretty dull and came up with the aware and unaware division based on a kind of enlightened and unenlightened mind kind of idea. The unaware side had the tunes with themes like necrophilia and samples of christians and the aware side was more expansive mindful themes.” Equipment used the make the album included a Cheetah SX16 sampler, Alesis HR16 Drum Machine, Yamaha FG440 Acoustic Guitar, Tokai Stratocaster Guitar and an Atari ST computer running a Steinberg Pro 24 sequencing program (from floppy disk!). Due to a lack of sampling memory sounds were added live from cassette into the final mixes.
25 years later these songs finally reach a wider audience, initially via a limited cassette release followed 6 weeks later by the 180 Gram Heavyweight L
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
25 years later these songs finally reach a wider audience, initially via a limited cassette release followed 6 weeks later by the 180 Gram Heavyweight L
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Label:Ostgut Ton
Cat-No:OstgutLP38
Release-Date:07.11.2025
Genre:Electronic, Electronica
Configuration:2LP
Label:Ostgut Ton
Cat-No:OstgutLP38
Release-Date:07.11.2025
Genre:Electronic, Electronica
Configuration:2LP
1
Efdemin - Drift
2
Efdemin - Poly
3
Efdemin - Signal To Noise
4
Efdemin - Rauris
5
Efdemin - Trophic Cascade
6
Efdemin - Aachen
7
Efdemin - Microphase
8
Efdemin - Radical Hope
9
Efdemin - Irrlicht
10
Efdemin - Lost Somewhere In The Day
11
Efdemin - Below The Surface
First pressing sold out on presale - repress coming on the 7th of novemember!
After a six-year hiatus, Efdemin returns with POLY — his fifth studio album, released on the recently revived Berghain-affiliated label, Ostgut Ton.
As the title suggests, POLY explores multiplicity: of rhythm, texture, style, and emotion. Across eleven meticulously sculpted textures, the album weaves a multidimensional web of sonic references, nodding to the origins of techno while pushing resolutely into uncharted terrain. POLY feels like an afterglow—of decades on the dancefloor, of restless sonic exploration, and of a profound connection to the spaces and communities that have shaped Efdemin’s sound.
Over the course of 60 minutes we are taken through different territories and landscapes of sound. Mysterious and swirling, abstract and droning textures over at times fast and stoic rhythmic concepts. Sometimes the sunlight breaks into the opaque and mysterious soundscapes before the pulse is taken over and sucks us back straight into the club.
The overall tone of POLY is mild and playful, introvert and at times dreamy. The music is rich in sonic expression and breathes the spirit of musical concepts that have been refined over the course of decades. What Sollmann has condensed here feels like a culmination of his multilayered and polyphonic personality situated between Club, Museum, Studio and Academy.
The album cover features a striking photograph of a human ear by renowned German artist Isa Genzken. Known for her radical visual language, Genzken’s work here functions as a metaphor for deep listening. The ear symbolises the layered complexity and immersive quality of the music on POLY — an invitation to perceive sound in all its depth, fragility, and force and unlock it’s potential to unite different voices in a distorted reality.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
After a six-year hiatus, Efdemin returns with POLY — his fifth studio album, released on the recently revived Berghain-affiliated label, Ostgut Ton.
As the title suggests, POLY explores multiplicity: of rhythm, texture, style, and emotion. Across eleven meticulously sculpted textures, the album weaves a multidimensional web of sonic references, nodding to the origins of techno while pushing resolutely into uncharted terrain. POLY feels like an afterglow—of decades on the dancefloor, of restless sonic exploration, and of a profound connection to the spaces and communities that have shaped Efdemin’s sound.
Over the course of 60 minutes we are taken through different territories and landscapes of sound. Mysterious and swirling, abstract and droning textures over at times fast and stoic rhythmic concepts. Sometimes the sunlight breaks into the opaque and mysterious soundscapes before the pulse is taken over and sucks us back straight into the club.
The overall tone of POLY is mild and playful, introvert and at times dreamy. The music is rich in sonic expression and breathes the spirit of musical concepts that have been refined over the course of decades. What Sollmann has condensed here feels like a culmination of his multilayered and polyphonic personality situated between Club, Museum, Studio and Academy.
The album cover features a striking photograph of a human ear by renowned German artist Isa Genzken. Known for her radical visual language, Genzken’s work here functions as a metaphor for deep listening. The ear symbolises the layered complexity and immersive quality of the music on POLY — an invitation to perceive sound in all its depth, fragility, and force and unlock it’s potential to unite different voices in a distorted reality.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Earth Boys - Destination Heaven
2
Family Of Few - Intervoles
3
Dummy Head - I Have Been Wanting You (Edit Mix)
4
Karim - In My Mind
2025 repress
Tracklist
A1. Earth Boys – Destination Heaven
A2. Family Of Few - Intervoles
B1. Dummy Head – I Have Been Wanting You (Edit Mix)
B2. Karim – In My Mind
Release Note:
Running Back’s Double Copy subsidiary for house music history returns with four musical masterpieces from Chicago, London and an international cast from Italy on its first various artist sampler.
Originally released on Roy Davis Jr.’s Undaground Therapy outlet, Destination Heaven by the enigmatic Earth Boys project delivers a piece of cloud-nine-deep-house that was a staple at Frankfurt’s Wild Pitch Club and during the early days of its successor Robert Johnson. Produced by Cloudy Eyes and Cole Brooks, we unfortunately have never heard from the duo again. Luckily, Family of Few have been a little bit more productive. Also known as Mind Readers, Kevin Elliot and Billy ‚Jack“ Williams produced some of the more tender moments on Detroits 430 West label. Intervoles is amongst the most peculiar and catchy tracks that slow-burning dance floors can hope for.
The flip side turns the attention to the conclusions that Europe drew from its US-role-models. Released in 1992 on Rena Records with the involvement of New York’s JoVonn (a distinct genius of deep grooves himself), the keyboard skills of Pierre Audetat and the production work of I. Betti, M. Clemente and W. Brown, Dummy Head is one of a kind. Swirly echoes, dubby textures and a heavy bass line mate on the Edit Mix of I Have Been Wanting You to create one of the very first examples of fully formed dub-house.
Similar pioneering properties can be ascribed to the work of Rob Mello. We don’t have enough room here to list all his merits, but rest assured that the UK’s house scene wouldn’t be the same without him (Luxury Service Records, Classic et al). Under the Karim guise, Mello delivered a unique stroke of genius. Distilling the essence of deep house, while looking far into the future, In My Mind is many things at once: broken beat, electro, house with embracing chords, and – if you will – a warm-up banger. and does, what all the tracks in here do: turning heads then, turning heads now. Hardcore Deep House!
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Tracklist
A1. Earth Boys – Destination Heaven
A2. Family Of Few - Intervoles
B1. Dummy Head – I Have Been Wanting You (Edit Mix)
B2. Karim – In My Mind
Release Note:
Running Back’s Double Copy subsidiary for house music history returns with four musical masterpieces from Chicago, London and an international cast from Italy on its first various artist sampler.
Originally released on Roy Davis Jr.’s Undaground Therapy outlet, Destination Heaven by the enigmatic Earth Boys project delivers a piece of cloud-nine-deep-house that was a staple at Frankfurt’s Wild Pitch Club and during the early days of its successor Robert Johnson. Produced by Cloudy Eyes and Cole Brooks, we unfortunately have never heard from the duo again. Luckily, Family of Few have been a little bit more productive. Also known as Mind Readers, Kevin Elliot and Billy ‚Jack“ Williams produced some of the more tender moments on Detroits 430 West label. Intervoles is amongst the most peculiar and catchy tracks that slow-burning dance floors can hope for.
The flip side turns the attention to the conclusions that Europe drew from its US-role-models. Released in 1992 on Rena Records with the involvement of New York’s JoVonn (a distinct genius of deep grooves himself), the keyboard skills of Pierre Audetat and the production work of I. Betti, M. Clemente and W. Brown, Dummy Head is one of a kind. Swirly echoes, dubby textures and a heavy bass line mate on the Edit Mix of I Have Been Wanting You to create one of the very first examples of fully formed dub-house.
Similar pioneering properties can be ascribed to the work of Rob Mello. We don’t have enough room here to list all his merits, but rest assured that the UK’s house scene wouldn’t be the same without him (Luxury Service Records, Classic et al). Under the Karim guise, Mello delivered a unique stroke of genius. Distilling the essence of deep house, while looking far into the future, In My Mind is many things at once: broken beat, electro, house with embracing chords, and – if you will – a warm-up banger. and does, what all the tracks in here do: turning heads then, turning heads now. Hardcore Deep House!
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Patrick Gibin - Strength In Numbers Ft. Kaidi Tatham
2
Patrick Gibin - Team Spirit
3
Patrick Gibin - Gear Up Rudi! Ft. Kaidi Tatham
4
Patrick Gibin - Come Mornin' Ft. Sandra St. Victor
5
Patrick Gibin - No Matter What
6
Patrick Gibin - let It Go Ft. Kaidi Tatham
7
Patrick Gibin - Joint Purpose (Alternative Mix)
8
Patrick Gibin - Come Mornin (Instrumental)
9
Patrick Gibin - In This Together
After a string of releases for labels like Eglo, Neroli and Sounds Familiar, Patrick Gibin serves up his debut album for his own Mother Tongue imprint. Filled with jazz-infused dancefloor jams like the title track and the other collaborations with Kaidi Tatham ("Gear Up Rudi!" and "Let it Go"), the album also shows a more electronic side of Patrick in cuts like "No Matter What" and "Joint Purpose (alternative mix)". His notorious love for Boogie is well represented here by "Team Spirit" and the collaboration with Sandra St. Victor, "Come Mornin'". The album closes with the mellow outro "In This Together", another title that shows the collective mindframe and ethic behind Mother Tongue in all its endeavours.
It's all about "Strength in Numbers"!
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Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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It's all about "Strength in Numbers"!
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DE - 22113 Hamburg
Germany
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1
Space Dimension Controller - Kosmische Conga
2
Space Dimension Controller - Echopet
3
Space Dimension Controller - Minehead
4
Space Dimension Controller - Carinacid
2025 repress
Tracklist
A1. Kosmische Conga
A2. Echopet
B1. Minehead
B2. Carinacid
Re-Dial 303.
The follow-up to the first Acid Sampler is now in the hands of a single artist. Space Dimension Controller does Running Back the honor to leave his fingerprints on the (usually) silver box - and it’s a match made in heaven. The Irish man’s music is mostly a nod to the subtle and more delicate ramifications of electronic music. His Acid Sampler is no exception. Most of the EP presents itself as an ode to the brain dance vibe of acid house rooted music. While leaving out the harder and faster styles of the genre, SDC manages to pour his heart and soul as a producer into these four charming tracks.
Kosmische Conga works as the leader of the pack and pirouettes with memorable hooks, synthesizer swells and descant acid lines. Echopet introverts the whole concept, while Minehead peaks with it. Named after the seaside town that harbored the Bloc Weekend festival, its a warp-free romantic reflex of the brain dance vibe – or a heartfelt love song for circuits. Carinacid completes the quartet with a chugging and hugging mid tempo beat that could have gone on forever. Acid test passed! Artwork by Gasius.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Tracklist
A1. Kosmische Conga
A2. Echopet
B1. Minehead
B2. Carinacid
Re-Dial 303.
The follow-up to the first Acid Sampler is now in the hands of a single artist. Space Dimension Controller does Running Back the honor to leave his fingerprints on the (usually) silver box - and it’s a match made in heaven. The Irish man’s music is mostly a nod to the subtle and more delicate ramifications of electronic music. His Acid Sampler is no exception. Most of the EP presents itself as an ode to the brain dance vibe of acid house rooted music. While leaving out the harder and faster styles of the genre, SDC manages to pour his heart and soul as a producer into these four charming tracks.
Kosmische Conga works as the leader of the pack and pirouettes with memorable hooks, synthesizer swells and descant acid lines. Echopet introverts the whole concept, while Minehead peaks with it. Named after the seaside town that harbored the Bloc Weekend festival, its a warp-free romantic reflex of the brain dance vibe – or a heartfelt love song for circuits. Carinacid completes the quartet with a chugging and hugging mid tempo beat that could have gone on forever. Acid test passed! Artwork by Gasius.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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1
Boo Williams - Midnight Express
2
Boo Williams - Planet Earth
3
Boo Williams - Blast Off
Originally released on Relief Records in 1995, "Midnight Express" is the peak time Chicago warehouse Sound. Just brilliant, raw, tracky house music.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
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DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Mr & Mrs Dale - It's You (New York - London Mix)
2
Mr & Mrs Dale - It's You (Free House Mix)
3
Mr & Mrs Dale - It's You (NU Style Mix)
Repress!
The Dancefloor Records reissues on Emotional Rescue comes in the form a true House classic. Produced and released by the Chicago legend Andrew Komis, It’s You is an original Deep House bomb and an education to those increasingly misusing the term today.
Essentially a cover / updated version of the all-time early House classic in ESP’s Its You, this 1989 update shows how much the scene was progressing in just 3 years with a tougher, heavier and deeper 12” that was all about rocking club sound systems.
Coming out on Komis’ own (Dancefloor subsidiary) Big Shot Records, this might not of been as big as Dionne’s Come Get My Lovin’, but has long been an ‘in the bag’ record for the likes of Derrick Carter and Solar. Just one listen spread across the time-defining “Mixes” and it’s clear why.
The stepping bass of the New York – London Mix was so indicative of the time. As the latter’s ascent as a clubbing capital took hold, ears were pinned to what was emanating from across the seas, especially the clubs of NYC and ‘Windy City’. Trademark Komis bass and hats ride are all here to allow the breathy vocals space to do their magic.
However it is the Free House Mix that really shows where things were at. Skipping hats, electro-meets-Belgian bass and a dark synth line pull the track down before acid touches take the song to a much deeper place and has long been the favourite version for the discerning DJ.
Ending with what was indicative of the time, the title says it all with the NU Style Mix. A drum heavy work out, taking in elements of successful records of the time, we get Break 4 Love percussion arranged around a NYC influenced Konder’s style quick cut-up editing for a more 'freestyle' mix to round out what is simply, an underground bomb and therefore, worthy of what this label has always been about, bringing great records to new ears.
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DE - 22113 Hamburg
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The Dancefloor Records reissues on Emotional Rescue comes in the form a true House classic. Produced and released by the Chicago legend Andrew Komis, It’s You is an original Deep House bomb and an education to those increasingly misusing the term today.
Essentially a cover / updated version of the all-time early House classic in ESP’s Its You, this 1989 update shows how much the scene was progressing in just 3 years with a tougher, heavier and deeper 12” that was all about rocking club sound systems.
Coming out on Komis’ own (Dancefloor subsidiary) Big Shot Records, this might not of been as big as Dionne’s Come Get My Lovin’, but has long been an ‘in the bag’ record for the likes of Derrick Carter and Solar. Just one listen spread across the time-defining “Mixes” and it’s clear why.
The stepping bass of the New York – London Mix was so indicative of the time. As the latter’s ascent as a clubbing capital took hold, ears were pinned to what was emanating from across the seas, especially the clubs of NYC and ‘Windy City’. Trademark Komis bass and hats ride are all here to allow the breathy vocals space to do their magic.
However it is the Free House Mix that really shows where things were at. Skipping hats, electro-meets-Belgian bass and a dark synth line pull the track down before acid touches take the song to a much deeper place and has long been the favourite version for the discerning DJ.
Ending with what was indicative of the time, the title says it all with the NU Style Mix. A drum heavy work out, taking in elements of successful records of the time, we get Break 4 Love percussion arranged around a NYC influenced Konder’s style quick cut-up editing for a more 'freestyle' mix to round out what is simply, an underground bomb and therefore, worthy of what this label has always been about, bringing great records to new ears.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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1
Fingers N Flowers - Between Us (Vocal) Ft. Madaline
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Fingers N Flowers - Reel It In (Mr. Fingers Remix)
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Fingers N Flowers - Between Us (Instrumental Mix)
4
Fingers N Flowers - Reel It In (Summer Acid Burn)
Repress!
New collaboration project from Larry Heard and Micheal Kuntzman featuring vocalist Madeline as Fingers N Flowers. Larry Heard himself on production duties and it shines through in the detailed, flawless vocal deep house tracks. Mr. Fingers remix and some acidity on the flip for good measures.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
New collaboration project from Larry Heard and Micheal Kuntzman featuring vocalist Madeline as Fingers N Flowers. Larry Heard himself on production duties and it shines through in the detailed, flawless vocal deep house tracks. Mr. Fingers remix and some acidity on the flip for good measures.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Anja Schneider & Sebo K - Rancho Relaxo (Paramida & E-Talking Remix)
2
Anja Schneider - Turning My Head (2024 Rework)
3
Anja Schneider - Belize (Leafar Legov Sentimental Flashback RNB Dub)
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Anja Schneider & Sebo K - Rancho Relaxo (Radio Slave Remix)
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Anja Schneider - Dubmission (Julian Muller Remix)
6
Anja Schneider - All I See (2024 Rework)
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Anja Schneider - WMF (Scuba's D-U Mix)
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Anja Schneider - Rain (Jaymie Silk Remix)
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Anja Schneider - All I See (Ackermann Remix)
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Anja Schneider - Turning My Head (Cassy Remix)
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Anja Schneider - Sanctuary feat. Stereo MCs (Erobique Remix)
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Anja Schneider - Aura feat. Sophie Hunger (2024 Rework)
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Anja Schneider - Secret Escapes (JakoJako Remix)
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Anja Schneider - Something Thats for Life feat. Cari Golden (2024 Rework)
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Anja Schneider - Sanctuary feat. Stereo MCs (2024 Rework)
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Anja Schneider - Aura feat. Sophie Hunger (Deetron Remix)
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Anja Schneider - Rain (2024 Rework)
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Anja Schneider - Belize (2024 Rework)
3LP (Gatefold + Download)
Tracklist:
A1) Anja Schneider & Sebo K - Rancho Relaxo (Paramida & E-Talking Remix)
A2) Anja Schneider - Turning My Head (2024 Rework)
A3) Anja Schneider - Belize (Leafar Legov Sentimental Flashback RNB Dub)
B1) Anja Schneider & Sebo K - Rancho Relaxo (Radio Slave Remix)
B2) Anja Schneider - Dubmission (Julian Muller Remix)
B3) Anja Schneider - All I See (2024 Rework)
C1) Anja Schneider - WMF (Scuba's D-U Mix)
C2) Anja Schneider - Rain (Jaymie Silk Remix)
C3) Anja Schneider - All I See (Ackermann Remix)
D1) Anja Schneider - Turning My Head (Cassy Remix)
D2) Anja Schneider - Sanctuary feat. Stereo MCs (Erobique Remix)
D3) Anja Schneider - Aura feat. Sophie Hunger (2024 Rework)
E1) Anja Schneider - Secret Escapes (JakoJako Remix)
E2) Anja Schneider - Something Thats for Life feat. Cari Golden (2024 Rework)
E3) Anja Schneider - Sanctuary feat. Stereo MCs (2024 Rework)
F1) Anja Schneider - Aura feat. Sophie Hunger (Deetron Remix)
F2) Anja Schneider - Rain (2024 Rework)
F3) Anja Schneider - Belize (2024 Rework)
Two decades in, one of dance music’s most celebrated DJs, producers, label owners, A&Rs, broadcasters, and tastemakers has big plans for this anniversary. In June, Anja Schneider will unveil an expansive rework and remix package on her benchmark-setting imprint, Sous Music, some of her best-loved tracks are there in less familiar forms. Expect fresh takes from Anja herself on seven of her favorite tracks plus a wealth of heavyweight remixers: Paramida & E-Talking, Radio Slave, Scuba, JakoJako, Julian Muller, Cassy, Deetron, Leafar Legov, Erobique, Jaymie Silk and Ackermann all being part of the impressive collection.
“The project includes new versions of my favourite tracks from the last 20 years and remixers who have accompanied, influenced, and currently impress me. Each artist holds a special connection for me,” says Anja in anticipation of this milestone release.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Tracklist:
A1) Anja Schneider & Sebo K - Rancho Relaxo (Paramida & E-Talking Remix)
A2) Anja Schneider - Turning My Head (2024 Rework)
A3) Anja Schneider - Belize (Leafar Legov Sentimental Flashback RNB Dub)
B1) Anja Schneider & Sebo K - Rancho Relaxo (Radio Slave Remix)
B2) Anja Schneider - Dubmission (Julian Muller Remix)
B3) Anja Schneider - All I See (2024 Rework)
C1) Anja Schneider - WMF (Scuba's D-U Mix)
C2) Anja Schneider - Rain (Jaymie Silk Remix)
C3) Anja Schneider - All I See (Ackermann Remix)
D1) Anja Schneider - Turning My Head (Cassy Remix)
D2) Anja Schneider - Sanctuary feat. Stereo MCs (Erobique Remix)
D3) Anja Schneider - Aura feat. Sophie Hunger (2024 Rework)
E1) Anja Schneider - Secret Escapes (JakoJako Remix)
E2) Anja Schneider - Something Thats for Life feat. Cari Golden (2024 Rework)
E3) Anja Schneider - Sanctuary feat. Stereo MCs (2024 Rework)
F1) Anja Schneider - Aura feat. Sophie Hunger (Deetron Remix)
F2) Anja Schneider - Rain (2024 Rework)
F3) Anja Schneider - Belize (2024 Rework)
Two decades in, one of dance music’s most celebrated DJs, producers, label owners, A&Rs, broadcasters, and tastemakers has big plans for this anniversary. In June, Anja Schneider will unveil an expansive rework and remix package on her benchmark-setting imprint, Sous Music, some of her best-loved tracks are there in less familiar forms. Expect fresh takes from Anja herself on seven of her favorite tracks plus a wealth of heavyweight remixers: Paramida & E-Talking, Radio Slave, Scuba, JakoJako, Julian Muller, Cassy, Deetron, Leafar Legov, Erobique, Jaymie Silk and Ackermann all being part of the impressive collection.
“The project includes new versions of my favourite tracks from the last 20 years and remixers who have accompanied, influenced, and currently impress me. Each artist holds a special connection for me,” says Anja in anticipation of this milestone release.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Alston & The Fremantle Doctor - Dreamtime Trance
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Alston & The Fremantle Doctor - Dreamtime Trance Theme
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Alston & The Fremantle Doctor - Midnight Lady
4
Alston & The Fremantle Doctor - Dreamtime Trance Theme (Respectfully Extended)
Extreme digger bomb from Down-under, Sri Lankan born Australian, Alston Koch is a highly decorated musician and the mastermind behind "Kookaburra Connection" project, a collaboration with the aboriginal musicians of Australia. "Dreamtime Trance" explores indigenous themes over a highly unique sounding beat and truly refreshing groove, game changing on the floor. Accompanied with a new extended version featuring a long intro buildup. On the B side, a heartfelt "Midnight Lady" balances out this EP with a harmless ballad featuring another side of Koch's exploits, to be served with Piñacoladas during after hours. Remastered and re-issued with original artwork.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Naquil - Melod For Tre (Jazz Mix)
2
Naquil - Melod For Tre (Meltdown Dub)
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Naquil - State Of Mind
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Naquil - From Venus With Love
D3 Classic Edition proudly presents its debut release, shining a light on an unsung hero of Detroit’s electronic music scene: Nathaniel Killins IV. Active from the mid to late 1990s, Killins was an underrated talent who operated under the radar during a pivotal era of Detroit’s musical history. Under the alias Naquil, he released his debut EP in 1996 on Perception Records, a short-lived yet significant Detroit House/Techno label. Krem de la Krem is a deep melancholia and obscure Detroit deep house EP, beyond qualification, like only a few Detroit records can attain.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More