1
Kito Jempere feat. Hard Ton - The Sound Of Love
2
Kito Jempere - The Sound Of Love (Speechless)
3
Kito Jempere feat. Miriam Sekhon - Et Que Je Dorme (Andras remix)
4
Kito Jempere - Your Ghost In Me (Live at The Day When Time Stopped Moving)
5
Kito Jempere - The Sound Of Love (Eden Burns remix)
6
Kito Jempere - Sergio Leone (Remix V1) (Eden Burns remix)
7
Kito Jempere Eden Burns - Sergio Leone (Remix V2)
Tracklisting
A1 Kito Jempere feat. Hard Ton - The Sound Of Love
A2 Kito Jempere - The Sound Of Love (Speechless)
A3 Kito Jempere feat. Miriam Sekhon - Et Que Je Dorme (Andras remix)
A4 Kito Jempere - Your Ghost In Me (Live at The Day When Time Stopped Moving)
B1 Kito Jempere - The Sound Of Love (Eden Burns remix)
B2 Kito Jempere - Sergio Leone (Remix V1) (Eden Burns remix)
B3 Kito Jempere Eden Burns - Sergio Leone (Remix V2)
Sales Note
As the summer season approaches, here comes Kito Jempere and Hard Ton with a perfect summer jam! Taken from upcoming fifth Kito Jempere album, ''The Sound of Love'' is a classic early nineties balearic beat ballad - 96 beats per minute of morning bliss, mellow pads, enigma-esque drums and beautiful vocal drama by one and only Hard Ton.
Besides the title track and a new club driven remix from man-of-the-hour Eden Burns, vinyl is packed with an array of old and new goodies. Much requested Andras remix from 2020 previously available digitally only. Live version of previous Hard Ton collaboration, ''Your Ghost in Me'', played by 8-piece Kito Jempere Live Band. Plus another two massive and previously ''digital only'' remixes from Eden Burns for all your dance-club needs. And all this comes with a beautiful sleeve from Berlin based photographer Alexey Kiselev. More
A1 Kito Jempere feat. Hard Ton - The Sound Of Love
A2 Kito Jempere - The Sound Of Love (Speechless)
A3 Kito Jempere feat. Miriam Sekhon - Et Que Je Dorme (Andras remix)
A4 Kito Jempere - Your Ghost In Me (Live at The Day When Time Stopped Moving)
B1 Kito Jempere - The Sound Of Love (Eden Burns remix)
B2 Kito Jempere - Sergio Leone (Remix V1) (Eden Burns remix)
B3 Kito Jempere Eden Burns - Sergio Leone (Remix V2)
Sales Note
As the summer season approaches, here comes Kito Jempere and Hard Ton with a perfect summer jam! Taken from upcoming fifth Kito Jempere album, ''The Sound of Love'' is a classic early nineties balearic beat ballad - 96 beats per minute of morning bliss, mellow pads, enigma-esque drums and beautiful vocal drama by one and only Hard Ton.
Besides the title track and a new club driven remix from man-of-the-hour Eden Burns, vinyl is packed with an array of old and new goodies. Much requested Andras remix from 2020 previously available digitally only. Live version of previous Hard Ton collaboration, ''Your Ghost in Me'', played by 8-piece Kito Jempere Live Band. Plus another two massive and previously ''digital only'' remixes from Eden Burns for all your dance-club needs. And all this comes with a beautiful sleeve from Berlin based photographer Alexey Kiselev. More
More records from Kito Jempere Recordings
1
Kito Jempere - Killer Line (Opening Titles) feat. Adam Evald
2
Kito Jempere - Put Love Into Your Heart (feat. Adam Evald & Jimi Tenor)
3
Kito Jempere - The Sound Of Love feat. Hard Ton
4
Kito Jempere - Love Myself But I Cant Make It Love
5
Kito Jempere - Footsteps feat. Alina Royz
6
Kito Jempere - In The Countryside feat. Lena Tronina
7
Kito Jempere - I Can Make My Happiest Life feat. Celebrine & Mutafrukt
8
Kito Jempere - Vacation Song
9
Kito Jempere - Reka feat. Moral Kiosk
10
Kito Jempere - Blue Plastic Bag In The Sea Of Green feat. Mutafrukt
11
Kito Jempere - Wasted (feat. Mutafrukt)
12
Kito Jempere - Before Music Dies (feat. Hard Ton & Mutafrukt)
13
Kito Jempere - Absent Ascent feat. Lovvlovver
14
Kito Jempere - Sleeping With TV On
15
Kito Jempere - Over The Rainbow feat. Celebrine
16
Kito Jempere - Shorespotting (feat. Adam Evald)
17
Kito Jempere - Lovers (End Credits) (feat. Kito Jempere Band)
Tracklisting
A1 Kito Jempere feat. Adam Evald - Killer Line (Opening Titles)
A2 Kito Jempere feat. Adam Evald & Jimi Tenor - Put Love Into Your Heart
A3 Kito Jempere feat. Hard Ton - The Sound Of Love
A4 Kito Jempere - Love Myself But I Cant Make It Love
B1 Kito Jempere feat. Alina Royz - Footsteps
B2 Kito Jempere feat. Lena Tronina - In The Countryside
B3 Kito Jempere feat. Celebrine & Mutafrukt - I Can Make My Happiest Life
B4 Kito Jempere - Vacation Song
B5 Kito Jempere feat. Moral Kiosk - Reka
C1 Kito Jempere feat. Mutafrukt - Blue Plastic Bag In The Sea Of Green
C2 Kito Jempere feat. Mutafrukt - Wasted
C3 Kito Jempere feat. Hard Ton & Mutafrukt - Before Music Dies
C4 Kito Jempere feat. Lovvlovver - Absent Ascent
D1 Kito Jempere - Sleeping With TV On
D2 Kito Jempere feat. Celebrine - Over The Rainbow
D3 Kito Jempere feat. Adam Evald - Shorespotting
D4 Kito Jempere feat. Kito Jempere Band - Lovers (End Credits)
Sales Note
From a club-friendly chrysalid onto deploying his wings as a full fledged pop artist in recent years, Saint Petersburgs Kito Jempere has enjoyed a journey unlike any other and his newest album, Part Time Chaos Part Time Calmness live-documents the chameleonic changes / game-changing paradox experienced this year between his life both as a musician and as a family man.
Better known for his work as a house producer which has earned him accolades from prominent dance music outlets throughout well over a decade of intense work both into and outwith the limelights, Kito has for all that never been focussed on writing solely discoid material, throwing as much effort over the years into multi-faceted parallel ventures, far and apart from strictly dance floor-oriented functionality. Yet, from this partition between various projects and mindsets, this is through a radical shift towards downtempo pop and out of the 4x4 loop that Kito got to fully assert himself as a musician, embracing the rejoicing variety of tone and mood of his tender loves, secret and not. The movie Ive never made but have the soundtrack for, Part Time Chaos Part Time Calmness is the fruit of change as much as change itself. A return to the simple means of his young self, his old trusty guitar from his late teens serving as the backbone to Killer Line and Love Myself But I Cant Make It Love, and the natural development to last years Green Monster, which
initiated these deep tectonic movements in Kitos approach to his art, PTCPTC is an intimate trip down the kaleidoscope of his present life. Joined up by an impressive cast of artists, including Jimi Tenor, Adam Evald and Hard Ton, Kito didnt just bin his old persona, he took it back to where it belongs. From the low-slung emotional folk of the opener, Killer Line, to the eerie flamenco-jazz hybrid Before Music Dies. via the broken soulfulness of Put Love Into Your Heart and anthemic 80s balearic breaks meets coastal synthwave vibe of Sounds of Love, the album pulsates with a refreshingly genre-unbound vision. To the naive, laid-back sonic bokeh of Footsteps,
succeeds the left-of-centre cinematic narrative of In The Countryside, which includes some fun nods to fictional brands taken from Tarantinos imaginarium (Red Apple cigarettes) or other movies like High Fidelity, after Nick Hornbys eponymous novel.
Freed from gridlocked programming and impersonal tropes, PTCPTC showcases a wide array of songs, beats, grooves old and new, some dating back to 2018 and improvised sessions with his 9-people Kito Jempere Band, all of which were finished within the same timeframe and with this all-inclusive momentum in mind. Through the epic synths of Absent Ascent. in revamping the universal classic Over The Rainbow with Celebrine, on the appeasing ballad Shorespotting feat. Evald or in the waves-ready closing cut Lovers, Jempere tells a tale of hard-earned emancipation and life-affirming freedom. More
A1 Kito Jempere feat. Adam Evald - Killer Line (Opening Titles)
A2 Kito Jempere feat. Adam Evald & Jimi Tenor - Put Love Into Your Heart
A3 Kito Jempere feat. Hard Ton - The Sound Of Love
A4 Kito Jempere - Love Myself But I Cant Make It Love
B1 Kito Jempere feat. Alina Royz - Footsteps
B2 Kito Jempere feat. Lena Tronina - In The Countryside
B3 Kito Jempere feat. Celebrine & Mutafrukt - I Can Make My Happiest Life
B4 Kito Jempere - Vacation Song
B5 Kito Jempere feat. Moral Kiosk - Reka
C1 Kito Jempere feat. Mutafrukt - Blue Plastic Bag In The Sea Of Green
C2 Kito Jempere feat. Mutafrukt - Wasted
C3 Kito Jempere feat. Hard Ton & Mutafrukt - Before Music Dies
C4 Kito Jempere feat. Lovvlovver - Absent Ascent
D1 Kito Jempere - Sleeping With TV On
D2 Kito Jempere feat. Celebrine - Over The Rainbow
D3 Kito Jempere feat. Adam Evald - Shorespotting
D4 Kito Jempere feat. Kito Jempere Band - Lovers (End Credits)
Sales Note
From a club-friendly chrysalid onto deploying his wings as a full fledged pop artist in recent years, Saint Petersburgs Kito Jempere has enjoyed a journey unlike any other and his newest album, Part Time Chaos Part Time Calmness live-documents the chameleonic changes / game-changing paradox experienced this year between his life both as a musician and as a family man.
Better known for his work as a house producer which has earned him accolades from prominent dance music outlets throughout well over a decade of intense work both into and outwith the limelights, Kito has for all that never been focussed on writing solely discoid material, throwing as much effort over the years into multi-faceted parallel ventures, far and apart from strictly dance floor-oriented functionality. Yet, from this partition between various projects and mindsets, this is through a radical shift towards downtempo pop and out of the 4x4 loop that Kito got to fully assert himself as a musician, embracing the rejoicing variety of tone and mood of his tender loves, secret and not. The movie Ive never made but have the soundtrack for, Part Time Chaos Part Time Calmness is the fruit of change as much as change itself. A return to the simple means of his young self, his old trusty guitar from his late teens serving as the backbone to Killer Line and Love Myself But I Cant Make It Love, and the natural development to last years Green Monster, which
initiated these deep tectonic movements in Kitos approach to his art, PTCPTC is an intimate trip down the kaleidoscope of his present life. Joined up by an impressive cast of artists, including Jimi Tenor, Adam Evald and Hard Ton, Kito didnt just bin his old persona, he took it back to where it belongs. From the low-slung emotional folk of the opener, Killer Line, to the eerie flamenco-jazz hybrid Before Music Dies. via the broken soulfulness of Put Love Into Your Heart and anthemic 80s balearic breaks meets coastal synthwave vibe of Sounds of Love, the album pulsates with a refreshingly genre-unbound vision. To the naive, laid-back sonic bokeh of Footsteps,
succeeds the left-of-centre cinematic narrative of In The Countryside, which includes some fun nods to fictional brands taken from Tarantinos imaginarium (Red Apple cigarettes) or other movies like High Fidelity, after Nick Hornbys eponymous novel.
Freed from gridlocked programming and impersonal tropes, PTCPTC showcases a wide array of songs, beats, grooves old and new, some dating back to 2018 and improvised sessions with his 9-people Kito Jempere Band, all of which were finished within the same timeframe and with this all-inclusive momentum in mind. Through the epic synths of Absent Ascent. in revamping the universal classic Over The Rainbow with Celebrine, on the appeasing ballad Shorespotting feat. Evald or in the waves-ready closing cut Lovers, Jempere tells a tale of hard-earned emancipation and life-affirming freedom. More
1
Kito Jempere feat. Buduchi & Ni! - Kabwato (Ewan Pearson remix) (feat. Buduchi & Ni!)
2
Kito Jempere - Kabwato (Cable Toy remix) (feat. Buduchi)
3
Kito Jempere - Strong Accent (THE DAWLESS remix) (feat. Curly Castro & SINDYSMAN)
4
Kito Jempere - The Closing Shift (Max Essa remix)(feat. Jimi Tenor & Starving Yet Full & Yörik)
Tracklisting:
A1 Kito Jempere feat. Buduchi & Ni! - Kabwato (Ewan Pearson remix)
A2 Kito Jempere feat. Buduchi - Kabwato (Cable Toy remix)
B1 Kito Jempere feat. Curly Castro & SINDYSMAN - Strong Accent (THE DAWLESS remix)
B2 Kito Jempere feat. Jimi Tenor & Starving Yet Full & Yörik - The Closing Shift (Max Essa remix)
Sales Note
The first bunch of remixes for Kito Jempere's Green Monster. The album itself was a versatile journey thought all music styles and patterns you can imagine, remixes are keeping the same direction.
EP opens with a remix from multi-talented and prolific studio genius Ewan Pearson, the man behind hundreds of remixes, production and studio engineering duties for artists like Tracey Thorn, Pet Shop Boys, Depeche Mode, The Chemical Brothers and many many more. And Mr Pearson is taking Kabwato on a journey! Originally recorded as two and half minutes as some say mid-album filler, this boat (kabwato in chewa language) is going deep down the tropical river and through breezy morning rainforest valleys. A perfect trip for your midday staying home alone errands or for your early morning ray of light at the bar with a beautiful panorama.
Same track is getting treatment from the mighty Cable Toy! Unmistakable peak time euphoria manifest - going back to my roots-esque piano meets 90s cable tv dance show house party!
On the flip is the remix by The Dawless. The Dawless are Ramil' Goddeem from LAUD and Sergey Gol'd, producer and owner of GoldxFish Music studio. They recently released their debut album "Broken Aux" on System 108, got remixed by DMX Crew and became residents of LOUD BOYZ label. The project has simple ethics: computers not allowed, only real gear and vibes. The duo has created a true rage rave anthem for Kito Jempere now. Having already been played in a lot of DJ-sets blasting through packed warehouses, now it became available to everyone.
EP closing opus is by Kito's frequent collaborator - UK born and Japan based producer Max Essa. Every Kito's album was accompanied by Max's remixes and this time he's delivering pure beauty again. Creating some Golden-era "8 1/2 weeks" vibes, Max transforms the track into a post-summer voyage anthem. More
A1 Kito Jempere feat. Buduchi & Ni! - Kabwato (Ewan Pearson remix)
A2 Kito Jempere feat. Buduchi - Kabwato (Cable Toy remix)
B1 Kito Jempere feat. Curly Castro & SINDYSMAN - Strong Accent (THE DAWLESS remix)
B2 Kito Jempere feat. Jimi Tenor & Starving Yet Full & Yörik - The Closing Shift (Max Essa remix)
Sales Note
The first bunch of remixes for Kito Jempere's Green Monster. The album itself was a versatile journey thought all music styles and patterns you can imagine, remixes are keeping the same direction.
EP opens with a remix from multi-talented and prolific studio genius Ewan Pearson, the man behind hundreds of remixes, production and studio engineering duties for artists like Tracey Thorn, Pet Shop Boys, Depeche Mode, The Chemical Brothers and many many more. And Mr Pearson is taking Kabwato on a journey! Originally recorded as two and half minutes as some say mid-album filler, this boat (kabwato in chewa language) is going deep down the tropical river and through breezy morning rainforest valleys. A perfect trip for your midday staying home alone errands or for your early morning ray of light at the bar with a beautiful panorama.
Same track is getting treatment from the mighty Cable Toy! Unmistakable peak time euphoria manifest - going back to my roots-esque piano meets 90s cable tv dance show house party!
On the flip is the remix by The Dawless. The Dawless are Ramil' Goddeem from LAUD and Sergey Gol'd, producer and owner of GoldxFish Music studio. They recently released their debut album "Broken Aux" on System 108, got remixed by DMX Crew and became residents of LOUD BOYZ label. The project has simple ethics: computers not allowed, only real gear and vibes. The duo has created a true rage rave anthem for Kito Jempere now. Having already been played in a lot of DJ-sets blasting through packed warehouses, now it became available to everyone.
EP closing opus is by Kito's frequent collaborator - UK born and Japan based producer Max Essa. Every Kito's album was accompanied by Max's remixes and this time he's delivering pure beauty again. Creating some Golden-era "8 1/2 weeks" vibes, Max transforms the track into a post-summer voyage anthem. More
1
Kito Jempere - The Language Of Love Ft. Adam Evald,
2
Kito Jempere - Strong Accent Ft. Curly Castro, SINDYSMAN, Lovvlovver
3
Kito Jempere - Forget, Forgive Ft. Mishinuki
4
Kito Jempere - Ingen Förstår Ft. Adam Evald, Ni!
5
Kito Jempere - The Closing Shift At The Jazz Cafe Ft. Jimi Tenor, Starving Yet Full, Ÿorik, Mak
6
Kito Jempere - Breed Ft. Ÿorik
7
Kito Jempere - Praise This Ft. SINDYSMAN
8
Kito Jempere - In The Mood For Dub (Memories Of Love) Ft. Mishinuki
9
Kito Jempere - Light Ft. Fotiniya
10
Kito Jempere - Obey (Reprise) Ft. mishinuki
11
Kito Jempere - Kabwato Ft. Budu¯chi, Ni!, Lipelis
12
Kito Jempere - Magic Mystery Tour Ft. Adam Evald
13
Kito Jempere - Track 04 Ft. Jimi Tenor, Fotiniya, Rich Thair
14
Kito Jempere - The Sun Is Still Up Ft. Noteless, Adam Evald, Saya Siiang, Alina Royz, Katya Pan
Green Monster, the 4th Kito Jempere studio album is a journey through love, interconnectedness and creative freedom, bound together by musical friendship that breaks through walls, borders, languages and shapes; accumulated over a celebrated twenty year career and ten years of Kito Jempere.
Over fourteen tracks Kito teams up with over 26 artists from all over the world: a range of talented artists including Warp records artist Jimi Tenor, Red Snapper drummer Rich Thair, Azari & III ex-vocalist Starving Yet Full, L.I.E.S. records Lipelis (on bass), Curly Castro and SINDYSMAN. The album blends hip-hop, free-flowing jazz and world-building soundscapes into a piece dedicated to Kito’s musical roots; marrying multiple artforms, cultural influences and international artists into a body of work that feels deeply personal, healing and detailed. The accompanying artwork is a world created by Kito made using Midjourney prompt, connecting the albums audio world with visible objects — both vinyl and CD will contain booklets with lyrics and the visual world of Green Monster.
Kito describes the album ‘like getting Ennio Morricone, Weezer, The Beatles, Oneothrix Point Never, Eduard Artemiev, Jaga Jazzist, Massive Attack, Fugazi, Jimi Tenor, Hans Zimmer, Radiohead, John Cage and Aphex Twin all together, then collaborating with movie-directors Wes Anderson, David Lynch, Dziga Vertov and Andrei Tarkovskiy.’ Used as a metaphor to help create his album. More
Over fourteen tracks Kito teams up with over 26 artists from all over the world: a range of talented artists including Warp records artist Jimi Tenor, Red Snapper drummer Rich Thair, Azari & III ex-vocalist Starving Yet Full, L.I.E.S. records Lipelis (on bass), Curly Castro and SINDYSMAN. The album blends hip-hop, free-flowing jazz and world-building soundscapes into a piece dedicated to Kito’s musical roots; marrying multiple artforms, cultural influences and international artists into a body of work that feels deeply personal, healing and detailed. The accompanying artwork is a world created by Kito made using Midjourney prompt, connecting the albums audio world with visible objects — both vinyl and CD will contain booklets with lyrics and the visual world of Green Monster.
Kito describes the album ‘like getting Ennio Morricone, Weezer, The Beatles, Oneothrix Point Never, Eduard Artemiev, Jaga Jazzist, Massive Attack, Fugazi, Jimi Tenor, Hans Zimmer, Radiohead, John Cage and Aphex Twin all together, then collaborating with movie-directors Wes Anderson, David Lynch, Dziga Vertov and Andrei Tarkovskiy.’ Used as a metaphor to help create his album. More
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Grauzone - Eisbär
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Grauzone - Ich Lieb Sie
2024 repress
The First Authorised, Official Re Edition of this Electronic, New Wave, Cold Wave, Pop, Synth, Post-Punk Classic, Personally Overseen by Stephan Eicher, Everything Original: Art, Tracklist, Cut on 45 rpm - Printed on 350 GSM Paperstock incl. Sticker!
WRWTFWW Records is very honored to announce the official reissue of Grauzone’s essential 1981 maxi single with timeless classic "Eisbär", proto-techno beast "FILM 2", and romantic synth ballad "Ich Lieb Sie", just in time for the 40th anniversary of the Swiss band’s formation. The three-track vinyl is sourced from the original reels, cut at 45rpm, and comes with its iconic artwork on a 350gsm sleeve.
Tracklisting:
A1. Eisbär
B1. FILM 2
B2. Ich Lieb Sie
Info:
WRWTFWW Records is very honored to announce the official reissue of Grauzone’s essential 1981 maxi single with timeless classic "Eisbär", proto-techno beast "FILM 2", and romantic synth ballad "Ich Lieb Sie", just in time for the 40th anniversary of the Swiss band’s formation. The three-track vinyl is sourced from the original reels, cut at 45rpm, and comes with its iconic artwork on a 350gsm sleeve.
Ich möchte ein Eisbär sein…Written by Martin Eicher after a nightmare in which he saw talking polar bears on the walls, and with music by the Grauzone crew consisting of Martin and his brother Stephan Eicher, Marco Repetto, Christian "GT" Trüssel, and Claudine Chirac (on saxophone), "Eisbär" is the most recognizable title from the band, a sublime mix of ingredients reflecting the transitional era it comes from - the raw energy of punk music still palpable, combined with the audacity of early electronics, the warm groove of a disco gem, beautifully fragile lyrics, and one of the best basslines ever. It became a mega hit, totally unplanned, but how could you resist such a track?
"FILM 2" is the ultimate b-side monster, a menacing all-instrumental pre-techno masterpiece, slowly building to a magnetizing frenzy. An instant underground favorite, it was famously heard played at both speeds depending on the scenes and DJs you were frequenting, 45rpm as it was first intended, and 33rpm for the cosmic experience (search Daniele Baldelli’s Cosmic C75 1982 mixtape online for a great example of this).
The maxi single ends with "Ich Lieb Sie", a synth-pop meets doo-wop ballad, a true love song oozing with innocence. Simple, stylish, and just right.
At the crossroads of post-punk, new wave, pop, and electronic experimentation, the Eisbär maxi offers three songs that are technically different but hold the same spirit, the perfect embodiment of Grauzone’s music - wild, unpredictable, and youthful, yet sophisticated, catchy, and ingenious. The magic recipe for the good stuff.
Stephan Eicher went on to be, arguably, the most successful Swiss musician ever, with an international career extending from pop chanson to experimental escapades and collaborations with Moondog, artists Sophie Calle and John Armleder, and author Martin Suter among many other luminaries. Marco Repetto flourished as a techno and ambient producer, releasing multiple projects including releases on Aphex Twin’s Rephlex label.
Grauzone and WRWTFWW will continue to collaborate on the band’s 40th anniversary reissue campaign, with numerous projects planned for the year, including a vast selection of music, visuals, and literature never available before.
More
The First Authorised, Official Re Edition of this Electronic, New Wave, Cold Wave, Pop, Synth, Post-Punk Classic, Personally Overseen by Stephan Eicher, Everything Original: Art, Tracklist, Cut on 45 rpm - Printed on 350 GSM Paperstock incl. Sticker!
WRWTFWW Records is very honored to announce the official reissue of Grauzone’s essential 1981 maxi single with timeless classic "Eisbär", proto-techno beast "FILM 2", and romantic synth ballad "Ich Lieb Sie", just in time for the 40th anniversary of the Swiss band’s formation. The three-track vinyl is sourced from the original reels, cut at 45rpm, and comes with its iconic artwork on a 350gsm sleeve.
Tracklisting:
A1. Eisbär
B1. FILM 2
B2. Ich Lieb Sie
Info:
WRWTFWW Records is very honored to announce the official reissue of Grauzone’s essential 1981 maxi single with timeless classic "Eisbär", proto-techno beast "FILM 2", and romantic synth ballad "Ich Lieb Sie", just in time for the 40th anniversary of the Swiss band’s formation. The three-track vinyl is sourced from the original reels, cut at 45rpm, and comes with its iconic artwork on a 350gsm sleeve.
Ich möchte ein Eisbär sein…Written by Martin Eicher after a nightmare in which he saw talking polar bears on the walls, and with music by the Grauzone crew consisting of Martin and his brother Stephan Eicher, Marco Repetto, Christian "GT" Trüssel, and Claudine Chirac (on saxophone), "Eisbär" is the most recognizable title from the band, a sublime mix of ingredients reflecting the transitional era it comes from - the raw energy of punk music still palpable, combined with the audacity of early electronics, the warm groove of a disco gem, beautifully fragile lyrics, and one of the best basslines ever. It became a mega hit, totally unplanned, but how could you resist such a track?
"FILM 2" is the ultimate b-side monster, a menacing all-instrumental pre-techno masterpiece, slowly building to a magnetizing frenzy. An instant underground favorite, it was famously heard played at both speeds depending on the scenes and DJs you were frequenting, 45rpm as it was first intended, and 33rpm for the cosmic experience (search Daniele Baldelli’s Cosmic C75 1982 mixtape online for a great example of this).
The maxi single ends with "Ich Lieb Sie", a synth-pop meets doo-wop ballad, a true love song oozing with innocence. Simple, stylish, and just right.
At the crossroads of post-punk, new wave, pop, and electronic experimentation, the Eisbär maxi offers three songs that are technically different but hold the same spirit, the perfect embodiment of Grauzone’s music - wild, unpredictable, and youthful, yet sophisticated, catchy, and ingenious. The magic recipe for the good stuff.
Stephan Eicher went on to be, arguably, the most successful Swiss musician ever, with an international career extending from pop chanson to experimental escapades and collaborations with Moondog, artists Sophie Calle and John Armleder, and author Martin Suter among many other luminaries. Marco Repetto flourished as a techno and ambient producer, releasing multiple projects including releases on Aphex Twin’s Rephlex label.
Grauzone and WRWTFWW will continue to collaborate on the band’s 40th anniversary reissue campaign, with numerous projects planned for the year, including a vast selection of music, visuals, and literature never available before.
More
An enormous collaboration between the current leaders of the new generation of Detroit dance music MOODYMAN, THEO PARRISH, RICK WILHITE and MARCELUS PITTMAN. Three tracks of deep, afro inspired underground techno soul that, much like anything any of these men has ever produced, is sure to go down in history as one of 'the' records to have bought new.
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An enormous collaboration between the current leaders of the new generation of Detroit dance music MOODYMAN, THEO PARRISH, RICK WILHITE and MARCELUS PITTMAN. Three tracks of deep, afro inspired underground techno soul that, much like anything any of these men has ever produced, is sure to go down in history as one of 'the' records to have bought new.
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Leave it up to Kenny Dixon Jr. aka Moodymann, to give us the last jab of 2013. New material from KDJ along with two tracks produced by Andres. This long awaited album features twelve songs over 4 sides of vinyl, a poster, all in custom sleeve with the best album artwork since 1979. A journey further into the weird and wonderful world of the Moodymann...
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Andrés - Lady Cab
2
Andrés - Sex
3
Andrés - GP Lalah
4
Andrés - Norman
Andrés, a renowned DJ and producer from Detroit, is celebrated for his eclectic blend of house, hip-hop, Latin, and soul. Known for his dynamic DJ sets and innovative productions, he has carved a unique niche in the electronic music scene. His work, featuring smooth grooves and deep, rhythmic beats, reflects Detroit's rich musical heritage. Andrés’ GT Flips series showcases his ability to transform classic tracks into head-nodding bangers. With releases on prestigious labels and captivating live performances, Andrés continues to inspire audiences worldwide.
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1
GAS - GAS 1 (1996)
2
GAS - GAS 2 (1996)
3
GAS - GAS 3 (1996)
4
GAS - GAS 4 (1996)
5
GAS - GAS 5 (1996)
6
GAS - GAS 6 (1996)
Kompakt is proud to announce, finally, a reissue of the first, self-titled GAS album. Originally released on electronica imprint Mille Plateaux back in 1996, it’s been unavailable in its original form ever since – the version of GAS included in 2008’s Nah Und Fern box featured several different tracks. Here, however, GAS is restored in all its glory, the debut full-length from Wolfgang Voigt’s most enigmatic, quixotic project.
There had, of course, been signs of what was to come. Back in 1995, Voigt essayed the first GAS release, a slender, yet remarkable four-track EP, Modern. Its centre label featured a reduced symbol – an overhead or lamp light, switched on, its glow radiating outwards in four bold black lines – a perfect representation of the tight, stylised ambient electronic pop contained on that 12”. A few curious compilation tracks were floating around, too, for Mille Plateaux’s Modulation & Transformation and Electric Ladyland series. If you were attentive enough, you could tell something was up.
But nothing quite prepared us for the languorous, effervescing loops and regular-like-clockwork beats that Voigt folded together on GAS. Its six long tracks, all untitled, neither begin nor end but hazily fade into earshot, vibrate majestically in your cochlea for fifteen-or-so minutes – some a bit shorter, some longer – and then meander away, reading the mise-en-scène for the next example of Voigt’s drift and dream logic to unfold. The material is referential in the most distant way, and you can sense only the most evanescent of ghostly presences, haunting these six compositions.
GAS feels, also, like a more pliable hint at what’s to come, as the GAS concept really solidified on its successor, 1997’s Zauberberg, and reach its apotheosis on Königsforst and Pop. Those three albums share a very similar palette – blurred, hazy samples, often of classical music, stacked and cross-thatched across a muted 4/4 thud. GAS, then, is an outlier of sorts: it’s more expansive in its remit, lighter in its mood, perhaps more fleet of foot. This, of course, is part of its charm.
In clearing space for Voigt, by preparing the terrain, GAS sits both at the edge of the forest, and at the verge of an expansive, wide-eyed future; one where GAS would become truly eternal.
Text by Jonathan Dale More
There had, of course, been signs of what was to come. Back in 1995, Voigt essayed the first GAS release, a slender, yet remarkable four-track EP, Modern. Its centre label featured a reduced symbol – an overhead or lamp light, switched on, its glow radiating outwards in four bold black lines – a perfect representation of the tight, stylised ambient electronic pop contained on that 12”. A few curious compilation tracks were floating around, too, for Mille Plateaux’s Modulation & Transformation and Electric Ladyland series. If you were attentive enough, you could tell something was up.
But nothing quite prepared us for the languorous, effervescing loops and regular-like-clockwork beats that Voigt folded together on GAS. Its six long tracks, all untitled, neither begin nor end but hazily fade into earshot, vibrate majestically in your cochlea for fifteen-or-so minutes – some a bit shorter, some longer – and then meander away, reading the mise-en-scène for the next example of Voigt’s drift and dream logic to unfold. The material is referential in the most distant way, and you can sense only the most evanescent of ghostly presences, haunting these six compositions.
GAS feels, also, like a more pliable hint at what’s to come, as the GAS concept really solidified on its successor, 1997’s Zauberberg, and reach its apotheosis on Königsforst and Pop. Those three albums share a very similar palette – blurred, hazy samples, often of classical music, stacked and cross-thatched across a muted 4/4 thud. GAS, then, is an outlier of sorts: it’s more expansive in its remit, lighter in its mood, perhaps more fleet of foot. This, of course, is part of its charm.
In clearing space for Voigt, by preparing the terrain, GAS sits both at the edge of the forest, and at the verge of an expansive, wide-eyed future; one where GAS would become truly eternal.
Text by Jonathan Dale More
1
Arthur Russell - IN THE LIGHT OF THE MIRACLE
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Arthur Russell - IN THE LIGHT OF THE MIRACLE - PONYTAIL CLUB MIX (PARTS 1 & 2)
Format Notes: 2024 first-time 12" single release of previously white label only tracks, 140g vinyl, mastered by Simon Francis
Track List:
A1 IN THE LIGHT OF THE MIRACLE (13:26 min)
B1 IN THE LIGHT OF THE MIRACLE - PONYTAIL CLUB MIX (PARTS 1 & 2) (14:10 min)
Release Notes:
FINALLY! The very first commercial release of two legendary remixes of Arthur Russell's "In The Light Of The Miracle". Both are widely regarded as transcendent masterpieces and very much befitting of the title “holy grails”.
These long-beloved mixes are the types you'd wish would last for eternity. With almost 30 minutes of music here, we very nearly get our desires granted. At last, these jaw-dropping mixes are widely available to every Arthur fan in the world. This is musical perfection.
The deep Loft classic "In The Light Of The Miracle" remained unreleased during Arthur's lifetime, finally discovered when Phillip Glass included the original version on Another Thought on Point Music in 1993. As Steve Knutson told us, when Another Thought was being put together, the plan was to release a companion album of remixes that was overseen by Steve D'Aquisto but the project only got as far as these two remixes of "In The Light Of The Miracle".
Some dodgy scans of some centre label designs suggest that Point Music might’ve been planning to release these on a 12" but it didn’t happen. The story goes that Gilles Peterson heard the remixes on a visit to the Point Music offices and wanted to release them on Talkin’ Loud. We’re not sure how many white label copies made it out into the wild, but again, these remixes didn’t make it to a proper release.
These remixes both extend and undeniably enhance the original, elevating it to new heights. The 13 minute remix on the A-side is by Danny Krivit & Tony Smith with editing duties performed by Tony Morgan. As ever with Arthur, the music is almost impossible to describe: is it Disco? Garage House? Avant Garde? None of these tags do full justice to its sheer majesty. You best just listen. Stretching out the original with some unbelievably great percussive elements, until we're in a deeply spiritual, otherworldly realm, it's just too beautiful for words. As many have claimed, it's the prototype for EVERYTHING.
The "Ponytail Club Mix (Part 1 & 2)", produced by Tony Morgan in the mid-90s, is in a more up-tempo style, with vocals higher in the mix, the BPM upped to 120 and the addition of a housey 4/4 kick drum. A 14 minute epic, you could say this is a more straight ahead "club-friendly" mix (but can things ever be that straightforward with Arthur?!) It also has some really interesting vocal parts not used in the other versions, including some vocals from guest poet Allen Ginsberg.
These remixes are part of the same original project that also produced the Another Thought album so it seems only right that they have a sleeve that matches. Thanks again to Janette Beckman for letting us use another of her photos of Arthur and the rest of the design follows what Margery Greenspan, Tina Lauffer and Michael Klotz did for Another Thought back in 1994.
Simon Francis remastered the original audio for both tracks and Cicely Balston's precise cut for Alchemy at AIR Studios ensures this 12" well and truly slaps. The immaculate Record Industry pressing will ensure this incredibly sought-after treasure finds a home in many more collections, this and every year.
More
Track List:
A1 IN THE LIGHT OF THE MIRACLE (13:26 min)
B1 IN THE LIGHT OF THE MIRACLE - PONYTAIL CLUB MIX (PARTS 1 & 2) (14:10 min)
Release Notes:
FINALLY! The very first commercial release of two legendary remixes of Arthur Russell's "In The Light Of The Miracle". Both are widely regarded as transcendent masterpieces and very much befitting of the title “holy grails”.
These long-beloved mixes are the types you'd wish would last for eternity. With almost 30 minutes of music here, we very nearly get our desires granted. At last, these jaw-dropping mixes are widely available to every Arthur fan in the world. This is musical perfection.
The deep Loft classic "In The Light Of The Miracle" remained unreleased during Arthur's lifetime, finally discovered when Phillip Glass included the original version on Another Thought on Point Music in 1993. As Steve Knutson told us, when Another Thought was being put together, the plan was to release a companion album of remixes that was overseen by Steve D'Aquisto but the project only got as far as these two remixes of "In The Light Of The Miracle".
Some dodgy scans of some centre label designs suggest that Point Music might’ve been planning to release these on a 12" but it didn’t happen. The story goes that Gilles Peterson heard the remixes on a visit to the Point Music offices and wanted to release them on Talkin’ Loud. We’re not sure how many white label copies made it out into the wild, but again, these remixes didn’t make it to a proper release.
These remixes both extend and undeniably enhance the original, elevating it to new heights. The 13 minute remix on the A-side is by Danny Krivit & Tony Smith with editing duties performed by Tony Morgan. As ever with Arthur, the music is almost impossible to describe: is it Disco? Garage House? Avant Garde? None of these tags do full justice to its sheer majesty. You best just listen. Stretching out the original with some unbelievably great percussive elements, until we're in a deeply spiritual, otherworldly realm, it's just too beautiful for words. As many have claimed, it's the prototype for EVERYTHING.
The "Ponytail Club Mix (Part 1 & 2)", produced by Tony Morgan in the mid-90s, is in a more up-tempo style, with vocals higher in the mix, the BPM upped to 120 and the addition of a housey 4/4 kick drum. A 14 minute epic, you could say this is a more straight ahead "club-friendly" mix (but can things ever be that straightforward with Arthur?!) It also has some really interesting vocal parts not used in the other versions, including some vocals from guest poet Allen Ginsberg.
These remixes are part of the same original project that also produced the Another Thought album so it seems only right that they have a sleeve that matches. Thanks again to Janette Beckman for letting us use another of her photos of Arthur and the rest of the design follows what Margery Greenspan, Tina Lauffer and Michael Klotz did for Another Thought back in 1994.
Simon Francis remastered the original audio for both tracks and Cicely Balston's precise cut for Alchemy at AIR Studios ensures this 12" well and truly slaps. The immaculate Record Industry pressing will ensure this incredibly sought-after treasure finds a home in many more collections, this and every year.
More
1
Skee Mask - Hedwig Transformation Group
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Skee Mask - Nostaglitch
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Skee Mask - Reminiscrmx
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Skee Mask - Element
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Skee Mask - Waldmeister
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Skee Mask - Daytime Gamer
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Skee Mask - Schneiders Paradox
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Skee Mask - BB Care
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Skee Mask - Terminal Z
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Skee Mask - Hölzl Was A Dancer
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Skee Mask - 7AM At The Rodeo
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Skee Mask - Vitamin 313
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Andrés - O Neil
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Andrés - Acuna
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Andrés - When Love Was King
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Andrés - E=MC2
Andrés, a renowned DJ and producer from Detroit, is celebrated for his eclectic blend of house, hip-hop, Latin, and soul. Known for his dynamic DJ sets and innovative productions, he has carved a unique niche in the electronic music scene. His work, featuring smooth grooves and deep, rhythmic beats, reflects Detroit's rich musical heritage. Andrés’ GT Flips series showcases his ability to transform classic tracks into head-nodding bangers. With releases on prestigious labels and captivating live performances, Andrés continues to inspire audiences worldwide.
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Label:Rawax Motor City Edition
Cat-No:GM-03
Release-Date:21.06.2024
Genre:Detroit Techno
Configuration:12"
Label:Rawax Motor City Edition
Cat-No:GM-03
Release-Date:21.06.2024
Genre:Detroit Techno
Configuration:12"
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Gerald Mitchell - Two Feet Up
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Los Hermanos - Remember Detroit
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Los Hermanos - Central Nervous Systems
4
Los Hermanos - Path Of Tranquility
RAWAX proudly presents the 3rd release by Gerald Mitchell
on his own RAWAX MOTOR CITY - series.
This time we have the honor to present him under his Los Hermanos alias! "Remember Detroit" is a beautiful piece of Music which makes you feel the pulse of this City. More
on his own RAWAX MOTOR CITY - series.
This time we have the honor to present him under his Los Hermanos alias! "Remember Detroit" is a beautiful piece of Music which makes you feel the pulse of this City. More
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GAS - Der Lange Marsch 1
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GAS - Der Lange Marsch 2
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GAS - Der Lange Marsch 3
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GAS - Der Lange Marsch 4
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GAS - Der Lange Marsch 5
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GAS - Der Lange Marsch 6
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GAS - Der Lange Marsch 7
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GAS - Der Lange Marsch 8
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GAS - Der Lange Marsch 9
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GAS - Der Lange Marsch 10
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GAS - Der Lange Marsch 11
Repress!
At the latest with the release of the albums "Zauberberg" and "Königsforst", in the mid-1990s, one associates GAS, Wolfgang Voigt's very own artistic cross-linking of the spirit of Romanticism and the forest as an artistic fantasy projection surface, with intoxicatingly blurred boundaries of post-ambient infatuation and the impenetrable thicket of abstract atonality. The distant, iconic straight bass drum marching through highly condensed, abstract sounds taken from classical music by the sampler or modulated accordingly, and the enraptured gaze through pop art glasses into the hypnotic thicket of an imaginary forest, manifested over the years this unique connection of audio and visual, which to understand fully, then as now, would be neither possible nor desirable.
Quite the opposite. The album GAS - DER LANGE MARSCH once again invites us to follow the deep sounding bass drum, to give in to its irresistible pull into a psychedelic world of 1000 promises. In the process, the journey leads us past stations of memories sounding from afar, from "Zauberberg" to "Königsforst" and "Pop", from "Oktember" to "Narkopop" and "Rausch", back and forth, now and forever.
Way. Destination. Loop. - Forest loop.
No beginning. No end. More
At the latest with the release of the albums "Zauberberg" and "Königsforst", in the mid-1990s, one associates GAS, Wolfgang Voigt's very own artistic cross-linking of the spirit of Romanticism and the forest as an artistic fantasy projection surface, with intoxicatingly blurred boundaries of post-ambient infatuation and the impenetrable thicket of abstract atonality. The distant, iconic straight bass drum marching through highly condensed, abstract sounds taken from classical music by the sampler or modulated accordingly, and the enraptured gaze through pop art glasses into the hypnotic thicket of an imaginary forest, manifested over the years this unique connection of audio and visual, which to understand fully, then as now, would be neither possible nor desirable.
Quite the opposite. The album GAS - DER LANGE MARSCH once again invites us to follow the deep sounding bass drum, to give in to its irresistible pull into a psychedelic world of 1000 promises. In the process, the journey leads us past stations of memories sounding from afar, from "Zauberberg" to "Königsforst" and "Pop", from "Oktember" to "Narkopop" and "Rausch", back and forth, now and forever.
Way. Destination. Loop. - Forest loop.
No beginning. No end. More
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Charlie - Spacer Woman
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Charlie - Spacer Woman (Instrumental)
Official reissue of this italo classic from 1985!
More