Finally the mystery is solved. After seeing air time by jocks like Harvey and Orpheu the Wizard and causing an absolute frenzy amongst diggers world-wide going into a hopeless hunt for what was thought to be a rare unearthed Cantonese version of "Spacer Woman" from back in the day. Only to find out that it was actually a newly produced cover version by Romain FX -- we can all sleep better at night now (and actually even own a copy of the record without having to give up a kidney!). Here it is, finally, after tumultuous negotiations with the original rights owners, Hong Kong raised Romain FX's skilful efforts to give the absolute classic Italo-disco bomb a new facelift --"Spacer Woman" but now in Cantonese. Subtle but effective, he presents a new rendition with Cantonese lyrics by Cheung Yuen Tung along with a very respectful "Acid Trip Version". Get it while you can because the deal made with the original rights owners only allowed for a very limited pressing.

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4 years into The Trip's music production journey, they release their fifth EP 'Uncovered' on their in-house label Tessellate. Taking inspiration from 90's and 00's house music, each track radiates nostalgia. 'Love Struck' offers the perfect mash up; an iconic hook, ravey vocals and the ultimate bouncy, house energy. 'I Need (Speed)', is the funky, speed garage tune reminiscent of your favourite summer festival classics. Side B brings you 'Trip Life Xtra', an instantly recognizable banger, followed by feel-good 'Foxy Dave'.

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This feels deliciously fated. Musical soulmates, Cromby is the only person Sally C will go record shopping with. The duo minted their friendship back in 2016, not long after both migrated to Berlin. A friendship forged through shared dancefloors, long hours at the pair’s beloved Bikini Waxx and impromptu B2B sessions, they have a common passion for good times and serious digging. If you want a sense of the genesis of Sally’s label baby Big Saldo’s Chunkers, just listen to the cult-favourite ‘Big Saldo & Cromby Dusty Hip Haus Mix’ that’s lived on her Soundcloud since 2019.

Cromby knows a Chunker that’s for sure. His contribution to the label is elite. Rinsed by the pair all year, it’s supports also include Job Jobse and Bambounou. In January it highlighted Nachtiville, where it was played all weekend long and became an unofficial hype anthem of the festival. A fiercely hunted track I.D ever since, lock this in as one of those catchy Crombyclassics we all love and can’t stop playing (and singing). ‘Pump It’ is an atmospheric roller, a perfect cut for maintaining the energy after the hands-up vibes of ‘House Flava’. ‘Free’ features Cromby’s own vocal debut – “I didn’t realise at the time of writing how fitting the lyrics would be for our times unfortunately,” he shares. Driven by punchy purring bass, it brings plenty of rugged energy with 303 flourishes, while dreamy keys balance things nicely. One for the after-hours.

The EP is rounded out with the wicked hoover-led ‘Best Not Miss’, that transports us back to a steaming Trade dancefloor circa 1997 and is thrilling in every sense.

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Two of Slow Life's stronghold producers and family members team up for the first time. The legendary Alex Neri, and the young magician Paolo Mosca, a powerful combo delivering a timeless piece of danceable art. They are past, present and future: eterno.

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Forged in the fertile acid house scene of the late 80s, A Trifle Too Far comprises childhood friends Simon Ward and Tony Grimley from Hornchurch, on London's outer fringes in Essex. Their insatiable thirst for seeking out new sounds led them to countless shindigs, parties and raves, eventually inspiring them to craft their own music based on their adventures on the dancefloor. Their studio collaboration culminated in the creation of the remarkable record you currently hold in your hands: 'Catch Your Ear / Meringueatang'. This two-track release, recorded in 1992, offers forward-thinking and fresh prog-house cuts, as rare as hen's teeth and as exhilarating as they were upon their original release over three decades ago. Catch Your Ear was expertly engineered by Evren Omer, boss of Essex-based techno bunker Strategy Records, while Meringueatang was helmed by Matt Clayden, one half of M&M and Acorn Arts and the proprietor of X-Gate Records, another stalwart in Essex's underground dance scene. 'Catch Your Ear / Meringueatang' remains the only musical collaboration between the duo. When Mint Condition approached them to reissue this highly sought-after EP, both Simon and Tony were surprised and delighted in equal measure by the proposition. Now, a few months down the line, we find ourselves with yet another top-tier addition to the MC reissue catalogue, fully licensed from the artists, mastered and cut by Keith Tenniswood at Curve Pusher, and available once again for purchase. Do not resist the beat!

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The Axis of People EP, on new label, Axis of People. FM is back with four club cuts, conjured up over the last year, that are so thoroughly road-tested, they practically come with their own mileage report.??“Ambient pads, bad-ass bass-lines and aero-arpeggios” plus all the good stuff we've come to expect from Fantastic Man over the years. Don't sleep!

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Still Music Chicago is thrilled to announce the reissue of Jiraffe's "Out'A The Box," a legendary dance record from New York City. Originally released in 1988 on Goldqwest Records, this track emerged from the collaboration between Richie Weeks and Al Smith. This limited 12" release includes a full sleeve with a never-before-seen picture of Richie Weeks with Vaughan Mason at Vaughan home studio and a story of "Out'A The Box". Richie Weeks, known for his work with The Jammers and Weeks & Co, founded Goldqwest Records after Salsoul Records closed. Inspired by his friend Vaughan Mason, Richie ventured into house music production, recording demos that caught the attention of Reynald "Crazy Frenchman" Deschamps of M.T.I Exports. A generous supporter funded Goldqwest's third release, leading to Richie and Al Smith creating "Out'A The Box" at Al's home studio in Philadelphia. The track blended post-disco, dance, latin, and proto-house elements, achieving cult status among DJs worldwide.

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West London’s Slip ‘N Slide presents a special four-track package on wax for the first time, as Seth Troxler and Franck Roger deliver remixes of the 1997 Blaze favourite ‘Lovelee Dae’. An iconic artist who needs little introduction, Seth Troxler’s name is synonymous with American house and techno of the last two decades, with his formative years in Detroit shaping his sound before moving to the techno capital of the world Berlin. His ventures as a label boss, and with Night Tales, further cemented the talent as an underground hero - he now joins the likes of Carl Craig, Roman Flügel, and Isolée in giving ‘Lovelee Dae’ an expertly crafted remix, building from minimal grooves to a grand and immersive wash of sound. Also stepping up on remix duties is Parisian producer, crate digger and label boss of Real Tone Records, Franck Roger, who adds his signature beat focussed approach to the iconic track. This vinyl package also includes Blaze’s striking original, as well as one of the very first remixes from the late 90s, the 20:20 Vision remix of which used copies go for big money. This is an essential 12 inch EP for any true house fan.

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Repress coming mid september!

The love for Sally C’s sound and burgeoning label shows no sign of slowing down. Last year’s ‘Big Saldo’s Chunkers 002’ was a phenomenon. Led by ‘Downtown’, which became one of the most beloved tracks of the year, it secured over 30 BBC Radio 1 plays and genre-crossing support from Peggy Gou to TSHA and Bradley Zero. Critical acclaim came from Bandcamp, RA and beyond.

Launched in 2020 with ‘Big Saldo’s Chunkers 001’ that’s currently on its fourth repress, the Chunker sound is special to all those who know it. Taking influence from artists including K-Hand and Fast Eddie, Sally draws on the sensibilities of classic US house music, crafting unique dancefloor cuts that don’t compromise on quality.

Active on the release front over the last 12 months with well-received remixes of Obongjayar, LB aka LABAT and a fresh original on Rhythm Section, we witness a noticeable evolution in her sound with BSC003. “I wanted to challenge myself when writing this record. I still haven’t released a full EP on another label, so I wanted to pair straight up Chunkers with something a bit different to shake up the Chunker energy,” she shares.

The four-tracker opens with ‘All Love’, a joyous house banger that swaps out Sally’s trademark Chunker bassline for a sexier groove. When the euphoric piano breakdown kicks in, soon accompanied by the ‘dance’ vocal on repeat, we’re reminded of the exultant power of rave. ‘

Hit It’ follows, a proper Chunker to the core. A hip house-informed jam, it’s packed full of tight drums, stabs, sirens and one of Sally’s monster Chunker b-lines. An absolute tune!

‘Control’ is a low-slung roller, encapsulating her love for simplistic production principles that birth memorable results. A headsy offering ripe for the after-hours.

‘‘Get Up’ is an ice-cool slab born out of a jam on a drum machine that hits at 144bpm. “I wasn’t sure how this would fit on the record being this speed, but it’s exactly what I envisioned when I wanted to challenge myself more. It’s raw and rolling and as soon as I made it, I knew it fitted into the Chunker family,” Sally explains.

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Donald’s house and DJ Chrysalis give the UK’s Not An Animal Records the intercontinental treatment with a four track transpacific delivery of psyche-laden progressive house music melded with the sleazy stylistics we have come to expect and love from NAA releases, the outcome is a cohesive late-night package who’s sound is exceptionally current whilst somehow remaining thoughtfully reminiscent.

Title track Pound Bend leads in with a breakbeat whilst the scene is set by layers of proggy synth patterns before descending into a powerfully dark, driving bassline.

Apiento’s remix of the title track takes a more introspective approach, stripping the package back to a reprogrammed bass groove, infectiously enlivened by an earworm synth loop that is likely to stay with you for eternity.

A Curious Warmth delivers a bassline that ploughs through a soundscape of delicately programmed drum patterns layered with pads and new-age trance synths. A scattering of housey breaks and pads reinvigorate the track in the latter half.

Tingler Ring brings things down to a slower burn as the bassline is left to drive the track, accented by a haunting of delay laden stabs whilst acid synths sit at the forefront to take the EP to its close.

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Smutty Edits is the brainchild of Jeroen Van der Smut, a music aficionado who after indulging himself in kilos of Gouda Cheese, Fritjes with Mayo and Ban-cakes, left Amsterdam over 30 years ago for Anjuna Beach in India. Jeroen quickly got into Raving in the world of Goa Trance and electronic music. However, his love for Disco, Synth-Pop, and New Wave, where his musical journey began, brought him back to his roots. This passion led to the creation of Smutty Edits, as he decided to release carefully chosen edits from some of the most talented artists in the industry.

This first 12” features contributions from renowned artists who have left an indelible mark on the music scene. These collaborations ensure that each edit is of the highest quality, maintaining the integrity and spirit of the original tracks while adding a fresh perspective.

With occasional trips to Europe to reconnect with family and old friends, Jeroen remains deeply rooted in his heritage while continually seeking out new musical inspirations. Smutty Edits is set to release a series of records, each showcasing the label’s dedication to quality and innovation in Italo, Proto-House, Synth-Pop etc.

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