Cat-No:R&D010
Release-Date:12.07.2024
Genre:Electronic
Configuration:LP Excl
Barcode:3516628449611
pre-sale
Last in:04.07.2024
+ Show full info- Close
pre-sale
Last in:04.07.2024
Cat-No:R&D010
Release-Date:12.07.2024
Genre:Electronic
Configuration:LP Excl
Barcode:3516628449611
1
PPJ - Bicha
2
PPJ - Fourmis
3
PPJ - Calor
4
PPJ - Dropi Dropa
5
PPJ - Double Rainbow
6
PPJ - Renata
7
PPJ - Moto
8
PPJ - Beijo
9
PPJ - Coucou Pascal
Territories: WW-FR
LP
Tracklist :
A1. Bicha
A2. Fourmis
A3. Calor
A4. Dropi Dropa
B1. Double Rainbow
B2. Renata
B3. Moto
B4. Beijo
B5. Coucou Pascal
Release Info:
Blending British techno and hyperpop with the Baile Funk and samba of singer Paula's native Brazil, PPJ are considered by British magazine NME to be one of the most innovative bands of the moment.
The double EP "Bloco Vol.1 & Vol.2" tells the story of the band's journey to Rio de Janeiro, far from the postcards we know of Brazil.
"One of the most innovative new names around" NME
"A fascinating and exhilarating blend of neoperreo, techno and electroclash from a group to watch" RESIDENT ADVISOR
"Kaleidoscopic techno-pop" DJ MAG
"A real anti-depression remedy"LINE OF BEST FIT
"Their main goal? To make everybody dance" METAL MAGAZINE
‘It’s hard to find an act as distinctive as PPJ » MIXMAG
More
LP
Tracklist :
A1. Bicha
A2. Fourmis
A3. Calor
A4. Dropi Dropa
B1. Double Rainbow
B2. Renata
B3. Moto
B4. Beijo
B5. Coucou Pascal
Release Info:
Blending British techno and hyperpop with the Baile Funk and samba of singer Paula's native Brazil, PPJ are considered by British magazine NME to be one of the most innovative bands of the moment.
The double EP "Bloco Vol.1 & Vol.2" tells the story of the band's journey to Rio de Janeiro, far from the postcards we know of Brazil.
"One of the most innovative new names around" NME
"A fascinating and exhilarating blend of neoperreo, techno and electroclash from a group to watch" RESIDENT ADVISOR
"Kaleidoscopic techno-pop" DJ MAG
"A real anti-depression remedy"LINE OF BEST FIT
"Their main goal? To make everybody dance" METAL MAGAZINE
‘It’s hard to find an act as distinctive as PPJ » MIXMAG
More
More records from Recherche & Développement
Cat-No:R&D002LP
Release-Date:11.03.2022
Configuration:LP Excl
Barcode:3516628376818
backorder
Last in:16.05.2024
+ Show full info- Close
backorder
Last in:16.05.2024
Cat-No:R&D002LP
Release-Date:11.03.2022
Configuration:LP Excl
Barcode:3516628376818
Territories: WW-FR
LP
Release Info
First studio album from the eccentric and acclaimed french electronic/pop producer! After three years spent in Morocco, Jacques starts a new phase of extroversion with the release of his first studio album "LIMPORTANCEDUVIDE" of which we have already heard two first extracts with "La vie de tous les jours" and "?a se voit". A collection of 13 surprisingly pop tracks with a curiously efficient production on which Jacques sings without any manner of mannerisms of texts full of witty games and strong images.
Tracklist
1. Porte s'ouvre 1'41
2. Arrivera 3'34
3. Ça se voit 2'33
4. Avec les mots 3'39
5. La vie de tous les jours 2'52
6. Qu'en avez-vous fait? 3'04
7. Pourquoi c'est comme ?a? 2'40
8. Je ne te vois plus 3'52
9. Kick ce soit 3'14
10. Partout 3'26
11. Qu'est-ce que 0'58
12. C'est 4'08
13. Rien. 3'18
More
LP
Release Info
First studio album from the eccentric and acclaimed french electronic/pop producer! After three years spent in Morocco, Jacques starts a new phase of extroversion with the release of his first studio album "LIMPORTANCEDUVIDE" of which we have already heard two first extracts with "La vie de tous les jours" and "?a se voit". A collection of 13 surprisingly pop tracks with a curiously efficient production on which Jacques sings without any manner of mannerisms of texts full of witty games and strong images.
Tracklist
1. Porte s'ouvre 1'41
2. Arrivera 3'34
3. Ça se voit 2'33
4. Avec les mots 3'39
5. La vie de tous les jours 2'52
6. Qu'en avez-vous fait? 3'04
7. Pourquoi c'est comme ?a? 2'40
8. Je ne te vois plus 3'52
9. Kick ce soit 3'14
10. Partout 3'26
11. Qu'est-ce que 0'58
12. C'est 4'08
13. Rien. 3'18
More
CD Excl
backorder
Cat-No:R&D002CD
Release-Date:11.03.2022
Configuration:CD Excl
Barcode:3516628376924
backorder
Last in:05.10.2023
+ Show full info- Close
backorder
Last in:05.10.2023
Cat-No:R&D002CD
Release-Date:11.03.2022
Configuration:CD Excl
Barcode:3516628376924
Territories: WW-FR
CD
Release Info
First studio album from the eccentric and acclaimed french electronic/pop producer! After three years spent in Morocco, Jacques starts a new phase of extroversion with the release of his first studio album "LIMPORTANCEDUVIDE" of which we have already heard two first extracts with "La vie de tous les jours" and "?a se voit". A collection of 13 surprisingly pop tracks with a curiously efficient production on which Jacques sings without any manner of mannerisms of texts full of witty games and strong images.
Tracklist
1. Porte s'ouvre 1'41
2. Arrivera 3'34
3. Ça se voit 2'33
4. Avec les mots 3'39
5. La vie de tous les jours 2'52
6. Qu'en avez-vous fait? 3'04
7. Pourquoi c'est comme ?a? 2'40
8. Je ne te vois plus 3'52
9. Kick ce soit 3'14
10. Partout 3'26
11. Qu'est-ce que 0'58
12. C'est 4'08
13. Rien. 3'18
More
CD
Release Info
First studio album from the eccentric and acclaimed french electronic/pop producer! After three years spent in Morocco, Jacques starts a new phase of extroversion with the release of his first studio album "LIMPORTANCEDUVIDE" of which we have already heard two first extracts with "La vie de tous les jours" and "?a se voit". A collection of 13 surprisingly pop tracks with a curiously efficient production on which Jacques sings without any manner of mannerisms of texts full of witty games and strong images.
Tracklist
1. Porte s'ouvre 1'41
2. Arrivera 3'34
3. Ça se voit 2'33
4. Avec les mots 3'39
5. La vie de tous les jours 2'52
6. Qu'en avez-vous fait? 3'04
7. Pourquoi c'est comme ?a? 2'40
8. Je ne te vois plus 3'52
9. Kick ce soit 3'14
10. Partout 3'26
11. Qu'est-ce que 0'58
12. C'est 4'08
13. Rien. 3'18
More
Customers who bought this also bought this
Label:Disco Disco Records
Cat-No:DISCO001
Release-Date:21.06.2024
Configuration:12" Excl
Barcode:
backorder
Last in:14.06.2024
+ Show full info- Close
backorder
Last in:14.06.2024
Label:Disco Disco Records
Cat-No:DISCO001
Release-Date:21.06.2024
Configuration:12" Excl
Barcode:
1
Giuseppe Scarano - Disco Disco
2
Giuseppe Scarano - Dancin All Night Long
3
Giuseppe Scarano - Anything for Me
4
Giuseppe Scarano - Dance With Me
Vinyl Only! NO RETURN!
Disco Disco Records brings you the repress of the very first release! dope disco alert!
A1: Disco Disco
A2: Dancin All Night Long
B1: Anything for Me
B2: Dance With Me
More
Disco Disco Records brings you the repress of the very first release! dope disco alert!
A1: Disco Disco
A2: Dancin All Night Long
B1: Anything for Me
B2: Dance With Me
More
12" Excl
pre-sale
Label:Exhibition
Cat-No:XBITGOLD3
Release-Date:19.07.2024
Genre:House
Configuration:12" Excl
Barcode:4251804180450
pre-sale
Last in:-
+ Show full info- Close
pre-sale
Last in:-
Label:Exhibition
Cat-No:XBITGOLD3
Release-Date:19.07.2024
Genre:House
Configuration:12" Excl
Barcode:4251804180450
1
Le Tseu Pocir - Together (We Should Go)
Genre: House
Tracklist 12":
A1 – Together (We Should Go)
Info:
Pure summer French House hit tune by LE TSEU POCIR (aka Rico Puestel)!
More
Tracklist 12":
A1 – Together (We Should Go)
Info:
Pure summer French House hit tune by LE TSEU POCIR (aka Rico Puestel)!
More
12" Excl
in stock
Label:Infolines Music
Cat-No:INFO006
Release-Date:14.06.2024
Genre:techhouse
Configuration:12" Excl
Barcode:
in stock
Last in:13.06.2024
+ Show full info- Close
in stock
Last in:13.06.2024
Label:Infolines Music
Cat-No:INFO006
Release-Date:14.06.2024
Genre:techhouse
Configuration:12" Excl
Barcode:
1
A1. Shaun Reeves - Playground
2
A2. ADMN, Aran Daniels - 50 Gallon Drums
3
B1. Bendersnatch - Doppler
4
B2. Gino - Bonedog
Kicking off the sixth various artists record, ‘The Works’, on the Detroit-based Infolines label is Shaun
Reeves’ ‘Playground’. The co-founding member of the Visionquest project utilises a low-slung groove with
snaking, sizzling hats above while mysterious bell-like keys toll in the background. Up next, Infolines label
founder ADMN and Aran Daniels, one-half of the Remote Viewing Party alias who featured on the previous
Infolines VA, team up for ‘50 Gallon Drums’, a wonky trip boasting wild and whirring percussion in an
infectious drunken groove working perfectly alongside crunchy synth-lines.
"Cranberry, extra ice. IYKYK" - Infolines
On the B-side, the anonymous Bendersnatch returns to Infolines with ‘Doppler’, taking us deep under the
waves for a submarine expedition. The sonar bleeps among electrifying zaps, a steady techno beat leading
the way. Closing out this fantastic next instalment on the Infolines label is Snack Time founder Gino, who
brings us ‘Bonedog’, finishing the release on a high with psychedelic synth elements and an iconic, earworm
vocal over a slick groove - secret weapon energy!
Infolines, a dynamic collective of Producers, DJs, and friends hailing from Detroit, is renowned for its
compilations that showcase the distinct styles of its artists. Following the success of Infolines 005, ‘CAID’,
which garnered support from artists like Anfisa Letyago, Paco Osuna, and Korea Town Acid, the label is all
set to launch its superb sixth record. More
Reeves’ ‘Playground’. The co-founding member of the Visionquest project utilises a low-slung groove with
snaking, sizzling hats above while mysterious bell-like keys toll in the background. Up next, Infolines label
founder ADMN and Aran Daniels, one-half of the Remote Viewing Party alias who featured on the previous
Infolines VA, team up for ‘50 Gallon Drums’, a wonky trip boasting wild and whirring percussion in an
infectious drunken groove working perfectly alongside crunchy synth-lines.
"Cranberry, extra ice. IYKYK" - Infolines
On the B-side, the anonymous Bendersnatch returns to Infolines with ‘Doppler’, taking us deep under the
waves for a submarine expedition. The sonar bleeps among electrifying zaps, a steady techno beat leading
the way. Closing out this fantastic next instalment on the Infolines label is Snack Time founder Gino, who
brings us ‘Bonedog’, finishing the release on a high with psychedelic synth elements and an iconic, earworm
vocal over a slick groove - secret weapon energy!
Infolines, a dynamic collective of Producers, DJs, and friends hailing from Detroit, is renowned for its
compilations that showcase the distinct styles of its artists. Following the success of Infolines 005, ‘CAID’,
which garnered support from artists like Anfisa Letyago, Paco Osuna, and Korea Town Acid, the label is all
set to launch its superb sixth record. More
2LP Excl
backorder
Label:Glossy Mistakes
Cat-No:GLOSSY016
Release-Date:14.06.2024
Genre:Alternative/Electronic
Configuration:2LP Excl
Barcode:4250101464881
backorder
Last in:24.05.2024
+ Show full info- Close
backorder
Last in:24.05.2024
Label:Glossy Mistakes
Cat-No:GLOSSY016
Release-Date:14.06.2024
Genre:Alternative/Electronic
Configuration:2LP Excl
Barcode:4250101464881
1
various - Atlantic Mavericks - A1. Fé de Sábio - Crepúsculo
2
various - Atlantic Mavericks - A2. Nuno Rebelo - Vê-Se Das Nuvens
3
various - Atlantic Mavericks - A3. Vítor Rúa - T
4
various - Atlantic Mavericks - A4. Tó Neto - Daly
5
various - Atlantic Mavericks - B1. Luis Cilia - Saxofonía
6
various - Atlantic Mavericks - B2. SPQR - Flow
7
various - Atlantic Mavericks - B3. Telectu - Untitled
8
various - Atlantic Mavericks - B4. Pilar - Voz do Mar
9
various - Atlantic Mavericks - Carlos María Trindade - Em Campo Aberto
10
various - Atlantic Mavericks - C2 Balladium - Andrómeda
11
various - Atlantic Mavericks - C3 Ban - Irreal Social
12
various - Atlantic Mavericks - D1 Pop Dell'Arte - Querelle
13
various - Atlantic Mavericks - D2 Santa Maria Gasolina Em Teu Ventre - Optical Sunday Without William Burroughs
14
various - Atlantic Mavericks - D3 Croix Sainte - We Build Citie
15
various - Atlantic Mavericks - D4 Linha Geral - Hino À Nossa Luta
2LP
- First compilation diving deep into the Portuguese experimental scene from 80-90s on a double LP special edition
- Iconic figures such as Telectu, Luís Cilia, Nuno Rebelo or Carlos Maria Trindade are featured on the compilation
- Previously unreleased material on vinyl
- Extensive liner notes on a serigraph artwork and hype sticker
2. GENRE/S: Experimental, Ambient, New Wave, Indie Rock, Abstract
3. TRACKLIST:
Side A:
1 Fé de Sábio - Crepúsculo
2 Nuno Rebelo - Vê-Se Das Nuvens
3 Vítor Rúa - T
4 Tó Neto - Daly
Side B:
B1 Luis Cilia - Saxofonía
B2 SPQR - Flow
B3 Telectu - Untitled
B4 Pilar - Voz do Mar
Side C:
C1 Carlos María Trindade - Em Campo Aberto
C2 Balladium - Andrómeda
C3 Ban - Irreal Social
Side D:
D1 Pop Dell'Arte - Querelle
D2 Santa Maria Gasolina Em Teu Ventre - Optical Sunday Without William Burroughs
D3 Croix Sainte - We Build Cities
D4 Linha Geral - Hino À Nossa Luta
4. SHORT INFO:
Unveiling an unheard scene: Glossy Mistakes presents "Atlantic Mavericks: a Decade of Experimental Music in Portugal 1982-1993"
Glossy Mistakes is proud to announce the upcoming release of "Atlantic Mavericks: a Decade of Experimental Music in Portugal 1982-1993," a groundbreaking double LP compilation that offers a unique glimpse into the vibrant landscape of Portuguese experimental music. Set to launch on June 10th, this monumental release showcases the evolution and innovation of the Portuguese music scene during a transformative decade marked by political upheaval and artistic experimentation.
Compiled by Glossy Mario and featuring liner notes by Rui Miguel Abreu, "Atlantic Mavericks" captures the essence of a generation of artists who dared to challenge conventions and push the boundaries of what was possible in music.
The compilation stands as a testament to the eclecticism of the Portuguese music scene during this period, featuring a diverse range of genres and styles. From ambient and new age to electro, rock, and synth-pop, "Atlantic Mavericks" offers something for every listener, inviting them to explore the rich tapestry of sounds that defined the era.
The 1980s in Portugal were a time of profound transformation, marked by the aftermath of a peaceful revolution and a burgeoning desire for artistic expression. As the country emerged from political turbulence, a new generation of musicians began to explore uncharted territories, paving the way for a wave of experimentation and innovation.
From the emergence of artists like Rui Veloso and bands like UHF, who ushered in a new era of Portuguese rock, to the founding of independent record labels like Fundação Atlântica and Ama Romanta, the 1980s saw a surge in creativity and a desire for independence within the music industry.
"Atlantic Mavericks: a Decade of Experimental Music in Portugal 1982-1993" offers a comprehensive overview of this dynamic period, featuring tracks that span the spectrum of experimental music. Each song tells a story of artistic evolution and creative risk-taking, reflecting the diverse influences and eclectic tastes of the Portuguese music scene during this transformative decade.
Spanning from 1982 to 1993, the compilation includes contributions from a wide range of artists, including SPQR, Croix Sainte, Linha Geral, Balladium, Ban, Santa Maria, Gasolina Em Teu Ventre!, Fé de Sábio, and Telectu, among others. With each track carefully curated to showcase the breadth and depth of Portuguese experimental music, "Atlantic Mavericks" promises to be a must-have for music enthusiasts and adventurous listeners alike.
"Atlantic Mavericks: a Decade of Experimental Music in Portugal 1982-1993" will be available on June 10th as a double LP release, offering listeners a chance to immerse themselves in the sonic landscapes of 1980s Portugal. Whether experienced on vinyl or through digital channels, this monumental compilation is sure to leave a lasting impression on all who encounter it.
More
- First compilation diving deep into the Portuguese experimental scene from 80-90s on a double LP special edition
- Iconic figures such as Telectu, Luís Cilia, Nuno Rebelo or Carlos Maria Trindade are featured on the compilation
- Previously unreleased material on vinyl
- Extensive liner notes on a serigraph artwork and hype sticker
2. GENRE/S: Experimental, Ambient, New Wave, Indie Rock, Abstract
3. TRACKLIST:
Side A:
1 Fé de Sábio - Crepúsculo
2 Nuno Rebelo - Vê-Se Das Nuvens
3 Vítor Rúa - T
4 Tó Neto - Daly
Side B:
B1 Luis Cilia - Saxofonía
B2 SPQR - Flow
B3 Telectu - Untitled
B4 Pilar - Voz do Mar
Side C:
C1 Carlos María Trindade - Em Campo Aberto
C2 Balladium - Andrómeda
C3 Ban - Irreal Social
Side D:
D1 Pop Dell'Arte - Querelle
D2 Santa Maria Gasolina Em Teu Ventre - Optical Sunday Without William Burroughs
D3 Croix Sainte - We Build Cities
D4 Linha Geral - Hino À Nossa Luta
4. SHORT INFO:
Unveiling an unheard scene: Glossy Mistakes presents "Atlantic Mavericks: a Decade of Experimental Music in Portugal 1982-1993"
Glossy Mistakes is proud to announce the upcoming release of "Atlantic Mavericks: a Decade of Experimental Music in Portugal 1982-1993," a groundbreaking double LP compilation that offers a unique glimpse into the vibrant landscape of Portuguese experimental music. Set to launch on June 10th, this monumental release showcases the evolution and innovation of the Portuguese music scene during a transformative decade marked by political upheaval and artistic experimentation.
Compiled by Glossy Mario and featuring liner notes by Rui Miguel Abreu, "Atlantic Mavericks" captures the essence of a generation of artists who dared to challenge conventions and push the boundaries of what was possible in music.
The compilation stands as a testament to the eclecticism of the Portuguese music scene during this period, featuring a diverse range of genres and styles. From ambient and new age to electro, rock, and synth-pop, "Atlantic Mavericks" offers something for every listener, inviting them to explore the rich tapestry of sounds that defined the era.
The 1980s in Portugal were a time of profound transformation, marked by the aftermath of a peaceful revolution and a burgeoning desire for artistic expression. As the country emerged from political turbulence, a new generation of musicians began to explore uncharted territories, paving the way for a wave of experimentation and innovation.
From the emergence of artists like Rui Veloso and bands like UHF, who ushered in a new era of Portuguese rock, to the founding of independent record labels like Fundação Atlântica and Ama Romanta, the 1980s saw a surge in creativity and a desire for independence within the music industry.
"Atlantic Mavericks: a Decade of Experimental Music in Portugal 1982-1993" offers a comprehensive overview of this dynamic period, featuring tracks that span the spectrum of experimental music. Each song tells a story of artistic evolution and creative risk-taking, reflecting the diverse influences and eclectic tastes of the Portuguese music scene during this transformative decade.
Spanning from 1982 to 1993, the compilation includes contributions from a wide range of artists, including SPQR, Croix Sainte, Linha Geral, Balladium, Ban, Santa Maria, Gasolina Em Teu Ventre!, Fé de Sábio, and Telectu, among others. With each track carefully curated to showcase the breadth and depth of Portuguese experimental music, "Atlantic Mavericks" promises to be a must-have for music enthusiasts and adventurous listeners alike.
"Atlantic Mavericks: a Decade of Experimental Music in Portugal 1982-1993" will be available on June 10th as a double LP release, offering listeners a chance to immerse themselves in the sonic landscapes of 1980s Portugal. Whether experienced on vinyl or through digital channels, this monumental compilation is sure to leave a lasting impression on all who encounter it.
More
LP Excl
in stock
Label:Mental Groove
Cat-No:MG132
Release-Date:14.06.2024
Configuration:LP Excl
Barcode:4251804125161
in stock
Last in:23.06.2021
+ Show full info- Close
in stock
Last in:23.06.2021
Label:Mental Groove
Cat-No:MG132
Release-Date:14.06.2024
Configuration:LP Excl
Barcode:4251804125161
1
Anthony Manning - A1
2
Anthony Manning - A2
3
Anthony Manning - B1
4
Anthony Manning - B2
5
Anthony Manning - B3
LP, 2024 Repress - half speed mastering
Amazing and legendary 1994 cult album on the equally amazing and legendary Irdial Disc label, remastered at Emil Berliner Studios in half speed mastering.
Tracklist:
A1 Untitled
A2 Untitled
B1 Untitled
B2 Untitled
B3 Untitled
About The Reviews >>>>
"The 50 best IDM albums of all time"
Pitchfork
"A liquidy headbox of aural shapes, whose forms hardly change yet seem to encompass infinite viscosity within them, like rainbow pools of oil on water"
Wire
"Before IDM became a nation of Aphex and Autechre cosplayers, the genre was less defined by aesthetics than by a shared ideology. Here was a loosely connected axis of post-rave kids, united by little more than a shared willingness to subvert the tools of their techno idols and create sounds that hadn't previously been imagined. No record of the era better embodies this find-a-machine-and-freak-it ethos than Islets in Pink Polypropylene, the otherworldly debut by British producer Anthony Manning."
Pitchfork
"It’s refreshing to hear an all-electronic album that sounds so organic yet so totally alien."
Fact
"One of the UK’s first post-rave ambient records proper; sharing much more in common with Autechre’s Amber or AFX’s Selected Ambient Works Vol. II - which were both released in that same year - than anything else before or around it."
Boomkat
For fans of avant everything innovative and experimental music.
About The Album>>>>
The whole album was composed and realized on the Roland R8 drum machine. It followed the same process as the Elastic Variations pieces, with the major addition of many, many hours of editing.
Each piece was composed as a series of patterns, of varying lengths ( 5,6,7 bars long ). The stock R8 sounds were embellished with one of several ROM sound library cards ( mostly the Dance card, number 10 ).
These patterns were created by tapping out a rhythm, then, in real time, using the Pitch slider as the pattern looped, to create improvised melodies for each of the pattern's voices.
The rough version of each piece was built by stitching the patterns together as a song, listening to each addition over and over, to make sure the melodies flowed into each other in a vaguely coherent manner.
Once this initial rough structure was in place I set about fine tuning every single note.
The R8 doesn't allow you to assign a pitch to a note in the conventional sense. It's not possible to assign a pitch of Middle C to the first note of the first bar. Instead, it assigns a numerical value to a note's pitch, between -4800 and +4800 ( I think those numbers are correct - that little screen is seared into my memory ).
If you restrict all notes within a piece to a multiple of, say, 400, you therefore create the possibility of a sort of scale. For multiples of 400, you have a total number of 24 permissable notes. However, most of the percussive sounds, when pitch shifted, only sounded 'good' over a reduced range.
The first editing step was to go through the entire piece, and change every note's pitch to its nearest multiple of 400.
The second step was to draw out the entire piece on graph paper, the Y axis being pitch, X being time. This drawing gave me a visual sense of a melody's flow. It was easy to see too many notes clustering around too tight a pitch range for instance, or a single note straying way down into the lower register while all others at that point in the melody were in the upper.
Once these first 'clearing-up' edits were complete I could set about re-writing elements that didn't sound right melodically. Often this meant stripping out whole chunks of superfluous notes, to reveal a cleaner melody line, then shifting its shape slightly. If the flow of the line of dots on the graph 'looked' balanced and sweetly sinuous, then often it sounded so.
This entire process took many weeks per piece. Weeks of doing almost nothing else. Listening. Re-drawing. Re-writing. Listening. Round and round and round. When I could hear the whole thing in my head, from beginning to end, and nothing seemed to jar ( too excessively ), I knew it was done, time to move on.
I imagine it's very similar to the process of stop animation. Your days are filled with painfully tiny incremental changes that seem to be getting nowhere. Then, slowly, a shape, narrative, starts to appear. Then, all of a sudden, somehow, it's done.
When all the pieces were complete the R8 was taken into Irdial's studio where some simple effects were added, each voice recorded individually for clarity onto 8-track tape and mastered onto an ex-BBC half-inch tape deck.
Then I slept. And vowed never to do it again.
*****
And the title ?
Soon after finishing the pieces I happened to read a magazine article about Christo's "Surrounded Islands" installation with the music playing in the background.
There was something about a particular cluster of words within a random sentence that seemed pleasing and somehow appropriate.
"Islets in Pink Polypropylene" seemed to make as much sense as anything else. More
Amazing and legendary 1994 cult album on the equally amazing and legendary Irdial Disc label, remastered at Emil Berliner Studios in half speed mastering.
Tracklist:
A1 Untitled
A2 Untitled
B1 Untitled
B2 Untitled
B3 Untitled
About The Reviews >>>>
"The 50 best IDM albums of all time"
Pitchfork
"A liquidy headbox of aural shapes, whose forms hardly change yet seem to encompass infinite viscosity within them, like rainbow pools of oil on water"
Wire
"Before IDM became a nation of Aphex and Autechre cosplayers, the genre was less defined by aesthetics than by a shared ideology. Here was a loosely connected axis of post-rave kids, united by little more than a shared willingness to subvert the tools of their techno idols and create sounds that hadn't previously been imagined. No record of the era better embodies this find-a-machine-and-freak-it ethos than Islets in Pink Polypropylene, the otherworldly debut by British producer Anthony Manning."
Pitchfork
"It’s refreshing to hear an all-electronic album that sounds so organic yet so totally alien."
Fact
"One of the UK’s first post-rave ambient records proper; sharing much more in common with Autechre’s Amber or AFX’s Selected Ambient Works Vol. II - which were both released in that same year - than anything else before or around it."
Boomkat
For fans of avant everything innovative and experimental music.
About The Album>>>>
The whole album was composed and realized on the Roland R8 drum machine. It followed the same process as the Elastic Variations pieces, with the major addition of many, many hours of editing.
Each piece was composed as a series of patterns, of varying lengths ( 5,6,7 bars long ). The stock R8 sounds were embellished with one of several ROM sound library cards ( mostly the Dance card, number 10 ).
These patterns were created by tapping out a rhythm, then, in real time, using the Pitch slider as the pattern looped, to create improvised melodies for each of the pattern's voices.
The rough version of each piece was built by stitching the patterns together as a song, listening to each addition over and over, to make sure the melodies flowed into each other in a vaguely coherent manner.
Once this initial rough structure was in place I set about fine tuning every single note.
The R8 doesn't allow you to assign a pitch to a note in the conventional sense. It's not possible to assign a pitch of Middle C to the first note of the first bar. Instead, it assigns a numerical value to a note's pitch, between -4800 and +4800 ( I think those numbers are correct - that little screen is seared into my memory ).
If you restrict all notes within a piece to a multiple of, say, 400, you therefore create the possibility of a sort of scale. For multiples of 400, you have a total number of 24 permissable notes. However, most of the percussive sounds, when pitch shifted, only sounded 'good' over a reduced range.
The first editing step was to go through the entire piece, and change every note's pitch to its nearest multiple of 400.
The second step was to draw out the entire piece on graph paper, the Y axis being pitch, X being time. This drawing gave me a visual sense of a melody's flow. It was easy to see too many notes clustering around too tight a pitch range for instance, or a single note straying way down into the lower register while all others at that point in the melody were in the upper.
Once these first 'clearing-up' edits were complete I could set about re-writing elements that didn't sound right melodically. Often this meant stripping out whole chunks of superfluous notes, to reveal a cleaner melody line, then shifting its shape slightly. If the flow of the line of dots on the graph 'looked' balanced and sweetly sinuous, then often it sounded so.
This entire process took many weeks per piece. Weeks of doing almost nothing else. Listening. Re-drawing. Re-writing. Listening. Round and round and round. When I could hear the whole thing in my head, from beginning to end, and nothing seemed to jar ( too excessively ), I knew it was done, time to move on.
I imagine it's very similar to the process of stop animation. Your days are filled with painfully tiny incremental changes that seem to be getting nowhere. Then, slowly, a shape, narrative, starts to appear. Then, all of a sudden, somehow, it's done.
When all the pieces were complete the R8 was taken into Irdial's studio where some simple effects were added, each voice recorded individually for clarity onto 8-track tape and mastered onto an ex-BBC half-inch tape deck.
Then I slept. And vowed never to do it again.
*****
And the title ?
Soon after finishing the pieces I happened to read a magazine article about Christo's "Surrounded Islands" installation with the music playing in the background.
There was something about a particular cluster of words within a random sentence that seemed pleasing and somehow appropriate.
"Islets in Pink Polypropylene" seemed to make as much sense as anything else. More
Label:Altered States
Cat-No:ASS003
Release-Date:14.06.2024
Genre:House
Configuration:12" Excl
Barcode:4251804181907
in stock
Last in:05.06.2024
+ Show full info- Close
in stock
Last in:05.06.2024
Label:Altered States
Cat-No:ASS003
Release-Date:14.06.2024
Genre:House
Configuration:12" Excl
Barcode:4251804181907
1
Green Ink - Level 2
2
Green Ink - Level 2 (Will Hofbauer’s Ground Floor Mix)
3
Green Ink - Dafen Village
4
Green Ink - Nierpa
GENRE/S: House, Deep House, Acid House, Breakbeat
TRACKLISTS:
A1 Green Ink - Level 2
A2 Green Ink - Level 2 (Will Hofbauer’s Ground Floor Mix)
B1 Green Ink - Dafen Village
B2 Green Ink - Nierpa
SHORT INFO:
Green Ink is back with his third entry in the Altered States EP catalog! His "Level 2" EP comes with three original gems made for the dance floor.
Joining on remix duties is none other than the very talented producer and "Third Place" label head Will Hofbauer who delivered a catchy, stripped-back interpretation of the title track.
More
TRACKLISTS:
A1 Green Ink - Level 2
A2 Green Ink - Level 2 (Will Hofbauer’s Ground Floor Mix)
B1 Green Ink - Dafen Village
B2 Green Ink - Nierpa
SHORT INFO:
Green Ink is back with his third entry in the Altered States EP catalog! His "Level 2" EP comes with three original gems made for the dance floor.
Joining on remix duties is none other than the very talented producer and "Third Place" label head Will Hofbauer who delivered a catchy, stripped-back interpretation of the title track.
More
12" Excl
pre-sale
+ Show full info- Close
pre-sale
Last in:04.07.2024
Label:Barbecue
Cat-No:BBQ004R
Release-Date:12.07.2024
Genre:Soul/Funk
Configuration:12" Excl
Barcode:3516628455360
Territories: ww -fr -benelux -it
Genre: Funk / Soul / Disco
Tracklist :
A1. Histoire d’1 soir (bye bye les galères)
A2. Histoire d’1 soir (bye bye les galères) [Discomix]
B1. Histoire d’1 soir (bye bye les galères) - Blutch Edit
B2. Histoire d’1 soir (bye bye les galères) [Version Instrumentale]
B3. Histoire d’1 soir (bye bye les galères) [Choeur & a capella]
Release Info:
Great classic and timeless tune of the 80s and French Boogie scene, « Histoire d’1 Soir (Bye bye les galères) » is an ode to party, liberty, youth and freedom, interpreted by Bibi Flash aka Brigitte Gasté, an atypical singer from the French Boogie.
With its light lyrics and mythical chorus, its euphoria and irresistible disco-rap vibe, this track produced by Philippe Renaux (Holly Guns, Clever, Pianola…) released in 1983 is a sincere photography of its time, during which these children of the « summer of love » and May 68 criss-crossed Paris in search of endless nights, pleasure and freedom.
A prized and rare record which is nowadays repressed by Barbecue imprint in 2021, in its 12’’ version, with the original, the Disco Mix, instrumental and the A Cappella, and is accompanied by a new modern and festive edit by French house producer Blutch.
Printed inner sleeve included.
More
Genre: Funk / Soul / Disco
Tracklist :
A1. Histoire d’1 soir (bye bye les galères)
A2. Histoire d’1 soir (bye bye les galères) [Discomix]
B1. Histoire d’1 soir (bye bye les galères) - Blutch Edit
B2. Histoire d’1 soir (bye bye les galères) [Version Instrumentale]
B3. Histoire d’1 soir (bye bye les galères) [Choeur & a capella]
Release Info:
Great classic and timeless tune of the 80s and French Boogie scene, « Histoire d’1 Soir (Bye bye les galères) » is an ode to party, liberty, youth and freedom, interpreted by Bibi Flash aka Brigitte Gasté, an atypical singer from the French Boogie.
With its light lyrics and mythical chorus, its euphoria and irresistible disco-rap vibe, this track produced by Philippe Renaux (Holly Guns, Clever, Pianola…) released in 1983 is a sincere photography of its time, during which these children of the « summer of love » and May 68 criss-crossed Paris in search of endless nights, pleasure and freedom.
A prized and rare record which is nowadays repressed by Barbecue imprint in 2021, in its 12’’ version, with the original, the Disco Mix, instrumental and the A Cappella, and is accompanied by a new modern and festive edit by French house producer Blutch.
Printed inner sleeve included.
More
12" Excl
in stock
Label:Infolines Music
Cat-No:info003
Release-Date:28.05.2021
Genre:techhouse
Configuration:12" Excl
Barcode:
in stock
Last in:23.04.2021
+ Show full info- Close
in stock
Last in:23.04.2021
Label:Infolines Music
Cat-No:info003
Release-Date:28.05.2021
Genre:techhouse
Configuration:12" Excl
Barcode:
1
V.A. - No Title
2
V.A. - No Title
3
V.A. - No Title
4
V.A. - No Title
Track Listing:
A1 – ADMN, Mister Joshooa – LFOs are Tight (Original Mix)
A2 – ADMN, Mister Joshooa – LFOs are Tight (Delano Smith Remix)
B1 – ADMN – Technology is Creepy (Original Mix)
B2 – Remote Viewing Party – Pink Panther (Original Mix)
You have reached the Infolines. The Infolines spaceship lands back in Detroit and invite Mister Joshooa & Delano
Smith aboard. Buckle up dinguses, it’s gonna be quite the ride. More
A1 – ADMN, Mister Joshooa – LFOs are Tight (Original Mix)
A2 – ADMN, Mister Joshooa – LFOs are Tight (Delano Smith Remix)
B1 – ADMN – Technology is Creepy (Original Mix)
B2 – Remote Viewing Party – Pink Panther (Original Mix)
You have reached the Infolines. The Infolines spaceship lands back in Detroit and invite Mister Joshooa & Delano
Smith aboard. Buckle up dinguses, it’s gonna be quite the ride. More
Label:Intercept
Cat-No:INT059LP
Release-Date:12.07.2024
Configuration:LP Excl
Barcode:4062548087925
pre-sale
Last in:-
+ Show full info- Close
pre-sale
Last in:-
Label:Intercept
Cat-No:INT059LP
Release-Date:12.07.2024
Configuration:LP Excl
Barcode:4062548087925
1
Ramses3000 - Aphasia
2
Ramses3000 - A Study of Dreams
3
Ramses3000 - Apollo's
4
Ramses3000 - Everglades
5
Ramses3000 - Fortuna
6
Ramses3000 - Ava
7
Ramses3000 - Lucid
8
Ramses3000 - Thalamus
9
Ramses3000 - Celeste
10
Ramses3000 - Lumiere
Territories: WORLD minus US
GENRES: Ambient, Electronica
TRACKLISTS:
1. Aphasia
2. A Study of Dreams
3. Apollo's
4. Everglades
5. Fortuna
6. Ava
7. Lucid
8. Thalamus
9. Celeste
10. Lumiere
SHORT INFO:
Multidisciplinary artist Yannick Verhoeven, aka Ramses3000, is back with a new album called ‘Thalamus’. Earlier known from his electro-cha3bi outlet Cairo Liberation Front, Verhoeven decided to discover unknown musical territory as he was inspired by calming music and aimed to compose music that allows the listener to relax and process the stimuli of daily life. Earlier this year ‘Thalamus’ was showcased at prestigious art installations at Museum De Pont, Kunstinstituut Melly and Stedelijk Museum Breda and music festivals such as November Music and ADE. Crafting the album for two years resulted in a remarkable trip that sounds like a cross-pollination where the classical and digital worlds meet, incorporating influences from ambient, jazz, new age and psychedelic music
More
GENRES: Ambient, Electronica
TRACKLISTS:
1. Aphasia
2. A Study of Dreams
3. Apollo's
4. Everglades
5. Fortuna
6. Ava
7. Lucid
8. Thalamus
9. Celeste
10. Lumiere
SHORT INFO:
Multidisciplinary artist Yannick Verhoeven, aka Ramses3000, is back with a new album called ‘Thalamus’. Earlier known from his electro-cha3bi outlet Cairo Liberation Front, Verhoeven decided to discover unknown musical territory as he was inspired by calming music and aimed to compose music that allows the listener to relax and process the stimuli of daily life. Earlier this year ‘Thalamus’ was showcased at prestigious art installations at Museum De Pont, Kunstinstituut Melly and Stedelijk Museum Breda and music festivals such as November Music and ADE. Crafting the album for two years resulted in a remarkable trip that sounds like a cross-pollination where the classical and digital worlds meet, incorporating influences from ambient, jazz, new age and psychedelic music
More
12" Excl
in stock
Label:Infolines Music
Cat-No:info002
Release-Date:23.10.2020
Genre:techhouse
Configuration:12" Excl
Barcode:4251804120043
in stock
Last in:13.08.2020
+ Show full info- Close
in stock
Last in:13.08.2020
Label:Infolines Music
Cat-No:info002
Release-Date:23.10.2020
Genre:techhouse
Configuration:12" Excl
Barcode:4251804120043
1
V.A.( Bendersnatch/ Remote Viewing Part - A1 - Bendersnatch - Vice Versa (Original Mix)
2
V.A.( Bendersnatch/ Remote Viewing Part - A2 - Remote Viewing Party Feat Ezuch & Bcota - Outpost (Original Mix)
3
V.A.( Bendersnatch/ Remote Viewing Part - B1 - Dev-Lish, Maxlow - Faith In The Machine (Original Mix)
4
V.A.( Bendersnatch/ Remote Viewing Part - B2 - Francois Dillinger - Lost Loops (Original Mix)
You have reached the Infolines. Tonight, we send you on a journey packin’ east to play in the magnificent halls where thespians and rock & roll once played. ‘The Theatre’ features a compilation of cuts that inspire those who listen to sweat in the soon to be humid weather of Detroit.
Bendersnatch is back again, this time with their funky groove ‘Vice Versa’, tooled as a call to the dance floor with a kick that cuts, and bleeps reminiscent of the second wave of techno. Remote Viewing Party brings us a break beat rhythm joined by instrumentalists Ezuch & Bcota with ‘Outpost’. The duo brings shows us their depth creating an atmosphere that will bring you chills, and tears that you will probably think is sweat running down your face. Newcomer Dev-Lish is joined by Maxlow with their head banger ‘Faith In The Machine, in a collaboration inspired by the Detroit birthed genre ‘sludge’. Evil grinding tones with huge bass and dark vocals will make you want to breath. Last, but not certainly least is Francois Dillinger. This artist has been churning out his art and making waves in the electro and techno communities. He brings to the table ‘Lost Loops’ with nothing short of huge bass, large spatial tones designed to hit all frequency ranges leaving room for the crowd to breath while being taken on a journey.
As always, keep an eye on this space and be sure to call in for the waypoint to the party.
A1 - Bendersnatch - Vice Versa (Original Mix)
A2 - Remote Viewing Party feat Ezuch & Bcota - Outpost (Original Mix)
B1 - Dev-Lish, Maxlow - Faith In The Machine (Original Mix)
B2 - Francois Dillinger - Lost Loops (Original Mix) More
Bendersnatch is back again, this time with their funky groove ‘Vice Versa’, tooled as a call to the dance floor with a kick that cuts, and bleeps reminiscent of the second wave of techno. Remote Viewing Party brings us a break beat rhythm joined by instrumentalists Ezuch & Bcota with ‘Outpost’. The duo brings shows us their depth creating an atmosphere that will bring you chills, and tears that you will probably think is sweat running down your face. Newcomer Dev-Lish is joined by Maxlow with their head banger ‘Faith In The Machine, in a collaboration inspired by the Detroit birthed genre ‘sludge’. Evil grinding tones with huge bass and dark vocals will make you want to breath. Last, but not certainly least is Francois Dillinger. This artist has been churning out his art and making waves in the electro and techno communities. He brings to the table ‘Lost Loops’ with nothing short of huge bass, large spatial tones designed to hit all frequency ranges leaving room for the crowd to breath while being taken on a journey.
As always, keep an eye on this space and be sure to call in for the waypoint to the party.
A1 - Bendersnatch - Vice Versa (Original Mix)
A2 - Remote Viewing Party feat Ezuch & Bcota - Outpost (Original Mix)
B1 - Dev-Lish, Maxlow - Faith In The Machine (Original Mix)
B2 - Francois Dillinger - Lost Loops (Original Mix) More
LP Excl
in stock
Label:Because Music
Cat-No:BEC5613970
Release-Date:14.06.2024
Genre:Indie Rock/Alternative
Configuration:LP Excl
Barcode:5056556139706
in stock
Last in:27.05.2024
+ Show full info- Close
in stock
Last in:27.05.2024
Label:Because Music
Cat-No:BEC5613970
Release-Date:14.06.2024
Genre:Indie Rock/Alternative
Configuration:LP Excl
Barcode:5056556139706
Rights: World excluding FR , including the UK
Packaging: 1 x Solid White Vinyl, Sleeve with fluorescent green panton, marketing frontsticker
TRACKLISTING
SIDE A
1 LA VALSE
2 C'EST PAS LA MER À BOIRE
3 VOILÀ L'ÉTÉ
4 FAMILLE HEUREUSE
5 L'HOMME DES MARAIS
6 FACE À LA MER (MASSIVE ATTACK REMIX)
SIDE B
1 SOUS LE SOLEIL DE BODÉGA
2 ZOBI LA MOUCHE
3 LA DANSE DES NÉGRESSES VERTES
4 HOU! MAMMA MIA
5 LEÏLA
6 HASTA LLEGAR
SHORT BIOG
"Toujours l'été" is the very first Les Négresses Vertes Best Of on Vinyl. 12 classic track on white vinyl edition fairly priced , from" Sous le soleil de Bodéga", "Voilà l'été" to "Zobi La mouche " and Massive Attack's cult remix of "Face à la mer " .
Les Négresses Vertes are a cult french alternative band formed in 1987 with a unique sound. The original line up was a group of 9 friends, some of them never played music before : we can say they very quickly improved . They can be best described as a fusion of world music and alternative rock. Their particular music influences were Raï, Mediterrean music and French café / chanson française up to lyrics. They were in the same time a big band & a rock band with tremendous concerts throughout the UK & Europe . After two first and cult albums "Mlah" & "Famille Nombreuse" and the death of the former charismatic singer Helno, the band decided to keep on playing with Stéphane Mellino & (Matias) Canavese replacing Helno as the main songwriters & singers. After "Zig-Zague" & "Trabendo" albums, they disbanded in 2001.
Following a few live reunions , Stéphane & Iza Mellino ,original members, reformed the live band in 2018 to celebrate the 30th anniversary of cult debut album "Mlah" with an intensive French tour. They have kept playing since and will be back onstage from late spring 2024 for a 30 dates new tour visiting a few countries and very likely to be extended in 2025. Longue vie aux Négresses Vertes !
More
Packaging: 1 x Solid White Vinyl, Sleeve with fluorescent green panton, marketing frontsticker
TRACKLISTING
SIDE A
1 LA VALSE
2 C'EST PAS LA MER À BOIRE
3 VOILÀ L'ÉTÉ
4 FAMILLE HEUREUSE
5 L'HOMME DES MARAIS
6 FACE À LA MER (MASSIVE ATTACK REMIX)
SIDE B
1 SOUS LE SOLEIL DE BODÉGA
2 ZOBI LA MOUCHE
3 LA DANSE DES NÉGRESSES VERTES
4 HOU! MAMMA MIA
5 LEÏLA
6 HASTA LLEGAR
SHORT BIOG
"Toujours l'été" is the very first Les Négresses Vertes Best Of on Vinyl. 12 classic track on white vinyl edition fairly priced , from" Sous le soleil de Bodéga", "Voilà l'été" to "Zobi La mouche " and Massive Attack's cult remix of "Face à la mer " .
Les Négresses Vertes are a cult french alternative band formed in 1987 with a unique sound. The original line up was a group of 9 friends, some of them never played music before : we can say they very quickly improved . They can be best described as a fusion of world music and alternative rock. Their particular music influences were Raï, Mediterrean music and French café / chanson française up to lyrics. They were in the same time a big band & a rock band with tremendous concerts throughout the UK & Europe . After two first and cult albums "Mlah" & "Famille Nombreuse" and the death of the former charismatic singer Helno, the band decided to keep on playing with Stéphane Mellino & (Matias) Canavese replacing Helno as the main songwriters & singers. After "Zig-Zague" & "Trabendo" albums, they disbanded in 2001.
Following a few live reunions , Stéphane & Iza Mellino ,original members, reformed the live band in 2018 to celebrate the 30th anniversary of cult debut album "Mlah" with an intensive French tour. They have kept playing since and will be back onstage from late spring 2024 for a 30 dates new tour visiting a few countries and very likely to be extended in 2025. Longue vie aux Négresses Vertes !
More
2LP Excl
backorder
Label:Be With Records
Cat-No:bewith024LP
Release-Date:08.11.2019
Genre:Soul/Funk
Configuration:2LP Excl
Barcode:5050580679504
backorder
Last in:21.04.2022
+ Show full info- Close
backorder
Last in:21.04.2022
Label:Be With Records
Cat-No:bewith024LP
Release-Date:08.11.2019
Genre:Soul/Funk
Configuration:2LP Excl
Barcode:5050580679504
1
Tommy Guerrero - A1 : Blue Masses
2
Tommy Guerrero - A2 : Four Trk Samba
3
Tommy Guerrero - A3 : Tiny
4
Tommy Guerrero - A4 : Numb Millenium
5
Tommy Guerrero - B1 : 100 Years
6
Tommy Guerrero - B2 : Pescadito
7
Tommy Guerrero - B3 : Azucar
8
Tommy Guerrero - C1 : Flux And Meter
9
Tommy Guerrero - C2 : It’s Raining Again
10
Tommy Guerrero - C3 : Today Like Everyday
11
Tommy Guerrero - C4 : Soul Miner
12
Tommy Guerrero - D1 : As The Sea Holds Creatures Vast And True
13
Tommy Guerrero - D2 : So Blue It’s Black
14
Tommy Guerrero - D3 : Little Chin
Territories:
Worldwide no exceptions
Format:
double LP
Format Notes:
2019 re-press, remastered, 180g vinyl, expanded to double LP, gatefold sleeve
Track List:
A1 : Blue Masses
A2 : Four Trk Samba
A3 : Tiny
A4 : Numb Millenium
B1 : 100 Years
B2 : Pescadito
B3 : Azucar
C1 : Flux And Meter
C2 : It’s Raining Again
C3 : Today Like Everyday
C4 : Soul Miner
D1 : As The Sea Holds Creatures Vast And True
D2 : So Blue It’s Black
D3 : Little Chin
Release Notes:
It’s rare that a certain sound is entirely an artist’s own. Although undeniably a stew of impeccable influences – from blues to folk to Latin to dusty funk, soul and hip-hop – one cannot hear a Tommy Guerrero song without immediately recognising it as his - and his only.
The cult skater from San Francisco is globally renowned as one of the original members of the legendary "Bones Brigade" team. And as an accomplished multi-instrumentalist, his laid-back soul is beloved by all who’ve basked in its blissful glow.
There’s something elemental about this music that really stirs the soul. Strikingly beautiful and instantly addictive, it’s a kind of funk-fuelled, melody-driven, groove-based magic. There's a serenity and heart in the playing that radiates warmth and splendour, as if crafted for endless sunsets. His albums that surfaced on Mo Wax at the turn of the century have been treasured since their release and it’s two of his most vital LPs that we're honoured to reintroduce.
The originals were quietly pressed on to a single piece of vinyl so we've worked closely with Tommy this year to bring you these fresh, limited editions. They have been lovingly remastered, cut nice and loud on to heavyweight double vinyl and presented in deluxe gatefold jackets.
A Little Bit Of Somethin’ is a quietly majestic gem. Brimming with Guerrero’s horizontal “loose grooves”, these brief but innovative instrumentals demonstrate a rich variety and, as such, comprise an LP that is aptly titled. An enchanting start-to-finish listen, it was instantly regarded as essential upon release via Mo Wax in 2000. It has aged remarkably well.
Throughout this inspired collection, simplicity is key. In deploying it, Guerrero presents a beautifully crafted melodic soundscape. The distinctive, mellifluous approach of his guitar style, blending Brazilian, Cuban, Mexican, soul and jazz motifs, is at once startlingly new and tantalisingly familiar. Set against unrushed percussion, the music releases a crystal clear stream of healing frequencies to create a fragile, hypnotic atmosphere.
Each track clocks in at around three minutes and, with a lack of studio polish or commitment to traditional song structure, it’s a wonder how this enigmatic record demands your attention. However, through its gentle dynamism and impressive playing, it does just that. Whilst resolutely low-key, this lo-fi aesthetic feels genuinely organic and remarkably personal; its powerful intimacy truly connects. It’s what makes this album so beloved of those lucky enough to be already familiar with it. From Margaret Kilgallen's truly iconic cover artwork to the music contained within, it's all brilliantly effortless.
Guerrero’s musical ideas are consistently compelling throughout, making it impossible to select highlights. The album’s laconic drift touches upon jazz-fusion workouts and slow-mo hip-hop drums, Tortoise-style experimental post-rock and cinematic sound textures. It’s at once hazy, light and bouncy yet sombre and bluesy. The Latin soul of El Chicano blends with the breezy jazz of Grant Green. By employing guitars and drum machines to create a stripped down rhythmic tapestry of spellbinding, addictive songs, there are even traces of The Durutti Column. A little bit of country, a little bit of rock & roll. A Little Bit Of Somethin’, indeed.
More
Worldwide no exceptions
Format:
double LP
Format Notes:
2019 re-press, remastered, 180g vinyl, expanded to double LP, gatefold sleeve
Track List:
A1 : Blue Masses
A2 : Four Trk Samba
A3 : Tiny
A4 : Numb Millenium
B1 : 100 Years
B2 : Pescadito
B3 : Azucar
C1 : Flux And Meter
C2 : It’s Raining Again
C3 : Today Like Everyday
C4 : Soul Miner
D1 : As The Sea Holds Creatures Vast And True
D2 : So Blue It’s Black
D3 : Little Chin
Release Notes:
It’s rare that a certain sound is entirely an artist’s own. Although undeniably a stew of impeccable influences – from blues to folk to Latin to dusty funk, soul and hip-hop – one cannot hear a Tommy Guerrero song without immediately recognising it as his - and his only.
The cult skater from San Francisco is globally renowned as one of the original members of the legendary "Bones Brigade" team. And as an accomplished multi-instrumentalist, his laid-back soul is beloved by all who’ve basked in its blissful glow.
There’s something elemental about this music that really stirs the soul. Strikingly beautiful and instantly addictive, it’s a kind of funk-fuelled, melody-driven, groove-based magic. There's a serenity and heart in the playing that radiates warmth and splendour, as if crafted for endless sunsets. His albums that surfaced on Mo Wax at the turn of the century have been treasured since their release and it’s two of his most vital LPs that we're honoured to reintroduce.
The originals were quietly pressed on to a single piece of vinyl so we've worked closely with Tommy this year to bring you these fresh, limited editions. They have been lovingly remastered, cut nice and loud on to heavyweight double vinyl and presented in deluxe gatefold jackets.
A Little Bit Of Somethin’ is a quietly majestic gem. Brimming with Guerrero’s horizontal “loose grooves”, these brief but innovative instrumentals demonstrate a rich variety and, as such, comprise an LP that is aptly titled. An enchanting start-to-finish listen, it was instantly regarded as essential upon release via Mo Wax in 2000. It has aged remarkably well.
Throughout this inspired collection, simplicity is key. In deploying it, Guerrero presents a beautifully crafted melodic soundscape. The distinctive, mellifluous approach of his guitar style, blending Brazilian, Cuban, Mexican, soul and jazz motifs, is at once startlingly new and tantalisingly familiar. Set against unrushed percussion, the music releases a crystal clear stream of healing frequencies to create a fragile, hypnotic atmosphere.
Each track clocks in at around three minutes and, with a lack of studio polish or commitment to traditional song structure, it’s a wonder how this enigmatic record demands your attention. However, through its gentle dynamism and impressive playing, it does just that. Whilst resolutely low-key, this lo-fi aesthetic feels genuinely organic and remarkably personal; its powerful intimacy truly connects. It’s what makes this album so beloved of those lucky enough to be already familiar with it. From Margaret Kilgallen's truly iconic cover artwork to the music contained within, it's all brilliantly effortless.
Guerrero’s musical ideas are consistently compelling throughout, making it impossible to select highlights. The album’s laconic drift touches upon jazz-fusion workouts and slow-mo hip-hop drums, Tortoise-style experimental post-rock and cinematic sound textures. It’s at once hazy, light and bouncy yet sombre and bluesy. The Latin soul of El Chicano blends with the breezy jazz of Grant Green. By employing guitars and drum machines to create a stripped down rhythmic tapestry of spellbinding, addictive songs, there are even traces of The Durutti Column. A little bit of country, a little bit of rock & roll. A Little Bit Of Somethin’, indeed.
More