2x 12” colored vinyl with full cover print

TRACKLIST:

A1 Sound Stream – Love Jam (Hardspace Mix)

B1 Kenny Larkin x Alex Reece – Loop 2 (Hardspace Mix)
B2 Andrei Morant – Simple Addition (Hardspace Mix)

C1 Russian Roulette – I Believe (Hardspace Mix)

D1 DJ Rush – Don’t You Love Me (Hardspace Mix)
D2 Damon Wild – Gearbox (Hardspace Mix)


INFO:

Len Faki returns as Hardspace for part three of his new remix-series, giving his favorite tunes a new life on the dancefloor.

An unusual pairing at first glance, Hardspace takes up Soundstream’s anthem Love Jam from 2006, the kind of Detroit-tinged disco edit to drop in the peak moment of techno set.

Then it’s rewind time to another decade, when DnB-Veteran Alex Reece was remixing Motorcity icon Kenny Larkin. Hardspace’s mix of Loop 2 retains the playful jazzy notes and growling bassline of the original and turns its oldschool breakbeats into a snappy 4x4-groove.

The deadly effective tool that is Andrei Morant’s Simple Addition makes for a perfect base to build upon for Faki’s signature editing style, emphasizing the plastic shuffle of grooving percussive elements while adding some booming low-end.

DJ Rush features with two vocal-heavy cuts on this release: first up the Russian Roulette-hymn I Believe, which sounds even trippier in the stripped-back Hardspace version; then a creepy while sexy mix of Don’t You Love Me that steadily builds tension for minutes before slowly giving way to a seductive beat.

Closing out with a bang, Damon Wild’s Gearbox from 1995 gets a rework: the full power acid-riff is still working its magic but now sounding much more punchy and to the point in this tidied up Hardspace edit.



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Format Notes: Part of Be With x Tommy Guerrero Reissue Campaign, 2024 first time vinyl reissue with original artwork, 140g vinyl

Track List:

A1 B.W.s Blues
A2 So Blue It's Black
A3 Keep On Keepin On
A4 Azule
A5 Black Sheep Blues
A6 30

B1 Pollo Caliente
B2 Never
B3 Solow
B4 Introspection Section
B5 Gone
B6 In My Head
B7 Soul Miner

Release Notes:

Loose Grooves & Bastard Blues is Tommy Guerrero's sublime debut. Of this beloved masterpiece, the legendary skater himself says: "my 1st album. It was never meant to be released. I was just recording for the fun of it.. still my fave. Oh so naive..." And you know what? It's definitely Be With's fave too. An astonishingly great record. A chill, blissful, deeply moving album, it was rightly garlanded as an instant classic.

A laidback, fusionistic ride replete with loopy drum tracks underpinning Tommy's trademark reflective guitar stylings, Loose Grooves & Bastard Blues remains powerfully evergreen. Originally released in 1997, there's elements of jazz, trip hop, rock and downtempo groove. All shot through with a heavy dose of soul. Thirteen tracks of lo-fi (mostly) instrumental freshness fused with Cuban, Latin and blues, it's a must for fans of Money Mark, J Dilla, RJD2, DJ Shadow and Pete Rock. As ever with Tommy's records, the title sums up the music contained within most aptly. And writing about his songs, his vibes, is one of the trickier things to do, it has to be said. It's just all gorgeous!

A total vibe throughout, to blast Loose Grooves & Bastard Blues is a majestic experience, one that suits a start-to-finish listen and renders the picking out of highlights totally redundant. Featuring nagging, deeply melodic guitar lines - both electric and acoustic - over simple rhythms with such sumptuous elegance, the hypnotic playing against unrushed percussion releases a crystal clear stream of healing frequencies. It's ust divine. This album laid the blueprint from which Tommy Guerrero would subsequently explore further on A Little Bit of Somethin' and Soul Food Taquiera.

Meticulously remastered and cut by both Simon Francis and Cicely Balston respectively, it has been pressed to the highest possibly quality at Record Industry in Holland. The original and iconic sleeve, designed by Natas Kaupas, has been restored here at Be With HQ as the finishing touch to this long overdue re-issue. More

Territories:
Worldwide no exceptions
Format:
double LP
Format Notes:
2019 re-press, remastered, 180g vinyl, expanded to double LP, gatefold sleeve

Track List:

A1 : Blue Masses
A2 : Four Trk Samba
A3 : Tiny
A4 : Numb Millenium

B1 : 100 Years
B2 : Pescadito
B3 : Azucar

C1 : Flux And Meter
C2 : It’s Raining Again
C3 : Today Like Everyday
C4 : Soul Miner

D1 : As The Sea Holds Creatures Vast And True
D2 : So Blue It’s Black
D3 : Little Chin

Release Notes:

It’s rare that a certain sound is entirely an artist’s own. Although undeniably a stew of impeccable influences – from blues to folk to Latin to dusty funk, soul and hip-hop – one cannot hear a Tommy Guerrero song without immediately recognising it as his - and his only.

The cult skater from San Francisco is globally renowned as one of the original members of the legendary "Bones Brigade" team. And as an accomplished multi-instrumentalist, his laid-back soul is beloved by all who’ve basked in its blissful glow.

There’s something elemental about this music that really stirs the soul. Strikingly beautiful and instantly addictive, it’s a kind of funk-fuelled, melody-driven, groove-based magic. There's a serenity and heart in the playing that radiates warmth and splendour, as if crafted for endless sunsets. His albums that surfaced on Mo Wax at the turn of the century have been treasured since their release and it’s two of his most vital LPs that we're honoured to reintroduce.

The originals were quietly pressed on to a single piece of vinyl so we've worked closely with Tommy this year to bring you these fresh, limited editions. They have been lovingly remastered, cut nice and loud on to heavyweight double vinyl and presented in deluxe gatefold jackets.

A Little Bit Of Somethin’ is a quietly majestic gem. Brimming with Guerrero’s horizontal “loose grooves”, these brief but innovative instrumentals demonstrate a rich variety and, as such, comprise an LP that is aptly titled. An enchanting start-to-finish listen, it was instantly regarded as essential upon release via Mo Wax in 2000. It has aged remarkably well.

Throughout this inspired collection, simplicity is key. In deploying it, Guerrero presents a beautifully crafted melodic soundscape. The distinctive, mellifluous approach of his guitar style, blending Brazilian, Cuban, Mexican, soul and jazz motifs, is at once startlingly new and tantalisingly familiar. Set against unrushed percussion, the music releases a crystal clear stream of healing frequencies to create a fragile, hypnotic atmosphere.

Each track clocks in at around three minutes and, with a lack of studio polish or commitment to traditional song structure, it’s a wonder how this enigmatic record demands your attention. However, through its gentle dynamism and impressive playing, it does just that. Whilst resolutely low-key, this lo-fi aesthetic feels genuinely organic and remarkably personal; its powerful intimacy truly connects. It’s what makes this album so beloved of those lucky enough to be already familiar with it. From Margaret Kilgallen's truly iconic cover artwork to the music contained within, it's all brilliantly effortless.

Guerrero’s musical ideas are consistently compelling throughout, making it impossible to select highlights. The album’s laconic drift touches upon jazz-fusion workouts and slow-mo hip-hop drums, Tortoise-style experimental post-rock and cinematic sound textures. It’s at once hazy, light and bouncy yet sombre and bluesy. The Latin soul of El Chicano blends with the breezy jazz of Grant Green. By employing guitars and drum machines to create a stripped down rhythmic tapestry of spellbinding, addictive songs, there are even traces of The Durutti Column. A little bit of country, a little bit of rock & roll. A Little Bit Of Somethin’, indeed.
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