From the heart of Naples to the soul of Latin America: "Incanti e Disincanti" is the stunning new release by pianist Armanda Desidery. Featuring nineteen world-class musicians across eleven tracks, the album offers a sophisticated dive into contemporary Latin Jazz, a vibrant fusion where Mediterranean warmth meets Latin spirit and the elegance of European art music.

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Danny Krivit and Phil Asher mixes.

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2026 White Marbled Vinyl Repress!

Groovin recordings celebrates the release n° #100 repressing one of the most essential electronic-dance records of all times.

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Repress!

2025 OFFICIAL REISSUE

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Blue Marbled Vinyl Repress

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2025 Black Vinyl Repress!

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2024 official blue vinyl reissue

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We are proud to announce the forthcoming release of "Back To Paradise," a track co-produced by the legendary Italian DJ Costantino “MixMaster” Padovano and renowned South Italian producer Antony Reale.
This record is a dedication to the enduring legacy of Costantino MixMaster Padovano. Originally produced in the late 90's but never officially released, this collaborative piece is finally seeing the light of day as a powerful celebration and tribute.
Costantino MixMaster Padovano needs no introduction to house music aficionados. He was one of the first Italian DJs to achieve deep respect in the 90s US house scene, regularly sharing the decks with titans like Frankie Knuckles, Kenny Dope Gonzalez, Louie Vega, and Todd Terry. His studio influence was massive, including official remixes for legends such as Marvin Gaye, Diana Ross, Gloria Gaynor, Chaka Khan, Mary J. Blige and many more.
Antony Reale is an established Italian DJ and producer with a large discography spanning the last two decades. He has produced and remixed a roster of top artists, including Chaka Khan, Mary J. Blige, Ultra Naté, and RuPaul.
"Back To Paradise": Originally created by Antony and Costantino during their creative prime in the late 90's, Antony has now decided to finally release the track. It serves as a beautiful and fitting monument to the memory and fantastic career of this iconic Italian DJ and producer who helped define the 90's house scene.

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Let’s go back to 1993 with this amazing deep-house vocal track, featuring the vocals of Julie Brannen remixed by Kerri Chandler.

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2025 New Reissue. Black Vinyl.

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Repress!

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- 2026 repress -

Tracklisting
A1 Mr. G - Dust in the system : Tokyo dub plate
B1 Mr. G - Let's Do it...
B2 Mr. G - Find love (Ambient Space Tek)

Sales Note
New year new vibes from me, after the success of my greenhouse session for RA in ambient mode it's time to get back to the floor via 3 rollers

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blue transculent vinyl.

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Four years after Nuova Napoli, Nu Genea are back with Bar Mediterraneo, a new album and journey, which projects the
sounds of the Neapolitan duo formed by Massimo Di Lena and Lucio Aquilina even further.
Nu Genea's Bar Mediterraneo is an idea of a shared place where people meet and fuse together; a space that leaves its
doors open to travellers and their lives, always exposed to the whims of fate. Some of this can be experienced through the
multitude of sounds that come together in the tracks, layers of different acoustic instruments, voices and synthesizers
merging in a unique musical blend.
Opening up to the voices of many different people, separated by languages but united by the sea and the music, Nu
Genea's hometown, Napoli, becomes a true place of encounter.
You can hear this all along. In "Gelbi", a gorgeously deep and propulsive Ney flute plunges into murky waters of the
melancholic Tunisian dialect sung by Marzouk Mejri. In "Marechia'", unbridled happiness and sun ooze from the delicate
vocals of Célia Kameni and create an acrobatic bridge between French and Neapolitan language. In "Straniero", your
soul is arrested from the moment the slow spell-binding mandolin ignites the hypnotic patterns recorded by the legendary
Afrobeat drummer Tony Allen. In "Bar Mediterraneo", the title track, bittersweet guitar’s riffs, analog waves and choirs are
overwhelming the song giving you what you would like to hear on a boat trip along the Amalfi Coast.
Nu Genea couldn't afford to overlook their firmly anchored roots into the Neapolitan culture and its dialect with "Tienaté",
where the power of neapolitan language (interpreted by Fabiana Martone) supports those quarter-tone strings and the
uncessant folk-disco groove that spreads to the entire song. In "Praja Magia", repetitive mandolin riffs lead the song,
giving space to a choral yet tight vocal line that speaks of Varcaturo, a village close to Napoli. In "Rire", a volley of poetic,
deceptively laidback, lyrical fury interpreted by Sicilian Marco Castello intimately combines with a highly musical, multitextured
instrumental backbone and the swoon of a chanson in its heart. In "La Crisi'', the lyrics of a Raffaele Viviani’s
poem from 1930 have been adapted to a laidback jazz-funk groove in full NG style. In "Vesuvio", revaluing the evocative
verses and powerful mantra of Vesuvio, Nu Genea re-adapted to the dancefloor a folk song by the working-class band E’
Zezi from Pomigliano D'Arco, combining the voices of a school choir with Jupiter-6 arpeggios and bold percussions.
Bar Mediterraneo is the place where people constantly return to transform curiosity into participation, tradition into
sharing, unfamiliar into familiar. When travellers come through its “doors”, carrying their treasures of words and emotions,
they aren’t strangers any more. They take part in a shared experience, enriching themselves and others by leading to
unexpected musical journeys.

TRACKLIST:

A1. Bar Mediterraneo
A2. Tienaté
A3. Gelbi (with Marzouk Mejri)
A4. Marechià (with Célia Kameni)
A5. Straniero
B1. Praja Magia
B2. Vesuvio
B3. Rire
B4. La Crisi

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Originally released in 2010 via Jesse Rose’s Made To Play label, Oliver Dollar’s ‘Doin Ya Thang’ has gained iconic House track status. A standout record that blends deep, rolling basslines with crisp percussion and a catchy, looped vocal hook from a certain Detroit based DJ & Producer. Built around a stripped-back rhythm and its infectious swing make sure it’s still a favourite among DJs. Now picked up by Defected this is the first official reissue on vinyl since its original release.

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Tracklisting
A1 Rill - Silky Stones
A2 Rill - Rakija
B1 Rill - Friss
B2 Rill - Friss (Beste Hira remix)

Sales Note
SIDE B returns with the second installment of its newly established label, this time with Rill at the
helm. Staying true to effect, the young German producer has honed his percussively forward style
with a string of steady releases and performances over the past three years. In his EP 'Friss', Rill
delivers three highly concentrated club tracks with a Beste Hira remix closing out the project,
assembling a record destined for unforgiving sound systems and frenzied dance floors.

Driving and mental, Rill brews up a viscous first track 'Silky Stones' to make his intentions clear.
Shooting through a bubbling lead with percussive stabs wide in the stereo field, the producer uses
the element of surprise by sharpening the edge with a sharp key sequence, doubling down on
tension to an already hypnotic cut. With no time to waste, the needle slides to 'Rakija', with an
imposing groove and quick, dry hats. Characteristically, a dystopian melody warbles over a robust
rhythm to ensure maximum movement. Two tracks in and Rill already proves to balance his tools
with attitude. Taking a turn on the record flip, the B1 ups the audacity with the title track 'Friss'.
Techno usually prioritising kicks is a rule that Rill sweeps aside in exchange for an intimidating
bassline with an ecosystem of high frequency ambiance. A testament to balance and spatial
definition, the German adopts in fitting chord stabs in the second half to up the ante in a contained manner. To conclude, celebrated Beste Hira puts her spin on the latter for a drum forward eye roller, versatile for almost any dancefloor. Reconceptualizing the rhythmic identity of 'Friss', Beste Hira is able to weather the far off atmospheres while maintaining an emphasized festivity. Combining the best of groove-focused club music with a touch of niche psychedelia, Rill and SIDE B prove that techno is very much alive no matter what side of Europe you search for it.

Words by Noah Hocker

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