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Label:Modwerks
Cat-No:mdwxlp011
Release-Date:25.10.2024
Genre:Techno
Configuration:12"
Barcode:
1
Ø [Phase] - Shape Shifter
2
Ø [Phase] - Number Zero
3
Ø [Phase] - Living Proof
4
Ø [Phase] - Deluge
Tracklisting
A1 Ø [Phase] - Shape Shifter
A2 Ø [Phase] - Number Zero
B1 Ø [Phase] - Living Proof
B2 Ø [Phase] - Deluge More
A1 Ø [Phase] - Shape Shifter
A2 Ø [Phase] - Number Zero
B1 Ø [Phase] - Living Proof
B2 Ø [Phase] - Deluge More
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Last in:19.04.2024
Label:Modwerks
Cat-No:mdwxlp009
Release-Date:19.01.2024
Genre:Techno
Configuration:12"
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1
Ø [Phase] - Merchant
2
Ø [Phase] - Edge Runner
3
Ø [Phase] - Plot Twist
4
Ø [Phase] - Guess Work
Tracklisting
A1 Ø [Phase] - Merchant
A2 Ø [Phase] - Edge Runner
B1 Ø [Phase] - Plot Twist
B2 Ø [Phase] - Guess Work
Sales Note
Following a string of supportive remix works for the Modwerks camp, label boss O [Phase] returns, this time with 4 solo slices of his classic signature groove minimalism More
A1 Ø [Phase] - Merchant
A2 Ø [Phase] - Edge Runner
B1 Ø [Phase] - Plot Twist
B2 Ø [Phase] - Guess Work
Sales Note
Following a string of supportive remix works for the Modwerks camp, label boss O [Phase] returns, this time with 4 solo slices of his classic signature groove minimalism More
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Last in:23.11.2022
Label:Modwerks
Cat-No:mdwxlp001
Release-Date:07.10.2022
Genre:Techno
Configuration:2LP
Barcode:
1
Ø [Phase] - No Title
2
Ø [Phase] - No Title
3
Ø [Phase] - No Title
4
Ø [Phase] - No Title
5
Ø [Phase] - No Title
6
Ø [Phase] - No Title
7
Ø [Phase] - No Title
8
Ø [Phase] - No Title
9
Ø [Phase] - No Title
10
Ø [Phase] - No Title
Repress
"Before This" is the third studio album by London based techno producer Ashley Burchett and the first release for his label Modwerks.
The culmination of three years work, this project has been produced almost entirely by Ø [Phase] from the music to the artwork to the accompanying videos. More
"Before This" is the third studio album by London based techno producer Ashley Burchett and the first release for his label Modwerks.
The culmination of three years work, this project has been produced almost entirely by Ø [Phase] from the music to the artwork to the accompanying videos. More
12"
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Last in:01.07.2022
Label:Modwerks
Cat-No:mdwxlp004
Release-Date:01.07.2022
Genre:Techno
Configuration:12"
Barcode:
1
Ø [Phase] - Intensity Fluctuations (Setaoc Mass remix)
Tracklisting:
A1 Ø [Phase] - Intensity Fluctuations (Setaoc Mass remix)
A2 Ø [Phase] - Night Terrors
B1 Ø [Phase] - Underwater Acoustics More
A1 Ø [Phase] - Intensity Fluctuations (Setaoc Mass remix)
A2 Ø [Phase] - Night Terrors
B1 Ø [Phase] - Underwater Acoustics More
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Last in:06.12.2019
Label:Token
Cat-No:ph453-3
Release-Date:07.11.2019
Genre:Techno
Configuration:12"
Barcode:
1
Ø [Phase] - No Title
2
Ø [Phase] - No Title
3
Ø [Phase] - No Title
4
Ø [Phase] - No Title
(Steve Bicknell Remix) The Versions series pays homage to Burchett's illustrious discography, reissuing new mixes of classic material. On this third edition, Burchett turns in new, peak time interpretations of tracks Espresso, Obscura & The Crossover- alongside a stunning remix from fellow UK Techno auteur Steve Bicknell, who reworks Token classic Xylo 3.
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Last in:12.03.2020
Label:Token
Cat-No:token85
Release-Date:10.08.2018
Genre:Techno
Configuration:12"
Barcode:
1
Ø [PHASE] - Ø (Phase) - Suspended Animation (Stroke B)
2
Ø [PHASE] - Ø (Phase) - Suspended Animation (Stroke C)
Ø] Phase presents two striking, no-nonsense techno cuts for TOKEN85. Each side of Suspended Animation delivers the special kind of face melter that manages to remain sincere without being overly self-serious. Stroke B favours the sensational approach, with a bright and playful lead playing against a hi-hat frenzy in the breakdown. Stroke C is more introverted on surface level, but offers pure chaos instead from its depth.
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Last in:07.09.2018
Label:token
Cat-No:token65
Release-Date:29.09.2016
Genre:Techno
Configuration:12"
Barcode:
1
Ø [phase] - R-Mash (O/V/R Remix)
2
Ø [phase] - Alone In Time (Floor Mix)
Remixes by O/V/R (James Ruskin & Regis) & Ø [Phase]. Ø [Phase]'s 2015 album 'Alone in Time?' was the second LP in a remarkable line of releases on Token since 2007. Token65 is a retrospective tribute to the record, offering remixes of two tracks.
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Last in:13.09.2024
Label:Modwerks
Cat-No:mdwxlp012
Release-Date:30.08.2024
Genre:Techno
Configuration:12"
Barcode:
1
MZR - MOD8X
2
MZR - DASKSK 2
3
MZR - COPUH XXX
4
MZR - 197CTE2
Tracklisting
A1 MZR - MOD8X
A2 MZR - DASKSK 2
B1 MZR - COPUH XXX
B2 MZR - 197CTE2
Sales Note
Modwerks welcomes Berlin's MZR to the label with a 4 track EP, illustrating his unique brand of carefully crafted, authentic underground club techno. More
A1 MZR - MOD8X
A2 MZR - DASKSK 2
B1 MZR - COPUH XXX
B2 MZR - 197CTE2
Sales Note
Modwerks welcomes Berlin's MZR to the label with a 4 track EP, illustrating his unique brand of carefully crafted, authentic underground club techno. More
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Last in:19.04.2024
Label:Modwerks
Cat-No:mdwxlp009
Release-Date:19.01.2024
Genre:Techno
Configuration:12"
Barcode:
1
Ø [Phase] - Merchant
2
Ø [Phase] - Edge Runner
3
Ø [Phase] - Plot Twist
4
Ø [Phase] - Guess Work
Tracklisting
A1 Ø [Phase] - Merchant
A2 Ø [Phase] - Edge Runner
B1 Ø [Phase] - Plot Twist
B2 Ø [Phase] - Guess Work
Sales Note
Following a string of supportive remix works for the Modwerks camp, label boss O [Phase] returns, this time with 4 solo slices of his classic signature groove minimalism More
A1 Ø [Phase] - Merchant
A2 Ø [Phase] - Edge Runner
B1 Ø [Phase] - Plot Twist
B2 Ø [Phase] - Guess Work
Sales Note
Following a string of supportive remix works for the Modwerks camp, label boss O [Phase] returns, this time with 4 solo slices of his classic signature groove minimalism More
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Last in:15.03.2024
Label:Modwerks
Cat-No:mdwxlp008
Release-Date:29.09.2023
Genre:Techno
Configuration:12"
Barcode:
1
Saag - Membrana
2
Saag - Baixo Rolante
3
Saag - S7
4
Saag - Rasgada
5
Saag - Deleite Matinal
Tracklisting:
A1 Saag - Membrana
A2 Saag - Baixo Rolante
A3 Saag - S7
B1 Saag - Rasgada
B2 Saag - Deleite Matinal More
A1 Saag - Membrana
A2 Saag - Baixo Rolante
A3 Saag - S7
B1 Saag - Rasgada
B2 Saag - Deleite Matinal More
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Last in:23.06.2023
Label:Modwerks
Cat-No:mdwxlp007
Release-Date:23.06.2023
Genre:Techno
Configuration:12"
Barcode:
1
Toru Katsuta - Searchlight
2
Toru Katsuta - Entry Path (Ø [Phase] edit)
3
Toru Katsuta - Javelin Throw (Ø [Phase] mix)
4
Toru Katsuta - Solar Prominence (sunspot mix)
5
Toru Katsuta - Generic
6
Toru Katsuta - Sketching for Symbols
Tracklisting:
A1 Toru Katsuta - Searchlight
A2 Toru Katsuta - Entry Path (Ø [Phase] edit)
A3 Toru Katsuta - Javelin Throw (Ø [Phase] mix)
B1 Toru Katsuta - Solar Prominence (sunspot mix)
B2 Toru Katsuta - Generic
B3 Toru Katsuta - Sketching for Symbols
Sales Note
Japanese artist Toru Katsuta returns on Ø [Phase]'s Modwerks label with six space trips to send minds into hyperdrive. More
A1 Toru Katsuta - Searchlight
A2 Toru Katsuta - Entry Path (Ø [Phase] edit)
A3 Toru Katsuta - Javelin Throw (Ø [Phase] mix)
B1 Toru Katsuta - Solar Prominence (sunspot mix)
B2 Toru Katsuta - Generic
B3 Toru Katsuta - Sketching for Symbols
Sales Note
Japanese artist Toru Katsuta returns on Ø [Phase]'s Modwerks label with six space trips to send minds into hyperdrive. More
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Last in:23.11.2022
Label:Modwerks
Cat-No:mdwxlp001
Release-Date:07.10.2022
Genre:Techno
Configuration:2LP
Barcode:
1
Ø [Phase] - No Title
2
Ø [Phase] - No Title
3
Ø [Phase] - No Title
4
Ø [Phase] - No Title
5
Ø [Phase] - No Title
6
Ø [Phase] - No Title
7
Ø [Phase] - No Title
8
Ø [Phase] - No Title
9
Ø [Phase] - No Title
10
Ø [Phase] - No Title
Repress
"Before This" is the third studio album by London based techno producer Ashley Burchett and the first release for his label Modwerks.
The culmination of three years work, this project has been produced almost entirely by Ø [Phase] from the music to the artwork to the accompanying videos. More
"Before This" is the third studio album by London based techno producer Ashley Burchett and the first release for his label Modwerks.
The culmination of three years work, this project has been produced almost entirely by Ø [Phase] from the music to the artwork to the accompanying videos. More
12"
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Last in:01.07.2022
Label:Modwerks
Cat-No:mdwxlp004
Release-Date:01.07.2022
Genre:Techno
Configuration:12"
Barcode:
1
Ø [Phase] - Intensity Fluctuations (Setaoc Mass remix)
Tracklisting:
A1 Ø [Phase] - Intensity Fluctuations (Setaoc Mass remix)
A2 Ø [Phase] - Night Terrors
B1 Ø [Phase] - Underwater Acoustics More
A1 Ø [Phase] - Intensity Fluctuations (Setaoc Mass remix)
A2 Ø [Phase] - Night Terrors
B1 Ø [Phase] - Underwater Acoustics More
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Last in:17.06.2022
Label:Modwerks
Cat-No:mdwxlp003
Release-Date:27.05.2022
Genre:Techno
Configuration:12"
Barcode:
1
Toru Katsuta - Mad Spiral
2
Toru Katsuta - Neutral Gravity
3
Toru Katsuta - Particle in Space
4
Toru Katsuta - Resurfacing
5
Toru Katsuta - Artificial Lightning
6
Toru Katsuta - Static Laser
Tracklisting:
A1 Toru Katsuta - Mad Spiral
A2 Toru Katsuta - Neutral Gravity
A3 Toru Katsuta - Particle in Space
B1 Toru Katsuta - Resurfacing
B2 Toru Katsuta - Artificial Lightning
B3 Toru Katsuta - Static Laser
Release Note:
Ø [Phase] presents Toru Katsuta - "Phenomena" EP for the third release on his Modwerks imprint.
"I first encountered Toru upon exiting a Tokyo DJ booth one evening. He was waiting patiently to pass me a CD of his work along with a polite, hand-written note. The tracks had a uniqueness and an appealing futuristic feel, and thus a few of them became regular fixtures in my DJ sets" - Ø [Phase]
It was through this initial exposure that Japanese native Toru Katsuta came also to the attention of Charlie M Duff (AKA Matrixxman) and his music gained further broadcasting
(featuring in various podcasts and DJ performances). This eventually lead to an invitation in 2021 to remix for the also up-and-coming Alarico on Matrixxman's The Grid label.
4 dance floor cuts bookended by 2 sci-fi excursions, "Phenomena" EP represents a long overdue showcase of Mr Katsuta's futuristic sound. More
A1 Toru Katsuta - Mad Spiral
A2 Toru Katsuta - Neutral Gravity
A3 Toru Katsuta - Particle in Space
B1 Toru Katsuta - Resurfacing
B2 Toru Katsuta - Artificial Lightning
B3 Toru Katsuta - Static Laser
Release Note:
Ø [Phase] presents Toru Katsuta - "Phenomena" EP for the third release on his Modwerks imprint.
"I first encountered Toru upon exiting a Tokyo DJ booth one evening. He was waiting patiently to pass me a CD of his work along with a polite, hand-written note. The tracks had a uniqueness and an appealing futuristic feel, and thus a few of them became regular fixtures in my DJ sets" - Ø [Phase]
It was through this initial exposure that Japanese native Toru Katsuta came also to the attention of Charlie M Duff (AKA Matrixxman) and his music gained further broadcasting
(featuring in various podcasts and DJ performances). This eventually lead to an invitation in 2021 to remix for the also up-and-coming Alarico on Matrixxman's The Grid label.
4 dance floor cuts bookended by 2 sci-fi excursions, "Phenomena" EP represents a long overdue showcase of Mr Katsuta's futuristic sound. More
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Label:Dark Entries
Cat-No:DE-070
Release-Date:18.10.2024
Genre:Alternative/Electronic
Configuration:12"
Barcode:
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Last in:31.03.2022
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Last in:31.03.2022
Label:Dark Entries
Cat-No:DE-070
Release-Date:18.10.2024
Genre:Alternative/Electronic
Configuration:12"
Barcode:
1
Severed Heads - Dead Eyes Opened
2
Severed Heads - Bullet
3
Severed Heads - Mount
LTD Repress
Severed Heads are one of the longest standing bands to have emerged from the Australian post-punk and experimental scene. They began in Sydney in 1979, and were an early outfit to incorporate elements of 'industrial' noise-generation, tape cutting & looping and electronic sound synthesis. As the project developed, song-structures and vocals were employed in a more-or-less recognizable mutant electro pop style. After many line-up changes featuring Gary Bradbury and psychedelic guitarist Simon Knuckey, Severed Heads became the solo vehicle for composer Tom Ellard.
In 1983 they released a C-60 cassette called “Since The Accident” that grabbed the attention of Ink Records, a subsidiary of Virgin in the UK. Ellard added a throwaway track at the last minute to fill out the cassette, not wanting to leave an unseemly gap on a C60 tape. This track, “Dead Eyes Opened” was catchy enough to get a lot of airplay on the main non-commercial radio station in Sydney. The band was asked to make this song into a 12” single. For this extended version, Tom Ellard and producer Patrick Gibson went to M Squared studio and passed the multitracked recordings through various EQ's and delays. “Dead Eyes Opened” features samples from a radio program narrated by Edgar Lustgarten, a crime journalist from England, referencing a double murder case that occurred in 1924. The rhythms are made by a TR-808 drum machine and an SH-1 synthesizer. A KORG PolySix was used for strings and additional atmospheric elements. The lead solo was a Casiotone run through an Octaver foot pedal. On the B-side are two solo compositions “Bullet” and “Mount” that Ellard recorded at Terse Tapes in 1982.
All songs are remastered for vinyl by George Horn at Fantasy Studios in Berkeley. Housed in the original jacket featuring the iconic photograph of a girl with a painted face wrapped in some cloth by Juilee Pryor. Each copy includes a fold-out newsprint poster with a large photo of the band wearing Art Unit skull shirts on one side and liner notes and press clippings on the other. 30 years later Severed Heads are still paving the way for powerful, imaginative, and challenging music. More
Severed Heads are one of the longest standing bands to have emerged from the Australian post-punk and experimental scene. They began in Sydney in 1979, and were an early outfit to incorporate elements of 'industrial' noise-generation, tape cutting & looping and electronic sound synthesis. As the project developed, song-structures and vocals were employed in a more-or-less recognizable mutant electro pop style. After many line-up changes featuring Gary Bradbury and psychedelic guitarist Simon Knuckey, Severed Heads became the solo vehicle for composer Tom Ellard.
In 1983 they released a C-60 cassette called “Since The Accident” that grabbed the attention of Ink Records, a subsidiary of Virgin in the UK. Ellard added a throwaway track at the last minute to fill out the cassette, not wanting to leave an unseemly gap on a C60 tape. This track, “Dead Eyes Opened” was catchy enough to get a lot of airplay on the main non-commercial radio station in Sydney. The band was asked to make this song into a 12” single. For this extended version, Tom Ellard and producer Patrick Gibson went to M Squared studio and passed the multitracked recordings through various EQ's and delays. “Dead Eyes Opened” features samples from a radio program narrated by Edgar Lustgarten, a crime journalist from England, referencing a double murder case that occurred in 1924. The rhythms are made by a TR-808 drum machine and an SH-1 synthesizer. A KORG PolySix was used for strings and additional atmospheric elements. The lead solo was a Casiotone run through an Octaver foot pedal. On the B-side are two solo compositions “Bullet” and “Mount” that Ellard recorded at Terse Tapes in 1982.
All songs are remastered for vinyl by George Horn at Fantasy Studios in Berkeley. Housed in the original jacket featuring the iconic photograph of a girl with a painted face wrapped in some cloth by Juilee Pryor. Each copy includes a fold-out newsprint poster with a large photo of the band wearing Art Unit skull shirts on one side and liner notes and press clippings on the other. 30 years later Severed Heads are still paving the way for powerful, imaginative, and challenging music. More
12"
pre-sale
Label:Record Makers
Cat-No:REC192
Release-Date:08.11.2024
Genre:Electronic
Configuration:12"
Barcode:
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Last in:-
Label:Record Makers
Cat-No:REC192
Release-Date:08.11.2024
Genre:Electronic
Configuration:12"
Barcode:
1
Sébastien Tellier - La Ritournelle
2
Sébastien Tellier - La Ritournelle (Mr Dan's Magic Wand Mix)
3
Sébastien Tellier - La Ritournelle (Gilligan Moss Mix)
4
Sébastien Tellier - La Ritournelle (Tony Allen Bonus Beat)
(MR DAN'S MAGIC WAND, GILLIGAN MOSS MIX, TONY ALLEN BONUS BEAT, PLUS ORIGINAL) REPRESS OF THE 20TH ANNIVERSARY REISSUE AND REMASTER OF 'LA RITOURNELLE' ALONGSIDE ITS TWO MOST SUCCESSFUL REMIXES AND TONY ALLEN'S ISOLATED DRUM TRACK FROM THE ORIGINAL SONG.
Tracklist
A1. La Ritournelle
A2. La Ritournelle (Mr Dan's Magic Wand Mix)
B1. La Ritournelle (Gilligan Moss Mix)
B2. La Ritournelle (Tony Allen Bonus Beat)
La Ritournelle is undoubtedly Sebastien Tellier's biggest song. Since its first release in 2003, it kept growing and circulating throughout the world year after year like a virus. Considered by many as the ultimate love anthem of the 21st century, the song has now infected numerous hearts and lovers, and gained a classic status.
The song is made of 7 epic minutes of a sensual and mesmerizing piano hook, with the late afro-beat maestro Tony Allen on drums, lush romantic strings, Philippe Zdar on the mix, and a heartbreaking lyric at the center of the song that goes: Oh nothing's going to change my love for you / I wanna spend my life with you So we make love on the grass under the moon / No one call tell, damned if I do Forever journey on golden avenues / I drift in your eyes since I love you I got that beat in my veins for only rule / Love is to share, mine is for you Since the release, we have received countless love messages.
One from a famous DJ who told us he heard the tune while driving on the freeway and had to stop on the side of the road, in tears. Many couples have asked whether Tellier would perform "La Ritournelle" at their wedding ceremony. It was sampled by The Weeknd for the song on "Kiss Land" (2013) and used in several long feature films. "La Ritournelle": often been copied and covered, but rarely equaled.
For the first time, Record Makers is releasing the song with its most successful remixes on one EP, and a special gift in memory of his genius: Tony Allen's bonus beat, the original drum track, a must have for DJs. Also included: Gilligan Moss' mix, an atmospheric remix and a streaming hit, and Mr Dan's Magic Wand mix, the chorus/verse version of "La Ritournelle", basically Unfinished Sympathy pt. II, according to the NME.
“Epic, gorgeous dance track we can't, can't, can't stop playing” - The Sunday Times
“A big balearic goosebump of stirrings, rolling pianos and funky drumming, No with this odd male vocal that heightens its strange psychedelic vulnerability. („) One day, Frenchman Sébastien Tellier's slow-burning club anthem "La Ritournelle" will be huge. (...) Basically, we're talking "unfinished Sympathy pt. II"." - NME (2005)
More
Tracklist
A1. La Ritournelle
A2. La Ritournelle (Mr Dan's Magic Wand Mix)
B1. La Ritournelle (Gilligan Moss Mix)
B2. La Ritournelle (Tony Allen Bonus Beat)
La Ritournelle is undoubtedly Sebastien Tellier's biggest song. Since its first release in 2003, it kept growing and circulating throughout the world year after year like a virus. Considered by many as the ultimate love anthem of the 21st century, the song has now infected numerous hearts and lovers, and gained a classic status.
The song is made of 7 epic minutes of a sensual and mesmerizing piano hook, with the late afro-beat maestro Tony Allen on drums, lush romantic strings, Philippe Zdar on the mix, and a heartbreaking lyric at the center of the song that goes: Oh nothing's going to change my love for you / I wanna spend my life with you So we make love on the grass under the moon / No one call tell, damned if I do Forever journey on golden avenues / I drift in your eyes since I love you I got that beat in my veins for only rule / Love is to share, mine is for you Since the release, we have received countless love messages.
One from a famous DJ who told us he heard the tune while driving on the freeway and had to stop on the side of the road, in tears. Many couples have asked whether Tellier would perform "La Ritournelle" at their wedding ceremony. It was sampled by The Weeknd for the song on "Kiss Land" (2013) and used in several long feature films. "La Ritournelle": often been copied and covered, but rarely equaled.
For the first time, Record Makers is releasing the song with its most successful remixes on one EP, and a special gift in memory of his genius: Tony Allen's bonus beat, the original drum track, a must have for DJs. Also included: Gilligan Moss' mix, an atmospheric remix and a streaming hit, and Mr Dan's Magic Wand mix, the chorus/verse version of "La Ritournelle", basically Unfinished Sympathy pt. II, according to the NME.
“Epic, gorgeous dance track we can't, can't, can't stop playing” - The Sunday Times
“A big balearic goosebump of stirrings, rolling pianos and funky drumming, No with this odd male vocal that heightens its strange psychedelic vulnerability. („) One day, Frenchman Sébastien Tellier's slow-burning club anthem "La Ritournelle" will be huge. (...) Basically, we're talking "unfinished Sympathy pt. II"." - NME (2005)
More
2LP
pre-sale
Cat-No:RSELPC1400
Release-Date:15.11.2024
Genre:HipHop/Rap/Urban
Configuration:2LP
Barcode:0826257040015
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Last in:-
Cat-No:RSELPC1400
Release-Date:15.11.2024
Genre:HipHop/Rap/Urban
Configuration:2LP
Barcode:0826257040015
Sweetart Vinyl. Originally released in 2004, MF DOOM's MM.FOOD is hailed as a classic | hip-hop album full of inventive production, brilliant wordplay, and unique themes. Celebraled for its seamless blend of humor, wit, and social commentary, the album ushers listeners into a bizarre world af food-related metaphors, painting a bitterly comedic portrait of a life tainted by vice, violence, and jealousy. It was a brilliant and novel concept that gave DOOM plenty of room to explore the album's subjects. Throughout MM..FOOD, DOOM embeds complex ideas within seemingly simple narratives. Album opener "Beef Rapp' is a multi-pronged metaphor reminding listeners of the dangers involved in the glorification of conflict, especially within the rap game. "Hoe Cakes" borrows its name from the sweet, hot water cornmeal patties, which he uses as a symbol to rhyme about indulgence and excess. Continuing the motif, DOOM uses the Madlib-produced "One Beer" to fold layers of depth about escapism and ego, while the popular "Rapp Snitch Knishes" critiques the sell-incrimination and contradictory behaviors of some rappers. Overall, MM.FOOD is both a social commentary and a piece of social satire, showcasing MF DOOM'S ability to blend serious themes with his unique, playful lyrical style. In celebration of the album's 20th anniversary, MM.FOOD has been repackaged with all new artwork by Sam Rodriguez!
Tracklist:
1.1BEEF RAPP
1.2HOE CAKES
1.3POTHOLDERZ FEAT. COUNT BASS D
1.4ONE BEER
1.5DEEP FRIED FRENZ
1.6POO-PUTT PLATTER
1.7FILLET-O-RAPPER
1.8GUMBO
1.9FIG LEAF BI-CARBONATE
1.10KON KARNE
1.11GUINNESSEZ FEAT. ANGELKIA & 4IZE
1.12KON QUESO
1.13RAPP SNITCH KNISHES FEAT. MR. FANTASTIK
1.14VOMITSPIT
1.15KOOKIES More
Tracklist:
1.1BEEF RAPP
1.2HOE CAKES
1.3POTHOLDERZ FEAT. COUNT BASS D
1.4ONE BEER
1.5DEEP FRIED FRENZ
1.6POO-PUTT PLATTER
1.7FILLET-O-RAPPER
1.8GUMBO
1.9FIG LEAF BI-CARBONATE
1.10KON KARNE
1.11GUINNESSEZ FEAT. ANGELKIA & 4IZE
1.12KON QUESO
1.13RAPP SNITCH KNISHES FEAT. MR. FANTASTIK
1.14VOMITSPIT
1.15KOOKIES More
LP
pre-sale
Label:International Anthem
Cat-No:IARC0089LP
Release-Date:22.11.2024
Genre:Jazz
Configuration:LP
Barcode:789993994991
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Label:International Anthem
Cat-No:IARC0089LP
Release-Date:22.11.2024
Genre:Jazz
Configuration:LP
Barcode:789993994991
In their first bout of new music since 2022’s critically celebrated Mondays at Enfield Tennis Academy, Jeff Parker and his ETA IVtet find themselves exploring the depths of improvised jazz grooves on The Way Out of Easy.
Tracklist
1.1Freakadelic
1.2Late Autumn
2.1Easy Way Out
2.2Chrome Dome
Listen: https://listen.k7.com/3b02e2f5-05af-484c-8bbe-5645f87763dc More
Tracklist
1.1Freakadelic
1.2Late Autumn
2.1Easy Way Out
2.2Chrome Dome
Listen: https://listen.k7.com/3b02e2f5-05af-484c-8bbe-5645f87763dc More
Label:Maledetta Discoteca
Cat-No:MD33-007
Release-Date:01.11.2024
Configuration:12"
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Cat-No:MD33-007
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Configuration:12"
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1
Harari - Si No Pagan
2
Lance - Yo Quiero A Lucy
3
Marta Paradise - Calling (Give Me Your Da-Da)
4
Alan Strani - Tension Salsable
MÚSICA PARA BOLICHE takes us to Argentina. Along the journey, we will discover that Maradona is not the only thing we have in common with our cousins across the ocean.
Let’s dive into the 1980s Buenos Aires scene, a time straddling dictatorship and disco music, in search of dusty gems forgot-ten even in their homeland.
The EP contains four tracks spanning Italo, electro, and proto-house, carefully selected by Jack Bulgaro, restored, and edited by DJs from Italy and Argentina.
A1 - Harari - Si No Pagan
A2 - Lance - Yo Quiero A Lucy
B1 - Marta Paradise - Calling (Give Me Your Da-Da)
B2 - Alan Strani - Tension Salsable More
Let’s dive into the 1980s Buenos Aires scene, a time straddling dictatorship and disco music, in search of dusty gems forgot-ten even in their homeland.
The EP contains four tracks spanning Italo, electro, and proto-house, carefully selected by Jack Bulgaro, restored, and edited by DJs from Italy and Argentina.
A1 - Harari - Si No Pagan
A2 - Lance - Yo Quiero A Lucy
B1 - Marta Paradise - Calling (Give Me Your Da-Da)
B2 - Alan Strani - Tension Salsable More
12"
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Label:Genosha Basic
Cat-No:PURVE002
Release-Date:08.11.2024
Genre:Techno
Configuration:12"
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Cat-No:PURVE002
Release-Date:08.11.2024
Genre:Techno
Configuration:12"
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1
Linear System - Unlocated Call
2
Linear System - Unknown Coordinates
3
Soul Lazh - Breda
4
Soul Lazh - IJplein
Tracklisting
A1 Linear System - Unlocated Call
A2 Linear System - Unknown Coordinates
B1 Soul Lazh - Breda
B2 Soul Lazh - IJplein
Sales Note
A pleasure to present the second ep of Purveyance, Galicia based record label.
A1 A2 Linear System, Return with Strong tracks hypnotic with raw vocals.
B1 B2 Soul Lazh, Forcefull winding synth lines focused for dancefloor.
Four weapons for proper big room Techno.
Release date 08/11/24
Black Vinyl 140gr
Mastering - Hardgroove
Art Work - Yolanda Go More
A1 Linear System - Unlocated Call
A2 Linear System - Unknown Coordinates
B1 Soul Lazh - Breda
B2 Soul Lazh - IJplein
Sales Note
A pleasure to present the second ep of Purveyance, Galicia based record label.
A1 A2 Linear System, Return with Strong tracks hypnotic with raw vocals.
B1 B2 Soul Lazh, Forcefull winding synth lines focused for dancefloor.
Four weapons for proper big room Techno.
Release date 08/11/24
Black Vinyl 140gr
Mastering - Hardgroove
Art Work - Yolanda Go More
Label:Mr Bongo
Cat-No:MRBLP273B
Release-Date:20.10.2023
Configuration:LP
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Cat-No:MRBLP273B
Release-Date:20.10.2023
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1
Ana Frango Elétrico - Electric Fish
2
Ana Frango Elétrico - Dela
3
Ana Frango Elétrico - Nuvem Vermelha
4
Ana Frango Elétrico - Coisa Maluca
5
Ana Frango Elétrico - Boy Of Stranger Things
6
Ana Frango Elétrico - Camelo Azul
7
Ana Frango Elétrico - Insista Em Mim
8
Ana Frango Elétrico - Let's Go To Before Again
9
Ana Frango Elétrico - Debaixo Do Pano
10
Ana Frango Elétrico - Sabe Tudo
Second Pressing, Fanzine is now printed on the innersleeve.
With two critically acclaimed albums and a swathe of award-winning production turns under their belt, Ana Frango Elétrico present their most confident and accomplished work to date: Me Chama De Gato Que Eu Sou Sua / Call Me They That I’m Yours. Gesturing to a tradition of Brazilian boogie music, but bouncing with modern pop ebullience, the album sees the Rio artist evolve from a captivating upstart into a surefooted scene leader in full stride.
At just 25, the prolific artist and producer has already garnered worldwide admirers. Ana’s sophomore Little Electric Chicken Heart was nominated at the 2020 Latin Grammys. Since then, standalone singles have received the WME ‘Best Music Producer’ Award, recognising Ana’s deep passion for music production – a passion which has led to collaborations with nascent Brazilian stars Dora Morelenbaum, Illy and Sophia Chablau. Most recently, Ana was hailed for their co-production of Bala Desejo’s 2022 Latin Grammy-winning album Sim Sim Sim.
The new album finds Ana at their most assured and full voiced. Album opener “Electric Fish”, with funky bass and shimmering backing vocals, sets a buoyant tone. “Boy of Stranger Things” is its bombastic counterpart. It’s the grooviest Ana has ever sounded. And the most brazen. Lyrically, where Ana was once oblique on personal matters, they are now forthright – lucidly exploring their gender identity, citing accessible cultural references, and often singing in English.
“I started this album in 2021 with the intention of showing, in means of sound, understandings and feelings about queer love, subjectively exposing myself,” the non-binary artist states – before qualifying that though “feeling was its driving force, the album is really about musical production."
“There’s so many references to different decades,” Ana explains. “Seventies drums with eighties processing … Going back, getting beyond … Testing the limits of organic sounds”. Characteristically playful, on Me Chama, Ana takes vivid and rewarding detours through funk-inflected R&B (“Dela”) and art pop (“Dr. Sabe Tudo”). “Nuvem Vermelha” is a cinematic chanson with lush strings that recalls Arthur Verocai. Then, “Coisa Maluca” loafs with the indie insouciance of Canadian slacker Mac Demarco. Later, “Let's Go Before Again”, is a full-on drum machine workout evocative of Stereolab.
“Even if people don't find my own references here, they'll find theirs,” observes Ana. “Maybe that’s this record’s biggest goal.” More
With two critically acclaimed albums and a swathe of award-winning production turns under their belt, Ana Frango Elétrico present their most confident and accomplished work to date: Me Chama De Gato Que Eu Sou Sua / Call Me They That I’m Yours. Gesturing to a tradition of Brazilian boogie music, but bouncing with modern pop ebullience, the album sees the Rio artist evolve from a captivating upstart into a surefooted scene leader in full stride.
At just 25, the prolific artist and producer has already garnered worldwide admirers. Ana’s sophomore Little Electric Chicken Heart was nominated at the 2020 Latin Grammys. Since then, standalone singles have received the WME ‘Best Music Producer’ Award, recognising Ana’s deep passion for music production – a passion which has led to collaborations with nascent Brazilian stars Dora Morelenbaum, Illy and Sophia Chablau. Most recently, Ana was hailed for their co-production of Bala Desejo’s 2022 Latin Grammy-winning album Sim Sim Sim.
The new album finds Ana at their most assured and full voiced. Album opener “Electric Fish”, with funky bass and shimmering backing vocals, sets a buoyant tone. “Boy of Stranger Things” is its bombastic counterpart. It’s the grooviest Ana has ever sounded. And the most brazen. Lyrically, where Ana was once oblique on personal matters, they are now forthright – lucidly exploring their gender identity, citing accessible cultural references, and often singing in English.
“I started this album in 2021 with the intention of showing, in means of sound, understandings and feelings about queer love, subjectively exposing myself,” the non-binary artist states – before qualifying that though “feeling was its driving force, the album is really about musical production."
“There’s so many references to different decades,” Ana explains. “Seventies drums with eighties processing … Going back, getting beyond … Testing the limits of organic sounds”. Characteristically playful, on Me Chama, Ana takes vivid and rewarding detours through funk-inflected R&B (“Dela”) and art pop (“Dr. Sabe Tudo”). “Nuvem Vermelha” is a cinematic chanson with lush strings that recalls Arthur Verocai. Then, “Coisa Maluca” loafs with the indie insouciance of Canadian slacker Mac Demarco. Later, “Let's Go Before Again”, is a full-on drum machine workout evocative of Stereolab.
“Even if people don't find my own references here, they'll find theirs,” observes Ana. “Maybe that’s this record’s biggest goal.” More
LP
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Label:International Anthem
Cat-No:IARC0089LPI
Release-Date:22.11.2024
Genre:Jazz
Configuration:LP
Barcode:789993995004
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Label:International Anthem
Cat-No:IARC0089LPI
Release-Date:22.11.2024
Genre:Jazz
Configuration:LP
Barcode:789993995004
2LP Maroon - both in Super-heavyweight gatefold jacket, and printed inner sleeves
In their first bout of new music since 2022’s critically celebrated Mondays at Enfield Tennis Academy, Jeff Parker and his ETA IVtet find themselves exploring the depths of improvised jazz grooves on The Way Out of Easy.
Tracklist
1.1Freakadelic
1.2Late Autumn
2.1Easy Way Out
2.2Chrome Dome
Listen: https://listen.k7.com/3b02e2f5-05af-484c-8bbe-5645f87763dc More
In their first bout of new music since 2022’s critically celebrated Mondays at Enfield Tennis Academy, Jeff Parker and his ETA IVtet find themselves exploring the depths of improvised jazz grooves on The Way Out of Easy.
Tracklist
1.1Freakadelic
1.2Late Autumn
2.1Easy Way Out
2.2Chrome Dome
Listen: https://listen.k7.com/3b02e2f5-05af-484c-8bbe-5645f87763dc More
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Label:PoleGroup
Cat-No:polegroup075
Release-Date:22.11.2024
Genre:Techno
Configuration:12"
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1
Kwartz - The Golden Hour
2
Kwartz - Enter The Zone
3
Kwartz - Under Control
4
Kwartz - Animal Instinct
Tracklisting
A1 Kwartz - The Golden Hour
A2 Kwartz - Enter The Zone
B1 Kwartz - Under Control
B2 Kwartz - Animal Instinct
Sales Note
The time has finally come to have Kwartz in this house again and we couldnt be more satisfied with the quality of the work he has delivered. It is clear that his new residency at the best techno club on the planet, Berghain, has helped his inspiration multiply exponentially and this is definitely reflecting in this brand new work that leaves us wanting more.
Four slices of techno with all the letters, which define exactly what the genre should be without seasonal additives, dynamic electronic dance music, without an expiration date, which could be signed thirty years ago or in the distant future.
Mario does not entertain himself with extreme speeds, nor with predictable developments, nor with pre-cooked sounds. His approach to musical creation is slow and artisenal, meditating and maturing each of the ingredients he uses without fear of being left out of the media radar.
This enitre procedure is reflected un the excellent result, The Golden Hour is a perfect example of everything said above. Strong and firm rhythms, constantly evolving arrangements, elaborate sound design and a firm dance attitude.
Enter The Zone turn rhythms towards broken bass drums, slightly presses the accelerator and introduces disturbing atmospheres combined with organic percussion details in a masterful way. A true catalyst for expert mixers.
On side B, Under Control once again breaks tradition with a broken, hypnotic and continuous rhythms, a first-rate brain driller for the clubs peak moments.
The EP ends with Animal Instinct, which does not lower the intensity one bit, adding an overwhelming rhythm with dynamic percussive details, with no room for rest, perfect for the dancers to travel to unknown dimensions. More
A1 Kwartz - The Golden Hour
A2 Kwartz - Enter The Zone
B1 Kwartz - Under Control
B2 Kwartz - Animal Instinct
Sales Note
The time has finally come to have Kwartz in this house again and we couldnt be more satisfied with the quality of the work he has delivered. It is clear that his new residency at the best techno club on the planet, Berghain, has helped his inspiration multiply exponentially and this is definitely reflecting in this brand new work that leaves us wanting more.
Four slices of techno with all the letters, which define exactly what the genre should be without seasonal additives, dynamic electronic dance music, without an expiration date, which could be signed thirty years ago or in the distant future.
Mario does not entertain himself with extreme speeds, nor with predictable developments, nor with pre-cooked sounds. His approach to musical creation is slow and artisenal, meditating and maturing each of the ingredients he uses without fear of being left out of the media radar.
This enitre procedure is reflected un the excellent result, The Golden Hour is a perfect example of everything said above. Strong and firm rhythms, constantly evolving arrangements, elaborate sound design and a firm dance attitude.
Enter The Zone turn rhythms towards broken bass drums, slightly presses the accelerator and introduces disturbing atmospheres combined with organic percussion details in a masterful way. A true catalyst for expert mixers.
On side B, Under Control once again breaks tradition with a broken, hypnotic and continuous rhythms, a first-rate brain driller for the clubs peak moments.
The EP ends with Animal Instinct, which does not lower the intensity one bit, adding an overwhelming rhythm with dynamic percussive details, with no room for rest, perfect for the dancers to travel to unknown dimensions. More
Label:Athens Of The North
Cat-No:AOTNLP066
Release-Date:26.01.2024
Genre:Soul/Funk
Configuration:LP
Barcode:5050580815377
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Cat-No:AOTNLP066
Release-Date:26.01.2024
Genre:Soul/Funk
Configuration:LP
Barcode:5050580815377
1
Bô'vel - Check 4 U (Original)
2
Bô'vel - It's Not About Me
3
Bô'vel - Best Thing
4
Bô'vel - Knight In Shining Armour
5
Bô'vel - Daydreamer
6
Bô'vel - Coming Back
7
Bô'vel - Goodbye Farewell
8
Bô'vel - Life Changes You
9
Bô'vel - Let Down And Liar
10
Bô'vel - My Man
Every now and again, a record carves itself an indelible place in the history of a place, a scene or a genre, all under its own steam – without a big budget, without a press campaign, without mainstream radio, just by hitting all the right notes at the right moment. Maybe you had to have been there to really feel it – locked into the pirate stations, a regular at the right clubs, or leaning on the counter in the right records shops on a Saturday afternoon – but if you were, there are some tunes that will always vibrate with the underground cultural energy of their time. Bô'vel's 1996 Manchester streetsoul anthem 'Check 4 U' is one of those tunes. The kind of song that makes the over-used phrase 'underground classic' mean something again, it effortlessly distills the sounds of its era into one of the most undeniable, genre-spanning cuts of the mid-1990s. The song resonates with the regional flavours of UK sound-system culture: the sweet club sound of Manchester's vibrant streetsoul scene, the dubwise hip-hop throb of the Bristol movement, and the bass-lore of the reggae sound systems whose wisdom stretched from Leeds to South London and beyond. Built around a humid kick drum and a bin-busting bass pulse arranged in head-nodding syncopation, the song is blessed with an instantly memorable harmonised hook, and perfectly set off by Bô'vel's crystalline vocals. Upful, stepping and tinged with melancholy, it remains one of the most well-loved and highly sought-after UK streetsoul sides. The three mixes of 'Check 4 U' appeared as the a-side of a blank-label five-track 12". It was Bô'vel's second release, after a soulful five-track EP issued in 1995 on her own Bô'vel Records had been a surprise success. Produced by Kev Waddington, that initial record had come about almost by accident after a chance encounter in Manchester's HQ Studios, as Bô'vel recalls today: 'We were making these five tracks because we were having bit of an argument with radio not being able to play what they wanted, really, only what the record labels wanted… they never had anybody coming through properly, because everything was pretty much underground. We were making records, like really pop stuff, to take the piss… So in the studio one day, this guy came in – all I know is that his was name was Nigel. And he came in and said, I want to put that five-track EP out with you. We just don't know who the hell he was to this day, really. And he said, you've got to do it 50/50, it's going to be £1000. So I said okay – I just trusted him. I gave him 500 quid. He gave me 1000 records. He just dropped them at the studio. I picked them up and then I went into Manchester city centre and gave it to a couple of DJs on underground radio.' Pirate radio loved it. With play on stalwart Manchester pirates like Buzz FM and Soul Nation, the EP immediately blew up. Bô'vel took the record into Fat City Records, Manchester's premier outlet and distributor for soul, hip-hop and dance, who took a batch, quickly sold out and took several hundred more copies; it eventually transpired that a large quantity were selling to Japan, where the combination of soul smarts and classy production had been caught by discerning ears. Elsewhere, friends distributed the record by hand in London and Birmingham, working them through UK's then burgeoning network of independent dance music shops. The warm reception the record received encouraged Bo'vel to return to the studio for sessions that would become 'Check 4 U'. The EP had been issued under a Bô'vel Records imprint, but she had sold it to Fat City without disclosing that she was the artist – 'I said, "There's this singer, she's great, she's done this cheesy stuff, try it, it's a bit Kylie Minogue". He said "oh, give us 300", and then he had some more.' For the next release, she decided to keep things completely minimal. 'The next one, I said, right, let's just put it out as a white label, and if people like it they like it, they don't have to see who we are or anything.' Though punitive legislation and overexposure had tamed rave culture, and the inflated status of superstar DJs had pushed once underground scenes fully into the mainstream, dance music culture in mid-1990s Britain still retained a certain feral energy. There was still a groundswell of vital local scenes and rapidly changing musical styles, and – combined with local record shops – clubs and pirate radio were still the chief arbiters of influence. 'In the 90s, pirate radio just played the best music. I mean, you couldn't really get music like that anywhere. The same as you couldn't get music like that [being played] in the Reno, which was very different,' remembers Bô'vel, referring to the legendary Moss Side soul club, an underground institution from 1962 until its closure in 1986. 'That's where music really started for me, going to clubs like the Reno at the age 15, 16, 17, and going to places like the Nile [upstairs from the Reno], which was all reggae, you know – that's really where the beats came for me.' The production on the new record would reflect these influences more than the EP had been able too. 'I liked a big bassline,' the singer reflects. 'There's a big bassline there on the five-track EP, 'I Can't Get By', which is a really, really good song, but they just could not get the bass – I was so gutted when that came back…if they'd have shown us the master we'd have said no.' These problems were to be avoided on 'Check 4 U' by the involvement of producer Uriah Gale. 'We already had the tune, and Uriah came on board, and I said, it's just not soulful enough. I was working with Kev Waddington, and he said "I just can't do it." So when Uriah came along, the bass was there, but he tidied it all up and made it really cool, and he was tremendous on the harmony,' she recalls. 'Out of all the mixes, his was the best. He was incredible to work with, and also incredibly talented. With alternate mixes of 'Life Changes You' from the 1995 EP as the b-side, 'Check 4 U' was issued with blank blue labels and sent out with a DJ one-sheet describing Bô'vel as 'Manchester's favourite soul Diva'. 2000 copies were pressed, and the record was distributed by Jetstar. It quickly became another pirate radio hit. 'Soul Nation and Buzz FM did support me from the very start [along with] every single DJ on Manchester radio,' she recalls, 'They're my biggest fans, the DJs here, I've got to big them up!' Manchester's support was mirrored by pirates around the UK. 'We had the support of radios across the country – I just could not believe it. So we went on a tour… We would go to the pirate stations, do an interview, then do a gig – that's how the gigging came about… gigging in Birmingham, Huddersfield, Liverpool, London – I've got so much respect for the pirate radios down there. They were brilliant… We used to take all my stuff straight to London,' she remembers. 'Each radio was doing pretty much the same thing, in their own style, with their own beats. Like, when I went down to Bristol, I showed them the EP and 'I Check 4 U' and they said, hey girl, you've got the Bristol beat!' But her core audience was at home in Manchester. 'London did support me a lot, but not like my home town – they loved me as I love them… Manchester supported me through and through, to this very day,' she remembers. Performing in mid-1990s Manchester was not always straightforward, though: 'In Manchester, it was kind of hard to do gigs, because there was a bit of gang warfare. So, you know, that was a problem. You'd be doing a gig and they'd all be there in their [bulletproof] vests, you know, Cheetham Hill and Moss Side, and it was a bit of a nightmare. And because I was more Manchester side, even though I went to school in Cheetham Hill, I was with a guy from Moss Side. So it was pretty hard gigging in Manchester, I had a bit of a hard time.' Nevertheless, 'my gigs were packed to the rafters…I wasn't scared because I knew I had protection. The gigs were fantastic, here in Manchester and everywhere, and I'm glad and very grateful to be able to say that.' A further single followed – the garage-flavoured 'Earthling', made with producer Ben Stansfield – but this would be her final release. 'My life changed,' she remembers. 'I had a split… I was just bringing my daughter up. I used to live in the countryside, and I was having a bit of a different life… I just spent a lot of time writing when I split up – I couldn't sing, it was like my voice wouldn't work. I was just thinking all the time, and not speaking. So I was just speaking through my music… I just became a writer, and I was more looking for other people to sing the [songs], you know? Because there's a lot of talent here in Manchester.' However, she retained access to a studio, and over time she began to record again, working with various producers and amassing a large amount of material. It is this unreleased material that we collect on Life Changes – nine unheard Bô'vel songs from the period 1997-2008(dates?), selected from her own archive. Until now, none of this unreleased work has been heard. Not an artist to be constrained by genre, the music showcases Bô'vel's exploration of a wide range of styles, from the dubbed-out downtempo of 'My Man' or 'I Wanna Be Free' to the updated streetsoul of 'Let Down And Liar', via the breakbeat hype of 'Do It Your Way' and the straight-ahead reggae vibe of 'Daydreamer'. This unreleased music is presented alongside the unfadeable 'I Check 4 U' and two classic streetsoul cuts from her 1995 EP, 'Life Changes You' and 'Coming Back'. The common denominator across the album is of course Bô'vel herself: a singer of rare timbral clarity whose musical vision has determined the sound of every record she has made, a prolific and personal song-writer in the UK soul tradition, and the artist behind one of the most celebrated underground soul tunes of the pirate radio era. Still most definitely someone to check for.
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Label:City Slang
Cat-No:SLANG50570LP
Release-Date:04.10.2024
Genre:Electro
Configuration:LP
Barcode:4250506849801
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Label:City Slang
Cat-No:SLANG50570LP
Release-Date:04.10.2024
Genre:Electro
Configuration:LP
Barcode:4250506849801
Dan Snaith's latest album, "Honey," marks an intriguing new phase for Caribou. Over more than two decades Dan Snaith has had many guises. After putting every ounce of himself into Our Love and Suddenly, for his sixth Caribou album Snaith now pulls himself away a little in search of music that isn’t about any one person and is available to everybody. Huge dancefloor tracks twinkle, shimmer and surprise in a way only Snaith’s productions can but with a freshness that defines an artist who is too excited by music-making to ever truly settle into any one sound.
There’s never been a Caribou record that sounds like the last, so change here is just as comforting as constant. They say expect the unexpected and you’ll never be surprised; well there’s plenty here to be surprised by, but then with a Caribou record you’d never expect anything less. "Honey" captures Snaith's curiosity and joy in music-making, offering a fresh yet quintessential Caribou experience.
Formats:
- CD in digi sleeve with spot gloss
- 140g black vinyl, 350gram heavy cardboard cover sleeve with spot gloss and printed inner sleeve
- Ltd 140g yellow vinyl (Indies only) 350gram heavy cardboard cover sleeve with spot gloss and printed inner sleeve
TRACKLIST:
A1 Broke My Heart
A2 Honey
A3 Volume
A4 Do Without You
A5 Come Find Me
A6 August 20/24
B1 Dear Life
B2 Over Now
B3 Campfire
B4 Climbing
B5 Only You
B6 Got to Change
SOCIALS: TOTAL: 2.99M
Spotify 660.000 follower
Facebook 490.000 follower
Instagram 117.000 follower
Youtube 69.800 follower
Twitter 141.000 follower
Deezer 165.000 follower
Songkick Fans 526,800 follower
Bandsintown Followers 457,500 follower
SoundCloud Followers 366,600 followers
SELLING POINTS
- Caribou’s 6th studio album
- Extended Single Release Campaign: four singles (Honey, Broke My Heart, Volume ….) will build anticipation for the album without fully disclosing its contents
- Caribou Boiler Room - Live Concert confirmed for September + Amsterdam Dance Event in October
- Caribou DJ pop-up events and festival sets throughout the summer, along with extensive touring by the CARIBOU live band across the US and Europe in 2024 and 2025
MARKETING
- Selective Digital and Influencer Partnerships
- Focused PR Campaign - selective media engagement and direct-to-audience communication
- Out of Home poster & Billboard Campaign - London, Paris – Germany
- Digital Marketing Budget across 5 singles and the album campaign
- DJ-Focused Remixes: A series of remixes tailored for DJs will complement the single releases, ensuring the album's tracks become staples in clubs and dance events worldwide
- CARIBOU and DAPHNI remixes of other artists’ work, adding to the creative narrative of the album and expanding our audience reach More
There’s never been a Caribou record that sounds like the last, so change here is just as comforting as constant. They say expect the unexpected and you’ll never be surprised; well there’s plenty here to be surprised by, but then with a Caribou record you’d never expect anything less. "Honey" captures Snaith's curiosity and joy in music-making, offering a fresh yet quintessential Caribou experience.
Formats:
- CD in digi sleeve with spot gloss
- 140g black vinyl, 350gram heavy cardboard cover sleeve with spot gloss and printed inner sleeve
- Ltd 140g yellow vinyl (Indies only) 350gram heavy cardboard cover sleeve with spot gloss and printed inner sleeve
TRACKLIST:
A1 Broke My Heart
A2 Honey
A3 Volume
A4 Do Without You
A5 Come Find Me
A6 August 20/24
B1 Dear Life
B2 Over Now
B3 Campfire
B4 Climbing
B5 Only You
B6 Got to Change
SOCIALS: TOTAL: 2.99M
Spotify 660.000 follower
Facebook 490.000 follower
Instagram 117.000 follower
Youtube 69.800 follower
Twitter 141.000 follower
Deezer 165.000 follower
Songkick Fans 526,800 follower
Bandsintown Followers 457,500 follower
SoundCloud Followers 366,600 followers
SELLING POINTS
- Caribou’s 6th studio album
- Extended Single Release Campaign: four singles (Honey, Broke My Heart, Volume ….) will build anticipation for the album without fully disclosing its contents
- Caribou Boiler Room - Live Concert confirmed for September + Amsterdam Dance Event in October
- Caribou DJ pop-up events and festival sets throughout the summer, along with extensive touring by the CARIBOU live band across the US and Europe in 2024 and 2025
MARKETING
- Selective Digital and Influencer Partnerships
- Focused PR Campaign - selective media engagement and direct-to-audience communication
- Out of Home poster & Billboard Campaign - London, Paris – Germany
- Digital Marketing Budget across 5 singles and the album campaign
- DJ-Focused Remixes: A series of remixes tailored for DJs will complement the single releases, ensuring the album's tracks become staples in clubs and dance events worldwide
- CARIBOU and DAPHNI remixes of other artists’ work, adding to the creative narrative of the album and expanding our audience reach More
2LP Excl
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Label:Veyl
Cat-No:VEYL012X
Release-Date:06.12.2024
Genre:Electro
Configuration:2LP Excl
Barcode:4251804183512
1
Years of Denial - Endurance
2
Years of Denial - Human You Scare Me
3
Years of Denial - In Pain I Meditate
4
Years of Denial - I'm Still a Pill
5
Years of Denial - Now/Here
6
Years of Denial - Contradiction
7
Years of Denial - Face to Face
8
Years of Denial - Graveyards
9
Years of Denial - Burning Sun
10
Years of Denial - You Like It When It Hurts
11
Years of Denial - After She Left
2024 REPRESS, 2LP (gatefold + download)
Tracklist:
A1 - Endurance
A2 - Human You Scare Me
A3 - In Pain I Meditate
B1 - I'm Still a Pill
B2 - Now/Here
B3 - Contradiction
C1 - Face to Face
C2 - Graveyards
D1 - Burning Sun
D2 - You Like It When It Hurts
D3 - After She Left
Release Info:
Written and produced in a country house surrounded only by vast, empty landscapes and an endless sky, ‘Suicide Disco’ is the fruit of a 3-year long collaboration and Years of Denial’s debut LP for Veyl.
Urged to escape from crowded cities and information overload, the duo sharpened their sound and working process through isolation and introspection, crafting 11 songs filled to brim with enormous hooks, New Wave nostalgia and razor-sharp production details.
Barkosina’s voice echoes and oscillates against Jerome’s snares, profound and wounded at once. Her expressionist narrative take us to unknown yet familiar places, amplified by dub delays and otherworldly reverbs. Each track tells a story based on the intensity of relationships, a touching and distorted invitation into intimacy and complicity. More
Tracklist:
A1 - Endurance
A2 - Human You Scare Me
A3 - In Pain I Meditate
B1 - I'm Still a Pill
B2 - Now/Here
B3 - Contradiction
C1 - Face to Face
C2 - Graveyards
D1 - Burning Sun
D2 - You Like It When It Hurts
D3 - After She Left
Release Info:
Written and produced in a country house surrounded only by vast, empty landscapes and an endless sky, ‘Suicide Disco’ is the fruit of a 3-year long collaboration and Years of Denial’s debut LP for Veyl.
Urged to escape from crowded cities and information overload, the duo sharpened their sound and working process through isolation and introspection, crafting 11 songs filled to brim with enormous hooks, New Wave nostalgia and razor-sharp production details.
Barkosina’s voice echoes and oscillates against Jerome’s snares, profound and wounded at once. Her expressionist narrative take us to unknown yet familiar places, amplified by dub delays and otherworldly reverbs. Each track tells a story based on the intensity of relationships, a touching and distorted invitation into intimacy and complicity. More