GENRE/S:
Progressive House, Techno, Trance, Breaks

TRACKLISTS:
A. Café Del Mar (Orbital Remix)
B. Café Del Mar (Michael Mayer Remix)

SHORT INFO:
Energy 52's Café Del Mar is one of the most iconic tracks in dance music. Over the years, Café Del Mar has achieved legendary status, regularly featuring in lists of the greatest dance tracks of all time. To put it simply, Café Del Mar is a cultural phenomenon, encapsulating the spirit of an era and influencing generations of artists and fans alike.
Now this iconic track is being remixed by two of the most revered acts in electronic music, Orbital and Michael Mayer. Orbital, the pioneering British electronic dance duo consisting of brothers Phil and Paul Hartnoll, have continued to shape the electronic music scene since their emergence in 1989. Their remix is an ode to the golden age of rave, with clattering breakbeats and an ethereal synth line pulsing through its early stages before the iconic lead warps into view. A key figure in Cologne's electronic scene, Michael Mayer co-founded the influential Kompakt label, contributing significantly to its direction and success. For his interpretation, Mayer leans into head spinning, hypnotic rhythms, with tribal drums and the patiently evolving lead line building towards a climax that is more subtle but no less effective.




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2 x 12"

Tracklist:

A1) Moullinex & Peaches – Maniac
A2) Munk - Disco Clown (Midnight Mike Version)
A3) Whomadewho - Flat Beat

B1) Golden Bug - Bisco
B2) Headman - It Rough (Chicken Lips Remix)

C1) Baldelli - Atlantide
C2) Trans Mania - Boing Boom Jack (Robotnick Remix)
C3) Leroy Hanghofer - Bathroomboogie

D1) Severino Horse Meat Disco - Bounce
D2) Rodion - Atala Ride
D3) Munk – Androgyn

Info:

Toy Tonics presents GOMMA DANCEFLOOR GEMS VOL.1

It’s all about Y2K, Punkfunk and Indie Disco

Toy Tonics record brings a collection of tracks originally released on the German GOMMA RECORDS label between 2001 and 2010. Gomma was one of the key labels of the Y2K indie dance wave along with labels like James Murphy’s DFA and Trevor Jackson’s OUTPUT Records. And as the 90ies revival that dominated the last years in fashion and electronic music reached its peak (Techno and Electronica is pure 90s revival music) the Toy Tonics gang thought it’s a good moment to re-mind some of these early 2000’s tracks that connected a more raw, indie disco and punky funk vibe. It was another energy in those party days. Gomma was happening in Berlin off-location clubs like SCALA and RIO, London’s TRASH or 333 partys and Paris ‚Kill The DJ‘ and Paris Paris clubs.

Those Y2K clubs and the Gomma label brought together 80ies inspired Indie rock artists like NickMcCarthy of Franz Ferdinand (who’s was producing records on Gomma before getting world-famous) and Electro punk princess Peaches (who did a whole Disco album on Gomma records and is featured on this compilation with a cover of „Maniac“ from the Flashdance movie soundtrack). Italian disco legends like Baldelli or Robotnick were poppping up in those times after years of silence (before getting hype again later) as well as Gomma’s own discoveries like WhoMadeWho (their first 2 albums where quite punk funky and produced by Gomma’s head honcho Mathias Modica), Italian disco punkster Rodion, Parisian nasty funk dude Golden Bug, London’s mysterious prince of new wave prince Midnight Mike (who started in Gomma and later ended up on Ed Banger records) and Gomma’s main act Munk. And yes there is even DJ Severino who did an proto house remix for the label in the early Horse Meat Disco days.

That raw and nasty Gomma sound that mixed up many genres and made its own sexy, in your face music melange that was very in demand in those days from 2000 - 2010 and inspired many artists. Not just music people like James Murphy, who did music with Gomma before starting his own LCD Soundsystem or bands like Chromeo, New Young Pony Club or Soulwax who started later with a similar vibe, but also art, graphic and fashion people took inspiration from the Gomma world: Gomma’s edgy album cover designs, their poster fanzine, their colourful t-shirt designs and the whole style that the bands, DJs and people at their worldwide parties were rocking became a MUST all over the world. In the early 2000’s it was just art students from London’s Central St. Martins or Berlin’s UDK school that played that sound on their parties, later magazine like VICE or i - D invited Munk and the Gomma acts to their parties and later it was fashion brands like Prada, Margiela, Karl Lagerfeld and Hedi Slimane who used Gomma artists to make music at their fashion shows or events.

Gomma then in 2015 fnally closed. When a lot of new labels popped up copying the Gomma attitude and styles (till these days).
Gomma’s head honcho and main inventor Mathias Modica stopped the whole thing, changed the name and started something new: Toy Tonics records. Yes!
Toy Toy Tonics came out of Gomma and that’s why now it’s time to remember the old inspirational days.

(Gomma’s other very important part was the graphic designer Mirko Borsche who created the whole Gomma look with Modica and Jonas Imbery the other Gomma member. Mirko Borsche since than made an exceptional career doing designs for fashion labels like Supreme and Balenciaga and being the creative director of magazines like ZEIT, Spike or Kaleidopskope.)

Mathias Modica aka Munk aka Kapote himself now is busy with Toy Tonics, which basically is bigger than Gomma ever was: Spreading a very own sound of organic house and disco funk. With party happenings all over Europe every weekend and a very young audience.

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GENRE/S: House, Dance, Pop

Tracklist:

[12” vinyl]
A1. Rodeo
A2. First Rodeo
B1. Kampai

SHORT INFO:
Veteran producer Blende debuts on Studio Barnhus, the Athens-based Swede delivering 3 cuts full of
force and rich in detail, perfectly straddling that line between weirdo pop and freaky dance that the Stockholm
label loves to explore. Vocal contributions from Belgian rock experimentalist Mickael Karkousse and Los
Angeles-based singer-DJ sensation Smiles Davis complete the package, along with a trippy and menacing
cover by graphic wizard Stefan Fält. An essential Studio Barnhus dance record!
Johan Blende is a Swedish music producer, song writer and DJ. For the biggest part of this side of the millennium
he’s been weaving together modern dance music elements with retro sounds of the ‘70s and ‘80s.

VITAL SALES POINTS:
- limited edition of 500 copies
- purple vinyl with sticker on sleeve front and extra sticker inlay
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12" vinyl with full cover print

TRACKLIST:

A1. Don't Be Stupid Day (Herbert's Brain Dub)
A2. It's Time (to Move Your Body) (Cromby Remix)

B1. Gamma (Glaskin Remix)
B2. Blackjack (Cromby Remix)

INFO:

This third and final installment of the Fusion remix series sees Len Faki personally select from his most beloved producers to expand on his ambitious album project Fusion that was released as a double LP in 2023.


First up is Herbert's trippy rework of Don't Be Stupid Day, one of the album's most memorable vocal cuts. Herbert's Brain Dub transforms the track slowly and playfully, using the witty lyrics for crafting catchy hooks.

Irish powerhouse Cromby has two appearances on this EP, getting to revamp the more house-leaning productions from Fusion. His take on It's Time (to Move Your Body) is grooving grand, its bubbling acid riff and dancing hi hats teeming with life. Meanwhile, the Blackjack remix further energizes the original's shiny centerstage synths, crazily riding the pitch up and down for an all-out party.

Finally, the brotherly duo Glaskin are reshaping the ambient album highlight Gamma into a highly effective, reduced but propulsive, tunneling techno affair.


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Territories: Worldwide no restrictions

Format Notes:

Part of Bobby Caldwell Reissue Campaign, 2023 first time reissue, 140g vinyl


Track List:

A1 Special To Me 4:00
A2 My Flame 3:30
A3 Love Won't Wait 4:00
A4 Can't Say Goodbye 5:20

B1 Come To Me 2:52
B2 What You Won't Do For Love 4:45
B3 Kalimba Song 2:00
B4 Take Me Back To Then 3:30
B5 Down For The Third Time 3:30

Release Notes:

Known principally as a smooth titan of blue-eyed soul, Bobby Caldwell transcended genre tags with consummate ease; he was a musical icon of real class and versatility, cherished the world over. Tragically passing away in March 2023 at the too young age of 71, it still feels as if Bobby's true artistry is profoundly under-appreciated. His double platinum self-titled album from 1978 is a timeless masterpiece of sophisticated jazzy soul brilliance and is strictly canonical. Yes, it's perfect, yet it's been out of press on vinyl for years. We're deeply honoured to present the long-awaited reissue this summer.

Whilst Ned Doheny is known in Japan as "Mr California", native New Yorker Bobby Caldwell has always been "Mr AOR" to his Far-Eastern friends. His distinct charm is an irresistible blend of soul, jazz, and pop influences. He possessed phenomenal songwriting prowess, smooth vocal performances, was both a great soul guitarist and dextrous keyboard player and known for genius chord progressions. It all added up to a multi-layered brilliance entering the studio, and the singular sound he landed on was laced with soulful, sweeping strings and funky horns, touching lightly on disco, while allowing his supple voice to carry the stunning tracks he'd crafted.

String-swept opener "Special To Me" immediately sets the tone with its lush instrumentation, rich harmonies, and Caldwell's velvety-smooth vocals. Next up, a huge one. The infectious, mid-tempo bounce of "My Flame" showcases Caldwell's ability to effortlessly blend catchy pop hooks with soulful arrangements. It's an exquisite, emotive ballad that, at the same time, absolutely SLAPS. Game recognise game, and all that, so, accordingly, Notorious B.I.G. memorably ran with “My Flame” for his 1997 single “Sky’s The Limit”. The rolling, disco-very "Love Won't Wait" is a slick, uptempo track containing heartfelt lyrics intertwined with elegant strings and a horn section to die for. Aching - and achingly cool - single "Can't Say Goodbye" is a real fan favourite, and it's no surprise. It's a laconic, slow-mo jazz-funk stepper, with fantastic, very deliberate playing that closes out the A Side quite exceptionally. "Come To Me" slows proceedings down elegantly to open Side B before the universally agreed-upon masterpiece enters proceedings.

"What You Won't Do for Love," the standout hit that became a classic in its own right, perfectly captured Bobby's ability to infuse a contagious groove with introspective and relatable lyrics. With its instantly recognisable horn riff and Caldwell's soulful delivery, this timeless, chiller anthem continues to captivate audiences and define his musical legacy. He scored huge with the track, taking over the pop and R&B airways with this mellow soul stepper. It has remained a perennial favourite and has been heavily sampled, such is its unique allure; Aaliyah sang over snatches of it on "Age Ain’t Nothing But A Number" and you can hear Caldwell’s vocal sample used for the hook on Tupac’s posthumously released “Do For Love”.

Upon submitting the finished album to his label, they requested more material in hope of a big single. As Bobby remembered to Wax Poetics a few years ago: “Now at this point, I’m mentally exhausted...and bear in mind that I got so close to all the songs I’d written. I gave each song a profound amount of thought, and maybe too much. So, in haste, I went in and cut this song, "What You Won’t Do For Love". Wrote it in a day, cut the rhythm track, overdubbed the horns, I sang the song, and literally turned it in three days after. And lo and behold, the one song I gave the least thought to,” Bobby laughed, “ended up being a national anthem.”

The mysterious, magical "Kalimba Song" is a cosmic, kalimba-driven melodic-funk instrumental - short but oh, so sweet. It's followed by the supreme tear-jerker "Take Me Back To Then", Bobby's otherworldly voice deeply longing for a simpler time, "when life was mellow". I think we can all get behind this sentiment. The final cut is arguably its deepest, its low-key finest moment. For us, it is, anyway. The glorious, driving, effortlessly funky guitar-soul jam "Down For The Third Time" is a huge melancholic Be With favourite and has been played by discerning genre-hopping DJs with significant glee for years. Hypnotic, melodic, beautiful. Like the album it elegantly rounds out.

Bobby sadly passed away on 23rd March 2023, after a long struggle with mitochondrial damage and oxidative stress, due to an adverse effect from a fluoroquinolone antibiotic. The reissue of his wonderful eponymous album will be available on vinyl across the globe, ensuring that fans of his incomparable talent - and soul music enthusiasts worldwide - can radiate in the deep beauty of this seminal album. Meticulously remastered and cut by both Simon Francis and Cicely Balston respectively, it has been pressed to the highest possibly quality at Record Industry in Holland. More

WW EXCLUDING Spain, Andorra, Mexico, Argentina, Bolivia, Bouvet Island, Brazil, Chile, Colombia, Ecuador, Falkland Islands (Malvinas), French Guiana, Guyana, Paraguay, Peru, South Georgia and the South Sandwich Islands, Suriname, Uruguay, Venezuela, Antarctica, Heard Island and McDonals Islands, French Southern Territories



Tracklist:
A1) Mainline Magic Orchestra Skateboarding Is Not A Crime 00:03:47
A2) Mainline Magic Orchestra, P.Vanillaboy How 2 Please Me 00:04:16
A3) Mainline Magic Orchestra Elektrassu 00:02:06
A4) Mainline Magic Orchestra, Juicy Romance WORK 00:03:43
A5) Mainline Magic Orchestra Bruce Willis 00:05:09
A6) Mainline Magic Orchestra, LVL1 VIP 00:04:16
B1) Mainline Magic Orchestra Cigarrito 00:03:36
B2) Mainline Magic Orchestra BDSM (BLISS, DREAMS, SOUL, MEMORIES) 00:03:33
B3) Mainline Magic Orchestra El Crit De L'Shrek 00:03:40
B4) Mainline Magic Orchestra Arsa 00:03:30
B5) Mainline Magic Orchestra Pretty Otter 00:03:40
B6) Mainline Magic Orchestra House Music 2 The W?rld 00:02:56
B7) Mainline Magic Orchestra Killersito (+18) 00:03:19

Info:
Finally the debut Album by „Mainline Magic Orchestra” is out via Public Possession & Primavera
Labels, 01. March, 2024.
Se bendecido!
Harri Poter, Pretty Otter, Trabajo con Shrek, Smoking prohibited, John McClane pleases U, hohoho,
killer. Featuring. Juicy Romance, LVL1 & P. Vanillaboy

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GENRE/S: Electronic, Dance, Minimal

A1. Gogo Gaga
A2. Pond De Replay
B1. Rub it! Rub it!
B2. Frogman

Utter and complete FROG FRENZY on Studio Barnhus as Computer Station (label veteran Your
Planet Is Next + label newcomer KABLAM) take you on a ribbeting ride, leaping right into a lily-pad-laden
wonderland where the basslines forever croak in unison. Club-optimised mixdowns, advanced computer graphics
courtesy of Dennis Vera and not a BPM count under 149 guarantee that this record will make a proper splash in
the frogstep scene!

- Limited edition 12” vinyl of 300 copies
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1. Format: 12"
2. GENRE/S: Techno, Tribal, Tribal Techno, Persian Techno

3. TRACKLISTS:
Payam
Payam (Dub)
Koobkoobideh
Koobideh
Koobideh(Dub)

4. SHORT INFO:

Dauwd’s Psssh imprint returns with the debut release from Zadeh,
high-octane, percussive and psychedelic techno from an Iranian sound
palette.








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Tracklist:
A1 CHLLNGR 1.1
B1 CHLLNGR 1.2

Release Date:

Dubfire - CHLLNGR
CHLLNGR is the last single before Dubfire’s debut album ‘EVOLV’ drops.
An 11-track visionary into the mind of Dubfire to be released on his long-standing label SCI+TEC.
EVOLV’s concept? The journey of the ‘hybrid’ being and its evolution since its first appearance in 2015,
as part of his two-year World tour following the release of his retrospective release ‘A Decade Of Dubfire’.
With a career spanning over 3 decades, Dubfire has achieved global success as an artist with relentless
drive, talent, and intuition. Pioneering commercial notoriety came initially as one half of the Grammy
award (2001) winning duo Deep Dish, before embarking on a truly groundbreaking solo career in 2007. A
career filled with timeless tracks include his early works ‘Ribcage’, ‘Emissions, ‘Roadkill’ and the highly
acclaimed ‘Exit’ with Kiss Kitten. Collaborative work highlights include Luke Slater, Moscoman, Oliver
Huntemann, Chris Liebing, Tiga and co-producing two tracks on the legendary Underworld’s ‘Barking’
album.
Sonically, the journey so far has been like a dystopian landscape, but ‘Decent’ brings a kaleidoscope of
colour and sound before dropping into the ‘CHALLNGR’ duo. ‘CHALLNGR 1.1’ is perhaps the most
contemporary track on the album. Dubfire picks up the rhythm for a full-on dancefloor focused track. It’s
no-nonsense techno at its best, with heaps of pure energy. Two versions appear on the album,
‘CHALLNGR’.


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