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Last in:01.08.2024
Label:Thank You
Cat-No:THANKYOU013
Release-Date:12.07.2024
Genre:House
Configuration:12"
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Pais Tropical - Melodya (Club Mix)
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Pais Tropical - Melodya (Manaus Mix)
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Pais Tropical - Melodya (Shockcut Mix)
Repress!
Without doubt a balearic anthem, sounding so familiar yet at the same time maybe never heard before on too many contemporary dance floors. This track checks all the boxes: generous synthetic low end bass lines, catchy piano/string riffs, Spanish vocals, Flamenco guitar accents, dreamy synth chords, early synthesized flutes. Play this on any outdoor festival dance floor this summer and see for yourself, sunset or sunrise this will establish a moment of truth on the floor. Comes with 3 different remixes to choose from, all great, no fluff. Seriously remastered with new highly suggestive full color artwork.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Without doubt a balearic anthem, sounding so familiar yet at the same time maybe never heard before on too many contemporary dance floors. This track checks all the boxes: generous synthetic low end bass lines, catchy piano/string riffs, Spanish vocals, Flamenco guitar accents, dreamy synth chords, early synthesized flutes. Play this on any outdoor festival dance floor this summer and see for yourself, sunset or sunrise this will establish a moment of truth on the floor. Comes with 3 different remixes to choose from, all great, no fluff. Seriously remastered with new highly suggestive full color artwork.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Label:Thank You
Cat-No:THANKYOU044
Release-Date:18.04.2025
Configuration:12"
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David Gray - Let's Dance Tonight (Extended Version)
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David Gray - Let's Dance Tonight (Instrumental Version)
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David Gray - Let's Dance Tonight (Extended
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David Gray - Let's Dance Tonight (Bonus Dubeats)
We are honoured to reissue Let’s Dance Tonight by David Gray. This record holds a status as a very sought after piece of Italo-Disco history and it’s no wonder - with a strong, unabashed pop sensibility and powerful vocal delivery from David Gray, it is dripping in catchiness and drama. This is expertly balanced by the record's production style, with a layered menacing synths and bizarre rhythmic breakdowns driving the track forward. This is allowed to take centre stage on the Instrumental version and then pushed to it’s logical conclusion with the Bonus Dubeats version by Castro that allows the dormant nature of the music’s strangeness to mutate into a driving, haunted dancefloor melter.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Liebigstrasse 2-20
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Label:Thank You
Cat-No:THANKYOU043
Release-Date:26.02.2025
Configuration:12"
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Label:Thank You
Cat-No:THANKYOU043
Release-Date:26.02.2025
Configuration:12"
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Lara Orfei - Se Mi Rompi Non Ci Sto
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Lara Orfei - Se Mi Rompi Non Ci Sto (Versione Strumentale)
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Lara Orfei - Se Mi Rompi Non Ci Sto (Extended Dub Mix)
Lara Orfei was part of the Italia Orfei circus and entertainment family dynasty who often had forays into the realm of the record industry and Se Mi Rompi Non Ci Sto is one of the outcomes of that. However, these ventures weren’t always commercially successful as is the case with this record which of course has led to the an original copy becoming very difficult and expensive to acquire. However, it most certainly can be considered an artistic success - with Lara Orfei’s strange, otherworldly voice melted perfectly with the track’s cosmic electronics - which are also able to stand alone and shine through in the Instrumental version on the B-side. Having been released on seven inch, we are more than happy to bring this cult classic of Italo Disco onto 12 inch format for your enjoyment with the inclusion of extended edit by Castro to further facilitate dancefloor transcendence.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Liebigstrasse 2-20
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Label:Thank You
Cat-No:THANKYOU042
Release-Date:26.02.2025
Configuration:12"
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Cat-No:THANKYOU042
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Kriss - Hey Mister Mister (Vocal)
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Kriss - Hey Mister Mister (Instrumental)
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Kriss - Hey Mister Mister (Extended)
Released in 1988, this can be considered on of the final gems of the original Italo Disco period and spawns from the mind of production and songwriting powerhouse Raff Todesco. ‘Hey Mister Mister’ bears more than a passing resemblance to the certified classic example of Balearica that is Chris Rea’s ‘Josephine’ and features the use of some uncredited male vocals from who perhaps one of the most iconic voices in Italo, Fred Ventura. This cult favourite is seeing the light of day via a reissue for the first time and also includes an instrumental version on the flip.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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12"
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Label:Thank You
Cat-No:THANKYOU041
Release-Date:06.12.2024
Configuration:12"
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Label:Thank You
Cat-No:THANKYOU041
Release-Date:06.12.2024
Configuration:12"
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Alston & The Fremantle Doctor - Dreamtime Trance
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Alston & The Fremantle Doctor - Dreamtime Trance Theme
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Alston & The Fremantle Doctor - Midnight Lady
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Alston & The Fremantle Doctor - Dreamtime Trance Theme (Respectfully Extended)
Extreme digger bomb from Down-under, Sri Lankan born Australian, Alston Koch is a highly decorated musician and the mastermind behind "Kookaburra Connection" project, a collaboration with the aboriginal musicians of Australia. "Dreamtime Trance" explores indigenous themes over a highly unique sounding beat and truly refreshing groove, game changing on the floor. Accompanied with a new extended version featuring a long intro buildup. On the B side, a heartfelt "Midnight Lady" balances out this EP with a harmless ballad featuring another side of Koch's exploits, to be served with Piñacoladas during after hours. Remastered and re-issued with original artwork.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Liebigstrasse 2-20
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Label:Thank You
Cat-No:THANKYOU011
Release-Date:15.11.2024
Configuration:12"
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Last in:10.12.2024
Label:Thank You
Cat-No:THANKYOU011
Release-Date:15.11.2024
Configuration:12"
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Sylve - I’Ve Only Got You To Blame (Paris Mix)
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Sylve - I’Ve Only Got You To Beat (Bonus Beats)
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Sylve - I’Ve Only Got You To Blame (The Birmingham Breakdown Mix)
2024 Repress!
Canadian produced, highly sought after Hi NRG masterpiece, who’s legacy continues to live on in certain Mexican dancefloors. Faithfully remastered and officially re-pressed for the first time since 1988, featuring newly edited Bonus Beats version by Castro. In memory of Fred “Kinck” Petersen - R.I.P.
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Liebigstrasse 2-20
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Germany
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Canadian produced, highly sought after Hi NRG masterpiece, who’s legacy continues to live on in certain Mexican dancefloors. Faithfully remastered and officially re-pressed for the first time since 1988, featuring newly edited Bonus Beats version by Castro. In memory of Fred “Kinck” Petersen - R.I.P.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Label:Thank You
Cat-No:THANKYOU002
Release-Date:23.10.2024
Configuration:12"
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Last in:10.12.2024
Label:Thank You
Cat-No:THANKYOU002
Release-Date:23.10.2024
Configuration:12"
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Jacky Ferreira - Summer Night (Versão Original)
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Jacky Ferreira - Summer Night (Nemo & Castro's Época Balnear Edit)
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Jacky Ferreira - Eu Já Não Sei (Versão Instrumental)
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Jacky Ferreira - Eu Já Não Sei (Versão Vocal)
Reissue from 1991, Killer Egyptian cover version of Suzanne Vega - Toms Diner by Simone, Egyptian singer and actress. Originally only released on CD, now remastered for vinyl and pressed on 12" maxi format. Including a bonus beat edit of "Rekka" by Castro.
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Liebigstrasse 2-20
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Label:Thank You
Cat-No:THANKYOU040
Release-Date:23.10.2024
Configuration:12"
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Cat-No:THANKYOU040
Release-Date:23.10.2024
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Spanish Crash - Life Is Now
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Spanish Crash - Life Is Now (Part Two)
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Spanish Crash - Life Is Now (Castro's Paella Crash)
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Spanish Crash - Life Is Now (Paella Crash Extra)
Playful Italo-Disco project by Florentine Marzio Benelli, originally released in 1984. "Life Is Now" delivers a number of what seem to be almost very important life-teachings over a rather sloppy beat. The hi hats, although very present also make it clear "Spanish Crash" is in no rush to get anywhere any time soon, sounding almost off beat. What strikes the listener even more than the smudges of highly valuable advice in some form of English language is the creative usage of what might have been some of the latest studio recording toys to reach Italy in 1984, an array of rather unorthodox synthy effects, vocoders, trippy delays all topped off with imposing guitar riffs for good measure. Very much sounding like what could be the soundtrack to a bootleg Disney comic strip on acid. Castro's "Paella Crash" shifts the original lazy gear into a dubbier, high BPM, striped down version of the original that is more club oriented.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Last in:21.11.2024
Label:Thank You
Cat-No:THANKYOU033
Release-Date:23.10.2024
Genre:House
Configuration:12"
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1
Priscilla Chan - ????? (African Dance)
2
Priscilla Chan - ????
3
Priscilla Chan - ???? (Airport Mix)
4
Priscilla Chan - ?? (???)
An example of globalisation's ultra exoticisms: a Guinean hit that changed the perception of African music in European dance charts (selling over a million copies), covered by a Hongkongese pop star two years later, the perfect recipe for ensuring heavy frothing amongst diggers and collectors worldwide. Besides its aesthetic novelty, it's also highly effective on just about any dancefloor, a theme that sounds so familiar to many but then with the added unexpected surprised factor of the lyrics being sung in a female voice and in Cantonese -- a hard moment to forget on a well helmed club floor. Another generosity of this release amongst the other 3 tracks is a display of heavy Cantonese ballad prowess in the Adult Contemporary landscape, especially with a cover of Gamble & Huff's "When Will I See You Again", huge on the couples' slow dance scene, shameless drama.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Liebigstrasse 2-20
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Label:Thank You
Cat-No:THANKYOU039
Release-Date:07.10.2024
Configuration:12"
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Cat-No:THANKYOU039
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1
Sloopey G. - This Is The Day
2
Sloopey G. - Love In Heaven
3
Sloopey G. - Victime
4
Sloopey G. - Cathedral Dance
Another sad example of how unfair the music business can be. According to some sources, in June 1990, just a few weeks before Enigma's hugely successful track "Sadeness (Part I)" was released, Hartmut Gawehn (one half of Sloopey G.) brought a demo tape of „Domine“ to Virgin Records in Munich. The demo was quite well received, generating a great deal of interest on behalf of Virgin's A&R department. Interestingly enough, Michael Cretu of Enigma happened to have a music publishing company in the same building, just one floor above Virgin. Shortly thereafter, Enigma's "Sadeness (Part I)" was released, bearing a shamelessly striking resemblance. This "coincidence" led the production team at FURORE Studio in Düsseldorf into a long and complicated legal battle over their intellectual property, which dragged on for years — but with little success for the pioneers of this sound.
Here you can listen to the original tracks of the DOMINE production, along with a previously unreleased track from the same era. Downtempo breakbeat/house rhythms combined with religious samples and vocals — a sound that was very much ahead of its time. Get closer to God and to the truth behind the sound that helped sell so much perfume during the 90s. Must have for any true early house aficionado.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Here you can listen to the original tracks of the DOMINE production, along with a previously unreleased track from the same era. Downtempo breakbeat/house rhythms combined with religious samples and vocals — a sound that was very much ahead of its time. Get closer to God and to the truth behind the sound that helped sell so much perfume during the 90s. Must have for any true early house aficionado.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Label:Thank You
Cat-No:THANKYOU038
Release-Date:13.09.2024
Configuration:12"
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Cat-No:THANKYOU038
Release-Date:13.09.2024
Configuration:12"
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1
Ace Buzz - Moskitos (Beat Mix)
2
Ace Buzz - Moskitos (Acid Mix)
3
Ace Buzz - Nuevo Mondo
4
Ace Buzz - Nuevo Mondo (Anatolian Weapons Remix)
Ace Buzz is one of the various projects of Tony Baron and Gery Francois (the minds behind projects like "Teknokrat's" and others that would found their output on labels like Carrere). Potentially naive for some, but surely playful and raw, an exquisite example of the sound of Belgian "New Beat". Void of the usual aggressive temper known to the genre, "Moskitos" comes in with a slight juxtaposition of Balearic accents in the form of those classic, very simple, piano chords we might have heard enough of. The samples employed invoke the image of someone in a cheap hotel room in Ibiza without AC trying to kill the airborne vermin celebrated in the title while hallucinating from an August drug infused heatwave, who knows. On the B-side, things slow down into a deeper more serious mood, "Nuevo Mondo" departs from the usual New Beat potency into something a bit more digestible to the ear in a rather unique way, followed by a Remix that sounds more like a complete facelift of a cover version by studio maestro Anatolian Weapons.
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Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Label:Thank You
Cat-No:THANKYOU037
Release-Date:14.08.2024
Configuration:12"
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Cat-No:THANKYOU037
Release-Date:14.08.2024
Configuration:12"
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1
The Raining Heart - Raining Heart
2
The Raining Heart - Alien Beat
3
The Raining Heart - Raining K-Hole Collage
4
The Raining Heart - Alien Bonus Beat
Raining Heart is a studio project originally created by the German musicians Peter Heckmann and Tobias Freund in 1986 in Frankfurt. Very much in the same vein as Art of Noise with its studio sound experimentalism, but with a Kraut edge to it. If there was one track that could be played for everyone at the G20 Summit whilst on LSD in hopes of achieving world peace, it might be “Raining Heart”, the first track on this EP, it’s just one of those tracks that makes you wonder what these people were eating for breakfast at the time. Nothing technically mind blowing, just crafted to perfection in terms of all the elements coming together in therapeutic beauty, (also clearly exposing Peter’s relationship with theatrical production). A downtempo chugger with the dreamiest of sounds, effortlessly transporting the listener to another dimension, the vocals are unthinkable, by Yucca Rose, an East Javanese Jazz singer, almost as if she was broadcasting from a radio station in a parallel universe. “Alien Beat” takes a more aggressive turn into some kind of neo rock direction generously decorated with a wide range of studio tricks that might have been ground breaking at the time. B-side offers two new remixes by Castro, a “K-hole Collage” version of “Raining Heart” taking the original theme to another dubbed out realm, and a “Bonus Beat” extension of “Alien Beat” that dissects the key elements of the original track in efforts to develop a more dancefloor oriented DJ tool. Remastered with original artwork.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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DE - 22113 Hamburg
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12"
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Label:Thank You
Cat-No:THANKYOU025
Release-Date:26.07.2024
Genre:Alternative/Electronic
Configuration:12"
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Cat-No:THANKYOU025
Release-Date:26.07.2024
Genre:Alternative/Electronic
Configuration:12"
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1
Double Face - Tengo La Sangre Caliente (Vocal)
2
Double Face - Tengo La Sangre Caliente (Instrumental)
3
Double Face - Tengo Las Castanetas Calientes
4
Double Face - Bonus Caliente Beats
2024 Repress!
Getting into Summer vibe gears with this breezy smooth Italo-Disco single originally released in 1990 as a 7” under another one of the many unknown Italian private press labels, Tengo La Sangre Caliente is a playful latin sounding production with a strong balearic feeling given by the Spanish lyrics and Flamenco guitars that adorn the early drum machine house beats. Certainly one to have haunted a good amount of Discogs wantlists over the past years, THANKYOU brings it back again remastered for 12” format with a new edit from Castro that cuts off some of the harder-to-digest vocals along with a more to the point “bonus beats” as well.
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Liebigstrasse 2-20
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Getting into Summer vibe gears with this breezy smooth Italo-Disco single originally released in 1990 as a 7” under another one of the many unknown Italian private press labels, Tengo La Sangre Caliente is a playful latin sounding production with a strong balearic feeling given by the Spanish lyrics and Flamenco guitars that adorn the early drum machine house beats. Certainly one to have haunted a good amount of Discogs wantlists over the past years, THANKYOU brings it back again remastered for 12” format with a new edit from Castro that cuts off some of the harder-to-digest vocals along with a more to the point “bonus beats” as well.
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Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Last in:01.08.2024
Label:Thank You
Cat-No:THANKYOU035
Release-Date:25.07.2024
Genre:House
Configuration:12"
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1
Shohjo-Tai, Red Bus St Project - Forever
2
Shohjo-Tai, Red Bus St Project - Electric City
3
Shohjo-Tai, Red Bus St Project - Ku.Ro.O.Bi Magic
Although all three tracks offer the listener valuable insight into the level of music production ingenuity that was going on in Japan at the time, it's "Electric City" that really stands out as an unmistakably unique dancefloor track, where the then teenage female vocalists from Shohjo-Tai are left out and a galloping 120BPM beat sets a blank canvas for a number of unexpected elements to present: completely unorthodox accents in a wide range of unidentifiable sounds, a very enthusiastic electric guitar solo, the Ennio Morricone-esque Spaghetti Western vocal moments, all of which get contrasted with a blissful chorus that reminds one that this is somehow still a collaboration with a Japanese female idol band from the 80s. A hard track to forget even in the less sober dancefloors, it is no surprise that it would be a fundamental secret weapon in the repertoire of diggers such as Dea Barandana. Can't go wrong, buy on sight. Remastered with new artwork.
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Liebigstrasse 2-20
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Label:Thank You
Cat-No:THANKYOU034
Release-Date:12.07.2024
Genre:House
Configuration:12"
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1
Mr. Monday - Daybreak
2
Mr. Monday - Daybreak (Bonus Beat)
3
Mr. Monday - Daybreak (Extended Dub Prayer)
Iconic early 90's Ibiza downtempo sound, “Daybreak” would have undoubtedly been the soundtrack to many sunrises in the Baleares. Simon Monday mixes the essential ingredients for bliss in perfect balance, a production so simple yet so effective, no rocket-science just pure intuition, honesty and sharp club sense. All elements coming together to make such an effortlessly powerful sounding instrumental house classic that will forever stand the test of time. Repacked in this new remastered re-issue with full artwork and with 2 new mixes: an extended 9 minute dub version with a new religious edge to it along with an additional re-drummed percussion heavy “bonus beats” for good measure. A no brainer buy-on-sight release for any proper record collection, just in time for the summer season.
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Liebigstrasse 2-20
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Label:Thank You
Cat-No:THANKYOU004
Release-Date:12.07.2024
Configuration:12"
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Label:Thank You
Cat-No:THANKYOU004
Release-Date:12.07.2024
Configuration:12"
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1
Simone - Mabsouta
2
Simone - Al Eih
3
Simone - Rekka (Bonus Beats Chant)
Repress!
Originally only released on CD, now remastered for vinyl and pressed on 12" maxi format. Featuring 2 original tracks - "Mabsouta" and "Al Eih" including a bonus beat edit of "Rekka" by Castro. "Mabsouta" is a game changing Arabic cover version of a track that stayed in a generation's childhood memories - Tom's Dinner by Suzanne Vega. Simone's beautiful voice in Arabic brings an entirely new meaning to what might have been a track you couldn't hear anymore, highly refreshing!
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Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Originally only released on CD, now remastered for vinyl and pressed on 12" maxi format. Featuring 2 original tracks - "Mabsouta" and "Al Eih" including a bonus beat edit of "Rekka" by Castro. "Mabsouta" is a game changing Arabic cover version of a track that stayed in a generation's childhood memories - Tom's Dinner by Suzanne Vega. Simone's beautiful voice in Arabic brings an entirely new meaning to what might have been a track you couldn't hear anymore, highly refreshing!
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Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Label:THANK YOU
Cat-No:THANKYOU017
Release-Date:14.06.2024
Genre:House
Configuration:12"
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1
Maxine - Alien (Club Mix)
2
Maxine - Alien (Disco Mix)
3
Maxine - Alien (House Mix)
4
Maxine - Alien (Instrumental Remix)
Going back to the vaults of the iconic X Energy Records label from Italy, THANKYOU presents yet another Balearic house masterpiece for your listening pleasure. Deep and sensual androgynous vocals, dreamy synth melodies, generously pulsating bass lines that blend with the playfulness of the rhythm – all boxes are checked. Surely a soundtrack that would have graced a daytime outdoor dance floor at Amnesia in the early 90s. Faithfully brought back to life with 4 different mixes from the original releases with a meticulous remastering job by Man Made Mastering in Berlin.
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DE - 22113 Hamburg
Germany
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Label:Thank You
Cat-No:THANKYOU036
Release-Date:10.05.2024
Configuration:12"
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Cat-No:THANKYOU036
Release-Date:10.05.2024
Configuration:12"
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1
Filippini - Listen To Your Heart (Extended Mix)
2
Filippini - isten To Your Heart (Instrumental)
3
Filippini - Listen To Your Heart (Radio Version)
This EP could arguably be the peak expression of Filippini's, (aka Enrico “Big City” Filippini) career in Italo-Disco. Without doubt a more polished pinnacle within the genre, elegantly and efficiently conceived, with less grammar mistakes than many of its contemporaries. Downtempo paced in the low 100's, Enrico takes his time with the nostalgic lyrics in confident efforts of mending some questionable past romantic affairs. A production with melancholic nuances that would very deservingly find its place in a mix by the late visionary DJ Zecky for example. The kind of track that could be played 3 times in a row before offending anyone, very digestible to the ear, a delightful pleasure for the less sober soul, to be served with cocktails and high SPF sunscreen, just cruising along.
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Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Label:Thank You
Cat-No:THANKYOU015
Release-Date:10.05.2024
Configuration:12"
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Cat-No:THANKYOU015
Release-Date:10.05.2024
Configuration:12"
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1
Ze Carlos - Venha (Remix)
2
Ze Carlos - Venha (Instrumental)
3
Ze Carlos - Venha (Dub Bob One Remix)
Repress!
Imagine for a moment that Arthur Russel had learned to speak Brazilian and then moved to Italy to produce an Italo-Disco single back in 1984. There's a good chance it would sound like the Dub version of the B side on this record (Remixed by Bob One). A percussive foundation channeling Latin Freestyle beats sets the groundwork for the chill sunset vibed melody to pleasantly unfold intertwined with the alluring Brazilian lyrics. The recording engineering on this production is clearly at a higher standard (than the usual neighborhood italo disco studio from back in the day) with some of the techniques at play giving it a very balanced and sophisticated sound for its time. The meticulous remastering this re-issue underwent allow for a generous low end with crystal clear mid range – game changing on any well calibrated dance floor sound system.
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Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Imagine for a moment that Arthur Russel had learned to speak Brazilian and then moved to Italy to produce an Italo-Disco single back in 1984. There's a good chance it would sound like the Dub version of the B side on this record (Remixed by Bob One). A percussive foundation channeling Latin Freestyle beats sets the groundwork for the chill sunset vibed melody to pleasantly unfold intertwined with the alluring Brazilian lyrics. The recording engineering on this production is clearly at a higher standard (than the usual neighborhood italo disco studio from back in the day) with some of the techniques at play giving it a very balanced and sophisticated sound for its time. The meticulous remastering this re-issue underwent allow for a generous low end with crystal clear mid range – game changing on any well calibrated dance floor sound system.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Cat-No:wrwtfww041
Release-Date:14.06.2024
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1
Grauzone - Eisbär
2
Grauzone - FILM 2
3
Grauzone - Ich Lieb Sie
2024 repress
The First Authorised, Official Re Edition of this Electronic, New Wave, Cold Wave, Pop, Synth, Post-Punk Classic, Personally Overseen by Stephan Eicher, Everything Original: Art, Tracklist, Cut on 45 rpm - Printed on 350 GSM Paperstock incl. Sticker!
WRWTFWW Records is very honored to announce the official reissue of Grauzone’s essential 1981 maxi single with timeless classic "Eisbär", proto-techno beast "FILM 2", and romantic synth ballad "Ich Lieb Sie", just in time for the 40th anniversary of the Swiss band’s formation. The three-track vinyl is sourced from the original reels, cut at 45rpm, and comes with its iconic artwork on a 350gsm sleeve.
Tracklisting:
A1. Eisbär
B1. FILM 2
B2. Ich Lieb Sie
Info:
WRWTFWW Records is very honored to announce the official reissue of Grauzone’s essential 1981 maxi single with timeless classic "Eisbär", proto-techno beast "FILM 2", and romantic synth ballad "Ich Lieb Sie", just in time for the 40th anniversary of the Swiss band’s formation. The three-track vinyl is sourced from the original reels, cut at 45rpm, and comes with its iconic artwork on a 350gsm sleeve.
Ich möchte ein Eisbär sein…Written by Martin Eicher after a nightmare in which he saw talking polar bears on the walls, and with music by the Grauzone crew consisting of Martin and his brother Stephan Eicher, Marco Repetto, Christian "GT" Trüssel, and Claudine Chirac (on saxophone), "Eisbär" is the most recognizable title from the band, a sublime mix of ingredients reflecting the transitional era it comes from - the raw energy of punk music still palpable, combined with the audacity of early electronics, the warm groove of a disco gem, beautifully fragile lyrics, and one of the best basslines ever. It became a mega hit, totally unplanned, but how could you resist such a track?
"FILM 2" is the ultimate b-side monster, a menacing all-instrumental pre-techno masterpiece, slowly building to a magnetizing frenzy. An instant underground favorite, it was famously heard played at both speeds depending on the scenes and DJs you were frequenting, 45rpm as it was first intended, and 33rpm for the cosmic experience (search Daniele Baldelli’s Cosmic C75 1982 mixtape online for a great example of this).
The maxi single ends with "Ich Lieb Sie", a synth-pop meets doo-wop ballad, a true love song oozing with innocence. Simple, stylish, and just right.
At the crossroads of post-punk, new wave, pop, and electronic experimentation, the Eisbär maxi offers three songs that are technically different but hold the same spirit, the perfect embodiment of Grauzone’s music - wild, unpredictable, and youthful, yet sophisticated, catchy, and ingenious. The magic recipe for the good stuff.
Stephan Eicher went on to be, arguably, the most successful Swiss musician ever, with an international career extending from pop chanson to experimental escapades and collaborations with Moondog, artists Sophie Calle and John Armleder, and author Martin Suter among many other luminaries. Marco Repetto flourished as a techno and ambient producer, releasing multiple projects including releases on Aphex Twin’s Rephlex label.
Grauzone and WRWTFWW will continue to collaborate on the band’s 40th anniversary reissue campaign, with numerous projects planned for the year, including a vast selection of music, visuals, and literature never available before.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
The First Authorised, Official Re Edition of this Electronic, New Wave, Cold Wave, Pop, Synth, Post-Punk Classic, Personally Overseen by Stephan Eicher, Everything Original: Art, Tracklist, Cut on 45 rpm - Printed on 350 GSM Paperstock incl. Sticker!
WRWTFWW Records is very honored to announce the official reissue of Grauzone’s essential 1981 maxi single with timeless classic "Eisbär", proto-techno beast "FILM 2", and romantic synth ballad "Ich Lieb Sie", just in time for the 40th anniversary of the Swiss band’s formation. The three-track vinyl is sourced from the original reels, cut at 45rpm, and comes with its iconic artwork on a 350gsm sleeve.
Tracklisting:
A1. Eisbär
B1. FILM 2
B2. Ich Lieb Sie
Info:
WRWTFWW Records is very honored to announce the official reissue of Grauzone’s essential 1981 maxi single with timeless classic "Eisbär", proto-techno beast "FILM 2", and romantic synth ballad "Ich Lieb Sie", just in time for the 40th anniversary of the Swiss band’s formation. The three-track vinyl is sourced from the original reels, cut at 45rpm, and comes with its iconic artwork on a 350gsm sleeve.
Ich möchte ein Eisbär sein…Written by Martin Eicher after a nightmare in which he saw talking polar bears on the walls, and with music by the Grauzone crew consisting of Martin and his brother Stephan Eicher, Marco Repetto, Christian "GT" Trüssel, and Claudine Chirac (on saxophone), "Eisbär" is the most recognizable title from the band, a sublime mix of ingredients reflecting the transitional era it comes from - the raw energy of punk music still palpable, combined with the audacity of early electronics, the warm groove of a disco gem, beautifully fragile lyrics, and one of the best basslines ever. It became a mega hit, totally unplanned, but how could you resist such a track?
"FILM 2" is the ultimate b-side monster, a menacing all-instrumental pre-techno masterpiece, slowly building to a magnetizing frenzy. An instant underground favorite, it was famously heard played at both speeds depending on the scenes and DJs you were frequenting, 45rpm as it was first intended, and 33rpm for the cosmic experience (search Daniele Baldelli’s Cosmic C75 1982 mixtape online for a great example of this).
The maxi single ends with "Ich Lieb Sie", a synth-pop meets doo-wop ballad, a true love song oozing with innocence. Simple, stylish, and just right.
At the crossroads of post-punk, new wave, pop, and electronic experimentation, the Eisbär maxi offers three songs that are technically different but hold the same spirit, the perfect embodiment of Grauzone’s music - wild, unpredictable, and youthful, yet sophisticated, catchy, and ingenious. The magic recipe for the good stuff.
Stephan Eicher went on to be, arguably, the most successful Swiss musician ever, with an international career extending from pop chanson to experimental escapades and collaborations with Moondog, artists Sophie Calle and John Armleder, and author Martin Suter among many other luminaries. Marco Repetto flourished as a techno and ambient producer, releasing multiple projects including releases on Aphex Twin’s Rephlex label.
Grauzone and WRWTFWW will continue to collaborate on the band’s 40th anniversary reissue campaign, with numerous projects planned for the year, including a vast selection of music, visuals, and literature never available before.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Label:NG Records
Cat-No:NG05LP
Release-Date:08.07.2022
Configuration:LP
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1
Nu Genea - Bar Mediterraneo
2
Nu Genea - Tienate
3
Nu Genea - Gelbi (with Marzouk Mejri)
4
Nu Genea - Marechia (with Celia Kameni)
5
Nu Genea - Straniero
6
Nu Genea - Vesuvio
7
Nu Genea - Rire
8
Nu Genea - La Crisi
Four years after Nuova Napoli, Nu Genea are back with Bar Mediterraneo, a new album and journey, which projects the
sounds of the Neapolitan duo formed by Massimo Di Lena and Lucio Aquilina even further.
Nu Genea's Bar Mediterraneo is an idea of a shared place where people meet and fuse together; a space that leaves its
doors open to travellers and their lives, always exposed to the whims of fate. Some of this can be experienced through the
multitude of sounds that come together in the tracks, layers of different acoustic instruments, voices and synthesizers
merging in a unique musical blend.
Opening up to the voices of many different people, separated by languages but united by the sea and the music, Nu
Genea's hometown, Napoli, becomes a true place of encounter.
You can hear this all along. In "Gelbi", a gorgeously deep and propulsive Ney flute plunges into murky waters of the
melancholic Tunisian dialect sung by Marzouk Mejri. In "Marechia'", unbridled happiness and sun ooze from the delicate
vocals of Célia Kameni and create an acrobatic bridge between French and Neapolitan language. In "Straniero", your
soul is arrested from the moment the slow spell-binding mandolin ignites the hypnotic patterns recorded by the legendary
Afrobeat drummer Tony Allen. In "Bar Mediterraneo", the title track, bittersweet guitar’s riffs, analog waves and choirs are
overwhelming the song giving you what you would like to hear on a boat trip along the Amalfi Coast.
Nu Genea couldn't afford to overlook their firmly anchored roots into the Neapolitan culture and its dialect with "Tienaté",
where the power of neapolitan language (interpreted by Fabiana Martone) supports those quarter-tone strings and the
uncessant folk-disco groove that spreads to the entire song. In "Praja Magia", repetitive mandolin riffs lead the song,
giving space to a choral yet tight vocal line that speaks of Varcaturo, a village close to Napoli. In "Rire", a volley of poetic,
deceptively laidback, lyrical fury interpreted by Sicilian Marco Castello intimately combines with a highly musical, multitextured
instrumental backbone and the swoon of a chanson in its heart. In "La Crisi'', the lyrics of a Raffaele Viviani’s
poem from 1930 have been adapted to a laidback jazz-funk groove in full NG style. In "Vesuvio", revaluing the evocative
verses and powerful mantra of Vesuvio, Nu Genea re-adapted to the dancefloor a folk song by the working-class band E’
Zezi from Pomigliano D'Arco, combining the voices of a school choir with Jupiter-6 arpeggios and bold percussions.
Bar Mediterraneo is the place where people constantly return to transform curiosity into participation, tradition into
sharing, unfamiliar into familiar. When travellers come through its “doors”, carrying their treasures of words and emotions,
they aren’t strangers any more. They take part in a shared experience, enriching themselves and others by leading to
unexpected musical journeys.
TRACKLIST:
A1. Bar Mediterraneo
A2. Tienaté
A3. Gelbi (with Marzouk Mejri)
A4. Marechià (with Célia Kameni)
A5. Straniero
B1. Praja Magia
B2. Vesuvio
B3. Rire
B4. La Crisi
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
sounds of the Neapolitan duo formed by Massimo Di Lena and Lucio Aquilina even further.
Nu Genea's Bar Mediterraneo is an idea of a shared place where people meet and fuse together; a space that leaves its
doors open to travellers and their lives, always exposed to the whims of fate. Some of this can be experienced through the
multitude of sounds that come together in the tracks, layers of different acoustic instruments, voices and synthesizers
merging in a unique musical blend.
Opening up to the voices of many different people, separated by languages but united by the sea and the music, Nu
Genea's hometown, Napoli, becomes a true place of encounter.
You can hear this all along. In "Gelbi", a gorgeously deep and propulsive Ney flute plunges into murky waters of the
melancholic Tunisian dialect sung by Marzouk Mejri. In "Marechia'", unbridled happiness and sun ooze from the delicate
vocals of Célia Kameni and create an acrobatic bridge between French and Neapolitan language. In "Straniero", your
soul is arrested from the moment the slow spell-binding mandolin ignites the hypnotic patterns recorded by the legendary
Afrobeat drummer Tony Allen. In "Bar Mediterraneo", the title track, bittersweet guitar’s riffs, analog waves and choirs are
overwhelming the song giving you what you would like to hear on a boat trip along the Amalfi Coast.
Nu Genea couldn't afford to overlook their firmly anchored roots into the Neapolitan culture and its dialect with "Tienaté",
where the power of neapolitan language (interpreted by Fabiana Martone) supports those quarter-tone strings and the
uncessant folk-disco groove that spreads to the entire song. In "Praja Magia", repetitive mandolin riffs lead the song,
giving space to a choral yet tight vocal line that speaks of Varcaturo, a village close to Napoli. In "Rire", a volley of poetic,
deceptively laidback, lyrical fury interpreted by Sicilian Marco Castello intimately combines with a highly musical, multitextured
instrumental backbone and the swoon of a chanson in its heart. In "La Crisi'', the lyrics of a Raffaele Viviani’s
poem from 1930 have been adapted to a laidback jazz-funk groove in full NG style. In "Vesuvio", revaluing the evocative
verses and powerful mantra of Vesuvio, Nu Genea re-adapted to the dancefloor a folk song by the working-class band E’
Zezi from Pomigliano D'Arco, combining the voices of a school choir with Jupiter-6 arpeggios and bold percussions.
Bar Mediterraneo is the place where people constantly return to transform curiosity into participation, tradition into
sharing, unfamiliar into familiar. When travellers come through its “doors”, carrying their treasures of words and emotions,
they aren’t strangers any more. They take part in a shared experience, enriching themselves and others by leading to
unexpected musical journeys.
TRACKLIST:
A1. Bar Mediterraneo
A2. Tienaté
A3. Gelbi (with Marzouk Mejri)
A4. Marechià (with Célia Kameni)
A5. Straniero
B1. Praja Magia
B2. Vesuvio
B3. Rire
B4. La Crisi
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Label:Ilian Tape
Cat-No:IT055
Release-Date:28.03.2025
Genre:Techno
Configuration:12"
Barcode:
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Last in:15.02.2023
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Label:Ilian Tape
Cat-No:IT055
Release-Date:28.03.2025
Genre:Techno
Configuration:12"
Barcode:
1
Fireground - Recreation
2
Fireground - Spice Up
3
Fireground - Bamboo
4
Fireground - Noise Of Light
Repress!
Ecstatic Elevating Neapolitan Romance
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Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Ecstatic Elevating Neapolitan Romance
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Label:É Soul Cultura
Cat-No:ESOUL12004
Release-Date:14.03.2025
Configuration:12"
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Cat-No:ESOUL12004
Release-Date:14.03.2025
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1
Mamacita Ft. Persona RS - Tu Amor (Your Love Spanish Version)
2
Mamacita Ft. Persona RS - Tu Amor (Double Drop Luke É Soul Re-Edit)
When it comes to musical discovery, sometimes the stars just align. DJ and record collector, Steve KIW, put Mr Bongo onto this amazing Chilean cover version of Jamie Principle & Frankie Knuckles' all-time classic 'Your Love’. Despite being originally released 13 years ago, it had recently started to prick the ears of house and Balearic connoisseurs in the UK, further cemented by inclusions in the Idjut Boys epic sets. Steve heard them play it, tipped us off and it soon became a favourite at Mr Bongo HQ.
By pure chance when the Mr Bongo DJs joined Luke Una to play at La Paloma ballroom in Barcelona a few weeks later, Luke dropped this incredible interpretation at the peak of his set. A good friend of his, Michelle from Huddersfield, had also put him onto the track and he instantly fell in love. A serendipitous coming together, 'Tu Amor' seemed like the perfect next instalment in the É Soul Cultura discography.
The version in question was released in 2012 as part of a digital-only EP. It came courtesy of the Chilean DJ, producer and singer Mamacita (Carolina Vallejos) and producer Sebastian Roman, aka Persona RS. Meeting Sebastian while out partying in Santiago during a boom time for electronic music in Chile, their shared passion for making house music in Spanish and their admiration for Frankie Knuckles led to the creation of this raw and unique cover version.
Recorded on lo-fi equipment, including an old Windows laptop and a borrowed Neumann microphone, it nods to the DIY ethos of the early Chicago productions. The result is a stripped-back, quirky cosmic take on a stone-cold classic, full of squelching synthlines and Carolina’s stunning Spanish vocals, that became a club hit on Chile's underground circuit. However, aside from some Latin American and US DJs picking it up, it never got the international recognition it deserved.
Fast forward to 2025, and É Soul Cultura is proud to present the glorious 'Tu Amor' on vinyl for the first time, backed with a new, extended, club re-edit by É Soul Cultura captain Luke Una and Luke Solomon (Classic Music). On first hearing ‘Tu Amor’ Luke Una recalls, “There was a real charm to it, it was quite an unorthodox arrangement, a huge wonkiness and just sounded so DIY in a brilliant way. I was chatting to Luke (Solomon) about how much we loved it and we decided to re-edit it together. Accentuating the wonk of those crazy synths, we’ve extended it to make a fiercer underground club tool, without taking away that very charming cosmic feel”.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
By pure chance when the Mr Bongo DJs joined Luke Una to play at La Paloma ballroom in Barcelona a few weeks later, Luke dropped this incredible interpretation at the peak of his set. A good friend of his, Michelle from Huddersfield, had also put him onto the track and he instantly fell in love. A serendipitous coming together, 'Tu Amor' seemed like the perfect next instalment in the É Soul Cultura discography.
The version in question was released in 2012 as part of a digital-only EP. It came courtesy of the Chilean DJ, producer and singer Mamacita (Carolina Vallejos) and producer Sebastian Roman, aka Persona RS. Meeting Sebastian while out partying in Santiago during a boom time for electronic music in Chile, their shared passion for making house music in Spanish and their admiration for Frankie Knuckles led to the creation of this raw and unique cover version.
Recorded on lo-fi equipment, including an old Windows laptop and a borrowed Neumann microphone, it nods to the DIY ethos of the early Chicago productions. The result is a stripped-back, quirky cosmic take on a stone-cold classic, full of squelching synthlines and Carolina’s stunning Spanish vocals, that became a club hit on Chile's underground circuit. However, aside from some Latin American and US DJs picking it up, it never got the international recognition it deserved.
Fast forward to 2025, and É Soul Cultura is proud to present the glorious 'Tu Amor' on vinyl for the first time, backed with a new, extended, club re-edit by É Soul Cultura captain Luke Una and Luke Solomon (Classic Music). On first hearing ‘Tu Amor’ Luke Una recalls, “There was a real charm to it, it was quite an unorthodox arrangement, a huge wonkiness and just sounded so DIY in a brilliant way. I was chatting to Luke (Solomon) about how much we loved it and we decided to re-edit it together. Accentuating the wonk of those crazy synths, we’ve extended it to make a fiercer underground club tool, without taking away that very charming cosmic feel”.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Label:mountain people
Cat-No:mountain024
Release-Date:02.05.2025
Genre:House
Configuration:12" Excl
Barcode:
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Label:mountain people
Cat-No:mountain024
Release-Date:02.05.2025
Genre:House
Configuration:12" Excl
Barcode:
1
The Mountain People - I Kid You Not
2
The Mountain People - Up The River
3
The Mountain People - The Nothingness
Genre: House, Microhouse
Tracklist 12":
A1 I Kid You Not
A2 Up The River
B1 The Nothingness
Short Info:
Twisted House patterns for Sundays or Mondays when your mind has become calm, you have arrived in the Now and your phone remains in your pocket.
VITAL SALES POINTS:
First Mountain People Vinyl since the Fall of 2023
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Tracklist 12":
A1 I Kid You Not
A2 Up The River
B1 The Nothingness
Short Info:
Twisted House patterns for Sundays or Mondays when your mind has become calm, you have arrived in the Now and your phone remains in your pocket.
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First Mountain People Vinyl since the Fall of 2023
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Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Label:Resort Island
Cat-No:resortisland03
Release-Date:04.04.2025
Genre:House
Configuration:12" Excl
Barcode:4251804184762
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Last in:31.03.2025
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Label:Resort Island
Cat-No:resortisland03
Release-Date:04.04.2025
Genre:House
Configuration:12" Excl
Barcode:4251804184762
1
isolée - chopstick!
2
isolée - love algorithm
3
isolée - OMG so random
4
isolée - love algorithm (3rd paces dub)
GENRE: House
TRACKLIST:
A1 chopstick!
A2 love algorithm
B1 OMG so random
B2 love algorithm (3rd paces dub)
SHORT INFO:
isolée is best known for his early work, the now 90s classic "beau mot plage" (1998), included on his first Album "rest" (2000), his second album "we are monster" selected as "best new album" and highly rated Album of the year 2005 in Pitchfork. "Allowance" (2013) on DJ Koze's Pampa Label, "Pisco" (2016) on Mano le Tough's Label Maeve, and the launch of his own Label "resort island" with his 4th album "resort island" in 2023 are the highlights to date.
"love algorithm," the first singles title pulls us into the rabbit hole of social media. Love and algorithm—can they even go together? In this deep house track isolée embraces the unpredictable. The slacker who takes things at his own pace. He leisurely lets some vocal debris wail through the track, and fans might recognise a Kerri Chandler vibe in the background textures, maybe more obvious in the stripped down B side “3rd places dub” version.
"OMG so random" seems oldscool, not boosting the tempo. Though not being "fast", this track is pushing and powerful. It’s classy dub sounds and textures put up against some scratchy, seemingly exotic, flute-like instru-ments make this track less obvious to categories than it might seem at first. It marries the reflection of a con-templative tune with the quality to be a dance track.
On „chopstick!", the third and final single, the bass line dominates, too. isolée rediscovered one of his analog 80s Roland synthesizers, the MKS30, which creates that distinctive thudding sound. This track picks up the pace the most.
VITAL SALES POINTS:
With the launch of his own Label „resort island“, the release of his critically acclaimed 4th album in 2023, Isolée has drawn some attention to his music after a long period of silence. Expectations are high on what’s coming next, especially on his unweathered new label. With the 3rd release „resort island“ the label also did refine it’s graphics, to complement the soundscapes of this dizzy island.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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TRACKLIST:
A1 chopstick!
A2 love algorithm
B1 OMG so random
B2 love algorithm (3rd paces dub)
SHORT INFO:
isolée is best known for his early work, the now 90s classic "beau mot plage" (1998), included on his first Album "rest" (2000), his second album "we are monster" selected as "best new album" and highly rated Album of the year 2005 in Pitchfork. "Allowance" (2013) on DJ Koze's Pampa Label, "Pisco" (2016) on Mano le Tough's Label Maeve, and the launch of his own Label "resort island" with his 4th album "resort island" in 2023 are the highlights to date.
"love algorithm," the first singles title pulls us into the rabbit hole of social media. Love and algorithm—can they even go together? In this deep house track isolée embraces the unpredictable. The slacker who takes things at his own pace. He leisurely lets some vocal debris wail through the track, and fans might recognise a Kerri Chandler vibe in the background textures, maybe more obvious in the stripped down B side “3rd places dub” version.
"OMG so random" seems oldscool, not boosting the tempo. Though not being "fast", this track is pushing and powerful. It’s classy dub sounds and textures put up against some scratchy, seemingly exotic, flute-like instru-ments make this track less obvious to categories than it might seem at first. It marries the reflection of a con-templative tune with the quality to be a dance track.
On „chopstick!", the third and final single, the bass line dominates, too. isolée rediscovered one of his analog 80s Roland synthesizers, the MKS30, which creates that distinctive thudding sound. This track picks up the pace the most.
VITAL SALES POINTS:
With the launch of his own Label „resort island“, the release of his critically acclaimed 4th album in 2023, Isolée has drawn some attention to his music after a long period of silence. Expectations are high on what’s coming next, especially on his unweathered new label. With the 3rd release „resort island“ the label also did refine it’s graphics, to complement the soundscapes of this dizzy island.
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Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Label:Dark Entries
Cat-No:DE-306
Release-Date:21.02.2025
Genre:Alternative/Electronic
Configuration:12"
Barcode:794811515555
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Last in:18.02.2025
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Last in:18.02.2025
Label:Dark Entries
Cat-No:DE-306
Release-Date:21.02.2025
Genre:Alternative/Electronic
Configuration:12"
Barcode:794811515555
1
Q Lazzarus - Goodbye Horses (Extended Mix)
2
Q Lazzarus - Goodbye Horses (Instrumental)
3
Q Lazzarus - Hellfire
4
Q Lazzarus - Summertime
5
Q Lazzarus - Goodbye Horses (Acapella)
Repress coming end of April!
At long last, Q Lazzarus says hello to Dark Entries. Q Lazzarus is the moniker of Diane Luckey, born in New Jersey in 1960. While living in the East Village in New York City in the 1980s, Diane met songwriter Bill Garvey at a party and they recorded “Goodbye Horses” in his home studio. As the story goes, Luckey met Hollywood director Jonathan Demme when she picked him up in her taxi during a snowstorm in 1986. Demme was wowed by her demo tape, which was playing in the cab, and they ended up hanging out at a restaurant for hours talking about life and music. “He liked it so much, I gave him the tape I was listening to, he said he would call me for one of his movies, but I didn’t really take it seriously.” said Luckey. Demme would have the song “Goodbye Horses” first appear in his offbeat comedy Married to the Mob, and then again more memorably in Silence of the Lambs when Buffalo Bill changes into women’s clothing while drowning out his intended victim’s pleas with loud music. Despite the exposure, both Luckey and Garvey languished in relative obscurity. “Goodbye Horses” is the definition of a cult classic, an ethereal tearjerker driven by Garvey’s lush synth work and Luckey’s unmistakably powerful voice. Garvey says, “the song is about transcendence over those who see the world as only earthly and finite.”
Over 15 years of effort have gone into the making of this release. All five songs on this record were previously unreleased and are sourced from original master tapes. The extended version of “Goodbye Horses” was newly mixed from the original stems by Alberto Hernandez at Fantasy Studios. Instrumental and acapella versions of the song are included, which are also available for the first time. Side B opens with “Hellfire,” a brooding number about the New York BDSM nightclub of the same name, showcasing the range and force of Luckey’s voice. “Summertime” follows, with a sauntering synth-reggae spin on the 1937 George Gershwin number. Both B-side tracks are also new mixdowns and edits from the original stems. This record is released alongside Eva Aridjis Fuentes’s documentary on Q Lazzarus, Goodbye Horses: The Many Lives of Q Lazzarus, a work chronicling the life of the enigmatic Luckey. It is an opportune moment to reflect on the underrecognized artists we have lost and the undeniable brilliance of both Diane Luckey and William Garvey.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
At long last, Q Lazzarus says hello to Dark Entries. Q Lazzarus is the moniker of Diane Luckey, born in New Jersey in 1960. While living in the East Village in New York City in the 1980s, Diane met songwriter Bill Garvey at a party and they recorded “Goodbye Horses” in his home studio. As the story goes, Luckey met Hollywood director Jonathan Demme when she picked him up in her taxi during a snowstorm in 1986. Demme was wowed by her demo tape, which was playing in the cab, and they ended up hanging out at a restaurant for hours talking about life and music. “He liked it so much, I gave him the tape I was listening to, he said he would call me for one of his movies, but I didn’t really take it seriously.” said Luckey. Demme would have the song “Goodbye Horses” first appear in his offbeat comedy Married to the Mob, and then again more memorably in Silence of the Lambs when Buffalo Bill changes into women’s clothing while drowning out his intended victim’s pleas with loud music. Despite the exposure, both Luckey and Garvey languished in relative obscurity. “Goodbye Horses” is the definition of a cult classic, an ethereal tearjerker driven by Garvey’s lush synth work and Luckey’s unmistakably powerful voice. Garvey says, “the song is about transcendence over those who see the world as only earthly and finite.”
Over 15 years of effort have gone into the making of this release. All five songs on this record were previously unreleased and are sourced from original master tapes. The extended version of “Goodbye Horses” was newly mixed from the original stems by Alberto Hernandez at Fantasy Studios. Instrumental and acapella versions of the song are included, which are also available for the first time. Side B opens with “Hellfire,” a brooding number about the New York BDSM nightclub of the same name, showcasing the range and force of Luckey’s voice. “Summertime” follows, with a sauntering synth-reggae spin on the 1937 George Gershwin number. Both B-side tracks are also new mixdowns and edits from the original stems. This record is released alongside Eva Aridjis Fuentes’s documentary on Q Lazzarus, Goodbye Horses: The Many Lives of Q Lazzarus, a work chronicling the life of the enigmatic Luckey. It is an opportune moment to reflect on the underrecognized artists we have lost and the undeniable brilliance of both Diane Luckey and William Garvey.
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Label:Ilian Tape
Cat-No:IT070
Release-Date:28.03.2025
Genre:Techno
Configuration:12"
Barcode:
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Label:Ilian Tape
Cat-No:IT070
Release-Date:28.03.2025
Genre:Techno
Configuration:12"
Barcode:
1
Marco Zenker - 909D
2
Marco Zenker - RC24
3
Marco Zenker - Mango Tango
4
Marco Zenker - Process Dub
Sticky Mango Base Exhibition
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Last in:21.11.2024
Label:Thank You
Cat-No:THANKYOU033
Release-Date:23.10.2024
Genre:House
Configuration:12"
Barcode:
1
Priscilla Chan - ????? (African Dance)
2
Priscilla Chan - ????
3
Priscilla Chan - ???? (Airport Mix)
4
Priscilla Chan - ?? (???)
An example of globalisation's ultra exoticisms: a Guinean hit that changed the perception of African music in European dance charts (selling over a million copies), covered by a Hongkongese pop star two years later, the perfect recipe for ensuring heavy frothing amongst diggers and collectors worldwide. Besides its aesthetic novelty, it's also highly effective on just about any dancefloor, a theme that sounds so familiar to many but then with the added unexpected surprised factor of the lyrics being sung in a female voice and in Cantonese -- a hard moment to forget on a well helmed club floor. Another generosity of this release amongst the other 3 tracks is a display of heavy Cantonese ballad prowess in the Adult Contemporary landscape, especially with a cover of Gamble & Huff's "When Will I See You Again", huge on the couples' slow dance scene, shameless drama.
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Germany
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1
V.A. - A1.Nagilah
2
V.A. - A2.Yali Yali
3
V.A. - B1.Children
4
V.A. - B2.Dancing Digits
Essential Item Limited Edition No Re-Press...
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Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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LP
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Label:Smalltown Supersound
Cat-No:STSLPC1425
Release-Date:04.04.2025
Genre:Electronic, Electronica
Configuration:LP
Barcode:0707282242509
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Label:Smalltown Supersound
Cat-No:STSLPC1425
Release-Date:04.04.2025
Genre:Electronic, Electronica
Configuration:LP
Barcode:0707282242509
1
Barker - Force Of Habit
2
Barker - Reframing
3
Barker - Difference and Repetition
4
Barker - The Remembering Self
5
Barker - Positive Disintegration
6
Barker - Cosmic Microwave
7
Barker - Fluid Mechanics
8
Barker - Stochastic Drift
Preview: https://www.youtube.com/watch?v=ayBIGxfHCdo
Transparent Vinyl!
Thrilled to announce Barker's new album Stochastic Drift!
Following 2023’s Unfixed EP and his first full-length release since his 2019 debut album Utility, Stochastic Drift builds on Barker’s singular process to capture life’s chaos and reflect on just how much has changed. If his previous records showcased the artist “using ambient materials to remake techno” (Pitchfork), Stochastic Drift pushes Barker’s approach even further into harmonic chaos and dreamy freeform float.
Utility, the fullest expression of the beatless techno experimentation Barker excavated on his cult classic Debiasing EP, arrived to critical fanfare from The Quietus, DJ Mag, Resident Advisor, and Mixmag (who named it their Album Of The Year). The years since the release of Utility have been marked by intense unpredictability: Barker’s own shifting attitudes towards production, moments of professional transition and, not least, a global pandemic, necessitated somewhat of a reinvention.
Stochastic Drift sees Barker creating tracks with a fresh deftness and appreciation for the unexpected. “I’d been working with an approach that was quite deliberate and goal-oriented before, but I realised this wasn’t so helpful in the context of uncertainty. Being suddenly unemployed and stuck at home for an indefinite amount of time, with one disruption after another, it was like the target kept moving and I didn’t know what to aim at.” Barker reflects. “I noticed this unpredictability starting to creep into what I was making, and tracks were ending up a long way from the intentions they started with. So the challenge for this record was to try to embrace that process, to let go of expectations.” The serotonin-spiking lead single “Reframing,” titled after psychological technique for reinterpreting a situation in a positive way, unfolds like a brittle reimagining of Sasha’s eternal prog trance standard “Xpander” until it begins to drift through uncharted territory.
Throughout Stochastic Drift, Barker dives deeper into the world of mechanical instrumentation. Barker explains: “My interest in mechanical instruments is not to replace a human performer, but to explore the tool in a different way, maybe dehumanize it a little bit and look for the potential outside of what humans have already perfected.” Addressing anxiety about the influence of automation in music making head on, Barker emphasises that, regardless of the technology implemented and how this might enable the artist, machines of all sorts, be they robots, synths or instruments, are simply tools. It’s the creative act that remains resolutely human.
“I wanted to explore the link between my internal and external realities, between the chaos of the time and how that was manifesting in my music and ideas,” Barker says of Stochastic Drift. “It’s a transition between lots of shifting realities, describing a process in a window of time that was full of change.” As though finding comfort in unpredictability, the artist pieces together a new sound and in so doing finds a salve for uncertainty.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Transparent Vinyl!
Thrilled to announce Barker's new album Stochastic Drift!
Following 2023’s Unfixed EP and his first full-length release since his 2019 debut album Utility, Stochastic Drift builds on Barker’s singular process to capture life’s chaos and reflect on just how much has changed. If his previous records showcased the artist “using ambient materials to remake techno” (Pitchfork), Stochastic Drift pushes Barker’s approach even further into harmonic chaos and dreamy freeform float.
Utility, the fullest expression of the beatless techno experimentation Barker excavated on his cult classic Debiasing EP, arrived to critical fanfare from The Quietus, DJ Mag, Resident Advisor, and Mixmag (who named it their Album Of The Year). The years since the release of Utility have been marked by intense unpredictability: Barker’s own shifting attitudes towards production, moments of professional transition and, not least, a global pandemic, necessitated somewhat of a reinvention.
Stochastic Drift sees Barker creating tracks with a fresh deftness and appreciation for the unexpected. “I’d been working with an approach that was quite deliberate and goal-oriented before, but I realised this wasn’t so helpful in the context of uncertainty. Being suddenly unemployed and stuck at home for an indefinite amount of time, with one disruption after another, it was like the target kept moving and I didn’t know what to aim at.” Barker reflects. “I noticed this unpredictability starting to creep into what I was making, and tracks were ending up a long way from the intentions they started with. So the challenge for this record was to try to embrace that process, to let go of expectations.” The serotonin-spiking lead single “Reframing,” titled after psychological technique for reinterpreting a situation in a positive way, unfolds like a brittle reimagining of Sasha’s eternal prog trance standard “Xpander” until it begins to drift through uncharted territory.
Throughout Stochastic Drift, Barker dives deeper into the world of mechanical instrumentation. Barker explains: “My interest in mechanical instruments is not to replace a human performer, but to explore the tool in a different way, maybe dehumanize it a little bit and look for the potential outside of what humans have already perfected.” Addressing anxiety about the influence of automation in music making head on, Barker emphasises that, regardless of the technology implemented and how this might enable the artist, machines of all sorts, be they robots, synths or instruments, are simply tools. It’s the creative act that remains resolutely human.
“I wanted to explore the link between my internal and external realities, between the chaos of the time and how that was manifesting in my music and ideas,” Barker says of Stochastic Drift. “It’s a transition between lots of shifting realities, describing a process in a window of time that was full of change.” As though finding comfort in unpredictability, the artist pieces together a new sound and in so doing finds a salve for uncertainty.
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12"
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Label:Mr Bongo
Cat-No:MRB12063
Release-Date:21.03.2025
Configuration:12"
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Cat-No:MRB12063
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1
Juan Pablo Torres - Cacao (Dan Tyler NAD Bulto Versión)
2
Juan Pablo Torres Y Algo Nuevo - Pastel En Descarga (Dan Tyler NAD Pepino Versión)
3
Grupo Los Yoyi - Paco La Calle (Nick The Record Re-Edit)
Good friends and Record Mission co-captains, Dan Tyler (one half of the Idjut Boys) and Nick The Record, take the reins for the third volume of the Mr Bongo Edits 12" series. With previous editions coming courtesy of Danny Krivit and Luke Una, Dan and Nick set their sights on a hand-picked selection of iconic ‘70s Cuban recordings for this three-track cosmic whirlwind. Across the A side, Dan picks out two Juan Pablo Torres tracks, with Nick taking on Grupo Los Yoyi on the B. Tweaking, extending and reworking the recordings with a dose of extra magic they remould the tracks to fit the sounds and structure of today’s dancefloors.
Having formed the Idjut Boys in the early ‘90s, Dan and Conrad McDonnell have crafted a dubbed-out, disco-tinged style that permeates their countless productions, remixes and DJ sets. Speaking of the two tracks Dan has chosen to rework for this EP he mentions, “Having been caught under an avalanche of good music from Mr Bongo, I took it upon myself to extend and add effects to a couple of the fantastic tracks from the Juan Pablo Torres LPs they recently re-issued. Just for disco jockey and barn dance use.”
First, Dan looks to Cuban maestro Juan Pablo Torres’ 1978 album 'Algo Nuevo', taking one of the standout tracks ‘Cacao’ and giving it more space to breathe. Teasing out the scatting vocal line and percussive climax that nods to George Kranz's ’83 electronic disco anthem 'Din Daa Daa', whilst adding more cosmic tripped-out synths and space echoed dubs, Dan builds the tension to fine effect. This track sounds immense on a big club system and the swirling synths felt like they were lifting the ceiling off when we played it at the amazing La Paloma ballroom in Barcelona.
Dan then turns his attention to Torres’ 1977 'Super Son' album, giving the psych-Latin-funk track 'Pastel En Descarga' a dub makeover. Rich in delay and drama, whilst maintaining and extending the breakers funk intro, he juices it up into a punchy, no-nonsense, cosmic-funk delight.
On the B side, Tangent co-founder, long-standing Life Force resident and seasoned rework master, Nick The Record, revisits an edit that he originally constructed in 2009. Clocking in at over double the length of the original cut, Nick’s edit of Grupo Los Yoyi’s 1977 cut 'Paco La Calle', is made with dancers firmly in mind. This secret weapon builds and simmers, with the drums and percussion pushing and pulling before the psychedelic synth lines return in a sweltering fashion. In this new 2025 version, Dan is drafted in to work some brilliant new synth lines into the mix.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Having formed the Idjut Boys in the early ‘90s, Dan and Conrad McDonnell have crafted a dubbed-out, disco-tinged style that permeates their countless productions, remixes and DJ sets. Speaking of the two tracks Dan has chosen to rework for this EP he mentions, “Having been caught under an avalanche of good music from Mr Bongo, I took it upon myself to extend and add effects to a couple of the fantastic tracks from the Juan Pablo Torres LPs they recently re-issued. Just for disco jockey and barn dance use.”
First, Dan looks to Cuban maestro Juan Pablo Torres’ 1978 album 'Algo Nuevo', taking one of the standout tracks ‘Cacao’ and giving it more space to breathe. Teasing out the scatting vocal line and percussive climax that nods to George Kranz's ’83 electronic disco anthem 'Din Daa Daa', whilst adding more cosmic tripped-out synths and space echoed dubs, Dan builds the tension to fine effect. This track sounds immense on a big club system and the swirling synths felt like they were lifting the ceiling off when we played it at the amazing La Paloma ballroom in Barcelona.
Dan then turns his attention to Torres’ 1977 'Super Son' album, giving the psych-Latin-funk track 'Pastel En Descarga' a dub makeover. Rich in delay and drama, whilst maintaining and extending the breakers funk intro, he juices it up into a punchy, no-nonsense, cosmic-funk delight.
On the B side, Tangent co-founder, long-standing Life Force resident and seasoned rework master, Nick The Record, revisits an edit that he originally constructed in 2009. Clocking in at over double the length of the original cut, Nick’s edit of Grupo Los Yoyi’s 1977 cut 'Paco La Calle', is made with dancers firmly in mind. This secret weapon builds and simmers, with the drums and percussion pushing and pulling before the psychedelic synth lines return in a sweltering fashion. In this new 2025 version, Dan is drafted in to work some brilliant new synth lines into the mix.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore