Posatronix, a prominent figure from Detroit, is well-known for his contributions to the electronic music scene and is a vital part of the AUX88 universe. His track "Shake It" has become a classic and a staple on dance floors both locally and globally. The song features infectious beats that perfectly capture the essence of Detroit's techno heritage while infusing it with Posatronix's unique flair. With its driving rhythm and catchy hooks, "Shake It" invites listeners to lose themselves on the dance floor, making it an enduring anthem for party-goers around the world. This track showcases Posatronix's exceptional production skills and solidifies his status as a key player in shaping the sound of modern electronic music.

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ELECTROSTATIC's newest artist, Detroit-based Sheefy McFly, takes it back to the "Rock" on this one. "Belle Isle 2099" is an Electro-Ghetto-Tek Banger that hits like the ZAH… Let's go.

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On ALPHA WAVES, AUX88 ventures into uncharted sonic territories by subtly incorporating 432 Hz alpha wave tones. This forward-thinking approach to sound exploration is a testament to their creativity and commitment to pushing the boundaries of electronic dance music.

It is believed that 432 Hz is the healing frequency of the universe and has the power to improve our bodies' natural healing abilities. Similarly, alpha brain waves are associated with restful, meditative states and are believed to reduce depression, combat anxiety, and increase creativity. By blending these healing frequencies with their classic techno-bass fusion, AUX88 offers listeners a unique auditory experience that is both soothing and energizing, especially powerful during their all-sensory-consuming live performances, where fans can fully immerse themselves in the music and experience its transformative effects.

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JESSBEATZ is at it again with another nod to the origins of Electro, and it’s just what you expect. HARD DARK and straight to the point. Another building block to the Spirit of Detroit. ALIEN INVASION brings raw beats, funky drum programming, with an arrangement built for the dance floor and to bang in your car. LIGHT YEARS takes you beyond with Intelligent deliberate vocals, well thought out productions and arrangements that move both retro and futuristic minds. POWERED BY ELECTROSTATIC. Sanctioned by DETROIT

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New Electro PRODUCED BY JESSBEATS. This Killer ELECTRO EP is sure to be a fixture on all electro turntables. POWERED BY AUX88 on their new label "ELECTROSTATIC" has put new blood in the game. DECODING NUMBERS.

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Eight track LP of blissed out dub artifacts from Detroit’s Infant

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Official re issue of the Mood II Swing classic EP 'Move Me' from 1995. Completely re mastered for 2014 and re issued in the original Music For Your Ears artwork.

Containing the classic 'Move Me' and the incredible 'Alternative Mix' plus the original B sides telephone laden 'Call Me' and filtered off kilter 'Function'.

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Tracklisting
A1 Steve Redhead - Faded Echo
A2 Not A Headliner - Escision
B1 Elyas - On Da Run
B2 RUIZ OSC1 - KILLACUTZ
B3 William Arist - Tribute to SLS

Sales Note
After launching Seclusion in 2021, Elyas presents 13130.
A new VA series featuring old-school artists and current techno finest.

On this first one, 13130 offers: Steve Redhead, Not A Headliner, RUIZ OSC1, William Arist and label head Elyas.

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REPRESS OF THIS STONE COLD DARKSIDE CLASSIC FROM SUBURBAN KNIGHT
YOU HAVE BEEN WARNED

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OFFICIAL 2022 REISSUE

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Shadow Pressings returns with its sixth vinyl-only release, this time spotlighting a full EP from DJ Split, whose latest effort dives deep into the gritty, jacking sounds of 90s Chicago house. Emerging from the shadows of the underground, DJ Split crafts stripped-back, floor-focused tracks rooted in the raw energy of early Chicago house. Known for tough drums, hypnotic loops, and a deep respect for analog grit, DJ Split's sound pays homage to the sweat-soaked basements and speaker-stacked warehouses that shaped dance music's golden era. No gimmicks-just pure jackin' music for those who know.

Kiss Revenge is a rugged opener that drives hard with pounding snares, flanged claps, and a vocal loop that rides the groove like it never wants to end. Pure sweat-box energy, tailored for the red light zone.

Jack It works up an irresistible FM bassline, tough 909s, and that unmistakable "Jack" vocal chopped into submission. Funky, freaky, and irresistibly jacking.

Pose Funk ups the BPM's for a full on hi-energy workout. A live cowbell riff anchors the groove whilst cut up spoken word vocal chops and church bell (!) samples bring an off-kilter vibe to the track.

Thirsty Maxx starts life as a raw to the core, late-night tool with attitude-perfect for locking in dancers when things start to get weird in the best way. Just a smattering of moody chords drop here and there but at the end of the day this one is all about the drums!

Closing out the EP, It Out brings it down just a touch-stripped, hypnotic, and built around crunchy drums, ravey siren, 303 touches and chopped vocal phrases that repeat like voices in your head. One for the ravers who stay 'til the lights come up.

Stay in the shadows. Play it loud.


A1 - Kiss Revenge
A2 - Jack It
B1 - Pose Funk
B2 - Thirsty Maxx
B3 - It Out


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REPRESS!!
2017 Remastered version of FR004 b/w additional track "Let's Bang", taken from the original 1997's Cybonic In Effect EP. Parental Advisory Frustrated Funk from the 313. Keep hanging!!

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THIS IS THE VERSION THAT INCLUDES THE TRACK "Astral Apache"


This genre-causing classic contains one of UR’s most influential tracks ever recorded, Hi Tech Jazz, for which a whole new situation of electronic music was created. The conditions that spawned jazz and the
conditions that fueled Detroit techno are what really came together on this EP. To be excluded, ignored or worse not allowed usually end in a “FUCK YOU’ The inspiration for this record came from those who had the talent,had the drive, had the chops but were ignored back in the late 60’s, 70’s & 80’s because they didnt fit into what major record companies of their day were looking for! So finally they just “Did it
themselves! We are talking Wendell Harrison & The Tribe, Marcus Belgraves and Mad Mikes jazz mentor Robert “Bobby” Barnes and an even later inspiration Larry “Mr. Fingers” Heard. No better way to upset
and dethrone major record companies than to…….. start a movement that said “fuck you” to the commericial “Smooth Jazz” that was sucking innovation, experimentalism and the soul right out of Jazz and making it a household easy to digest pre-packaged PRODUCT!! This is the track that has influenced other hi-tech jazz groups and artists such as Timeline, Boulevard des Airs, Innerzone Orchestra, Jazzanova, Spiral Deluxe, Los Hermanos, Ian O’ Brian and many others. Listen to the beginning of a movement UR-025.

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The Spaces Between were formed out of creative studio sessions in the summer of 2020 and comprises of bona fide house legend Terry Farley, electronic music producer Wade Teo and renowned author and co-owner of Club Chi’ll Records, Ian ‘Snowy’ Snowball. The idea for ‘Ghosts’ came from Terry’s idea to reference the Jazz greats who have gone to glory leaving behind their astonishing musical legacies. Within days of emailing a comprehensive list of jazz artists to Chicago House luminary and The It/ Jungle Wonz member, Harry Dennis, an answer with Harry’s sparse, haunting vocals was received. These were laid down over a bed of live instruments and electronic sounds and the combined talents of The Spaces Between created the compelling jacking jazz vibe of ‘Ghosts’.

Snowy ran the track past Jo Wallace at F*CLR Records – it was love at first listen. Jo suggested the track should be part of an EP with remixes from the newly reformed Black Science Orchestra. It was agreed and provided an ideal opportunity for Ashley to work with Terry once again, reinforcing the Junior Boy’s Own heritage.

The first incarnation of Black Science Orchestra began life in 1992 when Ashley Beedle joined forces with Rob Mello and their debut release, ‘Where were you’ exploded onto the global dance scene via the iconic UK house label JBO. Broken in the US by the Godfather of House, Frankie Knuckles, ‘Where were you’ entered into the hallowed halls of immortal dance music. Black Science Orchestra has become one of the most respected deep house acts of the 1990s, with the revered album ‘Walter's Room’ and the legendary genre crossing 'New Jersey Deep' track that is considered one of the top dance tracks of all time and rarely leaves discerning DJs' record boxes. Fast forward 29 years and original BSO founding fathers, Ashley and Rob decided that both they and the world needed the sound of Black Science Orchestra again and decided to reform, inviting long time musical and studio accomplice Darren Morris to join the collective now in its 6th incarnation!

When presented with the original version of ‘Ghosts’, Rob, Ashley and Darren loved it and all heard various ways it could be reworked in a true Black Science Orchestra way. Donning their pandemic production hats and remotely getting their feet back under the studio desk again, they worked together to create distinctly different remixes ranging from the deep, spacy electronic to the tough and psychedelic sleazy funk. With original BSO productions included on this EP, 'Ghosts' has helped square off the circle and the Black Science Orchestra conductors are back and mean dance floor business!

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New Electro PRODUCED BY JESSBEATS. This Killer ELECTRO EP is sure to be a fixture on all electro turntables. POWERED BY AUX88 on their new label "ELECTROSTATIC" has put new blood in the game. DECODING NUMBERS.

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Repress!



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