Label:ZYX Records
Cat-No:MAXI1135-12
Release-Date:16.08.2024
Configuration:12"
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Cetu Javu - Situations (Short Version)
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Cetu Javu - Situations (Extended Version)
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Cetu Javu - Quien La Sabia
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Cetu Javu - Situations (Razormaid Mix)
Reissue of this ’88 synth-pop classic!
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
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More records from Cetu Javu
Label:Mecanica
Cat-No:MEC088
Release-Date:12.07.2024
Genre:Alternative/Electronic
Configuration:2LP
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Cat-No:MEC088
Release-Date:12.07.2024
Genre:Alternative/Electronic
Configuration:2LP
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Cetu Javu - Dame Tu Mano
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Cetu Javu - Where
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Cetu Javu - Un Día Normal
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Cetu Javu - News
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Cetu Javu - Tiempo
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Cetu Javu - Caribbean Dream
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Cetu Javu - Sometimes
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Cetu Javu - Una Mujer
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Cetu Javu - Segregation
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Cetu Javu - Another Step
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Cetu Javu - Por Qué
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Cetu Javu - Dame Tu Mano (Long Version)
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Cetu Javu - Una Mujer (Vocal Remix)
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Cetu Javu - Por Qué (Long Version)
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Cetu Javu - Heads Or Tails
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Cetu Javu - Don't Leave Me
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Cetu Javu - Time
Cetu Javu was a German synth-pop band lead by singer Javier Revilla Diez and synth wizard and composer Chris Demere. They started with the band in 1984 and in the spring next year surprisingly reached the third place in a young talent festival in Hanover. Several other shows followed but the highlight was a concert in December of 1986 as the opening act of Erasure. Their first maxi single “Help Me Now” was released in the spring of 1987 on their own label’s. Through the mediation of Talla 2XLC, Cetu Javu got a record contract with major company ZYX Records and released their debut album “Southern Lands” in 1990.
When the song “A Dónde”, a B-side sung in Spanish included on the single “So Strange”, hit number two in Spain, the band surprisingly achieved a great success and toured all this country. The second full-length, “Where Is Where”, was released in 1992 in Spain. The success did not stop here and led Cetu Javu became very popular in some other countries such as Argentina and Mexico. Unfortunately, in 1994, between problems and having to make decisions about the future, the group withdrew from the music scene and each member moved to focus to other activities.
“Where is Where” is re-released contains the original album along with some extended versions and remixes from the singles “¿Por Qué?”, “Dame Tu Mano” and “Una Mujer”. Limited edition of 500 copies on gatefold sleeve and a poster.
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When the song “A Dónde”, a B-side sung in Spanish included on the single “So Strange”, hit number two in Spain, the band surprisingly achieved a great success and toured all this country. The second full-length, “Where Is Where”, was released in 1992 in Spain. The success did not stop here and led Cetu Javu became very popular in some other countries such as Argentina and Mexico. Unfortunately, in 1994, between problems and having to make decisions about the future, the group withdrew from the music scene and each member moved to focus to other activities.
“Where is Where” is re-released contains the original album along with some extended versions and remixes from the singles “¿Por Qué?”, “Dame Tu Mano” and “Una Mujer”. Limited edition of 500 copies on gatefold sleeve and a poster.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Label:Mecanica
Cat-No:MEC087
Release-Date:12.07.2024
Genre:Alternative/Electronic
Configuration:2LP
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Cat-No:MEC087
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Cetu Javu - Southern Lands
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Cetu Javu - Love Me
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Cetu Javu - Oye
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Cetu Javu - Words Without Thoughts
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Cetu Javu - So Strange
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Cetu Javu - Get It
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Cetu Javu - Situations
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Cetu Javu - Bad Dreams
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Cetu Javu - Have In Mind
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Cetu Javu - A Dónde
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Cetu Javu - Quién Lo Sabía
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Cetu Javu - Fight Without A Reason
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Cetu Javu - Situations (Extended Version)
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Cetu Javu - Have In Mind (Kalimba Mix)
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Cetu Javu - China Girl (Dino Mix)
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Cetu Javu - Quiero Verte!
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Cetu Javu - So Strange (Extended Version)
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Cetu Javu - A Dónde (Extended Version)
Javier Revilla and Chris Demere, both from Hanover and inspired by electronic music of Kraftwerk and Jean-Michel Jarre, started to experiment with sounds since the late 70’s. The arrival of New Wave with bands like Heaven 17, The Human League, Soft Cell and Depeche Mode influenced these teenagers to began Cetu Javu in 1984 with Javier on vocals, Chris on synths, guitar, programming, Torsten Engelke on keyboards and Stefen Engelke on bass. In 1985, the band won the third place in a contest, a year later opened for Erasure and released their first single “Help Me Now!” in 1987 on their own label Deme Records.
Like their compatriots Camouflage, Cetu Javu were unapologetically Depeche Mode-like in their sound, but with a fairly original twist on their synth pop formula. Their extremely catchy 1988 singles “Situations” and “Have in Mind” were instant hits on dance clubs and even received airplay on U.S. alternative radio stations. The band signed a contract with ZYX Records and released their debut album “Southern Lands” in 1990 followed by a tour together with Wolfsheim and Blind Passengers as supporting acts.
“Southern Lands” is re-released including all original songs plus some extended versions, remixes and bonus tracks from the accompanying singles “Situations”, “Have in Mind” and “So Strange”. Limited edition of 500 copies on gatefold sleeve with a sticker.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Like their compatriots Camouflage, Cetu Javu were unapologetically Depeche Mode-like in their sound, but with a fairly original twist on their synth pop formula. Their extremely catchy 1988 singles “Situations” and “Have in Mind” were instant hits on dance clubs and even received airplay on U.S. alternative radio stations. The band signed a contract with ZYX Records and released their debut album “Southern Lands” in 1990 followed by a tour together with Wolfsheim and Blind Passengers as supporting acts.
“Southern Lands” is re-released including all original songs plus some extended versions, remixes and bonus tracks from the accompanying singles “Situations”, “Have in Mind” and “So Strange”. Limited edition of 500 copies on gatefold sleeve with a sticker.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
More records from ZYX Records
Label:ZYX Records
Cat-No:MAXI1171-12
Release-Date:16.05.2025
Configuration:12"
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Cat-No:MAXI1171-12
Release-Date:16.05.2025
Configuration:12"
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Colors - Lonely Night (Vocal Version)
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Colors - Lonely Night (Technicolor Version)
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Colors - Lonely Night (Flemming Dalum Remix)
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Colors - Lonely Night (Rey David Diaz Remix)
Reissue of italo disco rarity from 1985. With remixes by Flemming Dalum and Rey David Diaz.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Label:ZYX Records
Cat-No:MAXI1168-12
Release-Date:18.04.2025
Configuration:12"
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Cat-No:MAXI1168-12
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J.D. Jaber - Don't Wake Me Up (Another Mix)
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J.D. Jaber - Don't Wake Me Up (New Mix)
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J.D. Jaber - Don't Wake Me Up (Flemming Dalum Remix)
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J.D. Jaber - Don't Wake Me Up (DSTRTD SGNL Remix)
Reissue of this italo disco classic from 1986 with Flemming Dalum and DSTRTD SGNL remixes.
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Liebigstrasse 2-20
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Label:ZYX Records
Cat-No:MAXI1164-12
Release-Date:28.03.2025
Configuration:12"
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Cat-No:MAXI1164-12
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Joe Yellow - Love At First (Extended Version)
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Joe Yellow - Love At First (Instrumental)
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Joe Yellow - Love At First (Flemming Dalum Remix)
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Joe Yellow - Love At First (DSTRTD SGNL Remix)
Reissue of this italo classic from 1986. Comes with Flemming Dalum and DSTRTD SGNL remix.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Label:ZYX Records
Cat-No:MAXI1170-12
Release-Date:28.03.2025
Configuration:12"
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Cat-No:MAXI1170-12
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Linda Jo Rizzo - You're My First, You're My Last (12" Version)
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Linda Jo Rizzo - I've Got The Night
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Linda Jo Rizzo - You're My First, You're My Last (7" Version)
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Linda Jo Rizzo - You're My First, You're My Last (Flemming Dalum Remix)
Reissue of this italo classic from 1986. Comes with Flemming Dalum remix.
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Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Label:ZYX Records
Cat-No:MAXI1163-12
Release-Date:21.02.2025
Configuration:12"
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Cat-No:MAXI1163-12
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Max Coveri - One More Time
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Max Coveri - One More Time (D-Version)
3
Max Coveri - One More Time (Flemming Dalum Remix)
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Max Coveri - One More Time (Italo4Ever Remix)
Reissue of this italo disco classic from 1986. Comes with remixes by Flemming Dalum and Italo4ever.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
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Label:ZYX Records
Cat-No:MAXI1160-12
Release-Date:14.02.2025
Configuration:12"
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Cat-No:MAXI1160-12
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Koto - Acknowledge
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Koto - Acknowledge (Knowledge Mix)
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Koto - Acknowledge (Flemming Dalum Remix)
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Koto - Acknowledge (DJ CON-T & Opposite Direction Remix)
Italo space disco classic from 1990. Comes with Flemming Dalum and DJ CON-T & Opposite Direction Remix.
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Liebigstrasse 2-20
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Label:ZYX Records
Cat-No:MAXI1155-12
Release-Date:24.01.2025
Configuration:12"
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Cat-No:MAXI1155-12
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Swan - Don't Talk About It
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Swan - Don't Talk About It (Instrumental)
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Swan - Don't Talk About It (Flemming Dalum Remix)
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Swan - Don't Talk About It (DJ TinTin Remix)
Reissue of this italo disco classic from 1986 with Flemming Dalum and DJ TinTin remixes!
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
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Label:ZYX Records
Cat-No:MAXI1158-12
Release-Date:17.01.2025
Genre:House / Techno
Configuration:12"
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Cat-No:MAXI1158-12
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Genre:House / Techno
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Cappella - U Got 2 Let The Music (Mars Plastic Mix)
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Cappella - U Got 2 Let The Music (Pagany KM 1972 Mix)
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Cappella - U Got 2 Let The Music (D.J. Pierre Mix)
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Cappella - U Got 2 Let The Music (Radio Version)
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Cappella - U Got 2 Let The Music (Luca Guerrieri Extended Remix)
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Cappella - U Got 2 Let The Music (DJ Shog Remix)
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Cappella - U Got 2 Let The Music (Pulsedriver vs. Bass-T Remix)
The world-famous hit “U Got 2 Let The Music” by Cappella, which first conquered the dance charts in 1993 and became a worldwide classic with its energetic beat and catchy chorus, is now available on a limited, colored 12” maxi vinyl. An absolute must-have for collectors and music lovers!
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Label:ZYX Records
Cat-No:MAXI1159-12
Release-Date:17.01.2025
Configuration:12"
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Whish Key - Life (Vocal Version)
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Whish Key - Life (Percussion Version)
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Whish Key - Life (Flemming Dalum Remix)
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Whish Key - Life (A.P. Mono Remix)
talo disco reissue originally released in 1985. Comes with Flemming Dalum and A.P. Mono remixes.
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Label:ZYX Records
Cat-No:MAXI1153-12
Release-Date:22.11.2024
Configuration:12"
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Cat-No:MAXI1153-12
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Ranko - Happy World (Vocal Version)
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Ranko - Happy World (Instruemntal Verison)
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Ranko - Happy World (Flemming Dalum Remix)
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Ranko - Happy World (Flemming Dalum Remix Edit)
Reissue of this italo disco rarity from 1984. Comes with Flemming Dalum remixes.
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Label:ZYX Records
Cat-No:MAXI1151-12
Release-Date:22.11.2024
Configuration:12"
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Cat-No:MAXI1151-12
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Roy - Destiny Time
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Roy - Destiny Time (Instrumental Version)
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Roy - Destiny Time (Flemming Dalum Remix)
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Roy - Destiny Time (The Ri-Mix)
Reissue of this italo classic from 1985 with Flemming Dalum and R. Ricci remixes.
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Liebigstrasse 2-20
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Label:ZYX Records
Cat-No:MAXI1156-12
Release-Date:22.11.2024
Configuration:12"
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Cat-No:MAXI1156-12
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1
Magic Men - Popcorn
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Magic Men - Popcorn (Dub Version)
3
Magic Men - Popcorn (Flemming Dalum Remix)
4
Magic Men - Popcorn (Vanzetti & Sacco DJ Edit)
Reissue of this italo disco rarity from 1983. Comes with Flemming Dalum and Vanzetti & Sacco remixes.
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Label:ZYX Records
Cat-No:MAXI1150-12
Release-Date:08.11.2024
Configuration:12"
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Label:ZYX Records
Cat-No:MAXI1150-12
Release-Date:08.11.2024
Configuration:12"
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J.D. Jaber - Don't Stop Lovin' (Long Version)
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J.D. Jaber - Don't Stop Lovin' (Short Version)
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J.D. Jaber - Don't Stop Lovin' (Flemming Dalum Remix)
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J.D. Jaber - Don't Stop Lovin' (Victor ZYX Remix)
Reissue of this italo disco classic from 1983. Comes with Flemming Dalum and Victor Ark remixes!
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Label:ZYX Records
Cat-No:MAXI1144-12
Release-Date:08.11.2024
Configuration:12"
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John Carpenter - Die Klapperschlange (Vocal)
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John Carpenter - Die Klapperschlange (Instrumental)
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John Carpenter - Die Klapperschlange (Edit)
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John Carpenter - Die Klapperschlange (Nomoo Remix)
Reissue of this classic from 1983.
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Liebigstrasse 2-20
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Label:ZYX Records
Cat-No:MAXI1145-12
Release-Date:27.09.2024
Configuration:12"
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Cat-No:MAXI1145-12
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Ken Laszlo - Hey Hey Guy (Vocal Version)
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Ken Laszlo - Hey Hey Guy (Dub Version)
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Ken Laszlo - Hey Hey Guy (Flemming Dalum Remix)
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Ken Laszlo - Hey Hey Guy (Flemming Dalum Remix Edit)
Reissue of this italo disco classic from 1984. Comes with Flemming Dalum remixes.
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WAS - Word and Sound Medien GmbH
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Label:ZYX Records
Cat-No:MAXI1140-12
Release-Date:30.08.2024
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Brian Ice - Talking To The Night (Vocal)
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Brian Ice - Talking To The Night (Instrumental)
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Brian Ice - Talking To The Night (Flemming Dalum Remix)
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Brian Ice - Talking To The Night (Hysteric Edit)
Reissue of this italo disco classic from 1985. Comes with Flemming Dalum and Hysteric remixes.
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Label:ZYX Records
Cat-No:MAXI1139-12
Release-Date:30.08.2024
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P. Lion - Dream (Vocal)
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P. Lion - Dream (Instrumental)
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P. Lion - Dream (Pulsedriver 80s Mix)
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P. Lion - Dream (John Laurant Extended Remix)
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P. Lion - Dream (MS Project Extended Remix)
Reissue of this italo disco classic from 1984. Comes with Pulsedriver, John Laurant and MS Project remixes.
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Label:ZYX Records
Cat-No:MAXI1141-12
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Laserdance - Humanoid Invasion (Dancer Mix)
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Laserdance - Humanoid Invasion (Space Mix)
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Laserdance - Humanoid Invasion (Digital Remix)
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Laserdance - Humanoid Invasion (7" Version)
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Laserdance - Megamix Vol. 1
Reissue of this italo disco classic from 1986.
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Liebigstrasse 2-20
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Label:WRWTFWW
Cat-No:wrwtfww041
Release-Date:14.06.2024
Configuration:12" Excl
Barcode:4251648411826
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Label:WRWTFWW
Cat-No:wrwtfww041
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Grauzone - Eisbär
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Grauzone - FILM 2
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Grauzone - Ich Lieb Sie
2024 repress
The First Authorised, Official Re Edition of this Electronic, New Wave, Cold Wave, Pop, Synth, Post-Punk Classic, Personally Overseen by Stephan Eicher, Everything Original: Art, Tracklist, Cut on 45 rpm - Printed on 350 GSM Paperstock incl. Sticker!
WRWTFWW Records is very honored to announce the official reissue of Grauzone’s essential 1981 maxi single with timeless classic "Eisbär", proto-techno beast "FILM 2", and romantic synth ballad "Ich Lieb Sie", just in time for the 40th anniversary of the Swiss band’s formation. The three-track vinyl is sourced from the original reels, cut at 45rpm, and comes with its iconic artwork on a 350gsm sleeve.
Tracklisting:
A1. Eisbär
B1. FILM 2
B2. Ich Lieb Sie
Info:
WRWTFWW Records is very honored to announce the official reissue of Grauzone’s essential 1981 maxi single with timeless classic "Eisbär", proto-techno beast "FILM 2", and romantic synth ballad "Ich Lieb Sie", just in time for the 40th anniversary of the Swiss band’s formation. The three-track vinyl is sourced from the original reels, cut at 45rpm, and comes with its iconic artwork on a 350gsm sleeve.
Ich möchte ein Eisbär sein…Written by Martin Eicher after a nightmare in which he saw talking polar bears on the walls, and with music by the Grauzone crew consisting of Martin and his brother Stephan Eicher, Marco Repetto, Christian "GT" Trüssel, and Claudine Chirac (on saxophone), "Eisbär" is the most recognizable title from the band, a sublime mix of ingredients reflecting the transitional era it comes from - the raw energy of punk music still palpable, combined with the audacity of early electronics, the warm groove of a disco gem, beautifully fragile lyrics, and one of the best basslines ever. It became a mega hit, totally unplanned, but how could you resist such a track?
"FILM 2" is the ultimate b-side monster, a menacing all-instrumental pre-techno masterpiece, slowly building to a magnetizing frenzy. An instant underground favorite, it was famously heard played at both speeds depending on the scenes and DJs you were frequenting, 45rpm as it was first intended, and 33rpm for the cosmic experience (search Daniele Baldelli’s Cosmic C75 1982 mixtape online for a great example of this).
The maxi single ends with "Ich Lieb Sie", a synth-pop meets doo-wop ballad, a true love song oozing with innocence. Simple, stylish, and just right.
At the crossroads of post-punk, new wave, pop, and electronic experimentation, the Eisbär maxi offers three songs that are technically different but hold the same spirit, the perfect embodiment of Grauzone’s music - wild, unpredictable, and youthful, yet sophisticated, catchy, and ingenious. The magic recipe for the good stuff.
Stephan Eicher went on to be, arguably, the most successful Swiss musician ever, with an international career extending from pop chanson to experimental escapades and collaborations with Moondog, artists Sophie Calle and John Armleder, and author Martin Suter among many other luminaries. Marco Repetto flourished as a techno and ambient producer, releasing multiple projects including releases on Aphex Twin’s Rephlex label.
Grauzone and WRWTFWW will continue to collaborate on the band’s 40th anniversary reissue campaign, with numerous projects planned for the year, including a vast selection of music, visuals, and literature never available before.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
The First Authorised, Official Re Edition of this Electronic, New Wave, Cold Wave, Pop, Synth, Post-Punk Classic, Personally Overseen by Stephan Eicher, Everything Original: Art, Tracklist, Cut on 45 rpm - Printed on 350 GSM Paperstock incl. Sticker!
WRWTFWW Records is very honored to announce the official reissue of Grauzone’s essential 1981 maxi single with timeless classic "Eisbär", proto-techno beast "FILM 2", and romantic synth ballad "Ich Lieb Sie", just in time for the 40th anniversary of the Swiss band’s formation. The three-track vinyl is sourced from the original reels, cut at 45rpm, and comes with its iconic artwork on a 350gsm sleeve.
Tracklisting:
A1. Eisbär
B1. FILM 2
B2. Ich Lieb Sie
Info:
WRWTFWW Records is very honored to announce the official reissue of Grauzone’s essential 1981 maxi single with timeless classic "Eisbär", proto-techno beast "FILM 2", and romantic synth ballad "Ich Lieb Sie", just in time for the 40th anniversary of the Swiss band’s formation. The three-track vinyl is sourced from the original reels, cut at 45rpm, and comes with its iconic artwork on a 350gsm sleeve.
Ich möchte ein Eisbär sein…Written by Martin Eicher after a nightmare in which he saw talking polar bears on the walls, and with music by the Grauzone crew consisting of Martin and his brother Stephan Eicher, Marco Repetto, Christian "GT" Trüssel, and Claudine Chirac (on saxophone), "Eisbär" is the most recognizable title from the band, a sublime mix of ingredients reflecting the transitional era it comes from - the raw energy of punk music still palpable, combined with the audacity of early electronics, the warm groove of a disco gem, beautifully fragile lyrics, and one of the best basslines ever. It became a mega hit, totally unplanned, but how could you resist such a track?
"FILM 2" is the ultimate b-side monster, a menacing all-instrumental pre-techno masterpiece, slowly building to a magnetizing frenzy. An instant underground favorite, it was famously heard played at both speeds depending on the scenes and DJs you were frequenting, 45rpm as it was first intended, and 33rpm for the cosmic experience (search Daniele Baldelli’s Cosmic C75 1982 mixtape online for a great example of this).
The maxi single ends with "Ich Lieb Sie", a synth-pop meets doo-wop ballad, a true love song oozing with innocence. Simple, stylish, and just right.
At the crossroads of post-punk, new wave, pop, and electronic experimentation, the Eisbär maxi offers three songs that are technically different but hold the same spirit, the perfect embodiment of Grauzone’s music - wild, unpredictable, and youthful, yet sophisticated, catchy, and ingenious. The magic recipe for the good stuff.
Stephan Eicher went on to be, arguably, the most successful Swiss musician ever, with an international career extending from pop chanson to experimental escapades and collaborations with Moondog, artists Sophie Calle and John Armleder, and author Martin Suter among many other luminaries. Marco Repetto flourished as a techno and ambient producer, releasing multiple projects including releases on Aphex Twin’s Rephlex label.
Grauzone and WRWTFWW will continue to collaborate on the band’s 40th anniversary reissue campaign, with numerous projects planned for the year, including a vast selection of music, visuals, and literature never available before.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
12"
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Last in:25.02.2008
Label:3 chairs
Cat-No:3ch4
Release-Date:13.05.2003
Genre:House
Configuration:12"
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An enormous collaboration between the current leaders of the new generation of Detroit dance music MOODYMAN, THEO PARRISH, RICK WILHITE and MARCELUS PITTMAN. Three tracks of deep, afro inspired underground techno soul that, much like anything any of these men has ever produced, is sure to go down in history as one of 'the' records to have bought new.
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Label:kdj
Cat-No:kdj44
Release-Date:02.12.2013
Genre:House
Configuration:2LP
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Leave it up to Kenny Dixon Jr. aka Moodymann, to give us the last jab of 2013. New material from KDJ along with two tracks produced by Andres. This long awaited album features twelve songs over 4 sides of vinyl, a poster, all in custom sleeve with the best album artwork since 1979. A journey further into the weird and wonderful world of the Moodymann...
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Label:3 chairs
Cat-No:3ch3
Release-Date:13.05.2003
Genre:House
Configuration:3LP
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An enormous collaboration between the current leaders of the new generation of Detroit dance music MOODYMAN, THEO PARRISH, RICK WILHITE and MARCELUS PITTMAN. Three tracks of deep, afro inspired underground techno soul that, much like anything any of these men has ever produced, is sure to go down in history as one of 'the' records to have bought new.
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Label:Rawax Motor City Edition
Cat-No:GM-03
Release-Date:21.06.2024
Genre:Detroit Techno
Configuration:12"
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Gerald Mitchell - Two Feet Up
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Los Hermanos - Remember Detroit
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Los Hermanos - Central Nervous Systems
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Los Hermanos - Path Of Tranquility
RAWAX proudly presents the 3rd release by Gerald Mitchell
on his own RAWAX MOTOR CITY - series.
This time we have the honor to present him under his Los Hermanos alias! "Remember Detroit" is a beautiful piece of Music which makes you feel the pulse of this City.
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on his own RAWAX MOTOR CITY - series.
This time we have the honor to present him under his Los Hermanos alias! "Remember Detroit" is a beautiful piece of Music which makes you feel the pulse of this City.
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Label:GT Flip
Cat-No:GTFlips313-002
Release-Date:26.07.2024
Genre:Detroit House
Configuration:12"
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Label:GT Flip
Cat-No:GTFlips313-002
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Genre:Detroit House
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Andrés - Lady Cab
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Andrés - Sex
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Andrés - GP Lalah
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Andrés - Norman
Andrés, a renowned DJ and producer from Detroit, is celebrated for his eclectic blend of house, hip-hop, Latin, and soul. Known for his dynamic DJ sets and innovative productions, he has carved a unique niche in the electronic music scene. His work, featuring smooth grooves and deep, rhythmic beats, reflects Detroit's rich musical heritage. Andrés’ GT Flips series showcases his ability to transform classic tracks into head-nodding bangers. With releases on prestigious labels and captivating live performances, Andrés continues to inspire audiences worldwide.
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12" Excl
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Label:Be With Records
Cat-No:bewith023twelve
Release-Date:30.08.2024
Configuration:12" Excl
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Arthur Russell - IN THE LIGHT OF THE MIRACLE
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Arthur Russell - IN THE LIGHT OF THE MIRACLE - PONYTAIL CLUB MIX (PARTS 1 & 2)
Format Notes: 2024 first-time 12" single release of previously white label only tracks, 140g vinyl, mastered by Simon Francis
Track List:
A1 IN THE LIGHT OF THE MIRACLE (13:26 min)
B1 IN THE LIGHT OF THE MIRACLE - PONYTAIL CLUB MIX (PARTS 1 & 2) (14:10 min)
Release Notes:
FINALLY! The very first commercial release of two legendary remixes of Arthur Russell's "In The Light Of The Miracle". Both are widely regarded as transcendent masterpieces and very much befitting of the title “holy grails”.
These long-beloved mixes are the types you'd wish would last for eternity. With almost 30 minutes of music here, we very nearly get our desires granted. At last, these jaw-dropping mixes are widely available to every Arthur fan in the world. This is musical perfection.
The deep Loft classic "In The Light Of The Miracle" remained unreleased during Arthur's lifetime, finally discovered when Phillip Glass included the original version on Another Thought on Point Music in 1993. As Steve Knutson told us, when Another Thought was being put together, the plan was to release a companion album of remixes that was overseen by Steve D'Aquisto but the project only got as far as these two remixes of "In The Light Of The Miracle".
Some dodgy scans of some centre label designs suggest that Point Music might’ve been planning to release these on a 12" but it didn’t happen. The story goes that Gilles Peterson heard the remixes on a visit to the Point Music offices and wanted to release them on Talkin’ Loud. We’re not sure how many white label copies made it out into the wild, but again, these remixes didn’t make it to a proper release.
These remixes both extend and undeniably enhance the original, elevating it to new heights. The 13 minute remix on the A-side is by Danny Krivit & Tony Smith with editing duties performed by Tony Morgan. As ever with Arthur, the music is almost impossible to describe: is it Disco? Garage House? Avant Garde? None of these tags do full justice to its sheer majesty. You best just listen. Stretching out the original with some unbelievably great percussive elements, until we're in a deeply spiritual, otherworldly realm, it's just too beautiful for words. As many have claimed, it's the prototype for EVERYTHING.
The "Ponytail Club Mix (Part 1 & 2)", produced by Tony Morgan in the mid-90s, is in a more up-tempo style, with vocals higher in the mix, the BPM upped to 120 and the addition of a housey 4/4 kick drum. A 14 minute epic, you could say this is a more straight ahead "club-friendly" mix (but can things ever be that straightforward with Arthur?!) It also has some really interesting vocal parts not used in the other versions, including some vocals from guest poet Allen Ginsberg.
These remixes are part of the same original project that also produced the Another Thought album so it seems only right that they have a sleeve that matches. Thanks again to Janette Beckman for letting us use another of her photos of Arthur and the rest of the design follows what Margery Greenspan, Tina Lauffer and Michael Klotz did for Another Thought back in 1994.
Simon Francis remastered the original audio for both tracks and Cicely Balston's precise cut for Alchemy at AIR Studios ensures this 12" well and truly slaps. The immaculate Record Industry pressing will ensure this incredibly sought-after treasure finds a home in many more collections, this and every year.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Track List:
A1 IN THE LIGHT OF THE MIRACLE (13:26 min)
B1 IN THE LIGHT OF THE MIRACLE - PONYTAIL CLUB MIX (PARTS 1 & 2) (14:10 min)
Release Notes:
FINALLY! The very first commercial release of two legendary remixes of Arthur Russell's "In The Light Of The Miracle". Both are widely regarded as transcendent masterpieces and very much befitting of the title “holy grails”.
These long-beloved mixes are the types you'd wish would last for eternity. With almost 30 minutes of music here, we very nearly get our desires granted. At last, these jaw-dropping mixes are widely available to every Arthur fan in the world. This is musical perfection.
The deep Loft classic "In The Light Of The Miracle" remained unreleased during Arthur's lifetime, finally discovered when Phillip Glass included the original version on Another Thought on Point Music in 1993. As Steve Knutson told us, when Another Thought was being put together, the plan was to release a companion album of remixes that was overseen by Steve D'Aquisto but the project only got as far as these two remixes of "In The Light Of The Miracle".
Some dodgy scans of some centre label designs suggest that Point Music might’ve been planning to release these on a 12" but it didn’t happen. The story goes that Gilles Peterson heard the remixes on a visit to the Point Music offices and wanted to release them on Talkin’ Loud. We’re not sure how many white label copies made it out into the wild, but again, these remixes didn’t make it to a proper release.
These remixes both extend and undeniably enhance the original, elevating it to new heights. The 13 minute remix on the A-side is by Danny Krivit & Tony Smith with editing duties performed by Tony Morgan. As ever with Arthur, the music is almost impossible to describe: is it Disco? Garage House? Avant Garde? None of these tags do full justice to its sheer majesty. You best just listen. Stretching out the original with some unbelievably great percussive elements, until we're in a deeply spiritual, otherworldly realm, it's just too beautiful for words. As many have claimed, it's the prototype for EVERYTHING.
The "Ponytail Club Mix (Part 1 & 2)", produced by Tony Morgan in the mid-90s, is in a more up-tempo style, with vocals higher in the mix, the BPM upped to 120 and the addition of a housey 4/4 kick drum. A 14 minute epic, you could say this is a more straight ahead "club-friendly" mix (but can things ever be that straightforward with Arthur?!) It also has some really interesting vocal parts not used in the other versions, including some vocals from guest poet Allen Ginsberg.
These remixes are part of the same original project that also produced the Another Thought album so it seems only right that they have a sleeve that matches. Thanks again to Janette Beckman for letting us use another of her photos of Arthur and the rest of the design follows what Margery Greenspan, Tina Lauffer and Michael Klotz did for Another Thought back in 1994.
Simon Francis remastered the original audio for both tracks and Cicely Balston's precise cut for Alchemy at AIR Studios ensures this 12" well and truly slaps. The immaculate Record Industry pressing will ensure this incredibly sought-after treasure finds a home in many more collections, this and every year.
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Label:GT Flip
Cat-No:GTFlips313-001
Release-Date:09.08.2024
Genre:Detroit House
Configuration:12"
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Label:GT Flip
Cat-No:GTFlips313-001
Release-Date:09.08.2024
Genre:Detroit House
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Andrés - O Neil
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Andrés - Acuna
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Andrés - When Love Was King
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Andrés - E=MC2
Andrés, a renowned DJ and producer from Detroit, is celebrated for his eclectic blend of house, hip-hop, Latin, and soul. Known for his dynamic DJ sets and innovative productions, he has carved a unique niche in the electronic music scene. His work, featuring smooth grooves and deep, rhythmic beats, reflects Detroit's rich musical heritage. Andrés’ GT Flips series showcases his ability to transform classic tracks into head-nodding bangers. With releases on prestigious labels and captivating live performances, Andrés continues to inspire audiences worldwide.
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Label:Ilian Tape
Cat-No:ITLP19
Release-Date:02.07.2024
Genre:Electronic, Electronica
Configuration:2LP
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Skee Mask - Hedwig Transformation Group
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Skee Mask - Nostaglitch
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Skee Mask - Reminiscrmx
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Skee Mask - Element
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Skee Mask - Waldmeister
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Skee Mask - Daytime Gamer
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Skee Mask - Schneiders Paradox
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Skee Mask - BB Care
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Skee Mask - Terminal Z
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Skee Mask - Hölzl Was A Dancer
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Skee Mask - 7AM At The Rodeo
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Skee Mask - Vitamin 313
Repress coming beginning of February.
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Label:Mr. Disc Organization
Cat-No:MD31802
Release-Date:02.09.2022
Configuration:12"
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Charlie - Spacer Woman
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Charlie - Spacer Woman (Instrumental)
Official reissue of this italo classic from 1985!
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Label:Kompakt
Cat-No:Kompakt466
Release-Date:12.07.2024
Genre:Electronic, Electronica
Configuration:2LP
Barcode:4250101437410
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Cat-No:Kompakt466
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Genre:Electronic, Electronica
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GAS - Der Lange Marsch 1
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GAS - Der Lange Marsch 2
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GAS - Der Lange Marsch 3
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GAS - Der Lange Marsch 4
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GAS - Der Lange Marsch 5
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GAS - Der Lange Marsch 6
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GAS - Der Lange Marsch 7
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GAS - Der Lange Marsch 8
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GAS - Der Lange Marsch 9
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GAS - Der Lange Marsch 10
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GAS - Der Lange Marsch 11
Repress!
At the latest with the release of the albums "Zauberberg" and "Königsforst", in the mid-1990s, one associates GAS, Wolfgang Voigt's very own artistic cross-linking of the spirit of Romanticism and the forest as an artistic fantasy projection surface, with intoxicatingly blurred boundaries of post-ambient infatuation and the impenetrable thicket of abstract atonality. The distant, iconic straight bass drum marching through highly condensed, abstract sounds taken from classical music by the sampler or modulated accordingly, and the enraptured gaze through pop art glasses into the hypnotic thicket of an imaginary forest, manifested over the years this unique connection of audio and visual, which to understand fully, then as now, would be neither possible nor desirable.
Quite the opposite. The album GAS - DER LANGE MARSCH once again invites us to follow the deep sounding bass drum, to give in to its irresistible pull into a psychedelic world of 1000 promises. In the process, the journey leads us past stations of memories sounding from afar, from "Zauberberg" to "Königsforst" and "Pop", from "Oktember" to "Narkopop" and "Rausch", back and forth, now and forever.
Way. Destination. Loop. - Forest loop.
No beginning. No end.
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DE - 22113 Hamburg
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At the latest with the release of the albums "Zauberberg" and "Königsforst", in the mid-1990s, one associates GAS, Wolfgang Voigt's very own artistic cross-linking of the spirit of Romanticism and the forest as an artistic fantasy projection surface, with intoxicatingly blurred boundaries of post-ambient infatuation and the impenetrable thicket of abstract atonality. The distant, iconic straight bass drum marching through highly condensed, abstract sounds taken from classical music by the sampler or modulated accordingly, and the enraptured gaze through pop art glasses into the hypnotic thicket of an imaginary forest, manifested over the years this unique connection of audio and visual, which to understand fully, then as now, would be neither possible nor desirable.
Quite the opposite. The album GAS - DER LANGE MARSCH once again invites us to follow the deep sounding bass drum, to give in to its irresistible pull into a psychedelic world of 1000 promises. In the process, the journey leads us past stations of memories sounding from afar, from "Zauberberg" to "Königsforst" and "Pop", from "Oktember" to "Narkopop" and "Rausch", back and forth, now and forever.
Way. Destination. Loop. - Forest loop.
No beginning. No end.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
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Contact: gpsr@wordandsound.netMore
Label:Kompakt
Cat-No:Kompakt491
Release-Date:23.08.2024
Genre:Electronic, Electronica
Configuration:3LP
Barcode:4250101471391
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Cat-No:Kompakt491
Release-Date:23.08.2024
Genre:Electronic, Electronica
Configuration:3LP
Barcode:4250101471391
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GAS - GAS 1 (1996)
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GAS - GAS 2 (1996)
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GAS - GAS 3 (1996)
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GAS - GAS 4 (1996)
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GAS - GAS 5 (1996)
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GAS - GAS 6 (1996)
Kompakt is proud to announce, finally, a reissue of the first, self-titled GAS album. Originally released on electronica imprint Mille Plateaux back in 1996, it’s been unavailable in its original form ever since – the version of GAS included in 2008’s Nah Und Fern box featured several different tracks. Here, however, GAS is restored in all its glory, the debut full-length from Wolfgang Voigt’s most enigmatic, quixotic project.
There had, of course, been signs of what was to come. Back in 1995, Voigt essayed the first GAS release, a slender, yet remarkable four-track EP, Modern. Its centre label featured a reduced symbol – an overhead or lamp light, switched on, its glow radiating outwards in four bold black lines – a perfect representation of the tight, stylised ambient electronic pop contained on that 12”. A few curious compilation tracks were floating around, too, for Mille Plateaux’s Modulation & Transformation and Electric Ladyland series. If you were attentive enough, you could tell something was up.
But nothing quite prepared us for the languorous, effervescing loops and regular-like-clockwork beats that Voigt folded together on GAS. Its six long tracks, all untitled, neither begin nor end but hazily fade into earshot, vibrate majestically in your cochlea for fifteen-or-so minutes – some a bit shorter, some longer – and then meander away, reading the mise-en-scène for the next example of Voigt’s drift and dream logic to unfold. The material is referential in the most distant way, and you can sense only the most evanescent of ghostly presences, haunting these six compositions.
GAS feels, also, like a more pliable hint at what’s to come, as the GAS concept really solidified on its successor, 1997’s Zauberberg, and reach its apotheosis on Königsforst and Pop. Those three albums share a very similar palette – blurred, hazy samples, often of classical music, stacked and cross-thatched across a muted 4/4 thud. GAS, then, is an outlier of sorts: it’s more expansive in its remit, lighter in its mood, perhaps more fleet of foot. This, of course, is part of its charm.
In clearing space for Voigt, by preparing the terrain, GAS sits both at the edge of the forest, and at the verge of an expansive, wide-eyed future; one where GAS would become truly eternal.
Text by Jonathan Dale
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
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Contact: gpsr@wordandsound.netMore
There had, of course, been signs of what was to come. Back in 1995, Voigt essayed the first GAS release, a slender, yet remarkable four-track EP, Modern. Its centre label featured a reduced symbol – an overhead or lamp light, switched on, its glow radiating outwards in four bold black lines – a perfect representation of the tight, stylised ambient electronic pop contained on that 12”. A few curious compilation tracks were floating around, too, for Mille Plateaux’s Modulation & Transformation and Electric Ladyland series. If you were attentive enough, you could tell something was up.
But nothing quite prepared us for the languorous, effervescing loops and regular-like-clockwork beats that Voigt folded together on GAS. Its six long tracks, all untitled, neither begin nor end but hazily fade into earshot, vibrate majestically in your cochlea for fifteen-or-so minutes – some a bit shorter, some longer – and then meander away, reading the mise-en-scène for the next example of Voigt’s drift and dream logic to unfold. The material is referential in the most distant way, and you can sense only the most evanescent of ghostly presences, haunting these six compositions.
GAS feels, also, like a more pliable hint at what’s to come, as the GAS concept really solidified on its successor, 1997’s Zauberberg, and reach its apotheosis on Königsforst and Pop. Those three albums share a very similar palette – blurred, hazy samples, often of classical music, stacked and cross-thatched across a muted 4/4 thud. GAS, then, is an outlier of sorts: it’s more expansive in its remit, lighter in its mood, perhaps more fleet of foot. This, of course, is part of its charm.
In clearing space for Voigt, by preparing the terrain, GAS sits both at the edge of the forest, and at the verge of an expansive, wide-eyed future; one where GAS would become truly eternal.
Text by Jonathan Dale
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore