For his debut solo release on Not An Animal, label co-pilot Andy Bainbridge serves up a raw, late-night house dub, accompanied by sizzling remixes from Donald’s House & Komodo for good measure.

Up Too Much starts simply, evoking house classics of old. Dubby percussion sets the genre but don’t be fooled, the Buchla synth wobbles that form the track’s melody, delicately placed acid sprinkles and a vocal garnish A-typical to the host label bring the track squarely into the modern day to form a tough yet gentle roller.

Next off the pass is the Donald’s House remix, finely weaving the essence of the original mix into a proggy sidewinder, highlighting the acid arps previously lurking in the background and slowly melting the track into a delicious trancey mess.

Meanwhile Komodo kicks things off in a classic Chicago style; claps, stabs and all, with vocal samples adding that extra texture for the knockout punch.

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Lithuania’s Ponty Mython brings his signature style of dubbed out cosmic breaks to Not An Animal Records.

Twinkly title track 'Onimano X991' leads in with a heavy four to the floor bass kick laced with an eerie interstellar melody and signature broken beat drum pattern. Deliciously squelchy interludes and breakdowns are the cherry on the space cake here.

Music rearrangement aficionado DJ Fett Burger gives 'Onimano X991' an atmospheric massage. Launching with the eerie melody recognisable from the original mix but minus the squelch, Fett Burger transcends the track from a 2am floor killer to a 6am floor chiller via a cleverly reprogrammed drum pattern, drawing the stress right out of your deltoids with his beautifully formed fingers.

'Walkie Talkie' is a delicious late night squelch-a-thon from the get go, oozing Not An Animal style with its vocoder arps and space didgeridoos all over its four to the floor kick.

Finally, 'We Expect A Soft' Landing nails its orbital re-entry calculations, touching down squarely on the realms of ambient dub techno. A tasteful composition reminiscent of something from The Higher Intelligence Agency’s ‘Colourform’, and that’s a huge compliment. A perfectly paced build that culminates in chesty bass swells and bleepy arps.

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Finally the mystery is solved. After seeing air time by jocks like Harvey and Orpheu the Wizard and causing an absolute frenzy amongst diggers world-wide going into a hopeless hunt for what was thought to be a rare unearthed Cantonese version of "Spacer Woman" from back in the day. Only to find out that it was actually a newly produced cover version by Romain FX -- we can all sleep better at night now (and actually even own a copy of the record without having to give up a kidney!). Here it is, finally, after tumultuous negotiations with the original rights owners, Hong Kong raised Romain FX's skilful efforts to give the absolute classic Italo-disco bomb a new facelift --"Spacer Woman" but now in Cantonese. Subtle but effective, he presents a new rendition with Cantonese lyrics by Cheung Yuen Tung along with a very respectful "Acid Trip Version". Get it while you can because the deal made with the original rights owners only allowed for a very limited pressing.

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Two of Slow Life's stronghold producers and family members team up for the first time. The legendary Alex Neri, and the young magician Paolo Mosca, a powerful combo delivering a timeless piece of danceable art. They are past, present and future: eterno.

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4 years into The Trip's music production journey, they release their fifth EP 'Uncovered' on their in-house label Tessellate. Taking inspiration from 90's and 00's house music, each track radiates nostalgia. 'Love Struck' offers the perfect mash up; an iconic hook, ravey vocals and the ultimate bouncy, house energy. 'I Need (Speed)', is the funky, speed garage tune reminiscent of your favourite summer festival classics. Side B brings you 'Trip Life Xtra', an instantly recognizable banger, followed by feel-good 'Foxy Dave'.

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This feels deliciously fated. Musical soulmates, Cromby is the only person Sally C will go record shopping with. The duo minted their friendship back in 2016, not long after both migrated to Berlin. A friendship forged through shared dancefloors, long hours at the pair’s beloved Bikini Waxx and impromptu B2B sessions, they have a common passion for good times and serious digging. If you want a sense of the genesis of Sally’s label baby Big Saldo’s Chunkers, just listen to the cult-favourite ‘Big Saldo & Cromby Dusty Hip Haus Mix’ that’s lived on her Soundcloud since 2019.

Cromby knows a Chunker that’s for sure. His contribution to the label is elite. Rinsed by the pair all year, it’s supports also include Job Jobse and Bambounou. In January it highlighted Nachtiville, where it was played all weekend long and became an unofficial hype anthem of the festival. A fiercely hunted track I.D ever since, lock this in as one of those catchy Crombyclassics we all love and can’t stop playing (and singing). ‘Pump It’ is an atmospheric roller, a perfect cut for maintaining the energy after the hands-up vibes of ‘House Flava’. ‘Free’ features Cromby’s own vocal debut – “I didn’t realise at the time of writing how fitting the lyrics would be for our times unfortunately,” he shares. Driven by punchy purring bass, it brings plenty of rugged energy with 303 flourishes, while dreamy keys balance things nicely. One for the after-hours.

The EP is rounded out with the wicked hoover-led ‘Best Not Miss’, that transports us back to a steaming Trade dancefloor circa 1997 and is thrilling in every sense.

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Smutty Edits is the brainchild of Jeroen Van der Smut, a music aficionado who after indulging himself in kilos of Gouda Cheese, Fritjes with Mayo and Ban-cakes, left Amsterdam over 30 years ago for Anjuna Beach in India. Jeroen quickly got into Raving in the world of Goa Trance and electronic music. However, his love for Disco, Synth-Pop, and New Wave, where his musical journey began, brought him back to his roots. This passion led to the creation of Smutty Edits, as he decided to release carefully chosen edits from some of the most talented artists in the industry.

This first 12” features contributions from renowned artists who have left an indelible mark on the music scene. These collaborations ensure that each edit is of the highest quality, maintaining the integrity and spirit of the original tracks while adding a fresh perspective.

With occasional trips to Europe to reconnect with family and old friends, Jeroen remains deeply rooted in his heritage while continually seeking out new musical inspirations. Smutty Edits is set to release a series of records, each showcasing the label’s dedication to quality and innovation in Italo, Proto-House, Synth-Pop etc.

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Tracklisting
A1 Unknown Artist - PDNCA
A2 Unknown Artist - CBACA
B1 Unknown Artist - MWR
B2 Unknown Artist - RTK
B3 Unknown Artist - LAPA

Sales Note
Tooflie is back with a new exploration of regional sound from all over theglobe by the anonymous crew of edits lovers. The five different, but equallyimpressive, cuts on the fourth installment are deep dives into the soniccarnival of Brazilian favelas through the skillful reinterpretations by hiddentalents. The A2 track 'CBACA' bolsters the signature baile funk raw energywith hard house rhythms and acidic melodic patterns. Stepping between thefunkier side of electro and polyrhythmic panache, MWR - 'man withrefrigerator' is tailored to take the dancefloor to a new level. The openingtrack starts with a minimalistic yet paunchy breakbeat groove on 'PDNCA' and continues the deepness through the heavy and raw low-endextravaganza on 'RTK'. Bringing the vinyl to a close, 'LAPA' goes full-throttleon haunting arpeggios and leaves things on a blissful note.

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West London’s Slip ‘N Slide presents a special four-track package on wax for the first time, as Seth Troxler and Franck Roger deliver remixes of the 1997 Blaze favourite ‘Lovelee Dae’. An iconic artist who needs little introduction, Seth Troxler’s name is synonymous with American house and techno of the last two decades, with his formative years in Detroit shaping his sound before moving to the techno capital of the world Berlin. His ventures as a label boss, and with Night Tales, further cemented the talent as an underground hero - he now joins the likes of Carl Craig, Roman Flügel, and Isolée in giving ‘Lovelee Dae’ an expertly crafted remix, building from minimal grooves to a grand and immersive wash of sound. Also stepping up on remix duties is Parisian producer, crate digger and label boss of Real Tone Records, Franck Roger, who adds his signature beat focussed approach to the iconic track. This vinyl package also includes Blaze’s striking original, as well as one of the very first remixes from the late 90s, the 20:20 Vision remix of which used copies go for big money. This is an essential 12 inch EP for any true house fan.

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Repress coming mid september!

The love for Sally C’s sound and burgeoning label shows no sign of slowing down. Last year’s ‘Big Saldo’s Chunkers 002’ was a phenomenon. Led by ‘Downtown’, which became one of the most beloved tracks of the year, it secured over 30 BBC Radio 1 plays and genre-crossing support from Peggy Gou to TSHA and Bradley Zero. Critical acclaim came from Bandcamp, RA and beyond.

Launched in 2020 with ‘Big Saldo’s Chunkers 001’ that’s currently on its fourth repress, the Chunker sound is special to all those who know it. Taking influence from artists including K-Hand and Fast Eddie, Sally draws on the sensibilities of classic US house music, crafting unique dancefloor cuts that don’t compromise on quality.

Active on the release front over the last 12 months with well-received remixes of Obongjayar, LB aka LABAT and a fresh original on Rhythm Section, we witness a noticeable evolution in her sound with BSC003. “I wanted to challenge myself when writing this record. I still haven’t released a full EP on another label, so I wanted to pair straight up Chunkers with something a bit different to shake up the Chunker energy,” she shares.

The four-tracker opens with ‘All Love’, a joyous house banger that swaps out Sally’s trademark Chunker bassline for a sexier groove. When the euphoric piano breakdown kicks in, soon accompanied by the ‘dance’ vocal on repeat, we’re reminded of the exultant power of rave. ‘

Hit It’ follows, a proper Chunker to the core. A hip house-informed jam, it’s packed full of tight drums, stabs, sirens and one of Sally’s monster Chunker b-lines. An absolute tune!

‘Control’ is a low-slung roller, encapsulating her love for simplistic production principles that birth memorable results. A headsy offering ripe for the after-hours.

‘‘Get Up’ is an ice-cool slab born out of a jam on a drum machine that hits at 144bpm. “I wasn’t sure how this would fit on the record being this speed, but it’s exactly what I envisioned when I wanted to challenge myself more. It’s raw and rolling and as soon as I made it, I knew it fitted into the Chunker family,” Sally explains.

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Third physical release brings forward EL RITMO FATAL ! Where it all began for the boys…

Fantastic Man elaborates his intricate hypnotic feelings to deliver a mind bending dancefloor stomper. Baldo and his efficient touch take the track to the 303 peak time business and last but not least Matisa’s bright bubbly production pushes her emotional energy upfront.

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Straight Outta Belpaese, MORE disco – exotica – balearic- Italo-funk for the demanding digger!!!

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Second physical record from KNOWN ARTIST brings forward the 4th EP from the french duo. Alex Kassian brings his sophisticated touch to warm “Get Up” into a chugging aerial soother. Aldonna honors “Say What ?” with high spirited energy from the depths of Me lbourne. The rest is the same business not business of signature rubber basses and chopped alarms!

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