After more than ten years, four albums and countless shows, Swiss artist Joell Nicolas takes a turn and releases her last album as VRVN. Despite being an ending, Storia is also a place for beginnings. For the first time, VRVN brings together her semi-modular synth with an acoustic instrument, but not just any: a church organ. Filled with air like a dragon, it becomes both emancipating and dangerous, weaving its sounds with synthetic ones, together with voices and lyrics: in English and –also for the first time– in French.

Three years of musical research condensed in ten tracks, sometimes structured as songs, sometimes as sensitive soundscapes. Stemming from an exploration of textures over structure, Storia meanders through intimate topics, such as childhood, silence, risk, healing and transformation.

With the support of Ville de Lausanne and Canton de Vaud.

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For its 16th instalment, Swiss label CAF? invites DJ duo Charlotte aux Fretz to curate a compilation EP, building bridges between the French and Swiss contemporary club scenes. Ignited while organising and attending free parties, “Rave Alert” covers a whole range of atmospheres one could encounter during these summer nights. From phone-lit forest journeys to sweaty peak-time dance floor moments, all the way to hypnotic sunrises where the first rays of light reshape your surroundings.

Dub-tech master Beatrice M. offers a great opening to the compilation, subtly combining their signature sonic ingredients with your favourite DJ meme. Amor Satyr drastically rises the cruising speed to 175bpm with his d&b infused track, while Lia Catreux follows the pace with a bouncy track that will keep your feet off the floor. The flip side starts with an introspective journey with Spirit Vortex Club’s first recorded appearance, while Israfil keeps the energy high (and mercury retrograde away) with an uncompromising rave track. Yolek and Freeky (both previous CAF? contributors) wrap up the release with a slow but heavy closing burner. Last round of applause and you can finally go to bed (you think).

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Whatdufaque?! Dutch artist Renée Van Trier is back on Swiss label CAF? for another record! Following her first album released in early 2020, she comes back with “HUMBLE,” the soundtrack of her new eponymous show performed at De Pont Museum (NL) and Arsenic (CH).

“At birth you are a promise, but at the same time also the greatest possible risk.” Inspired by children’s dances on TikTok where happy facades coexist with exploitative backgrounds, Renée Van Trier creates a fantasy world that’s anything but Disneyland. You’re invited to experience its soundtrack, taking you through dark atmospheres, eerie voices, glitched techno, and uplifting climaxes. Over the course of the 11 tracks, Renée Van Trier morphs into a dolphin, a puppet, and many other different characters, maintaining a blurry border between amazement and creepiness. Everyone wants the best for their children, but sometimes it doesn’t end

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Problème Technique is the debut album of Swiss band Hirsute. Hop in the van parked in front of the house and follow Elliot, Nina & Atakan in their journey from the countryside to the sea, from the fridge to the afterparty, from punk to psych-rock, from synth-pop to no-wave. Funnily serious or seriously funny, we still don’t really know, and they probably don’t either. The only certainty is that amateurism will prevail.

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latincore is a musical journey that begins with this compilation. latincore is a virtual club. latincore is an attempt to reflect with artists whose origins share the same soil. This compilation brings together 14 sound propositions, offering a snapshot of a latinx, political, migrant and diasporic underground scene. Curated by Marion Stucky Callan~aupa and Juan Jose´ Moreno Izquierdo.

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For its eleventh release, CAF? is happy to present an EP bringing together Swiss producer GANJ and rapper Nathalie Froehlich. From dub to dubstep, these 6 tracks never fail to give an industrial feeling, recalling wanders inside foggy clubs, those where smoke-machines never stop. In addition to the powerful instrumentals, Nathalie Froehlich’s sharp tone and raw lyrics intertwine perfectly with the wobbly basses and clear hats. Extended party, everybody wants it crowdy.

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CAF? is pleased to present Gino Ritmo & Ricci Verace’s debut album: Night Shift (Part I). 808Hz’s Italo-sided project meets Ricci’s terrestrial and thirsty global wanderings to deliver a haze driven dance music, ranging from melo-synth-rides to harsher EBM-techno-strikes. Dark but warm at heart under the twilight. Langstrasse fueled. Both pyjama and club suited.

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Aris 1201/User 1201 – Musique à Risque (12"), which will be out 1st December. Following its sought after EP on its own label R2L in 2015, ARIS 1201 shares this new CAF? release with his other alias, USER 1201. While the A side is composed of three breaks tracks, the other side responds with two uptempo straight-to-the-point cuts. Overall, this sample infused 12" coming directly from Geneva will hopefully help us remember our best rave memories, while waiting for the club to reopen. In short: "ARIS 1201 & USER 1201 impose a risky EP for this smoking 8th release of CAF? – 1201 leaves no choice"

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Fresh out of winter, time for ploughing. Five o’clock Traffic and TowLie know each other well, and never hesitate to dive head first in a maelstrom of acidic grooves and metallic sounds. A good opportunity to dig in the fertile Swedish soils. From Malmö to Stockholm, stopping at the Valhalla, synthesizers and drum machines on the shoulder, this is the 7th release of the label CAF?

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Renée van Trier is a transdisciplinary artist that mourns the loss of the comfort of disconnected life. Her songs will soothe our anxieties, heal our torments and make us smile for weeks. The fifth CAF? release is skipping between genres such as songwriting, punk, breakcore, jungle, hardcore, and parody.

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R58’ by Flammkuch is the fourth release on CAF? a swiss-based label. On these six tracks Flammkuch explores DIY analogic synthesis through it’s own creations to produce complex and distinct electro ballads.


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Ethio-jazz pioneer Mulatu Astatke joins the Hoodna Orchestra, Tel Aviv’s number one Afro funk collective, melding his enchanting vibraphone playing with their brass heavy force across seven original compositions that play tribute to the classic Mulatu sound while forging fresh paths. Produced by and featuring Dap-King Neal Sugarman, the results are gritty, yet majestic, soulful and uplifting.

Tracklist
1.1Tension
1.2Major
1.3Hatula
1.4Yashan
1.5Delilah
1.6Dung Gate

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With the perfect fusion of Animalia's wide realm of styles and foundations, comes up & coming Australian producer al dente, with a minimal, modern take on peak-time bangers. Clean cut and futuristic, with a hint of early 2000's minimal influence, the al dente sound represents a fresh new wave of club-rollers whilst encompassing Animalia's signature deep sound.

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Tracklist

A1. Singular Anomalies - Partenope
A2. Ketch - Whispers

B1. Justyn Nell - Amaranth
B2. DHÆÜR - Sculpting The Mind

C1. Maasym - Intermediate Direction
C2. Ray Kajioka - Black Hole

D1. Kameliia - Point Of View
D2. Kashpitzky & Casual Treatment - Diffusion

With eight fresh tracks for the modern dance floor, Token writes another chapter of the Fuga series. Challenging new faces to complete the label's sound, Fuga V is another focused compilation that balances spatial detail and rhythmic bite.

Bubbly yet cosmic synth work opens the VA convincingly, a record for true Token fans. Dissonance, delay, slithering pads, and the occasional thundering 909 clap make 'Partenope' by Singular Anomalies an obvious choice as an opening, retaining the label's original sound with a nice twist. With Singular Anomalies staying light on rhythm, Ketchquickly turns up the intensity with his contribution 'Whispers'. Plowing through the ambiance with a heavy kick, the producer lines up a track of percussive melodic harmony with a moody groove. The followup by Justyn Nell, 'Amaranth' employs a classic, distorted bassline that runs persistently throughout the track with playful 909 work for the drums. A full force club controller now passed, the followup by DHÆÜR delves back into vast open spaces for a close-eyed, mental experience. 'Sculpting the Mind', appropriately named, breathes through with opening and closing background textures along a loopy lead. The introspective quality of this track is continued by Maasym, who takes things in an almost tribal direction with hypnotic wooden textures. 'Intermediate Direction' is a progressive addition to this edition of Fuga that serves as a dancefloor brain-soother. Taking things back to the roots with some old school machine work, we have 'Black Hole'by Ray Kaijoka. A nice psychotic arp leads the listener along into a surprisingly melodic arrangement supported by infectious drums, all of which is expertly crafted for club movement. Taking a dive, Kameliia gives us 'Point of View' which boasts a powerfully round low-end and an intense progression with far off strings that add a warm cinematic feel. Serious and effective, 'Point of View' is a track communicating tone and mediation. To close Fuga V, the dup Kashpitzky & Casual Treatment take matters into their own hands with a very high intensity record 'Diffusion'. Huge cut transitions, saturated drums pushing the limit with a loud clap, and laser-like lead make for an impressive last chapter of Fuga V.





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Tracklisting
A1 Quelza - The Ballad Of Willy Stompers
A2 Quelza - We'll Never Be Friends Again
B1 Quelza - Plastic Waves

Sales Note
Origami unfolds on La Danse de l'Albatros to reveal an intricate universe - long-form narrative storytelling in direct opposition to disposable tools.

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Ace Buzz is one of the various projects of Tony Baron and Gery Francois (the minds behind projects like "Teknokrat's" and others that would found their output on labels like Carrere). Potentially naive for some, but surely playful and raw, an exquisite example of the sound of Belgian "New Beat". Void of the usual aggressive temper known to the genre, "Moskitos" comes in with a slight juxtaposition of Balearic accents in the form of those classic, very simple, piano chords we might have heard enough of. The samples employed invoke the image of someone in a cheap hotel room in Ibiza without AC trying to kill the airborne vermin celebrated in the title while hallucinating from an August drug infused heatwave, who knows. On the B-side, things slow down into a deeper more serious mood, "Nuevo Mondo" departs from the usual New Beat potency into something a bit more digestible to the ear in a rather unique way, followed by a Remix that sounds more like a complete facelift of a cover version by studio maestro Anatolian Weapons.

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