Repress!

Welcome to “Through Lines”, a collection of hand picked tracks by genre nomad and bass innovator Martyn, made between 2005 and 2015, carefully recovered and remastered for vinyl and digital release on 3024. Previously only available on 12” across a scattering of different labels, this set includes essential ‘Martyn Music’ (as the producer likes to classify it); tracks like “Vancouver” (A 140 staple to this day), “Mega Drive Generation” and his classic remix of TRG’s “Broken Heart”, as well as deeper cuts like the rare “Friedrichstrasse” and house gem “For Lost Relatives”.

This is not just a compilation of remastered music, it’s a document of an era of UK inspired dance music where ideas, genres, tempos and scenes seemed to rapidly merge and splinter off. An exciting time where producers constantly tried to one-up each other with new ideas and influences, in a vibrant international scene of small club nights from FWD>> and DMZ in London to Red Zone (co-run by Martyn) in the periphery, the earliest online forums like Dubstepforum and radio shows like Dj Flight’s BBC 1xtra show and Mary Anne Hobbs’ Breezeblock. Innovation in music never happens in a vacuum and is always a product of community, producers, writers, and other makers continuously inspiring and pushing each other to come up with the next thing. This ethos is present in all of Martyn’s music throughout the years, but also in his work with Jeroen Erosie as 3024 and within the 3024 Mentoring Program he runs today. More

After years of releasing other artists on the label, Martyn returns to 3024 himself with two brand new tracks. Properly reflecting the music he has been DJ'ing out recently, these are two high energy drum workouts that can go straight in the bag. One Eye is an electro based melodic builder, while Nerve Centers is heavily inspired by a more international Drum sound, forwarded by producers such as Noire, NKC, Ahadadream, Principe crew etc. More

Martyn releases new album Voids, his first for Ostgut Ton Over the past year, Dutch-born, Washington D.C.-based producer Martyn has undergone a metamorphosis – one that began with a medical emergency and has dovetailed into personal musical transformation. Having narrowly avoided death after suffering a heart attack, Martyn reentered his studio and began a process of reassessing the elements that drive him to make music: sampling, unpredictability, melancholy, sci-fi, polyrhythms, texture, ecstatic moments, Detroit, interlocking percussion and bass. More

Martyn releases new album Voids, his first for Ostgut Ton Over the past year, Dutch-born, Washington D.C.-based producer Martyn has undergone a metamorphosis – one that began with a medical emergency and has dovetailed into personal musical transformation. Having narrowly avoided death after suffering a heart attack, Martyn reentered his studio and began a process of reassessing the elements that drive him to make music: sampling, unpredictability, melancholy, sci-fi, polyrhythms, texture, ecstatic moments, Detroit, interlocking percussion and bass. More

Martyn delivers the goods! 3 Superb stepping and jacking UK influenced Bangers!

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Reissue of 2008's highly sought after Vancouver with a new special remix by Head High aka Shed.

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With his sophomore album Ghost People appearing on 2011?s end of the year charts for the likes of Mixmag (#6), Clash Magazine (#9), DJ Magazine (#9), Data Transmission (Album of the Year), Martyn returns to Brainfeeder to release a follow-up 12? this March. The 12? leads with "Hello Darkness", previously unreleased and exclusive to the release, Martyn shuffles through a rhythmic bassline and feeling of, indeed, darkness from the very first beat. In typical Martyn fashion, the track skips its way through genre conventions, landing in a flux between 2-step, driving techno and old rave (the latter specifically heard in his ethereal and scaling upper melodies). "Hello Darkness" could lend itself to the rawest, grittiest warehouse, yet simultaneously breeds a subtle feeling of elation and release, and keeps the listener guessing with a variety of quirky sound collages. It also features a remix of "Bauplan", Night Slugs bosses L-Vis 1990 and Bok Bok bringing the most sinister corners of London into their remix, with a heavy grime lean and a pervading feeling of tension. Erratic samples (sounds of a tweeting bird one moment, the cocking of a gun the next) appear in-between a snap beat, metallic stabs and an apocalyptic build-up of percussion and synths. Pulsing in and out of a highly volatile atmosphere, almost as if the track is alive and breathing, this "Bauplan" almost feels like an unrelated beast until Martyn?s melody lines start to unfold halfway through the track. To finish there is an exclusive remix of "We Are You In The Future", a favourite from the Ghost People LP amongst critics and DJs across the board. Techno?s notorious man in the red mask - Redshape - steps up to create a deep and dark Detroit interpretation of Martyn?s freewheeling, sci-fi-enhanced joyride. Laced with ominous vocal samples (?It may be an accidental side effect of the drug?), the future takes on a slightly more dystopian feel with Redshape?s melancholic strings, unpredictable percussion builds and a lingering, creeping reinterpretation of the track?s original melodies. A definitive nod to the epic work of Derrick May and Carl Craig, with a hint of Kenny Larkin?s intricate builds. More

Chicago producer Toddsonic33 delivers four raw Chicago house tracks More

200 copies.

“Tu non hai questo suono. Non avrai mai questo sound”

Blank Mind presents three sublime versions of Big Hands’ ‘Girde Maye / Astere’ from Tammo Hesselink, Notte Infinita and Paperclip Minimiser - originally released on the Ossario EP in 2021.

Though playful in nature, and not overtly political - the lyrics explore identity and geographical boundaries. As the artist explains - it is written by an Italian and a Türk that talks in Italian, released in Britain in times of Brexit “and that’s why I chose to have a title in Kurdish in a song “sung” by a Türk.”

The vocal provides endless scope for reshaping and is entrusted to some of the most distinctive producers in electronic music; each of whom sensitively reimagine the original.

On the flip, the esteemed and prolific Tammo Hesselink produces a robust, and heavy version in his angular, crystalline style. Finally, Cong Burn wizard Paperclip Minimiser slows the tempo with a futuristic roller, an impressive creation by a man deeply immersed in technological innovation and at one with his machines. More

One of Berlin's most prolific producers / DJs makes his second run on GAMM with part 2 of his successful "Berlin Reworks" series.
Just like in part one, Delfonic searched deep into his record collection and found four favourite jams to rework.

The common factor is classic black dance music that ranges from modern disco-soul, soulful disco, jazz-funk, and a proper jazz-dancer.
There is something for everyone in this truly beautiful vinyl package designed by our friend Al Kent. More

Outer space or Cyber space, you decide… Fantasy or an urban introduction into the vast possibilities of the internet? Honoring sci fi heroes, citing inspiration, or something more sinister? More

Patcool was recorded alongside DOO411 in 2017 at our first studio in pre-A.I. mile ex. The original self-review accompanying the email with the track (“i think it’s engaging enough to fuk wit”) proved to be true over the years, and we have kept the track frozen and perfectly preserved so that it didn’t get old. More

40 year anniversary release of this in demand modern soul masterpiece. For their third vinyl outing, Selector Series dig into the Archives of New Jersey’s Debbie Records from 1981 to re-issue this storming boogie re interpretation of The Carpenters standard, which found itself a legion of fans in the UK thanks to Gary Dennis’s championing of it.

In a pre Discogs era, this record attracted a £400 price tag amongst serious collectors back in the late eighties, with the original pressings still going for £500+ even now. The album has been re issued by several different labels over the ensuing years, but this double header is being made available for Record Store Day on a seven inch format for the first time officially, featuring the original album sleeve artwork. More

Forged in the fertile acid house scene of the late 80s, A Trifle Too Far comprises childhood friends Simon Ward and Tony Grimley from Hornchurch, on London's outer fringes in Essex. Their insatiable thirst for seeking out new sounds led them to countless shindigs, parties and raves, eventually inspiring them to craft their own music based on their adventures on the dancefloor. Their studio collaboration culminated in the creation of the remarkable record you currently hold in your hands: 'Catch Your Ear / Meringueatang'. This two-track release, recorded in 1992, offers forward-thinking and fresh prog-house cuts, as rare as hen's teeth and as exhilarating as they were upon their original release over three decades ago. Catch Your Ear was expertly engineered by Evren Omer, boss of Essex-based techno bunker Strategy Records, while Meringueatang was helmed by Matt Clayden, one half of M&M and Acorn Arts and the proprietor of X-Gate Records, another stalwart in Essex's underground dance scene. 'Catch Your Ear / Meringueatang' remains the only musical collaboration between the duo. When Mint Condition approached them to reissue this highly sought-after EP, both Simon and Tony were surprised and delighted in equal measure by the proposition. Now, a few months down the line, we find ourselves with yet another top-tier addition to the MC reissue catalogue, fully licensed from the artists, mastered and cut by Keith Tenniswood at Curve Pusher, and available once again for purchase. Do not resist the beat! More

Next up on Happiness Therapy is an energetic and raw club-oriented EP from the dynamic duo Big Miz and Bessa. Hailing from Glasgow, Scotland, these long-time friends have extended their camaraderie into the studio to produce a project that has already made some damages on worldwide dancefloors.

Adding to the allure of this release are two stellar remixes. The rising producer and Semi Delicious label owner Demi Riquísimo injects his unique flavor into the main title « Coolin », as Driss Bennis aka OCB, the mastermind behind Casa Voyager, offers his distinct touch, delivering a remix that complements the EP's energetic and raw vibe, with his distinctive ghetto tech & electro-funk touch. More

Harvey Sutherland’s latest 12” marks the inaugural release for Clarity Recordings, an imprint established by Sutherland for modern Australian records. The first new music from the Melbourne producer since last year’s cuts for MCDE, the double A-side Priestess / Bravado features his live trio Bermuda at full tilt, with an ensemble of hand clapping friends. Self-described “lounge room disco burners”, the record summons the groove experiments of Patrick Adams, Bill Laswell and Arthur Russell, while retaining Harvey’s soulful tones and club-ready arrangements. Priestess evolves slowly, a nine-minute mind dance that ultimately reaches a celestial state. Sutherland’s piano lines bounce off drummer Graeme Pogson’s unwavering four-on-the-floor, while one-man string section Tamil Rogeon travels skyward. Live standout Bravado is played with determined precision, locking into a tough backbeat that only breaks once Sutherland’s warbling lead solo approaches its resonant peak. More