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Last in:25.04.2024
Label:ARTS
Cat-No:arts046
Release-Date:26.04.2024
Genre:Techno
Configuration:12"
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JUDAS - INTENSE I
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JUDAS - INTENSE II
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JUDAS - INTENSE II
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JUDAS - INTENSE IV
Tracklisting
A1 JUDAS - INTENSE I
A2 JUDAS - INTENSE II
B1 JUDAS - INTENSE II
B2 JUDAS - INTENSE IV
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
A1 JUDAS - INTENSE I
A2 JUDAS - INTENSE II
B1 JUDAS - INTENSE II
B2 JUDAS - INTENSE IV
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Last in:15.09.2022
Label:ARTS
Cat-No:artscore015
Release-Date:16.09.2022
Genre:Techno
Configuration:12"
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Judas - HOSTILE I
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Judas - HOSTILE II
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Judas - HOSTILE III
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Judas - HOSTILE IV
Tracklisting:
A1 Judas - HOSTILE I
A2 Judas - HOSTILE II
B1 Judas - HOSTILE III
B2 Judas - HOSTILE IV
Release Note:
Across professions, consistency is a direct product of work ethic. In the case of Judas consistency is key, "H O S T I L E " is a great representation of the maturity of vision during these years, all the four cuts are crafted with the same language that the artist matured, but with a twist that defines his future and our future of modern techno music.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
A1 Judas - HOSTILE I
A2 Judas - HOSTILE II
B1 Judas - HOSTILE III
B2 Judas - HOSTILE IV
Release Note:
Across professions, consistency is a direct product of work ethic. In the case of Judas consistency is key, "H O S T I L E " is a great representation of the maturity of vision during these years, all the four cuts are crafted with the same language that the artist matured, but with a twist that defines his future and our future of modern techno music.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
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Last in:12.01.2022
Label:ARTS
Cat-No:arts044
Release-Date:25.06.2021
Genre:Techno
Configuration:12"
Barcode:
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Judas - E-bend" (I)
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Judas - E-bend" (II)
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Judas - E-bend" (III)
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Judas - E-bend" (IV)
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Label:Darkmatter Inc.
Cat-No:drkmt005
Release-Date:29.03.2019
Genre:Techno
Configuration:12"
Barcode:
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Last in:20.09.2019
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Last in:20.09.2019
Label:Darkmatter Inc.
Cat-No:drkmt005
Release-Date:29.03.2019
Genre:Techno
Configuration:12"
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1
Judas - Distress I
2
Judas - Distress II
3
Judas - Distress III
4
Judas - Distress IV
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Last in:09.01.2019
Label:arts
Cat-No:artscollect23.2
Release-Date:28.06.2018
Genre:Techno
Configuration:12"
Barcode:
1
judas - Unsaid V
2
judas - Unsaid VI
3
judas - Unsaid VII
4
judas - Unsaid VIII
Everyone is a moon and has a dark side which he never shows to anybody. Judas is back with one of the biggest collections of records since today, presenting more sides of his vision as an artist and as a conceptual persona, these are 4 cuts that brilliantly put you in the zone, right when the needle drops on the record. Judas present this project in 2 parts, both part of the same creature, and of the same concept, 'Unsaid' goes far beyond the usual aspect of the functionality, in this case, functionality is a pure tool, every single work shows you a path into his mind.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Last in:12.07.2018
Label:arts
Cat-No:artscollect23.1
Release-Date:30.05.2018
Genre:Techno
Configuration:12"
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1
judas - Unsaid I
2
judas - Unsaid II
3
judas - Unsaid III
4
judas - Unsaid IV
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Last in:07.02.2018
Label:arts
Cat-No:artscore004
Release-Date:16.11.2017
Genre:Techno
Configuration:12"
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1
judas - No Title
2
judas - No Title
3
judas - No Title
4
judas - No Title
ARTSCORE presents one of the key artists behind the Modular Sonic aspect of Techno music: Judas. Sound and aesthetic before anything else, this is the mark of a rising star and he is quickly becoming a big member of our collective. 12" Gold press on B side.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Last in:09.11.2018
Label:arts
Cat-No:artscollect015
Release-Date:10.03.2017
Genre:Techno
Configuration:12"
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1
judas - Revulsion I
2
judas - Revulsion II
3
judas - Revulsion III
4
judas - Revulsion IV
The legacy goes on, after blowing minds of half of the world with his debut, The mysterious JUDAS is back in the game. This EP shows to the world that Simplicity is the key to creativity.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Label:ARTS
Cat-No:ARTSCORE025
Release-Date:30.05.2025
Genre:Techno
Configuration:12"
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Emmanuel - Sabotage
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Emmanuel - Opal
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Emmanuel - Rules Of Evidence
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Emmanuel - Mascara (Shed remix)
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Emmanuel - Mascara
Tracklisting
A1 Emmanuel - Sabotage
A2 Emmanuel - Opal
A3 Emmanuel - Rules Of Evidence
B1 Emmanuel - Mascara (Shed remix)
B2 Emmanuel - Mascara
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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A1 Emmanuel - Sabotage
A2 Emmanuel - Opal
A3 Emmanuel - Rules Of Evidence
B1 Emmanuel - Mascara (Shed remix)
B2 Emmanuel - Mascara
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Label:ARTS
Cat-No:ARTS053
Release-Date:09.05.2025
Genre:Techno
Configuration:12"
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Klint - Dynamo
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Klint - Subculture
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Klint - Time Flies
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Klint - Supernova
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Klint - Reflex
Tracklisting
A1 Klint - Dynamo
A2 Klint - Subculture
B1 Klint - Time Flies
B2 Klint - Supernova
B3 Klint - Reflex
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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A1 Klint - Dynamo
A2 Klint - Subculture
B1 Klint - Time Flies
B2 Klint - Supernova
B3 Klint - Reflex
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Label:ARTS
Cat-No:ARTSCORE028
Release-Date:18.04.2025
Genre:Techno
Configuration:12"
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Introversion - Laeddis
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Introversion - Found Footage
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Introversion - Tesseract
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Introversion - Signs
Tracklisting
A1 Introversion - Laeddis
A2 Introversion - Found Footage
B1 Introversion - Tesseract
B2 Introversion - Signs
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
A1 Introversion - Laeddis
A2 Introversion - Found Footage
B1 Introversion - Tesseract
B2 Introversion - Signs
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Last in:17.03.2025
Label:ARTS
Cat-No:artstransp013
Release-Date:14.03.2025
Genre:Techno
Configuration:12"
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Frenk Dublin - Chord Dancer
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Frenk Dublin - The Last Realm
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Frenk Dublin - Time & Space
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Frenk Dublin - Saphire Dub
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Frenk Dublin - Inspected
Tracklisting
A1 Frenk Dublin - Chord Dancer
A2 Frenk Dublin - The Last Realm
B1 Frenk Dublin - Time & Space
B2 Frenk Dublin - Saphire Dub
B3 Frenk Dublin - Inspected
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
A1 Frenk Dublin - Chord Dancer
A2 Frenk Dublin - The Last Realm
B1 Frenk Dublin - Time & Space
B2 Frenk Dublin - Saphire Dub
B3 Frenk Dublin - Inspected
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Last in:26.02.2025
Label:ARTS
Cat-No:ARTSCORE027
Release-Date:07.02.2025
Genre:Techno
Configuration:12"
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Dynamic Forces - Lyra
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Dynamic Forces - Vaulting
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Dynamic Forces - Parallel
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Dynamic Forces - Shimmer
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Dynamic Forces - Radiant
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Dynamic Forces - Meraki
Tracklisting
A1 Dynamic Forces - Lyra
A2 Dynamic Forces - Vaulting
A3 Dynamic Forces - Parallel
B1 Dynamic Forces - Shimmer
B2 Dynamic Forces - Radiant
B3 Dynamic Forces - Meraki
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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A1 Dynamic Forces - Lyra
A2 Dynamic Forces - Vaulting
A3 Dynamic Forces - Parallel
B1 Dynamic Forces - Shimmer
B2 Dynamic Forces - Radiant
B3 Dynamic Forces - Meraki
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Last in:14.02.2025
Label:ARTS
Cat-No:artscore024
Release-Date:24.01.2025
Genre:Techno
Configuration:12"
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Emmanuel - Lost In Translation (Chontane 1995 Remix)
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Emmanuel - Illusion Of Choice (Regent remix)
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Emmanuel - New Media (OFF / GRID remix)
Tracklisting
A1 Emmanuel - Lost In Translation (Chontane 1995 Remix)
B1 Emmanuel - Illusion Of Choice (Regent remix)
B2 Emmanuel - New Media (OFF / GRID remix)
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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A1 Emmanuel - Lost In Translation (Chontane 1995 Remix)
B1 Emmanuel - Illusion Of Choice (Regent remix)
B2 Emmanuel - New Media (OFF / GRID remix)
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Last in:14.02.2025
Label:ARTS
Cat-No:ARTSCORE026
Release-Date:10.01.2025
Genre:Techno
Configuration:12"
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Yan Cook - Surface Tension
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Yan Cook - 22-44
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Yan Cook - Eyes Adjust To The Dark
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Yan Cook - Kviten
Tracklisting
A1 Yan Cook - Surface Tension
A2 Yan Cook - 22-44
B1 Yan Cook - Eyes Adjust To The Dark
B2 Yan Cook - Kviten
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
A1 Yan Cook - Surface Tension
A2 Yan Cook - 22-44
B1 Yan Cook - Eyes Adjust To The Dark
B2 Yan Cook - Kviten
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
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Last in:13.01.2025
Label:ARTS
Cat-No:arts050
Release-Date:27.09.2024
Genre:Techno
Configuration:12"
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Thimo Konings - How Does One
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Thimo Konings - Towers Reach
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Thimo Konings - Sirkel
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Thimo Konings - Covert
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Thimo Konings - Double Split
Tracklisting
A1 Thimo Konings - How Does One
A2 Thimo Konings - Towers Reach
B1 Thimo Konings - Sirkel
B2 Thimo Konings - Covert
B3 Thimo Konings - Double Split
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
A1 Thimo Konings - How Does One
A2 Thimo Konings - Towers Reach
B1 Thimo Konings - Sirkel
B2 Thimo Konings - Covert
B3 Thimo Konings - Double Split
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Last in:09.04.2025
Label:ARTS
Cat-No:arts051
Release-Date:13.09.2024
Genre:Techno
Configuration:12"
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OFF / GRID - Renegades
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OFF / GRID - Still Deviant
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OFF / GRID - No Money No Problems
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OFF / GRID - Mechanic Feelings
Tracklisting
A1 OFF / GRID - Renegades
A2 OFF / GRID - Still Deviant
B1 OFF / GRID - No Money No Problems
B2 OFF / GRID - Mechanic Feelings
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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A1 OFF / GRID - Renegades
A2 OFF / GRID - Still Deviant
B1 OFF / GRID - No Money No Problems
B2 OFF / GRID - Mechanic Feelings
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Last in:13.01.2025
Label:ARTS
Cat-No:arts049
Release-Date:30.08.2024
Genre:Techno
Configuration:12"
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User - Police
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User - Detkor 4
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User - Joshua
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User - No Pain No Gain
Tracklisting
A1 User - Police
A2 User - Detkor 4
B1 User - Joshua
B2 User - No Pain No Gain
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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A1 User - Police
A2 User - Detkor 4
B1 User - Joshua
B2 User - No Pain No Gain
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
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Last in:24.06.2024
Label:ARTS
Cat-No:artscore023
Release-Date:21.06.2024
Genre:Techno
Configuration:12"
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Emmanuel - Illusion Of Choice
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Emmanuel - Lost In Translation
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Emmanuel - Analytics
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Emmanuel - New Media
Tracklisting
A1 Emmanuel - Illusion Of Choice
A2 Emmanuel - Lost In Translation
B1 Emmanuel - Analytics
B2 Emmanuel - New Media
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
A1 Emmanuel - Illusion Of Choice
A2 Emmanuel - Lost In Translation
B1 Emmanuel - Analytics
B2 Emmanuel - New Media
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Last in:10.06.2024
Label:ARTS
Cat-No:arts048
Release-Date:07.06.2024
Genre:Techno
Configuration:12"
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Boston 168 - Acid Arcane
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Boston 168 - Codebreakers
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Boston 168 - Impulse of Infinity
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Boston 168 - Depth Perception
Tracklisting
A1 Boston 168 - Acid Arcane
A2 Boston 168 - Codebreakers
B1 Boston 168 - Impulse of Infinity
B2 Boston 168 - Depth Perception
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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A1 Boston 168 - Acid Arcane
A2 Boston 168 - Codebreakers
B1 Boston 168 - Impulse of Infinity
B2 Boston 168 - Depth Perception
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
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Last in:17.05.2024
Label:ARTS
Cat-No:artsw011
Release-Date:17.05.2024
Genre:Techno
Configuration:12"
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Klint - Gunslingers
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Klint - Paris Tokyo
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Klint - Chaotic Funk
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Klint - Undercover
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A1 Klint - Gunslingers
A2 Klint - Paris Tokyo
B1 Klint - Chaotic Funk
B2 Klint - Undercover
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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A1 Klint - Gunslingers
A2 Klint - Paris Tokyo
B1 Klint - Chaotic Funk
B2 Klint - Undercover
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DE - 22113 Hamburg
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Label:ARTS
Cat-No:arts047
Release-Date:05.04.2024
Genre:Techno
Configuration:12"
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Paul Roux - What Will Remain When We're Gone
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Paul Roux - Burning
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Paul Roux - You Know You Want It
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Paul Roux - Maybe Is Love
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Paul Roux - Stereo Love
Tracklisting
A1 Paul Roux - What Will Remain When We're Gone
A2 Paul Roux - Burning
B1 Paul Roux - You Know You Want It
B2 Paul Roux - Maybe Is Love
B3 Paul Roux - Stereo Love
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
A1 Paul Roux - What Will Remain When We're Gone
A2 Paul Roux - Burning
B1 Paul Roux - You Know You Want It
B2 Paul Roux - Maybe Is Love
B3 Paul Roux - Stereo Love
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Last in:12.09.2024
Label:ARTS
Cat-No:artscollect043
Release-Date:09.02.2024
Genre:Techno
Configuration:12"
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Tensal - Virgo
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Tensal - Molecular Base
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Tensal - Black Annis
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Tensal - Chromatic Aberration
Tracklisting:
A1 Tensal - Virgo
A2 Tensal - Molecular Base
B1 Tensal - Black Annis
B2 Tensal - Chromatic Aberration
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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A1 Tensal - Virgo
A2 Tensal - Molecular Base
B1 Tensal - Black Annis
B2 Tensal - Chromatic Aberration
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Last in:12.04.2024
Label:ARTS
Cat-No:artscollect042
Release-Date:19.01.2024
Genre:Techno
Configuration:12"
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OFF / GRID - Strobe Light Memories
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OFF / GRID - Insomniac
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OFF / GRID - Patterned Vision
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OFF / GRID - No Need To Talk
Tracklisting
A1 OFF / GRID - Strobe Light Memories
A2 OFF / GRID - Insomniac
B1 OFF / GRID - Patterned Vision
B2 OFF / GRID - No Need To Talk
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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A1 OFF / GRID - Strobe Light Memories
A2 OFF / GRID - Insomniac
B1 OFF / GRID - Patterned Vision
B2 OFF / GRID - No Need To Talk
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Last in:10.07.2024
Label:ARTS
Cat-No:artscore022
Release-Date:08.12.2023
Genre:Techno
Configuration:12"
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Introversion - Nostalgia
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Introversion - Mania
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Introversion - Burden
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Introversion - Burden (SAMA remix)
Tracklisting:
A1 Introversion - Nostalgia
A2 Introversion - Mania
B1 Introversion - Burden
B2 Introversion - Burden (SAMA remix)
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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A1 Introversion - Nostalgia
A2 Introversion - Mania
B1 Introversion - Burden
B2 Introversion - Burden (SAMA remix)
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Last in:23.01.2024
Label:ARTS
Cat-No:artsw008
Release-Date:01.12.2023
Genre:Techno
Configuration:12"
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Private Press - Usual Suspects
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Private Press - Credit 9
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Private Press - Just Give Us Time
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Private Press - Slyly Troopers
Tracklisting
A1 Private Press - Usual Suspects
A2 Private Press - Credit 9
B1 Private Press - Just Give Us Time
B2 Private Press - Slyly Troopers
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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A1 Private Press - Usual Suspects
A2 Private Press - Credit 9
B1 Private Press - Just Give Us Time
B2 Private Press - Slyly Troopers
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Last in:06.06.2018
Label:white
Cat-No:larry02
Release-Date:13.02.2003
Genre:Classics
Configuration:12"
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1
stand on the world - Celestial Choir unreleased mix
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
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Last in:15.08.2024
Label:Mr Bongo
Cat-No:MRBLP306
Release-Date:03.05.2024
Genre:Soul/Funk
Configuration:2LP
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Rubel - Forró Violento (Instrumental)
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Rubel - Grão De Areia
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Rubel - Não Vou Reclamar De Deus
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Rubel - Toda Beleza
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Rubel - Put@ria!
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Rubel - Rubelía
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Rubel - Posso Dizer
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Rubel - Vinheta As Palavras
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Rubel - As Palavras
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Rubel - Forró Violento
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Rubel - Torto Arad
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Rubel - Lua De Garrafa
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Rubel - Na Mão Do Palhaço
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Rubel - Doutor Albieri
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Rubel - Samba De Amanda E Té
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Rubel - Amor De Mãe
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Rubel - Vinheta As Palavras II
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Rubel - Assum Preto
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Rubel - Forró No Escuro
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Rubel - Toda Beleza (Pelos Loirinhos)
Released on 2xLP cut at 45RPM in gatefold sleeve with 6 panel fold-out poster.
Some albums are game-changers in a genre. Take OutKast's Speakerboxxx / The Love Below or Primal Scream's Screamadelica, they observe, study, and then flip what an album can mean to a genre or moment in time.
From the very first listen of Rubel’s Latin Grammy-nominated third album As Palavras, Vol. 1 & 2, you can feel its transformative force for the MPB genre. Here we see one of Rio’s brightest stars, fusing the contemporary with the classic, soaking up the richness of Brazil’s musical heritage. The result is a marauding 20-track epic, incorporating traditional styles such as forró, MPB, pagode and samba with modern baile funk, rasteirinha and hip-hop.
The album exudes a sense of freedom and creativity, playfully and provocatively juggling the familiar with the forward-thinking. The tracks are divided across two records, navigating feelings of love, heartbreak and discovery, whilst balancing themes of violence, passion, irony and affection. Collaborating with some of the country’s most esteemed artists such as Gabriel do Borel, Liniker, Luedji Luna, Tim Bernardes and Ana Caetano, Rubel takes this fusion of styles, subjects and flavours to the global stage.
The grand, forró-blending, choral opener, ‘Forró Violento (Instrumental)’ sets the tone for the album, with references and links between tradition and modernity everywhere to be seen. From the Ana Frango Elétrico produced, funk flexing, samba-soul brilliance of ‘Não Vou Reclamar de Deus’, to the album’s title cut ‘As Palavras’, in collaboration with Tim Bernardes, that melds MPB influences with electronic elements and hip-hop touches.
Across both sides of the album, Rubel’s story-telling gift is given space to shine. ‘Torto Arado’ featuring Liniker and Luedji Luna, beautifully references the racial injustice, tragedy, hope and ambition found in one the most celebrated Brazilian novels of recent times by Itamar Vieira Júnior. Elsewhere, ‘Na Mão do Palhaço’ manifests a satirical march about a suicidal conservative middle-aged man, who is rescued by the miracle of the carnival.
At times the album is gentle and intimate with tracks like ‘Toda Beleza’ featuring Bala Desejo, or the ode to friendship ‘Lua de Garrafa’, composed with the legendary Milton Nascimento. At others, the grooves hit harder, with sounds from the favelas laced within. ‘Put@ria!’, explores the universe of baile funk, with BK’ and MC Carol trading off on the mic, as ‘Rubelía’ moves between reggaeton, funk, and hip hop. The latter is a tribute to a key influence of the album, Spanish star Rosalía and her parallel mix of current with classic.
Ultimately though the beauty of this album lies in its concept. In the midst of a country divided, ‘As Palavras Vol. 1 & 2’ sets out to bring together genres and generations, grounded in rhythms and words that have helped define Brazil through the ages.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Some albums are game-changers in a genre. Take OutKast's Speakerboxxx / The Love Below or Primal Scream's Screamadelica, they observe, study, and then flip what an album can mean to a genre or moment in time.
From the very first listen of Rubel’s Latin Grammy-nominated third album As Palavras, Vol. 1 & 2, you can feel its transformative force for the MPB genre. Here we see one of Rio’s brightest stars, fusing the contemporary with the classic, soaking up the richness of Brazil’s musical heritage. The result is a marauding 20-track epic, incorporating traditional styles such as forró, MPB, pagode and samba with modern baile funk, rasteirinha and hip-hop.
The album exudes a sense of freedom and creativity, playfully and provocatively juggling the familiar with the forward-thinking. The tracks are divided across two records, navigating feelings of love, heartbreak and discovery, whilst balancing themes of violence, passion, irony and affection. Collaborating with some of the country’s most esteemed artists such as Gabriel do Borel, Liniker, Luedji Luna, Tim Bernardes and Ana Caetano, Rubel takes this fusion of styles, subjects and flavours to the global stage.
The grand, forró-blending, choral opener, ‘Forró Violento (Instrumental)’ sets the tone for the album, with references and links between tradition and modernity everywhere to be seen. From the Ana Frango Elétrico produced, funk flexing, samba-soul brilliance of ‘Não Vou Reclamar de Deus’, to the album’s title cut ‘As Palavras’, in collaboration with Tim Bernardes, that melds MPB influences with electronic elements and hip-hop touches.
Across both sides of the album, Rubel’s story-telling gift is given space to shine. ‘Torto Arado’ featuring Liniker and Luedji Luna, beautifully references the racial injustice, tragedy, hope and ambition found in one the most celebrated Brazilian novels of recent times by Itamar Vieira Júnior. Elsewhere, ‘Na Mão do Palhaço’ manifests a satirical march about a suicidal conservative middle-aged man, who is rescued by the miracle of the carnival.
At times the album is gentle and intimate with tracks like ‘Toda Beleza’ featuring Bala Desejo, or the ode to friendship ‘Lua de Garrafa’, composed with the legendary Milton Nascimento. At others, the grooves hit harder, with sounds from the favelas laced within. ‘Put@ria!’, explores the universe of baile funk, with BK’ and MC Carol trading off on the mic, as ‘Rubelía’ moves between reggaeton, funk, and hip hop. The latter is a tribute to a key influence of the album, Spanish star Rosalía and her parallel mix of current with classic.
Ultimately though the beauty of this album lies in its concept. In the midst of a country divided, ‘As Palavras Vol. 1 & 2’ sets out to bring together genres and generations, grounded in rhythms and words that have helped define Brazil through the ages.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Label:Acid Test
Cat-No:AcidTest09.1
Release-Date:12.04.2024
Genre:House / Techno
Configuration:12" Excl
Barcode:4251804144964
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Last in:10.04.2024
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Last in:10.04.2024
Label:Acid Test
Cat-No:AcidTest09.1
Release-Date:12.04.2024
Genre:House / Techno
Configuration:12" Excl
Barcode:4251804144964
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Donato Dozzy & Tin Man - Test 7
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Donato Dozzy & Tin Man - Test 3 (Vocal Version)
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Donato Dozzy & Tin Man - Test 2
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Donato Dozzy & Tin Man - Test 3
Tracklist
A1. Test 7
A2. Test 3 (Vocal Version)
B1. Test 2
B2. Test 3
The now 10 year old Acid Test 09 sees a special 10th Anniversary Edition repress with a new vocal mix of track “Test 3”.
The original EP saw acid nomad Tin Man team up with techno dreamweaver Donato Dozzy for three slices of deep acid and dubby, bleepy ambient.
In this special 10 Year Anniversary Edition Test 3” comes with a new vocal mix and it’s a welcome return to the mic for Tin Man. Perfectly-placed words sit among chiming bells and are layered deep into the echoes, almost like the synths themselves are speaking.
Acid Test 09 proved to be pairing in 303 paradise, but the results outclassed even Dozzy and Tin Man’s special partnership - they created simply a timeless signal that could broadcast through space ad infinitum.
Mastered and recut by Rashad.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
A1. Test 7
A2. Test 3 (Vocal Version)
B1. Test 2
B2. Test 3
The now 10 year old Acid Test 09 sees a special 10th Anniversary Edition repress with a new vocal mix of track “Test 3”.
The original EP saw acid nomad Tin Man team up with techno dreamweaver Donato Dozzy for three slices of deep acid and dubby, bleepy ambient.
In this special 10 Year Anniversary Edition Test 3” comes with a new vocal mix and it’s a welcome return to the mic for Tin Man. Perfectly-placed words sit among chiming bells and are layered deep into the echoes, almost like the synths themselves are speaking.
Acid Test 09 proved to be pairing in 303 paradise, but the results outclassed even Dozzy and Tin Man’s special partnership - they created simply a timeless signal that could broadcast through space ad infinitum.
Mastered and recut by Rashad.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Label:Convergence
Cat-No:CONV003
Release-Date:17.05.2024
Genre:House / Techno
Configuration:12"
Barcode:
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Last in:21.01.2025
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Last in:21.01.2025
Label:Convergence
Cat-No:CONV003
Release-Date:17.05.2024
Genre:House / Techno
Configuration:12"
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Kosh - Enslaved (Vox Mix)
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Kosh - Enslaved (Bonus Beats)
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Kosh - Supernova
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Kosh - Above & Beyond
Kosh continues to move at his own pace with his label Convergence. Musically, that’s fast, but output wise, careful and considered, with over a year or more apart between each installment. That’s because creating complex worlds within worlds, which the Moroccan artist has a knack for, certainly takes time. Now a trifecta of releases in, the Enslaved EP serves as his most fine-tuned and liberated project for the label yet.
On the title track, split between a vocal mix and bonus beat version, Kosh delivers a cosmic and introspective electro demonstration at its core, with flares of psychedelic and trance inducing sonic fusions. Its lyrical content is trademark Kosh, with its cautiously optimistic reflections on the world intuitively tapping into the current zeitgeist, yet through a universal futurist lens, leaving the listener with a sentiment that’s timeless and expansive.
The flip side sees the filtered house foundation of “Supernova” burst into scorching Detroit style techno stabs before the EP enters into uncharted territory with the interplanetary escape soundtrack on acid that is “Above & Beyond.”
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
On the title track, split between a vocal mix and bonus beat version, Kosh delivers a cosmic and introspective electro demonstration at its core, with flares of psychedelic and trance inducing sonic fusions. Its lyrical content is trademark Kosh, with its cautiously optimistic reflections on the world intuitively tapping into the current zeitgeist, yet through a universal futurist lens, leaving the listener with a sentiment that’s timeless and expansive.
The flip side sees the filtered house foundation of “Supernova” burst into scorching Detroit style techno stabs before the EP enters into uncharted territory with the interplanetary escape soundtrack on acid that is “Above & Beyond.”
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Cat-No:PPU-108
Release-Date:07.02.2025
Configuration:12"
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Cat-No:PPU-108
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Configuration:12"
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TAMTAM - Doors
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TAMTAM - Go Down The Mountain
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TAMTAM - Ramble In The Rainbow
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TAMTAM - Nue
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TAMTAM - Distant Look
Black Vinyl Repress!
A four-piece band based in Tokyo.
Initially playing reggae/dub music, the band gradually developed into an innovative fusion of diverse musical influences, such as jazz, soul, psyche pop, new age, and exotica. A sound is based on groove and euphoria, with nostalgic melodies.
They have performed at iconic events in Japan such as Fuji Rock Festival, and also have been looking overseas since they performed in Canada(Toronto, Montreal, and Vancouver) in 2019. The new EP "Ramble In The Rainbow"(2024) is their first international release on the US label Peoples Potential Unlimited.
The work shows their musical maturity, drawing inspiration from Sun Ra, Lee "Scratch" Perry, and Yasuaki Shimizu.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
A four-piece band based in Tokyo.
Initially playing reggae/dub music, the band gradually developed into an innovative fusion of diverse musical influences, such as jazz, soul, psyche pop, new age, and exotica. A sound is based on groove and euphoria, with nostalgic melodies.
They have performed at iconic events in Japan such as Fuji Rock Festival, and also have been looking overseas since they performed in Canada(Toronto, Montreal, and Vancouver) in 2019. The new EP "Ramble In The Rainbow"(2024) is their first international release on the US label Peoples Potential Unlimited.
The work shows their musical maturity, drawing inspiration from Sun Ra, Lee "Scratch" Perry, and Yasuaki Shimizu.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Label:Livity Sound Recordings
Cat-No:LIVITY062
Release-Date:17.05.2024
Genre:Dubstep
Configuration:12"
Barcode:5051142068347
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Last in:27.05.2024
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Last in:27.05.2024
Label:Livity Sound Recordings
Cat-No:LIVITY062
Release-Date:17.05.2024
Genre:Dubstep
Configuration:12"
Barcode:5051142068347
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Peverelist - a1: Pulse IX
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Peverelist - a2: Pulse Ten
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Peverelist - b1: Pulse XI
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Peverelist - b2: Pulse XII
Matching his signature melodic futurism with enduring club music structures, Pev brings the Pulse series to a natural conclusion with the Pulse Phase EP. On this third release he underlines the broader approach to tempos and styles he's taken across this latest period of his output, soon to be coalesced into a new live set.
If there's been a nostalgic streak detectable amongst the crisp modernism of the Pulse series, it comes through clearer than ever in the looped-up house jack and starry-eyed techno synth hooks of 'Pulse IX'. 'Pulse TEN' pares back for a lean soundsystem workout driven by a strafing arp and fractured drums while 'Pulse XI' revisits 90s bleep techno with a deep, dubby intention. 'Pulse XII' completes the picture capturing the skeletal pressure of 2-step at its most slender and deadly.
There's never a sense of over-familiarity - the exacting angles of the drums and alien hue of the synths maintain Pev's distinctive sound first and foremost. But this series has also been an opportunity to hear some of his musical DNA more explicitly than before, cast in universal rave motifs propelled by the unrelenting pursuit of new forms for the dance.
Livity Sound is a label set up by Peverelist in 2011 as a vehicle for a raw and exploratory strain of UK techno, rooted in the heritage of UK dance music and sound system culture. It has since become one of the UK's foremost protagonists for cutting edge underground electronic music.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
If there's been a nostalgic streak detectable amongst the crisp modernism of the Pulse series, it comes through clearer than ever in the looped-up house jack and starry-eyed techno synth hooks of 'Pulse IX'. 'Pulse TEN' pares back for a lean soundsystem workout driven by a strafing arp and fractured drums while 'Pulse XI' revisits 90s bleep techno with a deep, dubby intention. 'Pulse XII' completes the picture capturing the skeletal pressure of 2-step at its most slender and deadly.
There's never a sense of over-familiarity - the exacting angles of the drums and alien hue of the synths maintain Pev's distinctive sound first and foremost. But this series has also been an opportunity to hear some of his musical DNA more explicitly than before, cast in universal rave motifs propelled by the unrelenting pursuit of new forms for the dance.
Livity Sound is a label set up by Peverelist in 2011 as a vehicle for a raw and exploratory strain of UK techno, rooted in the heritage of UK dance music and sound system culture. It has since become one of the UK's foremost protagonists for cutting edge underground electronic music.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
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Last in:24.03.2025
Label:R&S
Cat-No:RS926X
Release-Date:10.02.2023
Genre:Techno
Configuration:12"
Barcode:
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Joey Beltram - Energy Flash
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Joey Beltram - Jazz 3033
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Joey Beltram - Subsonic Trance
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4
Joey Beltram - Psycho Bass
What can be said about Joey Beltram’s ‘Energy Flash’ that hasn’t be said already! The track still gets rinsed, week in, week out, across radio stations, clubs and festivals, testimony to the sheer importance of this techno classic. Released originally in 1990 on the R&S Records label, ‘Beltram Vol. 1’ included the aforementioned ‘Energy Flash’, alongside three equally ground-breaking dance tracks that possibly get overshadowed by the big lead track. But tracks like ‘Subsonic Bass’ broke the mould and went on to influence a raft of rave and drum ‘n’ bass tunes, thanks in part to its use of the now legendary ‘hoover’ bass sound. The sinister acid of ‘Jazz 3033’ still sounds as fresh today as it did 33 years ago, and the menacingly titled ‘Psycho Bass’ reveals the EP’s most passive moment, as its solid breakbeat cuts through ethereal tones and chugging synths. ‘Beltram Volume 1’ has been remastered by Beau Thomas at Ten Eight Seven Mastering, and the release comes in an updated sleeve, faithfully recreating the 1990 packaging.
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Last in:09.07.2024
Label:Byrd Out
Cat-No:BYR047V
Release-Date:03.05.2024
Genre:Electro
Configuration:LP
Barcode:4062548083682
Acclaimed UK electronic music producer, DMX Krewhas announced a brand new album, 'UnlikelySeeming', on the Byrd Out label out on 3rd May. The8-track album showcases his blend of joyous,melodic synth hooks, textured pads and analoguedrum machine rhythms. Leaving to one sidepummeling sounds, the focus of this album is onsonic fun, mining the 80s pop vibe DMX Krew doesso well. BBC 6 Music's Tom Ravenscroft describesthe trailing single 'Wednesday Memory' as "thefunkiest thing ever ... it's almost too joyous". Fromthe first 'A New Story', through to 'UncertainCalculation', DMX Krew delivers densely layered andsatisfying tracks, demonstrating the more imaginativeside of his output. The slight outlier is 'Continuation'which offers the most forceful 303 workout, bestsuited to a sweaty dance floor in the early hours.Overall the feel is playful, intelligent, melodic andwonderfully fun - best exemplified by multi-synthmasterpiece 'Data Cruncha' and Megadrive-esquetitle track 'Unlikely Seeming'. To finish the album,'Unlikely Seeming' is given a rework by Portland-based artist Break Mode, managing to achieve aremix that is at once ethereal and uplifting - it has4am written all over it. DMX Krew, aka EdwardUpton, has been crafting innovative electronic musicfor nearly 30 years, releasing on the likes of Rephlex,Central Processing Unit, and Gudu. With a soundrooted in synth-pop, electro, and Italo disco, DMXKrew's music evokes nostalgia for pop melodies andthe early days of rave culture
A1. A NEW STORY
A2. DATA CRUNCHA
A3. UNLIKELY SEEMING
B1
. CONTINUATION
B2. WEDNESDAY MEMORY
B3. IT'S TOMORROW
Stream: http://tinyurl.com/UnlikelySeemingSC
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A1. A NEW STORY
A2. DATA CRUNCHA
A3. UNLIKELY SEEMING
B1
. CONTINUATION
B2. WEDNESDAY MEMORY
B3. IT'S TOMORROW
Stream: http://tinyurl.com/UnlikelySeemingSC
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Label:Underground Resistance
Cat-No:UR-049
Release-Date:29.03.2024
Genre:Detroit Techno
Configuration:12"
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Label:Underground Resistance
Cat-No:UR-049
Release-Date:29.03.2024
Genre:Detroit Techno
Configuration:12"
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1
UR - Jaguar
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UR - Ascesion
Next batch coming in on the 14th of july.
The Aztecs return. UR receives the message. The Aztecs and the Hermanos make the transition from the guitar player. Natives didn’t take the robbery of Mother Earth’s land or her culture lightly. A new warrior culture, the Electronics did not back down when a war broke out with the programmers over this production. Those who know were avenged for the transgression. Strong beautiful music with a stronger beautiful spirit. A first in the history of music: big can lose. Hear it and feel the power of the cats that still prowl the streets of Detroit.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
The Aztecs return. UR receives the message. The Aztecs and the Hermanos make the transition from the guitar player. Natives didn’t take the robbery of Mother Earth’s land or her culture lightly. A new warrior culture, the Electronics did not back down when a war broke out with the programmers over this production. Those who know were avenged for the transgression. Strong beautiful music with a stronger beautiful spirit. A first in the history of music: big can lose. Hear it and feel the power of the cats that still prowl the streets of Detroit.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Label:Source Records
Cat-No:SR231207
Release-Date:27.09.2024
Genre:House
Configuration:12"
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Last in:31.03.2025
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Last in:31.03.2025
Label:Source Records
Cat-No:SR231207
Release-Date:27.09.2024
Genre:House
Configuration:12"
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1
Move D - Aspiration 2010
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2
Move D - Something 'Bout The D
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Move D - Marshmellow Boots
REPRESS!
This is the first 12“ of the new Move D - “Recurrent Recollections“ series. “Something ’Bout The D“ is featuring three previously released tracks, that only ever appeared on Various Artists compilations on different record labels - from Fred P’s Earth Tones Vol. 1, via Russ Gabriel’s Ferox label to Lowtec’s Out to Lunch imprint. Now for the first time on Source Records, this 12“ kicks off with Aspiration 2010, a subtle and slow building Deep Acid House track evolving across the entire side A. On the B-side the title track “Something ’Bout The D“ takes the vibe back to 90s oldschool Detroit inspired house music - spiced with some 909 euphoria, some uplifting chords and a technoid, abstract but soothing melody. Closing out the 12“ on B2 is the much beloved and hard to find Move D contribution to Out To Lunch’s “Airbag Craftworks Vol. 2“ compilation “Marshmellow Boots“. A hypnotic and bouncing hookline is transformed over surrounding synth stabs and dubs. A subdued fluffy little groover in a typical Move D trademark fashion.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
This is the first 12“ of the new Move D - “Recurrent Recollections“ series. “Something ’Bout The D“ is featuring three previously released tracks, that only ever appeared on Various Artists compilations on different record labels - from Fred P’s Earth Tones Vol. 1, via Russ Gabriel’s Ferox label to Lowtec’s Out to Lunch imprint. Now for the first time on Source Records, this 12“ kicks off with Aspiration 2010, a subtle and slow building Deep Acid House track evolving across the entire side A. On the B-side the title track “Something ’Bout The D“ takes the vibe back to 90s oldschool Detroit inspired house music - spiced with some 909 euphoria, some uplifting chords and a technoid, abstract but soothing melody. Closing out the 12“ on B2 is the much beloved and hard to find Move D contribution to Out To Lunch’s “Airbag Craftworks Vol. 2“ compilation “Marshmellow Boots“. A hypnotic and bouncing hookline is transformed over surrounding synth stabs and dubs. A subdued fluffy little groover in a typical Move D trademark fashion.
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Liebigstrasse 2-20
DE - 22113 Hamburg
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Label:Tresor Records / BMG
Cat-No:TRESOR313EP1
Release-Date:13.10.2023
Genre:Techno
Configuration:12" Excl
Barcode:4251804142717
in stock
Last in:08.09.2023
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Last in:08.09.2023
Label:Tresor Records / BMG
Cat-No:TRESOR313EP1
Release-Date:13.10.2023
Genre:Techno
Configuration:12" Excl
Barcode:4251804142717
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Cybotron - Maintain 04:56
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Cybotron - The Golden Ratio (Version) 04:43
Territory: WORLD
FORMAT 12” 180g vinyl, printed labels,
A4 printed inlay 170gsm, dl code,
black innersleeve, white outersleeve
TRACKLIST
A. Maintain 04:56
B. The Golden Ratio (Version) 04:43
INFO
Cybotron has re-emerged in our contemporary cybercultural age when artifactual futures begin a transition into a new era of
"Meta".
By combining their knowledge of philosophy, science fiction, and mechanical engineering, at a time when electronic instrument
companies were only just beginning to distribute their products to the masses, two prosumer audio technicians named Juan
Atkins and Rik Davis were able to re-engineer Cybotron – a combination of the words “Cyborg” and “Cyclotron” (an atomic
particle accelerator) – to be used as a home studio performance music that would change the course of independently produced
and distributed electronic music.
Dissolving the boundary between singer, songwriter, and producer, Juan Atkins named Cybotron’s future forward funkadelic
sound “techno” in reference to Alvin Toler’s concept of unlikely “techno rebels” against technocracy. Techno is music that
sounds like technology, and its purpose was to help society survive our collision with a universally felt “future shock” by inserting
an audio virus into the cultural matrix.
Techno’s blueprint spread across the Detroit-Berlin Axis between Metroplex and Tresor. As human society began its transition
from a post-industrial to an information-based market economy, Cybotron enabled a thorough system override of the human
senses towards a tangible man-machine hybridity and showed the world how to channel their emotions and imaginations into
new sound technologies and create new ‘sonic’ spatialities where listeners can transport themselves out of the physical world
into the future. The cover of their debut album Enter (1983) transmitted a fragmented view of a body in motion being digitized
mid-stride, dissolving physical and virtual reality into sonic fiction.
Today, the man-machine hybridity of Cybotron is still the truest form of techno, coevolving in conversation with the technological music they created and inspired. The latest data disk marks a new chapter that reflects a techgnostic musical expression of
the knowledge acquired during their decades-long hiatus. Unlike the dance music industrial replications of the Model 500
formula, acknowledging the content marketing expectations that segments music into specific, sellable genres, this techno
music is self-aware. Cybotron processes dance music tropes spawned from its very own blueprint with a meta-tactical precision
out of sync with our current rave new world.
Cybotron’s return demonstrates a studied engagement with what techno was and should be with a peerless update of Juan
Atkins’ initial inventive idea of do-it-yourself electrically reengineered music xeroxed onto both sides of the 12” – uploaded
directly into the alleys of your mind.
- The Rhythmanalyst
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
FORMAT 12” 180g vinyl, printed labels,
A4 printed inlay 170gsm, dl code,
black innersleeve, white outersleeve
TRACKLIST
A. Maintain 04:56
B. The Golden Ratio (Version) 04:43
INFO
Cybotron has re-emerged in our contemporary cybercultural age when artifactual futures begin a transition into a new era of
"Meta".
By combining their knowledge of philosophy, science fiction, and mechanical engineering, at a time when electronic instrument
companies were only just beginning to distribute their products to the masses, two prosumer audio technicians named Juan
Atkins and Rik Davis were able to re-engineer Cybotron – a combination of the words “Cyborg” and “Cyclotron” (an atomic
particle accelerator) – to be used as a home studio performance music that would change the course of independently produced
and distributed electronic music.
Dissolving the boundary between singer, songwriter, and producer, Juan Atkins named Cybotron’s future forward funkadelic
sound “techno” in reference to Alvin Toler’s concept of unlikely “techno rebels” against technocracy. Techno is music that
sounds like technology, and its purpose was to help society survive our collision with a universally felt “future shock” by inserting
an audio virus into the cultural matrix.
Techno’s blueprint spread across the Detroit-Berlin Axis between Metroplex and Tresor. As human society began its transition
from a post-industrial to an information-based market economy, Cybotron enabled a thorough system override of the human
senses towards a tangible man-machine hybridity and showed the world how to channel their emotions and imaginations into
new sound technologies and create new ‘sonic’ spatialities where listeners can transport themselves out of the physical world
into the future. The cover of their debut album Enter (1983) transmitted a fragmented view of a body in motion being digitized
mid-stride, dissolving physical and virtual reality into sonic fiction.
Today, the man-machine hybridity of Cybotron is still the truest form of techno, coevolving in conversation with the technological music they created and inspired. The latest data disk marks a new chapter that reflects a techgnostic musical expression of
the knowledge acquired during their decades-long hiatus. Unlike the dance music industrial replications of the Model 500
formula, acknowledging the content marketing expectations that segments music into specific, sellable genres, this techno
music is self-aware. Cybotron processes dance music tropes spawned from its very own blueprint with a meta-tactical precision
out of sync with our current rave new world.
Cybotron’s return demonstrates a studied engagement with what techno was and should be with a peerless update of Juan
Atkins’ initial inventive idea of do-it-yourself electrically reengineered music xeroxed onto both sides of the 12” – uploaded
directly into the alleys of your mind.
- The Rhythmanalyst
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Label:Dead Oceans
Cat-No:DOCLP357
Release-Date:05.04.2024
Genre:Indie Rock/Alternative
Configuration:LP
Barcode:0656605165714
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Label:Dead Oceans
Cat-No:DOCLP357
Release-Date:05.04.2024
Genre:Indie Rock/Alternative
Configuration:LP
Barcode:0656605165714
“‘A La Sala,’ I used to scream it around my house when I was a little girl, to get everybody in the living room; to get my family together. That’s kind of what recording the new album felt like. Emotionally there was a desire to get back to square-one between the three of us, to where we came from–in sonics and in feeling. Let’s get back there.” - Laura Lee Ochoa
The title makes it clear. A La Sala (“To the Room” in Spanish), the fourth studio album by Khruangbin, is an exercise in returning in order to go further, and do so on your own terms. It extends the air of mystery and sanctity that’s key to how bassist Laura Lee Ochoa, drummer Donald “DJ” Johnson, Jr. and guitarist Mark “Marko” Speer approach music. Yet if 2020’s Mordechai, the last studio album Khruangbin made without collaborators, was a party record whose ensuing post-lockdown tour enhanced the band’s musical reputation far and wide, A La Sala is the measured morning after. It’s a gorgeously airy album made only in the company of the group’s longtime engineer Steve Christensen, with minimal overdubs. It is a porthole onto the bounties powering Khruangbin’s vision, a reimagining and refueling for the long haul ahead. A La Sala scales Khruangbin down to scale up, a creative strategy with the future in mind.
It is also a response to the unique moment Khruangbin finds itself in now: following a decade spent cultivating extraordinary music paths, beginning a year when they'll perform for more people, in more iconic spaces, staging a live show that pushes a creative envelope peculiar to them alone. (Look for the band at major festivals and venues near you.) 2024 feels like both marker and pivot, cementing Khruangbin’s stature as a commercially and critically successful group that continues to be guided by creative possibilities.
Such crossroads are familiar for iconic artists throughout the rock era — your Dylans, Stevies and Bowies, up thru turn-of-the-century Radiohead, all have navigated these straits. On A La Sala, Khruangbin also pulls exploration inward, spurning the din of the crowd’s expectations, mapping a personal direction home. The trio’s collective musical DNA and the years spent constructing it in Houston’s local-meets-global cultural stew ensure the band carries on sounding like no one but itself. A La Sala may in fact be Khruangbin’s purest distillation. A cascade of crisp melodies still emanates from Marko’s reverb-heavy electric, dancing gently around Laura Lee’s minimalist almost-dub bass triangles, while DJ’s drums serve as the tightened-up pocket and unwavering dance-floor on which all this movement takes place.
Where prior album-by-album growth seemed to point the narratives towards music’s polyglot edges, such inquiries now sound like known intimacies. What once seemed like sonic invocations — spaghetti-western film scores, found-sounds, dancing moments more living room than rooftop disco — are ingrained characteristics. This is who they are! And there’s a freshness to the instrumental interactivity on A La Sala that’s less concerned with getting further out than going deeper in. That depth is not about therapeutic self-reflection, but a profound desire to celebrate the world’s external wonders.
A La Sala invites intimate intercontinental partying. The first single is, after all, called “A Love International.” “Pon Pón” holds the band’s table at the West African discotheque; yet the joy now moves to the corner left of the dancefloor, where the back-and-forth between Laura Lee’s bass, DJ’s hi-hat, and Marko’s tuneful rhythm scratches, is a marvel of knowing head-nods. There’s “Hold Me Up (Thank You),” a familial sweetness in its spare lyrics, feeding off the rhythm section’s sturdy funk shuffle, and a chorus on which Marko’s guitar evokes both sides of the Atlantic in confident unshowy rhythms. They’re on “Todavía Viva” too, next to DJ’s noir-soul rim-shots, synth strings and a pregnant pause that is Laura Lee’s favorite moment on the album, the mood kin to the band’s glorious live interpretations of G-funk fantasias. And the rocked-up miniature, “Juegos y Nubes,” demonstrates Khruangbin’s Houston-born superpower to culture-mix, a dancing mood less concerned with worldly glamor than communal grooving.
“I read something long ago, attributed to Miles Davis. He said, ‘When they play fast, you play slow. When they play slow, you play fast.’ And it's definitely how I've approached looking at music: Don't follow the trends. And if the trend is this, then do something else.” - Marko
From the get-go, Khruangbin’s journey has been emphatically its own: a sound and visual representation with few precedents, ignoring pop expectations, relying only on internal inspirations, and a multitude of visions. It’s a mindset of penetrating the self, connecting to the surrounding world, modeling your own life experiences. This ethos is threaded throughout A La Sala, audible in the album’s form and function. (It’s even visible in the vinyl version’s physical package, which will be released as a set of seven distinctive covers and color-sets — more on which in a sec.)
The building blocks for the album’s 12 songs were jigsaw pieces found in Khruangbin’s creative past. Having stockpiled ideas originally set down as off-the-cuff recordings (voice-memos made at sound-checks, on long voyages, as absentminded epiphanies), they began fitting those pieces together in the studio. Which parts were apt? Which could be massaged and stretched out? Which inspired new sections or rhythms or musical interactions? Once more, Khruangbin’s familial DNA kicked in. Layer-by-layer, the intimate work, rework and re-rework bore new fruit. They also brought back a strategy once foundational to their records: seeding an album with field recordings.
Some results fold directly into A La Sala’s down-home feel. “Three From Two” and “May Ninth” are wistful mid-tempo numbers, with guitar melodies that reside somewhere between Bakersfield and by-the-riverside, cues that, for all its borderless inclusivity, another core Khruangbin value is being steeped in American roots. And in the landscape that music comes from. Like all albums prior to Mordechai, Marko made sure environmental sounds — natural and man-made — appeared as textures. (At times philosophically: the group recorded while cricket chirps played in their headphones, presumably for terroir.) It’s how A La Sala achieves such interconnected set-and-setting-ness.
Other results are more metaphorical, especially in Khruangbin’s flirtation with ambient spaces. The dramatically beatless “Farolim de Felgueiras” and “Caja de la Sala” both feature only Marko’s unmistakable guitar dueting with Laura Lee’s Moog, lightly layered with sounds of shoes on stone steps, and cicadas in an open field. The closing “Les Petits Gris” more fully reduces and fleshes out the ambiance, with a piano and a simple single-note bass pattern, Marko’s plaintive spare guitar echoing the melody of a ballerina-turning music box. It feels an apt way of ending — as a passing of this particular moment, preparation for the next one, soon-come.
Even the seven different covers that adorn A La Sala’s various vinyl editions offer a throughline from the music into Khruangbin’s current frame. Designed by the band using Marko’s multitude of travelog photos, they are windows from the band’s living room onto a set of daydreams, scenes of impossible skies, external glances illuminating what is going on inside. These are also directly related to David Black’s images of DJ, Laura Lee and Marko which accompany A La Sala, and to Khruangbin’s live staging reinvention. It’s all about looking out and looking back, in order to better look ahead.
“All the little moments you capture. You don't see how impactful they are until you hear what eventually comes of them. A lot of those scraps end up being the thing — and you don't realize it until it's ‘The Thing.’” - DJ
credits
releases April 5, 2024
Produced by Mark Speer & Steve Christensen
Written, Arranged & Performed by Khruangbin
Art Direction: Tiny Frees
Mixing: Steve Christensen
Mastering: Chris Longwood
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
The title makes it clear. A La Sala (“To the Room” in Spanish), the fourth studio album by Khruangbin, is an exercise in returning in order to go further, and do so on your own terms. It extends the air of mystery and sanctity that’s key to how bassist Laura Lee Ochoa, drummer Donald “DJ” Johnson, Jr. and guitarist Mark “Marko” Speer approach music. Yet if 2020’s Mordechai, the last studio album Khruangbin made without collaborators, was a party record whose ensuing post-lockdown tour enhanced the band’s musical reputation far and wide, A La Sala is the measured morning after. It’s a gorgeously airy album made only in the company of the group’s longtime engineer Steve Christensen, with minimal overdubs. It is a porthole onto the bounties powering Khruangbin’s vision, a reimagining and refueling for the long haul ahead. A La Sala scales Khruangbin down to scale up, a creative strategy with the future in mind.
It is also a response to the unique moment Khruangbin finds itself in now: following a decade spent cultivating extraordinary music paths, beginning a year when they'll perform for more people, in more iconic spaces, staging a live show that pushes a creative envelope peculiar to them alone. (Look for the band at major festivals and venues near you.) 2024 feels like both marker and pivot, cementing Khruangbin’s stature as a commercially and critically successful group that continues to be guided by creative possibilities.
Such crossroads are familiar for iconic artists throughout the rock era — your Dylans, Stevies and Bowies, up thru turn-of-the-century Radiohead, all have navigated these straits. On A La Sala, Khruangbin also pulls exploration inward, spurning the din of the crowd’s expectations, mapping a personal direction home. The trio’s collective musical DNA and the years spent constructing it in Houston’s local-meets-global cultural stew ensure the band carries on sounding like no one but itself. A La Sala may in fact be Khruangbin’s purest distillation. A cascade of crisp melodies still emanates from Marko’s reverb-heavy electric, dancing gently around Laura Lee’s minimalist almost-dub bass triangles, while DJ’s drums serve as the tightened-up pocket and unwavering dance-floor on which all this movement takes place.
Where prior album-by-album growth seemed to point the narratives towards music’s polyglot edges, such inquiries now sound like known intimacies. What once seemed like sonic invocations — spaghetti-western film scores, found-sounds, dancing moments more living room than rooftop disco — are ingrained characteristics. This is who they are! And there’s a freshness to the instrumental interactivity on A La Sala that’s less concerned with getting further out than going deeper in. That depth is not about therapeutic self-reflection, but a profound desire to celebrate the world’s external wonders.
A La Sala invites intimate intercontinental partying. The first single is, after all, called “A Love International.” “Pon Pón” holds the band’s table at the West African discotheque; yet the joy now moves to the corner left of the dancefloor, where the back-and-forth between Laura Lee’s bass, DJ’s hi-hat, and Marko’s tuneful rhythm scratches, is a marvel of knowing head-nods. There’s “Hold Me Up (Thank You),” a familial sweetness in its spare lyrics, feeding off the rhythm section’s sturdy funk shuffle, and a chorus on which Marko’s guitar evokes both sides of the Atlantic in confident unshowy rhythms. They’re on “Todavía Viva” too, next to DJ’s noir-soul rim-shots, synth strings and a pregnant pause that is Laura Lee’s favorite moment on the album, the mood kin to the band’s glorious live interpretations of G-funk fantasias. And the rocked-up miniature, “Juegos y Nubes,” demonstrates Khruangbin’s Houston-born superpower to culture-mix, a dancing mood less concerned with worldly glamor than communal grooving.
“I read something long ago, attributed to Miles Davis. He said, ‘When they play fast, you play slow. When they play slow, you play fast.’ And it's definitely how I've approached looking at music: Don't follow the trends. And if the trend is this, then do something else.” - Marko
From the get-go, Khruangbin’s journey has been emphatically its own: a sound and visual representation with few precedents, ignoring pop expectations, relying only on internal inspirations, and a multitude of visions. It’s a mindset of penetrating the self, connecting to the surrounding world, modeling your own life experiences. This ethos is threaded throughout A La Sala, audible in the album’s form and function. (It’s even visible in the vinyl version’s physical package, which will be released as a set of seven distinctive covers and color-sets — more on which in a sec.)
The building blocks for the album’s 12 songs were jigsaw pieces found in Khruangbin’s creative past. Having stockpiled ideas originally set down as off-the-cuff recordings (voice-memos made at sound-checks, on long voyages, as absentminded epiphanies), they began fitting those pieces together in the studio. Which parts were apt? Which could be massaged and stretched out? Which inspired new sections or rhythms or musical interactions? Once more, Khruangbin’s familial DNA kicked in. Layer-by-layer, the intimate work, rework and re-rework bore new fruit. They also brought back a strategy once foundational to their records: seeding an album with field recordings.
Some results fold directly into A La Sala’s down-home feel. “Three From Two” and “May Ninth” are wistful mid-tempo numbers, with guitar melodies that reside somewhere between Bakersfield and by-the-riverside, cues that, for all its borderless inclusivity, another core Khruangbin value is being steeped in American roots. And in the landscape that music comes from. Like all albums prior to Mordechai, Marko made sure environmental sounds — natural and man-made — appeared as textures. (At times philosophically: the group recorded while cricket chirps played in their headphones, presumably for terroir.) It’s how A La Sala achieves such interconnected set-and-setting-ness.
Other results are more metaphorical, especially in Khruangbin’s flirtation with ambient spaces. The dramatically beatless “Farolim de Felgueiras” and “Caja de la Sala” both feature only Marko’s unmistakable guitar dueting with Laura Lee’s Moog, lightly layered with sounds of shoes on stone steps, and cicadas in an open field. The closing “Les Petits Gris” more fully reduces and fleshes out the ambiance, with a piano and a simple single-note bass pattern, Marko’s plaintive spare guitar echoing the melody of a ballerina-turning music box. It feels an apt way of ending — as a passing of this particular moment, preparation for the next one, soon-come.
Even the seven different covers that adorn A La Sala’s various vinyl editions offer a throughline from the music into Khruangbin’s current frame. Designed by the band using Marko’s multitude of travelog photos, they are windows from the band’s living room onto a set of daydreams, scenes of impossible skies, external glances illuminating what is going on inside. These are also directly related to David Black’s images of DJ, Laura Lee and Marko which accompany A La Sala, and to Khruangbin’s live staging reinvention. It’s all about looking out and looking back, in order to better look ahead.
“All the little moments you capture. You don't see how impactful they are until you hear what eventually comes of them. A lot of those scraps end up being the thing — and you don't realize it until it's ‘The Thing.’” - DJ
credits
releases April 5, 2024
Produced by Mark Speer & Steve Christensen
Written, Arranged & Performed by Khruangbin
Art Direction: Tiny Frees
Mixing: Steve Christensen
Mastering: Chris Longwood
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DE - 22113 Hamburg
Germany
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