1
Big Hands - Girde Maye / Astere (Notte Infinita remix)
2
Big Hands - Girde Maye / Astere (Tammo Hesselink remix)
3
Big Hands - Girde Maye / Astere (Paperclip Minimiser remix)
200 copies.
“Tu non hai questo suono. Non avrai mai questo sound”
Blank Mind presents three sublime versions of Big Hands’ ‘Girde Maye / Astere’ from Tammo Hesselink, Notte Infinita and Paperclip Minimiser - originally released on the Ossario EP in 2021.
Though playful in nature, and not overtly political - the lyrics explore identity and geographical boundaries. As the artist explains - it is written by an Italian and a Türk that talks in Italian, released in Britain in times of Brexit “and that’s why I chose to have a title in Kurdish in a song “sung” by a Türk.”
The vocal provides endless scope for reshaping and is entrusted to some of the most distinctive producers in electronic music; each of whom sensitively reimagine the original.
On the flip, the esteemed and prolific Tammo Hesselink produces a robust, and heavy version in his angular, crystalline style. Finally, Cong Burn wizard Paperclip Minimiser slows the tempo with a futuristic roller, an impressive creation by a man deeply immersed in technological innovation and at one with his machines. More
“Tu non hai questo suono. Non avrai mai questo sound”
Blank Mind presents three sublime versions of Big Hands’ ‘Girde Maye / Astere’ from Tammo Hesselink, Notte Infinita and Paperclip Minimiser - originally released on the Ossario EP in 2021.
Though playful in nature, and not overtly political - the lyrics explore identity and geographical boundaries. As the artist explains - it is written by an Italian and a Türk that talks in Italian, released in Britain in times of Brexit “and that’s why I chose to have a title in Kurdish in a song “sung” by a Türk.”
The vocal provides endless scope for reshaping and is entrusted to some of the most distinctive producers in electronic music; each of whom sensitively reimagine the original.
On the flip, the esteemed and prolific Tammo Hesselink produces a robust, and heavy version in his angular, crystalline style. Finally, Cong Burn wizard Paperclip Minimiser slows the tempo with a futuristic roller, an impressive creation by a man deeply immersed in technological innovation and at one with his machines. More
More records from Big Hands
1
Big Hands - Part 1
2
Big Hands - Part 2
3
Big Hands - Part 3
4
Big Hands - Part 4
5
Big Hands - Il Galeone
6
Big Hands - Part p5
Italian born, London-based soundsmith Andrea Ottomani dons his Big Hands moniker for an excursion in modern dub on the burgeoning Teeth label. Ottomani is the artist behind the label Baroque Sunburst, which he runs with Soreab, and he also forms half of jazz techno unit Ottomani Parker with Abraham Parker.
The Vulgarity Of Snow is Ottomani’s woozy, lilting soundwalk through techno, experimental electronics and scorched earth acid. The untitled tracks are less like distinct entities and give way to a larger, conjoined pair of triptychs spread out over two sides of wax. They feel like a paean to the format, which no doubt comes from Ottomani’s time spent working at one of London’s most revered record shops. As a longer, more probing piece, it’s anathema to talk about The Vulgarity Of Snow in terms of bpms and sub-genres, and arguably it owes as much to free jazz and psych-rock as it does to more leaden styles such as dub and roots. At times it pays tribute to the work of acts like Basic Channel and Random Trio, deploying dub electronics in novel ways, but it is also broader in its choice of sounds. On B2, for example, Mino Carbone, the artist’s uncle and an Italian anarchist from the same lineage as artists like Dario Fo, plays a song from that tradition. It’s not a chaotic piece, but it’s not heavily constrained.
Teeth is an ideal home for Ottomani’s freeform work, following contributions to Beat Machine, Blank Mind and Oscilla. The label is the brainchild of Jojo Mathiszig, who also runs Farringdon record shop and radio station Kindred. Slade graduate and Kindred co-founder, Scarlet Griffiths, supplies the artwork following on from her recent exhibition at Dinner Party Gallery. More
The Vulgarity Of Snow is Ottomani’s woozy, lilting soundwalk through techno, experimental electronics and scorched earth acid. The untitled tracks are less like distinct entities and give way to a larger, conjoined pair of triptychs spread out over two sides of wax. They feel like a paean to the format, which no doubt comes from Ottomani’s time spent working at one of London’s most revered record shops. As a longer, more probing piece, it’s anathema to talk about The Vulgarity Of Snow in terms of bpms and sub-genres, and arguably it owes as much to free jazz and psych-rock as it does to more leaden styles such as dub and roots. At times it pays tribute to the work of acts like Basic Channel and Random Trio, deploying dub electronics in novel ways, but it is also broader in its choice of sounds. On B2, for example, Mino Carbone, the artist’s uncle and an Italian anarchist from the same lineage as artists like Dario Fo, plays a song from that tradition. It’s not a chaotic piece, but it’s not heavily constrained.
Teeth is an ideal home for Ottomani’s freeform work, following contributions to Beat Machine, Blank Mind and Oscilla. The label is the brainchild of Jojo Mathiszig, who also runs Farringdon record shop and radio station Kindred. Slade graduate and Kindred co-founder, Scarlet Griffiths, supplies the artwork following on from her recent exhibition at Dinner Party Gallery. More
1
Big Hands - A square, a circle
2
Big Hands - Selvatico
3
Big Hands - Abanera
Big Hands marks Blank Mind's twentieth release on ‘A square, a circle’. A product of “the loopy miserable life in the big city which we are forced to live; and the need for metaphysical meaning, deep feelings and the tribalistic aspects of early folk music”.
In other words, this EP is a contemporary urban blues that echoes in the austere realism of London. The recursive patterns and melodies haunting the sound groove like a spirit, and twist inside an echo chamber and tape machines. The ‘square’ and ‘circle’ in the title are symbols of simple abstraction that can generate multiple figures in nature and culture, as well as in the gyration of geometric play. As maintained here, his minimal sound palette shapes the elegant freedom of unexpected behaviours of the machinic ensemble. ‘A Square, a circle’ is an invitation to experience the geometrical liberation of sounds. More
In other words, this EP is a contemporary urban blues that echoes in the austere realism of London. The recursive patterns and melodies haunting the sound groove like a spirit, and twist inside an echo chamber and tape machines. The ‘square’ and ‘circle’ in the title are symbols of simple abstraction that can generate multiple figures in nature and culture, as well as in the gyration of geometric play. As maintained here, his minimal sound palette shapes the elegant freedom of unexpected behaviours of the machinic ensemble. ‘A Square, a circle’ is an invitation to experience the geometrical liberation of sounds. More
1
Big Hands - Girde Maye/Astere
2
Big Hands - Modulo
3
Big Hands - Oscillation
4
Big Hands - Cariatide
The Ossario EP presents four serpentine and labyrinthine techno tracks produced between 2019-20 by Andrea Bonalumi, also known as Big Hands. The title is an homage to San Bernardino alle Ossa in Bonalumi’s hometown of Milan, and personifies the ethereal and opaque atmosphere of his ouevre.
Stylistically ‘Girde Maye/Astere’ embodies the interrelation between his Milanese roots and adopted home of London. Recorded one summer evening in Bow, it includes an original vocal by a Turkish immigrant, spoken in Italian - a paean to an unrealised, borderless world. This is followed by the pendulous, mutating bell tones of ’Modulo’, a fragmented and abstract epic of sublime beauty that defies easy categorisation.
On ‘Oscillation’ the producer explores polyrhythms, which also functions as a tool for DJs to transition between tempos. The undulating groove of ’Cariatide’ rounds out the EP, a statement from a talented producer who deftly crafts a soundworld which is at once contemporary and historical. More
Stylistically ‘Girde Maye/Astere’ embodies the interrelation between his Milanese roots and adopted home of London. Recorded one summer evening in Bow, it includes an original vocal by a Turkish immigrant, spoken in Italian - a paean to an unrealised, borderless world. This is followed by the pendulous, mutating bell tones of ’Modulo’, a fragmented and abstract epic of sublime beauty that defies easy categorisation.
On ‘Oscillation’ the producer explores polyrhythms, which also functions as a tool for DJs to transition between tempos. The undulating groove of ’Cariatide’ rounds out the EP, a statement from a talented producer who deftly crafts a soundworld which is at once contemporary and historical. More
More records from Blank Mind
1
Earth Leakage Trip - Psychotronic
2
Earth Leakage Trip - Over 92
3
Earth Leakage Trip - No Idea
Repress!
“The doors are where the windows should be, and the windows are where the doors should be”. If you had been in one of the more open minded all night raves in the early 90s you are likely more than familiar with Earth Leakage Trip’s ‘No Idea’.
You could write several pages about the 'Psychotronic EP' and still not nail it as well as Discogs user covert_operative's description of 'urban, British psychedelic music.' The Acid House narrative is all about ecstasy, but for many, especially outside of London, there was a lot of LSD involved. Things were edgier, too, with parties in derelict, liminal spaces. By the time this record came out in 1991, the rave was properly diverging from its house music beginnings.
The Psychotronic EP was the first release on the legendary Moving Shadow label. Its lead track 'No Idea' is both the perfect entry point to the catalogue and something of an outlier. Neil Sanford had been writing music for a few years before playing some demos to Rob Playford in his car outside a nightclub in Wood Green. Simon Carter got involved, and the pair went to Playford's studio to manifest the madness they'd been sketching with rudimentary gear.
'No Idea's use of samples was wholly inspired and far more surreal than so many of the dark-side tracks that were to follow it. A friend of Neil's had given him a record called 'Happy Monsters' and the lead track, 'Adventures in the Land of Ooog,' lent the unforgettable children's vocals. Neil initially had his doubts. Had they gone too far? However, while working on the track, Rob Playford's girlfriend ran in shouting, "you HAVE to use that!" And so it came to be.
As a footnote, the track did prove to be strong medicine, with at least one documented account of a promoter having to be talked down by his friends after hearing it when psychedelically altered.
The Psychotronic EP is a truly visionary piece of work, standing poised on the edge of the rave's burgeoning future and entirely outside it. As such, it's never not been a cool record, as appealing to lysergic adventurers as it is to house heads, hardcore ravers, or experimental music pioneers. And it has now been lovingly reissued by Blank Mind, for which I'm eternally grateful, seeing as my copy is battered beyond belief.
Written by Piers Harrison
Remastered by Graeme at the Exchange
Licensed with permission from Moving Shadow
Played by Autechre, Colin Dale, Colin Faver, Orbital More
“The doors are where the windows should be, and the windows are where the doors should be”. If you had been in one of the more open minded all night raves in the early 90s you are likely more than familiar with Earth Leakage Trip’s ‘No Idea’.
You could write several pages about the 'Psychotronic EP' and still not nail it as well as Discogs user covert_operative's description of 'urban, British psychedelic music.' The Acid House narrative is all about ecstasy, but for many, especially outside of London, there was a lot of LSD involved. Things were edgier, too, with parties in derelict, liminal spaces. By the time this record came out in 1991, the rave was properly diverging from its house music beginnings.
The Psychotronic EP was the first release on the legendary Moving Shadow label. Its lead track 'No Idea' is both the perfect entry point to the catalogue and something of an outlier. Neil Sanford had been writing music for a few years before playing some demos to Rob Playford in his car outside a nightclub in Wood Green. Simon Carter got involved, and the pair went to Playford's studio to manifest the madness they'd been sketching with rudimentary gear.
'No Idea's use of samples was wholly inspired and far more surreal than so many of the dark-side tracks that were to follow it. A friend of Neil's had given him a record called 'Happy Monsters' and the lead track, 'Adventures in the Land of Ooog,' lent the unforgettable children's vocals. Neil initially had his doubts. Had they gone too far? However, while working on the track, Rob Playford's girlfriend ran in shouting, "you HAVE to use that!" And so it came to be.
As a footnote, the track did prove to be strong medicine, with at least one documented account of a promoter having to be talked down by his friends after hearing it when psychedelically altered.
The Psychotronic EP is a truly visionary piece of work, standing poised on the edge of the rave's burgeoning future and entirely outside it. As such, it's never not been a cool record, as appealing to lysergic adventurers as it is to house heads, hardcore ravers, or experimental music pioneers. And it has now been lovingly reissued by Blank Mind, for which I'm eternally grateful, seeing as my copy is battered beyond belief.
Written by Piers Harrison
Remastered by Graeme at the Exchange
Licensed with permission from Moving Shadow
Played by Autechre, Colin Dale, Colin Faver, Orbital More
1
Lina Filipovichr - Catwalk
2
Lina Filipovichr - Omgroid
3
Lina Filipovichr - Silver Ghost
4
Lina Filipovichr - 999
5
Lina Filipovichr - Dusty
6
Lina Filipovichr - Villain Dot
A Paris resident of Minsk origin, Lina Filipovich’s ‘Music for an imaginary dancefloor’ explores the liminal space between club music and something altogether weirder, elusive, and abstract. Nervous, varied and amplified by various delays, the LP was written from improvisations on analogue synthesizers between June and December in 2022.
Atonal drones and atmospheric textures convey imagery of charcoal skies and silk tapestries; an idealised parallel world untethered from reality and bodies, towards something more ethereal – floating freely in red carpet lined corridors.
“In my previous works, I used pre-existing sounds to create new pieces. I was interested in the appropriation and decontextualization of materials from various traditions and contexts. However, in this album, I don't deconstruct; instead, I attempt to co-write with the machines, relying on their aesthetics and my imagination.”
Lina's LP trickles down the spine, pulse-raising and gooseflesh on tender skin, analogous to the aftermath of a sweaty fever dream. Speaking the language of spirits in the allure of the dark.
Press release by Asmi Shetty
-----
Written and produced by Lina Filipovich
Additional mixing by Leonid Diaghilev More
Atonal drones and atmospheric textures convey imagery of charcoal skies and silk tapestries; an idealised parallel world untethered from reality and bodies, towards something more ethereal – floating freely in red carpet lined corridors.
“In my previous works, I used pre-existing sounds to create new pieces. I was interested in the appropriation and decontextualization of materials from various traditions and contexts. However, in this album, I don't deconstruct; instead, I attempt to co-write with the machines, relying on their aesthetics and my imagination.”
Lina's LP trickles down the spine, pulse-raising and gooseflesh on tender skin, analogous to the aftermath of a sweaty fever dream. Speaking the language of spirits in the allure of the dark.
Press release by Asmi Shetty
-----
Written and produced by Lina Filipovich
Additional mixing by Leonid Diaghilev More
1
Sleepwalker - Age of Aquarius (L.D remix)
2
Hedgehog Affair - Parameters
3
DJ Mayhem - Inesse
4
Luxury - Twirl
5
The Invisible Man - The Flute Tune
6
Escape - Escape (The Optical Mix)
7
Skanna - This Way
8
Xray Xperiments - Techcore
Sold out on preorder - Repress lands beginning of may!!
With an intrigue for a particular niche of old UK hardcore which takes cues from Sheffield bleep ambience, heady rave futurism and soft, almost new age synth pads, Blank Mind presents ‘Lost Paradise: Blissed Out Hardcore 91-94’. Though the records gathered for the compilation span a short three-year period and bridge the gap between scenes, the collection manages to find a sweet spot where the influence of Warp’s Artificial Intelligence, back room chill out sonics and the nascent jungle boom meet with elements of Italian piano house and slower breakbeat cuts.
Opting to focus on atmosphere to highlight shared connections; in this case the duality of often serene and calming soundscapes with frenzied breaks and bass (see Hedgehog Affair’s ‘Parameters’ and Luxury’s ‘Twirl’ respectively); Lost Paradise is a formidable collection of tracks plucked from a thriving time for British dance music experimentation. The general themes of ascension and escapism channelled through digital samplers are also inescapably linked to a turbulent time in politics, beginning in the post-Thatcher years and culminating in the year the harshest anti-rave Criminal Justice Act came into force.
Initially building the compilation around DJ Mayhem’s track ‘Inesse’, Blank Mind label founder Sam Purcell and Amsterdam based producer Tammo Hesselink began a process of swapping favourites and deep cuts to spread across this 2x12” doublepack. The compilation avoids any obvious centrepieces through masterful sequencing, allowing for moments of refrain and tempo changes in a way that helps add to their overall vision of what this music is and can be; “We wanted to frame hardcore in a different light, looking at this idea of ecstasy through the traditional meaning of the word and exploring that symbolism”. By drawing from what some might consider the softer edges of the movement, the pair offer a look into the relevance of these tracks in the contemporary era, where the past years have seen both an explosion in popularity of old ambient/new-age music and a certified jungle revival.
Additional notes:
All tracks licensed to Blank Mind by licence holders
All tracks remastered from original DATs, with the exception of Sleepwalker (A1) which has been professionally ripped and cleaned More
With an intrigue for a particular niche of old UK hardcore which takes cues from Sheffield bleep ambience, heady rave futurism and soft, almost new age synth pads, Blank Mind presents ‘Lost Paradise: Blissed Out Hardcore 91-94’. Though the records gathered for the compilation span a short three-year period and bridge the gap between scenes, the collection manages to find a sweet spot where the influence of Warp’s Artificial Intelligence, back room chill out sonics and the nascent jungle boom meet with elements of Italian piano house and slower breakbeat cuts.
Opting to focus on atmosphere to highlight shared connections; in this case the duality of often serene and calming soundscapes with frenzied breaks and bass (see Hedgehog Affair’s ‘Parameters’ and Luxury’s ‘Twirl’ respectively); Lost Paradise is a formidable collection of tracks plucked from a thriving time for British dance music experimentation. The general themes of ascension and escapism channelled through digital samplers are also inescapably linked to a turbulent time in politics, beginning in the post-Thatcher years and culminating in the year the harshest anti-rave Criminal Justice Act came into force.
Initially building the compilation around DJ Mayhem’s track ‘Inesse’, Blank Mind label founder Sam Purcell and Amsterdam based producer Tammo Hesselink began a process of swapping favourites and deep cuts to spread across this 2x12” doublepack. The compilation avoids any obvious centrepieces through masterful sequencing, allowing for moments of refrain and tempo changes in a way that helps add to their overall vision of what this music is and can be; “We wanted to frame hardcore in a different light, looking at this idea of ecstasy through the traditional meaning of the word and exploring that symbolism”. By drawing from what some might consider the softer edges of the movement, the pair offer a look into the relevance of these tracks in the contemporary era, where the past years have seen both an explosion in popularity of old ambient/new-age music and a certified jungle revival.
Additional notes:
All tracks licensed to Blank Mind by licence holders
All tracks remastered from original DATs, with the exception of Sleepwalker (A1) which has been professionally ripped and cleaned More
1
Jacob Dwyer & Sam Purcell - Stick On Ice
2
Jacob Dwyer & Sam Purcell - Helmet In The Water
3
Jacob Dwyer & Sam Purcell - Old Guitarist (Outside With Birds)
4
Jacob Dwyer & Sam Purcell - Hetty Brain
5
Jacob Dwyer & Sam Purcell - Suitcase In The Water
6
Jacob Dwyer & Sam Purcell - 6AM (Sunday 24th January)
It’s 6am on Sunday the 24th of January and I’m driving vaguely towards the beach.
Suitcase in the water is a tapestry of musical vignettes, field recordings and fragmented anecdotes that blur diary and fiction. On Monday 23rd of March 2020, police in England dyed the ‘Buxton Blue Lagoon’ black to deter visitors from swimming in the former limestone quarry. Things now float in that water.
Created during the pandemic by Jacob Dwyer and Sam Purcell, Suitcase in the water is a personal snapshot in time, and an insight into the private worlds of two remote collaborators. More
Suitcase in the water is a tapestry of musical vignettes, field recordings and fragmented anecdotes that blur diary and fiction. On Monday 23rd of March 2020, police in England dyed the ‘Buxton Blue Lagoon’ black to deter visitors from swimming in the former limestone quarry. Things now float in that water.
Created during the pandemic by Jacob Dwyer and Sam Purcell, Suitcase in the water is a personal snapshot in time, and an insight into the private worlds of two remote collaborators. More
1
Big Hands - A square, a circle
2
Big Hands - Selvatico
3
Big Hands - Abanera
Big Hands marks Blank Mind's twentieth release on ‘A square, a circle’. A product of “the loopy miserable life in the big city which we are forced to live; and the need for metaphysical meaning, deep feelings and the tribalistic aspects of early folk music”.
In other words, this EP is a contemporary urban blues that echoes in the austere realism of London. The recursive patterns and melodies haunting the sound groove like a spirit, and twist inside an echo chamber and tape machines. The ‘square’ and ‘circle’ in the title are symbols of simple abstraction that can generate multiple figures in nature and culture, as well as in the gyration of geometric play. As maintained here, his minimal sound palette shapes the elegant freedom of unexpected behaviours of the machinic ensemble. ‘A Square, a circle’ is an invitation to experience the geometrical liberation of sounds. More
In other words, this EP is a contemporary urban blues that echoes in the austere realism of London. The recursive patterns and melodies haunting the sound groove like a spirit, and twist inside an echo chamber and tape machines. The ‘square’ and ‘circle’ in the title are symbols of simple abstraction that can generate multiple figures in nature and culture, as well as in the gyration of geometric play. As maintained here, his minimal sound palette shapes the elegant freedom of unexpected behaviours of the machinic ensemble. ‘A Square, a circle’ is an invitation to experience the geometrical liberation of sounds. More
1
DJ ojo - Coiled Up
2
DJ ojo - Precise Device
3
DJ ojo - Sprung Out
4
DJ ojo - Skip Top
The next EP on Blank Mind comes from DJ ojo. His first fully- fledged EP is the result of a mission to find balance between warmth and weirdness, structure and disorder; resulting in dripping, humid tracks with presence and a subtlety that holds sway well beyond the edge of the dancefloor.
From the crisp percussion, and elastikated synths that form ‘Coiled up’ to the furtive corridors of dubby drums and space of ‘Precise device’, there’s a staggering level of detail at work in ojo’s microcosms. Funkiness abounds in the accents on the grooves and the garnishes which quiver in and out, and quite
often you’ll hear motifs which call to mind something classic, but rendered wholly new. Take the steppas impressions drizzled into dislocated soundsystem flambé ‘Skip top’ on the B2 - a prime example of how to trigger a dopamine response without repeating someone else’s trick. More
From the crisp percussion, and elastikated synths that form ‘Coiled up’ to the furtive corridors of dubby drums and space of ‘Precise device’, there’s a staggering level of detail at work in ojo’s microcosms. Funkiness abounds in the accents on the grooves and the garnishes which quiver in and out, and quite
often you’ll hear motifs which call to mind something classic, but rendered wholly new. Take the steppas impressions drizzled into dislocated soundsystem flambé ‘Skip top’ on the B2 - a prime example of how to trigger a dopamine response without repeating someone else’s trick. More
1
Tammo Hesselink - First Supposed
2
Tammo Hesselink - Silicon
3
Tammo Hesselink - BBR
4
Tammo Hesselink - Lesssim
5
Tammo Hesselink - There Is One Thing
Revealing a more expansive and reflective dimension to his sound, Tammo Hesselink produces a varied set of deep tools on Blank Mind’s eighteenth release. Tammo’s sound-design is crisp, unique and organic - built with an instinctive sense created from personally recorded percussive recordings.
'Silicon' is a lethal masterstroke in propulsive minimalism, bridging between broken styles and fluid minimalism, and has already featured across clubs and festivals this summer.
Whilst 'BBR', 'Lesssim' and 'First Supposed' are waking-dream like psychedelic trips. The experimentation concludes with blinding down-tempo roller 'There is One Thing'. More
'Silicon' is a lethal masterstroke in propulsive minimalism, bridging between broken styles and fluid minimalism, and has already featured across clubs and festivals this summer.
Whilst 'BBR', 'Lesssim' and 'First Supposed' are waking-dream like psychedelic trips. The experimentation concludes with blinding down-tempo roller 'There is One Thing'. More
1
Bianca Sout - Cast
2
Lack - Focus Object
3
SSIEGE - Corpo Libero
4
ARCADE - Icosa
5
Marjolein van der Meer & Big Hands - Kitty Jackson
6
Clara de Asís - Comme de Loin
7
Sam Purcell - There Was Nothing
Put together during the first lockdown of 2020, this record explores the eerie and the dreamlike - a moment in time when reality felt like fiction; a figurative void in real life.
Translating as ‘from afar’ or ‘from a distance’, ‘Comme de Loin’ is derived from Clara de Asís’ recording; exploring the ambiguity between ‘the concrete space and the imaginary space’. This collection of music unites a diverse range of artists interconnected through an aesthetic quality, a freedom in exploring the void.
It’s 4am and I’m standing on some grass. There’s a small stone at my feet - a perfect circle on all sides - so I pick it up and walk over to the canal. He steps out from the bushes and I throw the stone into the air with as much height and backspin as I can. His shiny eyeballs roll up to watch it spinning in the black. It slows, stops, then falls to earth. When the stone hits the water there is no splash, just a short, dull thud. He doesn’t reply and skulks back into the bushes on his toes. - Jacob Dwyer
Mastered by Marco Pellegrino @ Analog Cut
First run of 200 More
Translating as ‘from afar’ or ‘from a distance’, ‘Comme de Loin’ is derived from Clara de Asís’ recording; exploring the ambiguity between ‘the concrete space and the imaginary space’. This collection of music unites a diverse range of artists interconnected through an aesthetic quality, a freedom in exploring the void.
It’s 4am and I’m standing on some grass. There’s a small stone at my feet - a perfect circle on all sides - so I pick it up and walk over to the canal. He steps out from the bushes and I throw the stone into the air with as much height and backspin as I can. His shiny eyeballs roll up to watch it spinning in the black. It slows, stops, then falls to earth. When the stone hits the water there is no splash, just a short, dull thud. He doesn’t reply and skulks back into the bushes on his toes. - Jacob Dwyer
Mastered by Marco Pellegrino @ Analog Cut
First run of 200 More
1
J Chrysalis - A Kind Robin
2
J Chrysalis - Latent Space
BLNK011 is the debut release by J Chrysalis. A Kind Robin and Latent Space are two club tracks which have been quietly making their mark over the past year since first being heard on Rinse via Ben UFO. Produced between London and France in 2017-18, these tracks explore grief and transformation.
A beautifully arranged melancholic roller, A Kind Robin guides us through an Escherian wormhole with birdsong. On the flip, Latent space is a Gqom meets Robert Abel dreamscape - joyfully queer and luminous.
These carefully crafted tracks are defined by a bucolic sensibility and underlying intensity, yielding their own vivid self-contained worlds whilst remaining effective and club conscious. Its a bold introduction to a refreshing and singular producer. More
A beautifully arranged melancholic roller, A Kind Robin guides us through an Escherian wormhole with birdsong. On the flip, Latent space is a Gqom meets Robert Abel dreamscape - joyfully queer and luminous.
These carefully crafted tracks are defined by a bucolic sensibility and underlying intensity, yielding their own vivid self-contained worlds whilst remaining effective and club conscious. Its a bold introduction to a refreshing and singular producer. More
1
Lack - Elementary Means
2
Lack - Satin
3
Lack - Overground
Satin is the first solo EP from Lack, the alias of Manchester based artist Charlie Foy - having previously featured on various twelves for the Cong Burn collective. Recorded between 2016 and 2019, these tracks were started during long train journeys, before being finished in the studio. More introspective than previous material, these tracks offer a unique insight into the window of serenity that comes from movement and being in-between places.
These exceptionally balanced and well-crafted compositions use production techniques that explore the relationship between the natural and synthetic, using transients from field recordings to trigger machines, as well as granular synthesis and resampling techniques that further blur this distinction. Equally suited to listening at home or in a club context, these tracks reward deep listening and continually reveal details with each listen. More
These exceptionally balanced and well-crafted compositions use production techniques that explore the relationship between the natural and synthetic, using transients from field recordings to trigger machines, as well as granular synthesis and resampling techniques that further blur this distinction. Equally suited to listening at home or in a club context, these tracks reward deep listening and continually reveal details with each listen. More
1
Dance - Studio Pads
2
Dance - Murmur
Blank Mind founder Sam Purcell returns to Blank Mind following a production mix for Blowing Up the Workshop and SMX collaborations.
'Studio Pads' thumps through at a bossy 117bpm, a sound system march that takes cues from early Chicago house as much as contemporary UK bass. Built on a gnarly two-note main riff, peppered with horn blares, it's minimal and primed for strutting and skanking.
On the B-side, 'Murmur' provides a sweet, pastoral contrast, the warmth of sun on skin. Dropping the tempo, birdsong recordings play back sidechained to a sub bass groove, Detroit chords refract through tight delays, and everything is kept in the pocket by syncopated hi-hats. More
'Studio Pads' thumps through at a bossy 117bpm, a sound system march that takes cues from early Chicago house as much as contemporary UK bass. Built on a gnarly two-note main riff, peppered with horn blares, it's minimal and primed for strutting and skanking.
On the B-side, 'Murmur' provides a sweet, pastoral contrast, the warmth of sun on skin. Dropping the tempo, birdsong recordings play back sidechained to a sub bass groove, Detroit chords refract through tight delays, and everything is kept in the pocket by syncopated hi-hats. More
1
Nature Unit - Nature 1
2
Nature Unit - Nature 2
3
Nature Unit - Nature 3
Nature Unit is a collaboration between Lack, Jack Chrysalis and Sam Purcell (Dance), completing the final instalment in a series of releases.
Created through a process of reconstructing each other’s samples, the end result pushes each producer into eerie and strange territory. Fusing verdant techno rollers with the surreal and vivid environments of hardcore, Nature Unit is an experiment which has fashioned a unique sonic world. More
Created through a process of reconstructing each other’s samples, the end result pushes each producer into eerie and strange territory. Fusing verdant techno rollers with the surreal and vivid environments of hardcore, Nature Unit is an experiment which has fashioned a unique sonic world. More
1
Big Hands - Girde Maye/Astere
2
Big Hands - Modulo
3
Big Hands - Oscillation
4
Big Hands - Cariatide
The Ossario EP presents four serpentine and labyrinthine techno tracks produced between 2019-20 by Andrea Bonalumi, also known as Big Hands. The title is an homage to San Bernardino alle Ossa in Bonalumi’s hometown of Milan, and personifies the ethereal and opaque atmosphere of his ouevre.
Stylistically ‘Girde Maye/Astere’ embodies the interrelation between his Milanese roots and adopted home of London. Recorded one summer evening in Bow, it includes an original vocal by a Turkish immigrant, spoken in Italian - a paean to an unrealised, borderless world. This is followed by the pendulous, mutating bell tones of ’Modulo’, a fragmented and abstract epic of sublime beauty that defies easy categorisation.
On ‘Oscillation’ the producer explores polyrhythms, which also functions as a tool for DJs to transition between tempos. The undulating groove of ’Cariatide’ rounds out the EP, a statement from a talented producer who deftly crafts a soundworld which is at once contemporary and historical. More
Stylistically ‘Girde Maye/Astere’ embodies the interrelation between his Milanese roots and adopted home of London. Recorded one summer evening in Bow, it includes an original vocal by a Turkish immigrant, spoken in Italian - a paean to an unrealised, borderless world. This is followed by the pendulous, mutating bell tones of ’Modulo’, a fragmented and abstract epic of sublime beauty that defies easy categorisation.
On ‘Oscillation’ the producer explores polyrhythms, which also functions as a tool for DJs to transition between tempos. The undulating groove of ’Cariatide’ rounds out the EP, a statement from a talented producer who deftly crafts a soundworld which is at once contemporary and historical. More
Collaborations between Eugene Ward — aka Dro Carey, Tuff Sherm — and Sam ‘Blank Mind’ Purcell.
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The inaugural Blank Mind — a jab jab carnival banger from Grenada — revisited by Shake Shakir, Harmonious Thelonious and Alan Johnson.
Adrian Lenz Cover Me (Shake Shakir Remix), Adrian Lenz Cover Me (Shake Shakir Instrumental), Sandman No Prisoners (Alan Johnson Remix)
Sandman No Prisoners (Harmonious Thelonious Remix) More
Adrian Lenz Cover Me (Shake Shakir Remix), Adrian Lenz Cover Me (Shake Shakir Instrumental), Sandman No Prisoners (Alan Johnson Remix)
Sandman No Prisoners (Harmonious Thelonious Remix) More
excellent label follows up Jab Jab from Grenada and juke from Chicago with rough, ramped, Bristolian, new-school-old-school dubstep from the Pennine way.
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Tracklist
A1. Love Seeking
A2. Love Seeking – Club Mix
B1. Love Seeking – Âme Remix
The brothers Fognini aka Mind Against return to Life And Death with their new single Love Seeking with a remix from friends and fellow masters of the emotional dancefloor Âme.
It’s fitting that techno storytellers Mind Against should revisit the home of their first EP with a revamped sound and turbo-charged take on current-day disco. Their history with DJ Tennis and Life and Death is almost as old as the label itself, harking back to their days living together in Berlin.
Now the brothers leave behind their signature hypnotic techno palette for a boogie-fied stepper that’s equal parts pop breeze and deep synth trip, full of hopeful anticipation. For the remix, Innervisions duo and cultural tour-de-force Âme twist the knobs and stretch out the heartstrings for an extended slice of big room goosebumps.
In the words of Mind Against themselves:
“10 years after releasing our very first EP Atlant on Life and Death, we’re excited to come back to our first imprint with such a special track and remix by Âme.
We’ve stepped out of our usual comfort zone and done something that can be both linked to our own musical world and to the sounds that Life and Death have evolved in recent years.
Our friendship with DJ Tennis is about as old as the label is, bringing us back to the times we used to share a flat in Kreuzberg. One may say this release is both an ode to the past and to a bright future, full of promises.”
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A1. Love Seeking
A2. Love Seeking – Club Mix
B1. Love Seeking – Âme Remix
The brothers Fognini aka Mind Against return to Life And Death with their new single Love Seeking with a remix from friends and fellow masters of the emotional dancefloor Âme.
It’s fitting that techno storytellers Mind Against should revisit the home of their first EP with a revamped sound and turbo-charged take on current-day disco. Their history with DJ Tennis and Life and Death is almost as old as the label itself, harking back to their days living together in Berlin.
Now the brothers leave behind their signature hypnotic techno palette for a boogie-fied stepper that’s equal parts pop breeze and deep synth trip, full of hopeful anticipation. For the remix, Innervisions duo and cultural tour-de-force Âme twist the knobs and stretch out the heartstrings for an extended slice of big room goosebumps.
In the words of Mind Against themselves:
“10 years after releasing our very first EP Atlant on Life and Death, we’re excited to come back to our first imprint with such a special track and remix by Âme.
We’ve stepped out of our usual comfort zone and done something that can be both linked to our own musical world and to the sounds that Life and Death have evolved in recent years.
Our friendship with DJ Tennis is about as old as the label is, bringing us back to the times we used to share a flat in Kreuzberg. One may say this release is both an ode to the past and to a bright future, full of promises.”
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One of Berlin's most prolific producers / DJs makes his second run on GAMM with part 2 of his successful "Berlin Reworks" series.
Just like in part one, Delfonic searched deep into his record collection and found four favourite jams to rework.
The common factor is classic black dance music that ranges from modern disco-soul, soulful disco, jazz-funk, and a proper jazz-dancer.
There is something for everyone in this truly beautiful vinyl package designed by our friend Al Kent. More
Just like in part one, Delfonic searched deep into his record collection and found four favourite jams to rework.
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12" - 2024 Limited Re Editiion in "Superman" Red Vinyl and Yellow Label
Tracklist 12”:
A1 M.A.N.D.Y. vs Booka Shade feat. Laurie Anderson - O Superman (Remaster)
A2 M.A.N.D.Y. vs Booka Shade feat. Laurie Anderson - O Superman (Man Power Remix)
B1 M.A.N.D.Y. vs Booka Shade feat. Laurie Anderson - O Superman (SIS Remix)
B2 M.A.N.D.Y. vs Booka Shade feat. Laurie Anderson - O Superman (Robag's Pumper-Nikkel 2008 Rmks)
Shortinfo:
Arguably one of Get Physical’s most influential tracks, ‘O Superman’ sees a new release with remixes
from Man Power and SIS alongside the 2008 version from Robag Whrume and a remaster of the now
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before unleashing loose, clattering breakbeats after a striking, extended breakdown.
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on the ebb and flow of the original’s tuneful vocoder and synth work that drift across his perfect
groove.
Robag’s Pumper-Nikkel remix, for those that missed it some years back, is yet another funky,
chopped, sliced and diced piece of work from the playful producer and still sounds as fresh as ever.
M.A.N.D.Y. vs Booka Shade feat. Laurie Anderson - O Superman Remixes are released on Get
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Tracklist 12”:
A1 M.A.N.D.Y. vs Booka Shade feat. Laurie Anderson - O Superman (Remaster)
A2 M.A.N.D.Y. vs Booka Shade feat. Laurie Anderson - O Superman (Man Power Remix)
B1 M.A.N.D.Y. vs Booka Shade feat. Laurie Anderson - O Superman (SIS Remix)
B2 M.A.N.D.Y. vs Booka Shade feat. Laurie Anderson - O Superman (Robag's Pumper-Nikkel 2008 Rmks)
Shortinfo:
Arguably one of Get Physical’s most influential tracks, ‘O Superman’ sees a new release with remixes
from Man Power and SIS alongside the 2008 version from Robag Whrume and a remaster of the now
classic original.
Man Power kicks off the new interpretations with an epic, ten and half minute version that patiently
stretches the original’s melodies into pads and held bass tones across crisp, micro-house styled beats
before unleashing loose, clattering breakbeats after a striking, extended breakdown.
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on the ebb and flow of the original’s tuneful vocoder and synth work that drift across his perfect
groove.
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chopped, sliced and diced piece of work from the playful producer and still sounds as fresh as ever.
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Physical 12” in late July with a digital release following in the Autumn. More
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Tracklist
(A)
1. COSMIC CHAMELEON
2. THOUGHTS UNLIMITED
3. SUNRISE 5000
(B)
1. ON+ON
2. FANTASTIC FANTASTIC ANGEL
3. ALWAYS RETURNING
Blurb:
Introducing ‘SONGS ABOUT THE SUN’ by ELWD. The London-based producer, commonly known for his signature sample style blended with live instrumentation, presents six new beats. Inspired by how the sun has always been a constant throughout his life and the nostalgia of a time when life seemed carefree, he unveils a new powerful and vitamin D-infused sound. ‘COSMIC CHAMELEON’ is a house gem that blends Balearic vibes with jazzy instrumentation, making it the perfect song to accompany a sunny, carefree day.
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(A)
1. COSMIC CHAMELEON
2. THOUGHTS UNLIMITED
3. SUNRISE 5000
(B)
1. ON+ON
2. FANTASTIC FANTASTIC ANGEL
3. ALWAYS RETURNING
Blurb:
Introducing ‘SONGS ABOUT THE SUN’ by ELWD. The London-based producer, commonly known for his signature sample style blended with live instrumentation, presents six new beats. Inspired by how the sun has always been a constant throughout his life and the nostalgia of a time when life seemed carefree, he unveils a new powerful and vitamin D-infused sound. ‘COSMIC CHAMELEON’ is a house gem that blends Balearic vibes with jazzy instrumentation, making it the perfect song to accompany a sunny, carefree day.
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The second Far Blue release comes as a 4-track EP by Dutch producer Hame.
In this EP, Hame explores a deeper and organic style while keeping true to his hypnotising rhythms in an emotive context. The EP happens to be a selection of tracks that were made around critical turning points in the artist’s life. These moments of change often result in new energy or the realisation to let go. These feelings tend to be fruitful for new musical inspiration More
In this EP, Hame explores a deeper and organic style while keeping true to his hypnotising rhythms in an emotive context. The EP happens to be a selection of tracks that were made around critical turning points in the artist’s life. These moments of change often result in new energy or the realisation to let go. These feelings tend to be fruitful for new musical inspiration More
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REPRESS ALERT!: Few labels do minimal as well as Trelik and in terms of artists, Edward is also as good as they come right now. This perfect pairing opens up with the deeply alluring 'Time' with its woozy pads and smeared chords over warm and rubbery drums. It's a hypnagogic affair then 'Vacuum Tube' has a more menacing air thanks to the wispy and unsettling synth details and clunky hooks. 'Watch Out' brings a more spangled and rubbery rhythm that has colourful details peeling off the beats and last of all, 'Stream' ups the ante with some thudding deep house and widescreen ambient synth work.
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This is music for the fuzzy margins either side of peak time. It’s fitting that Hamish first met and heard John’s music at a hazy afters in LA back in 2022, drawn to a selection of tracks which were largely his own. Two years later these ideas have refined to form another stellar release on BSU, complete with original artwork from Max Binski and scheduled for release in early October. More
Based in LA and resident of cult party V:isions, John’s been on a roll of late, with releases on the likes of Mui Mui, Perfect Timings & InTheBagg (alongside Dylan Payne) cementing him as a singular producer with an impressively broad reference board.
The EP’s first track, ‘Shake Your Body’ immediately gets under the skin, a bouncy groove and synth-line pulling you under its command. Over the next 30-odd minutes the spell doesn’t lift - deep house tropes twist and turn playfully over shuffling breaks and swinging basslines, reminiscent of West-Coast house’s finer moments. Manhard’s studio-craft and ear for the unpredictable give a fresh perspective to a much revered and distinctively Pacific-coast sound.
This is music for the fuzzy margins either side of peak time. It’s fitting that Hamish first met and heard John’s music at a hazy afters in LA back in 2022, drawn to a selection of tracks which were largely his own. Two years later these ideas have refined to form another stellar release on BSU, complete with original artwork from Max Binski and scheduled for release in early October. More
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Michael Franks - When Sly Calls (DoctorSoul “Don't Touch That Phone” Rework)
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Michael Franks - When Sly Calls (DoctorSoul "Don't Touch That Phone" - Radio Re-Therapy)
limited in Light Blue Vinyl!
Start of a new series of official reworks of The Warmer Music catalogue, a very special collaboration of Too Slow To Disco with the major label, that we worked on for a long time. We are more than thrilled to start our Warner Music collaboration with official DocotrSoul reworks for one of the most prolific musicians of the Californian Westcoast/Jazz/AOR/Yacht scene, the one and only Michael Franks, who approved personally the new version. Over the languorous course of 33 years and 16 albums, Michael Franks has mesmerized an international legion of fans with his one-of-a-kind artistry. Seamlessly weaving lyrics of stunning sensuality, wit, reflection and literary eloquence over music that tastefully utilizes top shelf shadings of jazz, soul, pop, chamber and music from around the globe. His music was covered by countless international stars, like The Carpenters, Shirley Bassey, Ringo Star, Natalie Cole, a.m.m. . His music lives on and is loved by so many modern Balearic/Soft Disco musicians/producers from today.
Parisian producer DoctorSoul is a longtime TSTD collaborateur. These reworks of his have been floating around the internet for some time, we are so proud to finally give them an official release! The D.J. / Remix & Music producer / Sound Designer has collaborated with many artists and bands from diverse genres even in Jazz, bringing production remixes for the likes of legendary Tania Maria, Jeff Cascaro, Mandoo &Interview to name just a few! His own musical releases are deeply rooted in disco and funk territory with a modern sonic production touch that can grab attention from the younger generation, as well as from the elder who like to be reminded of the 80’s dance floor culture.
Since 2018 he has been hosting a monthly show on RapTz Radio and on the late night dream.com while doing Dj sets for The House Theory Radio Show, The Midnight Riot Radio, and Disko Knights. DoctorSoul´s tracks are released on the London based MIDNIGHT RIOT record label, the Berlin based TOO SLOW TO DISCO record label and have reached many times the top places in worldwide Disco charts. They are played by numerous very famous known DJs around the world such as: DJ Supermarkt, Ashley Beedle, Lenny Fontana,Mannix Kling, The House Theory Team, DJ White, Tony Griffin, Disko Knight, Humberto Galvàn, Crème De Coco, Jack Tennis, Ursula 1000, Yam Who?, ChuggingEdits, Limpodisco, Ruff Diamond, Disco Daze, Lego Edit, or Rob Hardt from The Cool Million team…
TRACKLIST:
Side A: Chain Reaction (DoctorSoul's "You Can't Fake It" - Extended Intro Re-Therapy) 6:47
Side B1: When Sly Calls (DoctorSoul "Don't Touch That Phone" - Extended Re-Therapy) 5:31
Side B2: When Sly Calls (DoctorSoul "Don't Touch That Phone" - Radio Re-Therapy) 3:42
More
Start of a new series of official reworks of The Warmer Music catalogue, a very special collaboration of Too Slow To Disco with the major label, that we worked on for a long time. We are more than thrilled to start our Warner Music collaboration with official DocotrSoul reworks for one of the most prolific musicians of the Californian Westcoast/Jazz/AOR/Yacht scene, the one and only Michael Franks, who approved personally the new version. Over the languorous course of 33 years and 16 albums, Michael Franks has mesmerized an international legion of fans with his one-of-a-kind artistry. Seamlessly weaving lyrics of stunning sensuality, wit, reflection and literary eloquence over music that tastefully utilizes top shelf shadings of jazz, soul, pop, chamber and music from around the globe. His music was covered by countless international stars, like The Carpenters, Shirley Bassey, Ringo Star, Natalie Cole, a.m.m. . His music lives on and is loved by so many modern Balearic/Soft Disco musicians/producers from today.
Parisian producer DoctorSoul is a longtime TSTD collaborateur. These reworks of his have been floating around the internet for some time, we are so proud to finally give them an official release! The D.J. / Remix & Music producer / Sound Designer has collaborated with many artists and bands from diverse genres even in Jazz, bringing production remixes for the likes of legendary Tania Maria, Jeff Cascaro, Mandoo &Interview to name just a few! His own musical releases are deeply rooted in disco and funk territory with a modern sonic production touch that can grab attention from the younger generation, as well as from the elder who like to be reminded of the 80’s dance floor culture.
Since 2018 he has been hosting a monthly show on RapTz Radio and on the late night dream.com while doing Dj sets for The House Theory Radio Show, The Midnight Riot Radio, and Disko Knights. DoctorSoul´s tracks are released on the London based MIDNIGHT RIOT record label, the Berlin based TOO SLOW TO DISCO record label and have reached many times the top places in worldwide Disco charts. They are played by numerous very famous known DJs around the world such as: DJ Supermarkt, Ashley Beedle, Lenny Fontana,Mannix Kling, The House Theory Team, DJ White, Tony Griffin, Disko Knight, Humberto Galvàn, Crème De Coco, Jack Tennis, Ursula 1000, Yam Who?, ChuggingEdits, Limpodisco, Ruff Diamond, Disco Daze, Lego Edit, or Rob Hardt from The Cool Million team…
TRACKLIST:
Side A: Chain Reaction (DoctorSoul's "You Can't Fake It" - Extended Intro Re-Therapy) 6:47
Side B1: When Sly Calls (DoctorSoul "Don't Touch That Phone" - Extended Re-Therapy) 5:31
Side B2: When Sly Calls (DoctorSoul "Don't Touch That Phone" - Radio Re-Therapy) 3:42
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