1
J-Walk - Bubbles On The Line
2
J-Walk - Janky Waltz
3
J-Walk - Spring Well, Wellspring
4
J-Walk - Black Lion Passage
5
J-Walk - A Vision In Jade
6
J-Walk - African Custard
7
J-Walk - Botox Fomo
8
J-Walk - Walking In The Sunshine
9
J-Walk - Siz Pap Brick
10
J-Walk - Monotropicalia
As with most things, this project started with a conversation in the pub between me and Martin.
As we discussed what J-Walk and BiD could do next we chatted about our mutual love of DIY, Post Punk, Reggae, Digital & Dub, how about using that feel as an initial jump off on the next thing and see how you get on? I suggested.
As is his way Martin considered the suggestion, then promptly disappeared, 6 weeks later something landed in my inbox, it was titled Broken Beauty and the music contained embraced all those symbiotic ideals and culture.
Nailed it!
Recorded entirely in Stockport using a mixed kit bag of cheap forgotten keyboards, guitar, bass and effects pedals, this LP takes the J-Walk aesthetic and applies the wider palette of these influences to create something unique, those past and present influences forged together to bring you something truly DIY - instructions below.
How To Make Such A Thing...
Deactivate social media. Ignore the internet, don't answer text messages, avoid other music, the telly and other people. This is a process where it's only you in the room with whatever's in your mind. You will be there for some time and the loneliness can hurt a little.
Forget any predetermined ideas. Forget everything you've ever done before. This is an opportunity to start from scratch, but with years of accumulated knowledge and craftsmanship. Trust yourself.
Be scared. Be excited about not knowing what will happen and what will result.
Don't use midi sequencing, virtual instruments or samples. Just plug a toy instrument into an amp, press a rhythm and play around to see what happens. If it sounds good and fresh then record it. Plug a bass in to jam around and you'll soon hear and feel what sits in the pocket of the beat. Record it as it is. Dirty is real and good. Cleanliness equals sterility. Loop the bassline. Plug a guitar in and do the same.
Don't think when doing any of this. Just experiment with interest and curiosity and the music will take care of itself. You will now have a groove which is also about half a song minimum. Play some keys from the toys on top of what you have. Put 'em through effects pedals. Again, don't overthink it and don't try to get it clean. Add sound effects in right and random places.
There you go. Something you've never made before. But more importantly, it's something you've never heard before.
You don't have to die to be reincarnated.
BROKEN BEAUTY...You can't be either without also having been the other. More
As we discussed what J-Walk and BiD could do next we chatted about our mutual love of DIY, Post Punk, Reggae, Digital & Dub, how about using that feel as an initial jump off on the next thing and see how you get on? I suggested.
As is his way Martin considered the suggestion, then promptly disappeared, 6 weeks later something landed in my inbox, it was titled Broken Beauty and the music contained embraced all those symbiotic ideals and culture.
Nailed it!
Recorded entirely in Stockport using a mixed kit bag of cheap forgotten keyboards, guitar, bass and effects pedals, this LP takes the J-Walk aesthetic and applies the wider palette of these influences to create something unique, those past and present influences forged together to bring you something truly DIY - instructions below.
How To Make Such A Thing...
Deactivate social media. Ignore the internet, don't answer text messages, avoid other music, the telly and other people. This is a process where it's only you in the room with whatever's in your mind. You will be there for some time and the loneliness can hurt a little.
Forget any predetermined ideas. Forget everything you've ever done before. This is an opportunity to start from scratch, but with years of accumulated knowledge and craftsmanship. Trust yourself.
Be scared. Be excited about not knowing what will happen and what will result.
Don't use midi sequencing, virtual instruments or samples. Just plug a toy instrument into an amp, press a rhythm and play around to see what happens. If it sounds good and fresh then record it. Plug a bass in to jam around and you'll soon hear and feel what sits in the pocket of the beat. Record it as it is. Dirty is real and good. Cleanliness equals sterility. Loop the bassline. Plug a guitar in and do the same.
Don't think when doing any of this. Just experiment with interest and curiosity and the music will take care of itself. You will now have a groove which is also about half a song minimum. Play some keys from the toys on top of what you have. Put 'em through effects pedals. Again, don't overthink it and don't try to get it clean. Add sound effects in right and random places.
There you go. Something you've never made before. But more importantly, it's something you've never heard before.
You don't have to die to be reincarnated.
BROKEN BEAUTY...You can't be either without also having been the other. More
More records from J-Walk
1
J-Walk - City Slicker
2
J-Walk - Hypercruiser
3
J-Walk - Underwarter Galaxy
4
J-Walk - A World Someplace
5
J-Walk - Winter Moon Rendezvous
6
J-Walk - Hologram Jam
7
J-Walk - Chill Bien
8
J-Walk - Equinox Desire
9
J-Walk - Fait Accompli
10
J-Walk - The Night Machine
Lovingly recorded at home in lockdown during 2020/21 by Martin 'Brew' Fisher and receiving a very limited cassette release in September 2021.
Mellotronique was on heavy rotation on Jason's Bluetooth speaker, Jason gave his Stockport based compatriot and friend a call to see if they could collaborate to do a vinyl release of the LP via Before I Die and a plan was agreed over tasty Noodle dishes at The Mekong Cat on Hillgate.
The LP is a collection of inspired pieces which wears its influences on its sleeve but is uniquely J-Walk, elements of Art Of Noise's bohemian electronica, 1980's Japanese video game cues, electro funk, street soul, slow motion disco and melodic synth jams all with the crisp percussion, meaty basslines and the spacious production Martin is renowned for.
As Martin states on the original release notes:
Someplace in the scheme of things, this world must touch another...a world where a mutant fantasy strange brew of street soul, electronic funk, slow motion disco and ambient rave can be found and heard, a place of perpetual twilight where the sun and the stars both shine bright...
For further information, please listen.
All songs written, arranged, produced and mixed by Martin Fisher
Martin Fisher: synthesizers, electric guitar and drum programming
Mastered by Joseph Reiser
Mastering coordination by Rik Walker
Artwork and design by Dylan Woodall.
"Great musicianship...it's all really excellent...sounds like a lost pen-friend from Lille who moved to the Pacific Ocean and sent back paintings..." (Mark Rae)
"Not many producers have been dropping lush laidback beats for as long or as reliably as J-Walk.
In his latest LP, cosmic soulfulness meets low gravity grooviness in this NASA approved synth soaked space station soundtrack.
One for all you space rangers" (The Slow Music Movement)
IF YOU LIKE THIS MAKE SURE TO ALSO CHECK BiD001! More
Mellotronique was on heavy rotation on Jason's Bluetooth speaker, Jason gave his Stockport based compatriot and friend a call to see if they could collaborate to do a vinyl release of the LP via Before I Die and a plan was agreed over tasty Noodle dishes at The Mekong Cat on Hillgate.
The LP is a collection of inspired pieces which wears its influences on its sleeve but is uniquely J-Walk, elements of Art Of Noise's bohemian electronica, 1980's Japanese video game cues, electro funk, street soul, slow motion disco and melodic synth jams all with the crisp percussion, meaty basslines and the spacious production Martin is renowned for.
As Martin states on the original release notes:
Someplace in the scheme of things, this world must touch another...a world where a mutant fantasy strange brew of street soul, electronic funk, slow motion disco and ambient rave can be found and heard, a place of perpetual twilight where the sun and the stars both shine bright...
For further information, please listen.
All songs written, arranged, produced and mixed by Martin Fisher
Martin Fisher: synthesizers, electric guitar and drum programming
Mastered by Joseph Reiser
Mastering coordination by Rik Walker
Artwork and design by Dylan Woodall.
"Great musicianship...it's all really excellent...sounds like a lost pen-friend from Lille who moved to the Pacific Ocean and sent back paintings..." (Mark Rae)
"Not many producers have been dropping lush laidback beats for as long or as reliably as J-Walk.
In his latest LP, cosmic soulfulness meets low gravity grooviness in this NASA approved synth soaked space station soundtrack.
One for all you space rangers" (The Slow Music Movement)
IF YOU LIKE THIS MAKE SURE TO ALSO CHECK BiD001! More
More records from Before I Die
1
Khartomb - Swahili Lullaby
2
Khartomb - Teekon Warriors
3
Khartomb - Daisy High
4
Khartomb - Swahili Lullaby (Synkro's Balearic Dub Mix)
5
Khartomb - Swahili Lullaby (Talking Drums Redub)
Khartomb's Post-Punk/Reggae tinged masterpiece Swahili Lullaby/Teekon Warriors influenced by contemporaries of the time The Slits & The Raincoats was originally released on 45, 23rd June 1983.
Despite initial interest following their Peel Session & support from Melody Maker and Zig Zag the band were unable to capitalise & Swahili Lullaby/Teekon Warriors remains their only vinyl release, until now.
40 years later, the tracks have been exclusively licensed by BiD alongside the previously unreleased Pat Nevin favourite 'Daisy High'.
Complementary remixes of Swahili Lullaby are provided by fans of the original version Synkro & Talking Drums.
Swahili Lullaby - Under the radar post punk jam with killer drums, dubby bassline and spidery guitar, topped off by a haunting melancholic vocal.
Teekon Warriors - Deep ode to the fallen, dope drums, angular guitar, tribal drums and a sweet vocal.
Daisy High - Peel dubbed Daisy High "Subversive MOR" who are we to disagree, haunting flute peppered slow jam with a bossa feel & a sick guitar lick.
Synkro's Balearic Dub takes the original version and sends it to a transcendental spiritual realm, creating a future classic for Sunrises and Sunsets for the next millennium.
The Talking Drums Redub tweeks, extends & amps up the Dub Pressure to maximum psychedelic levels.
JD Twitch (Optimo) - "Khartomb package is most excellent"
Michael Kuyck (Essential Space) - "Goddamn this Khartomb release is supreme!" More
Despite initial interest following their Peel Session & support from Melody Maker and Zig Zag the band were unable to capitalise & Swahili Lullaby/Teekon Warriors remains their only vinyl release, until now.
40 years later, the tracks have been exclusively licensed by BiD alongside the previously unreleased Pat Nevin favourite 'Daisy High'.
Complementary remixes of Swahili Lullaby are provided by fans of the original version Synkro & Talking Drums.
Swahili Lullaby - Under the radar post punk jam with killer drums, dubby bassline and spidery guitar, topped off by a haunting melancholic vocal.
Teekon Warriors - Deep ode to the fallen, dope drums, angular guitar, tribal drums and a sweet vocal.
Daisy High - Peel dubbed Daisy High "Subversive MOR" who are we to disagree, haunting flute peppered slow jam with a bossa feel & a sick guitar lick.
Synkro's Balearic Dub takes the original version and sends it to a transcendental spiritual realm, creating a future classic for Sunrises and Sunsets for the next millennium.
The Talking Drums Redub tweeks, extends & amps up the Dub Pressure to maximum psychedelic levels.
JD Twitch (Optimo) - "Khartomb package is most excellent"
Michael Kuyck (Essential Space) - "Goddamn this Khartomb release is supreme!" More
1
Klangkollektor - Garden Pond
2
Klangkollektor - Lake Lounge
3
Klangkollektor - Midnight Express
4
Klangkollektor - Tabarca
5
Klangkollektor - Evening Post
6
Klangkollektor - Globulus
7
Klangkollektor - Baund
BiD are back with a new selection in a relaxed & spectacular fashion.
Introducing KlangKollektor aka Lars Fischer a solo project by the drummer with the Psychedelic Cumbia band Trak Trak from Nurnberg.
This debut release from KlangKollektor has been developing for some time, liberated from Lars' hard drive and mastered by the Franconian Conny Plank - Frank Mollena (Bambi Davidson) the release channels the pioneering spirit of Dub and places it in a present context.
A stellar collection of seven dubwise tracks over 4 sides with a Techno and Balearic influence that's been on heavy rotation here for the past year and now available for all to feel.
All synths, programming, pianos, bass, percussion, dub mixing, editing & mixing by Lars Fischer.
Cover image courtesy of renowned German photographer - Thomas Bergner @thomas.bergner
Sleeve Design by Yasmin - Small Press @smallpressstudio
Final Mix and Mastering by Frank Mollena
Across the board five star reviews from those that received the very limited promo.
"Deep evocative and meditative modern dubtronica. Beautiful"
"A deep and truly mesmerising album, Love this"
"A fine late night mix of jazz / electronica / Detroit all rolled into one"
"Immersive soundscapes for the head, a very nice collection"
"Ooofffftttttt, this is lush, beautiful stuff!"
"Very nice indeed . Atmospheric dub magic"
"Nice Krautrock-balearic-psych all rolled into one with dubby elements"
"Super deep balearic dub leanings"
"Wow! Incredible work!"
"s u b l i m e !!!!!!"
"This is so good, really refreshing and sweet for the ears."
"Lovely dubbly" More
Introducing KlangKollektor aka Lars Fischer a solo project by the drummer with the Psychedelic Cumbia band Trak Trak from Nurnberg.
This debut release from KlangKollektor has been developing for some time, liberated from Lars' hard drive and mastered by the Franconian Conny Plank - Frank Mollena (Bambi Davidson) the release channels the pioneering spirit of Dub and places it in a present context.
A stellar collection of seven dubwise tracks over 4 sides with a Techno and Balearic influence that's been on heavy rotation here for the past year and now available for all to feel.
All synths, programming, pianos, bass, percussion, dub mixing, editing & mixing by Lars Fischer.
Cover image courtesy of renowned German photographer - Thomas Bergner @thomas.bergner
Sleeve Design by Yasmin - Small Press @smallpressstudio
Final Mix and Mastering by Frank Mollena
Across the board five star reviews from those that received the very limited promo.
"Deep evocative and meditative modern dubtronica. Beautiful"
"A deep and truly mesmerising album, Love this"
"A fine late night mix of jazz / electronica / Detroit all rolled into one"
"Immersive soundscapes for the head, a very nice collection"
"Ooofffftttttt, this is lush, beautiful stuff!"
"Very nice indeed . Atmospheric dub magic"
"Nice Krautrock-balearic-psych all rolled into one with dubby elements"
"Super deep balearic dub leanings"
"Wow! Incredible work!"
"s u b l i m e !!!!!!"
"This is so good, really refreshing and sweet for the ears."
"Lovely dubbly" More
1
Sewell & The Gong - Tonight We Fly
2
Sewell & The Gong - Passing Oort Clouds
3
Sewell & The Gong - The Stars In The Sky And The Stones In The Earth
4
Sewell & The Gong - Better Words
For BiD006 we're very pleased to announce that renowned Artist Matt Sewell has agreed to release his fledgling audio project, Sewell & The Gong on the label.
4 guitar led mystical meanderings and deep meditations of cosmic transcendental psychedelic folk.
Matt's acoustic guitar has been a fixture of his studio for many years, although nobody would ever of known as he kept it pretty much to himself.
Over the years he developed a self taught, repetitive, finger picked style in hushed tones to not bother anybody. Just a quiet little part of his studio practise, calming looping melodies.
Like his art, his music is very much inspired by nature, earth magic and cosmic wanderings. His 'A Crushing Glow' compilations are pretty much a defining list of inspirations.
Never heard by anybody outside of the family home that all changed after Matt started working with Newcastle based multi-instrumentalist, fellow pathfinder and astral traveler Chris Tate.
Combining forces Chris helped build a beautiful world for Matt's melodies to wander in, deep and lush and always, always positive.
It only feels right that this music now gets to stretch its legs in the outside world...>
mattsewell.co.uk
instagram.com/mattsewell More
4 guitar led mystical meanderings and deep meditations of cosmic transcendental psychedelic folk.
Matt's acoustic guitar has been a fixture of his studio for many years, although nobody would ever of known as he kept it pretty much to himself.
Over the years he developed a self taught, repetitive, finger picked style in hushed tones to not bother anybody. Just a quiet little part of his studio practise, calming looping melodies.
Like his art, his music is very much inspired by nature, earth magic and cosmic wanderings. His 'A Crushing Glow' compilations are pretty much a defining list of inspirations.
Never heard by anybody outside of the family home that all changed after Matt started working with Newcastle based multi-instrumentalist, fellow pathfinder and astral traveler Chris Tate.
Combining forces Chris helped build a beautiful world for Matt's melodies to wander in, deep and lush and always, always positive.
It only feels right that this music now gets to stretch its legs in the outside world...>
mattsewell.co.uk
instagram.com/mattsewell More
1
KONFORMER - Noris Noire
2
KONFORMER - Konformer
3
KONFORMER - Jazzy
4
KONFORMER - Reunion
5
KONFORMER - Noris Blance
Konformer are a band from Nuremberg in Germany.
Their members are;
Andreas Berg (Drums)
Kristian Krauß (Synthesizer)
Rainer Ruder (Bass)
Initially Konformer was not a project for the public, far away from expectations their sound was developed, with focus on only the essential, but that takes time.
The creation of their minimalist, rhythmic and repetitive groove patterns commence with bass loops and develop into modified strophic form.
Comparison with the likes of Early Kraftwerk and the output of cult German labels such as Brain and Sky are inevitable but Konformer sound a little bit like none of the above.
The record was produced and mastered by the 'Franconian Conny Plank' Frank Mollena at his Lonestar Studios in Nuremberg, Bavaria. More
Their members are;
Andreas Berg (Drums)
Kristian Krauß (Synthesizer)
Rainer Ruder (Bass)
Initially Konformer was not a project for the public, far away from expectations their sound was developed, with focus on only the essential, but that takes time.
The creation of their minimalist, rhythmic and repetitive groove patterns commence with bass loops and develop into modified strophic form.
Comparison with the likes of Early Kraftwerk and the output of cult German labels such as Brain and Sky are inevitable but Konformer sound a little bit like none of the above.
The record was produced and mastered by the 'Franconian Conny Plank' Frank Mollena at his Lonestar Studios in Nuremberg, Bavaria. More
1
Falk & Klou - U.F.O (Andi Hanley Rework)
2
Falk & Klou - U.F.O (Original Version)
U.F.O was one of the many highlights of the Swedish Library Grooves Vol 2 LP which was released in 2022.
These explorations of the mid-70's sounds of rare grooves and library music, were all reimagined, recorded and produced by a Swedish duo consisting of multi-instrumentalists Carl Johan Fogelklou and Fredrik Segerfalk aka Falk & Klou.
U.F.O was Jason Boardman's (Before I Die) go to psychedelic jazz-funk party starter so he approached the FK Library about a release on vinyl, with an expanded version.
BiD knew there was only one person for the role and were delighted when Andi Hanley (Misadventures/Nu Northern Soul/Ruf Kutz) accepted and consequently turned out a superb 7-and-a-half-minute psychedelic funk workout, expanding on the original arrangement and taking it to another cosmos.
Falk & Klou: Bass, Fender Rhodes, synthesizers, guitar, flute, percussion, vocals
Daniel Hanson Cederskr: Saxophones.
Jakob Gudmundsson: Trumpet and flugelhorn
Andreas Psson, Drums
Rework Andi Hanley More
These explorations of the mid-70's sounds of rare grooves and library music, were all reimagined, recorded and produced by a Swedish duo consisting of multi-instrumentalists Carl Johan Fogelklou and Fredrik Segerfalk aka Falk & Klou.
U.F.O was Jason Boardman's (Before I Die) go to psychedelic jazz-funk party starter so he approached the FK Library about a release on vinyl, with an expanded version.
BiD knew there was only one person for the role and were delighted when Andi Hanley (Misadventures/Nu Northern Soul/Ruf Kutz) accepted and consequently turned out a superb 7-and-a-half-minute psychedelic funk workout, expanding on the original arrangement and taking it to another cosmos.
Falk & Klou: Bass, Fender Rhodes, synthesizers, guitar, flute, percussion, vocals
Daniel Hanson Cederskr: Saxophones.
Jakob Gudmundsson: Trumpet and flugelhorn
Andreas Psson, Drums
Rework Andi Hanley More
1
Tungusku - Shorts Weather
2
Tungusku - Embers
3
Tungusku - Catch A Fly
4
Tungusku - Skywriting
5
Tungusku - Reverie
This is the first release from new micro label 'Before I Die' curated by Jason Boardman (Aficionado Recordings).
Tungusku are a guitar based instrumental project inspired by hypnotic grooves from around the world. The duo behind the band are Phil Ratcliffe (Guitar) and James Defty (Bass) who are longtime collaborators of Manchester live hip-hop collective The Mouse Outfit.
Influenced by artists such as Khruangbin, Skinshape and Tommy Guerrero, Tungusku explore a sonic landscape that takes in stoner soul, jazzy psychedelia and low-end beats.
The five tracks on the EP were released on digital format and subsequently came to Jasons attention who remastered and collated them for vinyl release on this edition.
Before I Die commissioned MMU graduate @deedoubleyoo to provide fine art direction for the first release to complete the package.
Call it Balearic, Jazz, Funk, Soul or whatever you like, this is an accomplished debut from emerging Mancunian artists highly aware of their direction of travel. More
Tungusku are a guitar based instrumental project inspired by hypnotic grooves from around the world. The duo behind the band are Phil Ratcliffe (Guitar) and James Defty (Bass) who are longtime collaborators of Manchester live hip-hop collective The Mouse Outfit.
Influenced by artists such as Khruangbin, Skinshape and Tommy Guerrero, Tungusku explore a sonic landscape that takes in stoner soul, jazzy psychedelia and low-end beats.
The five tracks on the EP were released on digital format and subsequently came to Jasons attention who remastered and collated them for vinyl release on this edition.
Before I Die commissioned MMU graduate @deedoubleyoo to provide fine art direction for the first release to complete the package.
Call it Balearic, Jazz, Funk, Soul or whatever you like, this is an accomplished debut from emerging Mancunian artists highly aware of their direction of travel. More
1
J-Walk - City Slicker
2
J-Walk - Hypercruiser
3
J-Walk - Underwarter Galaxy
4
J-Walk - A World Someplace
5
J-Walk - Winter Moon Rendezvous
6
J-Walk - Hologram Jam
7
J-Walk - Chill Bien
8
J-Walk - Equinox Desire
9
J-Walk - Fait Accompli
10
J-Walk - The Night Machine
Lovingly recorded at home in lockdown during 2020/21 by Martin 'Brew' Fisher and receiving a very limited cassette release in September 2021.
Mellotronique was on heavy rotation on Jason's Bluetooth speaker, Jason gave his Stockport based compatriot and friend a call to see if they could collaborate to do a vinyl release of the LP via Before I Die and a plan was agreed over tasty Noodle dishes at The Mekong Cat on Hillgate.
The LP is a collection of inspired pieces which wears its influences on its sleeve but is uniquely J-Walk, elements of Art Of Noise's bohemian electronica, 1980's Japanese video game cues, electro funk, street soul, slow motion disco and melodic synth jams all with the crisp percussion, meaty basslines and the spacious production Martin is renowned for.
As Martin states on the original release notes:
Someplace in the scheme of things, this world must touch another...a world where a mutant fantasy strange brew of street soul, electronic funk, slow motion disco and ambient rave can be found and heard, a place of perpetual twilight where the sun and the stars both shine bright...
For further information, please listen.
All songs written, arranged, produced and mixed by Martin Fisher
Martin Fisher: synthesizers, electric guitar and drum programming
Mastered by Joseph Reiser
Mastering coordination by Rik Walker
Artwork and design by Dylan Woodall.
"Great musicianship...it's all really excellent...sounds like a lost pen-friend from Lille who moved to the Pacific Ocean and sent back paintings..." (Mark Rae)
"Not many producers have been dropping lush laidback beats for as long or as reliably as J-Walk.
In his latest LP, cosmic soulfulness meets low gravity grooviness in this NASA approved synth soaked space station soundtrack.
One for all you space rangers" (The Slow Music Movement)
IF YOU LIKE THIS MAKE SURE TO ALSO CHECK BiD001! More
Mellotronique was on heavy rotation on Jason's Bluetooth speaker, Jason gave his Stockport based compatriot and friend a call to see if they could collaborate to do a vinyl release of the LP via Before I Die and a plan was agreed over tasty Noodle dishes at The Mekong Cat on Hillgate.
The LP is a collection of inspired pieces which wears its influences on its sleeve but is uniquely J-Walk, elements of Art Of Noise's bohemian electronica, 1980's Japanese video game cues, electro funk, street soul, slow motion disco and melodic synth jams all with the crisp percussion, meaty basslines and the spacious production Martin is renowned for.
As Martin states on the original release notes:
Someplace in the scheme of things, this world must touch another...a world where a mutant fantasy strange brew of street soul, electronic funk, slow motion disco and ambient rave can be found and heard, a place of perpetual twilight where the sun and the stars both shine bright...
For further information, please listen.
All songs written, arranged, produced and mixed by Martin Fisher
Martin Fisher: synthesizers, electric guitar and drum programming
Mastered by Joseph Reiser
Mastering coordination by Rik Walker
Artwork and design by Dylan Woodall.
"Great musicianship...it's all really excellent...sounds like a lost pen-friend from Lille who moved to the Pacific Ocean and sent back paintings..." (Mark Rae)
"Not many producers have been dropping lush laidback beats for as long or as reliably as J-Walk.
In his latest LP, cosmic soulfulness meets low gravity grooviness in this NASA approved synth soaked space station soundtrack.
One for all you space rangers" (The Slow Music Movement)
IF YOU LIKE THIS MAKE SURE TO ALSO CHECK BiD001! More
Customers who bought this also bought this
1
Boozoo Bajou - Flickers
2
Boozoo Bajou - Sign
3
Boozoo Bajou - Big Nick's
4
Boozoo Bajou - Same Sun
5
Boozoo Bajou - Grains
6
Boozoo Bajou - Fursattel
7
Boozoo Bajou - Heavy On Me
8
Boozoo Bajou - Kinder Ohne Strom
9
Boozoo Bajou - Tonschraube
10
Boozoo Bajou - Messengers
11
Boozoo Bajou - Nebelkloster
'Grains' (Ltd 15th Anniversary Edition 2LP) for the first time since the original pressing on K7! on vinyl again. Remastered, extended 11 tracks on 180g vinyl!
In 2009 Boozoo Bajou released their 3rd album "Grains". It is the duo's most organic album so far, making beautiful sounds by blending modern electronics with live instruments. An album of underground sounds, but based on strong melodies and emotional vocals. Inspired by acoustic singer-songwriters they made 'Grains' being in love with the Laurel Canyon sound. They created something fresh and modern from their old-school inspirations, weaving them into their studio soundscapes. Their fans will appreciate the rich mix of contemporary and vintage sounds. A folk songbook for the 21st century.
Format: Ltd 15th Anniversary edition black heavyweight (180G) 2LP!
TRACKLISTING 2LP:
A1. Flickers (4:11)
A2. Sign (3:15)
A3. Big Nick's (5:04)
B1.Same Sun (6:29)
B2.Grains (6:16)
B3.Fürsattel (5:13)
C1. Heavy On Me (6:44)
C2. Kinder Ohne Strom (5:37)
D1. Tonschraube (5:46)
D2. Messengers (4:55)
D3. Nebelkloster (5:19)
More
In 2009 Boozoo Bajou released their 3rd album "Grains". It is the duo's most organic album so far, making beautiful sounds by blending modern electronics with live instruments. An album of underground sounds, but based on strong melodies and emotional vocals. Inspired by acoustic singer-songwriters they made 'Grains' being in love with the Laurel Canyon sound. They created something fresh and modern from their old-school inspirations, weaving them into their studio soundscapes. Their fans will appreciate the rich mix of contemporary and vintage sounds. A folk songbook for the 21st century.
Format: Ltd 15th Anniversary edition black heavyweight (180G) 2LP!
TRACKLISTING 2LP:
A1. Flickers (4:11)
A2. Sign (3:15)
A3. Big Nick's (5:04)
B1.Same Sun (6:29)
B2.Grains (6:16)
B3.Fürsattel (5:13)
C1. Heavy On Me (6:44)
C2. Kinder Ohne Strom (5:37)
D1. Tonschraube (5:46)
D2. Messengers (4:55)
D3. Nebelkloster (5:19)
More
1
Mike Shawe - A1. Heartbreaker (edit by Mike Shawe)
2
Admin - A2. Alive and Well (edit by Admin)
3
The Real Deal - B1. Hey Love (edit by The Real Deal)
4
Sparkling Attitude - B2. Zio Roberto (edit by Sparkling Attitude)
G&D back with their 7th release of edit series. Limited press to 300 handwritten numbered copies. No Repress. Various Artists for fantastic edit label, here a GUEST SPECIAL EDITION for fired dancefloor as usual. Essential !! Supported around the world by the best Disco Djs.
More
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Joaquin Joe Claussell - Cosmic Arts-A Prayer For The Fallen
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Joaquin Joe Claussell - Soul Sanctification-Spirit Sanctified
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Joaquin Joe Claussell - A Bargain With The Lord (dub)
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Stimulator Jones - I Would Have To Be A Fool (Vocal)
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Stimulator Jones - I Would Have To Be A Fool (Instrumental)
STIMULATOR JONES returns to TIM ZAWADA's orbit with this release on STAR CREATURE side label TUGBOAT EDITIONS. A soulful, r&b tinged boogie cover of BEN WHITE's modern soul masterpiece in both vocal and instrumental mixes.
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Jamiroquai - Michael Gray's Good Vibe Zone - Extended
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Jamiroquai - Michael Gray's Good Vibe Zone Dub
The record was then famously remixed by the legendary David Morales, taking the song to a whole new audience and anthem level… giving the band their first ever Billboard Dance #1.
The iconic music video was directed by Vaughan Arnell & Anthea Benton, and features Jay Kay dancing around a blue room with multiple versions of him and the other band members appearing and disappearing. The use of motion control photography allowed for a seemingly continuous shot as the camera pans around the room.
2024, Michael Gray delivers a modern club interpretation of the classic Jamiroquai anthem on his Sultra Records imprint.
Keeping the original funk, soul undertones of Jamiroquai, he takes us on a housey ride of funky disco rhythms laden with hi-pitched synths, a soul oozing chord melody and grooving drum pattern that sits relaxed allowing the emphasis on Jay Kay’s vocal and new worked bass line to do it’s thing. A lovely alternative to the dance floor classic we all know and love. More
The iconic music video was directed by Vaughan Arnell & Anthea Benton, and features Jay Kay dancing around a blue room with multiple versions of him and the other band members appearing and disappearing. The use of motion control photography allowed for a seemingly continuous shot as the camera pans around the room.
2024, Michael Gray delivers a modern club interpretation of the classic Jamiroquai anthem on his Sultra Records imprint.
Keeping the original funk, soul undertones of Jamiroquai, he takes us on a housey ride of funky disco rhythms laden with hi-pitched synths, a soul oozing chord melody and grooving drum pattern that sits relaxed allowing the emphasis on Jay Kay’s vocal and new worked bass line to do it’s thing. A lovely alternative to the dance floor classic we all know and love. More
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Warodjah feat. Zouratié Koné - Zou's Journey (Full - Lenght Version)
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Warodjah feat. Zouratié Koné - Zou's Journey (Radio Edit)
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Warodjah feat. Zouratié Koné - Zou's Journey (DJ Fett Burger's Moist Liquid Sunrise Mix)
No Returns!
Warodjah is the musical collaboration between Andrea Rausa (A.K.A. Afreak) and Massimiliano Troiani. The two Italian DJs and producers crossed paths in Rome, where they started sharing the mixing console and co-hosting parties in the Italian capital. They soon found a deep connection through their mutual passion for African music and electronic dance music.
On the A side, the title track, presented in both full-length and radio edit versions, pays homage to the rich heritage of African music and the storytelling tradition of African griots. Special guest Zouratié Koné, hailing from a Griot family in Burkina Faso, takes us on a sonic journey. With his masterful handling of a self-crafted Kora, he weaves dreamy melodies that dance freely above a progressing tapestry of drum patterns and ethereal piano chords.
On the flipside, a sumptuous house remix by DJ Fett Burger. Renowned for his diverse and eclectic productions with a lot of personality, delivers here 14 minutes of pure joy and bliss. Playing around with the original theme, and adds full of surpassing and groovy elements that draws you to the dancefloor and keeps you there! A fusion of hypnotic euphoric rhythm play, delightful melodies and a touch of house music as a feeling. A remix dedicated to the true era of the art of remixing! Original, creative and groovy! More
Warodjah is the musical collaboration between Andrea Rausa (A.K.A. Afreak) and Massimiliano Troiani. The two Italian DJs and producers crossed paths in Rome, where they started sharing the mixing console and co-hosting parties in the Italian capital. They soon found a deep connection through their mutual passion for African music and electronic dance music.
On the A side, the title track, presented in both full-length and radio edit versions, pays homage to the rich heritage of African music and the storytelling tradition of African griots. Special guest Zouratié Koné, hailing from a Griot family in Burkina Faso, takes us on a sonic journey. With his masterful handling of a self-crafted Kora, he weaves dreamy melodies that dance freely above a progressing tapestry of drum patterns and ethereal piano chords.
On the flipside, a sumptuous house remix by DJ Fett Burger. Renowned for his diverse and eclectic productions with a lot of personality, delivers here 14 minutes of pure joy and bliss. Playing around with the original theme, and adds full of surpassing and groovy elements that draws you to the dancefloor and keeps you there! A fusion of hypnotic euphoric rhythm play, delightful melodies and a touch of house music as a feeling. A remix dedicated to the true era of the art of remixing! Original, creative and groovy! More
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Holger Czukay - Ode to Perfume (London Live 2009)
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Holger Czukay - A Perfect World (Remix)
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Holger Czukay - Music To Be Murdered By
Side A
Ode to Perfume (London Live 2009)
My Persian Love (Remix)
Photosong (Roundhouse Mix)
Side B
A Perfect World (Remix)
Music To Be Murdered By
Side C
Let’s Get Cool
Fragrance (Remix 2009)
In Space
Side D
Music Is A Miracle
The magic and majesty of Holger Czukay’s late career works for Claremont 56 is being celebrated on a new compilation. The former Can bassist – a musical maverick renowned for his freewheeling approach to composition, recording and promotion – released a string of inspired tracks on Paul Murphy’s label between 2009 and 2012, typically delivering hard-to-pigeonhole workouts, bona-fide epics and radical reinventions of some of his most beloved tracks.
The collection has been a labour of love – fitting given the sonic details and inventive musicality that marked out the late artist’s solo career – for Claremont 56 founder Paul Murphy AKA Mudd, who first reached out to Czukay after witnessing his now legendary live performance at the Roundhouse in 2009. As Murphy details in his introductory liner notes, it led to a productive working relationship between the pair that included collaborative recording sessions with Ben Smith in Czukay’s legendary Innerspace Studio – a former cinema in Cologne in which much of Can’s music was recorded.The impact of that Roundhouse gig on Murphy is reflected in the fact that two of the tracks on the collection are based on that celebrated performance. There’s ‘Ode To Perfume’, a languid and solo-laden version of one of Czukay’s most celebrated solo records that ratchets up the original’s inherent dreaminess, and a jaunty take on quirky kraut-pop number ‘Photosong’ featuring a spoken introduction recorded at the concert in question.
Murphy’s ability to coax Czukay into delving into his archives is evident across the compilation. Opener ‘A Perfect World (Remix)’ is an eccentric, ever-building masterpiece originally recorded in 1984 – but later re-imagined for Claremont 56 – featuring vocalist Sheldon Ancel and former Can band-mates Jaki Leibezeit and Michael Karoli, while ‘Fragrance’ is a subtly re-wired slab of picturesque Balearic kraut-dub which was initially recorded as a coda for ‘Ode To Perfume’ but lay unreleased for decades.
Then there’s ‘Let’s Get Cool’, a bright and breezy, French horn-sporting 2009 take on 1979 avant-disco classic ‘Cool In The Pool’; ‘My Persian Love (Remix)’, a 2010 re-take of one of his earliest solos recordings; and the near 18-minute brilliance of ‘Music Is A Miracle’. Originally recorded for his fans in the 1980s – but only released three decades later – this widescreen epic not only features drums by Jaki Leibezeit and a fine spoken word vocal by Czukay, but also numerous nods to some of his most revered tracks.
It's fitting, too, that two of the most potent cuts feature Czukay’s much-missed wife and musical muse Ursa Major: the dense, trippy and fittingly out-there ambient soundscape ‘In Space’, and the mesmerising ‘Music To be Murdered By’. Partially inspired by hearing painfully out of tune violin practice through his studio windows, the track was originally recorded for an unreleased album but finally found a home on Claremont 56’s 10th anniversary box set ion 2017. A genuinely spaced-out and mind-mangling slab of organic dub in Czukay’s distinctive style, it delivers a fine curtain call to the iconic artist’s endlessly inventive career. More
Ode to Perfume (London Live 2009)
My Persian Love (Remix)
Photosong (Roundhouse Mix)
Side B
A Perfect World (Remix)
Music To Be Murdered By
Side C
Let’s Get Cool
Fragrance (Remix 2009)
In Space
Side D
Music Is A Miracle
The magic and majesty of Holger Czukay’s late career works for Claremont 56 is being celebrated on a new compilation. The former Can bassist – a musical maverick renowned for his freewheeling approach to composition, recording and promotion – released a string of inspired tracks on Paul Murphy’s label between 2009 and 2012, typically delivering hard-to-pigeonhole workouts, bona-fide epics and radical reinventions of some of his most beloved tracks.
The collection has been a labour of love – fitting given the sonic details and inventive musicality that marked out the late artist’s solo career – for Claremont 56 founder Paul Murphy AKA Mudd, who first reached out to Czukay after witnessing his now legendary live performance at the Roundhouse in 2009. As Murphy details in his introductory liner notes, it led to a productive working relationship between the pair that included collaborative recording sessions with Ben Smith in Czukay’s legendary Innerspace Studio – a former cinema in Cologne in which much of Can’s music was recorded.The impact of that Roundhouse gig on Murphy is reflected in the fact that two of the tracks on the collection are based on that celebrated performance. There’s ‘Ode To Perfume’, a languid and solo-laden version of one of Czukay’s most celebrated solo records that ratchets up the original’s inherent dreaminess, and a jaunty take on quirky kraut-pop number ‘Photosong’ featuring a spoken introduction recorded at the concert in question.
Murphy’s ability to coax Czukay into delving into his archives is evident across the compilation. Opener ‘A Perfect World (Remix)’ is an eccentric, ever-building masterpiece originally recorded in 1984 – but later re-imagined for Claremont 56 – featuring vocalist Sheldon Ancel and former Can band-mates Jaki Leibezeit and Michael Karoli, while ‘Fragrance’ is a subtly re-wired slab of picturesque Balearic kraut-dub which was initially recorded as a coda for ‘Ode To Perfume’ but lay unreleased for decades.
Then there’s ‘Let’s Get Cool’, a bright and breezy, French horn-sporting 2009 take on 1979 avant-disco classic ‘Cool In The Pool’; ‘My Persian Love (Remix)’, a 2010 re-take of one of his earliest solos recordings; and the near 18-minute brilliance of ‘Music Is A Miracle’. Originally recorded for his fans in the 1980s – but only released three decades later – this widescreen epic not only features drums by Jaki Leibezeit and a fine spoken word vocal by Czukay, but also numerous nods to some of his most revered tracks.
It's fitting, too, that two of the most potent cuts feature Czukay’s much-missed wife and musical muse Ursa Major: the dense, trippy and fittingly out-there ambient soundscape ‘In Space’, and the mesmerising ‘Music To be Murdered By’. Partially inspired by hearing painfully out of tune violin practice through his studio windows, the track was originally recorded for an unreleased album but finally found a home on Claremont 56’s 10th anniversary box set ion 2017. A genuinely spaced-out and mind-mangling slab of organic dub in Czukay’s distinctive style, it delivers a fine curtain call to the iconic artist’s endlessly inventive career. More
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Don Carlos - Alone (Paradise Mix)
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Don Carlos - Alone (Flute Mix)
Recorded by the near mythical Don Carlos (Carlo Troja) in 1991 in the middle of Italian house fever it was instantly acclaimed as a classic. Its’ dreamscape appeal has proved timeless and the enduring demand makes it perfect for ANORAX (#eatsleepcollect) to release on limited edition 10” single. The original masters have been supplied by IRMA Records to ensure top notch sound quality as befits such an iconic gem. ALONE was obviously inspired by Detroit and Chicago emotions electro which Carlo assimilated into his own so elegant and very Italian masterpiece. Beguiling pads, beautiful chords, synth glides, a killer bass line, piano and THOSE strings - MAGNIFICO.
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