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TRACKLISTS:
Side 1 (A)
1. DMT
2. Thinking
3. Approaching

Side 2 (B)
1. Without A Cause
2. Timefold

SHORT INFO
Marcel Dettmann's 'My Own Shadow' is the latest chapter in the Berlin-based legend's illustrious career. The live project is, in his own words, "a space where all of my artistic expressions meet," blending techno with film, sketches and photography. The shows are less club sets and more immersive experiences, where the audience gets lost in a "full sensory narrative." "My solo work has always been open, evolving across records and remixes," Dettmann added.

My Own Shadow's first official release, Approaching, is a five-track EP landing on !K7 Records in November. Complemented by his own photography on the artwork, the music spans techno and ambient, fizzing with a madcap funk and energy quite unlike any of his previous productions.

VITAL SALES POINTS
Renowned Berghain resident and contemporary techno stalwart Marcel Dettmann introduces his brand new project and alias My Own Shadow - after his latest releases on Running Back and Dekmantel. EU, UK and US tour dates during the campaign.






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Rights: World excluding FR & UK

Packaging: 2 x White Vinyl, 5mm spine sleeve, 2 x printer inner sleeve, marketing sticker

SHORT BIOG & KEY POINTS

- Goldie's 1995 debut Timeless is often described as one of the greatest dance music albums of all time. As one of the founders of Metalheadz, one of the most influential drum and bass labels, Goldie helped shape the sound of a generation, and a genre that has spanned over 3 decades.
- "Listening to Timeless is like taking an adventure. If the limits of music are the limits of society, then Timeless is going to create new worlds. It's a record that travels from darkness to light across electronic oceans, across streetsoul, ambience and jazz."

- London Records celebrate 30 years of Timeless with limited edition vinyl formats, re-imagining the original white sleeve and putting the album on double vinyl for the first time since '96, with new liner notes from Tim Carr. Remastered audio.



TRACKLISTING:

A1. Inner City Life
A2. Pressure
A3. Jah

B1. Saint Angel
B2. State Of Mind

C1. Sea Of Tears
C2. Angel

D1. Sensual
D2. Kemistry
D3. You & Me




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non-exclusive
2LP R&S and Apollo Records present an official vinyl repress of this most classicand timeless album The vinyl uses the 2013 re-masters made from original DAT tapes cut by Matt Colton and presented in original artwork.

All time favourite Aphex Twin Album. Nice and accesible experimental techno. Originally released in 1992. What else could be said here, we finally are stocking copies on arguably the most important and influential electronic album of album time, Aphex Twin's Selected Ambient Works 85–92. You will always need this!!!

Tracks: A1 Xtal
A2 Tha
A3 Pulsewidth
B1 Ageispolis
B2 i
B3 Green Calx
B4 Heliosphan
C1 We Are The Music Makers
C2 Schottkey 7th Path
C3 Ptolemy
D1 Hedphelym
D2 Delphium
D3 Actium



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Maxi vinyl: 12" cut at 45rpm, 350gsm inside out sleeve with artwork by Stephan Eicher, handmade Xerox sticker

WRWTFWW Records is beyond thrilled to announce the first ever vinyl maxi-single release for "Raum", Grauzone's best-kept secret and underground mega-gem from 1980. The four-track affair includes the full title track sourced from the original reels, as well as a club-ready rework by Naum Gabo (Jonnie Wilkes of Optimo and James Savage) with help from Dennis Young of Liquid Liquid, and an extended edit by legendary Frankfurt DJ Ata (Robert-Johnson club, Playhouse/Klang/Ongaku labels). The 12 inch vinyl is cut at 45rpm and comes with a never-seen cover art by band member Stephan Eicher and a handmade Xerox hype sticker.

Tracklisting
A1. Raum
A2. Raum (Naum Gabo Rework)
B1. Raum (Ata's Extended Edit)
B2. Raum (Naum Gabo Rework - Radio Edit)


Info:
WRWTFWW Records is beyond thrilled to announce the first ever vinyl maxi-single release for "Raum", Grauzone's best-kept secret and underground mega-gem from 1980. The four-track affair includes the full title track sourced from the original reels, as well as a club-ready rework by Naum Gabo (Jonnie Wilkes of Optimo and James Savage) with help from Dennis Young of Liquid Liquid, and an extended edit by legendary Frankfurt DJ Ata (Robert-Johnson club, Playhouse/Klang/Ongaku labels). The 12 inch vinyl is cut at 45rpm and comes with a never-seen cover art by band member Stephan Eicher and a handmade Xerox hype sticker.

Initally released almost 40 years ago on the beloved compilation Swiss Wave - The Album (Off Course Records) alongside the band's massive hit "Eisbär", "Raum" is the biggest Grauzone track people have yet to discover. An über-infectious New York style bassline played by Christian "GT" Trüssel and frantic drumming by Marco Repetto blend with Martin Eicher's hauntingly hopeless lyrics and Claudine Chirac's saxophone escapades to personify post-punk heaven and all its wonderful anomalies. It's disco with an edge, pop filled with fear, it's The Cure infused with proto-techno and Swiss art chic. Or maybe, it's simply one hell of a song that will make you dance and shout. It's good!

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2LP

A1. HYbr:ID Noh Talk
A2. HYbr:ID Sync Dark
A3. HYbr:ID Noh Human
B1. HYbr:ID Sync Inter
B2. HYbr:ID Collective Open
B3. HYbr:ID Obsessive Behaviour Day
B4. HYbr:ID Obsessive Behaviour Night
C1. HYbr:ID Para Contamination
C2. HYbr:ID Script Solitude
C3. HYbr:ID Script Sacre Drone
D1. HYbr:ID Script Broken Conversation
D2. HYbr:ID Rehuman
D3. HYbr:ID Épilogue




For an aesthetic of (dis)obedience. The impressions Richard Siegal and his company Ballet of Difference gathered on a trip to Japan in September 2022 now find their way into a full-length dance evening. Siegal and his team had set off for Tokyo to learn the practice of Shuudan Koudou, also known as "Japanese Precision Walking". The strictly synchronised group choreographies are astonishing in their radical stringency and have become a secret YouTube hit, not least because of their peculiar subtle humour. Siegal recognises in the extreme disciplining of the bodies an analogy to the training practice of classical ballet. In the mutual exchange of these movement cultures, questions are raised about individual and collective thinking, about personal decision-making power and social responsibility. For this extraordinary project, Richard Siegal has invited a special guest: Nazareth Panadero, long-time companion of Pina Bausch, who has long since become an icon of Wuppertal dance theatre and will be on stage with the BoD ensemble.

The production BALLET OF (DIS)OBEDIENCE is sponsored by Goethe Institut, with the kind support of Sissel GmbH.
CHOREOGRAPHY & STAGE: RICHARD SIEGAL
COSTUME: FLORA MIRANDA
LIGHT & VIDEO: MATTHIAS SINGER
MUSIC: ALVA NOTO
DRAMATURGY: TOBIAS STAAB

more info to: Shuudan koudou

'Shuudan koudou' Shuudan Koudou Is the Japanese #art of Synchronized Precision ...YouTube · Boson TV: Tech Marvels & Cool Discoveries22 Dec 2022

Kottke.org https://kottke.org › shuudan-koud...Shuudan Koudou Is the Japanese Art of Synchronized Precision Walking


On the other hand, hybrid 3 is inspired by Noh Play - Japanese performances and deals with the refusal of rules musically, hybrid three continues the two previous albums and weaves both rhythmic and beatless musical pieces into a holistic work.
The idea for me has always been that these albums are not only perceived as individual tracks, but as a whole piece, which is why I find the possibility of experiencing and listening to these albums in the right order and as a whole particularly important. For me, the pieces are not only closely related to the ballet that was created for them, but also function as individual pieces as pure, musical pieces and mark a new quality for me, which is very strongly focussed on producing electronic sounds and structures in such a way that they can develop a sculptural quality.






















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REPRESS

2LP - RE MASTER - Part of the V.I.R.U.S series


GENRE/S: Ambient/ Electronic

Info
Originally released in 2005, 'Insen' is the second collaboration album between Alva Noto and Ryuichi Sakamoto and the second installment of V.I.R.U.S.'s five albums series.

Remastered in 2021 in collaboration with Calyx Studio, the album's recordings are accompanied by an unreleased composition titled 'Barco.' Initially composed for Alva Noto and Ryuichi Sakamoto's 2005 'Insen' tour, the audio material used in this piece is based on the subtle sounds of Barco projectors, whose tonalities served as a ground for the artists' live improvisation. ?
In 'Insen', Alva Noto and Ryuichi Sakamoto explore the potential for interaction and tension between electronic and acoustic instrumentation. Across eight compositions, the echoes of the cascading piano combine, collide, and dissolve with the tapestry of digital breakages in sheer vibrancy. This relationship lies at the album's core. It subtly continues Vrioon's calm melancholia, becoming a vessel for all the emotions and memories nourished by the listener. As you hear the opening, lonesome notes of 'Aurora,' you realize that the pair have once again conceded an ambition to embed elaborate disciplines into an archetypal sound of soul-searching beauty.

Album art designed by Carsten Nicolai
Mastering by Bo @ Calyx

In November 2022, a dedicated, limited edition cardboard slipcase will be available as a separate item from the V.I.R.U.S. LPs/CDs.

TRACKLIST:

Tracklisting
---------------------------------------------------------
Medium: 1 // Side: A // Track: 1

Artist: Alva Noto; Ryuichi Sakamoto
Title: Aurora
Playtime: 00:08:51
Explicit Lyrics: No
ISRC: UK6821719490
(P): 2022 NOTON
Country: Germany

Composer: Carsten Nicolai, Ryuichi Sakamoto
---------------------------------------------------------
Medium: 1 // Side: B // Track: 1

Artist: Alva Noto; Ryuichi Sakamoto
Title: Logic Moon
Playtime: 00:06:50
Explicit Lyrics: No
ISRC: UK6821719492
(P): 2022 NOTON
Country: Germany

Composer: Carsten Nicolai, Ryuichi Sakamoto
---------------------------------------------------------
Medium: 1 // Side: A // Track: 2

Artist: Alva Noto; Ryuichi Sakamoto
Title: Morning
Playtime: 00:05:27
Explicit Lyrics: No
ISRC: UK6821719491
(P): 2022 NOTON
Country: Germany

Composer: Carsten Nicolai, Ryuichi Sakamoto
---------------------------------------------------------
Medium: 1 // Side: B // Track: 2

Artist: Alva Noto; Ryuichi Sakamoto
Title: Moon
Playtime: 00:06:07
Explicit Lyrics: No
ISRC: UK6821719493
(P): 2022 NOTON
Country: Germany

Composer: Carsten Nicolai, Ryuichi Sakamoto
---------------------------------------------------------
Medium: 2 // Side: C // Track: 1

Artist: Alva Noto; Ryuichi Sakamoto
Title: Berlin
Playtime: 00:06:16
Explicit Lyrics: No
ISRC: UK6821719494
(P): 2022 NOTON
Country: Germany

Composer: Carsten Nicolai, Ryuichi Sakamoto
---------------------------------------------------------
Medium: 2 // Side: D // Track: 1

Artist: Alva Noto; Ryuichi Sakamoto
Title: Avaol
Playtime: 00:02:54
Explicit Lyrics: No
ISRC: UK6821719496
(P): 2022 NOTON
Country: Germany

Composer: Carsten Nicolai, Ryuichi Sakamoto
---------------------------------------------------------
Medium: 2 // Side: C // Track: 2

Artist: Alva Noto; Ryuichi Sakamoto
Title: Iano
Playtime: 00:06:52
Explicit Lyrics: No
ISRC: UK6821719495
(P): 2022 NOTON
Country: Germany

Composer: Carsten Nicolai, Ryuichi Sakamoto
---------------------------------------------------------
Medium: 2 // Side: D // Track: 2

Artist: Alva Noto; Ryuichi Sakamoto
Title: Barco
Playtime: 00:04:14
Explicit Lyrics: No
ISRC: UK6821719497
(P): 2022 NOTON
Country: Germany

Composer: Carsten Nicolai, Ryuichi Sakamoto
---------------------------------------------------------




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2025 Repress

UPC: 827170537965
Tracklist: (A) A Little Further (Not On A Map) (B1) A Little Further (37 Routes) (B2) A Little Further (Imaginary Escort)
With Dominik Eulberg and Arne Schaffhausen (of EXTRAWELT) we welcome back two longtime Cocoon heroes to the label. The two were featured in a VICE Magazine special last year for a "field recording" documentary which marked the beginning of a new collaboration. Dominik and Arne checked their fresh recorded sounds in the studio and found out that there have a common base and musical understanding. They started to work on new tracks and it looks like this joint venture will continue for a longer time.
The first results of their mutual work is "A Little Further" which will be released in three different versions on Cocoon Recordings in the next weeks (COR12117). So let's start with "Not On A Map" version: This one seems to be tailor made for the next afterhour and the rising sun. Dominik and Arne create the perfect mood for those special moments on the floor with a nice mix of energetic beats, interesting sounds and an emotional bass- and synth-programming. So many layers and different levels however the overall picture never gets overcharged or too demanding.
Coming up next is the "37 Routes" version which quite stands out with the used breakbeats and no standard 4/4 kick drum. The synths are more scratchy and louder and the bassline seems to jump out of the speakers, this is a massive wall of sound production. The direction here is clear. However the two incorporated some cool and magic breaks that seem to refer to the deeper Eulberg sound which forms a great mix of two different techno-visions. Last but not least there's the "Imaginery Escort" version which appears a bit like the dub edit of "A Little Further". This one emphazies the cool and reduced beat programming. The "Imaginery Escort" is more DJ-friendly and without the big breaks, it keeps the rolling beat going and going and we see the floors burning to this cool groover, too. One of these tracks DJs can't wait to drop them in their sets! All three versions make a great package and a big release that breathes pure techno air. No pseudo-retro-hype and no tech-house-mash-up, this one is just techno. Big techno! And it makes us even more excited looking forward to the upcoming festival season!


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Genre: Electronic, Soundtrack, Ambient, Minimalism

DLP: 180g vinyl, Heavy Sleeve, UV Spot Varnish, Sticker

Tracklisting DLP
A1. Vertigo 4:32
A2. Shin Sekai 5:16
A3. Virtual Satori 6:17
B1. Sundial 3:44
B2. Atlantique 4:56
B3. Fauna 4:03
C1. Alpes 5:10
C2. Yret 5:46
C3. Silicon Jungle 5:39
D1. Ars Nova 5:41
D2. Futatsu No Taiyo 4:28


Info

WRWTFWW Records is happy to announce the release of Para One’s new album SPECTRE: Machines of Loving Grace, available in half speed mastered 180g double lp housed in a heavy sleeve with UV spot varnish.
Machines of Loving Grace, the new album by Para One, whose real name is Jean-Baptiste de Laubier could be called fiction. It is an object freed from constraints, formats, genres, territories: the gospel of a new world. Six years after Club, eight years after Passion, his previous LP, this lover of electronic music, who has also been putting his sensitivity to the service of movies (soundtracks for Céline Sciamma in particular) opens with this record a new dimension in his artistic career. “I needed to break away from patterns and systematisms of formats, and take unexpected turns. To do so, I had first to allow myself to do so”.
Allow oneself and maybe above all confront oneself – with one’s childhood, with one’s childhood’s ghosts, and what fantasies, ideals, memories, and grey areas they harbor. He had to go back – without giving up on his position as an adult, as a full-fledged artist – to the sources of his imagination, to the moment when music was holding almost mystical power. And then revisit it to make something new out of it. Just like Sanity, Madness & the Family (the feature film directed by Para One that he just finished and of which it is a consubstantial part), Machines of Loving Grace has an investigation around a family secret and the father figure as its starting point. “When you go down the path – of a work, of a person, of the past – you never really find out what was. You find yourself,” explains Para One. For the musician/producer, this personal, identity quest doubles with a quest for sound. Machines of Loving Grace is both the story behind and the result of it.
After defining the structure of the album, Para One went exploring the sounds, and the figureheads that shaped his sensibility as a musician: soundtracks of Japanese anime watched hundreds of times; Indonesian drums and gamelan; the peculiar harmonies, on the verge of dissonance of Bulgarian Voices; Steve Reich’s minimal music; or Detroit techno music. Several trips, to Bali, Japan, and also Bulgaria, have thus fueled the album, clashing with and shaping the electronic architectures of Para One.
In Bali, he went deep into the jungle with the Suar Agung Group, who play jegog, a particular form of gamelan, to record the astounding « Silicon Jungle ». In Sofia, he met with the Mystère des voix Bulgares group. “I have long been fascinated by their peculiar, and voluntarily borderline off-key harmonies, between the East and the West. The text they sing is an invented language. The idea was really to create a traditional, cosmic song from another planet.” The choir illuminates « Shin Sekai », one of the most beautiful tracks in the album, that could be seen as a manifesto: like some emotional and cultural overlap, it blends percussions recorded with KODO on the island of Sado in Japan, violin played by Arthur Simonini, treated as if it were Arvo Pärt, and a very trance-like electronic arpeggio – which has become one of the signatures of Para One’s over the years.
It is also representative of the multiple weaving, between machine and human hand, acoustic and electronic textures, ritual practices and contemporary arrangements, which run through the record and make up its mystery, its oddness: the instruments used (guitar, marimba...) are taken away from the folk or pop sound imagery to which they are usually associated and re-processed by the producer. “I really come from electronic textures and I own it. For the first time, I tried my hand at acoustics, with real instruments. This is a difficult mix to dose out. It’s like a ridge line you have to be able to tread.”
In eleven tracks, the record that opens like a thriller with « Vertigo » – a theme full of danger, and anguish lurking in the winding curves of Alpine roads – takes the listener on a breath- taking journey, a constantly surprising, mystical odyssey. One crosses continents, dives in apnea to the ocean floor for several minutes (« Atlantique » gives the sensation of bringing Steve Reich, Rolando and Drexciya together in one room), then catches one's breath while listening to mysterious children voices as they chant their memories on the more atmospheric « Fauna », and goes back briefly to The Orb or Massive Attack (« Alpes »). After a dark night in the middle of the jungle (« Silicon Jungle »), there comes the time of light, of renewal. This is « Futatsu No Taiyo », which means “two suns” in Japanese, the final bravura on the record. Two fires that join their forces, their energies and give birth to new and truly transcendent music. One that gives access not to the divine but to a liberated self, freed from the weight of the past. A true rebirth.

Points of interests

- For fans of electronic, soundtracks, ambient, experimental, environmental, minimalism, avant-garde, synth, Detroit techno, gamelan, Kenji Kawai, Midori Takada, Steve Reich, The Orb, Drexciya, machines with humans emotions, epiphanies and rebirths.

- Official vinyl release of Para One’s new album SPECTRE: Machines of Loving Grace, in full audiophile experience: double LP with half speed mastered 180g vinyls in a heavy sleeve with UV spot varnish.

- New release from WRWTFWW Records (Midori Takada’s Through The Looking Glass, Kenji Kawai’s Ghost in the Shell Original Soundtrack, Pierre Barouh’s Le Pollen, John Carpenter’s Dark Star Soundtrack, Grauzone’s Eisbär…), label founded by Olivier Ducret of Mental Groove (Miss Kittin, Orbe, Donato Dozzy...) and Stephan Armleder of Villa Magica Records (Genesis Breyer P-Orridge, Christian Marclay, Stephan Eicher, John Armleder, Sylvie Fleury…)


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2LP, limited edition vinyl + booklet

Tracklist:
A1. HYbr:ID Ectopia Environment
A2. HYbr:ID Ectopia Elastic 1

B1. HYbr:ID Ectopia Quarks Minus
B2. HYbr:ID Ectopia Removing Infinities
B3. HYbr:ID Ectopia Elastic 2

C1. HYbr:ID Ectopia Interacting
C2. HYbr:ID Ectopia Radiation Mechanics

D1. HYbr:ID Ectopia Field 1
D2. HYbr:ID Ectopia Singularity
D3. HYbr:ID Ectopia Gravitation

Info:
HYbr:ID Vol. 2 is the second installment of Alva Noto’sHYbr:IDseries initiated in 2021. The new album captures the music commissioned to score RichardSiegal's Ectopia performed in 2021 by Tanztheater Pina Bausch with Shooting into the Corner (2008-09) by Anish Kapoor. Building upon the captivating blend of immersive dub and electronica from the first installment, HYbr:ID Vol. 2 takes the listener on a journey into the realm of intricately manipulated digital production. These ten compositions delve into infinity, drawing inspiration from resonance and elasticity, concepts rooted in Minkowski's four-dimensional spacetime model. Throughout the album, Carsten Nicolai summons precise rhythmic patterns that gracefully hover, reminiscent of celestial bodies orbiting in perfect cosmic unison. The sonic landscape gradually unfolds with somber and brooding tones, incorporating spacious sound design, ethereal atmospheres, and cascading metallic percussions. These elements are delicately crafted with artistic finesse, set against a backdrop of expansive dub textures. At times, the music takes unforeseen turns, as melancholic chords skitter and meander through a digital haze, evoking an atmosphere of introspection and emotion. The ten compositions are accompanied by graphic notations informed by the album’s sonic and acoustic codes.

Album art designed by Carsten Nicolai / Nibo
Mastering by Bo @ Calyx


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Release Info:

Released for the first time in 2011, 'Summvs' is the fifth and final installment of Alva Noto and Ryuichi Sakamoto's V.I.R.U.S. series. The title 'Summvs' refers to the Latin word "summa" (eng. sum) and "versus" (eng. towards); it serves as a metaphor for the work being oriented towards a collaborative result. The album features "Microon" compositions containing recordings of a 16th tone interval tuning piano - Piano Metamorfoseador Carrillo en Dieciseisavos de Tono. The album also features two covers of the track "By This River," composed by Brian Eno, Dieter Moebius, and Hans-Joachim Roedelius in 1977.

In the album's twelve compositions, Sakamoto's haunting piano arrangements coalesce with Nicolai's digital rhythms, creating a sonic aura as magnetic as it is meditative. Remastered in 2021 in collaboration with Calyx Studio, the album's recordings are accompanied by two new compositions titled 'Monomom' (released digitally in December 2021) and 'Kizuna.' Like 'Monomom,' 'Kizuna' is the studio version of the homonymous composition recorded during Alva Noto & Ryuichi Sakamoto's 2019 Australian tour and included in the album' TWO Live at Sydney Opera House" (2019, NOTON). The work 'Kizuna' means 'human bond' in Japanese and refers to the title of an animation piece by the Italian contemporary artist Valerio Berruti released in Japan in January 2011.

Album art designed by Carsten Nicolai
Mastering by Bo @ Calyx


Tracklisting
---------------------------------------------------------
Medium: 1 // Side: A // Track: 1

Artist: Alva Noto; Ryuichi Sakamoto
Title: Microon I
Playtime: 00:03:06
Explicit Lyrics: No
ISRC: UK6821719515
(P): 2022 NOTON
Country: Germany

Composer: Carsten Nicolai, Ryuichi Sakamoto
---------------------------------------------------------
Medium: 1 // Side: B // Track: 1

Artist: Alva Noto; Ryuichi Sakamoto
Title: Microon II
Playtime: 00:02:39
Explicit Lyrics: No
ISRC: UK6821719518
(P): 2022 NOTON
Country: Germany

Composer: Carsten Nicolai, Ryuichi Sakamoto
---------------------------------------------------------
Medium: 1 // Side: A // Track: 2

Artist: Alva Noto; Ryuichi Sakamoto
Title: Reverso
Playtime: 00:07:00
Explicit Lyrics: No
ISRC: UK6821719516
(P): 2022 NOTON
Country: Germany

Composer: Carsten Nicolai, Ryuichi Sakamoto
---------------------------------------------------------
Medium: 1 // Side: B // Track: 2

Artist: Alva Noto; Ryuichi Sakamoto
Title: Pionier IOO
Playtime: 00:05:47
Explicit Lyrics: No
ISRC: UK6821719519
(P): 2022 NOTON
Country: Germany

Composer: Carsten Nicolai, Ryuichi Sakamoto
---------------------------------------------------------
Medium: 1 // Side: A // Track: 3

Artist: Alva Noto; Ryuichi Sakamoto
Title: Halo
Playtime: 00:07:10
Explicit Lyrics: No
ISRC: UK6821719517
(P): 2022 NOTON
Country: Germany

Composer: Carsten Nicolai, Ryuichi Sakamoto
---------------------------------------------------------
Medium: 1 // Side: B // Track: 3

Artist: Alva Noto; Ryuichi Sakamoto
Title: Ionoscan
Playtime: 00:04:09
Explicit Lyrics: No
ISRC: UK6821719520
(P): 2022 NOTON
Country: Germany

Composer: Carsten Nicolai, Ryuichi Sakamoto
---------------------------------------------------------
Medium: 1 // Side: B // Track: 4

Artist: Alva Noto; Ryuichi Sakamoto
Title: By This River
Playtime: 00:04:03
Explicit Lyrics: No
ISRC: UK6821719521
(P): 2022 NOTON
Country: Germany

Composer: Carsten Nicolai, Ryuichi Sakamoto
---------------------------------------------------------
Medium: 2 // Side: C // Track: 1

Artist: Alva Noto; Ryuichi Sakamoto
Title: Naono
Playtime: 00:11:20
Explicit Lyrics: No
ISRC: UK6821719522
(P): 2022 NOTON
Country: Germany

Composer: Carsten Nicolai, Ryuichi Sakamoto
---------------------------------------------------------
Medium: 2 // Side: D // Track: 1

Artist: Alva Noto; Ryuichi Sakamoto
Title: Monomom
Playtime: 00:05:31
Explicit Lyrics: No
ISRC: UK6821719525
(P): 2022 NOTON
Country: Germany

Composer: Carsten Nicolai, Ryuichi Sakamoto
---------------------------------------------------------
Medium: 2 // Side: D // Track: 2

Artist: Alva Noto; Ryuichi Sakamoto
Title: Kizuna
Playtime: 00:05:42
Explicit Lyrics: No
ISRC: UK6821719526
(P): 2022 NOTON
Country: Germany

Composer: Carsten Nicolai, Ryuichi Sakamoto
---------------------------------------------------------
Medium: 2 // Side: C // Track: 2

Artist: Alva Noto; Ryuichi Sakamoto
Title: Microon III
Playtime: 00:03:02
Explicit Lyrics: No
ISRC: UK6821719523
(P): 2022 NOTON
Country: Germany

Composer: Carsten Nicolai, Ryuichi Sakamoto
---------------------------------------------------------
Medium: 2 // Side: C // Track: 3

Artist: Alva Noto; Ryuichi Sakamoto
Title: By This River – Phantom
Playtime: 00:08:14
Explicit Lyrics: No
ISRC: UK6821719524
(P): 2022 NOTON
Country: Germany

Composer: Carsten Nicolai, Ryuichi Sakamoto
---------------------------------------------------------



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DLP: 350gsm Sleeve, Sticker, Liner Notes

Tracklisting DLP
A1. Reflection
A2. Fluctuation
B1. Light From Clouds
B2. Air To Feel Outside
B3. Inner Voice
C1. Looking Back
C2. The Breath Of Cyberspace
C3. Babel’s Library
D1. Cross Section Of The Underground
D2. Voice From Past Technology
D3. Study For Scientists

Release Info:

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WRWTFWW Records couldn't be happier to announce the release of Yutaka Hirose’s never-heard before 11-track collection TRACE: Sound Design Works 1986-1989, available on double LP and double CD, with liner notes from the artist.

TRACE is a collection of 11 unreleased tracks produced by Yutaka Hirose between 1986 and 1989, during the Sound Process Design sessions, right after the release of his classic Soundscape series album Nova. Sound Process Design was Satoshi Ashikawa's label, home of the Wave Notation trilogy (Hiroshi Yoshimura’s Music For Nine Postcards, Satsuki Shibano's Erik Satie 1866-1925 and Satoshi Ashikawa's Still Way). Following Wave Notation, Sound Process Design worked with museums, cafes and bars to create site-specific soundscapes, starting with the sound design of the Kushiro Museum. Yutaka Hirose was called to work on these projects.

Rather than simply providing pre-recorded compositions, Hirose sought to create a "sound scenery". To achieve this, he participated in the conception of the space and paid particular attention to the accidental combination of sounds by placing the speakers, using a multi-sound source, and following the concept of "sculpturing time through sound".

The composer explains: "sculpturing time through sound means that time, the space itself, the sound played in it, and the audience all become one sculpture. It is close to the idea of a Japanese tea ceremony where you use all of your 5 (or 6) senses to taste the tea."

TRACE: Sound Design Works 1986-1989 is divided into two parts. The Reflection segment is based on an ambient soundscape. It narrates "a sleep that starts with the sound of water droplets at dawn and slowly disappears into darkness" and feels like a natural and soothing progression of Nova. It was played in entrance halls, at events, in cafes and bars. The Voice from Past Technology segment expresses the dream world born out of that sleep and is based on what Yukata Hirose calls hardcore ambient, environmental music with a noise approach. It was played in museums and science centers.

All in all, TRACE is a crucial addition to every Japanese environmental music fan’s collection, alongside Midori Takada’s Through The Looking Glass, Hiroshi Yoshimura’s Green, Satoshi Ashikawa’s Still Way, Motohiko Hamase’s Notes of Forestry, Inoyamaland’s Danzindan-Pojidon, and Yutaka Hirose’s very own Nova.


Points of interests

- For fans of environmental, minimalism, ambient, furniture music, Satoshi Ashikawa, Midori Takada, Hiroshi Yoshimura, entrance halls, museums, and time sculptures.

- 11 never-heard tracks from Yutaka Hirose (Nova) recorded between 1986 and 1989, available on Double LP and Double CD.


Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More

Jean-Baptiste de Laubier, aka Para One, has always been an hyperactive guy. He first started as no-nonsense hip-hop producer in the mid-nineties, making beats for undeground rap artists. His recording studio was actually his one-room apartment in Southern Paris, where MCs were coming on a daily basis, crammed around a mic, an MPC and a battered convertible.
At the turn of the century, he began producing his own instrumental tracks and soon got in touch with the TTC people, then at the core of the burgeoning French indie rap scene. This was the beginning of a new exploration in sound for him : from traditional rap, Para One switched to IDM and techno-infused beats, fizzing with 8-bits FX and deconstructed grooves.
After TTC's first LP Ceci n'est pas un disque, in 2002, for Ninja Tune's rap sublabel Big Dada, Para produced L'Atelier's (an indie rap supergroup) album for seminal Parisian label Institubes, with his boy Tacteel, whom with he also started a live electronic project named FuckALoop.
In 2003 came the massive " Beatdown EP ", and then TTC's 2nd album in 2004, Bâtards Sensibles, two records that definitely proved how rap attitude and electronic wizardry could be melt into one single sound - an idea many people didn't quite buy at the time. In 2005, Laubier graduated from the FEMIS film school, and found the time to start working on his first solo LP, the critically acclaimed Epiphanie, that came out in 2006 on Institubes.
Intense touring years followed, both as a DJ and live act, all over Europe, North America, Japan, alongside other Institubes artists such as Surkin and Bobmo. He played at Coachella twice, Pukkelpop, Calvi on the Rocks, Primaverra. Reknown for his heavy technical skills, he also became a hot remixer (Daft Punk, Bloc Party, Justice, Boys Noize, etc.) and a hot producer (Birdy Nam Nam, Slice & Soda and now Mickey Green). In 2007, he composed the soundtrack for his Femis friend Céline Sciamma's movie Water Lilies, and directed his own film in 2010, It Was On Earth That I Knew Joy. After the demise of Institubes in early 2011, he and his mates Bobmo and Surkin set up a new imprint called Marble, for which Para already produced or co-produced a dozen tracks. He simulteanously worked on his second album, called Passion, that'll be out in a few weeks.
This a new shift again in Para One's career : the album feels much warmer and confortable than his previous work. It's also much poppier and has a fine number of true hits, complete with vocals from Tekilatex, Irfane and Jaw.
The Euro-neurotic's tension is still there sometimes, but the muscle softened and the flesh took over. This is basically uptempo, futuristic R&B with an unmissable sexy touch : it's teeming with round-shaped sounds, wet textures and gentle aural strokes. The whole movement is mid-paced and light-headed, and it's clearly a home-listening, or even bed-listening, slow jam album. The tenderness often gets spaced up or angularized, though. The beats sometimes manage to sound both smooth and rough, easy and intricate, and ghosts of Para's rap training can be heard everywhere.There's also hints of 2-step, deep house, IDM and boogie funk, yet it's a singular, idiosyncratic record, made with an extremely cohesive approach.
It's an almost serene effort, and it's certainly generous and loving in the way it unfurls its numerous ideas. This is an album you get deep into, but there's nothing dramatic to it - it's just unadultered, voluptuous pleasure
Tracklisting:
Side A:
1. Ice Cold
2. Wake Me Up
3. Every Little Thing (feat Irfane and Teki Latex)
4. Vibrations followed by Poisoned Apples (Interlude)
5. When the Night (feat. Jaw)
6. Sigmund
Side B :
1. Love Ave (feat. Additional vocals by Jaw)
2. You
3. Albatros
4. Lean On Me (feat. Teki Latex)
5. The Talking Drums
6. Empire


Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More