1
AUX88 - Let It Bang
2
AUX88 - Algorhythm
3
AUX88 - Alpha Waves
On ALPHA WAVES, AUX88 ventures into uncharted sonic territories by subtly incorporating 432 Hz alpha wave tones. This forward-thinking approach to sound exploration is a testament to their creativity and commitment to pushing the boundaries of electronic dance music.
It is believed that 432 Hz is the healing frequency of the universe and has the power to improve our bodies' natural healing abilities. Similarly, alpha brain waves are associated with restful, meditative states and are believed to reduce depression, combat anxiety, and increase creativity. By blending these healing frequencies with their classic techno-bass fusion, AUX88 offers listeners a unique auditory experience that is both soothing and energizing, especially powerful during their all-sensory-consuming live performances, where fans can fully immerse themselves in the music and experience its transformative effects. More
It is believed that 432 Hz is the healing frequency of the universe and has the power to improve our bodies' natural healing abilities. Similarly, alpha brain waves are associated with restful, meditative states and are believed to reduce depression, combat anxiety, and increase creativity. By blending these healing frequencies with their classic techno-bass fusion, AUX88 offers listeners a unique auditory experience that is both soothing and energizing, especially powerful during their all-sensory-consuming live performances, where fans can fully immerse themselves in the music and experience its transformative effects. More
More records from Electrostatic
1
Jessbeatz - Alien Invasion
2
Jessbeatz - Light Years
JESSBEATZ is at it again with another nod to the origins of Electro, and it’s just what you expect. HARD DARK and straight to the point. Another building block to the Spirit of Detroit. ALIEN INVASION brings raw beats, funky drum programming, with an arrangement built for the dance floor and to bang in your car. LIGHT YEARS takes you beyond with Intelligent deliberate vocals, well thought out productions and arrangements that move both retro and futuristic minds. POWERED BY ELECTROSTATIC. Sanctioned by DETROIT
More
1
Electric Soul - X2 (Tommie Cool Mix)
2
Electric Soul - X2 (Original Mad Mike Mix)
Collecting orders for restock! New price!
MCM remaster of Electric Soul aka Mad Mike's legendary electro track 'X²''
Originally released X-Squared on Direct Beat in 1996 and instantly became classic on late night mix shows in Detroit. More
MCM remaster of Electric Soul aka Mad Mike's legendary electro track 'X²''
Originally released X-Squared on Direct Beat in 1996 and instantly became classic on late night mix shows in Detroit. More
1
Jessbeats - Decoding Numberz
2
Jessbeats - Lightz
3
Jessbeats - Techno Phobia
4
Jessbeats - La' Machine
New Electro PRODUCED BY JESSBEATS. This Killer ELECTRO EP is sure to be a fixture on all electro turntables. POWERED BY AUX88 on their new label "ELECTROSTATIC" has put new blood in the game. DECODING NUMBERS.
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Steve Moore - The Uninvited One
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Steve Moore - Cursed Objects
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Steve Moore - Evolutionary Steps
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Steve Moore - The Icarus Feather
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Steve Moore - Daily Affirmations
6
Steve Moore - Mesmer's Bauble
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Steve Moore - Quiet Springs
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Steve Moore - Festival Of Samhain
9
Steve Moore - The Icarus Feather (Revisited)
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Steve Moore - Shard Of Medusa
Territories: Worldwide no restrictions
Format Notes: 2024 first time vinyl release, limited to 500 copies, 140g vinyl
Track List:
A1 The Uninvited One
A2 Cursed Objects
A3 Evolutionary Steps
A4 The Icarus Feather
A5 Daily Affirmations
B1 Mesmer's Bauble
B2 Quiet Springs
B3 Festival Of Samhain
B4 The Icarus Feather (Revisited)
B5 Shard Of Medusa
Release Notes:
Steve Moore returns to the library music fold and it's a total doozy: Cursed Objects is truly sensational prog-synth-wave. Featuring epic electronic explorations with chamber music and symphonic flourishes, it's our favourite thing Steve has ever done. In keeping with the horror heat of the music contained within, this vinyl release is frighteningly limited, with just 500 pressed for the world.
New York-based multi-instrumentalist/producer/film composer Steve Moore is probably best known for his synthesizer and bass guitar work as Zombi, together with Anthony Paterra. But he is also part of Miracle and Titan as well as being a prolific solo artist releasing music as Gianni Rossi, Lovelock and under his own name. Steve’s music has found a home across hallowed labels like Future Times, Mexican Summer, LIES, Static Caravan, Kompakt, Death Waltz, Ghost Box and, of course, Be With Records.
Steve released Cursed Objects for fresh library label Fold. Run by ex-KPM head Paul Sandell, it's a library with values we can all get behind. It's the first production music platform working exclusively with independent labels, publishers and artists to create a truly authentic artist-led sound, at production music rates. Here's what Steve had to say: "I had worked with Paul before, at KPM. After he left, he mentioned that he had started a new library - Fold - and I was very interested in being a part. And I happened to be working on a bunch of music at the time that I thought could fit." So here we are!
The LP opens by letting in "The Uninvited One". Calm and relaxed arpeggiated synths build around sweeping strings and plucked harp to create a mystical and hopeful feel. The title track sees dark synths merge and swell with a piano, string and harp melody that is dark, mysterious and brooding. "Evolutionary Steps" is an electro synthwave track that builds with epic strings and beats, offering an expansive and dreamy approach with a mystical and driving rhythm. Next up, "The Icarus Feather" is daring, pulsing and cinematic synthwave that builds with arpeggiated synths to a hopeful end. "Daily Affirmations" offers calm and meditative ambient synths with plucked harp and strings for a reflective, peaceful, daydreamy feel.
“Mesmer's Bauble” ushers in side two, its dark synth backing builds with plucked harp and strings building with a sense of unknown and dread; it's introspective and heartfelt. "Quiet Springs" is all mystical synths, harps and strings, building to an epic panoramic scope with a hopeful and poignant atmosphere. "Festival Of Samhain" presents a dark and brooding piano melody which builds with synths and strings to create a slow and desolate feel. "The Icarus Feather (Revisited)" is epic building synthwave with arpeggiated synths and strings and a driving rhythm - the beat builds with the strings entering a forceful and marching mood. To close, "Shard Of Medusa" rides a serious and dark piano melody and, in concert with harp and strings, it creates a suspenseful and solemn atmosphere.
Steve recorded Cursed Objects, as always, at his home studio in Albany, NY. For synths, he mostly used his trusty Prophet 6, as well as his Moog Minitaur and lots of Korg Polysix too. But he also utilised a lot of virtual instruments - he doesn't have the budget for a full string section, or a harpist, alas.
The album’s cover was designed by Chris Stevenson. The artwork is a nod to first wave cyberpunk and in particular Neal Stephenson’s Snow Crash and the idea of mind viruses and cursed data. Mastering for this vinyl edition was overseen by Be With regular Simon Francis, and it was cut by the esteemed Cicely Balston at AIR Studios to be pressed in the Netherlands by Record Industry. Far from being cursed, this is another future classic library LP.
More
Format Notes: 2024 first time vinyl release, limited to 500 copies, 140g vinyl
Track List:
A1 The Uninvited One
A2 Cursed Objects
A3 Evolutionary Steps
A4 The Icarus Feather
A5 Daily Affirmations
B1 Mesmer's Bauble
B2 Quiet Springs
B3 Festival Of Samhain
B4 The Icarus Feather (Revisited)
B5 Shard Of Medusa
Release Notes:
Steve Moore returns to the library music fold and it's a total doozy: Cursed Objects is truly sensational prog-synth-wave. Featuring epic electronic explorations with chamber music and symphonic flourishes, it's our favourite thing Steve has ever done. In keeping with the horror heat of the music contained within, this vinyl release is frighteningly limited, with just 500 pressed for the world.
New York-based multi-instrumentalist/producer/film composer Steve Moore is probably best known for his synthesizer and bass guitar work as Zombi, together with Anthony Paterra. But he is also part of Miracle and Titan as well as being a prolific solo artist releasing music as Gianni Rossi, Lovelock and under his own name. Steve’s music has found a home across hallowed labels like Future Times, Mexican Summer, LIES, Static Caravan, Kompakt, Death Waltz, Ghost Box and, of course, Be With Records.
Steve released Cursed Objects for fresh library label Fold. Run by ex-KPM head Paul Sandell, it's a library with values we can all get behind. It's the first production music platform working exclusively with independent labels, publishers and artists to create a truly authentic artist-led sound, at production music rates. Here's what Steve had to say: "I had worked with Paul before, at KPM. After he left, he mentioned that he had started a new library - Fold - and I was very interested in being a part. And I happened to be working on a bunch of music at the time that I thought could fit." So here we are!
The LP opens by letting in "The Uninvited One". Calm and relaxed arpeggiated synths build around sweeping strings and plucked harp to create a mystical and hopeful feel. The title track sees dark synths merge and swell with a piano, string and harp melody that is dark, mysterious and brooding. "Evolutionary Steps" is an electro synthwave track that builds with epic strings and beats, offering an expansive and dreamy approach with a mystical and driving rhythm. Next up, "The Icarus Feather" is daring, pulsing and cinematic synthwave that builds with arpeggiated synths to a hopeful end. "Daily Affirmations" offers calm and meditative ambient synths with plucked harp and strings for a reflective, peaceful, daydreamy feel.
“Mesmer's Bauble” ushers in side two, its dark synth backing builds with plucked harp and strings building with a sense of unknown and dread; it's introspective and heartfelt. "Quiet Springs" is all mystical synths, harps and strings, building to an epic panoramic scope with a hopeful and poignant atmosphere. "Festival Of Samhain" presents a dark and brooding piano melody which builds with synths and strings to create a slow and desolate feel. "The Icarus Feather (Revisited)" is epic building synthwave with arpeggiated synths and strings and a driving rhythm - the beat builds with the strings entering a forceful and marching mood. To close, "Shard Of Medusa" rides a serious and dark piano melody and, in concert with harp and strings, it creates a suspenseful and solemn atmosphere.
Steve recorded Cursed Objects, as always, at his home studio in Albany, NY. For synths, he mostly used his trusty Prophet 6, as well as his Moog Minitaur and lots of Korg Polysix too. But he also utilised a lot of virtual instruments - he doesn't have the budget for a full string section, or a harpist, alas.
The album’s cover was designed by Chris Stevenson. The artwork is a nod to first wave cyberpunk and in particular Neal Stephenson’s Snow Crash and the idea of mind viruses and cursed data. Mastering for this vinyl edition was overseen by Be With regular Simon Francis, and it was cut by the esteemed Cicely Balston at AIR Studios to be pressed in the Netherlands by Record Industry. Far from being cursed, this is another future classic library LP.
More
1
shot - Main Thing
2
shot - Main Thing - Dub Mix
Fresh from 1986, another slo-mo Disco / Boogie / Garage banger from the Easy Street catalogue. That's right, this is that downtempo electrified sleazy Funk that keeps dance-floors pulsing. It has all the trademarks of the time, dope futuristic synths, slamming low-key drums and a sassy vocal performance from Kim Marsh lamenting a useless guy and her heartbreak! Classic Disco subject matter indeed. This one stands head and shoulders alongside the Tanaa Gardners, Barbara Masons and all the other heavy hitters of the time. 'Main Thing' is a true rarity today and used copies command a collectors price on the second hand record market. Every home should have a copy of this, no proper Disco collection is complete without it. A record that will never go out of style & will always provoke some buckwild reactions on any dance-floor it's dropped on!
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Label:Clone West Coast Series
Cat-No:CWCS-TAOS01
Release-Date:31.05.2021
Genre:Electro
Configuration:12"
Label:Clone West Coast Series
Cat-No:CWCS-TAOS01
Release-Date:31.05.2021
Genre:Electro
Configuration:12"
1
The Exaltics feat. Paris The Black Fu - TIM ELINED IS TURBANCE
2
The Exaltics feat. Paris The Black Fu - DIS TURB ANCE INT HE TIM ELINE
3
The Exaltics feat. Paris The Black Fu - 10 0SECO NDSTIL LMIDN IGHT
4
The Exaltics feat. Paris The Black Fu - THRE ATMUL TIPLIER
5
The Exaltics feat. Paris The Black Fu - 10 0SECO NDSTIL LMIDN IGHT LORENZ ORX RMX
6
The Exaltics feat. Paris The Black Fu - W EEX IST PART 2
Powerful electro tunes on this new The Exaltics / Paris the Black Fu collaboration on the Clone West Coast Series. The 'Dis turb ance int he Tim eline' is a post apocalyptic electronic soundtrack for a world where nuclear mist, cyberatt acks and disinformation camp aigns hav e tran sform edso ciet y. W eex ist , re s istt he th rea t! !!
More
Repress!
Re-issue of the long out of print Virtual Geisha album by Japanese Telecom (aka Dopplereffekt / Der Zyklus) first released in 2001. A further exploration of the culture and technologies from the land of the rising sun by Heinrich Mueller on the successor to the Japanese Telecom EP. This time the inspiration is more adult and Manga orientated and even goes a little more 'poppy' with Y.M.O insprired tracks. On Virtual Geisha there's also a first glimpse of the directions he'd take his other projects in the future on tracks like 'Enter Mrs. Suzuki' and 'Japanese Matrix'. While still keeping true to his Detroit Hi-Tech Machine Funk roots with Electro anthems like 'The Making Of Ultraman' and 'Beta Capsule'. Remastered and re-issued for the first time since its original release. Essential!!! More
Re-issue of the long out of print Virtual Geisha album by Japanese Telecom (aka Dopplereffekt / Der Zyklus) first released in 2001. A further exploration of the culture and technologies from the land of the rising sun by Heinrich Mueller on the successor to the Japanese Telecom EP. This time the inspiration is more adult and Manga orientated and even goes a little more 'poppy' with Y.M.O insprired tracks. On Virtual Geisha there's also a first glimpse of the directions he'd take his other projects in the future on tracks like 'Enter Mrs. Suzuki' and 'Japanese Matrix'. While still keeping true to his Detroit Hi-Tech Machine Funk roots with Electro anthems like 'The Making Of Ultraman' and 'Beta Capsule'. Remastered and re-issued for the first time since its original release. Essential!!! More
1
dj dijital - Sound Wave Killer
2
dj dijital - Cybortron's Revenge
3
dj dijital - Optimist's Theme
4
dj dijital - Matrix Werk
1
Tomorrow Comes The Harvest - Metamorphosis
2
Tomorrow Comes The Harvest - Words Of Wisdom
3
Tomorrow Comes The Harvest - Peace Pipe
4
Tomorrow Comes The Harvest - Rising Water
5
Tomorrow Comes The Harvest - Rising Water (Reprise)
Recorded live during Nuits Sonores, Brussels, 2022. Tomorrow Comes The Harvest is a theory initiated and put into action by late Afro Beat creator and Nigerian Drummer Tony Allen and Deroit Techno’s Jeff Mills. Each belonging to a long tradition of using music to reach higher levels of consciousness, along with veteran keyboardist Jean-Phi Dary, the three toured internationally until the untimely death of Tony Allen in 2020.
TRACKLISTING
A. Tomorrow Comes The Harvest - Metamorphosis
B. Tomorrow Comes The Harvest - Words Of Wisdom
C. Tomorrow Comes The Harvest - Peace Pipe
D1. Tomorrow Comes The Harvest - Rising Water
D2. Tomorrow Comes The Harvest - Rising Water (Reprise)
INFO
Tomorrow Comes The Harvest is the accumulative efforts of talented musicians and their visions about what makes the art form of music so special.
A theory initiated and put into action by late Afro Beat creator and Nigerian Drummer Tony Allen and Detroit Techno's Jeff Mills. Each belonging to a long tradition of using music to reach higher levels of consciousness, along with veteran keyboardist Jean-Phi Dary, the three toured internationally until the untimely death of Tony Allen in 2020. However, the foundation of the concept was cemented and ready for continuation.
Mills reconfigures the concept to function as trio once again and invites Tabla virtuoso Prabhu Edouard to join the concept.
Tomorrow Comes The Harvest is about exploring the unknown, transcending by the way of intersecting sounds and rhythm through an array of improvisational movements.
More
TRACKLISTING
A. Tomorrow Comes The Harvest - Metamorphosis
B. Tomorrow Comes The Harvest - Words Of Wisdom
C. Tomorrow Comes The Harvest - Peace Pipe
D1. Tomorrow Comes The Harvest - Rising Water
D2. Tomorrow Comes The Harvest - Rising Water (Reprise)
INFO
Tomorrow Comes The Harvest is the accumulative efforts of talented musicians and their visions about what makes the art form of music so special.
A theory initiated and put into action by late Afro Beat creator and Nigerian Drummer Tony Allen and Detroit Techno's Jeff Mills. Each belonging to a long tradition of using music to reach higher levels of consciousness, along with veteran keyboardist Jean-Phi Dary, the three toured internationally until the untimely death of Tony Allen in 2020. However, the foundation of the concept was cemented and ready for continuation.
Mills reconfigures the concept to function as trio once again and invites Tabla virtuoso Prabhu Edouard to join the concept.
Tomorrow Comes The Harvest is about exploring the unknown, transcending by the way of intersecting sounds and rhythm through an array of improvisational movements.
More
1
Japanese Telecom - Rising Sun
2
Japanese Telecom - Japanes Animation
3
Japanese Telecom - Asian Amazons
4
Japanese Telecom - Character Maps
5
Japanese Telecom - Game Player
6
Japanese Telecom - Nipponese Robots
7
Japanese Telecom - Kubi
8
Japanese Telecom - Bullet Train
Repress!
Japanese Telecom (aka Dopplereffekt / Der Zyklus) first outing recorded at the end of the 90's and officially released in 1999. A sonic exploration of the culture and technologies that influence daily life in one of the most advanced countries on this globe, the land of the rising sun. As a recurring theme in Heinrich Muellers work, the Japanese Telecom EP takes inspiration from the exciting culture of the upcoming internet, robots, high speed trains and game culture from a future past and combines this with Detroit's hi-tech machine funk. Remastered and re-issued for the first time since its original release. More
Japanese Telecom (aka Dopplereffekt / Der Zyklus) first outing recorded at the end of the 90's and officially released in 1999. A sonic exploration of the culture and technologies that influence daily life in one of the most advanced countries on this globe, the land of the rising sun. As a recurring theme in Heinrich Muellers work, the Japanese Telecom EP takes inspiration from the exciting culture of the upcoming internet, robots, high speed trains and game culture from a future past and combines this with Detroit's hi-tech machine funk. Remastered and re-issued for the first time since its original release. More
1
Mariko Katsuragi - Dancing Tonight
2
Mariko Katsuragi - Seaside Highway
3
Mariko Katsuragi - Game Sentaaa
4
Mariko Katsuragi - Game Sentaaa (JT's On Acid Mix)
Repress!
With unprecedented prosperity and growing worldwide fame in broadcast, game, and synthesizers, the 1980s Japan entered a golden decade. New genre splashes from technopop, Pacifica, and AOR/City pop merged local sensibilities with jazz-funk and Latin influences. Spiced in sugary US West coast sparkle and boasting naive lyrics with opulent arrangements and cover designs, it beamed millions of listeners on the cosmic journeys of Japan and its connections with Asia.
Looking to bet on the city pop phenomenon, a group of young, just out-of-school in-house studio players gathered for ad hoc recording sessions between 1982-1986. Spearheaded by up-and-coming associate producer and arranger HASEGAWA Joe and keyboardist KATSURAGI Mariko their goal was to produce a hit album concept with a musical journey from Japan to Asia and beyond.
Just short of wrapping a handful of test-pressings for studio and radio executives and a few tapes of demo recordings, the sessions came to an abrupt halt in 1986 with a striking personal loss. With the band's consequent disbanding and members embarking on their decades-long sessions careers, the original tapes were archived and lost in the Akihabara district for decades…
…until Japanese pop culture *connoisseur extraordinaire* and producer Sten SALUVEER aka MILDHANS discovered a rare demo of the original recordings in one of Tokyo's Ebisu district's revered vinyl bars. After a lengthy period of digging and tracings for the original tapes, the lush soundscapes of KATSURAGI Mariko and HASEGAWA Jo are finally here to take you on a jazzy journey to City Heights of Asia.
// ORIGINAL MUSICIANS //
Drums: HONDA Takeo
Bass: MATSUMOTO Kenji
Backing Guitar: KONDO Taro
Electronics, Linndrum, CR78 & 808 programming: TAKEDA Hideo
Percussion & Support: NAMBA Rumi, Alejandro Junichi Suzuki (Special Guest)
Vocoder & Electric Guitar: HASEGAWA Jo
Vocals Fender Rhodes, Sequential Circuits Prophet, Synclavier, Yamaha CS80, Arp 2600 & Quadra, Minimoog & Memorymoog, Yamaha DX7?: KATSURAGI Mariko
Written, Recorded & Produced between 1982 - 1986 by KATSURAGI Mariko & HASEGAWA Jo for City.
Reimagined and reedited for Dirty Keys records by Joe HASEGAWA & Sten SALUVEER, with mixes by Julius TALVIK. More
With unprecedented prosperity and growing worldwide fame in broadcast, game, and synthesizers, the 1980s Japan entered a golden decade. New genre splashes from technopop, Pacifica, and AOR/City pop merged local sensibilities with jazz-funk and Latin influences. Spiced in sugary US West coast sparkle and boasting naive lyrics with opulent arrangements and cover designs, it beamed millions of listeners on the cosmic journeys of Japan and its connections with Asia.
Looking to bet on the city pop phenomenon, a group of young, just out-of-school in-house studio players gathered for ad hoc recording sessions between 1982-1986. Spearheaded by up-and-coming associate producer and arranger HASEGAWA Joe and keyboardist KATSURAGI Mariko their goal was to produce a hit album concept with a musical journey from Japan to Asia and beyond.
Just short of wrapping a handful of test-pressings for studio and radio executives and a few tapes of demo recordings, the sessions came to an abrupt halt in 1986 with a striking personal loss. With the band's consequent disbanding and members embarking on their decades-long sessions careers, the original tapes were archived and lost in the Akihabara district for decades…
…until Japanese pop culture *connoisseur extraordinaire* and producer Sten SALUVEER aka MILDHANS discovered a rare demo of the original recordings in one of Tokyo's Ebisu district's revered vinyl bars. After a lengthy period of digging and tracings for the original tapes, the lush soundscapes of KATSURAGI Mariko and HASEGAWA Jo are finally here to take you on a jazzy journey to City Heights of Asia.
// ORIGINAL MUSICIANS //
Drums: HONDA Takeo
Bass: MATSUMOTO Kenji
Backing Guitar: KONDO Taro
Electronics, Linndrum, CR78 & 808 programming: TAKEDA Hideo
Percussion & Support: NAMBA Rumi, Alejandro Junichi Suzuki (Special Guest)
Vocoder & Electric Guitar: HASEGAWA Jo
Vocals Fender Rhodes, Sequential Circuits Prophet, Synclavier, Yamaha CS80, Arp 2600 & Quadra, Minimoog & Memorymoog, Yamaha DX7?: KATSURAGI Mariko
Written, Recorded & Produced between 1982 - 1986 by KATSURAGI Mariko & HASEGAWA Jo for City.
Reimagined and reedited for Dirty Keys records by Joe HASEGAWA & Sten SALUVEER, with mixes by Julius TALVIK. More
1
E.R.P. - Luctu
2
E.R.P. - Tuga
3
E.R.P. - Pith
Repress on clear crystal clear / solid blue vinyl!
2023 Repress with alternate label-art. Collectable FF release alert by E.R.P. aka Convextion aka Gerard Hanson.. The man with the tear-jerking string electro-techno, maybe even better known for pioneering Texas rooftop alligator wrestling. Highly recommended!! More
2023 Repress with alternate label-art. Collectable FF release alert by E.R.P. aka Convextion aka Gerard Hanson.. The man with the tear-jerking string electro-techno, maybe even better known for pioneering Texas rooftop alligator wrestling. Highly recommended!! More
1
Bronze, Silver & Brass - Conrad's Lesson
2
Bronze, Silver & Brass - Ward To Ward
Timmion Records introduces a new instrumental group Bronze, Silver & Brass, an eight-piece brass ensemble that is about to make waves with their debut 7” vinyl single “Conrad’s Lesson” b/w “Ward to Ward”. This banger of a release blesses you with two spectacular tunes that showcases the group’s influences from soulful stage band music to NOLA street funk.
On the A-side, “Conrad’s Lesson” delivers a pulsing midtempo groove, driven by funky drums and adorned with beautifully mellow horn melodies. Meanwhile, the B-side gem, “Ward to Ward” offers upbeat New Orleans second line funk, exuding the spirit of celebration and joy through syncopated beats and spirited horn arrangements.
Inspired by the soulful sounds of Kashmere Stage Band, Curtis Mayfield – and of course contemporary trailblazers such as Young Blood Brass Band and Hot 8 Brass Band – Bronze, Silver & Brass boldly blend a gumbo that that oozes musical love without excuses. With this debut single, they invite listeners to celebrate the rich heritage of brass music while keeping things severely funky. Get ready and march to the infectious rhythms of Bronze, Silver & Brass. More
On the A-side, “Conrad’s Lesson” delivers a pulsing midtempo groove, driven by funky drums and adorned with beautifully mellow horn melodies. Meanwhile, the B-side gem, “Ward to Ward” offers upbeat New Orleans second line funk, exuding the spirit of celebration and joy through syncopated beats and spirited horn arrangements.
Inspired by the soulful sounds of Kashmere Stage Band, Curtis Mayfield – and of course contemporary trailblazers such as Young Blood Brass Band and Hot 8 Brass Band – Bronze, Silver & Brass boldly blend a gumbo that that oozes musical love without excuses. With this debut single, they invite listeners to celebrate the rich heritage of brass music while keeping things severely funky. Get ready and march to the infectious rhythms of Bronze, Silver & Brass. More
1
B.T. Express - Peace Pipe (Theo Parrish Edit)
2
George Duke - I want you for myself (Theo Parrish Edit)
Following Chicago’s tradition in special edits and dj personal reworks to extend crucial parts and surprise the dancers, Theo Parrish has always sparkled his legendary sets with his own versions of classic and obscure disco, funk and soul cuts to maximum effect! Some of those were available to fans in mid 2000s via the Ugly Edits series, now it’s finally time for the LOVELY EDITS.
Officially licensed and using the original parts from the master tapes, here we have Theo’s takes on two absolute staples: BT EXPRESS ‘Peace Pipe’ and GEORGE DUKE ‘I Want You For Myself’. More
Officially licensed and using the original parts from the master tapes, here we have Theo’s takes on two absolute staples: BT EXPRESS ‘Peace Pipe’ and GEORGE DUKE ‘I Want You For Myself’. More
Label:Tresor Records / BMG
Cat-No:TRESOR313EP2
Release-Date:01.11.2024
Genre:Techno
Configuration:12" Excl
Label:Tresor Records / BMG
Cat-No:TRESOR313EP2
Release-Date:01.11.2024
Genre:Techno
Configuration:12" Excl
1
Cybotron - Parallel Shift 04:39
2
Cybotron - Earth 05:39
3
Cybotron - Earth - Edit (Digital Bonus) 05:08
Format: 12” vinyl, printed labels, printed inner sleeve, dl code
Tracklist:
01 / A Parallel Shift 04:39
02 / B Earth 05:39
03 / DX Earth - Edit (Digital Bonus) 05:08
Astral travel with Cybotron into the meta-narrative of the Parallel Shift, a new sonic fiction that raises many questions about military science of the near-future and the possibility of other worlds.
Descending backward through the rhythms of time, the Skynet module retracts from the hyper-structural society of 2100, edging toward the mid-century modern age teetering on the brink of what was then the frontier of “the future”. The system boots the Infiniti process, morphing into a cosmotechnic vessel coursing the superhighway of burgeoning general intelligence, seeking data from just before “the overshoot and collapse.”
R&D methods, rhythmanalytically applied, dissect the aftermath of an industrial society that burst through the ecological capacity of Spaceship Earth. Fractal visions of war and innovation spike and recede from and into the surfaces of reality being bent and guiding the eyes, ears, touch towards a laboratory in the year 1961. A nuclear expert, Don Lewis, receives orders to decrypt the mysterious black dodecagonal disc known as Fortec and the extraterrestrial biology unearthed in Roswell. He joins a team disassembling Fortec and studying the recurrent dodecahedral patterns linked to the human nervous system.
Through dismantling and probing, the team cycles through a saecular search devoid of finite conclusions, limited by Earth’s intellectual and technological prowess. One 1960s night, Lewis, while meddling with Fortec’s cyborganic innards, accidentally electrifies himself. His cyclotron and missile experience guides him to circuit-bend Fortec, stirring the entity from a mechanical slumber. Lewis and Fortec communicate in resonances, until it drifts back into a tranquil stasis.
The US Defense and contractors, unbeknownst to them, observe this breakthrough. They later permit Lewis to exit military service as the Air Force forms the Foreign Technology Division. Concurrently, MJ12 evolves into CY12, delving into second-order cybernetics. Lewis clandestinely keeps working on Fortec fragments, transitioning from military engineer to musician, pioneering the LEO module, a fusion of Fortec’s essence and audio engineering.
He shares his insights with Roland founder Ikutaro Kakehashi, aiding the creation of the iconic TR-808. Meanwhile, Fortec branches out, coining “Cyberspace” – a collective illusion of liberty unshackled by physical, political, or spiritual bounds, anchored in the equitable distribution of The Golden Ratio across realities. Yet “Cyberspace” morphs into a chaotic truth reservoir, spilling over into deception.
The Parallel Shift manifests in the perpetual “Now,” a collapsed event horizon where past and future are ensnared in a relentless present, unfurling along a dissolving timeline, overseen by a monolithic simulation under ceaseless watch…
— The Rhythmanalyst aka DeForrest Brown, Jr. More
Tracklist:
01 / A Parallel Shift 04:39
02 / B Earth 05:39
03 / DX Earth - Edit (Digital Bonus) 05:08
Astral travel with Cybotron into the meta-narrative of the Parallel Shift, a new sonic fiction that raises many questions about military science of the near-future and the possibility of other worlds.
Descending backward through the rhythms of time, the Skynet module retracts from the hyper-structural society of 2100, edging toward the mid-century modern age teetering on the brink of what was then the frontier of “the future”. The system boots the Infiniti process, morphing into a cosmotechnic vessel coursing the superhighway of burgeoning general intelligence, seeking data from just before “the overshoot and collapse.”
R&D methods, rhythmanalytically applied, dissect the aftermath of an industrial society that burst through the ecological capacity of Spaceship Earth. Fractal visions of war and innovation spike and recede from and into the surfaces of reality being bent and guiding the eyes, ears, touch towards a laboratory in the year 1961. A nuclear expert, Don Lewis, receives orders to decrypt the mysterious black dodecagonal disc known as Fortec and the extraterrestrial biology unearthed in Roswell. He joins a team disassembling Fortec and studying the recurrent dodecahedral patterns linked to the human nervous system.
Through dismantling and probing, the team cycles through a saecular search devoid of finite conclusions, limited by Earth’s intellectual and technological prowess. One 1960s night, Lewis, while meddling with Fortec’s cyborganic innards, accidentally electrifies himself. His cyclotron and missile experience guides him to circuit-bend Fortec, stirring the entity from a mechanical slumber. Lewis and Fortec communicate in resonances, until it drifts back into a tranquil stasis.
The US Defense and contractors, unbeknownst to them, observe this breakthrough. They later permit Lewis to exit military service as the Air Force forms the Foreign Technology Division. Concurrently, MJ12 evolves into CY12, delving into second-order cybernetics. Lewis clandestinely keeps working on Fortec fragments, transitioning from military engineer to musician, pioneering the LEO module, a fusion of Fortec’s essence and audio engineering.
He shares his insights with Roland founder Ikutaro Kakehashi, aiding the creation of the iconic TR-808. Meanwhile, Fortec branches out, coining “Cyberspace” – a collective illusion of liberty unshackled by physical, political, or spiritual bounds, anchored in the equitable distribution of The Golden Ratio across realities. Yet “Cyberspace” morphs into a chaotic truth reservoir, spilling over into deception.
The Parallel Shift manifests in the perpetual “Now,” a collapsed event horizon where past and future are ensnared in a relentless present, unfurling along a dissolving timeline, overseen by a monolithic simulation under ceaseless watch…
— The Rhythmanalyst aka DeForrest Brown, Jr. More