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Last in:25.04.2024
Label:ARTS
Cat-No:arts046
Release-Date:26.04.2024
Genre:Techno
Configuration:12"
Barcode:
1
JUDAS - INTENSE I
2
JUDAS - INTENSE II
3
JUDAS - INTENSE II
4
JUDAS - INTENSE IV
Tracklisting
A1 JUDAS - INTENSE I
A2 JUDAS - INTENSE II
B1 JUDAS - INTENSE II
B2 JUDAS - INTENSE IV
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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A1 JUDAS - INTENSE I
A2 JUDAS - INTENSE II
B1 JUDAS - INTENSE II
B2 JUDAS - INTENSE IV
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Last in:15.09.2022
Label:ARTS
Cat-No:artscore015
Release-Date:16.09.2022
Genre:Techno
Configuration:12"
Barcode:
1
Judas - HOSTILE I
2
Judas - HOSTILE II
3
Judas - HOSTILE III
4
Judas - HOSTILE IV
Tracklisting:
A1 Judas - HOSTILE I
A2 Judas - HOSTILE II
B1 Judas - HOSTILE III
B2 Judas - HOSTILE IV
Release Note:
Across professions, consistency is a direct product of work ethic. In the case of Judas consistency is key, "H O S T I L E " is a great representation of the maturity of vision during these years, all the four cuts are crafted with the same language that the artist matured, but with a twist that defines his future and our future of modern techno music.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
A1 Judas - HOSTILE I
A2 Judas - HOSTILE II
B1 Judas - HOSTILE III
B2 Judas - HOSTILE IV
Release Note:
Across professions, consistency is a direct product of work ethic. In the case of Judas consistency is key, "H O S T I L E " is a great representation of the maturity of vision during these years, all the four cuts are crafted with the same language that the artist matured, but with a twist that defines his future and our future of modern techno music.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
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Last in:12.01.2022
Label:ARTS
Cat-No:arts044
Release-Date:25.06.2021
Genre:Techno
Configuration:12"
Barcode:
1
Judas - E-bend" (I)
2
Judas - E-bend" (II)
3
Judas - E-bend" (III)
4
Judas - E-bend" (IV)
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Label:Darkmatter Inc.
Cat-No:drkmt005
Release-Date:29.03.2019
Genre:Techno
Configuration:12"
Barcode:
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Last in:20.09.2019
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Last in:20.09.2019
Label:Darkmatter Inc.
Cat-No:drkmt005
Release-Date:29.03.2019
Genre:Techno
Configuration:12"
Barcode:
1
Judas - Distress I
2
Judas - Distress II
3
Judas - Distress III
4
Judas - Distress IV
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
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Last in:09.01.2019
Label:arts
Cat-No:artscollect23.2
Release-Date:28.06.2018
Genre:Techno
Configuration:12"
Barcode:
1
judas - Unsaid V
2
judas - Unsaid VI
3
judas - Unsaid VII
4
judas - Unsaid VIII
Everyone is a moon and has a dark side which he never shows to anybody. Judas is back with one of the biggest collections of records since today, presenting more sides of his vision as an artist and as a conceptual persona, these are 4 cuts that brilliantly put you in the zone, right when the needle drops on the record. Judas present this project in 2 parts, both part of the same creature, and of the same concept, 'Unsaid' goes far beyond the usual aspect of the functionality, in this case, functionality is a pure tool, every single work shows you a path into his mind.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
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Germany
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Last in:12.07.2018
Label:arts
Cat-No:artscollect23.1
Release-Date:30.05.2018
Genre:Techno
Configuration:12"
Barcode:
1
judas - Unsaid I
2
judas - Unsaid II
3
judas - Unsaid III
4
judas - Unsaid IV
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Last in:07.02.2018
Label:arts
Cat-No:artscore004
Release-Date:16.11.2017
Genre:Techno
Configuration:12"
Barcode:
1
judas - No Title
2
judas - No Title
3
judas - No Title
4
judas - No Title
ARTSCORE presents one of the key artists behind the Modular Sonic aspect of Techno music: Judas. Sound and aesthetic before anything else, this is the mark of a rising star and he is quickly becoming a big member of our collective. 12" Gold press on B side.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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DE - 22113 Hamburg
Germany
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Last in:09.11.2018
Label:arts
Cat-No:artscollect015
Release-Date:10.03.2017
Genre:Techno
Configuration:12"
Barcode:
1
judas - Revulsion I
2
judas - Revulsion II
3
judas - Revulsion III
4
judas - Revulsion IV
The legacy goes on, after blowing minds of half of the world with his debut, The mysterious JUDAS is back in the game. This EP shows to the world that Simplicity is the key to creativity.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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WAS - Word and Sound Medien GmbH
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DE - 22113 Hamburg
Germany
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Last in:-
Label:ARTS
Cat-No:artscore024
Release-Date:24.01.2025
Genre:Techno
Configuration:12"
Barcode:
1
Emmanuel - Lost In Translation (Chontane 1995 Remix)
2
Emmanuel - Illusion Of Choice (Regent remix)
3
Emmanuel - New Media (OFF / GRID remix)
Tracklisting
A1 Emmanuel - Lost In Translation (Chontane 1995 Remix)
B1 Emmanuel - Illusion Of Choice (Regent remix)
B2 Emmanuel - New Media (OFF / GRID remix)
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
A1 Emmanuel - Lost In Translation (Chontane 1995 Remix)
B1 Emmanuel - Illusion Of Choice (Regent remix)
B2 Emmanuel - New Media (OFF / GRID remix)
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
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Last in:-
Label:ARTS
Cat-No:ARTSCORE02
Release-Date:10.01.2025
Genre:Techno
Configuration:12"
Barcode:
1
Yan Cook - Surface Tension
2
Yan Cook - 22-44
3
Yan Cook - Eyes Adjust To The Dark
4
Yan Cook - Kviten
Tracklisting
A1 Yan Cook - Surface Tension
A2 Yan Cook - 22-44
B1 Yan Cook - Eyes Adjust To The Dark
B2 Yan Cook - Kviten
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
A1 Yan Cook - Surface Tension
A2 Yan Cook - 22-44
B1 Yan Cook - Eyes Adjust To The Dark
B2 Yan Cook - Kviten
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
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Last in:29.11.2024
Label:ARTS
Cat-No:arts050
Release-Date:27.09.2024
Genre:Techno
Configuration:12"
Barcode:
1
Thimo Konings - How Does One
2
Thimo Konings - Towers Reach
3
Thimo Konings - Sirkel
4
Thimo Konings - Covert
5
Thimo Konings - Double Split
Tracklisting
A1 Thimo Konings - How Does One
A2 Thimo Konings - Towers Reach
B1 Thimo Konings - Sirkel
B2 Thimo Konings - Covert
B3 Thimo Konings - Double Split
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
A1 Thimo Konings - How Does One
A2 Thimo Konings - Towers Reach
B1 Thimo Konings - Sirkel
B2 Thimo Konings - Covert
B3 Thimo Konings - Double Split
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
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Last in:18.09.2024
Label:ARTS
Cat-No:arts051
Release-Date:13.09.2024
Genre:Techno
Configuration:12"
Barcode:
1
OFF / GRID - Renegades
2
OFF / GRID - Still Deviant
3
OFF / GRID - No Money No Problems
4
OFF / GRID - Mechanic Feelings
Tracklisting
A1 OFF / GRID - Renegades
A2 OFF / GRID - Still Deviant
B1 OFF / GRID - No Money No Problems
B2 OFF / GRID - Mechanic Feelings
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
A1 OFF / GRID - Renegades
A2 OFF / GRID - Still Deviant
B1 OFF / GRID - No Money No Problems
B2 OFF / GRID - Mechanic Feelings
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
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Last in:28.11.2024
Label:ARTS
Cat-No:arts049
Release-Date:30.08.2024
Genre:Techno
Configuration:12"
Barcode:
1
User - Police
2
User - Detkor 4
3
User - Joshua
4
User - No Pain No Gain
Tracklisting
A1 User - Police
A2 User - Detkor 4
B1 User - Joshua
B2 User - No Pain No Gain
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
A1 User - Police
A2 User - Detkor 4
B1 User - Joshua
B2 User - No Pain No Gain
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
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Last in:24.06.2024
Label:ARTS
Cat-No:artscore023
Release-Date:21.06.2024
Genre:Techno
Configuration:12"
Barcode:
1
Emmanuel - Illusion Of Choice
2
Emmanuel - Lost In Translation
3
Emmanuel - Analytics
4
Emmanuel - New Media
Tracklisting
A1 Emmanuel - Illusion Of Choice
A2 Emmanuel - Lost In Translation
B1 Emmanuel - Analytics
B2 Emmanuel - New Media
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
A1 Emmanuel - Illusion Of Choice
A2 Emmanuel - Lost In Translation
B1 Emmanuel - Analytics
B2 Emmanuel - New Media
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
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Last in:10.06.2024
Label:ARTS
Cat-No:arts048
Release-Date:07.06.2024
Genre:Techno
Configuration:12"
Barcode:
1
Boston 168 - Acid Arcane
2
Boston 168 - Codebreakers
3
Boston 168 - Impulse of Infinity
4
Boston 168 - Depth Perception
Tracklisting
A1 Boston 168 - Acid Arcane
A2 Boston 168 - Codebreakers
B1 Boston 168 - Impulse of Infinity
B2 Boston 168 - Depth Perception
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
A1 Boston 168 - Acid Arcane
A2 Boston 168 - Codebreakers
B1 Boston 168 - Impulse of Infinity
B2 Boston 168 - Depth Perception
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
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Last in:17.05.2024
Label:ARTS
Cat-No:artsw011
Release-Date:17.05.2024
Genre:Techno
Configuration:12"
Barcode:
1
Klint - Gunslingers
2
Klint - Paris Tokyo
3
Klint - Chaotic Funk
4
Klint - Undercover
Tracklisting
A1 Klint - Gunslingers
A2 Klint - Paris Tokyo
B1 Klint - Chaotic Funk
B2 Klint - Undercover
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
A1 Klint - Gunslingers
A2 Klint - Paris Tokyo
B1 Klint - Chaotic Funk
B2 Klint - Undercover
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
12"
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Last in:-
Label:ARTS
Cat-No:arts047
Release-Date:05.04.2024
Genre:Techno
Configuration:12"
Barcode:
1
Paul Roux - What Will Remain When We're Gone
2
Paul Roux - Burning
3
Paul Roux - You Know You Want It
4
Paul Roux - Maybe Is Love
5
Paul Roux - Stereo Love
Tracklisting
A1 Paul Roux - What Will Remain When We're Gone
A2 Paul Roux - Burning
B1 Paul Roux - You Know You Want It
B2 Paul Roux - Maybe Is Love
B3 Paul Roux - Stereo Love
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
A1 Paul Roux - What Will Remain When We're Gone
A2 Paul Roux - Burning
B1 Paul Roux - You Know You Want It
B2 Paul Roux - Maybe Is Love
B3 Paul Roux - Stereo Love
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
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Last in:12.09.2024
Label:ARTS
Cat-No:artscollect043
Release-Date:09.02.2024
Genre:Techno
Configuration:12"
Barcode:
1
Tensal - Virgo
2
Tensal - Molecular Base
3
Tensal - Black Annis
4
Tensal - Chromatic Aberration
Tracklisting:
A1 Tensal - Virgo
A2 Tensal - Molecular Base
B1 Tensal - Black Annis
B2 Tensal - Chromatic Aberration
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
A1 Tensal - Virgo
A2 Tensal - Molecular Base
B1 Tensal - Black Annis
B2 Tensal - Chromatic Aberration
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
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Last in:12.04.2024
Label:ARTS
Cat-No:artscollect042
Release-Date:19.01.2024
Genre:Techno
Configuration:12"
Barcode:
1
OFF / GRID - Strobe Light Memories
2
OFF / GRID - Insomniac
3
OFF / GRID - Patterned Vision
4
OFF / GRID - No Need To Talk
Tracklisting
A1 OFF / GRID - Strobe Light Memories
A2 OFF / GRID - Insomniac
B1 OFF / GRID - Patterned Vision
B2 OFF / GRID - No Need To Talk
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
A1 OFF / GRID - Strobe Light Memories
A2 OFF / GRID - Insomniac
B1 OFF / GRID - Patterned Vision
B2 OFF / GRID - No Need To Talk
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
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Last in:10.07.2024
Label:ARTS
Cat-No:artscore022
Release-Date:08.12.2023
Genre:Techno
Configuration:12"
Barcode:
1
Introversion - Nostalgia
2
Introversion - Mania
3
Introversion - Burden
4
Introversion - Burden (SAMA remix)
Tracklisting:
A1 Introversion - Nostalgia
A2 Introversion - Mania
B1 Introversion - Burden
B2 Introversion - Burden (SAMA remix)
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
A1 Introversion - Nostalgia
A2 Introversion - Mania
B1 Introversion - Burden
B2 Introversion - Burden (SAMA remix)
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
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Last in:23.01.2024
Label:ARTS
Cat-No:artsw008
Release-Date:01.12.2023
Genre:Techno
Configuration:12"
Barcode:
1
Private Press - Usual Suspects
2
Private Press - Credit 9
3
Private Press - Just Give Us Time
4
Private Press - Slyly Troopers
Tracklisting
A1 Private Press - Usual Suspects
A2 Private Press - Credit 9
B1 Private Press - Just Give Us Time
B2 Private Press - Slyly Troopers
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
A1 Private Press - Usual Suspects
A2 Private Press - Credit 9
B1 Private Press - Just Give Us Time
B2 Private Press - Slyly Troopers
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
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Last in:06.10.2023
Label:ARTS
Cat-No:artscollect040
Release-Date:06.10.2023
Genre:Techno
Configuration:12"
Barcode:
1
Thimo Konings & SAMA - Matic
2
Thimo Konings & SAMA - Sense of Dread
3
Thimo Konings & SAMA - B118
4
Thimo Konings & SAMA - Tumbleweed
Tracklisting:
A1 Thimo Konings & Sama - Matic
A2 Thimo Konings & Sama - Sense of Dread
B1 Thimo Konings & Sama - B118
B2 Thimo Konings & Sama - Tumbleweed
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
A1 Thimo Konings & Sama - Matic
A2 Thimo Konings & Sama - Sense of Dread
B1 Thimo Konings & Sama - B118
B2 Thimo Konings & Sama - Tumbleweed
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
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Last in:20.10.2023
Label:ARTS
Cat-No:artsw010
Release-Date:22.09.2023
Genre:Techno
Configuration:12"
Barcode:
1
Alexander Kowalski - Lost In The Depths
2
Alexander Kowalski - Elements
3
Alexander Kowalski - Lights in the Darkness
4
Alexander Kowalski - Promising Whispers
Tracklisting:
A1 Alexander Kowalski - Lost In The Depths
A2 Alexander Kowalski - Elements
B1 Alexander Kowalski - Lights in the Darkness
B2 Alexander Kowalski - Promising Whispers
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
A1 Alexander Kowalski - Lost In The Depths
A2 Alexander Kowalski - Elements
B1 Alexander Kowalski - Lights in the Darkness
B2 Alexander Kowalski - Promising Whispers
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
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Last in:12.10.2023
Label:ARTS
Cat-No:artscollect039
Release-Date:01.09.2023
Genre:Techno
Configuration:12"
Barcode:
1
VNTM - Remembrance
2
VNTM - Breaching
3
VNTM - Dissonance Is Bliss
4
VNTM - Continuity
Tracklisting:
A1 VNTM - Remembrance
A2 VNTM - Breaching
B1 VNTM - Dissonance Is Bliss
B2 VNTM - Continuity
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
A1 VNTM - Remembrance
A2 VNTM - Breaching
B1 VNTM - Dissonance Is Bliss
B2 VNTM - Continuity
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
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Last in:01.09.2023
Label:ARTS
Cat-No:artscore021
Release-Date:14.07.2023
Genre:Techno
Configuration:12"
Barcode:
1
Emmanuel - You Are In The Right Place
2
Emmanuel - Turbolance
3
Emmanuel - Retardant
4
Emmanuel - They Control Us
5
Emmanuel - You Name It
Tracklisting:
A1 Emmanuel - You Are In The Right Place
A2 Emmanuel - Turbolance
A3 Emmanuel - Retardant
B1 Emmanuel - They Control Us
B2 Emmanuel - You Name It
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
A1 Emmanuel - You Are In The Right Place
A2 Emmanuel - Turbolance
A3 Emmanuel - Retardant
B1 Emmanuel - They Control Us
B2 Emmanuel - You Name It
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Label:ARTS
Cat-No:artsw009
Release-Date:30.06.2023
Genre:Techno
Configuration:12"
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1
Ecilo - Skyline
2
Ecilo - Never Ends
3
Ecilo - Manifesto Funk
4
Ecilo feat. Donjoe - Golden Hours
Tracklisting:
A1 Ecilo - Skyline
A2 Ecilo - Never Ends
B1 Ecilo - Manifesto Funk
B2 Ecilo feat. Donjoe - Golden Hours
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Germany
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A1 Ecilo - Skyline
A2 Ecilo - Never Ends
B1 Ecilo - Manifesto Funk
B2 Ecilo feat. Donjoe - Golden Hours
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Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Last in:15.08.2024
Label:Mr Bongo
Cat-No:MRBLP306
Release-Date:03.05.2024
Genre:Soul/Funk
Configuration:2LP
Barcode:
1
Rubel - Forró Violento (Instrumental)
2
Rubel - Grão De Areia
3
Rubel - Não Vou Reclamar De Deus
4
Rubel - Toda Beleza
5
Rubel - Put@ria!
6
Rubel - Rubelía
7
Rubel - Posso Dizer
8
Rubel - Vinheta As Palavras
9
Rubel - As Palavras
10
Rubel - Forró Violento
11
Rubel - Torto Arad
12
Rubel - Lua De Garrafa
13
Rubel - Na Mão Do Palhaço
14
Rubel - Doutor Albieri
15
Rubel - Samba De Amanda E Té
16
Rubel - Amor De Mãe
17
Rubel - Vinheta As Palavras II
18
Rubel - Assum Preto
19
Rubel - Forró No Escuro
20
Rubel - Toda Beleza (Pelos Loirinhos)
Released on 2xLP cut at 45RPM in gatefold sleeve with 6 panel fold-out poster.
Some albums are game-changers in a genre. Take OutKast's Speakerboxxx / The Love Below or Primal Scream's Screamadelica, they observe, study, and then flip what an album can mean to a genre or moment in time.
From the very first listen of Rubel’s Latin Grammy-nominated third album As Palavras, Vol. 1 & 2, you can feel its transformative force for the MPB genre. Here we see one of Rio’s brightest stars, fusing the contemporary with the classic, soaking up the richness of Brazil’s musical heritage. The result is a marauding 20-track epic, incorporating traditional styles such as forró, MPB, pagode and samba with modern baile funk, rasteirinha and hip-hop.
The album exudes a sense of freedom and creativity, playfully and provocatively juggling the familiar with the forward-thinking. The tracks are divided across two records, navigating feelings of love, heartbreak and discovery, whilst balancing themes of violence, passion, irony and affection. Collaborating with some of the country’s most esteemed artists such as Gabriel do Borel, Liniker, Luedji Luna, Tim Bernardes and Ana Caetano, Rubel takes this fusion of styles, subjects and flavours to the global stage.
The grand, forró-blending, choral opener, ‘Forró Violento (Instrumental)’ sets the tone for the album, with references and links between tradition and modernity everywhere to be seen. From the Ana Frango Elétrico produced, funk flexing, samba-soul brilliance of ‘Não Vou Reclamar de Deus’, to the album’s title cut ‘As Palavras’, in collaboration with Tim Bernardes, that melds MPB influences with electronic elements and hip-hop touches.
Across both sides of the album, Rubel’s story-telling gift is given space to shine. ‘Torto Arado’ featuring Liniker and Luedji Luna, beautifully references the racial injustice, tragedy, hope and ambition found in one the most celebrated Brazilian novels of recent times by Itamar Vieira Júnior. Elsewhere, ‘Na Mão do Palhaço’ manifests a satirical march about a suicidal conservative middle-aged man, who is rescued by the miracle of the carnival.
At times the album is gentle and intimate with tracks like ‘Toda Beleza’ featuring Bala Desejo, or the ode to friendship ‘Lua de Garrafa’, composed with the legendary Milton Nascimento. At others, the grooves hit harder, with sounds from the favelas laced within. ‘Put@ria!’, explores the universe of baile funk, with BK’ and MC Carol trading off on the mic, as ‘Rubelía’ moves between reggaeton, funk, and hip hop. The latter is a tribute to a key influence of the album, Spanish star Rosalía and her parallel mix of current with classic.
Ultimately though the beauty of this album lies in its concept. In the midst of a country divided, ‘As Palavras Vol. 1 & 2’ sets out to bring together genres and generations, grounded in rhythms and words that have helped define Brazil through the ages.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Some albums are game-changers in a genre. Take OutKast's Speakerboxxx / The Love Below or Primal Scream's Screamadelica, they observe, study, and then flip what an album can mean to a genre or moment in time.
From the very first listen of Rubel’s Latin Grammy-nominated third album As Palavras, Vol. 1 & 2, you can feel its transformative force for the MPB genre. Here we see one of Rio’s brightest stars, fusing the contemporary with the classic, soaking up the richness of Brazil’s musical heritage. The result is a marauding 20-track epic, incorporating traditional styles such as forró, MPB, pagode and samba with modern baile funk, rasteirinha and hip-hop.
The album exudes a sense of freedom and creativity, playfully and provocatively juggling the familiar with the forward-thinking. The tracks are divided across two records, navigating feelings of love, heartbreak and discovery, whilst balancing themes of violence, passion, irony and affection. Collaborating with some of the country’s most esteemed artists such as Gabriel do Borel, Liniker, Luedji Luna, Tim Bernardes and Ana Caetano, Rubel takes this fusion of styles, subjects and flavours to the global stage.
The grand, forró-blending, choral opener, ‘Forró Violento (Instrumental)’ sets the tone for the album, with references and links between tradition and modernity everywhere to be seen. From the Ana Frango Elétrico produced, funk flexing, samba-soul brilliance of ‘Não Vou Reclamar de Deus’, to the album’s title cut ‘As Palavras’, in collaboration with Tim Bernardes, that melds MPB influences with electronic elements and hip-hop touches.
Across both sides of the album, Rubel’s story-telling gift is given space to shine. ‘Torto Arado’ featuring Liniker and Luedji Luna, beautifully references the racial injustice, tragedy, hope and ambition found in one the most celebrated Brazilian novels of recent times by Itamar Vieira Júnior. Elsewhere, ‘Na Mão do Palhaço’ manifests a satirical march about a suicidal conservative middle-aged man, who is rescued by the miracle of the carnival.
At times the album is gentle and intimate with tracks like ‘Toda Beleza’ featuring Bala Desejo, or the ode to friendship ‘Lua de Garrafa’, composed with the legendary Milton Nascimento. At others, the grooves hit harder, with sounds from the favelas laced within. ‘Put@ria!’, explores the universe of baile funk, with BK’ and MC Carol trading off on the mic, as ‘Rubelía’ moves between reggaeton, funk, and hip hop. The latter is a tribute to a key influence of the album, Spanish star Rosalía and her parallel mix of current with classic.
Ultimately though the beauty of this album lies in its concept. In the midst of a country divided, ‘As Palavras Vol. 1 & 2’ sets out to bring together genres and generations, grounded in rhythms and words that have helped define Brazil through the ages.
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DE - 22113 Hamburg
Germany
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Last in:06.06.2018
Label:white
Cat-No:larry02
Release-Date:13.02.2003
Genre:Classics
Configuration:12"
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1
stand on the world - Celestial Choir unreleased mix
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12"
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Cat-No:PPU-108
Release-Date:22.03.2024
Configuration:12"
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Last in:16.09.2024
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Cat-No:PPU-108
Release-Date:22.03.2024
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1
TAMTAM - Doors
2
TAMTAM - Go Down The Mountain
3
TAMTAM - Ramble In The Rainbow
4
TAMTAM - Nue
5
TAMTAM - Distant Look
Coloured Vinyl Repress!
A four-piece band based in Tokyo.
Initially playing reggae/dub music, the band gradually developed into an innovative fusion of diverse musical influences, such as jazz, soul, psyche pop, new age, and exotica. A sound is based on groove and euphoria, with nostalgic melodies.
They have performed at iconic events in Japan such as Fuji Rock Festival, and also have been looking overseas since they performed in Canada(Toronto, Montreal, and Vancouver) in 2019. The new EP "Ramble In The Rainbow"(2024) is their first international release on the US label Peoples Potential Unlimited.
The work shows their musical maturity, drawing inspiration from Sun Ra, Lee "Scratch" Perry, and Yasuaki Shimizu.
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Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
A four-piece band based in Tokyo.
Initially playing reggae/dub music, the band gradually developed into an innovative fusion of diverse musical influences, such as jazz, soul, psyche pop, new age, and exotica. A sound is based on groove and euphoria, with nostalgic melodies.
They have performed at iconic events in Japan such as Fuji Rock Festival, and also have been looking overseas since they performed in Canada(Toronto, Montreal, and Vancouver) in 2019. The new EP "Ramble In The Rainbow"(2024) is their first international release on the US label Peoples Potential Unlimited.
The work shows their musical maturity, drawing inspiration from Sun Ra, Lee "Scratch" Perry, and Yasuaki Shimizu.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Label:Acid Test
Cat-No:AcidTest09.1
Release-Date:12.04.2024
Genre:House / Techno
Configuration:12" Excl
Barcode:4251804144964
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Last in:10.04.2024
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Last in:10.04.2024
Label:Acid Test
Cat-No:AcidTest09.1
Release-Date:12.04.2024
Genre:House / Techno
Configuration:12" Excl
Barcode:4251804144964
1
Donato Dozzy & Tin Man - Test 7
2
Donato Dozzy & Tin Man - Test 3 (Vocal Version)
3
Donato Dozzy & Tin Man - Test 2
4
Donato Dozzy & Tin Man - Test 3
Tracklist
A1. Test 7
A2. Test 3 (Vocal Version)
B1. Test 2
B2. Test 3
The now 10 year old Acid Test 09 sees a special 10th Anniversary Edition repress with a new vocal mix of track “Test 3”.
The original EP saw acid nomad Tin Man team up with techno dreamweaver Donato Dozzy for three slices of deep acid and dubby, bleepy ambient.
In this special 10 Year Anniversary Edition Test 3” comes with a new vocal mix and it’s a welcome return to the mic for Tin Man. Perfectly-placed words sit among chiming bells and are layered deep into the echoes, almost like the synths themselves are speaking.
Acid Test 09 proved to be pairing in 303 paradise, but the results outclassed even Dozzy and Tin Man’s special partnership - they created simply a timeless signal that could broadcast through space ad infinitum.
Mastered and recut by Rashad.
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Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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A1. Test 7
A2. Test 3 (Vocal Version)
B1. Test 2
B2. Test 3
The now 10 year old Acid Test 09 sees a special 10th Anniversary Edition repress with a new vocal mix of track “Test 3”.
The original EP saw acid nomad Tin Man team up with techno dreamweaver Donato Dozzy for three slices of deep acid and dubby, bleepy ambient.
In this special 10 Year Anniversary Edition Test 3” comes with a new vocal mix and it’s a welcome return to the mic for Tin Man. Perfectly-placed words sit among chiming bells and are layered deep into the echoes, almost like the synths themselves are speaking.
Acid Test 09 proved to be pairing in 303 paradise, but the results outclassed even Dozzy and Tin Man’s special partnership - they created simply a timeless signal that could broadcast through space ad infinitum.
Mastered and recut by Rashad.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Label:Convergence
Cat-No:CONV003
Release-Date:17.05.2024
Genre:House / Techno
Configuration:12"
Barcode:
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Label:Convergence
Cat-No:CONV003
Release-Date:17.05.2024
Genre:House / Techno
Configuration:12"
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1
Kosh - Enslaved (Vox Mix)
2
Kosh - Enslaved (Bonus Beats)
3
Kosh - Supernova
4
Kosh - Above & Beyond
Kosh continues to move at his own pace with his label Convergence. Musically, that’s fast, but output wise, careful and considered, with over a year or more apart between each installment. That’s because creating complex worlds within worlds, which the Moroccan artist has a knack for, certainly takes time. Now a trifecta of releases in, the Enslaved EP serves as his most fine-tuned and liberated project for the label yet.
On the title track, split between a vocal mix and bonus beat version, Kosh delivers a cosmic and introspective electro demonstration at its core, with flares of psychedelic and trance inducing sonic fusions. Its lyrical content is trademark Kosh, with its cautiously optimistic reflections on the world intuitively tapping into the current zeitgeist, yet through a universal futurist lens, leaving the listener with a sentiment that’s timeless and expansive.
The flip side sees the filtered house foundation of “Supernova” burst into scorching Detroit style techno stabs before the EP enters into uncharted territory with the interplanetary escape soundtrack on acid that is “Above & Beyond.”
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Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
On the title track, split between a vocal mix and bonus beat version, Kosh delivers a cosmic and introspective electro demonstration at its core, with flares of psychedelic and trance inducing sonic fusions. Its lyrical content is trademark Kosh, with its cautiously optimistic reflections on the world intuitively tapping into the current zeitgeist, yet through a universal futurist lens, leaving the listener with a sentiment that’s timeless and expansive.
The flip side sees the filtered house foundation of “Supernova” burst into scorching Detroit style techno stabs before the EP enters into uncharted territory with the interplanetary escape soundtrack on acid that is “Above & Beyond.”
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Label:Invisible, Inc
Cat-No:INVINC36LP
Release-Date:26.07.2024
Configuration:LP
Barcode:
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Last in:08.05.2024
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Last in:08.05.2024
Label:Invisible, Inc
Cat-No:INVINC36LP
Release-Date:26.07.2024
Configuration:LP
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1
Double Geography - Goodbye Great Escape
2
Double Geography - Rotating Sun Thing
3
Double Geography - Famous Italian Referee
4
Double Geography - Late Night Swimmer
5
Double Geography - Facing South
6
Double Geography - Sleep On The Bow
7
Double Geography - Prophet Elias Monastery
8
Double Geography - Open Water
9
Double Geography - The Return Leg
Restock!
Invisible Inc once again presents another incredible full-length album from the talented Double Geography. Following on from 2020's “The Indoor Gardener”, the new LP “Open Water” is bathed in a similar blissful atmosphere...it would be appropriate to describe it as rather sublime.
Double Geography aka Duncan Thornley (one half of Weird Weather and studio engineer at MAP Studios), following the success of his debut album “The Indoor Gardener” (also on Invisible Inc) had sent Invisible Inc label boss GK Machine demos of his second and third album, which the label reluctantly declined on the basis that the music didn't sound quite right for the label. However, this fourth studio album fits the bill perfectly. Leaning towards the label's more ambient and laidback output, the album is themed around water, moving on and escape and sounds as unshackled and free-flowing as you'd expect...you can almost feel the breeze in the air and the sun on your skin.
The album is a progression from his previous releases, this time featuring several additional guest musicians, including stalwarts of the London jazz scene Greg Foat and Kaidi Akinnibi, to compliment Thornley's electronics...adding a complexity and depth to each of these compositions and an overall 'organic' quality that makes these new pieces sound like quite a departure from the first album. Fretless bass, clarinet, piano and saxophone decorate the music with refrains and melodies that have been enchanting our reveries since first hearing them.
“I wanted to incorporate some live musicians on this release so called upon some of the talent I'd worked with as an engineer at MAP Studios...that was the main drive behind the music for this release. The tracks are named after things that relate to either leaving behind canal boat living, e.g. Goodbye Great Escape (Great Escape was the name of our boat) or memories from a trip to Hydra, Greece. All sorta water related… On one of our walks around the island we ended up sharing a beach with Pierluigi Collina hence Famous Italian Referee! That track felt like the weirdest of the bunch so it got designated the weirdest name / memory!” (Duncan Thornley, March 2024)
Duncan Thornley - synthesizers, programming, percussion
Adam Hayes - drum kit, roto-toms (A1, A3, A5)
Pike Ogilvy - congas (A2, A3)
Jasper Osbourne - fretless bass (A1, A3, A5)
Kaidi Akinnibi - tenor and soprano saxophones (A1, A5)
Simeon May - bass clarinet (A2, A3, B2, B4)
Greg Foat - piano (B1)
Recorded and mixed at MAP Studios, London
Mastered by James Savage at Milk Mastering
Cyanotype photography by Lydia Dique
Sleeve layout and design by Gordon Mackinnon
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Invisible Inc once again presents another incredible full-length album from the talented Double Geography. Following on from 2020's “The Indoor Gardener”, the new LP “Open Water” is bathed in a similar blissful atmosphere...it would be appropriate to describe it as rather sublime.
Double Geography aka Duncan Thornley (one half of Weird Weather and studio engineer at MAP Studios), following the success of his debut album “The Indoor Gardener” (also on Invisible Inc) had sent Invisible Inc label boss GK Machine demos of his second and third album, which the label reluctantly declined on the basis that the music didn't sound quite right for the label. However, this fourth studio album fits the bill perfectly. Leaning towards the label's more ambient and laidback output, the album is themed around water, moving on and escape and sounds as unshackled and free-flowing as you'd expect...you can almost feel the breeze in the air and the sun on your skin.
The album is a progression from his previous releases, this time featuring several additional guest musicians, including stalwarts of the London jazz scene Greg Foat and Kaidi Akinnibi, to compliment Thornley's electronics...adding a complexity and depth to each of these compositions and an overall 'organic' quality that makes these new pieces sound like quite a departure from the first album. Fretless bass, clarinet, piano and saxophone decorate the music with refrains and melodies that have been enchanting our reveries since first hearing them.
“I wanted to incorporate some live musicians on this release so called upon some of the talent I'd worked with as an engineer at MAP Studios...that was the main drive behind the music for this release. The tracks are named after things that relate to either leaving behind canal boat living, e.g. Goodbye Great Escape (Great Escape was the name of our boat) or memories from a trip to Hydra, Greece. All sorta water related… On one of our walks around the island we ended up sharing a beach with Pierluigi Collina hence Famous Italian Referee! That track felt like the weirdest of the bunch so it got designated the weirdest name / memory!” (Duncan Thornley, March 2024)
Duncan Thornley - synthesizers, programming, percussion
Adam Hayes - drum kit, roto-toms (A1, A3, A5)
Pike Ogilvy - congas (A2, A3)
Jasper Osbourne - fretless bass (A1, A3, A5)
Kaidi Akinnibi - tenor and soprano saxophones (A1, A5)
Simeon May - bass clarinet (A2, A3, B2, B4)
Greg Foat - piano (B1)
Recorded and mixed at MAP Studios, London
Mastered by James Savage at Milk Mastering
Cyanotype photography by Lydia Dique
Sleeve layout and design by Gordon Mackinnon
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Liebigstrasse 2-20
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Germany
Contact: [email protected]More
Label:Attack Records
Cat-No:ATRBOX24
Release-Date:07.06.2024
Genre:Techno
Configuration:5LP
Barcode:
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Last in:06.09.2024
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Last in:06.09.2024
Label:Attack Records
Cat-No:ATRBOX24
Release-Date:07.06.2024
Genre:Techno
Configuration:5LP
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1
Emmanuel Top - Ecsta - Deal
2
Emmanuel Top - Cosmic Event
3
Emmanuel Top - Turkish Bazar
4
Emmanuel Top - Acid Phase
5
Emmanuel Top - So Cold
6
Emmanuel Top - Play It Loud
7
Emmanuel Top - Climax V 1.1
8
Emmanuel Top - Radio
9
Emmanuel Top - Tone
10
Emmanuel Top - Stress
Emmanuel Top's Attack Records stands as a milestone in the 1990s techno-acid scene.
The French producer pioneered a unique sound that continues to resonate today. Tracks like "Turkish Bazar" and "Acid Phase" remain iconic, even considered among the best techno productions of the 90s.
Thirty years after their original release, all the key tracks by Emmanuel Top on his own Attack Records return to vinyl, remastered in a 5 x 12" boxset.
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The French producer pioneered a unique sound that continues to resonate today. Tracks like "Turkish Bazar" and "Acid Phase" remain iconic, even considered among the best techno productions of the 90s.
Thirty years after their original release, all the key tracks by Emmanuel Top on his own Attack Records return to vinyl, remastered in a 5 x 12" boxset.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Label:Orange Wedge
Cat-No:OW005-PWV
Release-Date:20.10.2023
Genre:House
Configuration:12"
Barcode:
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Last in:24.04.2024
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Last in:24.04.2024
Label:Orange Wedge
Cat-No:OW005-PWV
Release-Date:20.10.2023
Genre:House
Configuration:12"
Barcode:
1
Major Problems - A1. Overdose (The Final Trip)
2
Major Problems - A2. Flashbacks (Version)
3
Major Problems - B1. The Rush (Freakout Mix)
4
Major Problems - B2. Paranoia (The Bad Trip)
Patagonia Wave series is back on the beloved Orange Wedge imprint. From the glorious collaboration of Joey Beltram, Lenny Dee and Ralphie Dee this is a masterpiece to have in your collection.
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Liebigstrasse 2-20
DE - 22113 Hamburg
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Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Label:Dead Oceans
Cat-No:DOCLP357
Release-Date:05.04.2024
Genre:Indie Rock/Alternative
Configuration:LP
Barcode:0656605165714
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Last in:25.10.2024
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Last in:25.10.2024
Label:Dead Oceans
Cat-No:DOCLP357
Release-Date:05.04.2024
Genre:Indie Rock/Alternative
Configuration:LP
Barcode:0656605165714
“‘A La Sala,’ I used to scream it around my house when I was a little girl, to get everybody in the living room; to get my family together. That’s kind of what recording the new album felt like. Emotionally there was a desire to get back to square-one between the three of us, to where we came from–in sonics and in feeling. Let’s get back there.” - Laura Lee Ochoa
The title makes it clear. A La Sala (“To the Room” in Spanish), the fourth studio album by Khruangbin, is an exercise in returning in order to go further, and do so on your own terms. It extends the air of mystery and sanctity that’s key to how bassist Laura Lee Ochoa, drummer Donald “DJ” Johnson, Jr. and guitarist Mark “Marko” Speer approach music. Yet if 2020’s Mordechai, the last studio album Khruangbin made without collaborators, was a party record whose ensuing post-lockdown tour enhanced the band’s musical reputation far and wide, A La Sala is the measured morning after. It’s a gorgeously airy album made only in the company of the group’s longtime engineer Steve Christensen, with minimal overdubs. It is a porthole onto the bounties powering Khruangbin’s vision, a reimagining and refueling for the long haul ahead. A La Sala scales Khruangbin down to scale up, a creative strategy with the future in mind.
It is also a response to the unique moment Khruangbin finds itself in now: following a decade spent cultivating extraordinary music paths, beginning a year when they'll perform for more people, in more iconic spaces, staging a live show that pushes a creative envelope peculiar to them alone. (Look for the band at major festivals and venues near you.) 2024 feels like both marker and pivot, cementing Khruangbin’s stature as a commercially and critically successful group that continues to be guided by creative possibilities.
Such crossroads are familiar for iconic artists throughout the rock era — your Dylans, Stevies and Bowies, up thru turn-of-the-century Radiohead, all have navigated these straits. On A La Sala, Khruangbin also pulls exploration inward, spurning the din of the crowd’s expectations, mapping a personal direction home. The trio’s collective musical DNA and the years spent constructing it in Houston’s local-meets-global cultural stew ensure the band carries on sounding like no one but itself. A La Sala may in fact be Khruangbin’s purest distillation. A cascade of crisp melodies still emanates from Marko’s reverb-heavy electric, dancing gently around Laura Lee’s minimalist almost-dub bass triangles, while DJ’s drums serve as the tightened-up pocket and unwavering dance-floor on which all this movement takes place.
Where prior album-by-album growth seemed to point the narratives towards music’s polyglot edges, such inquiries now sound like known intimacies. What once seemed like sonic invocations — spaghetti-western film scores, found-sounds, dancing moments more living room than rooftop disco — are ingrained characteristics. This is who they are! And there’s a freshness to the instrumental interactivity on A La Sala that’s less concerned with getting further out than going deeper in. That depth is not about therapeutic self-reflection, but a profound desire to celebrate the world’s external wonders.
A La Sala invites intimate intercontinental partying. The first single is, after all, called “A Love International.” “Pon Pón” holds the band’s table at the West African discotheque; yet the joy now moves to the corner left of the dancefloor, where the back-and-forth between Laura Lee’s bass, DJ’s hi-hat, and Marko’s tuneful rhythm scratches, is a marvel of knowing head-nods. There’s “Hold Me Up (Thank You),” a familial sweetness in its spare lyrics, feeding off the rhythm section’s sturdy funk shuffle, and a chorus on which Marko’s guitar evokes both sides of the Atlantic in confident unshowy rhythms. They’re on “Todavía Viva” too, next to DJ’s noir-soul rim-shots, synth strings and a pregnant pause that is Laura Lee’s favorite moment on the album, the mood kin to the band’s glorious live interpretations of G-funk fantasias. And the rocked-up miniature, “Juegos y Nubes,” demonstrates Khruangbin’s Houston-born superpower to culture-mix, a dancing mood less concerned with worldly glamor than communal grooving.
“I read something long ago, attributed to Miles Davis. He said, ‘When they play fast, you play slow. When they play slow, you play fast.’ And it's definitely how I've approached looking at music: Don't follow the trends. And if the trend is this, then do something else.” - Marko
From the get-go, Khruangbin’s journey has been emphatically its own: a sound and visual representation with few precedents, ignoring pop expectations, relying only on internal inspirations, and a multitude of visions. It’s a mindset of penetrating the self, connecting to the surrounding world, modeling your own life experiences. This ethos is threaded throughout A La Sala, audible in the album’s form and function. (It’s even visible in the vinyl version’s physical package, which will be released as a set of seven distinctive covers and color-sets — more on which in a sec.)
The building blocks for the album’s 12 songs were jigsaw pieces found in Khruangbin’s creative past. Having stockpiled ideas originally set down as off-the-cuff recordings (voice-memos made at sound-checks, on long voyages, as absentminded epiphanies), they began fitting those pieces together in the studio. Which parts were apt? Which could be massaged and stretched out? Which inspired new sections or rhythms or musical interactions? Once more, Khruangbin’s familial DNA kicked in. Layer-by-layer, the intimate work, rework and re-rework bore new fruit. They also brought back a strategy once foundational to their records: seeding an album with field recordings.
Some results fold directly into A La Sala’s down-home feel. “Three From Two” and “May Ninth” are wistful mid-tempo numbers, with guitar melodies that reside somewhere between Bakersfield and by-the-riverside, cues that, for all its borderless inclusivity, another core Khruangbin value is being steeped in American roots. And in the landscape that music comes from. Like all albums prior to Mordechai, Marko made sure environmental sounds — natural and man-made — appeared as textures. (At times philosophically: the group recorded while cricket chirps played in their headphones, presumably for terroir.) It’s how A La Sala achieves such interconnected set-and-setting-ness.
Other results are more metaphorical, especially in Khruangbin’s flirtation with ambient spaces. The dramatically beatless “Farolim de Felgueiras” and “Caja de la Sala” both feature only Marko’s unmistakable guitar dueting with Laura Lee’s Moog, lightly layered with sounds of shoes on stone steps, and cicadas in an open field. The closing “Les Petits Gris” more fully reduces and fleshes out the ambiance, with a piano and a simple single-note bass pattern, Marko’s plaintive spare guitar echoing the melody of a ballerina-turning music box. It feels an apt way of ending — as a passing of this particular moment, preparation for the next one, soon-come.
Even the seven different covers that adorn A La Sala’s various vinyl editions offer a throughline from the music into Khruangbin’s current frame. Designed by the band using Marko’s multitude of travelog photos, they are windows from the band’s living room onto a set of daydreams, scenes of impossible skies, external glances illuminating what is going on inside. These are also directly related to David Black’s images of DJ, Laura Lee and Marko which accompany A La Sala, and to Khruangbin’s live staging reinvention. It’s all about looking out and looking back, in order to better look ahead.
“All the little moments you capture. You don't see how impactful they are until you hear what eventually comes of them. A lot of those scraps end up being the thing — and you don't realize it until it's ‘The Thing.’” - DJ
credits
releases April 5, 2024
Produced by Mark Speer & Steve Christensen
Written, Arranged & Performed by Khruangbin
Art Direction: Tiny Frees
Mixing: Steve Christensen
Mastering: Chris Longwood
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
The title makes it clear. A La Sala (“To the Room” in Spanish), the fourth studio album by Khruangbin, is an exercise in returning in order to go further, and do so on your own terms. It extends the air of mystery and sanctity that’s key to how bassist Laura Lee Ochoa, drummer Donald “DJ” Johnson, Jr. and guitarist Mark “Marko” Speer approach music. Yet if 2020’s Mordechai, the last studio album Khruangbin made without collaborators, was a party record whose ensuing post-lockdown tour enhanced the band’s musical reputation far and wide, A La Sala is the measured morning after. It’s a gorgeously airy album made only in the company of the group’s longtime engineer Steve Christensen, with minimal overdubs. It is a porthole onto the bounties powering Khruangbin’s vision, a reimagining and refueling for the long haul ahead. A La Sala scales Khruangbin down to scale up, a creative strategy with the future in mind.
It is also a response to the unique moment Khruangbin finds itself in now: following a decade spent cultivating extraordinary music paths, beginning a year when they'll perform for more people, in more iconic spaces, staging a live show that pushes a creative envelope peculiar to them alone. (Look for the band at major festivals and venues near you.) 2024 feels like both marker and pivot, cementing Khruangbin’s stature as a commercially and critically successful group that continues to be guided by creative possibilities.
Such crossroads are familiar for iconic artists throughout the rock era — your Dylans, Stevies and Bowies, up thru turn-of-the-century Radiohead, all have navigated these straits. On A La Sala, Khruangbin also pulls exploration inward, spurning the din of the crowd’s expectations, mapping a personal direction home. The trio’s collective musical DNA and the years spent constructing it in Houston’s local-meets-global cultural stew ensure the band carries on sounding like no one but itself. A La Sala may in fact be Khruangbin’s purest distillation. A cascade of crisp melodies still emanates from Marko’s reverb-heavy electric, dancing gently around Laura Lee’s minimalist almost-dub bass triangles, while DJ’s drums serve as the tightened-up pocket and unwavering dance-floor on which all this movement takes place.
Where prior album-by-album growth seemed to point the narratives towards music’s polyglot edges, such inquiries now sound like known intimacies. What once seemed like sonic invocations — spaghetti-western film scores, found-sounds, dancing moments more living room than rooftop disco — are ingrained characteristics. This is who they are! And there’s a freshness to the instrumental interactivity on A La Sala that’s less concerned with getting further out than going deeper in. That depth is not about therapeutic self-reflection, but a profound desire to celebrate the world’s external wonders.
A La Sala invites intimate intercontinental partying. The first single is, after all, called “A Love International.” “Pon Pón” holds the band’s table at the West African discotheque; yet the joy now moves to the corner left of the dancefloor, where the back-and-forth between Laura Lee’s bass, DJ’s hi-hat, and Marko’s tuneful rhythm scratches, is a marvel of knowing head-nods. There’s “Hold Me Up (Thank You),” a familial sweetness in its spare lyrics, feeding off the rhythm section’s sturdy funk shuffle, and a chorus on which Marko’s guitar evokes both sides of the Atlantic in confident unshowy rhythms. They’re on “Todavía Viva” too, next to DJ’s noir-soul rim-shots, synth strings and a pregnant pause that is Laura Lee’s favorite moment on the album, the mood kin to the band’s glorious live interpretations of G-funk fantasias. And the rocked-up miniature, “Juegos y Nubes,” demonstrates Khruangbin’s Houston-born superpower to culture-mix, a dancing mood less concerned with worldly glamor than communal grooving.
“I read something long ago, attributed to Miles Davis. He said, ‘When they play fast, you play slow. When they play slow, you play fast.’ And it's definitely how I've approached looking at music: Don't follow the trends. And if the trend is this, then do something else.” - Marko
From the get-go, Khruangbin’s journey has been emphatically its own: a sound and visual representation with few precedents, ignoring pop expectations, relying only on internal inspirations, and a multitude of visions. It’s a mindset of penetrating the self, connecting to the surrounding world, modeling your own life experiences. This ethos is threaded throughout A La Sala, audible in the album’s form and function. (It’s even visible in the vinyl version’s physical package, which will be released as a set of seven distinctive covers and color-sets — more on which in a sec.)
The building blocks for the album’s 12 songs were jigsaw pieces found in Khruangbin’s creative past. Having stockpiled ideas originally set down as off-the-cuff recordings (voice-memos made at sound-checks, on long voyages, as absentminded epiphanies), they began fitting those pieces together in the studio. Which parts were apt? Which could be massaged and stretched out? Which inspired new sections or rhythms or musical interactions? Once more, Khruangbin’s familial DNA kicked in. Layer-by-layer, the intimate work, rework and re-rework bore new fruit. They also brought back a strategy once foundational to their records: seeding an album with field recordings.
Some results fold directly into A La Sala’s down-home feel. “Three From Two” and “May Ninth” are wistful mid-tempo numbers, with guitar melodies that reside somewhere between Bakersfield and by-the-riverside, cues that, for all its borderless inclusivity, another core Khruangbin value is being steeped in American roots. And in the landscape that music comes from. Like all albums prior to Mordechai, Marko made sure environmental sounds — natural and man-made — appeared as textures. (At times philosophically: the group recorded while cricket chirps played in their headphones, presumably for terroir.) It’s how A La Sala achieves such interconnected set-and-setting-ness.
Other results are more metaphorical, especially in Khruangbin’s flirtation with ambient spaces. The dramatically beatless “Farolim de Felgueiras” and “Caja de la Sala” both feature only Marko’s unmistakable guitar dueting with Laura Lee’s Moog, lightly layered with sounds of shoes on stone steps, and cicadas in an open field. The closing “Les Petits Gris” more fully reduces and fleshes out the ambiance, with a piano and a simple single-note bass pattern, Marko’s plaintive spare guitar echoing the melody of a ballerina-turning music box. It feels an apt way of ending — as a passing of this particular moment, preparation for the next one, soon-come.
Even the seven different covers that adorn A La Sala’s various vinyl editions offer a throughline from the music into Khruangbin’s current frame. Designed by the band using Marko’s multitude of travelog photos, they are windows from the band’s living room onto a set of daydreams, scenes of impossible skies, external glances illuminating what is going on inside. These are also directly related to David Black’s images of DJ, Laura Lee and Marko which accompany A La Sala, and to Khruangbin’s live staging reinvention. It’s all about looking out and looking back, in order to better look ahead.
“All the little moments you capture. You don't see how impactful they are until you hear what eventually comes of them. A lot of those scraps end up being the thing — and you don't realize it until it's ‘The Thing.’” - DJ
credits
releases April 5, 2024
Produced by Mark Speer & Steve Christensen
Written, Arranged & Performed by Khruangbin
Art Direction: Tiny Frees
Mixing: Steve Christensen
Mastering: Chris Longwood
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
12"
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Last in:10.10.2024
Label:Hydraulix
Cat-No:hydrormx001
Release-Date:24.05.2024
Genre:Techno
Configuration:12"
Barcode:
1
Minor Dott - Enter the darkness (D.A.V.E. The Drummer remix)
2
Jeff Amadeus - Control room (D.A.V.E. The Drummer remix)
3
H! Dude - Work my body (D.A.V.E. The Drummer remix)
4
Ricciardo - The funk (D.A.V.E. The Drummer remix)
Tracklisting
A1 Minor Dott - Enter the darkness (D.A.V.E. The Drummer remix)
A2 Jeff Amadeus - Control room (D.A.V.E. The Drummer remix)
B1 H! Dude - Work my body (D.A.V.E. The Drummer remix)
B2 Ricciardo - The funk (D.A.V.E. The Drummer remix)
Sales Note
Hydraulix labelboss D.A.V.E. The Drummer often does his own remixes of tracks released on Hydraulix. So we though it would be a good idea to grab the best of those remixes and put them on a special vinyl E.P. for all you vinyl junkies out there.
Remastered for vinyl and Cut by D.A.V.E The Drummer @ Curve Pusher. 4 of the best remixes by D.A.V.E. of Minor Dott, Jeff Amadeus, H! Dude, & Ricciardo.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
A1 Minor Dott - Enter the darkness (D.A.V.E. The Drummer remix)
A2 Jeff Amadeus - Control room (D.A.V.E. The Drummer remix)
B1 H! Dude - Work my body (D.A.V.E. The Drummer remix)
B2 Ricciardo - The funk (D.A.V.E. The Drummer remix)
Sales Note
Hydraulix labelboss D.A.V.E. The Drummer often does his own remixes of tracks released on Hydraulix. So we though it would be a good idea to grab the best of those remixes and put them on a special vinyl E.P. for all you vinyl junkies out there.
Remastered for vinyl and Cut by D.A.V.E The Drummer @ Curve Pusher. 4 of the best remixes by D.A.V.E. of Minor Dott, Jeff Amadeus, H! Dude, & Ricciardo.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Label:Winthorpe Electronics
Cat-No:ROTR12x2
Release-Date:12.04.2024
Genre:Acid House
Configuration:12"
Barcode:6554710255662
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Last in:25.04.2024
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Last in:25.04.2024
Label:Winthorpe Electronics
Cat-No:ROTR12x2
Release-Date:12.04.2024
Genre:Acid House
Configuration:12"
Barcode:6554710255662
1
Roy Of The Ravers - You Don't
2
Roy Of The Ravers - Sinesub Dub
3
Roy Of The Ravers - Bomber
4
Roy Of The Ravers - Mr Slinky
5
Roy Of The Ravers - Iso E Super
6
Roy Of The Ravers - Wednesday
More white label action from the Notts playmaker Roy of the Ravers. A 6 track EP of raw acid action. Kicking off with a curveball - the frenetic footwork stylings of title track "You Don't", the squelchy schizophrenic action follows on with another 5 mid tempo distorted groovers from the acid superstar ROTR.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
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Last in:11.12.2024
Label:LOSTDUBS
Cat-No:TMD01
Release-Date:10.05.2024
Genre:House
Configuration:12"
Barcode:
1
Tommy Musto - Love Is Needed
2
Tommy Musto - Holdin' On
3
Tommy Musto - Baby's Right
4
Tommy Musto - Keep It Movin'
TMD Volume 1 kicks off with 4 tracks of sure fire, rare as …. NYC tracks from THEEEEEE golden era of NYC house that saw David doing his Red Zone thang, along with Simonelli, Frankie and all the other leading the way.
These 4 to the floor house dub gems are taken from the legendary Tommy Musto’s DAT vaults, remastered just for you.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
These 4 to the floor house dub gems are taken from the legendary Tommy Musto’s DAT vaults, remastered just for you.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More