Tracklisting
A1 Fabrizio Lapiana - Deep 4
B1 Fabrizio Lapiana - Ritmo Ossessivo
B2 Fabrizio Lapiana - Repetition

Sales Note
Label owner Fabrizio Lapiana returns on Attic Music with "Ritmo Ossessivo", a three tracks techno EP that showcases again his mesmerising sound.

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Tracklisting:
A1 Fabrizio Lapiana - Plenilunio
A2 Fabrizio Lapiana - Riflessi
B1 Fabrizio Lapiana - Plenilunio (Donato Dozzy Rework)

Sales Note
Fabrizio Lapiana returns to his Attic Music label for more well-crafted techno trips, signing his third EP of the year, this time with a remix from renowned sonic sculptor Donato Dozzy.

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Tracklisting:
A1 Pyramidal Decode - Overstatement
A2 Pyramidal Decode - Morphing
B1 Pyramidal Decode - Nox
B2 Pyramidal Decode - Quaternatery Source

Sales Note
Attic Music welcomes Pyramidal Decode with a four techno tracks EP.

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Tracklisting:
A1 Fabrizio Lapiana - O.B.E. I
A2 Fabrizio Lapiana - O.B.E. II
B1 Fabrizio Lapiana - O.B.E. I (Orbe remix)
B2 Fabrizio Lapiana - O.B.E. III

Sales Note
Fabrizio Lapiana is back on his own label with O.B.E. (out-of-body experience), a four bleeping and mental techno cuts EP, including a superb remix from the spanish DJ and producer Orbe.

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Tracklist:
A1 Kaiser - Beginning Of The End
A2 Kaiser - Sunday Was Pure Madness
B1 Kaiser - Beginning Of Madness (Claudio PRC Revisited) (Claudio PRC remix)
B2 Kaiser - I See The Blue Lights

Release Info:
The Italian Kaiser debuts on Attic Music showing his deeper and hypnotic side, featured by a dreamy Claudio PRC variation. The result of this killer combo is a massive four tracks EP that fully represents the sound of the label.

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Fabrizio Lapiana continues to offer up deep musical escape from these troubling times with another expertly crafted techno EP, Cantamen, on his own Attic Music label. It features four of his own original cuts and builds on the success of his latest release, Collective Chaos, back in March.

For more than a decade, this Italian artist has been at the forefront of a techno scene that deals in deep and rolling drums, well sculpted synths and cavernous grooves that are rich in ambient detail. His Attic Music label has been at the centre of that thanks to careful A&R and always innovative releases, while he has also released on cult imprints such as M_Rec Ltd, ARTS, Figure Jams and Out-Er and many other collaborations.

Sleek opener 'Demons' is a mind melting and widescreen deep techno groove. Groaning synths creep across the face of the track as all manner of earthy and organic motifs drift by, as if you're racing through an underground network of caves. It's music for the mind as well as the body, and the hugely atmospheric 'Cantamen' is just the same - fizzing synth details and alien life forms fill the airwave with tension as the smooth and supple kick drums pound away down below.

The hypnotic masterclass continues on 'Kura' with rattling snares and harder hitting drums making you move your body before coarse claps and a majestic arpeggiated synth hook repeats up top and takes you to another level of rapture. Last of all is the fantastic 'Back Home', which has a skeletal electro groove run through with late night sci-fi pads. Its vast sense of cosmic infinity leaves you feeling floating adrift amongst the stars.

These are four evocative and cinematic techno tracks that take you into another dimension.

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The Attic Music label strives to keep us dancing in these difficult times with a new EP from red hot young Portuguese talent Norbak featuring a remix from the label's owner Fabrizio Lapiana.


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Fabrizio Lapiana's Attic Music label reaches release number 20 on the main series with a new EP from the boss himself: Collective Chaos features remixes from fellow Italian techno luminaries Neel & Laertes.

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Hypnotic synths, compressed grooves and enveloping textures are the Conrad Van Orton's trademark that we find also in this release. Four tracks for vinyl and a bonus track for digital: we are proud to present the second EP of the Roman producer (based in Berlin) on Attic Music.

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Third and last episode of Eternal series, celebrating the 10th anniversary of Attic Music. Four talented Italian artists, as well as old friends of the label, are involved for the closing chapter of the trilogy: Wrong Assessment, Synthek, Conrad Van Orton and PVS.

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One year after his debut album "Intraverso", Fabrizio Lapiana is back on his own label with the new "Rash" EP. Four techno tracks in his mesmerizing signature style, exploring the subtle line between mental and physical. Suitable for any dark dancefloor.

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The 10th anniversary celebration continues with the second installment of the Eternal Series. Four deep, atmospheric and melodic cuts from Tensal, Aleja Sanchez & Ricardo Garduno, Ness and Edit Select.

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Berlin based producer ''Synthek'' is a renowned name within contemporary Techno. Besides succesfully running his label Natch Records, he has been also a resident at the infamous Tresor. For the seventeenth installment in the string of Attic Music releases, Synthek (Luca Landolfi) comes up with a staggering EP that contains a lot of adventurous drum patterns, bold arrangements and swells of daring FX. On the A side we find ''Loser'', which is a brave cut of spherical yet moody techno that uses a buldging percussion line and otherwordly fx to create an ominous vibe. ''Uneven Mind'' is an exotic cut with tough drum sounds that uses a hypnotic synth swell that cuts throughout to create an alarming atmosphere. French producer and Concrete resident Antigone comes up with an uplifting (eight minutes long) remix for ''Uneven Mind'' on the B side which is beautifully orchastrated throughout. ''Faithless''is a percussive cut with intense FX blips.

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D.A.N.C.E. (Detector for Advanced Neutron Capture Experiments), the various artists series of the label, comes back with the italians Ness, Luigi Tozzi and the french Underjack. On the a-side with -TMB- Ness turns a robotic rhythm in a dark electric / industrial infected tunnel. LuigiTozzi s a2 Blood Meridian strikes soft under an oppressive butterfly effect creating an intense flow. Underjack on the b-side delivers a nebulous groove that is responsible of a eight minutes of immense hypnotic techno cut with energy drums and crispy bassline.

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After their highly regarded debut on Attic Music called ''Laq 02'' back in May 2016 Boston 168 are back with a 4-track spanning release named ''Khidi Rever''. Again, the Italian duo delivers a well balanced release that cleverly touches different sides of modern day Techno music. From the slow paced chug ''Khidi Rever'' to the emotive tones of ''Blu Bridge'', the A-side already showcases the duo's versatile pallette.
On the B-side we find an acidic growler named ''J The Master'' which is heavy arms material for the festival season. Label owner ''Fabrizio Lapiana'' offers a haunting remix of ''Khidi Rever'' to close down the record.

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Released on 2xLP cut at 45RPM in gatefold sleeve with 6 panel fold-out poster.

Some albums are game-changers in a genre. Take OutKast's Speakerboxxx / The Love Below or Primal Scream's Screamadelica, they observe, study, and then flip what an album can mean to a genre or moment in time.

From the very first listen of Rubel’s Latin Grammy-nominated third album As Palavras, Vol. 1 & 2, you can feel its transformative force for the MPB genre. Here we see one of Rio’s brightest stars, fusing the contemporary with the classic, soaking up the richness of Brazil’s musical heritage. The result is a marauding 20-track epic, incorporating traditional styles such as forró, MPB, pagode and samba with modern baile funk, rasteirinha and hip-hop.

The album exudes a sense of freedom and creativity, playfully and provocatively juggling the familiar with the forward-thinking. The tracks are divided across two records, navigating feelings of love, heartbreak and discovery, whilst balancing themes of violence, passion, irony and affection. Collaborating with some of the country’s most esteemed artists such as Gabriel do Borel, Liniker, Luedji Luna, Tim Bernardes and Ana Caetano, Rubel takes this fusion of styles, subjects and flavours to the global stage.

The grand, forró-blending, choral opener, ‘Forró Violento (Instrumental)’ sets the tone for the album, with references and links between tradition and modernity everywhere to be seen. From the Ana Frango Elétrico produced, funk flexing, samba-soul brilliance of ‘Não Vou Reclamar de Deus’, to the album’s title cut ‘As Palavras’, in collaboration with Tim Bernardes, that melds MPB influences with electronic elements and hip-hop touches.

Across both sides of the album, Rubel’s story-telling gift is given space to shine. ‘Torto Arado’ featuring Liniker and Luedji Luna, beautifully references the racial injustice, tragedy, hope and ambition found in one the most celebrated Brazilian novels of recent times by Itamar Vieira Júnior. Elsewhere, ‘Na Mão do Palhaço’ manifests a satirical march about a suicidal conservative middle-aged man, who is rescued by the miracle of the carnival.

At times the album is gentle and intimate with tracks like ‘Toda Beleza’ featuring Bala Desejo, or the ode to friendship ‘Lua de Garrafa’, composed with the legendary Milton Nascimento. At others, the grooves hit harder, with sounds from the favelas laced within. ‘Put@ria!’, explores the universe of baile funk, with BK’ and MC Carol trading off on the mic, as ‘Rubelía’ moves between reggaeton, funk, and hip hop. The latter is a tribute to a key influence of the album, Spanish star Rosalía and her parallel mix of current with classic.

Ultimately though the beauty of this album lies in its concept. In the midst of a country divided, ‘As Palavras Vol. 1 & 2’ sets out to bring together genres and generations, grounded in rhythms and words that have helped define Brazil through the ages.

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Kosh continues to move at his own pace with his label Convergence. Musically, that’s fast, but output wise, careful and considered, with over a year or more apart between each installment. That’s because creating complex worlds within worlds, which the Moroccan artist has a knack for, certainly takes time. Now a trifecta of releases in, the Enslaved EP serves as his most fine-tuned and liberated project for the label yet.

On the title track, split between a vocal mix and bonus beat version, Kosh delivers a cosmic and introspective electro demonstration at its core, with flares of psychedelic and trance inducing sonic fusions. Its lyrical content is trademark Kosh, with its cautiously optimistic reflections on the world intuitively tapping into the current zeitgeist, yet through a universal futurist lens, leaving the listener with a sentiment that’s timeless and expansive.

The flip side sees the filtered house foundation of “Supernova” burst into scorching Detroit style techno stabs before the EP enters into uncharted territory with the interplanetary escape soundtrack on acid that is “Above & Beyond.”

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Colored Vinyl Repress!

A four-piece band based in Tokyo.

Initially playing reggae/dub music, the band gradually developed into an innovative fusion of diverse musical influences, such as jazz, soul, psyche pop, new age, and exotica. A sound is based on groove and euphoria, with nostalgic melodies.

They have performed at iconic events in Japan such as Fuji Rock Festival, and also have been looking overseas since they performed in Canada(Toronto, Montreal, and Vancouver) in 2019. The new EP "Ramble In The Rainbow"(2024) is their first international release on the US label Peoples Potential Unlimited.

The work shows their musical maturity, drawing inspiration from Sun Ra, Lee "Scratch" Perry, and Yasuaki Shimizu.

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Acclaimed UK electronic music producer, DMX Krewhas announced a brand new album, 'UnlikelySeeming', on the Byrd Out label out on 3rd May. The8-track album showcases his blend of joyous,melodic synth hooks, textured pads and analoguedrum machine rhythms. Leaving to one sidepummeling sounds, the focus of this album is onsonic fun, mining the 80s pop vibe DMX Krew doesso well. BBC 6 Music's Tom Ravenscroft describesthe trailing single 'Wednesday Memory' as "thefunkiest thing ever ... it's almost too joyous". Fromthe first 'A New Story', through to 'UncertainCalculation', DMX Krew delivers densely layered andsatisfying tracks, demonstrating the more imaginativeside of his output. The slight outlier is 'Continuation'which offers the most forceful 303 workout, bestsuited to a sweaty dance floor in the early hours.Overall the feel is playful, intelligent, melodic andwonderfully fun - best exemplified by multi-synthmasterpiece 'Data Cruncha' and Megadrive-esquetitle track 'Unlikely Seeming'. To finish the album,'Unlikely Seeming' is given a rework by Portland-based artist Break Mode, managing to achieve aremix that is at once ethereal and uplifting - it has4am written all over it. DMX Krew, aka EdwardUpton, has been crafting innovative electronic musicfor nearly 30 years, releasing on the likes of Rephlex,Central Processing Unit, and Gudu. With a soundrooted in synth-pop, electro, and Italo disco, DMXKrew's music evokes nostalgia for pop melodies andthe early days of rave culture


A1. A NEW STORY
A2. DATA CRUNCHA
A3. UNLIKELY SEEMING
B1
. CONTINUATION
B2. WEDNESDAY MEMORY
B3. IT'S TOMORROW


Stream: http://tinyurl.com/UnlikelySeemingSC

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REPRESS!

This is the first 12“ of the new Move D - “Recurrent Recollections“ series. “Something ’Bout The D“ is featuring three previously released tracks, that only ever appeared on Various Artists compilations on different record labels - from Fred P’s Earth Tones Vol. 1, via Russ Gabriel’s Ferox label to Lowtec’s Out to Lunch imprint. Now for the first time on Source Records, this 12“ kicks off with Aspiration 2010, a subtle and slow building Deep Acid House track evolving across the entire side A. On the B-side the title track “Something ’Bout The D“ takes the vibe back to 90s oldschool Detroit inspired house music - spiced with some 909 euphoria, some uplifting chords and a technoid, abstract but soothing melody. Closing out the 12“ on B2 is the much beloved and hard to find Move D contribution to Out To Lunch’s “Airbag Craftworks Vol. 2“ compilation “Marshmellow Boots“. A hypnotic and bouncing hookline is transformed over surrounding synth stabs and dubs. A subdued fluffy little groover in a typical Move D trademark fashion.

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What can be said about Joey Beltram’s ‘Energy Flash’ that hasn’t be said already! The track still gets rinsed, week in, week out, across radio stations, clubs and festivals, testimony to the sheer importance of this techno classic. Released originally in 1990 on the R&S Records label, ‘Beltram Vol. 1’ included the aforementioned ‘Energy Flash’, alongside three equally ground-breaking dance tracks that possibly get overshadowed by the big lead track. But tracks like ‘Subsonic Bass’ broke the mould and went on to influence a raft of rave and drum ‘n’ bass tunes, thanks in part to its use of the now legendary ‘hoover’ bass sound. The sinister acid of ‘Jazz 3033’ still sounds as fresh today as it did 33 years ago, and the menacingly titled ‘Psycho Bass’ reveals the EP’s most passive moment, as its solid breakbeat cuts through ethereal tones and chugging synths. ‘Beltram Volume 1’ has been remastered by Beau Thomas at Ten Eight Seven Mastering, and the release comes in an updated sleeve, faithfully recreating the 1990 packaging.

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The Aztecs return. UR receives the message. The Aztecs and the Hermanos make the transition from the guitar player. Natives didn’t take the robbery of Mother Earth’s land or her culture lightly. A new warrior culture, the Electronics did not back down when a war broke out with the programmers over this production. Those who know were avenged for the transgression. Strong beautiful music with a stronger beautiful spirit. A first in the history of music: big can lose. Hear it and feel the power of the cats that still prowl the streets of Detroit.

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Emmanuel Top's Attack Records stands as a milestone in the 1990s techno-acid scene.
The French producer pioneered a unique sound that continues to resonate today. Tracks like "Turkish Bazar" and "Acid Phase" remain iconic, even considered among the best techno productions of the 90s.
Thirty years after their original release, all the key tracks by Emmanuel Top on his own Attack Records return to vinyl, remastered in a 5 x 12" boxset.

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Tracklisting
A1 Nina Kraviz - tarde (SPF mix) (David Löhlein remix)
A2 Nina Kraviz - tarde (Alex Wilcox remix)
B1 Nina Kraviz - tarde (Amor mix) (David Löhlein remix)
B2 Nina Kraviz - tarde (Bajo el Sol mix) (David Löhlein remix)

Sales Note
Nina recorded "tarde" in her bedroom 3 years ago and wanted the song to keep the same intimate feeling as when she recorded it.
The result is a dark love song about love so strong, it could almost break you.
David Lohlein and Alex Wilcox delivered perky remixes that are now being released on limited pink vinyl with hand stamped labels.
don't sleep on this one!

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2025 repress

Tracklisting
A1 Gary Beck - Upside Criminal
A2 Gary Beck - Sambana
B1 Gary Beck - Pepper Track
B2 Gary Beck - Rejected
B3 Gary Beck - Ghost

Sales Note
Gary Beck returns to Mutual Rytm as he unveils a selection of impactful cuts across his debut 12'' on the label, 'Upside Criminal'.

Bek Audio boss and Glasgow techno mainstay Gary Beck has long been a key figure in the scene with a unique sound that has shaped a vast discography. One of the genre's best, with appearances across iconic institutions and collaborations with legendary talents, he is a definitive talent. Returning to SHDW's Mutual Rytm imprint, his new EP lands following his recent appearance on the label's 'Federation Of Rytm III' VA, with the tracks on the package proving as go-to favourites for the label boss over recent months.

''Mutual Rytm has been nothing short of inspirational to me over the last years. I've been playing almost
everything from the label, as the tracks really suited what I was selecting in my DJ sets. The high-quality output really got my juices going to create something for the label, and I was delighted when Marco liked what I sent. This EP signals exactly where I am musically. I'm an absolute sucker for tracks with relentless groovy energy and little breaks, so it felt like a perfect fit. Tracks from the EP have been an absolute joy to play in my sets recently,
and I'm so excited to deliver this EP on my current favourite label, Mutual Rytm.'' - Gary Beck.

The powerful 'Upside Criminal' kicks off with hammering drums and pounding hits that create an inescapable wall of sound that will dominate dance floors of any size. There is more loopy energy to 'Sambana' with its ever more jagged synth stabs and fizzing drum textures while 'Pepper Track' is a futuristic techno workout with rattling snares and mutant synth details peeling off the straight-up groove. 'Rejected' is built around trapped vocal fragments that swirl about the mix to a disorientating effect as the high-speed drums and sheet metal synths race onwards, 'while
Ghost' closes out with a subtle sense of uplifting celebration from the synths that rise up through rusty, rickety techno grooves. Digital Bonus 'Variation 6.1' offers another searing and funky techno stomp, once again providing an extra gem for digital purchasers.





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