Label:Mannequin
Cat-No:MNQ166
Release-Date:27.09.2024
Genre:Alternative/Electronic
Configuration:LP
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Cat-No:MNQ166
Release-Date:27.09.2024
Genre:Alternative/Electronic
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Dame Area - Si No Es Hoy Cuando Es
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Dame Area - Vengo Dall Aldila
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Dame Area - Sempre Cambiare
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Dame Area - Urlo Di Guerra
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Dame Area - Striscia
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Dame Area - Tu Me Hiciste Creer
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Dame Area - Devocion
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Dame Area - Esto Es Nuestro Ruido
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Dame Area - Si No Eres Nada Puedes Ser Todo
Dame Area's highly anticipated fourth studio album, "Toda la verdad sobre Dame Area" ("The Whole Truth about Dame Area"), a collaboration with the renowned labels Mannequin Records and Humo Records.
Formed in 2017 within the vibrant underground scene of Barcelona's Màgia Roja club, Dame Area comprises the Italian-Catalan duo Silvia Konstance and Viktor Lux Crux. They fuse industrial-tribal polyrhythms with minimalist synth basslines, drawing profound inspiration from avant-garde masters such as Esplendor Geometrico, Throbbing Gristle, Suicide, Einstürzende Neubauten, Can, Coil, Swans, Big Black, and Wolf Eyes.
This record represents a new phase in Dame Area's discography. It's a big step up in terms of sound, composition and ideas. This record it's the perfect representation of what they have been playing live the last three years and what most people know them for. Also it serves as a companion piece to 2022’s Toda la mentira sobre Dame Area ("All The Lies About Dame Area"), which had a stronger focus on melody, while this latest record is more aggressive and industrial-influenced, with a greater emphasis on percussion.
Tracks like the Suicide-influenced "Si no es hoy cuando es" and "Sempre Cambiare" are an onslaught of industrialism and experimentalism—formidable, volatile, and unpredictable avant-garde subversion. Silvia explains, "One of our biggest influences is doing what our influences wouldn't do. We're more into dynamics and structures atypical of electronic music, with changes in time signatures, starts and stops, and dynamics more typical of rock music. We use any musical idea from any genre. Some songs on the album are based on flamenco rhythms, others influenced by '60s experimental pop, heavy metal, or contemporary electronic music."
The confrontational "Vengo dall'aldilà" accelerates with heavy percussion, while "Tu me hiciste creer" builds into a rhythmic, transcendent noise of yelled vocals and hypnotic beats. Viktor adds, "This song took us more time to complete than any other we have recorded. It was a very organic process, evolving slowly from some instrumental percussive stuff we were doing live. Then we started using feedback as a rhythmic element (through a metallic sheet), and this was the first song where we incorporated this element, typical of noise-rock and experimental rock."
Elsewhere, "Esto Es Nuestro Ruido" represents a manic, eclectic form of contemporary industrial music, post-punk, and EBM. Silvia notes, "It's the first album we recorded outside a studio. Although we've been playing live with metallic percussion and floor tom from the very start, in the studio, with some exceptions, it was mostly sample-based until now. On Toda la verdad sobre Dame Area, all drums and almost all metallic percussion have been recorded live."
With a growing reputation as one of the best live bands around since their inception, Dame Area has toured extensively across Europe, performing at renowned festivals like Atonal, CTM, Nuits Sonores, Dour, and Fusion, as well as legendary clubs such as Berghain, Tresor, Apolo, and Spook Factory.
Recorded at Sol de Sants Studios and Estudio Hermetic between August and November 2023
Silvia Konstance: vocals, synths, percussions, electronics, production
Viktor L. Crux: synths, drums, percussions, electronics, production
Mixing and additional production by Guillermo Sánchez Rojo
Mastering by Paul Mac at Hardgroove Mastering
Designed by Leo Sousa
Photography by Fabio Calabretta
Photo concept by Dame Area More
Formed in 2017 within the vibrant underground scene of Barcelona's Màgia Roja club, Dame Area comprises the Italian-Catalan duo Silvia Konstance and Viktor Lux Crux. They fuse industrial-tribal polyrhythms with minimalist synth basslines, drawing profound inspiration from avant-garde masters such as Esplendor Geometrico, Throbbing Gristle, Suicide, Einstürzende Neubauten, Can, Coil, Swans, Big Black, and Wolf Eyes.
This record represents a new phase in Dame Area's discography. It's a big step up in terms of sound, composition and ideas. This record it's the perfect representation of what they have been playing live the last three years and what most people know them for. Also it serves as a companion piece to 2022’s Toda la mentira sobre Dame Area ("All The Lies About Dame Area"), which had a stronger focus on melody, while this latest record is more aggressive and industrial-influenced, with a greater emphasis on percussion.
Tracks like the Suicide-influenced "Si no es hoy cuando es" and "Sempre Cambiare" are an onslaught of industrialism and experimentalism—formidable, volatile, and unpredictable avant-garde subversion. Silvia explains, "One of our biggest influences is doing what our influences wouldn't do. We're more into dynamics and structures atypical of electronic music, with changes in time signatures, starts and stops, and dynamics more typical of rock music. We use any musical idea from any genre. Some songs on the album are based on flamenco rhythms, others influenced by '60s experimental pop, heavy metal, or contemporary electronic music."
The confrontational "Vengo dall'aldilà" accelerates with heavy percussion, while "Tu me hiciste creer" builds into a rhythmic, transcendent noise of yelled vocals and hypnotic beats. Viktor adds, "This song took us more time to complete than any other we have recorded. It was a very organic process, evolving slowly from some instrumental percussive stuff we were doing live. Then we started using feedback as a rhythmic element (through a metallic sheet), and this was the first song where we incorporated this element, typical of noise-rock and experimental rock."
Elsewhere, "Esto Es Nuestro Ruido" represents a manic, eclectic form of contemporary industrial music, post-punk, and EBM. Silvia notes, "It's the first album we recorded outside a studio. Although we've been playing live with metallic percussion and floor tom from the very start, in the studio, with some exceptions, it was mostly sample-based until now. On Toda la verdad sobre Dame Area, all drums and almost all metallic percussion have been recorded live."
With a growing reputation as one of the best live bands around since their inception, Dame Area has toured extensively across Europe, performing at renowned festivals like Atonal, CTM, Nuits Sonores, Dour, and Fusion, as well as legendary clubs such as Berghain, Tresor, Apolo, and Spook Factory.
Recorded at Sol de Sants Studios and Estudio Hermetic between August and November 2023
Silvia Konstance: vocals, synths, percussions, electronics, production
Viktor L. Crux: synths, drums, percussions, electronics, production
Mixing and additional production by Guillermo Sánchez Rojo
Mastering by Paul Mac at Hardgroove Mastering
Designed by Leo Sousa
Photography by Fabio Calabretta
Photo concept by Dame Area More
More records from Dame Area
Label:Mannequin
Cat-No:MNQ141
Release-Date:16.04.2021
Genre:Alternative/Electronic
Configuration:LP
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Label:Mannequin
Cat-No:MNQ141
Release-Date:16.04.2021
Genre:Alternative/Electronic
Configuration:LP
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1
Dame Area - Scopri Le Tue Passioni
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Dame Area - Linea Retta
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Dame Area - Corazon De Fuego Corazon De Hielo
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Dame Area - Respira
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Dame Area - La Danza Del Ferro
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Dame Area - La Doble Luna
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Dame Area - No Pares De Trabajar
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Dame Area - Triangolo Segreto
Hailing from Barcelona, Silvia Konstance and Viktor L.Crux (a collaborator of Nurse With Wound and J.Arbeit from Einstürzende Neubauten) developed during the last years a unique music style recognized as "Tribal Wave".
Mixing synth bassline arpeggios and live percussions, noises and congas, industrialism and tribalism, Italian and Spanish, Dame Area are running across the same path and breathing the same air of the EBM/Industrial driven Diseño Corbusier or the drum compositions of Roberto De Simone.
Starting to play live and releasing their music in 2018 for their own label and venue Maja Roja (with the support of fans like Julian Cope and Yamatsuka Eye), their incessant touring schedule has already seen them play all over Europe in the past couple of years. Since 2019 they also play live as a trio with Jesse Webb from Gnod/Anthroprophh at the drums/percussion.
For fans of: Diseño Corbusier, Esplendor Geometrico, group A, Kris Baha
Limited edition of 400 copies on red vinyl.
Mastered by Rude 66, Amsterdam, 2021.
Graphic Design by Cassandra Dada, Barcelona, 2020. More
Mixing synth bassline arpeggios and live percussions, noises and congas, industrialism and tribalism, Italian and Spanish, Dame Area are running across the same path and breathing the same air of the EBM/Industrial driven Diseño Corbusier or the drum compositions of Roberto De Simone.
Starting to play live and releasing their music in 2018 for their own label and venue Maja Roja (with the support of fans like Julian Cope and Yamatsuka Eye), their incessant touring schedule has already seen them play all over Europe in the past couple of years. Since 2019 they also play live as a trio with Jesse Webb from Gnod/Anthroprophh at the drums/percussion.
For fans of: Diseño Corbusier, Esplendor Geometrico, group A, Kris Baha
Limited edition of 400 copies on red vinyl.
Mastered by Rude 66, Amsterdam, 2021.
Graphic Design by Cassandra Dada, Barcelona, 2020. More
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Label:Mannequin
Cat-No:MNQ164
Release-Date:21.06.2024
Genre:Electro
Configuration:12"
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1
Alessandro Adriani - Wounds
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Alessandro Adriani - Life Reborn
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Alessandro Adriani - Spectres
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Alessandro Adriani - Digital Space Interface
*Clear vinyl **
Mannequin Records boss Alessandro Adriani returns on his own label with four tracks that were previously available exclusively as digital releases.
Known for his unique blend of electro and synth wave sounds, Adriani has made a significant impact on the underground music landscape. With this new vinyl release, Adriani brings his distinctive musical vision to a vinyl audience, offering a tangible experience that digital formats cannot replicate. Each track is a testament to his ability to merge pulsating electronic beats with atmospheric synth melodies, creating a soundscape that is both nostalgic and innovative. More
Mannequin Records boss Alessandro Adriani returns on his own label with four tracks that were previously available exclusively as digital releases.
Known for his unique blend of electro and synth wave sounds, Adriani has made a significant impact on the underground music landscape. With this new vinyl release, Adriani brings his distinctive musical vision to a vinyl audience, offering a tangible experience that digital formats cannot replicate. Each track is a testament to his ability to merge pulsating electronic beats with atmospheric synth melodies, creating a soundscape that is both nostalgic and innovative. More
Label:Mannequin
Cat-No:MNQ054
Release-Date:26.04.2024
Genre:Alternative/Electronic
Configuration:LP
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Cat-No:MNQ054
Release-Date:26.04.2024
Genre:Alternative/Electronic
Configuration:LP
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1
Void Vision - One
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Void Vision - Everything Is Fine
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Void Vision - Hidden Hand
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Void Vision - Sour Mastered
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Void Vision - To The Sea
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Void Vision - Slow Dawn
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Void Vision - Vulgar Displays
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Void Vision - The Source
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Void Vision - In 20 Years (Extended Version)
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Void Vision - Queen Of Hearts
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Void Vision - Queen Of Hearts
**2024 Repress** 10 years later, back in a shiny new jacket
Mannequin Records is proud to present a full length by the Philly minimal-synth princess Void Vision
Void Vision is a Philadelphia-based electronic project helmed by Shari Vari. It began around 2009 at a time when a wave of synth-revivalists were materializing, but the quality of the songwriting and intense vocals set the band apart from the pack. In a rare instance, Void Vision has managed to combine vintage dance elements with melodic structures, haunting melancholy, and lyrics that have a palpable soul. The songs themselves are dynamic, referencing a cross-section of the last 30 years of electronic music, while simultaneously retaining a uniqueness all their own.
Wierd Records weekly club night in New York, which showcased a variety of talented electronic and coldwave artists, served as an incubator for Void Vision in it’s early stages. After a standout debut performance at the club, they immediately caught the attention of Blind Prophet Records, who consequently released their first 7? single, ‘In 20 Years’, which received excellent reviews.
Vari has continued performing and recording steadily over the last few years, releasing songs on compilations for various labels, including Rough Trade, and in 2012 the song ‘Everything is Fine’ was selected for Artforum magazine’s ‘Best of 2012' issue. In 2013, Void Vision toured the West Coast and later that year released a split 12? with Portland-based band, Vice Device. The first official full-length album, entitled ‘Sub Rosa’ is set to debut on Berlin-based Mannequin Records, followed by a European tour in 2015.
Shari Vari formed Void Vision in 2009 originally as a duo, during the explosion of the new minimal synth and cold wave scene in United States. Sharing the same scene of the Wierd Records associates like Led Er Est, Martial Canterel, Xeno & Oaklander, Automelodi, in 2010 VV released ‘In Twenty Years’ on Blind Prophet (Sean Ragon’s Cult Of Youth record label), receiving also the attention of the Rough Trade dudes, who asked to put out a track for one of their synth wave compilations.
After other split vinyls, tapes and compilations, Mannequin approached Shari with the intention to continue what Wierd Records started, giving a proper shape to her beautiful and youthful dark electronic sound. The result is 10 hypnotic cold analog tracks dominated by the warm and fragile Shari’s voice, some more “pop orientated” some others belonging to the original “cold wave” atmosphere. More
Mannequin Records is proud to present a full length by the Philly minimal-synth princess Void Vision
Void Vision is a Philadelphia-based electronic project helmed by Shari Vari. It began around 2009 at a time when a wave of synth-revivalists were materializing, but the quality of the songwriting and intense vocals set the band apart from the pack. In a rare instance, Void Vision has managed to combine vintage dance elements with melodic structures, haunting melancholy, and lyrics that have a palpable soul. The songs themselves are dynamic, referencing a cross-section of the last 30 years of electronic music, while simultaneously retaining a uniqueness all their own.
Wierd Records weekly club night in New York, which showcased a variety of talented electronic and coldwave artists, served as an incubator for Void Vision in it’s early stages. After a standout debut performance at the club, they immediately caught the attention of Blind Prophet Records, who consequently released their first 7? single, ‘In 20 Years’, which received excellent reviews.
Vari has continued performing and recording steadily over the last few years, releasing songs on compilations for various labels, including Rough Trade, and in 2012 the song ‘Everything is Fine’ was selected for Artforum magazine’s ‘Best of 2012' issue. In 2013, Void Vision toured the West Coast and later that year released a split 12? with Portland-based band, Vice Device. The first official full-length album, entitled ‘Sub Rosa’ is set to debut on Berlin-based Mannequin Records, followed by a European tour in 2015.
Shari Vari formed Void Vision in 2009 originally as a duo, during the explosion of the new minimal synth and cold wave scene in United States. Sharing the same scene of the Wierd Records associates like Led Er Est, Martial Canterel, Xeno & Oaklander, Automelodi, in 2010 VV released ‘In Twenty Years’ on Blind Prophet (Sean Ragon’s Cult Of Youth record label), receiving also the attention of the Rough Trade dudes, who asked to put out a track for one of their synth wave compilations.
After other split vinyls, tapes and compilations, Mannequin approached Shari with the intention to continue what Wierd Records started, giving a proper shape to her beautiful and youthful dark electronic sound. The result is 10 hypnotic cold analog tracks dominated by the warm and fragile Shari’s voice, some more “pop orientated” some others belonging to the original “cold wave” atmosphere. More
Label:Mannequin
Cat-No:MNQ160
Release-Date:21.07.2023
Genre:Alternative/Electronic
Configuration:12"
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Cat-No:MNQ160
Release-Date:21.07.2023
Genre:Alternative/Electronic
Configuration:12"
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1
Andi + Machino - Softly Softly
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Andi + Machino - Secret Games
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Andi + Machino - Surface Wound
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Andi + Machino - Sneaking Suspicion
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Andi + Machino - False Passion
The collaborative bi-coastal project between Andi (NYC) and Machino (LA) is dark, spiraling music that conflates the tension of running EBM basslines with the monstrosity of electro-saturated, industrialized beats. In 2021, Andi and Machino began sending music back and forth to each other virtually—thousands of miles apart—as they built upon their passion for creating off-the-cuff, dangerously degenerate dance tracks.
Parafernales, their first release out this summer on Mannequin, is a conceptual EP that deals with power struggles: love and lust, strength and destruction, dominating and domination. Andi's vocals are spoken, whispered, and yelled simultaneously, as if to mirror the mania of having control and losing it at the same time. The EP title, Parafernales, is a nod to Machino's first language of Spanish and stems from the idea of miscellany: it is parafernalia for drugs, or, simply, accessories for unsavory activities. With inspirations from turn-of-the-90s erotic thrillers to the Chilean post-punk band, Los Prisoneros, the duo collide in a manner that is unadulterated and, at times, completely unhinged.
Machino is an electronic performer and music producer from Mexico based in Los Angeles who started out making moody ambient, techno and has now pivoted towards industrial music. He has released several EPs on different labels such as Tresor and X-IMG. Andi is a DJ, producer and music journalist based in NYC. She runs the nine year strong label/party SYNTHICIDE in NYC. More
Parafernales, their first release out this summer on Mannequin, is a conceptual EP that deals with power struggles: love and lust, strength and destruction, dominating and domination. Andi's vocals are spoken, whispered, and yelled simultaneously, as if to mirror the mania of having control and losing it at the same time. The EP title, Parafernales, is a nod to Machino's first language of Spanish and stems from the idea of miscellany: it is parafernalia for drugs, or, simply, accessories for unsavory activities. With inspirations from turn-of-the-90s erotic thrillers to the Chilean post-punk band, Los Prisoneros, the duo collide in a manner that is unadulterated and, at times, completely unhinged.
Machino is an electronic performer and music producer from Mexico based in Los Angeles who started out making moody ambient, techno and has now pivoted towards industrial music. He has released several EPs on different labels such as Tresor and X-IMG. Andi is a DJ, producer and music journalist based in NYC. She runs the nine year strong label/party SYNTHICIDE in NYC. More
Label:Mannequin
Cat-No:MNQ157
Release-Date:24.02.2023
Genre:Alternative/Electronic
Configuration:12"
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Cat-No:MNQ157
Release-Date:24.02.2023
Genre:Alternative/Electronic
Configuration:12"
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1
Arnaud Rebotini - I Drive East
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Arnaud Rebotini - The Spark In Her Eye
3
Arnaud Rebotini - I Chose Hate
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Arnaud Rebotini - Death Rides A Horse
A dream collaboration with Dario Argento for the soundtrack of his new film "Occhiali Neri", Maestro Arnaud Rebotini is back on Mannequin Records with a brand new 4-tracks ep "I Drive East". For this new ep, Arnaud started working more on a song form, deeply inspired by his rock'n'roll roots. Having heroes like Suicide or Alien Sex Fiend in mind, he was able to create the perfect link between EBM and Industrial Rock. The final production was orchestrated diving deep into percussive drums and digital synthesizers, a mega hybrid of analog and digital, recalling back our favourite mid-80's productions.
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Label:Mannequin
Cat-No:MNQ156
Release-Date:17.02.2023
Genre:Alternative/Electronic
Configuration:2LP
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Cat-No:MNQ156
Release-Date:17.02.2023
Genre:Alternative/Electronic
Configuration:2LP
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1
The Actor - Unreal Personality
2
The Actor - Lights
3
The Actor - Deutsches Mädchen
4
The Actor - Covergirl
5
The Actor - Wählerisch!
6
The Actor - UCX-S
7
The Actor - Modern Air
8
The Actor - Seit Wir Uns Kennen...
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The Actor - Picture 210
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The Actor - Gentlemen & Pettycoats
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The Actor - Deutsches Mädchen (Demo)
12
The Actor - Lights (Demo)
13
The Actor - Wählerisch! (Demo)
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The Actor - Picture 210 (Demo)
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The Actor - Seit Wir Uns Kennen... (Demo)
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The Actor - UCX-S (Demo)
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The Actor - Gentlemen & Pettycoats (Demo)
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The Actor - Fire
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The Actor - Automobil
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The Actor - 40-50-60
An expanded double-LP of 'Exploded View' from minimal synth Dutch pioneers The Actor. A must have for the dusty/rusty analog synthesizers lovers. Mega TIP!!!
Originally released in 1982 by Trumpett Tapes, the album was repressed for the first time by Mannequin Records in 2014, and now is coming back to life again in 2022, enriched by an extra full-lenght of demos from a 1981-1984 period.
Singing both in English and German, The Actor songs are often related to modernism, fashion and dancing, like a sort of early incarnation of Depeche Mode but totally devoted to home taping and diy recordings, where Trumpett was definitely the perfect home for it, having releasing such amazing cassettes from Doxa Sinistra, Ende Shneafliet, Dr C.Stein, and many more. More
Originally released in 1982 by Trumpett Tapes, the album was repressed for the first time by Mannequin Records in 2014, and now is coming back to life again in 2022, enriched by an extra full-lenght of demos from a 1981-1984 period.
Singing both in English and German, The Actor songs are often related to modernism, fashion and dancing, like a sort of early incarnation of Depeche Mode but totally devoted to home taping and diy recordings, where Trumpett was definitely the perfect home for it, having releasing such amazing cassettes from Doxa Sinistra, Ende Shneafliet, Dr C.Stein, and many more. More
Label:Mannequin
Cat-No:MNQ114
Release-Date:11.11.2022
Genre:Alternative/Electronic
Configuration:LP
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Cat-No:MNQ114
Release-Date:11.11.2022
Genre:Alternative/Electronic
Configuration:LP
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1
Bourbonese Qualk - Shutdown
2
Bourbonese Qualk - Suburb City
3
Bourbonese Qualk - About This
4
Bourbonese Qualk - New England
5
Bourbonese Qualk - Preparing For Power
6
Bourbonese Qualk - Pogrom
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Bourbonese Qualk - Call To Arms
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Bourbonese Qualk - Frontline
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Bourbonese Qualk - Spanner In The Works
10
Bourbonese Qualk - In Flux
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Bourbonese Qualk - Deadbeat
Bourbonese Qualk's third album "The Spike" was recorded during the period 1984-1985 and published by the Berlin based Dossier/Atonal label while Bourbonese Qualk were involved in organising the Berlin Atonal festival. Parts of Side 2 of the album is a recording of pieces made for a dance and film performance at the Bloomsbury Theatre in London in 1985.
Bourbonese Qualk were an experimental music group from England, active from 1979 through 2003. They were always obsessively and uncompromisingly focused on controlling their work: they ran their own record label, recording studio, tour organization, and music venue (the notorious Ambulance Station). They refused to integrate into the commercial music racket and turned down publishing deals from major labels, stubbornly opting for total independence.
They're also known for their political activism, formed in the crucible of 1980s Britain amid such influences as the UK miners' strike, The Falklands War, Thatcherism, monetarism, local government corruption, squatting, anti-capitalism, anti-fascism, and anarchism. Their work was often ambiguous and directly critical of cynical power-politics of any color, often irritating members of the traditional organized left. In 1984 Bourbonese Qualk occupied a large empty building - The Ambulance Station - on the Old Kent Road in South London, which they turned into a base for their activities, a cooperative space for artists, musicians, and writers, and a center for radical political activism -- specifically as a coordinating center for the Stop the City anti-capitalist riots of 1984.
This is music as much for then and today, a radical, revolutionary cultural force that acts as a positive social charge. More
Bourbonese Qualk were an experimental music group from England, active from 1979 through 2003. They were always obsessively and uncompromisingly focused on controlling their work: they ran their own record label, recording studio, tour organization, and music venue (the notorious Ambulance Station). They refused to integrate into the commercial music racket and turned down publishing deals from major labels, stubbornly opting for total independence.
They're also known for their political activism, formed in the crucible of 1980s Britain amid such influences as the UK miners' strike, The Falklands War, Thatcherism, monetarism, local government corruption, squatting, anti-capitalism, anti-fascism, and anarchism. Their work was often ambiguous and directly critical of cynical power-politics of any color, often irritating members of the traditional organized left. In 1984 Bourbonese Qualk occupied a large empty building - The Ambulance Station - on the Old Kent Road in South London, which they turned into a base for their activities, a cooperative space for artists, musicians, and writers, and a center for radical political activism -- specifically as a coordinating center for the Stop the City anti-capitalist riots of 1984.
This is music as much for then and today, a radical, revolutionary cultural force that acts as a positive social charge. More
Label:Mannequin
Cat-No:MNQ115
Release-Date:30.09.2022
Genre:Alternative/Electronic
Configuration:LP
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Cat-No:MNQ115
Release-Date:30.09.2022
Genre:Alternative/Electronic
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1
Bourbonese Qualk - Skin Deep
2
Bourbonese Qualk - On Your Knees
3
Bourbonese Qualk - Dream Decade
4
Bourbonese Qualk - Untitled
5
Bourbonese Qualk - Black And Blues
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Bourbonese Qualk - Pipe Dreams
7
Bourbonese Qualk - Workover
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Bourbonese Qualk - Shock Corridor
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Bourbonese Qualk - Sweat It Out
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Bourbonese Qualk - Dummy Run
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Bourbonese Qualk - Unknown Track
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Bourbonese Qualk - C2V
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Bourbonese Qualk - Obsession
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Bourbonese Qualk - This Is The Enemy
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Bourbonese Qualk - Mean Street
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Bourbonese Qualk - Always There
The self named LP marked the fifth album and end of the first incarnation of Bourbonese Qualk. Julian Gilbert left the group after ‘The Spike'(1986) to concentrate on writing and theatre, leaving Steven Tanza and Simon Crab who parted ways after touring in Europe in early 1986 and recording this album. Steven Tanza went on to found the group ‘The State’ and while Crab continued as Bourbonese Qualk (with the new line-up of Miles Miles,Crab and Owen If), dissolved the Recloose Organisation label and founded ‘New International’ as the outlet for future Bourbonese Qualk and Recloose Org releases.
"If we were awarding prizes for making people rush out of the room in blind panic Bourbonese Qualk would have a trophy cabinet to match Bayern Munich’s. Strange, because whilst some of their music is damned uncomfortable listening, an equal part is pleasantly ambient. Pretty, even. Their 5th album is no exception with different types of track side by side throughout, so that the listener can neither drift along in a state of slumber nor masochistically subject themselves to the audio equivalent of the chinese water torture. This makes it all a very stop-start thing but all the more rewarding as a result."
Can't be Beat magazine - London 1986
Bourbonese Qualk were an experimental music group from England, active from 1979 through 2003. They were always obsessively and uncompromisingly focused on controlling their work: they ran their own record label, recording studio, tour organization, and music venue (the notorious Ambulance Station). They refused to integrate into the commercial music racket and turned down publishing deals from major labels, stubbornly opting for total independence.
They're also known for their political activism, formed in the crucible of 1980s Britain amid such influences as the UK miners' strike, The Falklands War, Thatcherism, monetarism, local government corruption, squatting, anti-capitalism, anti-fascism, and anarchism. Their work was often ambiguous and directly critical of cynical power-politics of any color, often irritating members of the traditional organized left. In 1984 Bourbonese Qualk occupied a large empty building - The Ambulance Station - on the Old Kent Road in South London, which they turned into a base for their activities, a cooperative space for artists, musicians, and writers, and a center for radical political activism -- specifically as a coordinating center for the Stop the City anti-capitalist riots of 1984.
This is music as much for then and today, a radical, revolutionary cultural force that acts as a positive social charge. More
"If we were awarding prizes for making people rush out of the room in blind panic Bourbonese Qualk would have a trophy cabinet to match Bayern Munich’s. Strange, because whilst some of their music is damned uncomfortable listening, an equal part is pleasantly ambient. Pretty, even. Their 5th album is no exception with different types of track side by side throughout, so that the listener can neither drift along in a state of slumber nor masochistically subject themselves to the audio equivalent of the chinese water torture. This makes it all a very stop-start thing but all the more rewarding as a result."
Can't be Beat magazine - London 1986
Bourbonese Qualk were an experimental music group from England, active from 1979 through 2003. They were always obsessively and uncompromisingly focused on controlling their work: they ran their own record label, recording studio, tour organization, and music venue (the notorious Ambulance Station). They refused to integrate into the commercial music racket and turned down publishing deals from major labels, stubbornly opting for total independence.
They're also known for their political activism, formed in the crucible of 1980s Britain amid such influences as the UK miners' strike, The Falklands War, Thatcherism, monetarism, local government corruption, squatting, anti-capitalism, anti-fascism, and anarchism. Their work was often ambiguous and directly critical of cynical power-politics of any color, often irritating members of the traditional organized left. In 1984 Bourbonese Qualk occupied a large empty building - The Ambulance Station - on the Old Kent Road in South London, which they turned into a base for their activities, a cooperative space for artists, musicians, and writers, and a center for radical political activism -- specifically as a coordinating center for the Stop the City anti-capitalist riots of 1984.
This is music as much for then and today, a radical, revolutionary cultural force that acts as a positive social charge. More
Label:Mannequin
Cat-No:MNQ151
Release-Date:10.06.2022
Genre:Electronic
Configuration:2LP
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Genre:Electronic
Configuration:2LP
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Alessandro Adriani - A1 Pr 002 - II
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Alessandro Adriani - A2 Pr 001 - I
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Alessandro Adriani - A3 Pr 004 - XIII
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Alessandro Adriani - A4 Pr 001 - II
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Alessandro Adriani - A5 Pr 002 - X
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Alessandro Adriani - A6 Pr 001 - V
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Alessandro Adriani - A7 Pr 002 - XIV
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Alessandro Adriani - A8 Pr 002 - IX
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Alessandro Adriani - A9 Pr 002 - VIII
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Alessandro Adriani - A10 Pr 004 - IX
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Alessandro Adriani - B1 Pr 003 - IX
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Alessandro Adriani - B2 PR 003 - II
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Alessandro Adriani - B3 Pr 003 - VIII
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Alessandro Adriani - B4 Pr 002 - XIII
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Alessandro Adriani - B5 Pr 003 - X
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Alessandro Adriani - B6 Pr 003 - III
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Alessandro Adriani - B7 Pr 004 - IV
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Alessandro Adriani - B8 Pr 006 - X
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Alessandro Adriani - B9 Pr 002 - V
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Alessandro Adriani - B10 Pr 001 - VII
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Alessandro Adriani - B11 Pr 001 - III
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Alessandro Adriani - C1 Pr 004 - III
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Alessandro Adriani - C2 Pr 004 - VI
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Alessandro Adriani - C3 Pr 004 - VII
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Alessandro Adriani - C4 Pr 005 - IV
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Alessandro Adriani - C5 Pr 004 - IV
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Alessandro Adriani - C6 Pr 004 - IX
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Alessandro Adriani - C7 Pr 006 - IX
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Alessandro Adriani - C8 Pr 004 - X
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Alessandro Adriani - C9 Pr 003 - I
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Alessandro Adriani - C10 Pr 004 - XII
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Alessandro Adriani - C11 Pr 006 - XII
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Alessandro Adriani - D1 Pr 005 - II
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Alessandro Adriani - D2 Pr 005 - VI
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Alessandro Adriani - D3 Pr 002 - VII
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Alessandro Adriani - D4 Pr 006 - I
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Alessandro Adriani - D5 Pr 006 - III
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Alessandro Adriani - D6 Pr 006 - II
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Alessandro Adriani - D7 Pr 006 - IV
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Alessandro Adriani - D8 Pr 006 - V
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Alessandro Adriani - D9 Pr 006 - VII
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Alessandro Adriani - D10 Pr 006 - VIII
2xLP 400 copies..Limited Edition.
Alessandro Adriani marks his comeback on his own Mannequin Records with an impressive body of work on this 2xLP 'Program & Rhythm', inspired by the Italian library music and soundtrack composers.
Italian composers from the 60s to the 80s seemed limitless in their experiments and endlessly colorful, despite being a hidden part in the history of music. Library music takes weird and fantastic detours, between garish drum machines, seedy guitars, synthesizers gone haywire, and fractious brass sections. The scene’s big names included Ennio Morricone, Piero Umiliani, Alessandro Alessandroni, Giampiero Boneschi, Egisto Macchi, A.R. Luciani and Bruno Nicolai, just to name a few.
After spending weeks on end in an improvised-by-covid home studio recording hours and hours of music every day, Alessandro was turning and shaping his analog machines into an experimental synth pop, psychedelic funky jazz and weird ambient fusion, making up six different releases called simply 'Program & Rhythm' from the Roland CR-78 programming buttons.
The final selection of 42 tracks out of the six releases - originally intended to be put out as tapes - would finally compose the tracklist of the double vinyl presented here, with the catalog number PR and roman numerals used for the track titles.
An exceptional document of music in Alessandro's discography, 'Program & Rhythm' enters into an ultimate unknown journey, creating music for films that do not yet exist, putting his steps deeper into a faceless obscure music. More
Alessandro Adriani marks his comeback on his own Mannequin Records with an impressive body of work on this 2xLP 'Program & Rhythm', inspired by the Italian library music and soundtrack composers.
Italian composers from the 60s to the 80s seemed limitless in their experiments and endlessly colorful, despite being a hidden part in the history of music. Library music takes weird and fantastic detours, between garish drum machines, seedy guitars, synthesizers gone haywire, and fractious brass sections. The scene’s big names included Ennio Morricone, Piero Umiliani, Alessandro Alessandroni, Giampiero Boneschi, Egisto Macchi, A.R. Luciani and Bruno Nicolai, just to name a few.
After spending weeks on end in an improvised-by-covid home studio recording hours and hours of music every day, Alessandro was turning and shaping his analog machines into an experimental synth pop, psychedelic funky jazz and weird ambient fusion, making up six different releases called simply 'Program & Rhythm' from the Roland CR-78 programming buttons.
The final selection of 42 tracks out of the six releases - originally intended to be put out as tapes - would finally compose the tracklist of the double vinyl presented here, with the catalog number PR and roman numerals used for the track titles.
An exceptional document of music in Alessandro's discography, 'Program & Rhythm' enters into an ultimate unknown journey, creating music for films that do not yet exist, putting his steps deeper into a faceless obscure music. More
Label:Mannequin
Cat-No:MNQ149
Release-Date:12.11.2021
Genre:Alternative/Electronic
Configuration:LP
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Cat-No:MNQ149
Release-Date:12.11.2021
Genre:Alternative/Electronic
Configuration:LP
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1
L.F.T. - Smell Of Metal
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L.F.T. - Don't Try
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L.F.T. - Narcissist Feat. Rosaceae
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L.F.T. - Nur Noch Ein Mal Schreien Feat. Nils Fock
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L.F.T. - Der Binger Feat. Levente
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L.F.T. - Blood Vessel
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L.F.T. - Feuer Auf Dem Berg
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L.F.T. - Von Spinnen Träumen
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L.F.T. - Torch It
*repress* Limited edition of 500 copies on opaque blue vinyl.
Mannequin Records is elated to introduce you a brand new album by Johannes Haas aka L.F.T. (Love, Fist, Tears) - one of the hottest electro/wave names around the globe.
The Hamburg-based producer is obviously one of the resident artists at Golden Pudel Club, being blessed by a collaborative friendship with the mighty Helena Hauff (go check their b2b on Hör radio for the definitive Electro music set), and also running also the label 'Neoprimitive' with Lukas, focusing mostly on experimental music.
Pursuing a stubborn D-I-Y aesthetic with an extensive use of lo-fi technology, over compressed drum machines and tapes, over the last two years L.F.T. has released several records on different labels like Helena Hauff's Return To Disorder and Elena Colombi's Osaré Editions
Endorsing a distinctive contemporary sound, 'Salz' is moving forward to an highly authentic mixture of electro and synthwave, with a lo-fi analog power blended all over his tracks, somewhere between Liaisons Dangereuses, I-F and Bakterielle Infektion, bringing us back - and fresh as never before - the amazing early days of CBS Radio - now Intergalactic Fm. More
Mannequin Records is elated to introduce you a brand new album by Johannes Haas aka L.F.T. (Love, Fist, Tears) - one of the hottest electro/wave names around the globe.
The Hamburg-based producer is obviously one of the resident artists at Golden Pudel Club, being blessed by a collaborative friendship with the mighty Helena Hauff (go check their b2b on Hör radio for the definitive Electro music set), and also running also the label 'Neoprimitive' with Lukas, focusing mostly on experimental music.
Pursuing a stubborn D-I-Y aesthetic with an extensive use of lo-fi technology, over compressed drum machines and tapes, over the last two years L.F.T. has released several records on different labels like Helena Hauff's Return To Disorder and Elena Colombi's Osaré Editions
Endorsing a distinctive contemporary sound, 'Salz' is moving forward to an highly authentic mixture of electro and synthwave, with a lo-fi analog power blended all over his tracks, somewhere between Liaisons Dangereuses, I-F and Bakterielle Infektion, bringing us back - and fresh as never before - the amazing early days of CBS Radio - now Intergalactic Fm. More
Label:Mannequin
Cat-No:MNQ140
Release-Date:10.09.2021
Genre:Alternative/Electronic
Configuration:LP
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Cat-No:MNQ140
Release-Date:10.09.2021
Genre:Alternative/Electronic
Configuration:LP
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1
Giovanotti Mondani Meccanici - GMM Suite 1
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Giovanotti Mondani Meccanici - GMM Suite 2
Mannequin Records is elated to present for the first time on vinyl the reissue of Giovanotti Mondani Meccanici’s first video soundtrack, originally released in 1984 as an audiotape in less than one hundred copies. Giovanotti Mondani Meccanici (literally Mundane Mechanical Youth) or GMM was one of the most unclassifiable audiovisual experiences to emerge from Italy in the 1980s. Maurizio Dami a.k.a. Alexander Robotnick, a pivotal member of GMM, was responsible for the group’s music output.
Founded in 1984 by Antonio Glessi and Andrea Zingoni in Florence, GMM was an art collective whose production represents the quintessential expression of postmodern transmedia hybridity. GMM pioneered the genre of computer comics, created video installations, developed “multiple identity” performances, and was involved in fashion, media, and music productions, and later on produced cyberdelic environments, artificial reality projects, and proto-memes.
Alexander Robotnick’s first contribution to GMM was this soundtrack for the group’s eponymous first video, the animated version of a computer comics they coincidentally published on legendary Frigidaire magazine. Restored by Dami and reissued here for the first time by Mannequin Records, the composition was also split into two “suites” and released as an audiotape distributed by Materiali Sonori, also responsible for other releases by both Robotnick and GMM.
Determining in this work is Dami’s adoption of the alphaSyntauri, also known as the first affordable digital synth (priced less than $2000 when it was released in 1980), which was playable through its own software, “alphaPlus,” on the Apple II computer. The same computer was used by Glessi to “draw” the 3-bit strips scripted by Zingoni recounting the joyrides of the Giovanotti Mondani Meccanici, three merciless cyborgs in black suit and sunglasses dividing their time between nightclubs, rapes and murders.
As Robotnick, Dami developed an innovative formula of Italo disco that was attractive to the dance floor yet at the same time highlighted the expressive properties of the instruments he used, notably Roland drum machines and Korg synthesizers. For the soundtrack of GMM’s videos and installations, he left aside the danceable synth rhythmics in favor of ambient sounds that produced rarefied atmospheres, psychological tensions, and enhanced states of consciousness.
Dami’s scores for GMM’s artworks could be associated with Italian avant-garde music of the 1970s and 1980s, ranging from composers who adopted electronics flirting with pop and songwriting to minimalist musicians exploring seriality and drones, including Franco Battiato, Roberto Cacciapaglia, Francesco Messina, and Riccardo Sinigaglia. Analogies could also be traced with the playful and humanizing approach to personal computers that characterizes the music output of Marcello Giombini and Doris Norton.
The futuristic escapism of minimal synth and ambient music’s psychological nature is infiltrated by drifting harmonics typical of new age, as if in search of a spiritual dimension of technology. Characteristic of the postmodern ethos of GMM Suite, in line with the humanizing approach to technology that is at the base of GMM’s computer comics, is the melancholic take at speculative dystopias in which human beings would find themselves increasingly trapped into identity crises: a true cyborg’s melodrama.
Limited edition of 500 copies, (orange vinyl)
Restored by Maurizio Dami, Florence, 2021.
Remastered by Rude 66, Amsterdam, 2021.
Research by Francesco Spampinato.
Artwork by Antonio Glessi. More
Founded in 1984 by Antonio Glessi and Andrea Zingoni in Florence, GMM was an art collective whose production represents the quintessential expression of postmodern transmedia hybridity. GMM pioneered the genre of computer comics, created video installations, developed “multiple identity” performances, and was involved in fashion, media, and music productions, and later on produced cyberdelic environments, artificial reality projects, and proto-memes.
Alexander Robotnick’s first contribution to GMM was this soundtrack for the group’s eponymous first video, the animated version of a computer comics they coincidentally published on legendary Frigidaire magazine. Restored by Dami and reissued here for the first time by Mannequin Records, the composition was also split into two “suites” and released as an audiotape distributed by Materiali Sonori, also responsible for other releases by both Robotnick and GMM.
Determining in this work is Dami’s adoption of the alphaSyntauri, also known as the first affordable digital synth (priced less than $2000 when it was released in 1980), which was playable through its own software, “alphaPlus,” on the Apple II computer. The same computer was used by Glessi to “draw” the 3-bit strips scripted by Zingoni recounting the joyrides of the Giovanotti Mondani Meccanici, three merciless cyborgs in black suit and sunglasses dividing their time between nightclubs, rapes and murders.
As Robotnick, Dami developed an innovative formula of Italo disco that was attractive to the dance floor yet at the same time highlighted the expressive properties of the instruments he used, notably Roland drum machines and Korg synthesizers. For the soundtrack of GMM’s videos and installations, he left aside the danceable synth rhythmics in favor of ambient sounds that produced rarefied atmospheres, psychological tensions, and enhanced states of consciousness.
Dami’s scores for GMM’s artworks could be associated with Italian avant-garde music of the 1970s and 1980s, ranging from composers who adopted electronics flirting with pop and songwriting to minimalist musicians exploring seriality and drones, including Franco Battiato, Roberto Cacciapaglia, Francesco Messina, and Riccardo Sinigaglia. Analogies could also be traced with the playful and humanizing approach to personal computers that characterizes the music output of Marcello Giombini and Doris Norton.
The futuristic escapism of minimal synth and ambient music’s psychological nature is infiltrated by drifting harmonics typical of new age, as if in search of a spiritual dimension of technology. Characteristic of the postmodern ethos of GMM Suite, in line with the humanizing approach to technology that is at the base of GMM’s computer comics, is the melancholic take at speculative dystopias in which human beings would find themselves increasingly trapped into identity crises: a true cyborg’s melodrama.
Limited edition of 500 copies, (orange vinyl)
Restored by Maurizio Dami, Florence, 2021.
Remastered by Rude 66, Amsterdam, 2021.
Research by Francesco Spampinato.
Artwork by Antonio Glessi. More
Label:MANNEQUIN
Cat-No:MNQ145
Release-Date:18.06.2021
Genre:Alternative/Electronic
Configuration:12"
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Cat-No:MNQ145
Release-Date:18.06.2021
Genre:Alternative/Electronic
Configuration:12"
Barcode:
1
CAROLINE K - Mirrorball (Original Version, 1983)
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CAROLINE K - Mirrorball (Alessandro Adriani Remix)
Forever lost single track from Caroline K real name Caroline Kaye Walters - founder member of Nocturnal Emissions, one of the best UK experimental/industrial music groups in the 1980s. Conceived at her Brixton studio in 1983 during the same sessions of "Don't Believe It's Over, "Mirrorball" sounds heavily inspired by "Blue Monday" from New Order, unveiling an unexpected pop side from the British experimental artist, here with the help of Beverley Ireland at the voice.
Caroline Kaye Walters formed Nocturnal Emissions in 1980 with Nigel Ayers, contributing voice, synthesizer, bass and drum programming to the group’s early releases. She and Ayers also co-founded Sterile Records (1979-1986), one of the key underground imprints of its time, home to music from the likes of SPK, Lustmord and Maurizio Bianchi. In later life Walters retreated from the public eye, and in 2001 married Daniel Ayers (Nigel’s brother, also of Nocturnal Emissions, and her collaborator in The Pump), moving to Garfagnana, Italy, where she resided until her death from leukaemia on July 12, 2008.
Mannequin Records head Alessandro Adriani goes once again at the remix duties with a nearly 7 minute minimal-electro-balearic remix, overheating his Roland Tr-808/909/707 with delays reverbs and flangers and updating the original track for the dance - floor.
RSD 2021 Exclusive Only, No digital. Mega TIP!
Audio Mastering by Rude 66, Amsterdam, 2020.
Graphic Design by Alessandro Adriani, Berlin, 2020. More
Caroline Kaye Walters formed Nocturnal Emissions in 1980 with Nigel Ayers, contributing voice, synthesizer, bass and drum programming to the group’s early releases. She and Ayers also co-founded Sterile Records (1979-1986), one of the key underground imprints of its time, home to music from the likes of SPK, Lustmord and Maurizio Bianchi. In later life Walters retreated from the public eye, and in 2001 married Daniel Ayers (Nigel’s brother, also of Nocturnal Emissions, and her collaborator in The Pump), moving to Garfagnana, Italy, where she resided until her death from leukaemia on July 12, 2008.
Mannequin Records head Alessandro Adriani goes once again at the remix duties with a nearly 7 minute minimal-electro-balearic remix, overheating his Roland Tr-808/909/707 with delays reverbs and flangers and updating the original track for the dance - floor.
RSD 2021 Exclusive Only, No digital. Mega TIP!
Audio Mastering by Rude 66, Amsterdam, 2020.
Graphic Design by Alessandro Adriani, Berlin, 2020. More
Label:Mannequin
Cat-No:MNQ141
Release-Date:16.04.2021
Genre:Alternative/Electronic
Configuration:LP
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Cat-No:MNQ141
Release-Date:16.04.2021
Genre:Alternative/Electronic
Configuration:LP
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1
Dame Area - Scopri Le Tue Passioni
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Dame Area - Linea Retta
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Dame Area - Corazon De Fuego Corazon De Hielo
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Dame Area - Respira
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Dame Area - La Danza Del Ferro
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Dame Area - La Doble Luna
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Dame Area - No Pares De Trabajar
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Dame Area - Triangolo Segreto
Hailing from Barcelona, Silvia Konstance and Viktor L.Crux (a collaborator of Nurse With Wound and J.Arbeit from Einstürzende Neubauten) developed during the last years a unique music style recognized as "Tribal Wave".
Mixing synth bassline arpeggios and live percussions, noises and congas, industrialism and tribalism, Italian and Spanish, Dame Area are running across the same path and breathing the same air of the EBM/Industrial driven Diseño Corbusier or the drum compositions of Roberto De Simone.
Starting to play live and releasing their music in 2018 for their own label and venue Maja Roja (with the support of fans like Julian Cope and Yamatsuka Eye), their incessant touring schedule has already seen them play all over Europe in the past couple of years. Since 2019 they also play live as a trio with Jesse Webb from Gnod/Anthroprophh at the drums/percussion.
For fans of: Diseño Corbusier, Esplendor Geometrico, group A, Kris Baha
Limited edition of 400 copies on red vinyl.
Mastered by Rude 66, Amsterdam, 2021.
Graphic Design by Cassandra Dada, Barcelona, 2020. More
Mixing synth bassline arpeggios and live percussions, noises and congas, industrialism and tribalism, Italian and Spanish, Dame Area are running across the same path and breathing the same air of the EBM/Industrial driven Diseño Corbusier or the drum compositions of Roberto De Simone.
Starting to play live and releasing their music in 2018 for their own label and venue Maja Roja (with the support of fans like Julian Cope and Yamatsuka Eye), their incessant touring schedule has already seen them play all over Europe in the past couple of years. Since 2019 they also play live as a trio with Jesse Webb from Gnod/Anthroprophh at the drums/percussion.
For fans of: Diseño Corbusier, Esplendor Geometrico, group A, Kris Baha
Limited edition of 400 copies on red vinyl.
Mastered by Rude 66, Amsterdam, 2021.
Graphic Design by Cassandra Dada, Barcelona, 2020. More
Label:Mannequin
Cat-No:MNQ144
Release-Date:21.01.2021
Genre:Electrobass
Configuration:12"
Barcode:
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Cat-No:MNQ144
Release-Date:21.01.2021
Genre:Electrobass
Configuration:12"
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1
Arnaud Rebotini - Shiny Black Leather
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Arnaud Rebotini - Last Train To Krasnodar
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Arnaud Rebotini - What You Want Me To Do
4
Arnaud Rebotini - The Glove And The Whip
Repress!
Mannequin Records is elated to welcome a brand new killer release from the legendary French producer Arnaud Rebotini.
Whether as one half of Black Strobe or in his own material or just busy receiving a César prize 2018 for best film music, Arnaud Rebotini devotes his career to mindblowing electronic productions. Passionate about analog synthesizers, and with a strong taste for electronic music of a dark and brutal hue, the new EP 'Shiny Black Leather' pushes to the limit his EBM-influenced electro-goth side, making the most doomy goth clubber happy. More
Mannequin Records is elated to welcome a brand new killer release from the legendary French producer Arnaud Rebotini.
Whether as one half of Black Strobe or in his own material or just busy receiving a César prize 2018 for best film music, Arnaud Rebotini devotes his career to mindblowing electronic productions. Passionate about analog synthesizers, and with a strong taste for electronic music of a dark and brutal hue, the new EP 'Shiny Black Leather' pushes to the limit his EBM-influenced electro-goth side, making the most doomy goth clubber happy. More
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Label:Mannequin
Cat-No:mnq135
Release-Date:13.11.2020
Genre:Electro
Configuration:12"
Barcode:
1
Sam De La Rosa - Who Are You Today?
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Sam De La Rosa - Slick People
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Sam De La Rosa - If You Can't Stop
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Sam De La Rosa - Repel
Sam de la Rosa of the band Led Er Est, and with Karen Sharkey of The Coombe, is back on Mannequin Records with his third release with 4 stunning tracks blending the finest TR-606 driven electro cold wave with expressive spoken wordy minimal synth instrumentals.
Mixed by Marcos Cabral
Mastered by Rude 66 More
Mixed by Marcos Cabral
Mastered by Rude 66 More
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Last in:22.10.2020
Label:Mannequin
Cat-No:mnq129
Release-Date:09.10.2020
Genre:Electro
Configuration:2LP
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Mannequin Records is elated to present a double-LP compilation of the Dutch industrial-experimental heroes Doxa Sinistra.
Preciously selected by the expert ears of Frank Brinkhuis, head of Trumpett, "Universo" is spanning from 1982 to 1988 through their entire discography.
Doxa Sinistra was formed in Amsterdam, The Netherlands, early 1982. On the strength of live performances at Paradiso and Ultra venue Oktopus, the two piece band was invited by Trumpett to record an album in the Freakowitz & Einstein Studio in Den Burg on Texel. Armed with their Korg MS-10 and Korg MS-20 synths they took the ferry to the West Frisian island, and spent a week recording in the legendary Trumpett HQ. The result, the debut cassette Via Del Latte, was released in June 1982. Just months later band member R. K. kidnapped the band name, formed a new duo and played one live date. After that the project fizzled out.
Until early 1984, when Trumpett and Doxa Sinistra received an invitation from Italian cassette label ADN to record a new album. The invitation was accepted and Doxa Sinistra Mark II was born. Conveyer Belt, recorded between June 1984 and February 1985, appeared as an ADN/Trumpett co-release in August 1985.
After the move of the Trumpett Studios to Amsterdam late 1986, Doxa Sinistra started demoing a new album in the Summer of 1987. California based Undergroud cassette label Ladd-Frith were keen to release the ultimate results. Recorded early 1988, Newsflashes, the group's third and final album, was released as a Ladd-Frith/Trumpett co-release in the Summer of 1988.
Limited edition of 300 copies. More
Preciously selected by the expert ears of Frank Brinkhuis, head of Trumpett, "Universo" is spanning from 1982 to 1988 through their entire discography.
Doxa Sinistra was formed in Amsterdam, The Netherlands, early 1982. On the strength of live performances at Paradiso and Ultra venue Oktopus, the two piece band was invited by Trumpett to record an album in the Freakowitz & Einstein Studio in Den Burg on Texel. Armed with their Korg MS-10 and Korg MS-20 synths they took the ferry to the West Frisian island, and spent a week recording in the legendary Trumpett HQ. The result, the debut cassette Via Del Latte, was released in June 1982. Just months later band member R. K. kidnapped the band name, formed a new duo and played one live date. After that the project fizzled out.
Until early 1984, when Trumpett and Doxa Sinistra received an invitation from Italian cassette label ADN to record a new album. The invitation was accepted and Doxa Sinistra Mark II was born. Conveyer Belt, recorded between June 1984 and February 1985, appeared as an ADN/Trumpett co-release in August 1985.
After the move of the Trumpett Studios to Amsterdam late 1986, Doxa Sinistra started demoing a new album in the Summer of 1987. California based Undergroud cassette label Ladd-Frith were keen to release the ultimate results. Recorded early 1988, Newsflashes, the group's third and final album, was released as a Ladd-Frith/Trumpett co-release in the Summer of 1988.
Limited edition of 300 copies. More
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Last in:25.09.2020
Label:Mannequin
Cat-No:mnq138
Release-Date:21.08.2020
Genre:Electro
Configuration:12"
Barcode:
1
Dona Feat. Aloth - Aiws" (feat Aloth)
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Dona Feat. Aloth - Corsa Contro Il Tempo
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Dona Feat. Aloth - Mindscapes" (feat Aloth)
4
Dona Feat. Aloth - La Crudelta Delle Grandi Citta
Dona Aka Dj Plant Texture’s debut on Mannequin is the result of an effective true love for the early Chicago Acid and Jackbeat, mixed with textures of EBM and Cold Wave.
“Mindscapes”, featuring the haunted vocals of Aloth, represents a trip into states of consciousness and psychiatric diseases. Ispired by some reports describing America’s Mental health System during the latest 70’s, the EP is a blend of analog machines, forced to create the perfect jam session.
Mastered by Q3000
Graphic design by Silent Servant and AA.
Limited edition of 300 copies on 140gr black vinyl. More
“Mindscapes”, featuring the haunted vocals of Aloth, represents a trip into states of consciousness and psychiatric diseases. Ispired by some reports describing America’s Mental health System during the latest 70’s, the EP is a blend of analog machines, forced to create the perfect jam session.
Mastered by Q3000
Graphic design by Silent Servant and AA.
Limited edition of 300 copies on 140gr black vinyl. More
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Label:Mannequin
Cat-No:mnq142
Release-Date:24.07.2020
Genre:Electro
Configuration:LP
Barcode:
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Prequel Tapes - No Title
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Prequel Tapes - No Title
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Prequel Tapes - No Title
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Prequel Tapes - No Title
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Prequel Tapes - No Title
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Prequel Tapes - No Title
Prequel Tapes is Marco Freivogel - a producer, DJ and live performer who’s been making electronic music since he was a teenager. What began with an accident and the rediscovery of some lost DAT tapes, has become the driving force for all his creative expression in the last years. Prequel Tapes previous albums ‘Inner Systems’ and ‘Everything is Quite Now’ received widespread critical praise for their originality, depth and composition. He has released two tape projects ‘The Pandora Star Sessions’ and ‘Dinge’ - a collaboration with the artists Mare Nero. Prequel Tapes live performances range from solo all hardware jams to a large-scale collaboration with butoh dancer Valentin Tzin and motion artist Ksenia Mozhayskaya aka nomoreless. His DJing is anything but straight techno with his recorded sets, podcasts and radio appearances chosen for mixes of the month by the likes of pitchfork, RA and dasfilter.
To many people the concept of Ruin is fearful, depressing, dark - conjuring notions of decay, fallen morality, or tragedy. But to others, the idea of Ruin is of hope for what may come after - opportunities to rebuild, rethink and challenge. Ruin may be the only chance to stop the passive march towards the destruction of the feral human spirit, the failure of our imagination to the homogenising power of capital. Both the music and the artwork reflect the artists long-held view that art should challenge, jarr and provoke. Offering the balance of what’s dark and disturbing to appreciate beauty and the light. Rejecting a world where the uncomfortable is covered up with plastic veneer and platitudes as a vital artistic expression.
Using a highly personalised setup of hardware collected over many years, Prequel Tapes wanders through concrete mazes and dark forests with infinite curiosity. In these cold empty spaces, Ruin oscillates freely between sunshine and shadows, where grit and gravel pay homage to the industrial anti-melodies of the 80s, appearing as earworms after the rain. The sonic DNA of teenage dreams are central to the aesthetic aspirations of Ruin, as are the sparse minimalist frameworks of composers like Arvo Pärt.
Drawing upon the stains of his musical history, Prequel Tapes merges each drop into an honest, singular sound, honing in on decades of love for abstract electronics with a profound emotional sensitivity. References may reveal themselves on close listen, but never command space, serving instead as subtle threads woven carefully into a tapestry of synthesis; aware of its past but firmly grounded in the present.
A special edition vinyl will be available through the Mannequin Records bandcamp, with photographs by Frankie Casillo whose work is also used for the cover art.
Mastered by Rude 66 More
To many people the concept of Ruin is fearful, depressing, dark - conjuring notions of decay, fallen morality, or tragedy. But to others, the idea of Ruin is of hope for what may come after - opportunities to rebuild, rethink and challenge. Ruin may be the only chance to stop the passive march towards the destruction of the feral human spirit, the failure of our imagination to the homogenising power of capital. Both the music and the artwork reflect the artists long-held view that art should challenge, jarr and provoke. Offering the balance of what’s dark and disturbing to appreciate beauty and the light. Rejecting a world where the uncomfortable is covered up with plastic veneer and platitudes as a vital artistic expression.
Using a highly personalised setup of hardware collected over many years, Prequel Tapes wanders through concrete mazes and dark forests with infinite curiosity. In these cold empty spaces, Ruin oscillates freely between sunshine and shadows, where grit and gravel pay homage to the industrial anti-melodies of the 80s, appearing as earworms after the rain. The sonic DNA of teenage dreams are central to the aesthetic aspirations of Ruin, as are the sparse minimalist frameworks of composers like Arvo Pärt.
Drawing upon the stains of his musical history, Prequel Tapes merges each drop into an honest, singular sound, honing in on decades of love for abstract electronics with a profound emotional sensitivity. References may reveal themselves on close listen, but never command space, serving instead as subtle threads woven carefully into a tapestry of synthesis; aware of its past but firmly grounded in the present.
A special edition vinyl will be available through the Mannequin Records bandcamp, with photographs by Frankie Casillo whose work is also used for the cover art.
Mastered by Rude 66 More
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Last in:06.03.2020
Label:Mannequin
Cat-No:mnq134
Release-Date:06.12.2019
Genre:Electro
Configuration:LP
Barcode:
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June - No Title
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June - No Title
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June - No Title
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June - No Title
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June - No Title
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June - No Title
Greek artist June makes his debut on Mannequin Records with the 'Silver Demon' LP. The album explores a futuristic dystopian world where transcendence and oppression coexist, where claustrophobia and infinite openness coincide. A world of contrasts that is the product of the artist‘s active imagination and conscious effort to confront the subconscious.
The album was recorded using original techniques from the golden era of electronic music (late 70s to mid 80s) with an arsenal of vintage analog synthesizers, drum machines and effect processors (originating) from the same time period. While the aesthetics of the classic precursors emerge through the minimal, deep, dark architecture of June's music, Silver Demon prevails with the artist's characteristic originality. More
The album was recorded using original techniques from the golden era of electronic music (late 70s to mid 80s) with an arsenal of vintage analog synthesizers, drum machines and effect processors (originating) from the same time period. While the aesthetics of the classic precursors emerge through the minimal, deep, dark architecture of June's music, Silver Demon prevails with the artist's characteristic originality. More
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Label:Underground Resistance
Cat-No:UR-003MCM
Release-Date:20.09.2024
Genre:Electro
Configuration:12"
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Release-Date:20.09.2024
Genre:Electro
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UR - The Final Frontier
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UR - Base Camp Alpha 808
Outer space or Cyber space, you decide… Fantasy or an urban introduction into the vast possibilities of the internet? Honoring sci fi heroes, citing inspiration, or something more sinister?
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Label:Sound Migration
Cat-No:SMI-014
Release-Date:14.06.2024
Genre:House / Techno
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Genre:House / Techno
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Various - Shikasta - Self Indulgence
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Various - Dance 2 Trance ?– Freaks
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Various - It's Anything You Want It To Be, An
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Various - Axel F - Geronimo (Special
A continuation of the extensive research project initiated last year between Sound Metaphors, Transmigration and surviving eye-witness/historian Ray Castle. An in depth analysis of the dancefloor landscape that developed in Goa during the 80s' and early 90's well before "Trance" became the unfortunate dirty word it is today. Before "trance" was even a genre, Goa was brewing a scene with unparalleled aesthetics, with a constant influx of dedicated collectors and DJs coming and going to this tropical underground dancefloor haven, filtering through vast amounts of emerging electronic music of the times and distilling only the finest of "Special Goa Music". Here is another compilation of our chosen most impactful tracks that would have been soundtrack to a very special and pure moment of freedom in dancefloor culture before the bastardisation of what we now know as "Goa Trance". A highly sought after selection of New Beat, Proto Techno, early Progressive/Trance, Industrial, EBM and House Music. Featuring photographs of the events presented in a double LP gatefold with poster and liner notes by Ray Castle himself. Re-mastered at Manmade mastering in Berlin. A generous body of research essential to any well rounded record collection.
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Release-Date:04.10.2024
Genre:Electronic
Configuration:4LP
Barcode:5056614797794
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Cat-No:WARPLP21R
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Barcode:5056614797794
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Aphex Twin - #1
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Aphex Twin - #3
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Aphex Twin - #4
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Aphex Twin - #5
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Aphex Twin - #6
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Aphex Twin - #7
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Aphex Twin - Blue Calx
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Aphex Twin - #16
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Aphex Twin - #17
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Aphex Twin - #18
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Aphex Twin - #19
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Aphex Twin - th1 [evnslower]
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Aphex Twin - Rhubarb Orc. 19.53 Rev
An essential piece of electronic history is restored to its full glory for the 30th anniversary, with all 25 tracks of Selected Ambient Works II reunited in this Expanded Edition alongside two extras. Constantly referenced and revered decades after its release, SAWII has seen accolades such as the Pitchfork perfect 10 and #2 best ambient album of all time.
Written in his early 20s, it follows the glacial synths and deft percussion of Selected Ambient Works 85-92 and preceding the contorted, intricate, abstract visions of electronic music on ...I Care Because You Do. Aphex Twin crafted this mammoth set of mostly beatless vistas, textured compositions that are by turns beautiful, nightmarish, emotive, and thrilling.
From swooning beauty to careening dread, even in just the first two tracks, SAWII is a stunning and faultless piece of work. Each soundscape brings with it the sense of standing in some vast space, with dripping rusted pipes and dilapidated walls, or endless canyons of low bitrate whooshing winds. Tracks like ‘Blue Calx’ emanate a strange kind of peace, with synths that sound like wobbling laminated paper or underwater radar blips while a constant knocking keeps pace. Elsewhere, curious microtonal keys flutter and subtly morph, low frequencies throb and purr, and oscillating hums induce hypnagogia.
The gossamer soft chords of ‘#3’ (AKA ‘Rhubarb’) move slow as clouds, airy wisps that are translated into orchestral grandeur on the exclusive ‘Rhubarb Orc. 19.53 Rev’ with quivering strings, ethereal choir, and reversed molten bass, while ‘th1 [evnslower]’ is a sonorous blur floating from hopeful lifts to anxious dissonance. Finally included on all formats after 30 years, ‘#19’ (AKA ‘Stone In Focus’) seems to smooth over all the wrinkles of life with its blissfully monolithic chords and faint ripples of melody, its ticking like skipping stones marking the passage of time till it slows to a gentle halt.
- Polylined inner sleeves
- Foil blocked wide spine outer sleeve
- Fold out poster
- Sticker insert
- Expanded edition includes all songs on all formats for the first time, including previously vinyl-exclusive track #19 alongside two additional tracks (officially released and on physical formats for the first time)
- Artwork by Paul Nicholson, original album designer + Aphex logo designer More
Written in his early 20s, it follows the glacial synths and deft percussion of Selected Ambient Works 85-92 and preceding the contorted, intricate, abstract visions of electronic music on ...I Care Because You Do. Aphex Twin crafted this mammoth set of mostly beatless vistas, textured compositions that are by turns beautiful, nightmarish, emotive, and thrilling.
From swooning beauty to careening dread, even in just the first two tracks, SAWII is a stunning and faultless piece of work. Each soundscape brings with it the sense of standing in some vast space, with dripping rusted pipes and dilapidated walls, or endless canyons of low bitrate whooshing winds. Tracks like ‘Blue Calx’ emanate a strange kind of peace, with synths that sound like wobbling laminated paper or underwater radar blips while a constant knocking keeps pace. Elsewhere, curious microtonal keys flutter and subtly morph, low frequencies throb and purr, and oscillating hums induce hypnagogia.
The gossamer soft chords of ‘#3’ (AKA ‘Rhubarb’) move slow as clouds, airy wisps that are translated into orchestral grandeur on the exclusive ‘Rhubarb Orc. 19.53 Rev’ with quivering strings, ethereal choir, and reversed molten bass, while ‘th1 [evnslower]’ is a sonorous blur floating from hopeful lifts to anxious dissonance. Finally included on all formats after 30 years, ‘#19’ (AKA ‘Stone In Focus’) seems to smooth over all the wrinkles of life with its blissfully monolithic chords and faint ripples of melody, its ticking like skipping stones marking the passage of time till it slows to a gentle halt.
- Polylined inner sleeves
- Foil blocked wide spine outer sleeve
- Fold out poster
- Sticker insert
- Expanded edition includes all songs on all formats for the first time, including previously vinyl-exclusive track #19 alongside two additional tracks (officially released and on physical formats for the first time)
- Artwork by Paul Nicholson, original album designer + Aphex logo designer More
2LP Excl
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Label:Veyl
Cat-No:VEYL012X
Release-Date:06.12.2024
Genre:Electro
Configuration:2LP Excl
Barcode:4251804183512
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Years of Denial - Endurance
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Years of Denial - Human You Scare Me
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Years of Denial - In Pain I Meditate
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Years of Denial - I'm Still a Pill
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Years of Denial - Contradiction
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Years of Denial - Graveyards
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Years of Denial - Burning Sun
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Years of Denial - You Like It When It Hurts
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Years of Denial - After She Left
2024 REPRESS, 2LP (gatefold + download)
Tracklist:
A1 - Endurance
A2 - Human You Scare Me
A3 - In Pain I Meditate
B1 - I'm Still a Pill
B2 - Now/Here
B3 - Contradiction
C1 - Face to Face
C2 - Graveyards
D1 - Burning Sun
D2 - You Like It When It Hurts
D3 - After She Left
Release Info:
Written and produced in a country house surrounded only by vast, empty landscapes and an endless sky, ‘Suicide Disco’ is the fruit of a 3-year long collaboration and Years of Denial’s debut LP for Veyl.
Urged to escape from crowded cities and information overload, the duo sharpened their sound and working process through isolation and introspection, crafting 11 songs filled to brim with enormous hooks, New Wave nostalgia and razor-sharp production details.
Barkosina’s voice echoes and oscillates against Jerome’s snares, profound and wounded at once. Her expressionist narrative take us to unknown yet familiar places, amplified by dub delays and otherworldly reverbs. Each track tells a story based on the intensity of relationships, a touching and distorted invitation into intimacy and complicity. More
Tracklist:
A1 - Endurance
A2 - Human You Scare Me
A3 - In Pain I Meditate
B1 - I'm Still a Pill
B2 - Now/Here
B3 - Contradiction
C1 - Face to Face
C2 - Graveyards
D1 - Burning Sun
D2 - You Like It When It Hurts
D3 - After She Left
Release Info:
Written and produced in a country house surrounded only by vast, empty landscapes and an endless sky, ‘Suicide Disco’ is the fruit of a 3-year long collaboration and Years of Denial’s debut LP for Veyl.
Urged to escape from crowded cities and information overload, the duo sharpened their sound and working process through isolation and introspection, crafting 11 songs filled to brim with enormous hooks, New Wave nostalgia and razor-sharp production details.
Barkosina’s voice echoes and oscillates against Jerome’s snares, profound and wounded at once. Her expressionist narrative take us to unknown yet familiar places, amplified by dub delays and otherworldly reverbs. Each track tells a story based on the intensity of relationships, a touching and distorted invitation into intimacy and complicity. More
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Last in:16.09.2024
Label:Veyl
Cat-No:VEYL039
Release-Date:04.10.2024
Genre:Electro
Configuration:12" Excl
Barcode:4251804182812
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Years of Denial - Lover's Crime (The Hacker Remix)
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Years of Denial - Wrong (Kris Baha Remix)
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Years of Denial - City Lights (Phase Fatale Remix)
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Years of Denial - City Lights (NEVER & Maenad Veyl Remix)
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Years of Denial - The Letter (Velvet May Remix)
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Years of Denial - Regarding the Pain of Others (Codex Empire Remix)
12“ (white & black marbled vinyl)
Tracklist:
A1. Lover's Crime (The Hacker Remix)
A2. Wrong (Kris Baha Remix)
A3. City Lights (Phase Fatale Remix)
B1. City Lights (NEVER & Maenad Veyl Remix)
B2. The Letter (Velvet May Remix)
B3. Regarding the Pain of Others (Codex Empire Remix)
Info:
Years of Denial's 'Suicide Disco Vol. 2' album is receiving a well-deserved remix treatment from some of the dearest and most important artists in their circle.
Featuring The Hacker, NEVER & Maenad Veyl, Phase Fatale, Kris Baha, Velvet May and Codex
Empire, some of the most influential figures in the genre are offering their unique takes on their favorite tracks from the album. More
Tracklist:
A1. Lover's Crime (The Hacker Remix)
A2. Wrong (Kris Baha Remix)
A3. City Lights (Phase Fatale Remix)
B1. City Lights (NEVER & Maenad Veyl Remix)
B2. The Letter (Velvet May Remix)
B3. Regarding the Pain of Others (Codex Empire Remix)
Info:
Years of Denial's 'Suicide Disco Vol. 2' album is receiving a well-deserved remix treatment from some of the dearest and most important artists in their circle.
Featuring The Hacker, NEVER & Maenad Veyl, Phase Fatale, Kris Baha, Velvet May and Codex
Empire, some of the most influential figures in the genre are offering their unique takes on their favorite tracks from the album. More
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Last in:14.05.2024
Label:KNTXT
Cat-No:KNTXT024
Release-Date:19.04.2024
Genre:Techno
Configuration:12"
Barcode:198391135712
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AIROD - It's Just A Dream
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AIROD - Wind Breaker
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AIROD - Balaclava
Parisian techno talent AIROD is next up on Charlotte de Witte's unstoppable KNTXT label with four blistering and innovative new tracks.
AIROD is known for his muscular and explosive take on techno. The French DJ-producer stands out as one of the few who elevates the international techno scene to new heights. Starting his career in Paris, for years he never stopped showing his ability to unleash crowds and ignite warehouses throughout continents, and he has built his own label Elixir with that same quality flowing through. He once again pushes forward with his own potent brand of techno with this superb new EP.
'Blackout' opens up with turbo-charged drums and twisted, laser-like synths that shoot across the dance floor. A female vocal adds some human soul to this most monstrous cut. 'It's Just A Dream' layers up urgent, high speed drum funk with more flashing synth loops that add light to the darkness of the grooves. 'Wind Breaker' has a haunting lead that drifts way up above the drums as subtle trance energy feeds into the mix and reflected vocals keep things futuristic. 'Balaclava' is the hardest cut of the lot with slamming, steely drums detailed with more ghostly vocal apparitions.
“I wanted to share with you the memories that I've gathered from each continent I discovered the past few months”, AIROD explains. “This EP will take you on a melodious yet ultra-punchy journey and transcribe all my travels & feelings from these recent times. Each track brings a different flavour to the listening experience, a path between hard-hitting bangers, heavy melodies and breathless energy. A surprising twist is hidden in each tune that I hope will not leave you indifferent. Just like the EP's cover, which embodies the sensation of before and after listening.”
Charlotte de Witte on AIROD’s Blackout EP: “I've been following AIROD on his musical path for a while now. I was very pleased to get more connected to him and to start working on this absolute masterpiece of an EP.”
AIROD on KNTXT is a perfect coming together of two of techno's most creative contemporary forces. More
AIROD is known for his muscular and explosive take on techno. The French DJ-producer stands out as one of the few who elevates the international techno scene to new heights. Starting his career in Paris, for years he never stopped showing his ability to unleash crowds and ignite warehouses throughout continents, and he has built his own label Elixir with that same quality flowing through. He once again pushes forward with his own potent brand of techno with this superb new EP.
'Blackout' opens up with turbo-charged drums and twisted, laser-like synths that shoot across the dance floor. A female vocal adds some human soul to this most monstrous cut. 'It's Just A Dream' layers up urgent, high speed drum funk with more flashing synth loops that add light to the darkness of the grooves. 'Wind Breaker' has a haunting lead that drifts way up above the drums as subtle trance energy feeds into the mix and reflected vocals keep things futuristic. 'Balaclava' is the hardest cut of the lot with slamming, steely drums detailed with more ghostly vocal apparitions.
“I wanted to share with you the memories that I've gathered from each continent I discovered the past few months”, AIROD explains. “This EP will take you on a melodious yet ultra-punchy journey and transcribe all my travels & feelings from these recent times. Each track brings a different flavour to the listening experience, a path between hard-hitting bangers, heavy melodies and breathless energy. A surprising twist is hidden in each tune that I hope will not leave you indifferent. Just like the EP's cover, which embodies the sensation of before and after listening.”
Charlotte de Witte on AIROD’s Blackout EP: “I've been following AIROD on his musical path for a while now. I was very pleased to get more connected to him and to start working on this absolute masterpiece of an EP.”
AIROD on KNTXT is a perfect coming together of two of techno's most creative contemporary forces. More
Label:Systematic Recordings
Cat-No:syst0139-6
Release-Date:31.05.2024
Genre:Techno
Configuration:12" Excl
Barcode:4251804180559
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Label:Systematic Recordings
Cat-No:syst0139-6
Release-Date:31.05.2024
Genre:Techno
Configuration:12" Excl
Barcode:4251804180559
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Extrawelt - Riverrun
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Extrawelt - Midi Waters
12“ Vinyl
GENRE/S: Electro/Techno
TRACKLISTS:
A1) Extrawelt - Riverrun
B1) Extrawelt- Midi Waters
SHORT INFO:
Arne and Wayan of Extrawelt hardly need an introduction, yet their latest release is notably special as it marks their debut on Marc Romboy's Systematic Recordings imprint.
Renowned for their releases on Cocoon, Kompakt/Speicher, and Border Community, they masterfully blend techno with rich sound structures, harmonies, and intricate arrangements.
Their new track "Riverrun" features a captivating bass line that twists and transforms throughout the piece, showcasing their skills as sound architects. Alongside, "Midi Waters" delves into a darker, deeper soundscape that commands respect from Detroit Techno enthusiasts with its powerful, dystopian narrative. Experience the sound for yourself with this unique two tracker.
VITAL SALES POINTS:
- Debut EP from Extrawelt on Systematic
- Strictly limited vinyl (300 only)
- Special Sound Mastering by LUPO More
GENRE/S: Electro/Techno
TRACKLISTS:
A1) Extrawelt - Riverrun
B1) Extrawelt- Midi Waters
SHORT INFO:
Arne and Wayan of Extrawelt hardly need an introduction, yet their latest release is notably special as it marks their debut on Marc Romboy's Systematic Recordings imprint.
Renowned for their releases on Cocoon, Kompakt/Speicher, and Border Community, they masterfully blend techno with rich sound structures, harmonies, and intricate arrangements.
Their new track "Riverrun" features a captivating bass line that twists and transforms throughout the piece, showcasing their skills as sound architects. Alongside, "Midi Waters" delves into a darker, deeper soundscape that commands respect from Detroit Techno enthusiasts with its powerful, dystopian narrative. Experience the sound for yourself with this unique two tracker.
VITAL SALES POINTS:
- Debut EP from Extrawelt on Systematic
- Strictly limited vinyl (300 only)
- Special Sound Mastering by LUPO More
2LP
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Label:Warp
Cat-No:WARPLP123R
Release-Date:16.09.2013
Genre:Electronic
Configuration:2LP
Barcode:801061812317
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Last in:27.09.2024
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Last in:27.09.2024
Label:Warp
Cat-No:WARPLP123R
Release-Date:16.09.2013
Genre:Electronic
Configuration:2LP
Barcode:801061812317
Label:Lone Romantic
Cat-No:LR030
Release-Date:31.05.2024
Genre:House / Techno
Configuration:3LP
Barcode:198391287251
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Last in:12.11.2024
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Label:Lone Romantic
Cat-No:LR030
Release-Date:31.05.2024
Genre:House / Techno
Configuration:3LP
Barcode:198391287251
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Maceo Plex & Cubicolour - You Don't Have To Wait
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Maceo Plex ft. Giovanni - Revision
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Maceo Plex & AVNU ft. Desire - Go Back
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Maceo Plex - Wervik
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Maceo Plex - Hooligan Plex
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Maceo Plex ft. Oscar And The Wolf - All Night (Garage Version)
7
Maceo Plex ft. Mystic Bill - You're My Desire
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Maceo Plex & AVNU - Serpent Jazz
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Maceo Plex ft. Perry Farrell - Get Out Of Here
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Maceo Plex - Just You And I
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Maceo Plex & AVNU - Clickbait (This Ain't Hollywood)
12
Maceo Plex - Shine On & On (Orbital Tribute)
13
Maceo Plex & Tyler Hill - Nasty
14
Maceo Plex - Stop That
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Maceo Plex ft. Ishi - Moon Sky (House Version)
Renowned US producer Maceo Plex releases his highly anticipated third album, ‘’93', a homage to his three-decade journey through the realms of electronic music. Marking both a passion and a prolific career, the maestro presents a tantalising body of work that masterfully blends House, Hip Hop, Global Bass, Techno, Breaks, and Electronica. This audacious fusion delves into historic and modern influences, crafting an audio journey that transcends time, rich in history yet boldly future-facing.
‘’93' is a cross-genre exploration, seamlessly balancing emotion with hard-hitting beats. Maceo Plex collaborates with a stellar lineup of artists, including Diplo for his contribution on ‘You Don’t Have To Wait’ with Cubicolor, Oscar and the Wolf, Perry Farrell (Jane’s Addiction), Johnny Jewel and Desire, Kirsty Hawkshaw, Mystic Bill, AVNU, Giovanni, Ishi, and Tyler Hill, resulting in a diverse and dynamic musical affair.
This album narrates the story of a highly esteemed artist at a pivotal juncture in his career, consistently evolving towards new directions. Departing from the early deeper house sound that initially defined him, Maceo Plex intentionally ventures into new territory, steering away from his famed melodic and techno direction in recent years. Nevertheless, '93' retains the essence of Maceo Plex's signature style, transcending various sounds and genres in a manner reminiscent of his electrifying DJ sets, meticulously curated for the dancefloor and the crowds.
‘93’ vinyl LP by Maceo Plex is available on Lone Romantic from 17th May 2024.
Key Feedback Quotes:
Pete Tong - Maceo is such a talented producer. A sonic juganaut. An inspiration to so many aspiring music makers. He's a master of analogue and digital in the studio. He's a total 'one of'.
Kolsch - Incredible album!!!!
Artbat - “Very cooooool album!
Gregor Tresher - Wow, now this is what I call an album! Extraordinary stuff, I love it! Big up, Eric!
Hot Since 82 - Nothing short of sensational. My fav producer and DJ who consistantly sets the bar far too high and we all play catch up. Love it.
Rodriguez Jr - Awesome album. LOVE IT. Such a wide spectrum of influences here. Respect!
Laurent Garnier - Very cool. Will play these
Hernan Cattaneo - This is a really good album!
Wehbba - happy to finally see the album coming out, lots of gems, Nasty, Just You and I, Get out Of Here and You're My Desire are my main picks.
Eelke Kleijn - Already listened to the whole album on Spotify. Fantastic. Miles ahead of everyone else. Thanks for sending this, will play many of these for sure.
AFFKT - all tracks are amazing
Ida Engberg - Loooove this release! Stop that and Serpent jazz for me, can't wait to play them. Lone Romantic killing it!
Victor Ruiz - Honestly, you’re a genius! 10/10 productions always.
Pig&Dan - Great to hear new tunes from one of my favorite producers out there
Oliver Huntemann - some real gems on here
Fideles - wow, love it all
Peter Kruder - Love 'em all! Thanks for sending my way!
Yotto - Sick Sick Sick work!
Jody Wisternoff - Insane tracks from Maceo!!!
Terr - Amazing music as always, thx!
Nicolas Masseyeff - Solid release! Full Support!
Paige - Nasty is an absolutely mind-blowing track!!
Braxton - Incredible Album. .
Dense & Pika - Wicked stuff from Maceo.
Eli Brown - Always great music from Maceo Plex.
Anden - Congrats on the album! Love it!
Sergio Muñoz / Fur Coat - Great work from Eric! Congratulations.
La Fleur - So many gems in there, looking forward to having a proper listen from start to end! Thx
Captain Mustache - Big work here from Maceo, congratz!
Alex Kennon - This is a masterpiece!
Timo Maas - Clickbait is a cool track, I like the deep funk.
Martin Eyerer - This is a great album!! I love nasty most, but all great.
Nick Warren - This is such a great album.
Laurent Garnier - Very cool EP. Will play these.
Jonas Rathsman - Stop That sounds interesting
Key Radio Play:
Pete Tong/BBC Radio 1 - Maceo Plex ‘Hot Mix’ - 05/01/23
Pete Tong/BBC Radio 1 - Stop That (Essential New Tune) + You Don't Have To Wait - 15/12/23
Pete Tong/BBC Radio 1 - You Don’t Have To Wait - 15/12/23
Pete Tong/BBC Radio 1 - Maceo Plex guest mix - 05/01/24
Pete Tong/BBC Radio 1 - Stop That - 01/12/23 More
‘’93' is a cross-genre exploration, seamlessly balancing emotion with hard-hitting beats. Maceo Plex collaborates with a stellar lineup of artists, including Diplo for his contribution on ‘You Don’t Have To Wait’ with Cubicolor, Oscar and the Wolf, Perry Farrell (Jane’s Addiction), Johnny Jewel and Desire, Kirsty Hawkshaw, Mystic Bill, AVNU, Giovanni, Ishi, and Tyler Hill, resulting in a diverse and dynamic musical affair.
This album narrates the story of a highly esteemed artist at a pivotal juncture in his career, consistently evolving towards new directions. Departing from the early deeper house sound that initially defined him, Maceo Plex intentionally ventures into new territory, steering away from his famed melodic and techno direction in recent years. Nevertheless, '93' retains the essence of Maceo Plex's signature style, transcending various sounds and genres in a manner reminiscent of his electrifying DJ sets, meticulously curated for the dancefloor and the crowds.
‘93’ vinyl LP by Maceo Plex is available on Lone Romantic from 17th May 2024.
Key Feedback Quotes:
Pete Tong - Maceo is such a talented producer. A sonic juganaut. An inspiration to so many aspiring music makers. He's a master of analogue and digital in the studio. He's a total 'one of'.
Kolsch - Incredible album!!!!
Artbat - “Very cooooool album!
Gregor Tresher - Wow, now this is what I call an album! Extraordinary stuff, I love it! Big up, Eric!
Hot Since 82 - Nothing short of sensational. My fav producer and DJ who consistantly sets the bar far too high and we all play catch up. Love it.
Rodriguez Jr - Awesome album. LOVE IT. Such a wide spectrum of influences here. Respect!
Laurent Garnier - Very cool. Will play these
Hernan Cattaneo - This is a really good album!
Wehbba - happy to finally see the album coming out, lots of gems, Nasty, Just You and I, Get out Of Here and You're My Desire are my main picks.
Eelke Kleijn - Already listened to the whole album on Spotify. Fantastic. Miles ahead of everyone else. Thanks for sending this, will play many of these for sure.
AFFKT - all tracks are amazing
Ida Engberg - Loooove this release! Stop that and Serpent jazz for me, can't wait to play them. Lone Romantic killing it!
Victor Ruiz - Honestly, you’re a genius! 10/10 productions always.
Pig&Dan - Great to hear new tunes from one of my favorite producers out there
Oliver Huntemann - some real gems on here
Fideles - wow, love it all
Peter Kruder - Love 'em all! Thanks for sending my way!
Yotto - Sick Sick Sick work!
Jody Wisternoff - Insane tracks from Maceo!!!
Terr - Amazing music as always, thx!
Nicolas Masseyeff - Solid release! Full Support!
Paige - Nasty is an absolutely mind-blowing track!!
Braxton - Incredible Album. .
Dense & Pika - Wicked stuff from Maceo.
Eli Brown - Always great music from Maceo Plex.
Anden - Congrats on the album! Love it!
Sergio Muñoz / Fur Coat - Great work from Eric! Congratulations.
La Fleur - So many gems in there, looking forward to having a proper listen from start to end! Thx
Captain Mustache - Big work here from Maceo, congratz!
Alex Kennon - This is a masterpiece!
Timo Maas - Clickbait is a cool track, I like the deep funk.
Martin Eyerer - This is a great album!! I love nasty most, but all great.
Nick Warren - This is such a great album.
Laurent Garnier - Very cool EP. Will play these.
Jonas Rathsman - Stop That sounds interesting
Key Radio Play:
Pete Tong/BBC Radio 1 - Maceo Plex ‘Hot Mix’ - 05/01/23
Pete Tong/BBC Radio 1 - Stop That (Essential New Tune) + You Don't Have To Wait - 15/12/23
Pete Tong/BBC Radio 1 - You Don’t Have To Wait - 15/12/23
Pete Tong/BBC Radio 1 - Maceo Plex guest mix - 05/01/24
Pete Tong/BBC Radio 1 - Stop That - 01/12/23 More
2LP Excl
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Last in:06.11.2024
Label:Veyl
Cat-No:VEYL036X
Release-Date:22.11.2024
Genre:Electro
Configuration:2LP Excl
Barcode:4251804182799
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Years of Denial - Art Break
2
Years of Denial - Wrong
3
Years of Denial - La Pendue
4
Years of Denial - Mr. Guillotine
5
Years of Denial - Never Satisfied
6
Years of Denial - Lover’s Crime
7
Years of Denial - City Lights
8
Years of Denial - Dancing With Demons
9
Years of Denial - The Letter
10
Years of Denial - Death Of A Lover
11
Years of Denial - Regarding The Pain Of Others
12
Years of Denial - Social Anxiety feat. Broken English Club
2024 REPRESS, 2LP + GATEFOLD + DOWNLOAD
Tracklist:
A1) Art Break
A2) Wrong
A3) La Pendue
B1) Mr. Guillotine
B2) Never Satisfied
B3) Lover’s Crime
C1) City Lights
C2) Dancing With Demons
C3) The Letter
D1) Death Of A Lover
D2) Regarding The Pain Of Others
D3) Social Anxiety feat. Broken English Club
Release Info:
Years Of Denial is back on Veyl with their second LP 'Suicide Disco Vol. 2'. The follow up to 2019’s 'Suicide Disco', the duo makes a triumphant return, elevating their distinct sound which fuses dark wave, goth, newbeat, post-punk, EBM, and techno. The LP features 12 tracks all written and produced at Ark of Noisevstudio, located miles away from the polluted noise of social turbulences, immersed in isolation, creative indulgence, and poetic writing.
From the start, 'Art Break' provides the perfect warm-up, gently cleansing the palette and re-introducing us to Barkosina’s lustful vocals with a slow-burning pace that only marks the beginning. 'Wrong' picks things up, injecting a dose of body music for an infectious piece that bleeds into 'La Pendue' which keeps the energy rising. Next up, 'Mr. Guillotine' delivers a razor sharp edge, carving out a fresh post-punk feel which then brings us to the brooding, 'Never Satisfied'.
'Lover’s Crime' marks the halfway point of the record and one of the album’s standout tracks. Undeniably seductive with an ominous feel, the pair keep this mood going with 'City Lights' and then smash things open with 'Dancing With Demons'. After the devious message sent with 'The Letter', we are submerged in the romantic melancholia of 'Death Of A Lover' and 'Regarding the Pain of Others' before closing things out with 'Social Anxiety' which features vocals by longtime collaborator Broken English Club. The result is an immersive journey through the pair’s self described, Suicide Disco sound, and further builds on the Years of Denial form and legacy. More
Tracklist:
A1) Art Break
A2) Wrong
A3) La Pendue
B1) Mr. Guillotine
B2) Never Satisfied
B3) Lover’s Crime
C1) City Lights
C2) Dancing With Demons
C3) The Letter
D1) Death Of A Lover
D2) Regarding The Pain Of Others
D3) Social Anxiety feat. Broken English Club
Release Info:
Years Of Denial is back on Veyl with their second LP 'Suicide Disco Vol. 2'. The follow up to 2019’s 'Suicide Disco', the duo makes a triumphant return, elevating their distinct sound which fuses dark wave, goth, newbeat, post-punk, EBM, and techno. The LP features 12 tracks all written and produced at Ark of Noisevstudio, located miles away from the polluted noise of social turbulences, immersed in isolation, creative indulgence, and poetic writing.
From the start, 'Art Break' provides the perfect warm-up, gently cleansing the palette and re-introducing us to Barkosina’s lustful vocals with a slow-burning pace that only marks the beginning. 'Wrong' picks things up, injecting a dose of body music for an infectious piece that bleeds into 'La Pendue' which keeps the energy rising. Next up, 'Mr. Guillotine' delivers a razor sharp edge, carving out a fresh post-punk feel which then brings us to the brooding, 'Never Satisfied'.
'Lover’s Crime' marks the halfway point of the record and one of the album’s standout tracks. Undeniably seductive with an ominous feel, the pair keep this mood going with 'City Lights' and then smash things open with 'Dancing With Demons'. After the devious message sent with 'The Letter', we are submerged in the romantic melancholia of 'Death Of A Lover' and 'Regarding the Pain of Others' before closing things out with 'Social Anxiety' which features vocals by longtime collaborator Broken English Club. The result is an immersive journey through the pair’s self described, Suicide Disco sound, and further builds on the Years of Denial form and legacy. More
Label:Field Records
Cat-No:FIELD34
Release-Date:12.04.2024
Genre:Electronic
Configuration:3LP
Barcode:4250101467295
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Last in:10.10.2024
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Last in:10.10.2024
Label:Field Records
Cat-No:FIELD34
Release-Date:12.04.2024
Genre:Electronic
Configuration:3LP
Barcode:4250101467295
1
Mike Parker - Triceratops
2
Mike Parker - Amalgamated (Synchronous Mix)
3
Mike Parker - Copper Variations: cv1 (Alternate Take)
4
Mike Parker - Reduction
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Mike Parker - Copper Variations: cv3
6
Mike Parker - Drain Hum
7
Mike Parker - Amalgamated (Extension Mix)
8
Mike Parker - Blue Equals Black
9
Mike Parker - Voiceprint: Voice One
10
Mike Parker - Voiceprint: Voice Two
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Mike Parker - Voiceprint: Voice Three
12
Mike Parker - Dissolution 99
Twenty-three years on from its original release, the debut album of American artist Mike Parker stands proud as a blueprint for deep, hypnotic techno in the new millennium. Originally published as a CD-only edition on Parker’s own Geophone label, Field Records are now giving Dispatches the full vinyl release it so richly deserves - spread across six sides and reproducing Parker’s distinctive artwork at scale.
Charting the course of Parker’s career reads like the evolution of deep techno itself - moving from early collaborations with Donato Dozzy to appearances on seminal labels such as Prologue, Semantica and Spazio Disponibile. The essence of his approach was forged early on, honing techno’s propulsion into a raw essence without losing any of the weight. It’s an exercise in minimalism, but the sound is still monolithic and engulfing, crystal clear in its intention and devoted to the power of subtle pressure. When the decay on a reverb opens up a fraction, Parker’s music leaves enough space for you to notice. Incremental shifts become monumental in his hands and his commitment to subliminal layering reveals hidden depths the further you submit to his hypnotic sound.
This definitive edition of Dispatches looks at the vinyl singles which accompanied the album’s original release and creates a more complete picture of the area that Parker was exploring at the time. It’s the first time that the alternate take of icy depth charge ‘Copper Variations: CV1’ appears on wax, as goes for the pneumatic tension of ‘Reduction’ and evocative miniature sound sculpture ‘Blue Equals Black’. Expanding the album beyond its original CD form, epic rarity ‘Dissolution 99’ presides over the final side, while the standout Voiceprint release is now represented in full with the inclusion of heavyweight stepped techno workout ‘Voiceprint: Voice Two’.
Able to sustain his own creative vision without cowing to the trends or expectations of any scene or clique, Parker’s music has progressed on its own terms. What this reissue demonstrates is how fully formed his vision was - even at a relatively early stage. In an era where the deep techno scene is thriving, Dispatches feels all the more relevant, undiluted by time and still unmatched in its immersive perfection. More
Charting the course of Parker’s career reads like the evolution of deep techno itself - moving from early collaborations with Donato Dozzy to appearances on seminal labels such as Prologue, Semantica and Spazio Disponibile. The essence of his approach was forged early on, honing techno’s propulsion into a raw essence without losing any of the weight. It’s an exercise in minimalism, but the sound is still monolithic and engulfing, crystal clear in its intention and devoted to the power of subtle pressure. When the decay on a reverb opens up a fraction, Parker’s music leaves enough space for you to notice. Incremental shifts become monumental in his hands and his commitment to subliminal layering reveals hidden depths the further you submit to his hypnotic sound.
This definitive edition of Dispatches looks at the vinyl singles which accompanied the album’s original release and creates a more complete picture of the area that Parker was exploring at the time. It’s the first time that the alternate take of icy depth charge ‘Copper Variations: CV1’ appears on wax, as goes for the pneumatic tension of ‘Reduction’ and evocative miniature sound sculpture ‘Blue Equals Black’. Expanding the album beyond its original CD form, epic rarity ‘Dissolution 99’ presides over the final side, while the standout Voiceprint release is now represented in full with the inclusion of heavyweight stepped techno workout ‘Voiceprint: Voice Two’.
Able to sustain his own creative vision without cowing to the trends or expectations of any scene or clique, Parker’s music has progressed on its own terms. What this reissue demonstrates is how fully formed his vision was - even at a relatively early stage. In an era where the deep techno scene is thriving, Dispatches feels all the more relevant, undiluted by time and still unmatched in its immersive perfection. More
Label:XL / Beggars Group
Cat-No:XLLP1414
Release-Date:12.07.2024
Genre:Soundtracks
Configuration:LP
Barcode:0191404141410
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Last in:15.10.2024
+ Show full info- Close
backorder
Last in:15.10.2024
Label:XL / Beggars Group
Cat-No:XLLP1414
Release-Date:12.07.2024
Genre:Soundtracks
Configuration:LP
Barcode:0191404141410
1
Thom Yorke - The Big City
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Thom Yorke - Knife Edge
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Thom Yorke - Letting Down Gently
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Thom Yorke - Secret Clarinet
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Thom Yorke - In The Trees
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Thom Yorke - Prize Giving
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Thom Yorke - Four Ways In Time
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Thom Yorke - Confidenza
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Thom Yorke - Nosebleed Nuptials
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Thom Yorke - Bunch Of Flowers
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Thom Yorke - A Silent Scream
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Thom Yorke - On The Ledge
Thom Yorke composed the original score for Daniele Luchetti’s film Confidenza, an adaptation of the Italian drama based on Domenico Starnone’s novel of the same name. His original soundtrack will be released digitally on April 26, with vinyl and CD to follow on July 12. Confidenza sees Yorke working again with Sam Petts-Davies as well as the London Contemporary Orchestra alongside a jazz ensemble which included Robert Stillman and fellow The Smile bandmate Tom Skinner.
More