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Pitch Black - Transient Transmission (Intercept's Retwist Of Adrian Sherwood's Iota Remix)
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Pitch Black - Third Light (Adrian Sherwood's Echoes Of The Night 10inch Dub Mix)
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Pitch Black - 1000 Mile Drift (Adrian Sherwood Mix)
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Pitch Black - A Doubtful Sound (Adrian Sherwood 10inch Dub Mix)
They say you should never meet your heroes, but for Mike, meeting the legendary Adrian Sherwood has been a transformative experience, leading to creative collaborations that have benefited both of them.
Nearly 30 years after first being mesmerized by OnU Sound’s releases, a cheeky bit of radio ripping serendipitously led to Mike helping Pats Dokter, the label’s official archivist, with his work restoring master tapes, and eventually to him creating visual content for Adrian’s live shows.
A while after this collaboration began, Adrian offered to remix some of Mike’s music, either by his solo project @misledconvoy or our tunes, and it’s four cuts by us that grace this heavyweight platter.
From the dreamy dub of Transient Transmission to the rolling rhythms of A Doubtful Sound, our originals have been re-arranged and dubbed to $%># in Adrian’s signature style, with fluid melodies, pounding basslines and vocal samples awash in a wall of effects.
Trumpets by David “Ital Horns” Fullwood bookend the release, haunting in the first track and celebratory in the last, while Doug Wimbish (Tackhead) added an extra bassline to the heaving version of 1000 Mile Drift, which also features the voice of the iconic Lee “Scratch” Perry.
Reflecting on the collaboration, Mike says, “the whole experience has been slightly unreal, from working on Adrian’s videos to being in the OnU studio and watching him dub-mixing the tracks I’ve made, something I could never have imagined happening!”
Mike isn’t the only OnU fan, as a pivotal moment for Paddy was “watching Adrian mixing Tack>head at the Powerstation in 1995 and seeing the cause-and-effect of what he was doing and hearing the unbelievable sounds coming out of the speakers. It was the first time I’d ever seen somebody dub mix like that.”
The cover of Echoes of the Night is based upon an original artwork by Hamish Macaulay, while the vinyl has been pressed using a 100% recycled compound known as eco-mix, making each record totally unique as the colours subtly change across the pressing run.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Nearly 30 years after first being mesmerized by OnU Sound’s releases, a cheeky bit of radio ripping serendipitously led to Mike helping Pats Dokter, the label’s official archivist, with his work restoring master tapes, and eventually to him creating visual content for Adrian’s live shows.
A while after this collaboration began, Adrian offered to remix some of Mike’s music, either by his solo project @misledconvoy or our tunes, and it’s four cuts by us that grace this heavyweight platter.
From the dreamy dub of Transient Transmission to the rolling rhythms of A Doubtful Sound, our originals have been re-arranged and dubbed to $%># in Adrian’s signature style, with fluid melodies, pounding basslines and vocal samples awash in a wall of effects.
Trumpets by David “Ital Horns” Fullwood bookend the release, haunting in the first track and celebratory in the last, while Doug Wimbish (Tackhead) added an extra bassline to the heaving version of 1000 Mile Drift, which also features the voice of the iconic Lee “Scratch” Perry.
Reflecting on the collaboration, Mike says, “the whole experience has been slightly unreal, from working on Adrian’s videos to being in the OnU studio and watching him dub-mixing the tracks I’ve made, something I could never have imagined happening!”
Mike isn’t the only OnU fan, as a pivotal moment for Paddy was “watching Adrian mixing Tack>head at the Powerstation in 1995 and seeing the cause-and-effect of what he was doing and hearing the unbelievable sounds coming out of the speakers. It was the first time I’d ever seen somebody dub mix like that.”
The cover of Echoes of the Night is based upon an original artwork by Hamish Macaulay, while the vinyl has been pressed using a 100% recycled compound known as eco-mix, making each record totally unique as the colours subtly change across the pressing run.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
More records from Pitch Black
Label:Dubmission Records
Cat-No:DUBM016
Release-Date:11.04.2025
Genre:Dub/Reggae
Configuration:2LP
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1
Pitch Black - South Of The Line
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2
Pitch Black - Rude Mechanicals
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3
Pitch Black - Bird Soul
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Pitch Black - Sonic Colonic
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Pitch Black - Fragile Ladders
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Pitch Black - Harmonia
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Pitch Black - 1000 Mile Drift
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Pitch Black - Transient Transmission (Fig.2)
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Pitch Black - Please Leave Quietly
Our fourth album finally gets the vinyl pressing it so richly deserves.
Originally released in 2007, Rude Mechanicals found us firing on all cylinders. The nine years since our debut had been spent touring our cutting-edge audio-visual show round the world, playing everywhere from Tokyo to Tauranga, Portland to Paris, Leeds to Las Vegas, finding fans and absorbing new sounds along the way.
We successfully combined and refined the stand-out elements of our previous releases to create an album that is alternately danceable and meditative: a genre busting excursion in sound, heaving with warm basslines and complex rhythms, topped up by haunting melodies and immersive soundscapes.
From the evocative opening South of the Line to the stepping 1000 Mile Drift, the dub is strong, as one would expect, and so is the influence of drum’n’bass on the bottom-heavy Bird Soul and the atmospheric Please Leave Quietly; trance on the pulsating Sonic Colonic (Live at Minikami) and slinky Transient Transmission (fig.2); ambient on the burbling Harmonia and softly snarling Fragile Ladders. The title track, meanwhile, finds us addressing climate change and greed, with lyrics by Auckland MC KP.
To create the double-vinyl release, Angus McNaughton re-mastered the original audio files, while Hamish Macaulay polished the source artwork by Tom Quarelle and created a brand new collage for the centrefold using pictures taken at the time.
Rude Mechanicals will be released on 11th April 2025, except in Aotearoa New Zealand, where it will be released on 12th April 2025 as part of Record Store Day.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Originally released in 2007, Rude Mechanicals found us firing on all cylinders. The nine years since our debut had been spent touring our cutting-edge audio-visual show round the world, playing everywhere from Tokyo to Tauranga, Portland to Paris, Leeds to Las Vegas, finding fans and absorbing new sounds along the way.
We successfully combined and refined the stand-out elements of our previous releases to create an album that is alternately danceable and meditative: a genre busting excursion in sound, heaving with warm basslines and complex rhythms, topped up by haunting melodies and immersive soundscapes.
From the evocative opening South of the Line to the stepping 1000 Mile Drift, the dub is strong, as one would expect, and so is the influence of drum’n’bass on the bottom-heavy Bird Soul and the atmospheric Please Leave Quietly; trance on the pulsating Sonic Colonic (Live at Minikami) and slinky Transient Transmission (fig.2); ambient on the burbling Harmonia and softly snarling Fragile Ladders. The title track, meanwhile, finds us addressing climate change and greed, with lyrics by Auckland MC KP.
To create the double-vinyl release, Angus McNaughton re-mastered the original audio files, while Hamish Macaulay polished the source artwork by Tom Quarelle and created a brand new collage for the centrefold using pictures taken at the time.
Rude Mechanicals will be released on 11th April 2025, except in Aotearoa New Zealand, where it will be released on 12th April 2025 as part of Record Store Day.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Label:Dubmission Records
Cat-No:DUBM007
Release-Date:20.09.2024
Genre:Techno
Configuration:2LP
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Cat-No:DUBM007
Release-Date:20.09.2024
Genre:Techno
Configuration:2LP
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Pitch Black - Reptile Room
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Pitch Black - Electric Earth Pt 1
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Pitch Black - Electric Earth Pt 2
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Pitch Black - Data Diviner
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Pitch Black - Urbanoia
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Pitch Black - The 48 Skanks
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Pitch Black - Unadrumma
Pitch Black’s landmark album is finally pressed on vinyl.
First released in 2000, “Electronomicon” shows Pitch Black developing their deep dubby sound further by creating long and involved song structures that traverse a range of sonic experiences. The resultant album journeys from organic ambience and layered soundscapes to skanking keyboards, cutting acid riffs and thumping rhythmic grooves, with dub being the glue that holds it all together.
“Electronomicon” reached 28 in the New Zealand album charts and led to a sell-out 30-date tour of New Zealand and Australia. It has since gone on to become one of the duo’s most popular albums, regularly finding new fans around the world.
To celebrate the 20th anniversary of the release, the band dug out the original audio files and Angus McNaughton has re-mastered them for this vinyl release.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
First released in 2000, “Electronomicon” shows Pitch Black developing their deep dubby sound further by creating long and involved song structures that traverse a range of sonic experiences. The resultant album journeys from organic ambience and layered soundscapes to skanking keyboards, cutting acid riffs and thumping rhythmic grooves, with dub being the glue that holds it all together.
“Electronomicon” reached 28 in the New Zealand album charts and led to a sell-out 30-date tour of New Zealand and Australia. It has since gone on to become one of the duo’s most popular albums, regularly finding new fans around the world.
To celebrate the 20th anniversary of the release, the band dug out the original audio files and Angus McNaughton has re-mastered them for this vinyl release.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Label:Dubmission Records
Cat-No:DUBM011
Release-Date:21.04.2023
Genre:Dub/Reggae
Configuration:2LP
Barcode:
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Cat-No:DUBM011
Release-Date:21.04.2023
Genre:Dub/Reggae
Configuration:2LP
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Pitch Black - Ape To Angel
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Pitch Black - Freefall
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Pitch Black - Lost In Translation
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Pitch Black - Big Trouble Upstairs
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Pitch Black - Protect The Grain
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Pitch Black - Flex
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Pitch Black - Elements Turn
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Pitch Black - The Random Smiler (Live)
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Pitch Black - Empty Spaces Missing Units
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
More records from Dubmission Records
Label:Dubmission Records
Cat-No:DUBM016
Release-Date:11.04.2025
Genre:Dub/Reggae
Configuration:2LP
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Configuration:2LP
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1
Pitch Black - South Of The Line
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2
Pitch Black - Rude Mechanicals
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3
Pitch Black - Bird Soul
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4
Pitch Black - Sonic Colonic
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5
Pitch Black - Fragile Ladders
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Pitch Black - Harmonia
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7
Pitch Black - 1000 Mile Drift
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Pitch Black - Transient Transmission (Fig.2)
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9
Pitch Black - Please Leave Quietly
Our fourth album finally gets the vinyl pressing it so richly deserves.
Originally released in 2007, Rude Mechanicals found us firing on all cylinders. The nine years since our debut had been spent touring our cutting-edge audio-visual show round the world, playing everywhere from Tokyo to Tauranga, Portland to Paris, Leeds to Las Vegas, finding fans and absorbing new sounds along the way.
We successfully combined and refined the stand-out elements of our previous releases to create an album that is alternately danceable and meditative: a genre busting excursion in sound, heaving with warm basslines and complex rhythms, topped up by haunting melodies and immersive soundscapes.
From the evocative opening South of the Line to the stepping 1000 Mile Drift, the dub is strong, as one would expect, and so is the influence of drum’n’bass on the bottom-heavy Bird Soul and the atmospheric Please Leave Quietly; trance on the pulsating Sonic Colonic (Live at Minikami) and slinky Transient Transmission (fig.2); ambient on the burbling Harmonia and softly snarling Fragile Ladders. The title track, meanwhile, finds us addressing climate change and greed, with lyrics by Auckland MC KP.
To create the double-vinyl release, Angus McNaughton re-mastered the original audio files, while Hamish Macaulay polished the source artwork by Tom Quarelle and created a brand new collage for the centrefold using pictures taken at the time.
Rude Mechanicals will be released on 11th April 2025, except in Aotearoa New Zealand, where it will be released on 12th April 2025 as part of Record Store Day.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Originally released in 2007, Rude Mechanicals found us firing on all cylinders. The nine years since our debut had been spent touring our cutting-edge audio-visual show round the world, playing everywhere from Tokyo to Tauranga, Portland to Paris, Leeds to Las Vegas, finding fans and absorbing new sounds along the way.
We successfully combined and refined the stand-out elements of our previous releases to create an album that is alternately danceable and meditative: a genre busting excursion in sound, heaving with warm basslines and complex rhythms, topped up by haunting melodies and immersive soundscapes.
From the evocative opening South of the Line to the stepping 1000 Mile Drift, the dub is strong, as one would expect, and so is the influence of drum’n’bass on the bottom-heavy Bird Soul and the atmospheric Please Leave Quietly; trance on the pulsating Sonic Colonic (Live at Minikami) and slinky Transient Transmission (fig.2); ambient on the burbling Harmonia and softly snarling Fragile Ladders. The title track, meanwhile, finds us addressing climate change and greed, with lyrics by Auckland MC KP.
To create the double-vinyl release, Angus McNaughton re-mastered the original audio files, while Hamish Macaulay polished the source artwork by Tom Quarelle and created a brand new collage for the centrefold using pictures taken at the time.
Rude Mechanicals will be released on 11th April 2025, except in Aotearoa New Zealand, where it will be released on 12th April 2025 as part of Record Store Day.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Label:Dubmission Records
Cat-No:DUBM007
Release-Date:20.09.2024
Genre:Techno
Configuration:2LP
Barcode:
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Label:Dubmission Records
Cat-No:DUBM007
Release-Date:20.09.2024
Genre:Techno
Configuration:2LP
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1
Pitch Black - Reptile Room
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2
Pitch Black - Electric Earth Pt 1
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3
Pitch Black - Electric Earth Pt 2
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Pitch Black - Data Diviner
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Pitch Black - Urbanoia
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Pitch Black - The 48 Skanks
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Pitch Black - Unadrumma
Pitch Black’s landmark album is finally pressed on vinyl.
First released in 2000, “Electronomicon” shows Pitch Black developing their deep dubby sound further by creating long and involved song structures that traverse a range of sonic experiences. The resultant album journeys from organic ambience and layered soundscapes to skanking keyboards, cutting acid riffs and thumping rhythmic grooves, with dub being the glue that holds it all together.
“Electronomicon” reached 28 in the New Zealand album charts and led to a sell-out 30-date tour of New Zealand and Australia. It has since gone on to become one of the duo’s most popular albums, regularly finding new fans around the world.
To celebrate the 20th anniversary of the release, the band dug out the original audio files and Angus McNaughton has re-mastered them for this vinyl release.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
First released in 2000, “Electronomicon” shows Pitch Black developing their deep dubby sound further by creating long and involved song structures that traverse a range of sonic experiences. The resultant album journeys from organic ambience and layered soundscapes to skanking keyboards, cutting acid riffs and thumping rhythmic grooves, with dub being the glue that holds it all together.
“Electronomicon” reached 28 in the New Zealand album charts and led to a sell-out 30-date tour of New Zealand and Australia. It has since gone on to become one of the duo’s most popular albums, regularly finding new fans around the world.
To celebrate the 20th anniversary of the release, the band dug out the original audio files and Angus McNaughton has re-mastered them for this vinyl release.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Label:Dubmission Records
Cat-No:DUBM011
Release-Date:21.04.2023
Genre:Dub/Reggae
Configuration:2LP
Barcode:
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Label:Dubmission Records
Cat-No:DUBM011
Release-Date:21.04.2023
Genre:Dub/Reggae
Configuration:2LP
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1
Pitch Black - Ape To Angel
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2
Pitch Black - Freefall
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Pitch Black - Lost In Translation
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Pitch Black - Big Trouble Upstairs
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5
Pitch Black - Protect The Grain
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Pitch Black - Flex
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Pitch Black - Elements Turn
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8
Pitch Black - The Random Smiler (Live)
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9
Pitch Black - Empty Spaces Missing Units
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
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Last in:10.07.2024
Label:Mitsubasa
Cat-No:MTB014
Release-Date:09.08.2024
Genre:Techno
Configuration:12" Excl
Barcode:0640813321420
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Utroit & K.O.S - A1 Utroit & K.O.S - Oubaitori
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Utroit & K.O.S - A2 Utroit & K.O.S - Motegi
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Utroit & K.O.S - B1 Utroit & K.O.S - Jaga?
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Utroit & K.O.S - B2 Utroit & K.O.S - Kamiki
Genre: Techno
Tracklist 12":
A1 Utroit & K.O.S - Oubaitori
A2 Utroit & K.O.S - Motegi
B1 Utroit & K.O.S - Jaga
B2 Utroit & K.O.S - Kamiki
Short Info:
Detroit flavored, raw and fast paced dub machines.
Mastering & lacquer cut by Kassian Troyer at Dubplates & Mastering Berlin
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Tracklist 12":
A1 Utroit & K.O.S - Oubaitori
A2 Utroit & K.O.S - Motegi
B1 Utroit & K.O.S - Jaga
B2 Utroit & K.O.S - Kamiki
Short Info:
Detroit flavored, raw and fast paced dub machines.
Mastering & lacquer cut by Kassian Troyer at Dubplates & Mastering Berlin
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
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Last in:31.01.2025
Label:012
Cat-No:01209
Release-Date:10.01.2025
Genre:Techno
Configuration:12"
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Claudio PRC & Andrea Cossu - Praya Dubia
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Claudio PRC & Andrea Cossu - Hydrozoa
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Claudio PRC & Andrea Cossu - Biofluorescence
The number nine of 012’s catalogue titled “Praya Dubia” marks the very first collaboration between Berlin-based DJs and producers Claudio PRC and Andrea Cossu. Both natives of Sardinia, they have crafted a delightful deep and dub techno journey, hypnotic yet, full of colors and shades available both on vinyl and digital format.
W&P by Claudio PRC and Andrea Cossu in Berlin.
Artwork by Liam Costar.
Design by Basstation.
Mastered at Artefacts Mastering.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
W&P by Claudio PRC and Andrea Cossu in Berlin.
Artwork by Liam Costar.
Design by Basstation.
Mastered at Artefacts Mastering.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Label:NOTON
Cat-No:N-062-2
Release-Date:29.11.2024
Configuration:2LP Excl
Barcode:4251804155137
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Last in:09.10.2024
Label:NOTON
Cat-No:N-062-2
Release-Date:29.11.2024
Configuration:2LP Excl
Barcode:4251804155137
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1
Alva Noto - Xerrox Topia
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2
Alva Noto - Xerrox Sans Nom I
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3
Alva Noto - Xerrox Sans Nom II
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Alva Noto - Xerrox Ascent I
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Alva Noto - Xerrox Ascent II
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Alva Noto - Xerrox Sans Repit
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Alva Noto - Xerrox Nausicaa
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8
Alva Noto - Xerrox Xenonym
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9
Alva Noto - Xerrox Ada
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10
Alva Noto - Xerrox Arc
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11
Alva Noto - Xerrox Kryogen
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Alva Noto - Xerrox Isotope
2LP
A1. Xerrox Topia
A2. Xerrox Sans Nom I
A3. Xerrox Sans Nom II
B1. Xerrox Ascent I
B2. Xerrox Ascent II
B3. Xerrox Sans Repit
C1. Xerrox Nausicaa
C2. Xerrox Xenonym
C3. Xerrox Ada
D1. Xerrox Arc
D2. Xerrox Kryogen
D3. Xerrox Isotope
NOTON is pleased to announce the release of Xerrox Vol. 5, the final installment of Alva Noto’s Xerrox series.
For anyone who has been following the series since its inception in 2007, the concept of Xerrox no longer requires introduction. Originally, it aimed to create copies of images—both visual and acoustic—that are more memorable than the originals. The exploration of the relationship between the original and the copy, along with the invention of the copier, not only inspired the series name but also informed its underlying concept. In 2024, this series comes to an end, marking the culmination of a journey that began with the first recording in 2005/2006. Over nearly two decades, the five albums in this series have accompanied the artist's evolving perspective and conceptual approach.
Initially characterized by rawness and a conceptual focus on seeking resolution in white noise, the later works engage with themes of dissolution while shifting their emphasis toward acoustic particles. The copying process is now less visible through software manipulation; rather, it unfolds as the artist describes melodic and acoustic images that are then manipulated, copied, and transformed into new patterns during composition.
Nicolai describes this evolution as a journey encompassing buildup, exploration, and resolution, drawing parallels to the Odyssey and the stories of Jules Verne, particularly those featuring Captain Nemo.
The conclusion of this album holds a sense of finality for the artist. “I aimed to create a whole cycle of tracks that frame both the beginning and the end,” Nicolai explains. “The motif of the journey continues, but this time, the story reaches a dissolution through a conceptual object that embarks on its own journey into infinity. The word “dissolution” (“Auflösung” in German) is a wonderful concept. On one hand, you can solve a riddle, on the other hand, a pill can completely dissolve in water. Here, I am deliberately describing the process of dissolution.”
In crafting Volume 5, Nicolai has evolved his compositional process, eschewing samples in favor of original melodies. “This album probably took the longest to complete,” he reveals. “I first created melodic sketches, which became the foundation for the pieces. These recordings are created entirely from scratch. Based on these sketches, I constructed the process of copying, manipulating, and reshaping.”
Drawing from his recent experiences working with film and larger ensembles, Nicolai's approach to composition reflects a growing influence of classical instrumentation. “This experience of working with acoustic classical instruments has flowed into the compositional process for Xerrox Vol. 5. Certain instruments are designed with potential orchestral translation in mind.”
The sonic atmosphere of Xerrox Vol. 5 is one of profound dissolution. “I wasn’t initially interested in strong, emotional melodic aspects,” Nicolai shares, “but I realized that the fragment plays a central role.” This shift leads to an emotionally charged experience, imbued with melancholy and the bittersweet essence of farewell. The passing of Ryuichi Sakamoto, an admirer of the series, has further deepened the album’s emotional resonance.
“Xerrox Vol. 5 has a lot to do with farewell,” the artist explains. "Not only the farewell to the series itself, which I’ve nurtured for almost two decades, but also there have been many farewells to people who were close to me. I believe these people are recognizable in the music. It’s a very emotional, personal album.”
Listeners can expect a visual dimension to the music, though Nicolai intentionally leaves this open to interpretation. “I prefer to allow the music to evoke personal experiences and images rather than dictate a specific narrative,” he states. The result is a layered listening experience that invites tenderness and introspection.
Xerrox Vol. 5 will be released as a limited edition vinyl, digitally, and on CD by NOTON on November 29, 2024.
Album art designed by Carsten Nicolai & Nibo.
Mastering by Bo at Calyx.
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A1. Xerrox Topia
A2. Xerrox Sans Nom I
A3. Xerrox Sans Nom II
B1. Xerrox Ascent I
B2. Xerrox Ascent II
B3. Xerrox Sans Repit
C1. Xerrox Nausicaa
C2. Xerrox Xenonym
C3. Xerrox Ada
D1. Xerrox Arc
D2. Xerrox Kryogen
D3. Xerrox Isotope
NOTON is pleased to announce the release of Xerrox Vol. 5, the final installment of Alva Noto’s Xerrox series.
For anyone who has been following the series since its inception in 2007, the concept of Xerrox no longer requires introduction. Originally, it aimed to create copies of images—both visual and acoustic—that are more memorable than the originals. The exploration of the relationship between the original and the copy, along with the invention of the copier, not only inspired the series name but also informed its underlying concept. In 2024, this series comes to an end, marking the culmination of a journey that began with the first recording in 2005/2006. Over nearly two decades, the five albums in this series have accompanied the artist's evolving perspective and conceptual approach.
Initially characterized by rawness and a conceptual focus on seeking resolution in white noise, the later works engage with themes of dissolution while shifting their emphasis toward acoustic particles. The copying process is now less visible through software manipulation; rather, it unfolds as the artist describes melodic and acoustic images that are then manipulated, copied, and transformed into new patterns during composition.
Nicolai describes this evolution as a journey encompassing buildup, exploration, and resolution, drawing parallels to the Odyssey and the stories of Jules Verne, particularly those featuring Captain Nemo.
The conclusion of this album holds a sense of finality for the artist. “I aimed to create a whole cycle of tracks that frame both the beginning and the end,” Nicolai explains. “The motif of the journey continues, but this time, the story reaches a dissolution through a conceptual object that embarks on its own journey into infinity. The word “dissolution” (“Auflösung” in German) is a wonderful concept. On one hand, you can solve a riddle, on the other hand, a pill can completely dissolve in water. Here, I am deliberately describing the process of dissolution.”
In crafting Volume 5, Nicolai has evolved his compositional process, eschewing samples in favor of original melodies. “This album probably took the longest to complete,” he reveals. “I first created melodic sketches, which became the foundation for the pieces. These recordings are created entirely from scratch. Based on these sketches, I constructed the process of copying, manipulating, and reshaping.”
Drawing from his recent experiences working with film and larger ensembles, Nicolai's approach to composition reflects a growing influence of classical instrumentation. “This experience of working with acoustic classical instruments has flowed into the compositional process for Xerrox Vol. 5. Certain instruments are designed with potential orchestral translation in mind.”
The sonic atmosphere of Xerrox Vol. 5 is one of profound dissolution. “I wasn’t initially interested in strong, emotional melodic aspects,” Nicolai shares, “but I realized that the fragment plays a central role.” This shift leads to an emotionally charged experience, imbued with melancholy and the bittersweet essence of farewell. The passing of Ryuichi Sakamoto, an admirer of the series, has further deepened the album’s emotional resonance.
“Xerrox Vol. 5 has a lot to do with farewell,” the artist explains. "Not only the farewell to the series itself, which I’ve nurtured for almost two decades, but also there have been many farewells to people who were close to me. I believe these people are recognizable in the music. It’s a very emotional, personal album.”
Listeners can expect a visual dimension to the music, though Nicolai intentionally leaves this open to interpretation. “I prefer to allow the music to evoke personal experiences and images rather than dictate a specific narrative,” he states. The result is a layered listening experience that invites tenderness and introspection.
Xerrox Vol. 5 will be released as a limited edition vinyl, digitally, and on CD by NOTON on November 29, 2024.
Album art designed by Carsten Nicolai & Nibo.
Mastering by Bo at Calyx.
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DE - 22113 Hamburg
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Label:Outis Music
Cat-No:outis014
Release-Date:14.02.2025
Genre:Techno
Configuration:12" Excl
Barcode:4251804170918
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Label:Outis Music
Cat-No:outis014
Release-Date:14.02.2025
Genre:Techno
Configuration:12" Excl
Barcode:4251804170918
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Dino Sabatini - Peuceus
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Dino Sabatini - Dryalus
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Dino Sabatini - Perimedes
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Dino Sabatini - Antimache
Genre/s: Techno
Tracklist:
A1-Peuceus
A2-Dryalus
B1-Perimedes
B2-Antimache
Text:
It’s a wide presentation of what Sabatini is capable of, from the airy atmospheres of ‘Peuceus’ to the hypnotic bleeps of ‘Dryalus’. On ‘Perimedes’ the fierce kick drums create a banging highlight with ‘Antimache’ bringing us back down to the iconic and well loved Sabatini swamp grooves.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Tracklist:
A1-Peuceus
A2-Dryalus
B1-Perimedes
B2-Antimache
Text:
It’s a wide presentation of what Sabatini is capable of, from the airy atmospheres of ‘Peuceus’ to the hypnotic bleeps of ‘Dryalus’. On ‘Perimedes’ the fierce kick drums create a banging highlight with ‘Antimache’ bringing us back down to the iconic and well loved Sabatini swamp grooves.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Last in:20.01.2025
Label:SK_Eleven
Cat-No:SK11X029
Release-Date:10.01.2025
Genre:Techno
Configuration:12"
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Eman - Kapara
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Eman - Midnight Bath
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Eman - Pink Marble
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Eman - Shepha
Tracklisting
A1 Eman - Kapara
A2 Eman - Midnight Bath
B1 Eman - Pink Marble
B2 Eman - Shepha
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WAS - Word and Sound Medien GmbH
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A1 Eman - Kapara
A2 Eman - Midnight Bath
B1 Eman - Pink Marble
B2 Eman - Shepha
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Last in:11.02.2025
Label:Amnisia
Cat-No:AM#102
Release-Date:22.11.2024
Genre:Soul/Funk
Configuration:12"
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Psychic Mirrors - Cherlene II
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Psychic Mirrors - French Dip
New Miami material from Mickey De Grand IV & Psychic Mirrors. The band revisits their PPU debut title "Charlene" with the updated "live" version from their recent tour. “II” now ready to hit the streets with a fresh coat of LA studio high gloss sheen. "French Dip" is just a taste of what's to come in 2025. Brought to you by Amnisa & PPU records.
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Label:Vault Records
Cat-No:VAULTREC005
Release-Date:10.01.2025
Genre:Techno
Configuration:12"
Barcode:
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Label:Vault Records
Cat-No:VAULTREC005
Release-Date:10.01.2025
Genre:Techno
Configuration:12"
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Quelza - Funny, Not Really
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Quelza - Melting Cards
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Quelza - Kraken Maldive
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Quelza - Origami
Tracklisting
A1 Quelza - Funny, Not Really
A2 Quelza - Melting Cards
B1 Quelza - Kraken Maldive
B2 Quelza - Origami
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Liebigstrasse 2-20
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A1 Quelza - Funny, Not Really
A2 Quelza - Melting Cards
B1 Quelza - Kraken Maldive
B2 Quelza - Origami
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Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Last in:06.03.2025
Label:Key Vinyl
Cat-No:KEY046
Release-Date:29.11.2024
Genre:Techno
Configuration:12"
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Conrad Van Orton - On Point
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Conrad Van Orton - Request Another Dream
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Conrad Van Orton - Open Sea
Tracklisting
A1 Conrad Van Orton - On Point
B1 Conrad Van Orton - Request Another Dream
B2 Conrad Van Orton - Open Sea
Sales Note
For the 46th episode of KEY Vinyl, Romes very own Conrad Van Orton returns for a third round with Kenosha Kickers, a three-tracker that masterfully blends a fun and warm energy with the technical skill of a techno veteran. In fact, KEYs legacy started exactly with Mr. Van Orton, back in the good old 2011. Because yes, time flies but quality is timeless. So lets dive into it.
Each cut on this release reveals the producers knack for infusing both cheekiness and finesse into his sound, making this a must-have for the colder months ahead. The A-side On Point, is actually really on point. As the days get shorter, this one will keep your spirits high. Fast-paced and playful, the combination of a thick, bouncy bassline and jazzy, spirited chords creates a lighthearted groove that will bring smiles to dance floors everywhere. On the flip, I Request Another Dream delivers a vibrant, more eclectic sonic landscape. A peak-time gem that unmistakably carries Van Ortons signature style, this track balances intensity with diversity, making it the perfect addition for anyone looking to elevate their collection with something fresh, yet familiar. Closing out the EP is Open Sea, a rhythmical exploration of dreamy broken beats and lush, smooth pads. This one feels like floating on a tranquil ocean, delivering a deeper, more serene mood while maintaining a steady pulse. Its an elegant conclusion to a release that offers a range of emotions while maintaining cohesion in its sound.
With Kenosha Kickers, Conrad Van Orton showcases a versatile offering, which we must say, is definitely a must have.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
A1 Conrad Van Orton - On Point
B1 Conrad Van Orton - Request Another Dream
B2 Conrad Van Orton - Open Sea
Sales Note
For the 46th episode of KEY Vinyl, Romes very own Conrad Van Orton returns for a third round with Kenosha Kickers, a three-tracker that masterfully blends a fun and warm energy with the technical skill of a techno veteran. In fact, KEYs legacy started exactly with Mr. Van Orton, back in the good old 2011. Because yes, time flies but quality is timeless. So lets dive into it.
Each cut on this release reveals the producers knack for infusing both cheekiness and finesse into his sound, making this a must-have for the colder months ahead. The A-side On Point, is actually really on point. As the days get shorter, this one will keep your spirits high. Fast-paced and playful, the combination of a thick, bouncy bassline and jazzy, spirited chords creates a lighthearted groove that will bring smiles to dance floors everywhere. On the flip, I Request Another Dream delivers a vibrant, more eclectic sonic landscape. A peak-time gem that unmistakably carries Van Ortons signature style, this track balances intensity with diversity, making it the perfect addition for anyone looking to elevate their collection with something fresh, yet familiar. Closing out the EP is Open Sea, a rhythmical exploration of dreamy broken beats and lush, smooth pads. This one feels like floating on a tranquil ocean, delivering a deeper, more serene mood while maintaining a steady pulse. Its an elegant conclusion to a release that offers a range of emotions while maintaining cohesion in its sound.
With Kenosha Kickers, Conrad Van Orton showcases a versatile offering, which we must say, is definitely a must have.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
12"
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Label:Red Laser
Cat-No:RL53
Release-Date:22.11.2024
Configuration:12"
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Cat-No:RL53
Release-Date:22.11.2024
Configuration:12"
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Il Bosco - Destiny (Il Bosco Edit)
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Il Bosco - Flavia (Il Bosco Edit)
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Il Bosco - Newsin (Il Bosco Edit)
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Il Bosco - Lace (Il Bosco Edit)
Before we pack away the poppers for another year, let Red Laser take you for one last spin on the waltzers.
Tried and tested at our recent road block parties in Manchester, these edits shine a light on four primo-grade Italo face melters. Fervently excavated by Bosco over countless visits to Bel Paese and streamlined for the hydrofoil, with some extra added calories for the club.
Opener 'Destiny' tweaks and shudders under analogue arpeggios, dazzling Strat chops and cosmic bass interplay before dropping into a simply glorious female vocal that, thankfully, gets plenty of airtime before Bosco calls close. A track so close to perfection we had to make it longer.
'Flavio', up next - and half sung in Italian so we only know a bit of what she's on about - is another supreme slice of Italo disco from the upper echelons that Bosco snaffled between glugs of Barolo and a face full of worm cheese. Sure to instigate group hugs, 4AM declarations of love, tears of happiness and huge pelvic thrusts dependant on environment and inebriation.
The tingles continue on side B with another supernova burning bright across the stars. 'Newsin' introduces itself with a joyous marriage of marimba and synth before yet another vocal proves Italians really do, do it better when it comes to writing some of the catchiest hooks and choruses in the universe.
'Lace', featuring the record's only male vocal appearance, has a romantic, proto-goth-new-wave vibe; like if Robert Smith and Richard Butler had a chem-sex love child after a wild night in Baia Degli Angeli.
Not sure who the woman in lace is, but we'd defo like to see her down The White Hotel one night...
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Tried and tested at our recent road block parties in Manchester, these edits shine a light on four primo-grade Italo face melters. Fervently excavated by Bosco over countless visits to Bel Paese and streamlined for the hydrofoil, with some extra added calories for the club.
Opener 'Destiny' tweaks and shudders under analogue arpeggios, dazzling Strat chops and cosmic bass interplay before dropping into a simply glorious female vocal that, thankfully, gets plenty of airtime before Bosco calls close. A track so close to perfection we had to make it longer.
'Flavio', up next - and half sung in Italian so we only know a bit of what she's on about - is another supreme slice of Italo disco from the upper echelons that Bosco snaffled between glugs of Barolo and a face full of worm cheese. Sure to instigate group hugs, 4AM declarations of love, tears of happiness and huge pelvic thrusts dependant on environment and inebriation.
The tingles continue on side B with another supernova burning bright across the stars. 'Newsin' introduces itself with a joyous marriage of marimba and synth before yet another vocal proves Italians really do, do it better when it comes to writing some of the catchiest hooks and choruses in the universe.
'Lace', featuring the record's only male vocal appearance, has a romantic, proto-goth-new-wave vibe; like if Robert Smith and Richard Butler had a chem-sex love child after a wild night in Baia Degli Angeli.
Not sure who the woman in lace is, but we'd defo like to see her down The White Hotel one night...
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Last in:27.05.2024
Label:Mitsubasa
Cat-No:MTB012
Release-Date:31.05.2024
Genre:Techno
Configuration:12" Excl
Barcode:0640813321406
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Benales - Sorrow
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Benales - Kinetic
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Benales - Flux
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Benales - Kinetic (Jancen Remix)
Genre: Techno
Tracklist 12":
A1 Benales - Sorrow
A2 Benales - Kinetic
B1 Benales - Flux
B2 Benales – Kinetic (Jancen Remix)
Short Info:
Strong Detroit influenced techno EP with classic rhythm and slightly modern elements.
Mastering & lacquer cut by Kassian Troyer at Dubplates & Mastering Berlin
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
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Tracklist 12":
A1 Benales - Sorrow
A2 Benales - Kinetic
B1 Benales - Flux
B2 Benales – Kinetic (Jancen Remix)
Short Info:
Strong Detroit influenced techno EP with classic rhythm and slightly modern elements.
Mastering & lacquer cut by Kassian Troyer at Dubplates & Mastering Berlin
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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12" Excl
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Label:Tresor Records
Cat-No:tresor298
Release-Date:15.11.2024
Genre:Techno
Configuration:12" Excl
Barcode:666017320465
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Last in:11.10.2024
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Last in:11.10.2024
Label:Tresor Records
Cat-No:tresor298
Release-Date:15.11.2024
Genre:Techno
Configuration:12" Excl
Barcode:666017320465
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Juan Atkins & Moritz von Oswald present - Transport (Carl Craig Remix - 12” Edit) 05:09
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Juan Atkins & Moritz von Oswald present - Transport (Carl Craig Remix)
Territories: World excl. UK
FORMAT 12" vinyl, generic sleeve, dl card
TRACKLIST
1. / A Transport (Carl Craig Remix - 12” Edit) 05:09
2. / B Transport (Carl Craig Remix
- DJ Deep & Roman Poncet Rework) 04:30
3. Transport (Carl Craig Remix) (Digi Only) 20:24
Closely following the release of the Borderland single Riod, the focus returns on Transport, the collaborative album by Juan Atkins and Moritz von Oswald.
Long time friend and studio partner of Moritz von Oswald, Carl Craig provides a new take on “Transport”. Extending and stripping the original sequence to its bone, the illustrious Planet E president and illustrious Detroit proponent also summons a stepping drum sequence and a swaying array of moving delays. This 12“ edit is cut on the A-side. The full version of Carl Craig’s remix clocks just above 20 minutes and is available digitally.
Both are available to anyone who purchases the record, through the enclosed download card. On the flip, DJ Deep & Roman Poncet rework Carl Craig’s remix, adding their signature grooves and myriad of tough drums, to full effect.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
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FORMAT 12" vinyl, generic sleeve, dl card
TRACKLIST
1. / A Transport (Carl Craig Remix - 12” Edit) 05:09
2. / B Transport (Carl Craig Remix
- DJ Deep & Roman Poncet Rework) 04:30
3. Transport (Carl Craig Remix) (Digi Only) 20:24
Closely following the release of the Borderland single Riod, the focus returns on Transport, the collaborative album by Juan Atkins and Moritz von Oswald.
Long time friend and studio partner of Moritz von Oswald, Carl Craig provides a new take on “Transport”. Extending and stripping the original sequence to its bone, the illustrious Planet E president and illustrious Detroit proponent also summons a stepping drum sequence and a swaying array of moving delays. This 12“ edit is cut on the A-side. The full version of Carl Craig’s remix clocks just above 20 minutes and is available digitally.
Both are available to anyone who purchases the record, through the enclosed download card. On the flip, DJ Deep & Roman Poncet rework Carl Craig’s remix, adding their signature grooves and myriad of tough drums, to full effect.
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Liebigstrasse 2-20
DE - 22113 Hamburg
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Label:Power House
Cat-No:PHOUSE15015
Release-Date:29.11.2024
Genre:House
Configuration:12"
Barcode:
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Last in:03.12.2024
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Label:Power House
Cat-No:PHOUSE15015
Release-Date:29.11.2024
Genre:House
Configuration:12"
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1
Head High - A1 Head High + Cassy: Changes
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Head High - A2 Island 909
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Head High - B1 Head High & Virginia: Blind
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Head High - Pile #00505
Tracks taken from golden era inspired House & Techno compilation: Home.House.Hardcore.2
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