Sam Redmore's forward thinking eclectic global grooves continue to shine bright. Known for making feel good tracks that effortlessly straddle across electronic, jazz, latin and afro music, Sam returns with the sublime cover of Dames Brown's 'What Would You Do?' featuring outstanding vocals by Lumi HD and a team of quality backing singers and musicians. The result is a lush combo dripping with organic warmth, and a spirited statement of intent calling out lovers to make the right choice. On the flip is the equally essential track 'Glow' which was released earlier this year to much applaud from tastemakers, for its ambitious and infectious groove.

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Having established himself first as a DJ and then as a remixer, Sam Redmore is now very much making himself known as an original producer of quality global grooves that can light up any dancefloor, carnival or party.After garnering early support for his remixes from the likes of Gilles Peterson, Quantic, Nightmares On Wax, The Nextmen, Lauren Laverne, Danny Krivit and Craig Charles, Sam has built a name for crafting soul-drenched remixes of the classics, with his army of fans eagerly awaiting every new re-work.Signing to Jalapeno Records for his debut album of original material, Sam has kept the eclectic tastes of all his fans satisfied with a series of very different singles showcasing the wide range of styles he is known for - all picking up rave reviews and a very wide spread of radio support including Radio 1 / 6 Music / Radio 2 / Jazz FM / Worldwide FM in the UK as well as hitting Number 1 most added on US college radio charts (world).The single Nagu in particular has become a mainstay on daytime 6 Music but each successive release has been finding new fans. From his killer cumbia covers (Tears / Just Be Good To Me) through to the afro-house exuberance of One More Time and leading neatly up to Just Can't Wait, an extremely soulful disco house floorfiller, this is an album with broad appeal both in the UK and overseas.In the meantime, Sam has been honing his live shows throughout 2022, with festival bookers keen for a piece of the action. Boomtown, Wilderness, Green Man, Kendal Calling and a whole host of others have seen what the punters at Mostly Jazz, Funk & Soul Festival saw last summer, when Sam debuted his live show on the main stage of a key festival on the Saturday afternoon. Anyone who was there and saw the audacious 12-piece live ensemble playing their first show knew they were seeing something special.

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Two brilliant tracks from the talanted Sam Redmore have been paired together for the 12" vinyl and remix treatment. Firstly, we have Just Can't Wait - an anthem of love and togetherness, featuring a sublime vocal by fellow Birmingham artist Lumi HD. In its original form it is a timeless disco house cut with soaring strings and a Salsoul-inspired horn arrangement. This musical combination proved too difficult to resist for Kid Crème who comes in on remix duties (doesn't happen often!) to complete side A on the record. On the flip is Sam's collaboration with hotly tipped UK artist SANITY, whose vocals embody storytelling as an art form, encased within a distinctive blend of grime, hip-hop and jazz. Sam had heard SANITY release an absolute belter of a collaboration with DJ Zinc, and from that moment he knew she was the MC he needed to elevate One More Time to the exuberant afro-house banger we hear today. Dance music luminary, Mixmag favourite and creator of the cross genre smash hit 'Wonky Bassline Disco Banger' is Red Rack'em who weighs in with a wonderfully minimal DJ weapon with his take on 'One More Time' to complete a vinyl package guaranteed to light up dancefloors whenever and wherever it's played.

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Driven by support from the likes of Gilles Peterson, Quantic, Nightmares On Wax, The Nextmen, Lauren Laverne, Danny Krivit and most prominently Craig Charles, Sam Redmore has built a name for himself over the last few years for crafting soul-drenched remixes and reworks of both solidified classics and lesser-known material. Having spent so much time re-working the classics it is no surprise that production values are high when it comes to his own original music. At the start of 2021 Sam signed to Jalapeno Records, giving everyone involved cause for celebration after a difficult year and his debut album is slated for May 22. Many of the album tracks were purpose-built for inclusion in his DJ sets - which can range from cumbia, afrobeat, samba, funk and reggae through to house, broken beat, disco and everything in between… On The One will be the first single to drop from the album and features the inimitable vocals of poet and rapper Mr. Auden Allen as well as the soul drenched horns of Renegade Brass Band. Debuted on BBC 6 Music when Sam performed a guest mix in April this year, it seemed the perfect track to debut from Sam's new record.

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In 2009, Jalapeno Records was approached with some incredible music by the super talented Mixmonster and Schoolmaster, founding members of the jazz funk band 'The Apples'. Produced under their 'Radio Trip' moniker, the album was a glorious cut & paste journey into sound, with overtones of musique concrete, brought to life by their fascination with vinyl culture, turntablism and sampling. The first EP taken from the album featured the up-tempo 'Computers Singing' with its crunchy drums, organic horn stabs, bleep FXs, synth bass tones and a myriad of sampled vocals, all deftly arranged into a constantly evolving b boy battle weapon. Now released for the first time on a limited 45, this little gem also features the sought-after psych-funk remix by fellow DJ, digger and music archivist Markey Funk, who is another a staple of the Israeli groove scene.

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"This landmark compilation continues the unfoldment of diabolically obscure yet culturally and artistically essential recordings that have been hidden and precariously balanced on the precipice of obsolescence."

For German musicians the mid-70s to mid-80s were an extremely fertile and fruitful time. Though The Peace Chant series is focused mainly on amateur bands, private pressings, and long lost acetates, many of the artists included here nevertheless made their mark upon the German and world music scene and even played with many of the giants of the movement.

As the 60s were coming to a close, many German musicians began experimenting with fusing jazz, rock, pop, electronic, and world music with a harder, more aggressive sound. The resulting movement, originally called "kosmische music" or "cosmic music" would give way to the kaleidoscope of sounds now known as Krautrock.

Many labels and compilations, not to mention reissues have been focused on this moment and in many ways, today, there could be said to be a global revival in the art form by younger, modern bands. But this is where Tramp Records, always peeking behind the curtain, has decided to take "the road less traveled" as we trust them to do. This edition of the Peace Chant series explores the artists that, instead of going full steam ahead in the rock and world music direction, decided to play the role of 'spiritual advisor' to the movement and continue building a legacy of jazz and pop infusions to their more rock-oriented counterparts. Of course, there may not have been much commercial appeal of these recordings and many of them fell into obscurity. But it is thanks to the tireless efforts of Tramp Records that we are able to catch a glimpse of what undoubtedly the Giants of the genre at the time were already well aware of and likely being influenced by. As you will see, many of the artists in this compilation went on to become music teachers and mentors in their own right and surely influenced the course of music history in Germany. Now their stories are finally being told. And though the music is amazing on its own, it is truly astounding when cast in its historical context. This landmark compilation continues the unfoldment of diabolically obscure yet culturally and artistically essential recordings that have been hidden and precariously balanced on the precipice of obsolescence.

For the first time ever, Tramp Records is proud to present an "all German" artists version of the Peace Chant series, including liner notes printed in German exclusively with an English translation downloadable.

~Joel Ricci (August 2024)

Key selling points:
- deluxe double-gatefold LP containing detailed liner notes & unpublished photographs
- incl. full album download code
- ALL songs appear on LP for the very first-time

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Label and collaborative musical collective,+33JOYannounces its 12 inch remix record, one year on from the well received 'Wellness Project' by Bopperson & Bikbaye. A year since and the same message applies, four UK based produces step up consolidating the message with their unique takes rubbing the tunes for the dancefloor, 'The Wellness Remixes' London based music for film and TV master, Frankson steps up with his trademark spacious found sound and atmospheric collage that add even more beauty to the original composition. A remix that could easily book end any DJ set, with the focus fully remaining on Bikbaye's important message. "Having struggled with my own mental health over the last few years, this project really resonated with me, so I'm hugely honored to be part of it. My Frankson project has provided a great deal of solace and healing for me on a personal level and subsequently being involved in the Wellness Project, has felt like an incredibly positive extension of that." Next up K15, a prolific name that also comes in his Culross Close guise. Having released on Kyle Hall's Wild Oats label, he sends the track 'Consumption' even further into eyes down deepness. The Rhodes and percussion shuffle together and later the track boasts huge lower frequencies that will mesmerize any dancer. Brighton's Titeknots irons out and squares up'Changes', taking it to the tropics. By adding hypnotic guitars and even more rhythmic percussion this one dances along. Michael J. Blood, mysterious punk funk producer who's slowly been carving out his own gnarly techno journey since 2019, has turned in a cavernous monster of a remix. This one earning a respectful full side of the EP, a near 15 minute stepper that jumps stright in at the deep end. 'The Wellness Remixes' will release on October 10th 2024 (International Mental Health Awareness Day) via +33JOY

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London-based experimentalists Kinkajous have announced their new studio album, Nothing Will Disappear, set for release on October 18th via Nottingham's Running Circle label. Maximalism at its most subtle and tender – ambient music at its most rejuvenated. There are echoes of Sam Shepherd's collaborative work with Pharoah Sanders as Floating Points, and the subtle timbre shifts of Jon Hopkins and James Holden more so than their capital-"J" jazz contemporaries. A marked step-up from their previous work, which already holds critical acclaim by tastemakers from Gilles Peterson to the Vinyl Factory. Their debut album "Hidden Lines" (2019) and sophomore "Being Waves" (2021) both nestled into numerous end of year lists, praised for their blends of analogue, acoustic and orchestral instrumentation. Described by CLASH as "a key part of the British music landscape," Kinkajous draw inspiration from orchestral, instrumental, and electronic music, and are renowned for their captivating and cinematic sound. Led by drummer/producer Benoît Parmentier and saxophonist Adrien Cau, they boast a formidable lineup including keyboardist Jack Doherty and bassist Andres Castellanos. It comes good on the brave new spaces Kinkajous pushed into with sell-out headline shows at London's Jazz Café and King's Place, alongside a gargantuan collaboration last winter with the London Contemporary Orchestra at London's EartH Theatre, and performances at Bluedot and EFG London Jazz Festivals.

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Gitkin is a multi-instrumentalist, Grammy nominated producer hailing from Brooklyn but living & working in New Orleans. Golden Ageis a ten song showcase of the latest evolution of his lyrical guitar-driven sound, exploring the endless expanses of cumbia, North African, and Middle Eastern music. He is the bandleader & front man of New Orleans soul music band The Pimps of Joytime, who have been active since 2005 and are festival favorites playing the likes of Bonnaroo, Outside Lands, Forecastle, Lightning in a Bottle, Electric Forest and many more Some of Gitkin's production credits include Corey Henry & the Treme Funktet, Bernard Purdy, and he produced, recorded, and mixed the albumBenton County Relicby Cedric Burnside, which was honored with a nomination for "Best Traditional Blues Album" at the 61st GRAMMY Awards.



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POSY is the recording name of Rudy Klobas, Portland-based producer and multi-instrumentalist with a unique sound that intersects jazz, R&B, and electronic music. A true DIY and analog enthusiast, POSY plays every instrument but the horns onThe Gardenand recorded with vintage gear onto reel to reel tape. Has received extensive Spotify editorial playlist support having been added to Lofi Beats, Soft Office, Office Studio, Fresh Finds Jazz and more. Worldwide Radio support from stations like KEXP + KCRW (US), JazzFM, Soho Radio, + NTS (UK), 2SER (AU) and more

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