Label:Forbidden Dance
Cat-No:FD-009
Release-Date:26.07.2024
Genre:House
Configuration:12"
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Label:Forbidden Dance
Cat-No:FD-009
Release-Date:26.07.2024
Genre:House
Configuration:12"
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1
Innervibe - Tribe Of The Sun
2
Innervibe - Music
3
Innervibe - Sit Back Relax
4
Innervibe - Motivations
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Label:Forbidden Dance
Cat-No:FD-008
Release-Date:01.12.2023
Genre:Chicago House
Configuration:12"
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Last in:29.02.2024
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Label:Forbidden Dance
Cat-No:FD-008
Release-Date:01.12.2023
Genre:Chicago House
Configuration:12"
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1
Specter - Twin Eagle
2
Specter - Putazo
3
Specter - Run The Course
4
Specter - Humble Pie
After releasing heavyweights like Patrice Scott and Dego, Forbidden Dance Records continues its story with a new release from Chicago don Specter with a 4-track EP.
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12"
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Label:Forbidden Dance
Cat-No:FD-007
Release-Date:14.06.2023
Genre:House
Configuration:12"
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Label:Forbidden Dance
Cat-No:FD-007
Release-Date:14.06.2023
Genre:House
Configuration:12"
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1
Laseech feat. Desney Bailey - Hey Love (Original Mix)
2
Laseech feat. Desney Bailey - Hey Love (Dego Remix)
3
Laseech feat. Desney Bailey - Hey Love (Patrice Scoot Remix)
4
Laseech feat. Desney Bailey - You See feat. Desney Bailey
After six illustrious vinyl releases behind them, Forbidden Dance takes this one deeply close to home. As a rising house name from Croatia, Laseech signs this harmonic and creamy house release iced with stellar vocals by Desney Bailey and backed up by two of the house heavyweights – Dego and Patrice Scott.
A1 The title track “Hey Love” is packed with effortless deepness in and out topped with smooth Bailey’s vocals dancing elegantly over chords and strings. Dazzling tuneage that resembles airy summer jam at your favourite beach spot.
A2 Dego is a man with a thousand sounds. And all of them are rich and impressive. His disco-funk spin on “Hey Love” is ploughed with heavy synths and sharp drums that culminate with a lush keyboard frenzy in the end.
B1 Patrice Scott’s ability to infuse introspective soul into machine sound is second to none. “Hey Love” goes through melodic morphosis which Patrice delivers so smoothly and tinges it with floor-oriented moves.
B2 Bailey’s vocals are the soul carrier of this release and it shows pretty much on “You See”. Hazy and melancholic, the track slowly burns under her looped vocals. Stripped, heart-aching and beautifully dimmed. More
A1 The title track “Hey Love” is packed with effortless deepness in and out topped with smooth Bailey’s vocals dancing elegantly over chords and strings. Dazzling tuneage that resembles airy summer jam at your favourite beach spot.
A2 Dego is a man with a thousand sounds. And all of them are rich and impressive. His disco-funk spin on “Hey Love” is ploughed with heavy synths and sharp drums that culminate with a lush keyboard frenzy in the end.
B1 Patrice Scott’s ability to infuse introspective soul into machine sound is second to none. “Hey Love” goes through melodic morphosis which Patrice delivers so smoothly and tinges it with floor-oriented moves.
B2 Bailey’s vocals are the soul carrier of this release and it shows pretty much on “You See”. Hazy and melancholic, the track slowly burns under her looped vocals. Stripped, heart-aching and beautifully dimmed. More
2LP
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Label:Forbidden Dance
Cat-No:FD-006
Release-Date:30.09.2022
Genre:House
Configuration:2LP
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Cat-No:FD-006
Release-Date:30.09.2022
Genre:House
Configuration:2LP
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1
Boo Williams - Real Time
2
Rick The Godson Wilhite & Jon Easley - Mental Feelings
3
Gene Hunt - Space Relm
4
Dan Piu - Escape Two
5
Life Recorder - Tribute To The Sound
6
Nu-Cleo - The Deep (5AM)
7
Nemanja Krstic - Surface
8
The Mechanical Man - P.C.M. (Parthenope City Music)
In their ever-expanding search for good electronic belters, Forbidden Dance Records went into building a bridge between two continents responsible for so many good artists in the last few decades, with some of them being true legends of the house
sound. From Detroit to Napoli and Marseille. From Zurich and Bari to Chicago. Ladies and gentlemen, this is ‘Bridges: An American – European Dance Connection” More
sound. From Detroit to Napoli and Marseille. From Zurich and Bari to Chicago. Ladies and gentlemen, this is ‘Bridges: An American – European Dance Connection” More
Label:Forbidden Dance
Cat-No:FD-005
Release-Date:13.05.2022
Genre:Deephouse
Configuration:12"
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Label:Forbidden Dance
Cat-No:FD-005
Release-Date:13.05.2022
Genre:Deephouse
Configuration:12"
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1
Aleqs Notal - Supply Shuttle
2
Aleqs Notal - Airlock Nation
3
Aleqs Notal - A Walk Thru The 20th
4
Aleqs Notal - Nature Of Offences
Tracklist 12":
A1 Supply Shuttle
A2 Airlock Nation
B1 A Walk Thru The 20th
B2 Nature Of Offences
Earthy bounces, sharp rhythmics and erased boundaries between deep and house in the fifth release from Forbidden Dance Rec. signed by the french virtuoso - Aleqs Notal.
With a tribalistic percussion launch into a warm and silky bassline, Supply Shuttle spins the dice on the deep house edges through linear but meticulous patterns of synth simplicity. The scarcity of snares puts the track just enough into the dance-floor realm but still exquisite enough for sun-drenched coast places especially with that subtle rhodes washing over the faint 303 shots in the background. Notal pulled a smooth move here further erasing the faint border between the two genres. And yes, sometimes the border gets pushed more into one over the other. Such is the case with Airlock Nation, clearly showing this imbalance in the most pleasurable way. With a straightforward shake onset floating on a solid rhythm throughout the ride, the track leans more on the floor side covering the early night with subtle and warm darkness step by step. The midnight glow emitting from the melodies is beautifully cocooned into deep sway smudged by ritual bongo hits. The track exports a sentiment of nostalgia in a positive and warm way while cleverly pushing the vibe over the mentioned border into a night dance. A Walk Thru The 20th continues this sway but implements a synth carrier into the foreground further developing the club feel. And this is where Notal shines truly because even in this kind of atmosphere he almost unnoticeably lays the track on perfectly fitting tribal shoulders stamping the core of the track with earth-grounding charisma. Both audio worlds, one audio shine. And still, on the other side of the playfield, Nature Of Offences is grounded heavily in slow and throbbing kicks paralleled with equally heavy claps and constant interchange of beautiful pads, strings and percussions. Although the track is stirred with a filtered 303 bassline, the overall feel points into a deep and seductive zone. It flows subtly through different areas of analogue and synthetic forms spewing a late 90s warm-up feel. Well rounded release from Aleqs Notal! More
A1 Supply Shuttle
A2 Airlock Nation
B1 A Walk Thru The 20th
B2 Nature Of Offences
Earthy bounces, sharp rhythmics and erased boundaries between deep and house in the fifth release from Forbidden Dance Rec. signed by the french virtuoso - Aleqs Notal.
With a tribalistic percussion launch into a warm and silky bassline, Supply Shuttle spins the dice on the deep house edges through linear but meticulous patterns of synth simplicity. The scarcity of snares puts the track just enough into the dance-floor realm but still exquisite enough for sun-drenched coast places especially with that subtle rhodes washing over the faint 303 shots in the background. Notal pulled a smooth move here further erasing the faint border between the two genres. And yes, sometimes the border gets pushed more into one over the other. Such is the case with Airlock Nation, clearly showing this imbalance in the most pleasurable way. With a straightforward shake onset floating on a solid rhythm throughout the ride, the track leans more on the floor side covering the early night with subtle and warm darkness step by step. The midnight glow emitting from the melodies is beautifully cocooned into deep sway smudged by ritual bongo hits. The track exports a sentiment of nostalgia in a positive and warm way while cleverly pushing the vibe over the mentioned border into a night dance. A Walk Thru The 20th continues this sway but implements a synth carrier into the foreground further developing the club feel. And this is where Notal shines truly because even in this kind of atmosphere he almost unnoticeably lays the track on perfectly fitting tribal shoulders stamping the core of the track with earth-grounding charisma. Both audio worlds, one audio shine. And still, on the other side of the playfield, Nature Of Offences is grounded heavily in slow and throbbing kicks paralleled with equally heavy claps and constant interchange of beautiful pads, strings and percussions. Although the track is stirred with a filtered 303 bassline, the overall feel points into a deep and seductive zone. It flows subtly through different areas of analogue and synthetic forms spewing a late 90s warm-up feel. Well rounded release from Aleqs Notal! More
TAPE Excl
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Cat-No:FD-004TAPE
Release-Date:14.01.2022
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1
Ilija Rudman pres. Dead Horse Gang - A1 Three Four Amazing
2
Ilija Rudman pres. Dead Horse Gang - A2 We Hold The Light
3
Ilija Rudman pres. Dead Horse Gang - A3 Your Smile Is Shotgun
4
Ilija Rudman pres. Dead Horse Gang - A4 Where Wild Horses Go
5
Ilija Rudman pres. Dead Horse Gang - A5 Demons Race - Theme
6
Ilija Rudman pres. Dead Horse Gang - A6 After The Gold Rush
7
Ilija Rudman pres. Dead Horse Gang - B1 Over The Hill
8
Ilija Rudman pres. Dead Horse Gang - B2 Broken Home - Lost Son's Diary
9
Ilija Rudman pres. Dead Horse Gang - B3 Black Marble
10
Ilija Rudman pres. Dead Horse Gang - B4 Exodus Theme
11
Ilija Rudman pres. Dead Horse Gang - B5 Ministry Of Lost Souls - Outro Theme
12
Ilija Rudman pres. Dead Horse Gang - B6 Riders Of The Secret Gardens
Limited edition of 20 pieces, duplicated in real time on ferric tape by Tapedub Berlin.
Tracklist Tape:
A1 Three Four Amazing
A2 We Hold The Light
A3 Your Smile Is Shotgun
A4 Where Wild Horses Go
A5 Demons Race - Theme
A6 After The Gold Rush
B1 Over The Hill
B2 Broken Home - Lost Son's Diary
B3 Black Marble
B4 Exodus Theme
B5 Ministry Of Lost Souls - Outro Theme
B6 Riders Of The Secret Gardens
The Forbidden Dance label is marking their first year of existence and with already top-notch names (Vick Lavender, Alton Miller, The Mechanical Man) with the first three releases, they are celebrating the one year mark with another global gem, disco and house finest - Ilija Rudman!
Where Wild Horses Go is conveying an unquestionable sense of 80's electro and synth boogie filled with smooth and heavily reverberated rhythmics drenched in strong snares. Aligned with catchy and spaced-out disco pads, the album is riddled with ever strong analogue elements processed in a light, quirky and summerish way but with enough groove in some tracks easily applicable on the dancefloors in the late hours.
Dead Horse Gang is a brainchild music band/brand by Ilija Rudman dedicated to cinematic dance concept laying on the Los Angeles funk attitude, Art Of Noise perception of sound and raw 12-bit grooves making a statement of mid 80's culture with surf vibe of California summer.
"Dead Horse Gang Music is more than music, it's a way of life, a way of thinking, a path to a maximum freedom of the one, who can accept it."
-Ilija Rudman
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Tracklist Tape:
A1 Three Four Amazing
A2 We Hold The Light
A3 Your Smile Is Shotgun
A4 Where Wild Horses Go
A5 Demons Race - Theme
A6 After The Gold Rush
B1 Over The Hill
B2 Broken Home - Lost Son's Diary
B3 Black Marble
B4 Exodus Theme
B5 Ministry Of Lost Souls - Outro Theme
B6 Riders Of The Secret Gardens
The Forbidden Dance label is marking their first year of existence and with already top-notch names (Vick Lavender, Alton Miller, The Mechanical Man) with the first three releases, they are celebrating the one year mark with another global gem, disco and house finest - Ilija Rudman!
Where Wild Horses Go is conveying an unquestionable sense of 80's electro and synth boogie filled with smooth and heavily reverberated rhythmics drenched in strong snares. Aligned with catchy and spaced-out disco pads, the album is riddled with ever strong analogue elements processed in a light, quirky and summerish way but with enough groove in some tracks easily applicable on the dancefloors in the late hours.
Dead Horse Gang is a brainchild music band/brand by Ilija Rudman dedicated to cinematic dance concept laying on the Los Angeles funk attitude, Art Of Noise perception of sound and raw 12-bit grooves making a statement of mid 80's culture with surf vibe of California summer.
"Dead Horse Gang Music is more than music, it's a way of life, a way of thinking, a path to a maximum freedom of the one, who can accept it."
-Ilija Rudman
More
LP
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Label:Forbidden Dance
Cat-No:FD-004
Release-Date:30.07.2021
Configuration:LP
Barcode:4251804126823
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Cat-No:FD-004
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Configuration:LP
Barcode:4251804126823
1
Ilija Rudman pres. Dead Horse - Three Four Amazing
2
Ilija Rudman pres. Dead Horse - We Hold The Light
3
Ilija Rudman pres. Dead Horse - Your Smile Is Shotgun
4
Ilija Rudman pres. Dead Horse - Where Wild Horses Go
5
Ilija Rudman pres. Dead Horse - Demons Race - Theme
6
Ilija Rudman pres. Dead Horse - After The Gold Rush
7
Ilija Rudman pres. Dead Horse - Over The Hill
8
Ilija Rudman pres. Dead Horse - Broken Home - Lost Son's Diary
9
Ilija Rudman pres. Dead Horse - Black Marble
10
Ilija Rudman pres. Dead Horse - Exodus Theme
11
Ilija Rudman pres. Dead Horse - Ministry Of Lost Souls - Outro Theme
12
Ilija Rudman pres. Dead Horse - Riders Of The Secret Gardens
The Forbidden Dance label is marking their first year of existence and with already top-notch names (Vick Lavender, Alton Miller, The Mechanical Man) with the first three releases, they are celebrating the one year mark with another global gem, disco and house finest - Ilija Rudman!
Where Wild Horses Go is conveying an unquestionable sense of 80's electro and synth boogie filled with smooth and heavily reverberated rhythmics drenched in strong snares. Aligned with catchy and spaced-out disco pads, the album is riddled with ever strong analogue elements processed in a light, quirky and summerish way but with enough groove in some tracks easily applicable on the dancefloors in the late hours.
Dead Horse Gang is a brainchild music band/brand by Ilija Rudman dedicated to cinematic dance concept laying on the Los Angeles funk attitude, Art Of Noise perception of sound and raw 12-bit grooves making a statement of mid 80's culture with surf vibe of California summer.
"Dead Horse Gang Music is more than music, it's a way of life, a way of thinking, a path to a maximum freedom of the one, who can accept it."
-Ilija Rudman
Tracklist LP:
A1 Three Four Amazing
A2 We Hold The Light
A3 Your Smile Is Shotgun
A4 Where Wild Horses Go
A5 Demons Race - Theme
A6 After The Gold Rush
B1 Over The Hill
B2 Broken Home - Lost Son's Diary
B3 Black Marble
B4 Exodus Theme
B5 Ministry Of Lost Souls - Outro Theme
B6 Riders Of The Secret Gardens
More
Where Wild Horses Go is conveying an unquestionable sense of 80's electro and synth boogie filled with smooth and heavily reverberated rhythmics drenched in strong snares. Aligned with catchy and spaced-out disco pads, the album is riddled with ever strong analogue elements processed in a light, quirky and summerish way but with enough groove in some tracks easily applicable on the dancefloors in the late hours.
Dead Horse Gang is a brainchild music band/brand by Ilija Rudman dedicated to cinematic dance concept laying on the Los Angeles funk attitude, Art Of Noise perception of sound and raw 12-bit grooves making a statement of mid 80's culture with surf vibe of California summer.
"Dead Horse Gang Music is more than music, it's a way of life, a way of thinking, a path to a maximum freedom of the one, who can accept it."
-Ilija Rudman
Tracklist LP:
A1 Three Four Amazing
A2 We Hold The Light
A3 Your Smile Is Shotgun
A4 Where Wild Horses Go
A5 Demons Race - Theme
A6 After The Gold Rush
B1 Over The Hill
B2 Broken Home - Lost Son's Diary
B3 Black Marble
B4 Exodus Theme
B5 Ministry Of Lost Souls - Outro Theme
B6 Riders Of The Secret Gardens
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12"
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Label:Forbidden Dance
Cat-No:FD-003
Release-Date:02.04.2021
Genre:Deephouse
Configuration:12"
Barcode:4251804125314
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Release-Date:02.04.2021
Genre:Deephouse
Configuration:12"
Barcode:4251804125314
1
The Mechanical Man - The Streets Of Revelation
2
The Mechanical Man - I Keep Thinking
3
The Mechanical Man - What Your Eyes Don't See
4
The Mechanical Man - Take Her In Your Arms
180 grams 12" Vinyl with Download Code. Expanding their rich sound palette Forbidden Dance moves on to the next plateau with their third release. After releasing two legends Alton Miller and Vick Lavender, new EP is signed by a young and sound broad producer from Naples - The Mechanical Man. Drawing influences from the sound of Chicago, Philadelphia and Motor City he achieved to catch the multi essence of the house sound into a four-track journey marked with slow and fast-paced soulful corners dominated by toned vocals and stripped-down beats all the way to the underexposed lounge sections and playful intermissions.
Drum programming is a strong point for The Mechanical Man and it can be clearly heard in "A1 - The Streets Of Revelation". Infused with most probably vintage Linn Drum hits, the track intertwines numerous elements in a hoppy and gentle swirl riding on double vocals. Everything takes a full sonic conclusion in the third quarter when the main synth starts to breathe fully.
Residing on almost the same rhythm hits, "A2 - I Keep Thinking" is more of a deep dive into love dreams. Emotional and subtle pads and chords progression are really felt here as the track rubs under soft vocals in need of a response.
The light essence is captured on "B1 - What Your Eyes Don't See". While the delayed vocals are cutting the motion and the rhythm is rougher, it still manages to keep the terrace vibe movement. Rhode-like section carries the track all the way with occasionally reduced percussion hits spicing up the background.
On the other note, "B2 - Take Her In Your Arms" is a gentle dance of maracas and rhodes. The acoustic bass is quite seductive and inviting whilst flutes and other elements riddle the track with a toned-down lounge feel and sway into hypnotic slow-motion.
Diverse, rich and enchanting tunes by The Mechanical Man!
Tracklist 12":
A1 The Streets Of Revelation (06:32)
A2 I Keep Thinking (05:56)
B1 What Your Eyes Don't See (07:12)
B2 Take Her In Your Arms (05:30)
More
Drum programming is a strong point for The Mechanical Man and it can be clearly heard in "A1 - The Streets Of Revelation". Infused with most probably vintage Linn Drum hits, the track intertwines numerous elements in a hoppy and gentle swirl riding on double vocals. Everything takes a full sonic conclusion in the third quarter when the main synth starts to breathe fully.
Residing on almost the same rhythm hits, "A2 - I Keep Thinking" is more of a deep dive into love dreams. Emotional and subtle pads and chords progression are really felt here as the track rubs under soft vocals in need of a response.
The light essence is captured on "B1 - What Your Eyes Don't See". While the delayed vocals are cutting the motion and the rhythm is rougher, it still manages to keep the terrace vibe movement. Rhode-like section carries the track all the way with occasionally reduced percussion hits spicing up the background.
On the other note, "B2 - Take Her In Your Arms" is a gentle dance of maracas and rhodes. The acoustic bass is quite seductive and inviting whilst flutes and other elements riddle the track with a toned-down lounge feel and sway into hypnotic slow-motion.
Diverse, rich and enchanting tunes by The Mechanical Man!
Tracklist 12":
A1 The Streets Of Revelation (06:32)
A2 I Keep Thinking (05:56)
B1 What Your Eyes Don't See (07:12)
B2 Take Her In Your Arms (05:30)
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12"
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Label:Forbidden Dance
Cat-No:FD-001
Release-Date:12.03.2021
Genre:House
Configuration:12"
Barcode:
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Label:Forbidden Dance
Cat-No:FD-001
Release-Date:12.03.2021
Genre:House
Configuration:12"
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1
Vick Lavender - No Title
2
Vick Lavender - No Title
3
Vick Lavender - No Title
Back In Stock !
The first instalment of the Forbidden Dance label is an organic brew of musicianship supervised by one of the Chicago deep house scene pillars - Vick Lavender. Three warm cuts are tinted with a jam feel showing Lavenders well-known ability to gather a different kind of music players and vocalists resulting in a soulful sections that are cleverly breaking the usual and linear electronic music mould. That's pretty obvious on 'Habanos', the opener track which fluently combines multi-layers of piano and synth sections in contrast to tribal rhythmics and flowy marimba background. With Yvette Magallon pouring pure honey with vocal inserts it's a never-stopping dance of the soul elements. Lavender manages to keep the same feel on the B side as well, with 'The Definition' track going off a bit more subtle but at the same time showing a funky edge with a playful bassline. Reverbed percussive lushness and diverse synth teasers are tinting the track with a summer night breeze, something your hips would move to. 'NiteFlye Jessie's Journey' is a closing track and a slow-burner riddled with spacey explorations of the keyboard. It gives almost 80's like feel beautifully integrating subtle synth envelopes and even marimba bits. A perfect deep rounder of this musically rich release. Hats off Mr Lavender! More
The first instalment of the Forbidden Dance label is an organic brew of musicianship supervised by one of the Chicago deep house scene pillars - Vick Lavender. Three warm cuts are tinted with a jam feel showing Lavenders well-known ability to gather a different kind of music players and vocalists resulting in a soulful sections that are cleverly breaking the usual and linear electronic music mould. That's pretty obvious on 'Habanos', the opener track which fluently combines multi-layers of piano and synth sections in contrast to tribal rhythmics and flowy marimba background. With Yvette Magallon pouring pure honey with vocal inserts it's a never-stopping dance of the soul elements. Lavender manages to keep the same feel on the B side as well, with 'The Definition' track going off a bit more subtle but at the same time showing a funky edge with a playful bassline. Reverbed percussive lushness and diverse synth teasers are tinting the track with a summer night breeze, something your hips would move to. 'NiteFlye Jessie's Journey' is a closing track and a slow-burner riddled with spacey explorations of the keyboard. It gives almost 80's like feel beautifully integrating subtle synth envelopes and even marimba bits. A perfect deep rounder of this musically rich release. Hats off Mr Lavender! More
Label:Forbidden Dance
Cat-No:FD-002
Release-Date:05.03.2021
Genre:Deephouse
Configuration:12"
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Label:Forbidden Dance
Cat-No:FD-002
Release-Date:05.03.2021
Genre:Deephouse
Configuration:12"
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1
Alton Miller - No Title
2
Alton Miller - Shine On Me (Rollin To Detroit Mix)
3
Alton Miller - Headspace
4
Alton Miller - After The Rain
Smoothly combining his tendencies towards emotional and soulful deep house whilst building these elements on a steady foundation of tribal, percussive and dance rhythms, Miller manages to effortlessly pull you into his house sound with an impressive palette of ideas even if it's just one 4 track EP.
A1 - All We Have is a dancefloor inspired jam, but don't get fooled. The track is infused with a ot of deep juice and it drips irresistibly through the synths, short but smooth bassline and percussive foreplay of different drum elements. Playful yet with enough momentum to wiggle you in a positive dance sway.
A2 - Shine On Me (Rollin To Detroit Mix), the track which was initially released for Moodyman's KDJ Records back in 2002, got "revised" by Ricardo Miranda shows off perfectly the emotional substance of Miller's deep vocal house interpretation with silky percussive lines in between.
B1 - Headspace is the pure example of a perfect B-side cut. Slow-burning rhythm filled with organic perc stabs and dense but deep bassline, Miller again in a genius way intertwines slow emotional story backed by almost raw harmonics but nevertheless well explained Detroit vibe.
B2 - After The Rain, which can be heard on Alton's "Souls Like Mine" album released on the forementioned The Music Institute as a bonus cut. It's a slow dance between reemerging basslinand subtle synth lines flowing on offset claps and smooth background bongos. pretty timeless stuff if the atmosphere is dimmed right.
yes, this is Headspace EP.
Tracklist 12":
A1 All We Have (07:01)
A2 Shine On Me (Rollin To Detroit Mix) (06:28)
B1 Headspace (05:01)
B2 After The Rain (06:16)
More
A1 - All We Have is a dancefloor inspired jam, but don't get fooled. The track is infused with a ot of deep juice and it drips irresistibly through the synths, short but smooth bassline and percussive foreplay of different drum elements. Playful yet with enough momentum to wiggle you in a positive dance sway.
A2 - Shine On Me (Rollin To Detroit Mix), the track which was initially released for Moodyman's KDJ Records back in 2002, got "revised" by Ricardo Miranda shows off perfectly the emotional substance of Miller's deep vocal house interpretation with silky percussive lines in between.
B1 - Headspace is the pure example of a perfect B-side cut. Slow-burning rhythm filled with organic perc stabs and dense but deep bassline, Miller again in a genius way intertwines slow emotional story backed by almost raw harmonics but nevertheless well explained Detroit vibe.
B2 - After The Rain, which can be heard on Alton's "Souls Like Mine" album released on the forementioned The Music Institute as a bonus cut. It's a slow dance between reemerging basslinand subtle synth lines flowing on offset claps and smooth background bongos. pretty timeless stuff if the atmosphere is dimmed right.
yes, this is Headspace EP.
Tracklist 12":
A1 All We Have (07:01)
A2 Shine On Me (Rollin To Detroit Mix) (06:28)
B1 Headspace (05:01)
B2 After The Rain (06:16)
More
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Label:Be With Records
Cat-No:bewith007seven
Release-Date:16.02.2024
Genre:Soul/Funk
Configuration:7" Excl
Barcode:4251804141826
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Genre:Soul/Funk
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1
Common Sense
- I Used To Love H.E.R.
2
Common Sense
- Communism
Format Notes: 2024 repress, First-time 7" vinyl single release, remastered by Simon Francis, full colour printed sleeve
Track List:
A I Used To Love H.E.R.
B Communism
Release Notes:
The best twist in music lyric history?
On 7" for the first time ever, one of the most important rap records ever.
It's timeless, it's genius, it's just pure beautiful brilliance. It's Common's masterpiece.
One of the best songs in all hip-hop history, “I Used To Love H.E.R.” was the first single from Common's eternal 1994 LP, Resurrection. He personifies hip-hop as an ode to the art form he once loved, lamenting how the genre became too commercialised and, due to a mass influx of mainstream rap in the 90s, some of the purity and freshness of the culture was being lost.
Common uses a first-person romance narrative to detail the history of hip-hop, resulting in an extended metaphor that's sophisticated, clever, and delivers a moral message that touched millions of people and still absolutely blows minds at the song's conclusion: "'Cause who we're talkin' about, y'all, is hip-hop"
Perfectly produced by No ID and incorporating a gorgeous, melancholic sample of George Benson’s “The Changing World”, the plaintive sonic landscape provided the ideal foundation for Common’s innovative storytelling. Almost 30 years later, “I Used To Love H.E.R.” remains one the most significant moments in hip-hop: a classic in every sense of the word.
Common did discuss the true meaning of the track in a 1995 interview on “Yo! MTV Raps”, stating: “H.E.R. stands for Hip-Hop in its Essence is Real. And all I’m talking about his how I first came into contact with hip-hop music and how it evolved into where it is now. And it’s like all these gimmicks going on, all the phoniness, ain’t nobody being real with it. Everybody’s stressing that it’s real but ain’t nobody being true to it. I think that came about because — once it started becoming a business, then people started losing their soul and they started looking at it, taking it more as a business than an artform.”
On the flip, we've stayed faithful to the track used for the original 12" release. And what a track it is. Destined to be overshadowed by the behemoth on the A-Side, the frenetic neck-snapping jazz-rap "Communism" has it all - those horns at the start, the lyrical dexterity, the beat. Oh my.
So, one of the greatest pieces of music ever, in any genre. This is not merely music. It's high art. Speaking of which, we've recreated the striking original artwork from the 12" and shrunk it down to the 7" format. It looks and sounds stunning. The most important song in rap history, if you really think about it. We all miss her. We all miss hip-hop... More
Track List:
A I Used To Love H.E.R.
B Communism
Release Notes:
The best twist in music lyric history?
On 7" for the first time ever, one of the most important rap records ever.
It's timeless, it's genius, it's just pure beautiful brilliance. It's Common's masterpiece.
One of the best songs in all hip-hop history, “I Used To Love H.E.R.” was the first single from Common's eternal 1994 LP, Resurrection. He personifies hip-hop as an ode to the art form he once loved, lamenting how the genre became too commercialised and, due to a mass influx of mainstream rap in the 90s, some of the purity and freshness of the culture was being lost.
Common uses a first-person romance narrative to detail the history of hip-hop, resulting in an extended metaphor that's sophisticated, clever, and delivers a moral message that touched millions of people and still absolutely blows minds at the song's conclusion: "'Cause who we're talkin' about, y'all, is hip-hop"
Perfectly produced by No ID and incorporating a gorgeous, melancholic sample of George Benson’s “The Changing World”, the plaintive sonic landscape provided the ideal foundation for Common’s innovative storytelling. Almost 30 years later, “I Used To Love H.E.R.” remains one the most significant moments in hip-hop: a classic in every sense of the word.
Common did discuss the true meaning of the track in a 1995 interview on “Yo! MTV Raps”, stating: “H.E.R. stands for Hip-Hop in its Essence is Real. And all I’m talking about his how I first came into contact with hip-hop music and how it evolved into where it is now. And it’s like all these gimmicks going on, all the phoniness, ain’t nobody being real with it. Everybody’s stressing that it’s real but ain’t nobody being true to it. I think that came about because — once it started becoming a business, then people started losing their soul and they started looking at it, taking it more as a business than an artform.”
On the flip, we've stayed faithful to the track used for the original 12" release. And what a track it is. Destined to be overshadowed by the behemoth on the A-Side, the frenetic neck-snapping jazz-rap "Communism" has it all - those horns at the start, the lyrical dexterity, the beat. Oh my.
So, one of the greatest pieces of music ever, in any genre. This is not merely music. It's high art. Speaking of which, we've recreated the striking original artwork from the 12" and shrunk it down to the 7" format. It looks and sounds stunning. The most important song in rap history, if you really think about it. We all miss her. We all miss hip-hop... More
Label:Be With Records
Cat-No:bewith137lp
Release-Date:25.08.2023
Genre:Soul/Funk
Configuration:LP Excl
Barcode:4251804139472
in stock
Last in:18.07.2023
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in stock
Last in:18.07.2023
Label:Be With Records
Cat-No:bewith137lp
Release-Date:25.08.2023
Genre:Soul/Funk
Configuration:LP Excl
Barcode:4251804139472
1
MFSB - Manhattan Skyline 4:27
2
MFSB - Mysteries Of The World 5:27
3
MFSB - Tell Me Why 3:57
4
MFSB - Metamorphosis 5:16
5
MFSB - Fortune Teller 6:08
6
MFSB - Old San Juan 4:27
7
MFSB - Thank You Miss Scott 4:14
8
MFSB - In The Shadow 3:37
Territories: Worldwide no restrictions
Format Notes: 2023 reissue, 140g vinyl
Track List:
A1. Manhattan Skyline 4:27
A2. Mysteries Of The World 5:27
A3. Tell Me Why 3:57
A4. Metamorphosis 5:16
--
B1. Fortune Teller 6:08
B2. Old San Juan 4:27
B3. Thank You Miss Scott 4:14
B4. In The Shadow 3:37
Release Notes:
Mysteries Of The World is the stunning final studio album from legendary Philly supergroup MFSB. Expertly co-written and produced with the mighty Dexter Wansel, it features the untouchable, sparkling masterpiece "Mysteries Of The World". The whole album is truly exquisite; a stylish, classy collection of pure Philly soul and orchestral jazz-funk.
MFSB, an acronym for Mother, Father, Sister, Brother, was formed by producers Gamble & Huff of Philadelphia International Records. The band's roots can be traced back to the house band at the legendary Sigma Sound Studios, where they played on numerous hit records by artists like The O'Jays, Harold Melvin & The Blue Notes and The Stylistics. Mysteries Of The World comprises slick jazz-funk grooves, mostly penned by Wansel, who produced a fair chunk of the album in a similar style to his space-funk records. MFSB's smooth sound is retained but it receives a fresh, elegant and jazzy upgrade. While this album is as mellow as the rest of the latter-period MFSB recordings, it never forgets the group's soul music underpinnings.
Swaggering, well-timed horn blasts, sweeping strings and a percolating, hard thumping slap-bassline combine to devastating effect on amazing opener "Manhattan Skyline". It's a sexy mid-tempo instrumental which sets us up nicely for what follows. Essays could be written analysing the perfection of title track. Arguably the finest jazz-funk instrumental ever made, it's absolutely magnificent. Featuring musicianship of the highest calibre, the band play with their trademark tight discipline, cooking up a syncopating rhythm with an array of exploratory keyboard riffs wrapped around a punchy bassline sent from heaven. It sounds like house music, it's that ahead of its time. The string intro is sumptuous, hypnotic and divine and that's all before the beat hits. The track fuses classical, jazz and funk into a musical journey that you never want to end. Absolutely flawless, it's a dramatic disco dancefloor killer.
Says Dexter Wansel himself: "You know, of all the songs I wrote/produced/arranged for MFSB, this is for me the most different. I think it's an experiment in rhythmic, soft sonic synth and live string and harp combinations. I composed it in an effort to blend a funky groove, along with synthesis, and orchestral sounds. There are 3 synthesizers: Oberheim 4 voice, Polymoog, and of course Arp 2600v. And, as I remember, I recorded the track with the rhythm section, string, harp and flute players first. Then I added synthesis."
The profound elegance remains in abundance on the slinky, harp-laced "Tell Me Why"; Carla Benson's beautiful voice truly shines on this sophisticated cut. The side closes out in dramatic style with the string-drenched "Metamorphosis". It's a staccato, Blaxploitation groove workout featuring wah-wah guitar, creeping basslines, rich horn solos and soulful vocals drifting in and out of the mix. The bouncy, irrepressible "Fortune Teller" opens the B side in the bass-heavy orchestral funk style before the beautiful "Old San Juan" glides in, a Balearic-adjacent track with intricate arrangements, building its mellow soul groove around an atypical flamenco guitar hook. Melancholy, guitar-led instrumental "Thank You Miss Scott" is a real highlight, with gorgeous flute, string and percussive elements whilst closer "In the Shadow" works an otherworldly synth line into its bossa nova groove.
An essential record for fans of Philly soul and groovy jazz-funk, Mysteries Of The World was mastered for vinyl by Simon Francis and cut by Cicely Ralston for Alchemy at AIR Studios. The stunning artwork, the work of renowned illustrator Robert Giusti, was restored at Be With HQ to round out this beautiful reissue.
More
Format Notes: 2023 reissue, 140g vinyl
Track List:
A1. Manhattan Skyline 4:27
A2. Mysteries Of The World 5:27
A3. Tell Me Why 3:57
A4. Metamorphosis 5:16
--
B1. Fortune Teller 6:08
B2. Old San Juan 4:27
B3. Thank You Miss Scott 4:14
B4. In The Shadow 3:37
Release Notes:
Mysteries Of The World is the stunning final studio album from legendary Philly supergroup MFSB. Expertly co-written and produced with the mighty Dexter Wansel, it features the untouchable, sparkling masterpiece "Mysteries Of The World". The whole album is truly exquisite; a stylish, classy collection of pure Philly soul and orchestral jazz-funk.
MFSB, an acronym for Mother, Father, Sister, Brother, was formed by producers Gamble & Huff of Philadelphia International Records. The band's roots can be traced back to the house band at the legendary Sigma Sound Studios, where they played on numerous hit records by artists like The O'Jays, Harold Melvin & The Blue Notes and The Stylistics. Mysteries Of The World comprises slick jazz-funk grooves, mostly penned by Wansel, who produced a fair chunk of the album in a similar style to his space-funk records. MFSB's smooth sound is retained but it receives a fresh, elegant and jazzy upgrade. While this album is as mellow as the rest of the latter-period MFSB recordings, it never forgets the group's soul music underpinnings.
Swaggering, well-timed horn blasts, sweeping strings and a percolating, hard thumping slap-bassline combine to devastating effect on amazing opener "Manhattan Skyline". It's a sexy mid-tempo instrumental which sets us up nicely for what follows. Essays could be written analysing the perfection of title track. Arguably the finest jazz-funk instrumental ever made, it's absolutely magnificent. Featuring musicianship of the highest calibre, the band play with their trademark tight discipline, cooking up a syncopating rhythm with an array of exploratory keyboard riffs wrapped around a punchy bassline sent from heaven. It sounds like house music, it's that ahead of its time. The string intro is sumptuous, hypnotic and divine and that's all before the beat hits. The track fuses classical, jazz and funk into a musical journey that you never want to end. Absolutely flawless, it's a dramatic disco dancefloor killer.
Says Dexter Wansel himself: "You know, of all the songs I wrote/produced/arranged for MFSB, this is for me the most different. I think it's an experiment in rhythmic, soft sonic synth and live string and harp combinations. I composed it in an effort to blend a funky groove, along with synthesis, and orchestral sounds. There are 3 synthesizers: Oberheim 4 voice, Polymoog, and of course Arp 2600v. And, as I remember, I recorded the track with the rhythm section, string, harp and flute players first. Then I added synthesis."
The profound elegance remains in abundance on the slinky, harp-laced "Tell Me Why"; Carla Benson's beautiful voice truly shines on this sophisticated cut. The side closes out in dramatic style with the string-drenched "Metamorphosis". It's a staccato, Blaxploitation groove workout featuring wah-wah guitar, creeping basslines, rich horn solos and soulful vocals drifting in and out of the mix. The bouncy, irrepressible "Fortune Teller" opens the B side in the bass-heavy orchestral funk style before the beautiful "Old San Juan" glides in, a Balearic-adjacent track with intricate arrangements, building its mellow soul groove around an atypical flamenco guitar hook. Melancholy, guitar-led instrumental "Thank You Miss Scott" is a real highlight, with gorgeous flute, string and percussive elements whilst closer "In the Shadow" works an otherworldly synth line into its bossa nova groove.
An essential record for fans of Philly soul and groovy jazz-funk, Mysteries Of The World was mastered for vinyl by Simon Francis and cut by Cicely Ralston for Alchemy at AIR Studios. The stunning artwork, the work of renowned illustrator Robert Giusti, was restored at Be With HQ to round out this beautiful reissue.
More
Label:Be With Records
Cat-No:BEWITH040LP
Release-Date:14.12.2018
Genre:Soul/Funk
Configuration:LP Excl
Barcode:5050580699816
in stock
Last in:27.09.2018
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in stock
Last in:27.09.2018
Label:Be With Records
Cat-No:BEWITH040LP
Release-Date:14.12.2018
Genre:Soul/Funk
Configuration:LP Excl
Barcode:5050580699816
1
The Moments - All I Have
2
The Moments - I Can't Help It
3
The Moments - To You With Love
4
The Moments - That's How It Feels
5
The Moments - Lucky Me
6
The Moments - I Lost One Bird In The Hand (While Reaching For Two In The Bush)
7
The Moments - Sweeter As The Day Goes By
8
The Moments - The Ice Is Melting
9
The Moments - Candy Shack
WORLD EXCL USA.
FORMAT: LP,180G – RELEASE 14.12.2018, EAN: 5050580699816
2018 REISSUE – REMASTERED FROM ORIGINAL TAPE TRANSFERS, CAREFULLY REPRODUCED ORIGINAL ART,STRICTLY LIMITED TO 500 COPIES WORLDWIDE - NO REPRESS
TRACKLISTING
All I Have
I Can't Help It
To You With Love
That's How It Feels
Lucky Me
I Lost One Bird In The Hand (While Reaching For Two In The Bush)
Sweeter As The Day Goes By
The Ice Is Melting
Candy Shack
Release Info:
The Moments’ On Top is a perfect example of symphonic soul. Amongst true heads, this is considered the most valuable of all their albums; an original copy of this LP, if you can find one, starts at around $75. Alongside contemporaneous acts from the early 70s - The Chi-lites, The Stylistics, The Delfonics, The Futures, Blue Magic and The Main Ingredient - The Moments exuded all that was compelling about deep, harmony-drenched, string-laden soul.
The standout here is undoubtedly "To You with Love", a floating, tender ballad sung by Harry Ray that features the group’s patented handclap-tambourine combo, sweetly repetitive strings, serene guitar and gentle piano. It was famously sampled by J Dilla for “Last Donut Of The Night” - the gut-wrenching finale to his seminal Donuts. Concentrating solely on its sampled history would do The Moments a huge disservice, but its crucial appearance at the climax of Donuts directed fresh generations of pre-disposed soul fans to the absolute canon. Judged entirely on its merit, it’s one of the most heart-breaking songs of any decade and worth the price of admission alone. It’s the sweetest, most goose-bump inducing 3 minutes of aural bliss you’re ever likely to be exposed to.
If that wasn’t enough, On Top spawned two minor R&B hits: "All I Have" and "Lucky Me", each featuring Billy Brown's ice-melting falsetto. Opener “All I Have” is a sumptuous introduction to the album. With melancholic, understated guitar licks, twinkling keys and heartbeat drums, it’s a gem. The triumphant “Lucky Me” is simply gorgeous; all gentle chimes, swirling strings and, again, scarcely believable falsetto soaring atop proud horns.
Also included are two singles that are different from anything the group had ever done; "I Can't Help It" and "That's How It Feels." The former features thundering kicks and crashing cymbals underneath floating flutes, progressively stabbing strings and horns. The yearning vocals embody an almost Temptations-like delivery at times. "That's How It Feels” is a two-parter wherein Brown's voice bestrides a bed of rhythms on a tune more aptly defined as a love suite than a song. Dripping in breakbeats, piano and strings, Brown describes the devastation of losing the one you love before the track brilliantly switches up with a sweeping string-led chorus and heavenly harmonies.
The only genuine uptempo number, where anomalous happiness reigns, is "Sweeter As The Days Go By," led by Brown in his natural, gospel-inspired tenor. A charming but sorrow-filled "I Lost One Bird In The Hand" is an impressive, slow lamenter crooned by Ray, with horns and strings dominating the lushly arranged backdrop. Appropriately, we end on that down-lifting note that we've all come for: "Candy Shack."
The audio for On Top comes from the original analogue tapes and has been remastered for vinyl by Be With regular Simon Francis. We’ve taken the same care with the memorable cover art, handling the reproduction duties with the utmost attention to detail.
More
FORMAT: LP,180G – RELEASE 14.12.2018, EAN: 5050580699816
2018 REISSUE – REMASTERED FROM ORIGINAL TAPE TRANSFERS, CAREFULLY REPRODUCED ORIGINAL ART,STRICTLY LIMITED TO 500 COPIES WORLDWIDE - NO REPRESS
TRACKLISTING
All I Have
I Can't Help It
To You With Love
That's How It Feels
Lucky Me
I Lost One Bird In The Hand (While Reaching For Two In The Bush)
Sweeter As The Day Goes By
The Ice Is Melting
Candy Shack
Release Info:
The Moments’ On Top is a perfect example of symphonic soul. Amongst true heads, this is considered the most valuable of all their albums; an original copy of this LP, if you can find one, starts at around $75. Alongside contemporaneous acts from the early 70s - The Chi-lites, The Stylistics, The Delfonics, The Futures, Blue Magic and The Main Ingredient - The Moments exuded all that was compelling about deep, harmony-drenched, string-laden soul.
The standout here is undoubtedly "To You with Love", a floating, tender ballad sung by Harry Ray that features the group’s patented handclap-tambourine combo, sweetly repetitive strings, serene guitar and gentle piano. It was famously sampled by J Dilla for “Last Donut Of The Night” - the gut-wrenching finale to his seminal Donuts. Concentrating solely on its sampled history would do The Moments a huge disservice, but its crucial appearance at the climax of Donuts directed fresh generations of pre-disposed soul fans to the absolute canon. Judged entirely on its merit, it’s one of the most heart-breaking songs of any decade and worth the price of admission alone. It’s the sweetest, most goose-bump inducing 3 minutes of aural bliss you’re ever likely to be exposed to.
If that wasn’t enough, On Top spawned two minor R&B hits: "All I Have" and "Lucky Me", each featuring Billy Brown's ice-melting falsetto. Opener “All I Have” is a sumptuous introduction to the album. With melancholic, understated guitar licks, twinkling keys and heartbeat drums, it’s a gem. The triumphant “Lucky Me” is simply gorgeous; all gentle chimes, swirling strings and, again, scarcely believable falsetto soaring atop proud horns.
Also included are two singles that are different from anything the group had ever done; "I Can't Help It" and "That's How It Feels." The former features thundering kicks and crashing cymbals underneath floating flutes, progressively stabbing strings and horns. The yearning vocals embody an almost Temptations-like delivery at times. "That's How It Feels” is a two-parter wherein Brown's voice bestrides a bed of rhythms on a tune more aptly defined as a love suite than a song. Dripping in breakbeats, piano and strings, Brown describes the devastation of losing the one you love before the track brilliantly switches up with a sweeping string-led chorus and heavenly harmonies.
The only genuine uptempo number, where anomalous happiness reigns, is "Sweeter As The Days Go By," led by Brown in his natural, gospel-inspired tenor. A charming but sorrow-filled "I Lost One Bird In The Hand" is an impressive, slow lamenter crooned by Ray, with horns and strings dominating the lushly arranged backdrop. Appropriately, we end on that down-lifting note that we've all come for: "Candy Shack."
The audio for On Top comes from the original analogue tapes and has been remastered for vinyl by Be With regular Simon Francis. We’ve taken the same care with the memorable cover art, handling the reproduction duties with the utmost attention to detail.
More
12" Excl
in stock
Label:Bondage-Music
Cat-No:BOND12075
Release-Date:05.07.2024
Genre:Deephouse
Configuration:12" Excl
Barcode:4251804135214
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Last in:04.07.2024
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Label:Bondage-Music
Cat-No:BOND12075
Release-Date:05.07.2024
Genre:Deephouse
Configuration:12" Excl
Barcode:4251804135214
1
Rhadow - Indigo
2
Rhadow - Coral Lines (vinyl only)
3
Rhadow - Indigo (Mihai Popoviciu Remix)
4
Rhadow - Indigo (NTFO Remix)
Special remarks: VINYL ONLY TRACK // 180G VINYL // NEW PRINTED KRAFTPACK SLEEVE
Tracklist 12":
A1 Rhadow - Indigo
A2 Rhadow – Coral Lines (vinyl only)
B1 Rhadow – Indigo (Mihai Popoviciu Remix)
B2 Rhadow – Indigo (NTFO Remix)
Romanian producer Rhadow is stepping up on Bondage-Music with his "Indigo" release. On remix duties we have the label regulars Mihai Popoviciu and NTFO.
More
Tracklist 12":
A1 Rhadow - Indigo
A2 Rhadow – Coral Lines (vinyl only)
B1 Rhadow – Indigo (Mihai Popoviciu Remix)
B2 Rhadow – Indigo (NTFO Remix)
Romanian producer Rhadow is stepping up on Bondage-Music with his "Indigo" release. On remix duties we have the label regulars Mihai Popoviciu and NTFO.
More
Label:SCAN
Cat-No:S-002
Release-Date:23.08.2024
Genre:Detroit Techno
Configuration:12"
Barcode:
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Last in:28.08.2024
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Last in:28.08.2024
Label:SCAN
Cat-No:S-002
Release-Date:23.08.2024
Genre:Detroit Techno
Configuration:12"
Barcode:
1
Scan 7 - Detroit Built The First Techno Museum
2
Inohs Sivad - Sxerendade
3
eM-i-Cee - Bounce Glxtch
4
AUX88 - This Is What U Want
5
Scan 7 - I Am From Detroit (Dre Brown Remix)
6
Man With No Name - Devil His Due
7
Scan 7 / Various Artists - Scott Avery - Sxerenade (Low-Key Seduction Mix) - no clip
In these uncertain times marked by doubt and fear, hope is born in the hearts of those who believe that one day, humanity will resurface from the ashes of history to shed light on the dark territories.
To revive the spirit of resistance through sound, Detroit’s enigmatic SCAN 7 used its rethinkable frequencies to connect with a few chosen producers and craft an antidote to our orchestrated reality.
After months in their lab, SCAN 7 is happy to present Hallowed Ground, a six-track vinyl compilation freshly released on their new SCAN label. The compilation pays tribute to the epicenter of artistic, physical, and intellectual movement: Detroit.
The musical journey features the legendary AUX88, The Man With No Name, eMICee, Inohs Sivad, Charles Prophet Jr., Demiån Monét, Dre Brown, and of course, SCAN 7. This project also includes Scott Avery’s “Low-Key Seduction Mix” of SXERANADE on the digital release.
Hallowed Ground is a testament to the richness and depth of Motor City’s musical background. It encapsulates a diverse range of genres, from the soulful rhythms of Soul and Funk to the pulsating beats of Techno and beyond. More
To revive the spirit of resistance through sound, Detroit’s enigmatic SCAN 7 used its rethinkable frequencies to connect with a few chosen producers and craft an antidote to our orchestrated reality.
After months in their lab, SCAN 7 is happy to present Hallowed Ground, a six-track vinyl compilation freshly released on their new SCAN label. The compilation pays tribute to the epicenter of artistic, physical, and intellectual movement: Detroit.
The musical journey features the legendary AUX88, The Man With No Name, eMICee, Inohs Sivad, Charles Prophet Jr., Demiån Monét, Dre Brown, and of course, SCAN 7. This project also includes Scott Avery’s “Low-Key Seduction Mix” of SXERANADE on the digital release.
Hallowed Ground is a testament to the richness and depth of Motor City’s musical background. It encapsulates a diverse range of genres, from the soulful rhythms of Soul and Funk to the pulsating beats of Techno and beyond. More
12"
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Label:RAVE 2 THE GRAVE
Cat-No:rave-r1
Release-Date:12.07.2024
Genre:House
Configuration:12"
Barcode:
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Last in:15.08.2024
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Last in:15.08.2024
Label:RAVE 2 THE GRAVE
Cat-No:rave-r1
Release-Date:12.07.2024
Genre:House
Configuration:12"
Barcode:
1
Rave 2 The Grave & Mice Electa - Never Felt This
2
Rave 2 The Grave & Mice Electa - Cubic
Tracklisting
A1 Rave 2 The Grave & Mice Electa - Never Felt This
B1 Rave 2 The Grave & Mice Electa - Cubic
Sales Note
The initial release on the Rave 2 The Grave label was a sign of things that came later - 2 rave classics get the R2TG treatment, back on a limited press More
A1 Rave 2 The Grave & Mice Electa - Never Felt This
B1 Rave 2 The Grave & Mice Electa - Cubic
Sales Note
The initial release on the Rave 2 The Grave label was a sign of things that came later - 2 rave classics get the R2TG treatment, back on a limited press More
12"
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Label:Suburban Base Records
Cat-No:SUBBASE92
Release-Date:19.07.2024
Genre:Drum + Bass
Configuration:12"
Barcode:198588608418
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Last in:19.08.2024
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Last in:19.08.2024
Label:Suburban Base Records
Cat-No:SUBBASE92
Release-Date:19.07.2024
Genre:Drum + Bass
Configuration:12"
Barcode:198588608418
1
MC Duke AKA The Darkest Knight - Serious
2
MC Duke AKA The Darkest Knight - My Sound
3
MC Duke AKA The Darkest Knight - The Journey
4
MC Duke AKA The Darkest Knight - The Darkest Knight
MC Duke aka The Darkest Knight EP Picture Disc. Subbase honors the great MC Duke, Kashif Adham, a true legend in the music scene and the Godfather of UK Rap. This incredible limited edition tribute vinyl picture disc celebrates MC Duke's legacy. He began working with Suburban Base in the early '90s and became the most prolific artist on their sister imprint, Boogie Times, before they collaborated with his own label, Hard Disk. This stunning picture disc features some of his rarest releases from Hard Disk, which have never been reissued since their original pressings in the '90s. Together, Duke and Suburban base meticulously planned and remastered these amazing tracks before Duke's unfortunate passing. He was so excited for collectors to enjoy these tunes once again. MC Duke's unparalleled talent and unwavering dedication to music throughout his life solidified his status as a true legend in the UK music scene. He made significant contributions to UK music, from Hip Hop and Rap to Hardcore and Jungle. Let’s remember the man and his music! This 4 track EP includes all tracks from The Darkest Knight HARDDISK 004 plus the promo only white label My Sound (HD7) which has sold for as much as £95 on discogs although none have been available for over four years since 2020
More
Label:Groovin Recordings
Cat-No:GR-12113
Release-Date:09.08.2024
Genre:House
Configuration:12"
Barcode:
in stock
Last in:06.09.2024
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Last in:06.09.2024
Label:Groovin Recordings
Cat-No:GR-12113
Release-Date:09.08.2024
Genre:House
Configuration:12"
Barcode:
1
Silicone Soul - Right On! (Vocal 12" Disco Edit)
2
Silicone Soul - Right On! (Original Istrumental)
Repress!
More
Label:Permanent Vacation
Cat-No:permvac089-1
Release-Date:26.07.2024
Genre:House
Configuration:LP Excl
Barcode:673795708910
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Last in:16.07.2024
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Last in:16.07.2024
Label:Permanent Vacation
Cat-No:permvac089-1
Release-Date:26.07.2024
Genre:House
Configuration:LP Excl
Barcode:673795708910
1
John Talabot - Depak Ine
2
John Talabot - Destiny
3
John Talabot - Oro Y sangre
4
John Talabot - Last Land
5
John Talabot - Journeys
6
John Talabot - Missing you
7
John Talabot - When the past was present
8
John Talabot - El Oeste
9
John Talabot - So will be now
Tracklist:
A.
1. Depak Ine
2. Destiny
3. Oro Y sangre
4. Last Land
B.
1. Journeys
2. Missing you
3. When the past was present
4. El Oeste
5. So will be now
If there is one person, who has been causing a stir on the international club circuit recently, it is Barcelona's John Talabot. Already his debut “My Old School“ (which is meant literally by the way) on Permanent Vacation in 2009 and shortly after that the single “ Sunshine”, which he put out on his own Hivern Disc imprint, made him one of the most promising musicians of the Spanish electronic scene. And those two releases also already set the mark for John Talabot’s unparalleled music: raw, loopy, heavy on the kick drum, sample based, moderate on the tempo, distorted on the drums and light years away from the clean and ever revolving house sound of today. This unique style which also blends influences from afro beat, Detroit techno, Chicago house and cosmic disco, but also northern soul or the energy of Flamenco, immediately turned some heads around. James Murphy, Âme and Aeroplane started including Talabot music in their sets like it was the most natural thing. However - and this is quite rare - he not only gained legions of fans in the house and disco community, but also amongst the leftfield pop and indie rock followers. NME and Resident Advisor both had “Breakthrough“ features on John Talabot and he can be proud of a “Best New Music“ dubbing on
Pitchfork. (Being rather elusive on showing his face in magazines or the web it also came to some funny rumors that John Talabot was the alter ego of a well-known techno producer from Detroit).
At the same time he drew the attention of like-minded artists like James Holden and Luke Abott from Border Community, Blondes or Delorean, which lead to a bunch of fertile collaborations: Luke Abbott and Blondes remixed Talabot’s “Sunshine“ single , John Talabot remixed a track by Delorean and vice versa Delorean’s Ekhi contributed vocals to the track “Journeys “ on John’s album). Another example is the Young Turks Label (home of Jamie XX, Holy Fuck, El Guincho or SBTRKT ) on which he released the “Families“ EP in 2010. It was praised beyond limits. Pitchfork for
instance hailed: “… where pop and house influences sweetly buffer up against one another to provide an unyielding sense of elation“ and even brought Talabot a comparison with artists like Four Tet or Caribou.
While staying true to his sound, John Talabot has nevertheless shown a constant evolution as a producer since his first release. He has traced a solid musical path that has turned him into one of the big references of European House and has made him also a highly in demand Remixer (for the likes of The XX, Francesco Tristano’s “Aufgang” project, Shit Robot on DFA, Thaiti 80, Joakim or Teengirl Fantasy to name just a few ).
A progression that now crystallizes in “ƒin”, his first full-length album for Permanent Vacation. A record, in which the Barcelona mastermind sets aside the danceable immediacy to expand his stylistic palette more than ever. For that purpose, Talabot melts all the elements that have constructed his distinctive sound until now and makes them emerge from a new perspective, in which the construction of complex song structures, intricate rhythms and superpositions of ever-evolving melodies and atmospheres pick up the baton of the “a kick-drum and a sampler” philosophy of his initial productions. The result brings us 11 tracks (we should call them songs really!) dominated by dark ambiances, gaseous textures and bittersweet moods that, above all, reveal a kind of vivacity that’s really hard to find in contemporary electronics. “Fin” is far from being a track collection. From the majestic opener “Depak Ine“ to it’s solemn ending with
“So Will Be Now“ , one of the two tracks that features Talabot’s soul and label mate Pional, each song traces an overall dialogue with the rest, culminating a highly emotional journey through Talabot’s always compelling and unique musical vision. More
A.
1. Depak Ine
2. Destiny
3. Oro Y sangre
4. Last Land
B.
1. Journeys
2. Missing you
3. When the past was present
4. El Oeste
5. So will be now
If there is one person, who has been causing a stir on the international club circuit recently, it is Barcelona's John Talabot. Already his debut “My Old School“ (which is meant literally by the way) on Permanent Vacation in 2009 and shortly after that the single “ Sunshine”, which he put out on his own Hivern Disc imprint, made him one of the most promising musicians of the Spanish electronic scene. And those two releases also already set the mark for John Talabot’s unparalleled music: raw, loopy, heavy on the kick drum, sample based, moderate on the tempo, distorted on the drums and light years away from the clean and ever revolving house sound of today. This unique style which also blends influences from afro beat, Detroit techno, Chicago house and cosmic disco, but also northern soul or the energy of Flamenco, immediately turned some heads around. James Murphy, Âme and Aeroplane started including Talabot music in their sets like it was the most natural thing. However - and this is quite rare - he not only gained legions of fans in the house and disco community, but also amongst the leftfield pop and indie rock followers. NME and Resident Advisor both had “Breakthrough“ features on John Talabot and he can be proud of a “Best New Music“ dubbing on
Pitchfork. (Being rather elusive on showing his face in magazines or the web it also came to some funny rumors that John Talabot was the alter ego of a well-known techno producer from Detroit).
At the same time he drew the attention of like-minded artists like James Holden and Luke Abott from Border Community, Blondes or Delorean, which lead to a bunch of fertile collaborations: Luke Abbott and Blondes remixed Talabot’s “Sunshine“ single , John Talabot remixed a track by Delorean and vice versa Delorean’s Ekhi contributed vocals to the track “Journeys “ on John’s album). Another example is the Young Turks Label (home of Jamie XX, Holy Fuck, El Guincho or SBTRKT ) on which he released the “Families“ EP in 2010. It was praised beyond limits. Pitchfork for
instance hailed: “… where pop and house influences sweetly buffer up against one another to provide an unyielding sense of elation“ and even brought Talabot a comparison with artists like Four Tet or Caribou.
While staying true to his sound, John Talabot has nevertheless shown a constant evolution as a producer since his first release. He has traced a solid musical path that has turned him into one of the big references of European House and has made him also a highly in demand Remixer (for the likes of The XX, Francesco Tristano’s “Aufgang” project, Shit Robot on DFA, Thaiti 80, Joakim or Teengirl Fantasy to name just a few ).
A progression that now crystallizes in “ƒin”, his first full-length album for Permanent Vacation. A record, in which the Barcelona mastermind sets aside the danceable immediacy to expand his stylistic palette more than ever. For that purpose, Talabot melts all the elements that have constructed his distinctive sound until now and makes them emerge from a new perspective, in which the construction of complex song structures, intricate rhythms and superpositions of ever-evolving melodies and atmospheres pick up the baton of the “a kick-drum and a sampler” philosophy of his initial productions. The result brings us 11 tracks (we should call them songs really!) dominated by dark ambiances, gaseous textures and bittersweet moods that, above all, reveal a kind of vivacity that’s really hard to find in contemporary electronics. “Fin” is far from being a track collection. From the majestic opener “Depak Ine“ to it’s solemn ending with
“So Will Be Now“ , one of the two tracks that features Talabot’s soul and label mate Pional, each song traces an overall dialogue with the rest, culminating a highly emotional journey through Talabot’s always compelling and unique musical vision. More
Label:Electrostatic
Cat-No:ESTK-004
Release-Date:23.08.2024
Genre:Electro
Configuration:12"
Barcode:
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Last in:28.08.2024
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Label:Electrostatic
Cat-No:ESTK-004
Release-Date:23.08.2024
Genre:Electro
Configuration:12"
Barcode:
1
AUX88 - Let It Bang
2
AUX88 - Algorhythm
3
AUX88 - Alpha Waves
On ALPHA WAVES, AUX88 ventures into uncharted sonic territories by subtly incorporating 432 Hz alpha wave tones. This forward-thinking approach to sound exploration is a testament to their creativity and commitment to pushing the boundaries of electronic dance music.
It is believed that 432 Hz is the healing frequency of the universe and has the power to improve our bodies' natural healing abilities. Similarly, alpha brain waves are associated with restful, meditative states and are believed to reduce depression, combat anxiety, and increase creativity. By blending these healing frequencies with their classic techno-bass fusion, AUX88 offers listeners a unique auditory experience that is both soothing and energizing, especially powerful during their all-sensory-consuming live performances, where fans can fully immerse themselves in the music and experience its transformative effects. More
It is believed that 432 Hz is the healing frequency of the universe and has the power to improve our bodies' natural healing abilities. Similarly, alpha brain waves are associated with restful, meditative states and are believed to reduce depression, combat anxiety, and increase creativity. By blending these healing frequencies with their classic techno-bass fusion, AUX88 offers listeners a unique auditory experience that is both soothing and energizing, especially powerful during their all-sensory-consuming live performances, where fans can fully immerse themselves in the music and experience its transformative effects. More
Label:Last Night On Earth
Cat-No:LNOE157
Release-Date:12.07.2024
Genre:techhouse
Configuration:12"
Barcode:198588277515
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Last in:19.08.2024
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Last in:19.08.2024
Label:Last Night On Earth
Cat-No:LNOE157
Release-Date:12.07.2024
Genre:techhouse
Configuration:12"
Barcode:198588277515
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Sasha & Sentre - Glastacy
2
Sasha & Sentre - Glastacy (Intro / Outro Mix)
Electronic titan Sasha combines with Sentre for the latest in a series of collaborative releases. The release of 'Glastacy' coincides with this year’s Glastonbury festival and comes with something special for fans. Even by his own high standards, electronic luminary Sasha is in a superb run of form that has already yielded some stellar singles in the last year, both solo and in collaboration with like-minded talents. TheGRAMMY Award-nominated artist is renowned for pushing musical and technological boundaries, as well as for platforming exciting sounds on his Last Night On Earth label. The next release finds him working with Sentre, aka Dave Gardner & Dennis White, who have been electronic mainstays for many years. They have plenty of major credits under their belts, including working with Sasha on his seminal ‘Involver’ album and also 'Track 10' which they made with Sasha many years ago. It was Pete Tong’s Essential New Tune at the time and is one of many gems from these self-confessed studio nerds. 'Glastacy' is their latest collaboration, and it works angelic, wordless vocal sounds into heavenly loops that shimmer in and out of focus. Deft hi-hits and a supple bassline bring movement as a lead synth motif rises up out of the mix to bring dramatic tension and take dancers to the stars. It's emotive, hypnotic techno of the highest order, with a spine-tingling breakdown leading towards more trance-inducing musical pleasures. The Intro:Outro Mix is an ambient tool stripped of beats.
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12"
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Label:RAVE 2 THE GRAVE
Cat-No:rave-r2
Release-Date:12.07.2024
Genre:House
Configuration:12"
Barcode:
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Last in:08.08.2024
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Last in:08.08.2024
Label:RAVE 2 THE GRAVE
Cat-No:rave-r2
Release-Date:12.07.2024
Genre:House
Configuration:12"
Barcode:
1
Rave 2 The Grave & Mice Electa - Strings
2
Rave 2 The Grave & Mice Electa - Vamp
Tracklisting
A1 Rave 2 The Grave - Strings
B1 Rave 2 The Grave - Vamp
Sales Note
Limited Repress of the second release from Rave 2 the Grave More
A1 Rave 2 The Grave - Strings
B1 Rave 2 The Grave - Vamp
Sales Note
Limited Repress of the second release from Rave 2 the Grave More