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Germany
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Germany
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Label:All Is Acid
Cat-No:AIA001
Release-Date:24.10.2025
Genre:Electronic, Electronica
Configuration:12" Excl
Label:All Is Acid
Cat-No:AIA001
Release-Date:24.10.2025
Genre:Electronic, Electronica
Configuration:12" Excl
1
Acid Pauli - Den Mahlstrom rauf
2
Acid Pauli - Den Mahlstrom runter
3
Acid Pauli - Den Mahlstrom rauf (Adiel Remix)
GENRE/S:
Electronica, Breaks
TRACKLIST:
A. Den Mahlstrom rauf
B1. Den Mahlstrom runter
B2. Den Mahlstrom rauf (Adiel Remix)
SHORT INFO:
For Martin Gretschmann, the ever-evolving Berlin artist known as both Acid Pauli and Console, music has always been a deeply personal journey.
His new imprint, All Is Acid, is the destination, a creative home for his uncompromising and experimental sound. Breaking from the cycle of trends, the label is a return to the essential, offering just a few curated releases a year. Each is intended as a timeless artifact for deep listening, primarily showcasing Acid Pauli's own intricate and intimate productions.
The label debuts with a newly remastered version of his classic 2010 EP "Den Mahlstrom rauf." But the release is given a powerful new dimension by a standout remix from Italian artist Adiel. Their collaboration was sparked by pure serendipity: a fan video of Acid Pauli playing her music in Milan reached Adiel, who responded with a short film for Vogue. In it, she revealed that "Den Mahlstrom rauf" was a formative influence and one of the very first records she ever bought.
Inviting her to remix the track that helped shape her sound was a full-circle moment, artistically and emotionally. Her bold, reverent reinterpretation honors the original's spirit while imprinting it with her own unique signature. With this release, All Is Acid launches not just with music, but with a story of connection, community and a shared artistic lineage
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Electronica, Breaks
TRACKLIST:
A. Den Mahlstrom rauf
B1. Den Mahlstrom runter
B2. Den Mahlstrom rauf (Adiel Remix)
SHORT INFO:
For Martin Gretschmann, the ever-evolving Berlin artist known as both Acid Pauli and Console, music has always been a deeply personal journey.
His new imprint, All Is Acid, is the destination, a creative home for his uncompromising and experimental sound. Breaking from the cycle of trends, the label is a return to the essential, offering just a few curated releases a year. Each is intended as a timeless artifact for deep listening, primarily showcasing Acid Pauli's own intricate and intimate productions.
The label debuts with a newly remastered version of his classic 2010 EP "Den Mahlstrom rauf." But the release is given a powerful new dimension by a standout remix from Italian artist Adiel. Their collaboration was sparked by pure serendipity: a fan video of Acid Pauli playing her music in Milan reached Adiel, who responded with a short film for Vogue. In it, she revealed that "Den Mahlstrom rauf" was a formative influence and one of the very first records she ever bought.
Inviting her to remix the track that helped shape her sound was a full-circle moment, artistically and emotionally. Her bold, reverent reinterpretation honors the original's spirit while imprinting it with her own unique signature. With this release, All Is Acid launches not just with music, but with a story of connection, community and a shared artistic lineage
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
In the weird world of Wevie Stonder, things are never straightforward. The four-piece collective headed up
by Al Boorman have returned with their first album in 16 years - and one reason it took so long is that they
couldn't think of a title.
The group are renowned for their outlandish electronics and humorous vocal performances, with a series of
treasured releases on Manchester's eminent Skam Records, and their latest album Sure Beats Living ventures into unknown realms. Introducing a host of new characters, tall tales and bizarre scenarios to a musical backdrop as varied as it is striking, the record darts between ambient tranquility, strange soundtracks, bass-heavy beats and emotive R&B.
stream: https://samply.app/p/yxFgUJQYWinYoSKWnOz5
Video:
Album teaser: https://samply.app/p/yvbGQhDRXdKcx5sBDFUo
Album promo film: https://samply.app/p/CW9v5iMOOVqh3IjirDJg
Carpet Squares - single - 'out now': https://samply.app/p/ZJ82z1gJF9pr5ccyl4Gt
Wevie Stonder's Drawing on Other People's Heads - Worst Album Ever Made? Feat. Glumburger
Opener "That's Magic" features a magician talking us through a convoluted magic trick, to a mysterious synth theme that a celebrity conjurer might use to help the pyramids disappear. It's probably one of the only pieces of music to draw influences from Paul Daniels. "Carpet Squares" is a hefty slab of squirming machine bass, acid squidges and clanking industrial drums, its samples extolling the virtues of fitting comfortable flooring, with a voiceover recorded on a Canadian golf course. "Vanja & Slavcho" tells the odd story of twins who have an extraordinary ability to a bustle of spiralling arpeggios and comedic sound effects, while "Tiktaalik" has a glam rock beat, guitar twangs, wild synth runs and dance music drum rolls that build to nowhere, plus processed dolphin noises and a vocal about evolution. Then there's "Piccolo's Travels", a spellbinding mix of classical strings and... is that a malfunctioning Clanger?
"Album Titles" lists rejected names for the record to hilarious effect, with outlandish blips, accordion riffs and bubbling percussion setting the scene, "The 38th Parallel" is a wonky slab of electronica, while "Push It" has everything from rock guitar interjections to explosions and birdsong. If "Customer Services" imagines the bewildering experience of dealing with a sentient automated phone call, then the following "Nothing To Write Home About" is a waltz-time organ piece with a nostalgic, bittersweet air. "Ready?" lists practically every genre under the sun and gives you a burst of it, from drill to country & western, hardcore to Miami bass, and the final track, "The Void", is an AutoTune-laced R&B track with a deep, emotional core.
That's the genius of Wevie Stonder: their ability to make you laugh one minute, and the next transport you
to an atmospheric reverie.
1.That's Magic 2. Carpet Squares 3. Vanja & Slavcho 4. Tiktaalik 5. Piccolo's Travels 6. Album Titles 7. The 38th Parallel 8. Push it 9. Customer Services 10. Nothing to Write Home About 11. Ready? 12. The Void
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
by Al Boorman have returned with their first album in 16 years - and one reason it took so long is that they
couldn't think of a title.
The group are renowned for their outlandish electronics and humorous vocal performances, with a series of
treasured releases on Manchester's eminent Skam Records, and their latest album Sure Beats Living ventures into unknown realms. Introducing a host of new characters, tall tales and bizarre scenarios to a musical backdrop as varied as it is striking, the record darts between ambient tranquility, strange soundtracks, bass-heavy beats and emotive R&B.
stream: https://samply.app/p/yxFgUJQYWinYoSKWnOz5
Video:
Album teaser: https://samply.app/p/yvbGQhDRXdKcx5sBDFUo
Album promo film: https://samply.app/p/CW9v5iMOOVqh3IjirDJg
Carpet Squares - single - 'out now': https://samply.app/p/ZJ82z1gJF9pr5ccyl4Gt
Wevie Stonder's Drawing on Other People's Heads - Worst Album Ever Made? Feat. Glumburger
Opener "That's Magic" features a magician talking us through a convoluted magic trick, to a mysterious synth theme that a celebrity conjurer might use to help the pyramids disappear. It's probably one of the only pieces of music to draw influences from Paul Daniels. "Carpet Squares" is a hefty slab of squirming machine bass, acid squidges and clanking industrial drums, its samples extolling the virtues of fitting comfortable flooring, with a voiceover recorded on a Canadian golf course. "Vanja & Slavcho" tells the odd story of twins who have an extraordinary ability to a bustle of spiralling arpeggios and comedic sound effects, while "Tiktaalik" has a glam rock beat, guitar twangs, wild synth runs and dance music drum rolls that build to nowhere, plus processed dolphin noises and a vocal about evolution. Then there's "Piccolo's Travels", a spellbinding mix of classical strings and... is that a malfunctioning Clanger?
"Album Titles" lists rejected names for the record to hilarious effect, with outlandish blips, accordion riffs and bubbling percussion setting the scene, "The 38th Parallel" is a wonky slab of electronica, while "Push It" has everything from rock guitar interjections to explosions and birdsong. If "Customer Services" imagines the bewildering experience of dealing with a sentient automated phone call, then the following "Nothing To Write Home About" is a waltz-time organ piece with a nostalgic, bittersweet air. "Ready?" lists practically every genre under the sun and gives you a burst of it, from drill to country & western, hardcore to Miami bass, and the final track, "The Void", is an AutoTune-laced R&B track with a deep, emotional core.
That's the genius of Wevie Stonder: their ability to make you laugh one minute, and the next transport you
to an atmospheric reverie.
1.That's Magic 2. Carpet Squares 3. Vanja & Slavcho 4. Tiktaalik 5. Piccolo's Travels 6. Album Titles 7. The 38th Parallel 8. Push it 9. Customer Services 10. Nothing to Write Home About 11. Ready? 12. The Void
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Tracklist 2LP:
A-Seite
1. Black Poppies
2. denver luna
3. Techno Shinkansen
4. and the colour red
B-Seite
5. Sweet Lands Experience
6. Lewis In Pomona
7. Hilo Sky
8. Burst Of Laughter
C-Seite
9. King Of Haarlem
10. Ottavia
11. denver luna (acapella)
D-Seite
12. Gene Pool
13. Oh Thorn!
14. Iron Bones
15. Stick Man Test
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
A-Seite
1. Black Poppies
2. denver luna
3. Techno Shinkansen
4. and the colour red
B-Seite
5. Sweet Lands Experience
6. Lewis In Pomona
7. Hilo Sky
8. Burst Of Laughter
C-Seite
9. King Of Haarlem
10. Ottavia
11. denver luna (acapella)
D-Seite
12. Gene Pool
13. Oh Thorn!
14. Iron Bones
15. Stick Man Test
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
NTFO - A1 Paran
2
NTFO - A2 Nothing To Lose
3
NTFO - B1 Flashbacks (VINYL ONLY)
4
NTFO - B2 Paran (Nuzau Remix) (VINYL ONLY)
2023 Repress
Special remarks: 180G VINYL // 2 VINYL ONLY TRACKS // NEW PRINTED SLEEVE
Tracklist 12":
A1 Paran
A2 Nothing To Lose
B1 Flashbacks (VINYL ONLY)
B2 Paran (Nu Zau Remix) (VINYL ONLY)
Release Info:
Vinyl pressed on 180g, B-Side comes with two vinyl only tracks.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Special remarks: 180G VINYL // 2 VINYL ONLY TRACKS // NEW PRINTED SLEEVE
Tracklist 12":
A1 Paran
A2 Nothing To Lose
B1 Flashbacks (VINYL ONLY)
B2 Paran (Nu Zau Remix) (VINYL ONLY)
Release Info:
Vinyl pressed on 180g, B-Side comes with two vinyl only tracks.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Oren Ambarchi - Quixotism Part 1 (10th Anniversary Remaster)
2
Oren Ambarchi - Quixotism Part 2 (10th Anniversary Remaster)
3
Oren Ambarchi - Quixotism Part 3 (10th Anniversary Remaster)
4
Oren Ambarchi - Quixotism Part 4 (10th Anniversary Remaster)
5
Oren Ambarchi - Quixotism Part 5 (10th Anniversary Remaster)
Black Truffle is pleased to announce a tenth anniversary reissue of Oren Ambarchi’s Quixotism, originally released on Editions Mego in 2014. Recorded with a multitude of collaborators in Europe, Japan, Australia and the USA, Quixotism presents the fruit of two years of work in the form of a single, LP-length piece in five parts. Quixotism takes the driving rhythmic aspect of works such as Sagittarian Domain to new levels, with the entirety of this long-form work built on a foundation of pulsing double-time electronic percussion provided by Thomas Brinkmann. Beginning as almost subliminal propulsion behind cavernous orchestral textures and John Tilbury’s delicate piano interjections, the percussive elements (elaborated on by Ambarchi and Matt Chamberlain) slowly inch into the foreground of the piece before suddenly breaking out into a polyrhythmic shuffle around the halfway mark, and joined by master Japanese tabla player U-zhaan for the piece’s final, beautiful passages.
The pulse acts as thread leading the listener through a heterogeneous variety of acoustic spaces, from the concert hall in which the Icelandic Symphony Orchestra were recorded to the intimacy of crys cole’s contact-mic textures. Ambarchi’s guitar itself ranges over this wide variety of acoustic spaces, from airless, clipped tones to swirling, reverberated fog. Within the complex web Ambarchi spins over the piece’s steadily pulsing foundation, elements approach and recede in a non-linear fashion, even as the piece plots an overall course from the grey, almost Nono-esque reverberated space of its opening section to the crisp foreground presence of Jim O’Rourke’s synth and Evyind Kang’s strings in its final moments. Formally indebted to the side-long workouts of classic Cologne techno, the long-form works of composers such as Éliane Radigue and the organic push and pull of improvised performance, Quixotism is constantly in motion, yet its transitions happen slowly and steadily, often nearly imperceptible, the diverse elements which make up the piece succeeding one another with the logic of a dream.
At the time of its first release, Quixotism was clearly a summation of Ambarchi’s work in the years leading up to it. Now, listening back a decade later, it also seems like an arrow pointing to the future, suggesting paths that would be explored further in works to come: the pulsating guitar layers of Hubris, the album-length collaboration with Jim O’Rourke and U-zhaan on Hence, Shebang’s joyous layering and percussive drive. Now sounding better than ever in a new remaster by Joe Talia, the time is ripe to rediscover its quixotic charms.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
The pulse acts as thread leading the listener through a heterogeneous variety of acoustic spaces, from the concert hall in which the Icelandic Symphony Orchestra were recorded to the intimacy of crys cole’s contact-mic textures. Ambarchi’s guitar itself ranges over this wide variety of acoustic spaces, from airless, clipped tones to swirling, reverberated fog. Within the complex web Ambarchi spins over the piece’s steadily pulsing foundation, elements approach and recede in a non-linear fashion, even as the piece plots an overall course from the grey, almost Nono-esque reverberated space of its opening section to the crisp foreground presence of Jim O’Rourke’s synth and Evyind Kang’s strings in its final moments. Formally indebted to the side-long workouts of classic Cologne techno, the long-form works of composers such as Éliane Radigue and the organic push and pull of improvised performance, Quixotism is constantly in motion, yet its transitions happen slowly and steadily, often nearly imperceptible, the diverse elements which make up the piece succeeding one another with the logic of a dream.
At the time of its first release, Quixotism was clearly a summation of Ambarchi’s work in the years leading up to it. Now, listening back a decade later, it also seems like an arrow pointing to the future, suggesting paths that would be explored further in works to come: the pulsating guitar layers of Hubris, the album-length collaboration with Jim O’Rourke and U-zhaan on Hence, Shebang’s joyous layering and percussive drive. Now sounding better than ever in a new remaster by Joe Talia, the time is ripe to rediscover its quixotic charms.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Prince Philip - Madness 13
2
Prince Philip - You Were Mine
3
Prince Philip - Revolution Come
4
Prince Philip - Man Free Dub
5
Prince Philip - Days Of Old
6
Prince Philip - Dubb Girl
7
Prince Philip - Dubb Girl Rhythm
8
Prince Philip - Official Sound
9
Prince Philip - Fragile Rhythm
10
Prince Philip - Kid Phil Rhythm
11
Prince Philip - Zion City - Jacob Miller
12
Prince Philip - Zion City Dub Wise
13
Prince Philip - Lorraine Dub Wise - Jacob Miller
14
Prince Philip - Rock My Soul Dub Wise
15
Prince Philip - Trying Man - Johnny Clarke
16
Prince Philip - You Were Dubbing
17
Prince Philip - Sit And Cry
18
Prince Philip - Iron Bird - Jacob Miller
19
Prince Philip - Riding On A High & Windy Day (Alt. Take) - Breezy & Hugh Mundell
20
Prince Philip - Riding Rhythm
Preview: https://soundcloud.com/dkr-nyc/sets/dkr-286-v-a-prince-philip
This compilation is dedicated to the memory of the late great “Prince” Philip Smart - the first apprentice of King Tubby and the first engineer at Tubby’s studio besides Tubby himself. Alongside Tubby, Philip was integral to the innovation that took place at Tubby’s studio in the mid 1970s, where the mixing of new roots reggae revolutionized the sound of Jamaican music and created styles and techniques that are still being echoed today, nearly 50 years later.
Though rarely credited on records in comparison to Tubby, Philip also mixed a lot of the paramount music produced by those close associates of Tubby’s studio such as Bunny Lee, Yabby You, and Augustus Pablo. Philip was closely tied to Pablo due to their childhood friendship and was a partner in his stylistically significant early production works. In the early years of Tubby’s studio, both men were making and cutting custom dubs there for their sound systems before starting to produce their own tunes from scratch, and Philip becoming the second chair engineer.
Several of the songs on this compilation are a selection of the aforementioned work. All of the songs here are sourced from Philip’s personal tape archive, and basically all of these mixes and versions have been scarcely if ever heard, and never released before. This double album comprises a rare and genuine glimpse into the dubplate workings of the inner circle of Tubby’s studio in the mid 1970s, where the prime players and emerging giants of reggae music production and sound system versioned, remixed and voiced rhythms for custom and exclusive cuts. Some of the cuts heard here were formerly exclusive power plays on King Tubby’s own legendary sound system, and unlike some previous issues of such material, these are genuine mixes done at the time. Some other tracks clearly exude the youthful enthusiasm of the participants. In both cases we find this collection of tracks to be truly compelling, so please enjoy this glimpse into such rare air. Rest in power Prince Philip Smart.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
This compilation is dedicated to the memory of the late great “Prince” Philip Smart - the first apprentice of King Tubby and the first engineer at Tubby’s studio besides Tubby himself. Alongside Tubby, Philip was integral to the innovation that took place at Tubby’s studio in the mid 1970s, where the mixing of new roots reggae revolutionized the sound of Jamaican music and created styles and techniques that are still being echoed today, nearly 50 years later.
Though rarely credited on records in comparison to Tubby, Philip also mixed a lot of the paramount music produced by those close associates of Tubby’s studio such as Bunny Lee, Yabby You, and Augustus Pablo. Philip was closely tied to Pablo due to their childhood friendship and was a partner in his stylistically significant early production works. In the early years of Tubby’s studio, both men were making and cutting custom dubs there for their sound systems before starting to produce their own tunes from scratch, and Philip becoming the second chair engineer.
Several of the songs on this compilation are a selection of the aforementioned work. All of the songs here are sourced from Philip’s personal tape archive, and basically all of these mixes and versions have been scarcely if ever heard, and never released before. This double album comprises a rare and genuine glimpse into the dubplate workings of the inner circle of Tubby’s studio in the mid 1970s, where the prime players and emerging giants of reggae music production and sound system versioned, remixed and voiced rhythms for custom and exclusive cuts. Some of the cuts heard here were formerly exclusive power plays on King Tubby’s own legendary sound system, and unlike some previous issues of such material, these are genuine mixes done at the time. Some other tracks clearly exude the youthful enthusiasm of the participants. In both cases we find this collection of tracks to be truly compelling, so please enjoy this glimpse into such rare air. Rest in power Prince Philip Smart.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
NTFO - Drivenman
2
NTFO - SMRK
3
NTFO - Tsipla
4
NTFO - Soulistics
2025 Repress
Special remarks: VINYL ONLY // 180G VINYL // PRINTED KRAFTPACK SLEEVE
Tracklist 12":
A1 Drivenman
A2 SMRK
B1 Tsipla
B2 Soulistics
Romanian duo Dani and Robert aka NTFO returns to the label with four minimal monsters
The vinyl comes as 180g vinyl only release.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Special remarks: VINYL ONLY // 180G VINYL // PRINTED KRAFTPACK SLEEVE
Tracklist 12":
A1 Drivenman
A2 SMRK
B1 Tsipla
B2 Soulistics
Romanian duo Dani and Robert aka NTFO returns to the label with four minimal monsters
The vinyl comes as 180g vinyl only release.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
UPC: 5060281619082 - pale green vinyl, CD included + 4 Pages Poster Release: 19.01.2015
Features the CD.Original Lp artwork. Remastered from original tapes .Also includes a 4 pages 30 cm x30 cm poster-booklet with photos, biographic notes (in english) & reminder of all vinyl references available
“SUPERNATURE“ (Cerrone III) 1. Supernature 2. Sweet drums 3. In the smoke 4. Give me love 5. Love is here 6. Love is the answer
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Features the CD.Original Lp artwork. Remastered from original tapes .Also includes a 4 pages 30 cm x30 cm poster-booklet with photos, biographic notes (in english) & reminder of all vinyl references available
“SUPERNATURE“ (Cerrone III) 1. Supernature 2. Sweet drums 3. In the smoke 4. Give me love 5. Love is here 6. Love is the answer
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More