Rising multi-media artist Shaboozey intends to build his own world.

Determined to carve his own lane in the Alt-Country / Hip-Hop space; he crafts a sound that pays homage to a cast of traditional Western influences, such as Bob Dylan, Lead Belly, Johnny Cash, and Leonard Cohen, while looking into the future of what the two genres have yet to introduce.

Remaining true to his Virginia roots, Shaboozey hopes to continue the region's long-standing tradition of producing some of the most prolific creatives of the new millennium. This time through elevating the scope of contemporary hip-hop and introducing a modern Americana culture to a global audience.

Fresh off of his inclusion in the groundbreaking Beyonce album, Cowboy Carter, of which he was the only featured artist to appear twice, Shaboozey is set to release his own album, Where I've Been, isn't Where I'm Going. An album that has been years in the making, it includes standout singles "Let It Burn," "Vegas," "Anabelle," & the infectiously fun singalong anthem "A Bar Song (Tipsy)." Millions of streams later, and appearances on esteemed programs such as COLORS and The Late Show with Stephen Colbert, Shaboozey is set to become the new face of modern American country music.

Key Marketing/Selling:
- Shaboozey is a country artist with influences of contemporary hip-hop
- Shaboozey has 9M monthly listeners on Spotify
- The album, Where I've Been, isn't Where I'm Going, has over 20k pre-saves on Apple Music
- Where I've Been, isn't Where I'm Going comes at the perfect time, as the cowboy aesthetic and country music are at a critical nexus in pop culture
- Third studio album from Shaboozey, following the previously released Cowboys Live Forever, Outlaws Never Die (2022) & Lady Wrangler (2018)
- A Bar Song (Tipsy) is a new bar room/college town singalong anthem
- Appeared on Spider-Man: Into the Spider-Verse (Soundtrack from & Inspired by the Motion Picture) for the song, "Start A Riot" - 140M streams on Spotify alone
- Appeared on Beyonce's Cowboy Carter album
- Only featured artist to appear twice
- Received wide-spread acclaim from all major publications (Rolling Stone, LA Times, Variety, USA Today, Time, Billboard & more)
- Debuted at #31 (Spaghetti) & #61 (Sweet Honey Buckiin') on Billboard Hot 100
- Debuted the single "Vegas" via a memorable performance in COLORS & later performed it on the Late Show with Stephen Colbert
- Performing a set of live shows in May in select key markets (LA/NY/Nashville) - all of which are sold out
- Official music videos released for "Let It Burn", "Vegas," "Anabelle," & "A Bar Song (Tipsy)"
- Overall Streams: 182.07M+
- Let It Burn @ 28.1M+
- Anabelle @ 4.5M+
- Vegas @ 1.6M+
- Over Half A Billion Views on TikTok
- Let It Burn #8 on Viral Spotify



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Germany
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Rising multi-media artist Shaboozey intends to build his own world.

Determined to carve his own lane in the Alt-Country / Hip-Hop space; he crafts a sound that pays homage to a cast of traditional Western influences, such as Bob Dylan, Lead Belly, Johnny Cash, and Leonard Cohen, while looking into the future of what the two genres have yet to introduce.

Remaining true to his Virginia roots, Shaboozey hopes to continue the region's long-standing tradition of producing some of the most prolific creatives of the new millennium. This time through elevating the scope of contemporary hip-hop and introducing a modern Americana culture to a global audience.

Fresh off of his inclusion in the groundbreaking Beyonce album, Cowboy Carter, of which he was the only featured artist to appear twice, Shaboozey is set to release his own album, Where I've Been, isn't Where I'm Going. An album that has been years in the making, it includes standout singles "Let It Burn," "Vegas," "Anabelle," & the infectiously fun singalong anthem "A Bar Song (Tipsy)." Millions of streams later, and appearances on esteemed programs such as COLORS and The Late Show with Stephen Colbert, Shaboozey is set to become the new face of modern American country music.

Key Marketing/Selling:
- Shaboozey is a country artist with influences of contemporary hip-hop
- Shaboozey has 9M monthly listeners on Spotify
- The album, Where I've Been, isn't Where I'm Going, has over 20k pre-saves on Apple Music
- Where I've Been, isn't Where I'm Going comes at the perfect time, as the cowboy aesthetic and country music are at a critical nexus in pop culture
- Third studio album from Shaboozey, following the previously released Cowboys Live Forever, Outlaws Never Die (2022) & Lady Wrangler (2018)
- A Bar Song (Tipsy) is a new bar room/college town singalong anthem
- Appeared on Spider-Man: Into the Spider-Verse (Soundtrack from & Inspired by the Motion Picture) for the song, "Start A Riot" - 140M streams on Spotify alone
- Appeared on Beyonce's Cowboy Carter album
- Only featured artist to appear twice
- Received wide-spread acclaim from all major publications (Rolling Stone, LA Times, Variety, USA Today, Time, Billboard & more)
- Debuted at #31 (Spaghetti) & #61 (Sweet Honey Buckiin') on Billboard Hot 100
- Debuted the single "Vegas" via a memorable performance in COLORS & later performed it on the Late Show with Stephen Colbert
- Performing a set of live shows in May in select key markets (LA/NY/Nashville) - all of which are sold out
- Official music videos released for "Let It Burn", "Vegas," "Anabelle," & "A Bar Song (Tipsy)"
- Overall Streams: 182.07M+
- Let It Burn @ 28.1M+
- Anabelle @ 4.5M+
- Vegas @ 1.6M+
- Over Half A Billion Views on TikTok
- Let It Burn #8 on Viral Spotify



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-NO SALES TO JAPAN-
LP: 180g vinyl, half speed mastered, heavy sleeve, obi

Tracklisting LP
A1. Sonora
A2. Stella by Starlight
A3. Speak Low
A4. Nobody Knows The Trouble I’ve Seen
B1. Old Country
B2. Soultrane
B3. Chasin’ The Bird
B4. Be My Love

Info:

We Release Jazz is delighted to announce the official reissue of Ryo Fukui’s final album, the very personal contemporary jazz offering, A Letter from Slowboat, sourced from the original masters and available on limited edition 180 gram vinyl mastered at half speed for full audiophile sound, as well as on digipack CD.
Known for his miraculous albums Scenery (1976) and Mellow Dream (1977), legendary Hokkaido pianist Ryo Fukui, with the help of his wife Yasuko, opened his very own jazz club in Sapporo in 1995, Slowboat. This is where Ryo Fukui spent the latter half of his career, playing again and again, welcoming peers for unforgettable sessions, and perfecting the craft he lived for: jazz.

A Letter from Slowboat is a poetic, soulful, and honest love letter to Hokkaido, to Fukui’s jazz club, and to endless hours of practicing artistry in a place called home. Backed by longtime collaborators Takumi Awaya on bass, and Ittetsu Takemura on drums, Ryo Fukui flows through classics and originals with natural class, fluidity and absolute precision, expressing a smooth balance between skills and heart. Slowboat, full of breathtaking solos and exquisite moments of clarity, is another crucial piece in the career of one of the most fascinating jazzmen to ever grace the piano. It was released in 2016, sadly the year Ryo Fukui passed away, leaving behind a legacy of works that is sure to captivate jazz lovers for generations to come, and Slowboat, where the magic still happens to this day.

This is reissued in conjunction with Ryo Fukui’s Ryo Fukui in New York (1999), also available via We Release Jazz.


Points of interests

- For fans of jazz, soul jazz, modal, hard bop, piano, Japanese jazz, boats, Sapporo, Scenery, jazz clubs and very personal letters.

- Official reissue of the final album by legendary Hokkaido pianist Ryo Fukui.

- 8th release from We Release Jazz, following Ryo Fukui’s Scenery and Mellow Dream, the soundtrack of Le Cercle Rouge by Eric Demarsan, Stuff Combe 5 + Percussion, Marc Moulin’s Pla-cebo Live 1971 and Boillat Thérace Quintet albums. We Release Jazz is the sister-label of Geneva-based WRWTFWW Records (Midori Takada’s Through The Looking Glass and Lunar Cruise with Masahiko Sato, MKWAJU ensemble’s KI-Motion, Jun Fukamachi’s Nicole, Bruno Spoerri’s Voice of Taurus and The Sound of the UFOs, Piero Umiliani’s Tra Scienza e Fantascienza and Il Mondo Dei Romani…)




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territories:WW-US,CA,UK, BENELUX

Black Vinyl LP, 2025 REPRESS

Tracklist

1. Blodyn Gwynedd
2. Ferch Gyda’r Llygaid Du
3. Y Trawsnewidiad
4. Llwydwyrdd
5. Byd Mewn Cysgod
6. Gelain Görs
7. Awen
8. ‘Nes I Ddawnsio Efo’r Lleuad

Singing black-lit liturgies of bog bodies caked in mud, entranced by nocturnal landscapes flickering in the moonglow and powered by queer enchantment, Tristwch y Fenywod are a Welsh-language gothic avant-rock powercoven. Exhumed from the depths of Leeds’ experimental underground, the trio consist of Gwretsien Ferch
Lisbeth (Guttersnipe, The Ephemeron Loop), Leila Lygad (Hawthonn) and Sidni Sarffwraig (Slaylor Moon, The
Courtneys).
Stark, striking and bewitching, Tristwch y Fenywod’s self-titled album is their debut studio recording, following just
10 gigs and a live demo. Formed in 2022, Tristwch y Fenywod ("The Sadness of Women”) record exclusively in the
Welsh language, conjuring an eldritch, subterranean, alien folk music played on dual zither, electronic drums and
bass guitar. With towering, siren-like vocals curling around the Welsh consonants, accompanied by stark, martial
rhythms and swirling claw-plucked strings, Tristwch y Fenywod feels like an early 4AD recording dredged from the
waters of an Anglesey swamp. The effect is simultaneously chilling and stirring.
The eight tracks on the record constitute what feels like a recently rediscovered, unholy grail of edgy, atmospheric,
occult feminist goth emissions. Gwretsien’s dual-zither playing scatters melodic fragments and spirals of harmony
around the decimated space opened up by the lugubrious bass playing and pounding, brooding drum pads.
Coupled with the Welsh vocal, Tristwch y Fenywod embody a new, unique Celtic darkwave sound, equal parts
Pornography-era The Cure, Svitlana Nianio’s haunted hammered string-work and the dark beauty of Dead Can
Dance or This Mortal Coil. Opener Blodyn Gwyrdd feels like the last ride of Princess Ukok, with lumbering bass
and 6/8 rhythms in procession to the event horizon with an entreating, impassioned vocal and surprising lyrical
theme. The doomed dancing of the zither provides the mysterious melodic bedrock throughout the album,
particularly on Ferch Gyda’r Llygaid Du’s heavy funereal sway and the slowly building, paroxysmal banshee
breakdown of Awen: an astonishing swell of thrilling chaos.
The album was recorded and produced by Ross Halden and the band at Hohm Studio, Bradford, Summer 2023.

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2xLP, Gatefold Jacket, Black Vinyl

The Great Escape is the debut collaborative album from San Francisco Legend, Larry June & prolific super producer, The Alchemist. Through a process that felt very organic, the two churned out an extra healthy amount of music that resulted in what may be their magnum opus. At 15 tracks, the album includes tasteful features from some of Hip-Hop's most celebrated figures; Action Bronson, Big Sean, Ty Dolla $ign, Slum Village, Boldy James, Evidence, Wiz Khalifa, Jay Worthy, Curren$y & Joey Bada$$. Like a fine wine, sit back, let it breathe, and enjoy the neat yet exquisitely rich complexities of two of Hip-Hop's smoothest figures.

Key Marketing/Selling:
- Larry June & The Alchemist are each extremely respected and notable individual artists in the Hip-Hop community
- Album activations in LA, SF, CDMX and NY during release week, with multiple exclusive merch drops planned alongside each release
- The Alchemist routinely sells out of physical product on each drop - CD/CS/LP
- Larry June's previous releases, Orange Print & Spaceships On The Blade, have done exceptionally well at retail
- The Alchemist has put together some of the most sought after physical releases over the last 3+ years
- All production is handled by The Alchemist, with additional production on Track 6 by frequent Griselda collaborator, Beat Butcha
- Features include notable rap luminaries Action Bronson, Big Sean, Slum Village, Ty Dolla $ign, Boldly James, Evidence, Wiz Khalifa, Jay Worthy, Joey Bada$$, & Curren$y
- Extensive press write ups published throughout album rollout such as Rolling Stone, HipHopDX, Billboard, Okayplayer, The Source, BrooklynVegan, Yahoo, Vibe
- Extensive outdoor campaign with multiple billboards secured from all major DSPs
- Each single has been featured and placed on numerous playlists and obtained multiple playlist covers across all DSPs
- Multiple videos released with more on the way
- "Making of" Documentary released in support of album rollout
- 89 Earthquake has over 2.3M streams on Spotify alone since release on 3/1/23 (3/29/23)
- 47 date nationwide tour planned in support of the album, with multiple dates already sold out and additional shows already added. European dates are expected to follow shortly
- Larry June has over 3.3M monthly listeners on Spotify
- The Alchemist has over 6.8M monthly listeners on Spotify

Tracklist:
A1/1. Turkish Cotton
A2/2. 89 Earthquake
A3/3. Solid Plan (feat. Action Bronson)
A4/4. Palisades, CA (feat.Big Sean)
B1/5. Summer Reign (feat. Ty Dolla $ign)
B2/6. Orange Village (feat. Slum Village)
B3/7. Porsches in Spanish
B4/8. Art Talk (feat. Boldy James)
C1/9. Ocean Sounds
C2/10. Left No Evidence (feat. Evidence)
C3/11. What Happened To The World? (feat. Wiz Khalifa)
C4/12. Éxito (feat. Jay Worthy)
D1/13. 60 Days
D2/14. Barragán Lighting (feat. Joey Bada$$ & Curren$y)
D3/15. Margie's Candy House


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2LP - Japanese electronic music legend Takayuki Shiraishi´s First Techno LP finally on vinyl!

GENRE/S: Techno / Ambient

TRACKLISTS:
A1 - Graviton
A2 - Clear
B1- Figure 8
B2 - Fluorite
B3 - Photon
C1 - Clear Away
C2 - The Vanishing Point
C3 - Afterglow
D1 - Wavy Flame
D2- Blue Devided by Blue

SHORT INFO:

A fascinating Japanese Ambient Techno excursion finally reissued.
Takayuki Shiraishi is no stranger to Camisole Records. With projects like BGM, MLD
(CAM022) or Tristan Disco (CAM023) he is considered as one of the most prominent
figures of underground Japanese music.

Following those 80's industrial projects he continued his path and recorded numerous
electronic tracks without forgetting his experimental roots.
After an EP on the highly revered label Apollo with his alias "Planetoid", he released on a
very limited run his first album "Photon" only on cd in 1997.
Mixing Techno and Ambient, those works were recorded between 1987 and 1996 to create
a trancey ride of dreamy tunes.
A journey through spectral dances and afterglows, dreamy incantations and Solar rituals
devoted to euphoria.
Experimental techno who never forget to keep your mind and body aware.
We are really proud to give this album the attention it deserves with a Double Vinyl LP
reissue remastered by Krikor Kouchian.
5

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Territory: WW-UK/EIRE & USA,Canada

2024 repress

Double Vinyl
Pressed on BioVinyl and packaged in environmental wrapping


To celebrate its 30th anniversary, Plastikman's redefining acid techno masterpiece, Sheet One, has been mastered from the original tapes and reissued on vinyl via Mute and NovaMute.

Released in 1993 on Mute's subsidiary label NovaMute, this record was the debut for Richie Hawtin's alias Plastikman. 30 years on Sheet One is a landmark album in the field of electronic music, it changed the shape of what the genre could be and became.

Introducing one of techno's most recognisable logos, the album achieved a degree of notoriety for its acid blotter-style perforated artwork. Musically it focuses on laser-precise minimalist rhythms to drive a series of echo-box acid lines that gradually acquire power over the course of lengthy album tracks, with frequent use of the Roland TB-303, which gained prominence in the electronic music world as a staple of Chicago's acid house scene. Hawtin once described Sheet One perfectly in an interview with MusicRadar, saying "...It's music for the end of the party as you're melting into the floor, which is exactly what the name Plastikman was made to represent."

This seminal album helped to establish the template for minimal techno, and is a must listen for lovers of electronic music.

Available on double bio vinyl.

TRACKLIST
A1 Drp
A2 Plasticity
A3 Gak
B1 Okx
B2 Helikopter
B3 Glob
C1 Plasticine
C2 Koma
D1 Vokx
D2 Smak
D3 Ovokx



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12“ Vinyl

GENRE/S: Electro/Techno

TRACKLISTS:
A1) Extrawelt - Riverrun
B1) Extrawelt- Midi Waters

SHORT INFO:
Arne and Wayan of Extrawelt hardly need an introduction, yet their latest release is notably special as it marks their debut on Marc Romboy's Systematic Recordings imprint.
Renowned for their releases on Cocoon, Kompakt/Speicher, and Border Community, they masterfully blend techno with rich sound structures, harmonies, and intricate arrangements.
Their new track "Riverrun" features a captivating bass line that twists and transforms throughout the piece, showcasing their skills as sound architects. Alongside, "Midi Waters" delves into a darker, deeper soundscape that commands respect from Detroit Techno enthusiasts with its powerful, dystopian narrative. Experience the sound for yourself with this unique two tracker.

VITAL SALES POINTS:
- Debut EP from Extrawelt on Systematic
- Strictly limited vinyl (300 only)
- Special Sound Mastering by LUPO

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Rights: World excluding France & UK

Packaging: 2 x Black 140 Grs Vinyl, Gatefold Sleeve with Mat UV & Spot Gloss UV, 2 x Printed Inner sleeve, front sticker

PRODUCT INFOS:

DOUBLE BLACK VINYL
" 40th Anniversary double vinyl edition featuring:
o The Age of Consent (2018 remaster)
o Hundreds & Thousands (2024 remaster)
" Updated artwork with rare and unseen photos on Inner Sleeves


SHORT BIOG
Synth pop trio Bronski Beat's 1984 debut The Age of Consent is a rarity in musical history - an album that both defined a generation and challenged the status quo. Its four singles, and particular lead single 'Smalltown Boy', have endured with astonishing resonance, offering home to all listeners dreaming of escape from their familiar surroundings and situations.

Every track on the album places the listener 'in the room': they are in it, living it, rolling inside each song's thematic meaning. Through the blue-eyed wonder of singer Jimmy Somerville's vocal pirouettes, they too take the punch of hate in 'Why?', question the bible with alongside a male voice choir on 'It Ain't Necessarily So', and watch the same crappy TV advertising on 'Junk'. They are part of the trade-off between lust and commerce in 'Love and Money' and the heated near climax of 'Need A Man Blues.'

40 years later and The Age of Consent remains as prescient and vital as ever as it did on its original release; truly transgressive - defiant, queer, and laden with hooks. To celebrate this important anniversary, London Records revisit the album across a series of expanded formats, uncovering sonic archival gems, new mixes, essays and more.



TRACKLISTING:

DOUBLE VINYL
VINYL 1 : THE AGE OF CONSENT (2018 REMASTER)
SIDE ONE
1. WHY?
2. IT AIN'T NECESSARILY SO
3. SCREAMING
4. NO MORE WAR
5. LOVE AND MONEY
SIDE TWO
1. SMALLTOWN BOY
2. HEATWAVE
3. JUNK
4. NEED A MAN BLUES
5. I FEEL LOVE / JOHNNY REMEMBER ME

VINYL 2 : HUNDREDS & THOUSANDS (2024 REMASTER)
SIDE THREE
1. HEATWAVE (HARVEY GOLDBERG REMIX)
2. WHY (HARVEY GOLDBERG REMIX)
3. RUN FROM LOVE (DOMINIC MAITA REMIX)
SIDE FOUR
1. HARD RAIN (HARVEY GOLDBERG REMIX)
2. SMALLTOWN BOY (HARVEY GOLDBERG REMIX)
3. JUNK (HARVEY GOLDBERG REMIX)


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LP: Black vinyl, Gatefold Sleeve
From Cape Town to Cairo, and now to fans, stages and screens around the world, PJ Morton shares his newest album, fully made in the motherland. Cape Town to Cairo is a collection of songs that he created in 30 days throughout 4 countries in Africa — South Africa, Nigeria, Ghana and Egypt. Described as the best trip of his life, this transformative journey began as just the seed of an idea last fall, but instantly grew into his most sonically-sprawling and immediately-inspired record to date. With no music, lyrics or preconceptions, he stepped foot onto the continent with two thoughts: a wild dream to write and record his next LP in less than a month, and a mission to immerse himself in as many different cultures, stories and communities as he could.

Surrounded by featured collaborators like Fireboy DML, Mádé Kuti, Asa, Ndabo Zulu, and Soweto Spiritual Singers, as well as additional producers including P.Priime and The Cavemen., his own live band and local musicians, PJ Morton used music as his common language. Always his greatest way of communicating, he expressed his feelings and experiences of Africa through songs he and others were forming together on the spot, side-by-side in different studios, cities and towns for the very first time. None of the tracks were written before he arrived or after he left, and the arrangements showcase both the countries’ native genres as well as the innate, stylistic instincts that have made Morton a 5x GRAMMY-winner and 20x GRAMMY-nominee, whether it be his soul, R&B and gospel roots, or the pop prowess he has further honed as a member of Maroon 5.

“When you’ve been in music as long as I have, you’re constantly looking for inspiration,” says PJ Morton. “And you’re looking for the things that made you want to do it in the first place. I’ve made albums every type of way you can think, so I wanted to try something I hadn’t done before. As a Black American who had never been to South or West Africa, I knew there was something there waiting for me. So I put a little pressure on myself to make a full record in a month, but I also said, ‘If I’m gonna go to Africa, I want to see Africa.’ We made music, but we also formed connections. We made new friends, and this is just the start.”

ESSENCE adds, "This trip is not just a physical move, it's a spiritual return…The soul of Africa pulses through every note he plays and every word he sings,” and VIBE adds that “the multi-faceted artist is fully embracing a new phase in his life.” Cape Town to Cairo marks PJ Morton’s first album since 2022’s Watch The Sun, which featured collaborations with Stevie Wonder, Nas, JoJo, Wale, Jill Scott, Alex Isley and more. Since then, Morton has become the first Black composer to write an original song for a Disney attraction, having just finished making the music for Tiana's Bayou Adventure, opening on June 28th, 2024 at Disney World and Fall 2024 at Disneyland. He also won his latest GRAMMY earlier this year, worked with Samara Joy on “Why I’m Here” for Regina King’s Netflix film Shirley, and landed a cover of his song “Don’t Let Go” as the soundtrack to Apple’s iPhone 15 commercial.

PJ Morton recently returned from headlining his debut shows in Asia, New Zealand and Australia, and announced an extensive Cape Town to Cairo Tour for North America summer and fall 2024. Following iconic performances at New Orleans Jazz Fest, The Kennedy Center, Roots Picnic and Newport Jazz Fest, Morton will embark on a run of more than 25 dates across the country, including New York City’s Beacon Theatre, Chicago’s Chicago Theatre, Nashville’s Ryman Auditorium, Los Angeles’ The Wiltern, and dozens of others.

On the heels of his headline tour and Maroon 5’s Las Vegas residency, PJ Morton will publish a life-spanning new book titled Saturday Night, Sunday Morning. The memoir sees him recounting and reflecting upon a trailblazing path that continues to defy expectations and straddle the tensions of music and faith, race and culture, expression and identity. As the son of two pastors and gospel artists, Morton grew up grounded by the sound of the Church, but soon found himself drawn to R&B, pop and soul, writing songs that the industry, his family and community struggled to understand. In the face of mounting pressure, rejection and constant miscategorization, he committed himself to a steadfast path of independence: making music on his own terms, launching his own record label, joining one of the biggest bands in the world while staying true to his New Orleans roots. The risks he took paid off, and through his transformation from preacher's kid to the busiest man in showbiz – performing everywhere from his local congregation to the Super Bowl, collaborating with everyone from his father to Stevie Wonder, Erykah Badu, Jon Batiste and Lil Wayne – he hopes to encourage readers and listeners to overcome obstacles as they seek their dreams.

Key Marketing/Selling:
• Album written & recorded during a month long transformational trip throughout Africa
• PJ Morton is an acclaimed soul singer and the full-time Keyboardist for Maroon 5
• He has collaborated with esteemed artists such as Solange, Stevie Wonder, Erykah Badu, Lil Wayne, Tyler Perry. Rapsody, Jazmine Sullivan, India.Arie, JoJo, Jon Batiste, & Robert Glasper
• PJ Morton has 5 Career GRAMMY Wins and 20 total nominations, and has received additional honors such as multiple BET, Dove NAACP Image & Soul Train Nominations
• PJ Morton won the 2019 GRAMMY for Best Traditional R&B Performance, 2020 GRAMMY for Best R&B Song, 2021 GRAMMY for Best Gospel Album, 2022 GRAMMY for Album of the Year & 2024 GRAMMY for Best Traditional R&B Performance
• He has received acclaim from major publications such as The New York Times, New Yorker, NPR Music & The FADER, and has performed on major platforms such as NPR’s Tiny Desk, The Late Show with Stephen Colbert, The Tonight Show with Jimmy Fallon, Jimmy Kimmel Live! & The Kelly Clarkson Show, among others
• Wrote the music for the upcoming Tiana’s Bayou attraction at Disneyland and Disneyworld, set to open in 2024
• Embarking on nationwide Cape Town To Cairo tour Fall 2024
• Singles released include “Please Be Good,” “Smoke and Mirrors,” & “Simunye (We Are One) (feat. Soweto Spiritual Singers)”

Tracklist:
A1/1. Smoke and Mirrors
A2/2. Count On Me (feat. Fireboy DML)
A3/3. Please Be Good
A4/4. Who You Are (feat. Mádé Kuti)
A5/5. Thank You
B1/6. I Found You
B2/7. All The Dreamers (feat. A?a & Ndabo Zulu)
B3/8. Home Again
B4/9. Simunye (We Are One) (feat. Soweto Spiritual Singers)

Socials:
Twitter: 141k followers
IG: 591k followers
FB: 488k followers
YT: 280k subs / 108M+ views

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