1
Noémi Büchi - We Are Only Matter
2
Noémi Büchi - Infernal Stability
3
Noémi Büchi - Can We Be Completely Transparent?
4
Noémi Büchi - Window Display of the Year
5
Noémi Büchi - Sweet Paradox
6
Noémi Büchi - What If It Doesnt Matter?
7
Noémi Büchi - Almost Nothing
8
Noémi Büchi - Desiring the Desire
9
Noémi Büchi - Biocide
10
Noémi Büchi - Collective Disaster
11
Noémi Büchi - Sépulcrale
"The new avant-garde isn't about creating something that doesn't yet exist, it's about abandoning and confusing rigid genres. I want to open up, in order to both abolish and reconstruct the musical past." — Noémi Büchi
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WAS - Word and Sound Medien GmbH
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DE - 22113 Hamburg
Germany
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DE - 22113 Hamburg
Germany
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More records from Noémi Büchi
1
Noémi Büchi - Elemental Fear
2
Noémi Büchi - Screaming at Brutism
3
Noémi Büchi - Causes of Forgetfulness
4
Noémi Büchi - Measuring All Possibilities
5
Noémi Büchi - Uncertainty of an Undefined Interdependenc
6
Noémi Büchi - Memorizing by Heart
7
Noémi Büchi - Taking the Train with Mr. Shark
8
Noémi Büchi - Prelude for Rational Freshness
Noémi Büchi's debut album 'Matter' captures the tension between growth and decay, consonance and dissonance, mirroring Büchi's own catharsis through music. Her most personal material to date, 'Matter' is an opus of refined, sculpted beauty, one that aims to blur the distinction between ephemerality and physicality. Inspired by late romantic classical music and early 20th century contemporary music, 'Matter' is driven by the compositional methodologies of Igor Stravinsky, Alexander Skrjabin, Gustav Mahler and György Ligeti to modern sound forms, adapting and expanding upon their ideas in an awe-inspiring exploration of cutting-edge potency and tactility Büchi structures the electronic works that constitute 'Matter' in movements, stratifying myriad instrumental parts like the constituent sections of an orchestra. During her work on the album, Büchi engaged in extensive research, obsessively studying specific chords and progressions, and searching for transcendent intonations with resonant properties; complexions of sound with the ability to connect with the listener's body. Transforming our inner worlds into zones of suspension and levitation, Büchi exposes the listener to intoxicating slipstreams of sound. Prominent voices ascend, tectonic disturbances threaten the foundations, perception and sensation becomes subject to elemental countercurrents and inversions. 'Matter' illustrates the fraught pursuit of momentary equilibrium, and makes the fragility of euphoria tangible. Composer & sound artist Noémi Büchi creates electronic, symphonic maximalism. Her music is defined by delicate electronic-orchestral forms and textural rhythms. She strives for a combination of harmonic and dissonant sonorities, to evoke both intellectual and emotional euphoria. Büchi has appeared on the Light of Other Days and Visible Dinner labels, and is now an affiliate of -OUS, releasing 'Hyle' her debut EP on the label in spring 2022. As well as her solo output, Noémi Büchi is currently working with Feldermelder on their collaborative project Musique Infinie. Their debut album will also be released via -OUS in the near future.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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More records from -OUS
1
Ludwig Berger - Between Water and Circuitry
2
Ludwig Berger - Between Pressure and Grid
3
Ludwig Berger - Between Wind and Wing
4
Ludwig Berger - Between Earth and Signal
5
Ludwig Berger - Between Data and Field
Created as the centre piece for Luxembourg's contribution to the 2025 Architecture Biennial, Ludwig Berger's field recording composition 'Ecotonalities: No Other Home Than the In-Between' weaves together recordings from distinctive locations across the territory. The piece critically examines the dynamics of the territory and investigates how ongoing developments are shaping the country's landscape. The concept of Ecotone — a transitional space between two ecosystems — guides the process, attuning listeners closely to frictions and co-existences within the environment.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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DE - 22113 Hamburg
Germany
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1
Simon Grab & David Meier - Basalt
2
Simon Grab & David Meier - Felsic
3
Simon Grab & David Meier - Stream
4
Simon Grab & David Meier - Igneous
5
Simon Grab & David Meier - Mafic
6
Simon Grab & David Meier - Pillow
7
Simon Grab & David Meier - Glow
Porœs is the first album emerging from the new collaboration between electronic musician and no-input-mixing polymath Simon Grab and multifaceted drummer and composer David Meier, who is also part of the internationally sought-after avant minimal rock band Schnellertollermeier. Grab and Meier's cross-genre sound is raw and volatile, morphing between razor-sharp, rolling, crumbling, erratic and fierce states. It balances between Meier's vibrant organic drumming and Grab's pulsating bleeps and noises, growling bass lines and dubbed out feedbacks that he extracts from his custom-plugged no-input-mixing setup. Always on the edge of musical tipping points, Grab gradually pushes his circuits into overdrive, only to recalibrate right before everything breaks apart. In defiance, Meier offers an abundance of bold, incisive, stumbling and lighthearted, earthly rhythms and textures that intertwine seamlessly and offer a world of its own to explore.
Throughout Porœs neither instrument is taking the lead. The two musicians step into a constant dialogue where it seems as if the sound waves are plunged into a perpetual maelstrom, welded into unbreakable bodies and melted into magma-like currents. Being fervently hazardous improvisers, Grab and Meier recorded this seven track album in several studio sessions, leading to a result that is confident and precise, but keeps the urgency of live improvisation. The constant sense of risk, of falling out of touch, combined with the intriguing thrill of witnessing an extended moment of equilibrium is what makes Simon Grab and David Meier's Porœs so captivating.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Throughout Porœs neither instrument is taking the lead. The two musicians step into a constant dialogue where it seems as if the sound waves are plunged into a perpetual maelstrom, welded into unbreakable bodies and melted into magma-like currents. Being fervently hazardous improvisers, Grab and Meier recorded this seven track album in several studio sessions, leading to a result that is confident and precise, but keeps the urgency of live improvisation. The constant sense of risk, of falling out of touch, combined with the intriguing thrill of witnessing an extended moment of equilibrium is what makes Simon Grab and David Meier's Porœs so captivating.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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1
Dorian Concept - It Works
2
Dorian Concept - A Sceptical Day
3
Dorian Concept - The Touch
4
Dorian Concept - Crumar Ballad
5
Dorian Concept - Outside Yourself
6
Dorian Concept - Cuchaule
7
Dorian Concept - Crevices
8
Dorian Concept - Odds
9
Dorian Concept - Novelty
We are very happy to announce the second instalment in our collaboration with SMEM. Dorian Concept spent 10 days at the Swiss Museum for Electronic Music Instruments to record Music From A Room Full of Synths. Even though he doesn't consider himself a "gear-guy," his unique approach led to a record defined by its playful curiosity and free-form arrangements. The entire album was recorded live, with no sequencing or programming involved. Thus, capturing the rawness of the moment, while celebrating the quirks and imperfections of older electronic-music gear, became the core of this project. ?Dorian Concept is a highly respected electronic musician who has been releasing music for close to two decades. As a cross-genre "synthesizer virtuoso," he mixes experimental electronic sounds with jazz, ambient, and club music. Due to his unmistakable sound and singular live show, he has become a sought-after performer. Over the course of his career, he has collaborated with musicians and producers such as Flying Lotus, Thundercat, and Kenny Beats.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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1
Ludwig Berger - what seed quests for a coralline mud slump
2
Ludwig Berger - where the body's distant arrivals
3
Ludwig Berger - bake airwaves into symbols?
4
Ludwig Berger - like aurochs who fraternized with syntax of the riverbed
5
Ludwig Berger - we stop short, frothy, outdoing the grass
6
Ludwig Berger - rake a song-gush from the outcrop
7
Ludwig Berger - or the noun of naive particles
8
Ludwig Berger - leeching off the glow-work of organ rooms
9
Ludwig Berger - we go candied in the marrow
10
Ludwig Berger - grow dream-bark, a tree
"Music is a form of world building. I love to develop sonic characters and set them into fictional ecosystems with unique textures, acoustics and atmospheres. Each song forms a different landscape, through which a vocal character guides us and tries to tell us its stories." — Ludwig Berger
Ludwig Berger's 'fictional' debut album "Garden Ediacara" unfolds as a musical eco-fiction, guiding listeners through a speculative ecosystem with synthesized vocals. Infused with storytelling techniques from sci-fi and fantasy, the album intertwines melodic songwriting with electroacoustic sound design. Inspired by hydrofeminism and eco-fiction novels, such as "A Door Into Ocean" by Joan Slonczewski, the album delves into the geological period of Ediacara around 600 million years ago — an era so remote it resonates as a glimpse into a possible future. The Ediacaran period was characterised by a peaceful and thriving ecosystem inhabited by soft-bodied creatures without eyes and bones, which were completely wiped out through the appearance of a new species. "Garden of Ediacara" alludes to this period, celebrating both the pleasures of biodiversity as well as mourning its inevitable loss. The narrative unfolds as an exploration of growth and interconnection in the shadow of a coming extinction. The track titles, written by Daisy Lafarge, reveal themselves as a cohesive poem and contribute to the album's narrative.
Informed by his practice of field recording that focusses on intimate encounters with plants, animals and geological phenomena, as well as his studies in electroacoustic composition, Berger expands his palette for his debut in 'fictional' music. The album prominently features a post-human, non-binary death metal voice synthesizer, physical modeling instruments, and microscopic field recordings of plants, insects, as well as aquatic and geological life. With impressionistic strokes, Ludwig Berger crafts vibrant worlds using glassy timbres and more-than-human voices, guiding listeners through emotionally ambiguous terrain, seamlessly oscillating between moments of intimacy and irritation, melancholy and playfulness.
Ludwig Berger is a landscape sound artist, educator and musician. In his compositions, installations and performances, he enables intimate and playful sonic encounters with plants, animals, buildings and geological entities. He is founder and curator of the label Vertical Music, which releases field recordings and experimental music. Berger holds degrees in electroacoustic composition, as well as musicology, art history and literature. As a sound researcher and teacher at the Institute for Landscape Architecture at ETH Zurich from 2015-2022, he studied the sonic dimension of Japanese gardens, alpine glaciers and urban landscapes, which among other things led to the release of the acclaimed album trilogy 'Melting Landscapes', 'Dammed Landscapes' and 'Buried Landscapes'.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Ludwig Berger's 'fictional' debut album "Garden Ediacara" unfolds as a musical eco-fiction, guiding listeners through a speculative ecosystem with synthesized vocals. Infused with storytelling techniques from sci-fi and fantasy, the album intertwines melodic songwriting with electroacoustic sound design. Inspired by hydrofeminism and eco-fiction novels, such as "A Door Into Ocean" by Joan Slonczewski, the album delves into the geological period of Ediacara around 600 million years ago — an era so remote it resonates as a glimpse into a possible future. The Ediacaran period was characterised by a peaceful and thriving ecosystem inhabited by soft-bodied creatures without eyes and bones, which were completely wiped out through the appearance of a new species. "Garden of Ediacara" alludes to this period, celebrating both the pleasures of biodiversity as well as mourning its inevitable loss. The narrative unfolds as an exploration of growth and interconnection in the shadow of a coming extinction. The track titles, written by Daisy Lafarge, reveal themselves as a cohesive poem and contribute to the album's narrative.
Informed by his practice of field recording that focusses on intimate encounters with plants, animals and geological phenomena, as well as his studies in electroacoustic composition, Berger expands his palette for his debut in 'fictional' music. The album prominently features a post-human, non-binary death metal voice synthesizer, physical modeling instruments, and microscopic field recordings of plants, insects, as well as aquatic and geological life. With impressionistic strokes, Ludwig Berger crafts vibrant worlds using glassy timbres and more-than-human voices, guiding listeners through emotionally ambiguous terrain, seamlessly oscillating between moments of intimacy and irritation, melancholy and playfulness.
Ludwig Berger is a landscape sound artist, educator and musician. In his compositions, installations and performances, he enables intimate and playful sonic encounters with plants, animals, buildings and geological entities. He is founder and curator of the label Vertical Music, which releases field recordings and experimental music. Berger holds degrees in electroacoustic composition, as well as musicology, art history and literature. As a sound researcher and teacher at the Institute for Landscape Architecture at ETH Zurich from 2015-2022, he studied the sonic dimension of Japanese gardens, alpine glaciers and urban landscapes, which among other things led to the release of the acclaimed album trilogy 'Melting Landscapes', 'Dammed Landscapes' and 'Buried Landscapes'.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Musique Infinie - The Power of Choice
2
Musique Infinie - Latent Delusional Thoughts
3
Musique Infinie - Voices Nobody Hears
4
Musique Infinie - Liquidation De La Nuit De L'incalculable
5
Musique Infinie - Broken Mind Circuit
6
Musique Infinie - Zones of Incorporation
7
Musique Infinie - The Cessation of Reasons
Musique Infinie, the new duo consisting of Noémi Büchi and Feldermelder, is rooted in a shared desire to intertwine two composing veins, and to merge them into a new, massive core. While Büchi combined her background in classical and electro-acoustic music with a bold approach to composition on her highly acclaimed debut album 'Matter' (-OUS, 2022), multi-disciplinary musician and artist Feldermelder has been expanding his artistic practice into unexplored realms for over 20 years. Mutually, they've challenged themselves to fully engage on an artistic exploration aimed at making use of the elementary forces that unfold between them. Their debut album, simply titled 'I', is a musical hybridization. The compositions make use of simple motives that are radically transformed by expanding them into intricate structures and fantastic layerings. The overcoming of genres with eclectic elements from classical music, jazz, film music and traditional music, combined with the vocabulary of experimental electronic music, complete the vertical plunge into this thickness. The emerging pieces lead into a paradoxical world, both disturbing and euphoric. Pieces that don't give in to calculations and expectations, but progress through ruptures and repetitions. The richness of the compositions and their analog, acoustic and orchestral character reflect the density of the world with its violence, its decadence, its fragility, but also its power, its ingenuity and its beauty.
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Germany
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Germany
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1
Furtherset - Circulata Melodia
2
Furtherset - Infinity of Stasis
3
Furtherset - Sites of Writing
4
Furtherset - The Streams of Time on Stone Dreams
5
Furtherset - New Clouds
6
Furtherset - Sensibility Spectrum
The Infinite Hour is a shattered elegy synthesized in electronics. Furtherset's music does not explain, settle or justify, it rather simply manifests the grip of anguish. As a whole, the album's six compositions resemble the labored breathing of one who mourns a disappearance and fears oblivion. A feeling like having one's chest weighed down by a stone, while still being attentive to one's breath, and aware of what remains. From this dimension The Infinite Hour arises and transfigures loss into a space that is always extending: the hour is infinite, the melody is circular, and even stasis has its own measure that is exceeded into eternity. The album was created between 2020 and 2022, in a slow process of writing and continuous refinement parallel to the previous EP, Auras. The compositions found their final form during the mixing process carried out together with composer & sound artist Bienoise (Mille Plateaux). They were later named based on references to authors who influenced and are dear to Furtherset: Amelia Rosselli, Vladimir Chlebnikov, Hubert Damisch, Dante Alighieri. Each track, composed with its live rendition in mind, manifests itself to the listener as a possible variant of a path that is never definitive. Their live performance, an increasingly distinctive moment within Furtherset's work, is a gesture of concentration and extension, where every composition is developed through meticulous variations of each singularity. The Infinite Hour is one possible manifestation of an ever-changing musical landscape, a universe with unmistakable sounds but always on the verge of disintegrating, collapsing, and opening up spaces, times, infinities. Furtherset is the musical project of artist and musician Tommaso Pandolfi (1995). His compositions' distinctive traits are stratifications and recursive shifting modulations, synthetic clusters and sampling, alongside rhythmic and embracing harmonies. The project is envisaged as formal research that follows a path towards saturation and layering, but is always capable of generating voids in which the listener can take their place and fill them according to their own focus.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
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DE - 22113 Hamburg
Germany
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1
Noémi Büchi - Elemental Fear
2
Noémi Büchi - Screaming at Brutism
3
Noémi Büchi - Causes of Forgetfulness
4
Noémi Büchi - Measuring All Possibilities
5
Noémi Büchi - Uncertainty of an Undefined Interdependenc
6
Noémi Büchi - Memorizing by Heart
7
Noémi Büchi - Taking the Train with Mr. Shark
8
Noémi Büchi - Prelude for Rational Freshness
Noémi Büchi's debut album 'Matter' captures the tension between growth and decay, consonance and dissonance, mirroring Büchi's own catharsis through music. Her most personal material to date, 'Matter' is an opus of refined, sculpted beauty, one that aims to blur the distinction between ephemerality and physicality. Inspired by late romantic classical music and early 20th century contemporary music, 'Matter' is driven by the compositional methodologies of Igor Stravinsky, Alexander Skrjabin, Gustav Mahler and György Ligeti to modern sound forms, adapting and expanding upon their ideas in an awe-inspiring exploration of cutting-edge potency and tactility Büchi structures the electronic works that constitute 'Matter' in movements, stratifying myriad instrumental parts like the constituent sections of an orchestra. During her work on the album, Büchi engaged in extensive research, obsessively studying specific chords and progressions, and searching for transcendent intonations with resonant properties; complexions of sound with the ability to connect with the listener's body. Transforming our inner worlds into zones of suspension and levitation, Büchi exposes the listener to intoxicating slipstreams of sound. Prominent voices ascend, tectonic disturbances threaten the foundations, perception and sensation becomes subject to elemental countercurrents and inversions. 'Matter' illustrates the fraught pursuit of momentary equilibrium, and makes the fragility of euphoria tangible. Composer & sound artist Noémi Büchi creates electronic, symphonic maximalism. Her music is defined by delicate electronic-orchestral forms and textural rhythms. She strives for a combination of harmonic and dissonant sonorities, to evoke both intellectual and emotional euphoria. Büchi has appeared on the Light of Other Days and Visible Dinner labels, and is now an affiliate of -OUS, releasing 'Hyle' her debut EP on the label in spring 2022. As well as her solo output, Noémi Büchi is currently working with Feldermelder on their collaborative project Musique Infinie. Their debut album will also be released via -OUS in the near future.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
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Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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1
Simon Grab & Francesco Giudici - I Leave
2
Simon Grab & Francesco Giudici - Sirens
3
Simon Grab & Francesco Giudici - Wolves
4
Simon Grab & Francesco Giudici - Aftermath
Simon Grab & Francesco Giudici's '[No] Surrender' is a strong and uncut manifest against social injustices, packed into screaming feedbacks and towering drones. Grab lures tender noises and pulsating frequencies from his fragile no-input-mixing-setup, while Giudici adds linear and visceral guitar drones, opening a dialogue between the two musicians, the room, and the surrounding context. Together, they create a uniquely soft but angry musical creature that feeds from emotions of loss and anger to become a haunting call for change. The album's cover presents a portrait of 'Madame Rochat' by photographer and film maker Aline d'Auria. The seemingly indestructible concierge was stripped from her home of half a century on the day of her retirement. Still, she persistently continued to fight for the working class' rights. '[No] Surrender' calls for awareness, resilience, and space for reflections. It's a story about mankind being trapped in a world poisoned by a failed system of power. It's an urgent call to overcome the darkness. Focusing on reduction and the peculiarity of self-referential systems, Simon Grab plays fragile feedbacks, pulsating drones and opulent outbursts of noise on a no-input-mixing setup. His has previously released"Posthuman Species" and "Extinction" on -OUS, while "Diamonds", a collaboration with Togolese rapper Yao Bobby and Asian Dub Foundation's Dhangsha, came out via LavaLava. Experimental musician and sociologist Francesco Giudici plays guitar in bands and creates music for films, installations and theatre pieces. He has released three albums with his band 'Black Fluo' on PulverUndAsche Records. His research as sociologist and demographer focuses on social and economic inequalities, social gradient in health, gender inequalities, occupational and familiar life trajectories.
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Germany
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Germany
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Opal Sunn (Alex Kassian + Hiroaki Oba) - Liquid – Phase II
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Opal Sunn (Alex Kassian + Hiroaki Oba) - Liquid – Phase III
DJ Support: Ben UFO, Palms Trax and more…
Alex Kassian reunites with Hiroaki Oba as Opal Sunn. Following on from their massive 2024 hit Elastic this latest offering ‘Liquid’ is the second in a trilogy of releases on the ‘buy on sight’ Test Pressing Records. Having taken their live set to the world finest clubs & with Elastic being an end of night anthem for DJ’s such as Palms Trax and Ben UFO. This highly anticipated new release builds on their sound and is sure to be another hit with DJ’s and record buyers alike
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WAS - Word and Sound Medien GmbH
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DE - 22113 Hamburg
Germany
Contact: [email protected]More
Alex Kassian reunites with Hiroaki Oba as Opal Sunn. Following on from their massive 2024 hit Elastic this latest offering ‘Liquid’ is the second in a trilogy of releases on the ‘buy on sight’ Test Pressing Records. Having taken their live set to the world finest clubs & with Elastic being an end of night anthem for DJ’s such as Palms Trax and Ben UFO. This highly anticipated new release builds on their sound and is sure to be another hit with DJ’s and record buyers alike
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1
Mystic Jungle & The Igor's Magic Guitars - Rock The Disco
2
Mystic Jungle & The Igor's Magic Guitars - Shaba Riddim
West Hill Studio is the place where the sound that has defined all the productions and artistic projects connected to the Periodica Records label was developed.? Located in the hills of Naples, it’s a private recording studio immersed in a small woodland and isolated from the city. A small wooden lodge and vintage equipment made it possible to create and convey, through music and ideas, a precise musical aesthetic that transcends contemporaneity and current trends.?The catalogue is personally curated by Mystic Jungle – born Dario Di Pace – music and executive producer and founder of both Periodica and Futuribile, released exclusively on vinyl and in limited editions. Well known for a distinctive sound that has unpredictably ranged from mutant-disco to soft-rock and reggae-inflected explorations for over a decade, he now presents two new electronic funk/rock tracks in collaboration with Serbian guitarist Igor Sekulovic. A pair of deliberately raw cuts, with the B-side conceived as an homage to a seminal 1985 digital reggae riddim built from a preset on the Casiotone MT-40
A1 Rock The Disco
B1 Shaba Riddim
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Germany
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A1 Rock The Disco
B1 Shaba Riddim
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1
Fila Brazillia - A1. Old Codes
2
Fila Brazillia - A2. Mermaids
3
Fila Brazillia - A3. Whose Money
4
Fila Brazillia - B1. Brazilification
5
Fila Brazillia - B2. Serratia Marcescens
6
Fila Brazillia - C1. The Sheriff
7
Fila Brazillia - C2. Feinman
8
Fila Brazillia - D1. The Light of Jesus
9
Fila Brazillia - D2. Strange Thoughts
10
Fila Brazillia - E1. Fila Funk
11
Fila Brazillia - F1. Pots & Pans
12
Fila Brazillia - F2. New Chaos
13
Fila Brazillia - G1. Rankine (Live At Bounce)
14
Fila Brazillia - H1. Chemistry
15
Fila Brazillia - H2. Rankine
Formats: 4LP Ltd Edition + insert
Tracklistings
4LP Ltd Edition
A1. Old Codes
A2. Mermaids
A3. Whose Money
B1. Brazilification
B2. Serratia Marcescens
C1. The Sheriff
C2. Feinman
D1. The Light of Jesus
D2. Strange Thoughts
E1. Fila Funk
F1. Pots & Pans
F2. New Chaos
G1. Rankine (Live At Bounce)
H1. Chemistry
H2. Rankine
The Label:
Forever Records
Music springs eternal. Recognising the enduring power of timeless albums to guide us through life, Forever Records is a reissue series dedicated to rediscovering lost musical treasures from across the spectrum of head-feeding, heart-rending electronic music.
Established by Rush Hour co-founder Christiaan Macdonald and Delsin founder Marsel van der Wielen, Forever Records places heartfelt faith in a carefully curated sequence of seminal, largely forgotten records from disparate eras, scenes and spaces within electronic music history. Tipped towards the mellow and introspective, these are albums that stop time when the needle hits the groove, stirring only when it's time to flip over before you sink back into the experience. That's what albums were always meant to be about, back then, right now, always and forever.
The Release:
Striking the sweet spot between sampledelic downtempo and earth-rooted deep house, Fila Brazillia's Old Codes New Chaos is a maverick patchwork of grooves and soundscapes. Crafted in North East England in the vibrant period before chill-out was co-opted by advertising, Steve Cobby and Dave McSherry's sharp-eared funk formula remains a cult classic suite of exquisite productions spanning deep house, broken beat and ambient shot through with wry humour.
Last physically released in limited quantities in 2002, Forever Records are revisiting this 1994 gem with an extensive reissue led by a triple vinyl pressing, newly mastered from the original mixdowns. There will also be a limited edition, 4LP edition including bonus tracks 'Rankine' (Live at Bounce), 'Chemistry' and 'Rankine', plus an exclusive print of Catherine Brennand's watercolour painting that graces the front of the album. A limited edition, gold disc CD housed in a digi-pack will also be available. All editions also features liner notes by veteran music journalist John McCready.
Press response to Old Codes New Chaos:
"The album that made the world finally sit up and take notice of the avant funk grooves coming from Hull's immaculately stoned tech funk magicians." Frank Tope, Mixmag, UK 1994.
"This album… stands out a mile from most of its peers as a work of untouchable genius." Bill Brewster, DJ Mag UK 1994.
"Fila works because they fit into that no man’s land, the space in your record collection where ambient seems too much like wallpaper and house seems just too braindead for your bedroom " Frank Tope, Mixmag, UK 1994.
"Having already created the perfect desert island disc, "Mermaids" and explored the darker side of sub bass on the 17-minute extravaganza "Fila Funk", Fila Brazillia have just unleashed their moving debut LP, "Old Codes New Chaos", and to be quite honest, you'd be fool to miss out this time around." Mandi James, Melody Maker, UK 1994.
“Where Cobby and Man rip up the rulebook on the four to the floor and probably make the greatest afterhours house album in the word”. Tony Marcus, Mixmag, 1996.
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Germany
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Tracklistings
4LP Ltd Edition
A1. Old Codes
A2. Mermaids
A3. Whose Money
B1. Brazilification
B2. Serratia Marcescens
C1. The Sheriff
C2. Feinman
D1. The Light of Jesus
D2. Strange Thoughts
E1. Fila Funk
F1. Pots & Pans
F2. New Chaos
G1. Rankine (Live At Bounce)
H1. Chemistry
H2. Rankine
The Label:
Forever Records
Music springs eternal. Recognising the enduring power of timeless albums to guide us through life, Forever Records is a reissue series dedicated to rediscovering lost musical treasures from across the spectrum of head-feeding, heart-rending electronic music.
Established by Rush Hour co-founder Christiaan Macdonald and Delsin founder Marsel van der Wielen, Forever Records places heartfelt faith in a carefully curated sequence of seminal, largely forgotten records from disparate eras, scenes and spaces within electronic music history. Tipped towards the mellow and introspective, these are albums that stop time when the needle hits the groove, stirring only when it's time to flip over before you sink back into the experience. That's what albums were always meant to be about, back then, right now, always and forever.
The Release:
Striking the sweet spot between sampledelic downtempo and earth-rooted deep house, Fila Brazillia's Old Codes New Chaos is a maverick patchwork of grooves and soundscapes. Crafted in North East England in the vibrant period before chill-out was co-opted by advertising, Steve Cobby and Dave McSherry's sharp-eared funk formula remains a cult classic suite of exquisite productions spanning deep house, broken beat and ambient shot through with wry humour.
Last physically released in limited quantities in 2002, Forever Records are revisiting this 1994 gem with an extensive reissue led by a triple vinyl pressing, newly mastered from the original mixdowns. There will also be a limited edition, 4LP edition including bonus tracks 'Rankine' (Live at Bounce), 'Chemistry' and 'Rankine', plus an exclusive print of Catherine Brennand's watercolour painting that graces the front of the album. A limited edition, gold disc CD housed in a digi-pack will also be available. All editions also features liner notes by veteran music journalist John McCready.
Press response to Old Codes New Chaos:
"The album that made the world finally sit up and take notice of the avant funk grooves coming from Hull's immaculately stoned tech funk magicians." Frank Tope, Mixmag, UK 1994.
"This album… stands out a mile from most of its peers as a work of untouchable genius." Bill Brewster, DJ Mag UK 1994.
"Fila works because they fit into that no man’s land, the space in your record collection where ambient seems too much like wallpaper and house seems just too braindead for your bedroom " Frank Tope, Mixmag, UK 1994.
"Having already created the perfect desert island disc, "Mermaids" and explored the darker side of sub bass on the 17-minute extravaganza "Fila Funk", Fila Brazillia have just unleashed their moving debut LP, "Old Codes New Chaos", and to be quite honest, you'd be fool to miss out this time around." Mandi James, Melody Maker, UK 1994.
“Where Cobby and Man rip up the rulebook on the four to the floor and probably make the greatest afterhours house album in the word”. Tony Marcus, Mixmag, 1996.
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DE - 22113 Hamburg
Germany
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Extended Edition of the Spacemen 3 Vinyl book.
An ode to the vinyl legacy of Sonic Boom and J Spaceman, this full-colour book chronicles the Spacemen 3 releases between 1986 to 2024.
Dedicated to the musicians, engineers, producers, graphic artists, photographers, and the many independent (and bootleg) labels who shaped their journey, it features high-quality photographs of LPs, 12”s, 10”s, and 7”s from across the globe. This is the definitive visual archive for fans and collectors alike.
This new edition also includes:
An extensive range of rare and previously unseen material
Test pressings
Press releases
Promotional posters and photos
Studio notes and handwritten lyrics
Misprints and original artwork sketches
A full Outer Limits fanzine feature
Tour programmes and more
Plus, the book also features exclusive new interviews with the following key artists and label figures, offering an excellent insight into the world of Spacemen 3:
Sonic Boom
Pete Bain
Will Carruthers
Charlie Pritchard (Outer Limits)
David Barker (Glass Records)
Suzy Shaw (Bomp! Records)
Dom Martin (The Great Pop Supplement)
Mark Lascelles (Runcible Records)
As well as each book from the first print run coming with an exclusive A3 poster, the book cover will also have a UV spot varnish finish to echo that of the Glass pressing of The Perfect Prescription.
Paperback Specifications
Size: 215.9 x 279.4
Cover Weight: 300gsm
Insides Weight: 135gsm Silk
Cover Finish: Matt with spot UV finish
Pages: 382
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Germany
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An ode to the vinyl legacy of Sonic Boom and J Spaceman, this full-colour book chronicles the Spacemen 3 releases between 1986 to 2024.
Dedicated to the musicians, engineers, producers, graphic artists, photographers, and the many independent (and bootleg) labels who shaped their journey, it features high-quality photographs of LPs, 12”s, 10”s, and 7”s from across the globe. This is the definitive visual archive for fans and collectors alike.
This new edition also includes:
An extensive range of rare and previously unseen material
Test pressings
Press releases
Promotional posters and photos
Studio notes and handwritten lyrics
Misprints and original artwork sketches
A full Outer Limits fanzine feature
Tour programmes and more
Plus, the book also features exclusive new interviews with the following key artists and label figures, offering an excellent insight into the world of Spacemen 3:
Sonic Boom
Pete Bain
Will Carruthers
Charlie Pritchard (Outer Limits)
David Barker (Glass Records)
Suzy Shaw (Bomp! Records)
Dom Martin (The Great Pop Supplement)
Mark Lascelles (Runcible Records)
As well as each book from the first print run coming with an exclusive A3 poster, the book cover will also have a UV spot varnish finish to echo that of the Glass pressing of The Perfect Prescription.
Paperback Specifications
Size: 215.9 x 279.4
Cover Weight: 300gsm
Insides Weight: 135gsm Silk
Cover Finish: Matt with spot UV finish
Pages: 382
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DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Shinichi Atobe - intro 6.1
2
Shinichi Atobe - Phase 2
3
Shinichi Atobe - TRNS
4
Shinichi Atobe - Blurred
5
Shinichi Atobe - Aquarius
6
Shinichi Atobe - Durability
7
Shinichi Atobe - Rain 1
8
Shinichi Atobe - Syndrome
9
Shinichi Atobe - Fractal
10
Shinichi Atobe - Defect
Please pre-order till Sunday, 15 February 2026 to ensure stock availability.
Preview: https://youtu.be/SBMw7CD9ZS4?si=q1CX453hqaNhbL-P
The solitary electronic musician Shinichi Atobe, quietly evading the era's evaluative axes while continuously updating his work in real time.
His new album, Silent Way, is released on 27th March via his self-run label Plastic & Sounds.
Following two 12-inch singles released via the self-run label Plastic & Sounds, which launched unexpectedly this past July, the culmination of their work to date—the album Silent Way, comprising ten tracks—will be released on 27th March as a coloured vinyl 2LP (gatefold sleeve/33RPM/limited press) and digitally.
Mastering and record cutting by Rashad Becker in Berlin. The artwork centres on photographer Yusuke Yamatani's work, with Satoshi Suzuki—who handles all P&S releases—constructing the overall aesthetic.
Last October, they appeared on Resident Advisor's popular series “RA Podcast”, with audio from their world premiere live performance in April 2023 released. They held the “Plastic & Sounds” label launch party at Shibuya WWW. In January 2026, they performed a live set of their acclaimed album “Heat” at the venue's New Year's party.
This release comes amidst growing international acclaim, with their previous album ‘Discipline’ featured in Pitchfork's ‘The 30 Best Electronic Albums of 2025’, and one of their signature tracks, ‘Butterfly Effect’, selected for RA (Resident Advisor)'s ‘The Best Electronic Tracks of 2000-25’.
Tracklist:
A1. intro 6.1
A2. Phase 2
A3. TRNS
B1. Blurred
B2. Aquarius
B3. Durability
C1. Rain 1 [ https://youtu.be/SBMw7CD9ZS4?si=q1CX453hqaNhbL-P ]
C2. Syndrome
D1. Fractal
D2. Defect
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Preview: https://youtu.be/SBMw7CD9ZS4?si=q1CX453hqaNhbL-P
The solitary electronic musician Shinichi Atobe, quietly evading the era's evaluative axes while continuously updating his work in real time.
His new album, Silent Way, is released on 27th March via his self-run label Plastic & Sounds.
Following two 12-inch singles released via the self-run label Plastic & Sounds, which launched unexpectedly this past July, the culmination of their work to date—the album Silent Way, comprising ten tracks—will be released on 27th March as a coloured vinyl 2LP (gatefold sleeve/33RPM/limited press) and digitally.
Mastering and record cutting by Rashad Becker in Berlin. The artwork centres on photographer Yusuke Yamatani's work, with Satoshi Suzuki—who handles all P&S releases—constructing the overall aesthetic.
Last October, they appeared on Resident Advisor's popular series “RA Podcast”, with audio from their world premiere live performance in April 2023 released. They held the “Plastic & Sounds” label launch party at Shibuya WWW. In January 2026, they performed a live set of their acclaimed album “Heat” at the venue's New Year's party.
This release comes amidst growing international acclaim, with their previous album ‘Discipline’ featured in Pitchfork's ‘The 30 Best Electronic Albums of 2025’, and one of their signature tracks, ‘Butterfly Effect’, selected for RA (Resident Advisor)'s ‘The Best Electronic Tracks of 2000-25’.
Tracklist:
A1. intro 6.1
A2. Phase 2
A3. TRNS
B1. Blurred
B2. Aquarius
B3. Durability
C1. Rain 1 [ https://youtu.be/SBMw7CD9ZS4?si=q1CX453hqaNhbL-P ]
C2. Syndrome
D1. Fractal
D2. Defect
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Label:Smallville Records
Cat-No:smallville73
Release-Date:20.03.2026
Genre:Deephouse
Configuration:12" Excl
Label:Smallville Records
Cat-No:smallville73
Release-Date:20.03.2026
Genre:Deephouse
Configuration:12" Excl
1
Lawrence - Angels
2
Lawrence - Ray
3
Lawrence - Ocean Drive
4
Lawrence - Poppies
Artwork and Typography by Stefan Marx
Tracklist:
A1 Angels
A2 Ray
B1 Ocean Drive
B2 Poppies
Don't miss Lawrence revisiting familiar ground on Smallville with four timeless tracks, gently pushing his sound forward, restrained poetic and unmistakably his own.
Including a full Cover Artwork by Stefan Marx.
All tracks written & produced by Peter M. Kersten
Vinyl cut by Helmut Erler at Lathesville
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DE - 22113 Hamburg
Germany
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Tracklist:
A1 Angels
A2 Ray
B1 Ocean Drive
B2 Poppies
Don't miss Lawrence revisiting familiar ground on Smallville with four timeless tracks, gently pushing his sound forward, restrained poetic and unmistakably his own.
Including a full Cover Artwork by Stefan Marx.
All tracks written & produced by Peter M. Kersten
Vinyl cut by Helmut Erler at Lathesville
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DE - 22113 Hamburg
Germany
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1
Interlude - Just Be (Interlude)
2
Larry Lan - WTNG
3
N/UM - A Free Woman in Queens
4
DeWinter & Asha Jasz, & Jay Prouty - Acid in Your Coffee (feat. Mari Blue)
5
$coe - The Devil is a MF Liar
6
Interlude - Big Sexy (Interlude)
Tracklisting
A1 Interlude - Just Be (Interlude)
A2 Larry Lan - WTNG
A3 N/UM - A Free Woman in Queens
B1 DeWinter & Asha Jasz, & Jay Prouty feat. Mari Blue - Acid in Your Coffee
B2 $coe - The Devil is a MF Liar
B3 Interlude - Big Sexy (Interlude)
Sales Note
Brooklyn Sway's 8th installment arrives from outside with more unexpected debuts and riotous returns to form. Experienced Barcelonian Larry Lan's epic 10-minute opener 'WTNG' is minimal goes post-punk, repurposing well-known, undisguised lyrics into an aggressive take on early Perlon and explanation enough for his recent album drop on Cadenza. BKS vets N/UM return with 'A Free Woman in Queens' showing off a reduced side of their sound adjacent to mid-00s minimal with plenty of character, its stripped intro giving way to a fuller, dubbed-out second half, with the cheeky vocal and instrumental touches joined by a swelling pad. Featuring spoken vox from Mari Blue and the debut of BKS co-head Asha Jasz alongside DeWinter and Jay Prouty, 'Acid in Your Coffee' takes the dirtier route, with layers of zapping electronics, an insistent single-note acid bass, and synths drifting between tones and textures all veering off like its vocals before eventually returning to center. LA/Bucktown scallywag $coe brings it home with 'The Devil is a MF Liar', an acid jam whose profanity-laced vocal samples don't require divine intervention to decipher. Bookended by a pair of interludes, the first on the power of repetition and the last in memoriam BK legend Big Sexy in his own words, and again featuring striking artwork from notable NYC street artist Fumero, BKS keeps that Sway from going astray.
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A1 Interlude - Just Be (Interlude)
A2 Larry Lan - WTNG
A3 N/UM - A Free Woman in Queens
B1 DeWinter & Asha Jasz, & Jay Prouty feat. Mari Blue - Acid in Your Coffee
B2 $coe - The Devil is a MF Liar
B3 Interlude - Big Sexy (Interlude)
Sales Note
Brooklyn Sway's 8th installment arrives from outside with more unexpected debuts and riotous returns to form. Experienced Barcelonian Larry Lan's epic 10-minute opener 'WTNG' is minimal goes post-punk, repurposing well-known, undisguised lyrics into an aggressive take on early Perlon and explanation enough for his recent album drop on Cadenza. BKS vets N/UM return with 'A Free Woman in Queens' showing off a reduced side of their sound adjacent to mid-00s minimal with plenty of character, its stripped intro giving way to a fuller, dubbed-out second half, with the cheeky vocal and instrumental touches joined by a swelling pad. Featuring spoken vox from Mari Blue and the debut of BKS co-head Asha Jasz alongside DeWinter and Jay Prouty, 'Acid in Your Coffee' takes the dirtier route, with layers of zapping electronics, an insistent single-note acid bass, and synths drifting between tones and textures all veering off like its vocals before eventually returning to center. LA/Bucktown scallywag $coe brings it home with 'The Devil is a MF Liar', an acid jam whose profanity-laced vocal samples don't require divine intervention to decipher. Bookended by a pair of interludes, the first on the power of repetition and the last in memoriam BK legend Big Sexy in his own words, and again featuring striking artwork from notable NYC street artist Fumero, BKS keeps that Sway from going astray.
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Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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1
Boo Williams - Mind Games
2
Boo Williams - Fretless Groove
3
Boo Williams - The Awakening
Chicago legend Boo Williams returns to the spotlight with a stunning collection of brand-new, unreleased tracks. This record is a true gem, showcasing the timeless artistry and unmistakable groove that have defined his career. Drawing on deep Chicago influences, Boo masterfully blends soulful textures and hypnotic rhythms into an elegant house journey fit for any dancefloor. Sophisticated, inspired, and beautifully produced, this release once again highlights the endless class and musical vision of a true master of the craft.
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DE - 22113 Hamburg
Germany
Contact: [email protected]More
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
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DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Dompe - Reload
2
Dompe - Wave
3
Dompe - Sundown
12"
GENRE/S:
House
TRACKLIST:
A1 Dompe - Reload
A2 Dompe - Wave
B1 Dompe - Sundown
SHORT INFO:
Dompe Delivers Peak-Time House Energy on New Reload EP.
Definitive Recordings welcomes a brand-new three-track EP from Dompe, showcasing his unmistakable blend of classic house
foundations, driving grooves, and modern club attitude.
Dompe aka Dominic Wagner is a DJ and producer driven by relentless passion and an instinctive feel for the dancefloor.
Known for pairing distinctive vocals with finely crafted basslines and arrangements, his sound is always moving forward while
staying rooted in house tradition. Based in Berlin since 2011, Dompe founded Jackfruit Recordings in 2017 as his personal
creative playground, releasing a steady stream of music that has earned both national and international attention. His doublevinyl album ‘Hippie Crack’ sold out quickly and charted strongly on Beatport, followed by ‘French Collection’. In 2025, Dompe
made his debut on Definitive Recordings with a standout remix of the label classic ‘Let It Go’ by John Acquaviva, Olivier
Giacomotto and Dan Diamond further cementing his connection to the imprint.
Now returning with a full EP, Dompe opens with ‘Reload’, a classic house groover built around a tight rhythm, a looping piano
motif, and a chopped, repeated male spoken-word vocal that locks into the groove. It’s raw, hypnotic, and instantly effective on
the floor. ‘Wave’ shifts into more percussive territory, drawing on classic tech house energy. Built almost entirely around drums,
the track evolves through rolling percussion, catchy vocal snippets, and sharp house synth work before snapping back into a
full percussive drive designed for late-night momentum. Closing the EP, ‘Sundown’ delivers a no-nonsense house stomper. Big
909 drums, a 90s-inspired piano theme, and a vocal sample declaring ‘ecstasy’ capture the peak-time feeling of a packed club
in full flow: direct, euphoric, and unapologetically house.
This three-track EP is Dompe at his most focused: groove-heavy, vocal-driven, and made for the dancefloor from start to finish.
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GENRE/S:
House
TRACKLIST:
A1 Dompe - Reload
A2 Dompe - Wave
B1 Dompe - Sundown
SHORT INFO:
Dompe Delivers Peak-Time House Energy on New Reload EP.
Definitive Recordings welcomes a brand-new three-track EP from Dompe, showcasing his unmistakable blend of classic house
foundations, driving grooves, and modern club attitude.
Dompe aka Dominic Wagner is a DJ and producer driven by relentless passion and an instinctive feel for the dancefloor.
Known for pairing distinctive vocals with finely crafted basslines and arrangements, his sound is always moving forward while
staying rooted in house tradition. Based in Berlin since 2011, Dompe founded Jackfruit Recordings in 2017 as his personal
creative playground, releasing a steady stream of music that has earned both national and international attention. His doublevinyl album ‘Hippie Crack’ sold out quickly and charted strongly on Beatport, followed by ‘French Collection’. In 2025, Dompe
made his debut on Definitive Recordings with a standout remix of the label classic ‘Let It Go’ by John Acquaviva, Olivier
Giacomotto and Dan Diamond further cementing his connection to the imprint.
Now returning with a full EP, Dompe opens with ‘Reload’, a classic house groover built around a tight rhythm, a looping piano
motif, and a chopped, repeated male spoken-word vocal that locks into the groove. It’s raw, hypnotic, and instantly effective on
the floor. ‘Wave’ shifts into more percussive territory, drawing on classic tech house energy. Built almost entirely around drums,
the track evolves through rolling percussion, catchy vocal snippets, and sharp house synth work before snapping back into a
full percussive drive designed for late-night momentum. Closing the EP, ‘Sundown’ delivers a no-nonsense house stomper. Big
909 drums, a 90s-inspired piano theme, and a vocal sample declaring ‘ecstasy’ capture the peak-time feeling of a packed club
in full flow: direct, euphoric, and unapologetically house.
This three-track EP is Dompe at his most focused: groove-heavy, vocal-driven, and made for the dancefloor from start to finish.
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1
Jephte Guillaume Feat. Duke Guillaume - Sove Yo (Save Them)" (Vokal mix)
2
Jephte Guillaume Feat. Duke Guillaume - Sove Yo (Save Them)" (Duke & Jephte Cosmic mix)
3
Jephte Guillaume Feat. Duke Guillaume - Sove Yo (Save Them)" (Duke & Jephte Electronic version
4
Jephte Guillaume Feat. Duke Guillaume - Sove Yo (Save Them)" (Duke & Jephte Rhythms)
Sove Yo (Save Them)
A collaboration between two immensely talented Blood Brothers. Musicians who are considered to be second none as it relates to the world of music orchestration and talent. Afro House Originator Jephte Guillaume joined by his multi-talented brother Duke Guillaume have come together in the midst of a never-ending conflict and chaos to produce a composition that speaks
to the heart of what is desperately needed now and forever. The composition is such that we can legitimately go on with regards to its infectious rhythms and melody. However, we prefer to leave that to you the listener and much rather put attention to the message and the meaning of the music. With all that said, we hope that you immerse yourselves in its vibration and thus echo its
frequencies from your speakers loud and clear so that it resonates to the hearts and souls of all who are in need extra healing and direction.
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A collaboration between two immensely talented Blood Brothers. Musicians who are considered to be second none as it relates to the world of music orchestration and talent. Afro House Originator Jephte Guillaume joined by his multi-talented brother Duke Guillaume have come together in the midst of a never-ending conflict and chaos to produce a composition that speaks
to the heart of what is desperately needed now and forever. The composition is such that we can legitimately go on with regards to its infectious rhythms and melody. However, we prefer to leave that to you the listener and much rather put attention to the message and the meaning of the music. With all that said, we hope that you immerse yourselves in its vibration and thus echo its
frequencies from your speakers loud and clear so that it resonates to the hearts and souls of all who are in need extra healing and direction.
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WAS - Word and Sound Medien GmbH
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DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Joaquin Joe Claussell pres. - Progressive Roots (remix)
2
Joaquin Joe Claussell pres. - Progressive Roots (Ahmee’s club Culture Foundation remix)
3
Joaquin Joe Claussell pres. - Progressive Roots (Deep mix)
4
Joaquin Joe Claussell pres. - Progressive Roots (Congo)
The Club Culture Foundation in Collaboration with Sacred Rhythm Music presents the much-anticipated Joaquin Joe Claussell Progressive Roots a Song for Healing Remix 12inch taken from the successful-highly sought-after Joaquin Joe Claussell Progressive Roots a Song for Healing LP Cat#: SRMLP-1011 with dope art work by Akemi Shimada. This new 12inch features Remixes by Joaquin Claussell and includes a collaborative remix with Ahmee Lim (The Executive Producer of the Progressive Roots Project released on Sacred Rhythm Music. 50 copies of this limited record produced was firstly to commemorate the Progressive Roots a Time for Healing Event hosted at Cosmic Arts Brooklyn New York and has been in heavy demand ever since. Now for limited time finally it will become available.?
Joaquin Joe Claussell Progressive Roots Evolution A song for Healing. Special Twelve Inch Remix Limited Color
Vinyl with Full Color Jacket Sleeve
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Joaquin Joe Claussell Progressive Roots Evolution A song for Healing. Special Twelve Inch Remix Limited Color
Vinyl with Full Color Jacket Sleeve
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1
Roi Azulay - Satori
2
Roi Azulay - Hope
3
Roi Azulay - Ode To My Frida" (Vince Watson Piano Reshape)
Welcome to yet another release orchestrated by DJ/Producer Roi Azulay. This latest release further demonstrates the undeniable talents of this up and coming producer featuring 2 dope alternate compositions taken from his critically acclaimed full-length release titled Reflections. A full-length album, which features a remix produced by the one and only Kuniyuki Takahashi. Keeping in rhythm and tradition this latest 12-inch release features not only two new remixes by Roi but also a supercharged remix produced by one of deep techno ambassadors Vince Watson.
And so, what you get here are 3 hot music compositions on 12ihch colored vinyl housed on a full colored / hand painted Jacket.
If you have an affinity for deep house and an even deeper one for musical electronics, then this colored vinyl 12 inch should be right up your alley. Let's go…
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And so, what you get here are 3 hot music compositions on 12ihch colored vinyl housed on a full colored / hand painted Jacket.
If you have an affinity for deep house and an even deeper one for musical electronics, then this colored vinyl 12 inch should be right up your alley. Let's go…
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More