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1
Aura Safari / Jimi Tenor - Bodily Synesthesia
2
Aura Safari / Jimi Tenor - Lundar Wind
3
Aura Safari / Jimi Tenor - Beswitched By The Sea
4
Aura Safari / Jimi Tenor - My BlueBell
5
Aura Safari / Jimi Tenor - Last Waltz In Perugia
6
Aura Safari / Jimi Tenor - Gimlet
7
Aura Safari / Jimi Tenor - It's Too Easy To Love You
8
Aura Safari / Jimi Tenor - Your Magic Touch
9
Aura Safari / Jimi Tenor - Indigo
Great music is often about chance meetings and impromptu creative sessions and so it is that Hell Yeah proudly serves up Sensory Blending, a new collaborative album from Italian collective Aura Safari and Finnish musician Jimi Tenor. The nine-track record is a lush and luxurious fusion of jazz-funk styles.
This glorious record came about after Tenor was playing a Hell Yeah party at Tangram in Perugia. Aura Safari were local and, in some free time the day before the gig, everyone jumped in the studio together. They had never met before but soon found plenty of free-flowing common ground and the result of that one-off session is now served up on this vibrant new album that brims with musicality, indelible melodies and subtly uplifting vibrations.
Tenor has toured the world and previously collaborated with the likes of Japanese master Calm. He is a psychedelic space-jazz-funk king, skilled musician, composer and producer who, since the mid-nineties, has released more than 25 albums and 45 EPs. Aura Safari is made up of bass, synth, guitar and keys players Lorenzo Francioli, Ruggero Bonucci, Nicola Pitassio Andrea Moretti, Lorenzo Lavoratori, Daniele Melloni and Nicholas Iammatteo, and they are label regulars who served up their sublime Island Dreams album here last year.
Says Jimi, who enjoyed his time in Perugia and adds that 'the studio session was 100% efficient. I showed up and we started to play. Almost all that was made was material that we could use for the album. I love to work fast. Quick brushstrokes. Finish! I was amazed at how intuitively the Aura Safari guys could come up with new parts for songs. I mentioned some feeling or approach and they seemed to find it just like that.'
'Bodily Synesthesia' is the seductive opener with steamy sax notes and gentle grooves that are topped by aloof vocal whispers. 'Lunar Wind' is another slow and steamy mix of jazzy keys and soulful vocal hooks, 'Bewitched By The Sea' is a more tropical and percussive number with majestic melodies and 'My Bluebell' picks up the pace with jazz-funk grooves and hustling chords. 'Last Waltz In Perugia' has freeform sax lines soaring over meticulous drums that ebb and flow and 'Gimlet' brings a playful, samba-tinged rhythm and sunny flute leads straight from South America. There's a laidback, carefree mood to 'It's Too Easy To Love You' while 'Your Magic Touch' is a dancey number that exudes melodic joy, and 'Indigo' closes in dramatic fashion with a conversational sax that sticks long in the memory.
Sensory Blending is a seamless fusion of collaborative minds from Aura Safari and Jimi Tenor and it could well be performed live at some special select shows later in the year. More
This glorious record came about after Tenor was playing a Hell Yeah party at Tangram in Perugia. Aura Safari were local and, in some free time the day before the gig, everyone jumped in the studio together. They had never met before but soon found plenty of free-flowing common ground and the result of that one-off session is now served up on this vibrant new album that brims with musicality, indelible melodies and subtly uplifting vibrations.
Tenor has toured the world and previously collaborated with the likes of Japanese master Calm. He is a psychedelic space-jazz-funk king, skilled musician, composer and producer who, since the mid-nineties, has released more than 25 albums and 45 EPs. Aura Safari is made up of bass, synth, guitar and keys players Lorenzo Francioli, Ruggero Bonucci, Nicola Pitassio Andrea Moretti, Lorenzo Lavoratori, Daniele Melloni and Nicholas Iammatteo, and they are label regulars who served up their sublime Island Dreams album here last year.
Says Jimi, who enjoyed his time in Perugia and adds that 'the studio session was 100% efficient. I showed up and we started to play. Almost all that was made was material that we could use for the album. I love to work fast. Quick brushstrokes. Finish! I was amazed at how intuitively the Aura Safari guys could come up with new parts for songs. I mentioned some feeling or approach and they seemed to find it just like that.'
'Bodily Synesthesia' is the seductive opener with steamy sax notes and gentle grooves that are topped by aloof vocal whispers. 'Lunar Wind' is another slow and steamy mix of jazzy keys and soulful vocal hooks, 'Bewitched By The Sea' is a more tropical and percussive number with majestic melodies and 'My Bluebell' picks up the pace with jazz-funk grooves and hustling chords. 'Last Waltz In Perugia' has freeform sax lines soaring over meticulous drums that ebb and flow and 'Gimlet' brings a playful, samba-tinged rhythm and sunny flute leads straight from South America. There's a laidback, carefree mood to 'It's Too Easy To Love You' while 'Your Magic Touch' is a dancey number that exudes melodic joy, and 'Indigo' closes in dramatic fashion with a conversational sax that sticks long in the memory.
Sensory Blending is a seamless fusion of collaborative minds from Aura Safari and Jimi Tenor and it could well be performed live at some special select shows later in the year. More
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Label:Hell Yeah Recordings
Cat-No:HYR7289
Release-Date:16.08.2024
Configuration:LP
Barcode:5060202598236
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1
My Friend Dario - Keep On Cruising
2
My Friend Dario - Zingarella
3
My Friend Dario - Senza Estate
4
My Friend Dario - Marittimo
5
My Friend Dario - What You Need
6
My Friend Dario - Falo
7
My Friend Dario - Il Pianeta Proibito
8
My Friend Dario - Acid Panorama
Limited to 350 copies
Stop what you're doing and give us your full attention because Hell Yeah mainstay My Friend Dario's new album Senza Estate is going to define the sound of summer 2024. It's an eclectic eight-track collection that has something for everyone and is inspired by dreamy Italian soundtrack composers Piero Piccioni and Umiliani.
Curveball Italian talent Dario is a real dance floor don who collides acid, nu-disco, breakbeat and electro. His take on Balearic is unique and always sends dance floors wild, as proven with his last outing Food For Woofers Vol 2 earlier in the year. His new album is the sound of life by the Mediterranean, Balearic audio pleasure for daytime dreaming and nighttime dancing with vocal tracks written and performed by the UK's Space Echo Records associate Darene Obika.
Dario hails from Catania on the island of Sicily and his inspiration for Senza Estate, which translates as 'without summer,' was an imaginary holiday, weekends at the seaside, car journeys in the sun, relaxing sunsets and late-night dancing. 'For five years, I worked in a shop six days a week so despite living on a Mediterranean island I could never enjoy these things. Instead, I locked myself in the studio and jotted down the ideas, sensations, melodies and rhythms I had about another lost summer.'
'Keep On Cruising' is a downtempo opener with innocent synths that are filled with hope and promise for the warm months ahead. 'Zingarella' is a wide open sea view with wispy pads, seductive flutes and jazzy melodies that bristle with life and the tropical title cut gets more dancey on shuffling broken beats and radiant synth glows. There's a seductive laid-back cool to the tumbling keys of 'Marittimo' and 'What You Need' is a horizontal groove with loved-up vocals, 'Falò' pairs sensual acoustic guitar with work with pillowy drums and 'Il Pianeta Proibito' layers up sci-fi synths and stuttering bass into a bubbly sound that leads to cosmic take-off. 'Acid Panorama' is the melancholic closer which hints that the summer sun is setting one final time after weeks of carefree fun.
But the good news is, you can repeat the joys of My Friend Dario's masterful Senza Estate over and over again. More
Stop what you're doing and give us your full attention because Hell Yeah mainstay My Friend Dario's new album Senza Estate is going to define the sound of summer 2024. It's an eclectic eight-track collection that has something for everyone and is inspired by dreamy Italian soundtrack composers Piero Piccioni and Umiliani.
Curveball Italian talent Dario is a real dance floor don who collides acid, nu-disco, breakbeat and electro. His take on Balearic is unique and always sends dance floors wild, as proven with his last outing Food For Woofers Vol 2 earlier in the year. His new album is the sound of life by the Mediterranean, Balearic audio pleasure for daytime dreaming and nighttime dancing with vocal tracks written and performed by the UK's Space Echo Records associate Darene Obika.
Dario hails from Catania on the island of Sicily and his inspiration for Senza Estate, which translates as 'without summer,' was an imaginary holiday, weekends at the seaside, car journeys in the sun, relaxing sunsets and late-night dancing. 'For five years, I worked in a shop six days a week so despite living on a Mediterranean island I could never enjoy these things. Instead, I locked myself in the studio and jotted down the ideas, sensations, melodies and rhythms I had about another lost summer.'
'Keep On Cruising' is a downtempo opener with innocent synths that are filled with hope and promise for the warm months ahead. 'Zingarella' is a wide open sea view with wispy pads, seductive flutes and jazzy melodies that bristle with life and the tropical title cut gets more dancey on shuffling broken beats and radiant synth glows. There's a seductive laid-back cool to the tumbling keys of 'Marittimo' and 'What You Need' is a horizontal groove with loved-up vocals, 'Falò' pairs sensual acoustic guitar with work with pillowy drums and 'Il Pianeta Proibito' layers up sci-fi synths and stuttering bass into a bubbly sound that leads to cosmic take-off. 'Acid Panorama' is the melancholic closer which hints that the summer sun is setting one final time after weeks of carefree fun.
But the good news is, you can repeat the joys of My Friend Dario's masterful Senza Estate over and over again. More
Label:Hell Yeah Recordings
Cat-No:HYR7291
Release-Date:26.07.2024
Genre:House
Configuration:12"
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1
Luminodisco - Solero
2
Luminodisco - Jazzclub
3
Luminodisco - Bigfoot
4
Luminodisco - Soko
DJ Support: DJ Support by Spiller, Alex from Tokyo, Coyote, Fango, Pete Gooding, Ally Tropical, Steve Cobby, Gold Suite, Luca Averna, Will Nicol, Danilo Braca, La Guardia De La Luz
Federico Costantini aka Luminodisco is back on Hell Yeah having long since assured his legacy with the label. Over the years, the Italian has dropped many cult and still widely played cuts here from across the disco-sphere ('Ragazzini,' 'Diavolo di un Disco,' 'Oh Mary' and more all still bang) and now he is back with a newly moved sound. A compulsion to produce something with "a more adult approach" is what defines this latest era, and a fine one it is too. Opener 'Solero' will surely become as revered as those classics above with its irresistible grooves guaranteed to bring ultimate dance floor satisfaction. The punchy drums are peppered with percussion and drum fills while gloriously sugary chords add the heat and wispy pads take things into cosmic realms. 'Jazzclub' is an unhinged rhythmic interlude that chops up vocal stabs, screwy synths and whirring machines into stomping brilliance then 'Bigfoot' slows things to a dubbed out crawl that has you gazing at the twinkling star-like synths. Things then get wonderfully wild on closer 'Soko', a jumble of percussion and tribal vocals over swaggering drum loops. Playful leads bring the sun as the dumpy bass plods on, pixel thin pads squirm all around and a celestial carnival in the sky plays out with irresistible charm. More
Federico Costantini aka Luminodisco is back on Hell Yeah having long since assured his legacy with the label. Over the years, the Italian has dropped many cult and still widely played cuts here from across the disco-sphere ('Ragazzini,' 'Diavolo di un Disco,' 'Oh Mary' and more all still bang) and now he is back with a newly moved sound. A compulsion to produce something with "a more adult approach" is what defines this latest era, and a fine one it is too. Opener 'Solero' will surely become as revered as those classics above with its irresistible grooves guaranteed to bring ultimate dance floor satisfaction. The punchy drums are peppered with percussion and drum fills while gloriously sugary chords add the heat and wispy pads take things into cosmic realms. 'Jazzclub' is an unhinged rhythmic interlude that chops up vocal stabs, screwy synths and whirring machines into stomping brilliance then 'Bigfoot' slows things to a dubbed out crawl that has you gazing at the twinkling star-like synths. Things then get wonderfully wild on closer 'Soko', a jumble of percussion and tribal vocals over swaggering drum loops. Playful leads bring the sun as the dumpy bass plods on, pixel thin pads squirm all around and a celestial carnival in the sky plays out with irresistible charm. More
Label:Hell Yeah Recordings
Cat-No:HYR7285
Release-Date:31.05.2024
Configuration:LP
Barcode:5060202597994
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1
Michele Mininni - Spinning Around Cotton Candy
2
Michele Mininni - Golden Room
3
Michele Mininni - Slipped Air
4
Michele Mininni - Vertigo
5
Michele Mininni - Metropolitan Indians
6
Michele Mininni - Bangkok Tempo
7
Michele Mininni - Your Happiness, My Sadness
8
Michele Mininni - Kundalini
9
Michele Mininni - Urban Voodoo
10
Michele Mininni - Muting Cat
11
Michele Mininni - Don't Stop The Freedom
12
Michele Mininni - Congoflash
13
Michele Mininni - The Magic Of Synesthesia
14
Michele Mininni - Wet Market
15
Michele Mininni - Carousel Of Tears
DJ Support: Sean Johnston, Jaye Ward, Max Essa and Francois K
Limited to 300 copies
Having been long-time admirers of one another from afar, Hell Yeah and Michele Mininni finally come together for Pop Archetypes. It is a multifaceted debut album that collides broken beats, worldly rhythms, jazz, eastern melodies, live drums and much more into one thrilling 15-track opus that arrives on May 31st.
Italian artist Mininni has always had a leftfield take on electronic music and imbued it with rhythms, melodies and instruments from around the globe. He has released it on cult labels like R&S, Optimo Trax, Internasjonal and Curle Recordings but has saved his magnificent debut album for Hell Yeah. It is much more than a collection of sounds he has already explored and instead finds him heading off into all new territory without losing his signature sense of inventive and beguiling rhythm and melody. It is a multicultural journey that takes in heterogeneous styles and diverse influences but distills them all into one cohesive album with its own unique storyline.
Says Mininni of the record, 'I wanted each track to be like pieces of a unique, multifaceted picture, like walking through train cars or progressing through the levels of a video game, all filtered through my own vision and concentrated into 36 minutes. I wanted a pop album rooted in the extraordinary richness of popular music and projected into the future, a continuum where pieces communicate with each other and are received by the ears in symbiotic balance.'
Despite that concept, the album is a spontaneous listen full of surprises, left turns and original ideas that all hold together in thrilling fashion. It kicks off with the tumbling jazz drums and swirling synths of 'Spinning Around Cotton Candy', takes in mellifluous melodic layers and broken beats on 'Golden Room' and 'Slipped Air' casts you adrift amongst gorgeous piano keys and refracted vocals on the suspensory 'Vertigo'. There are jungle interludes with Eastern string melodies like 'Bangkok Tempo', lavish fusions of organic and synthetic sounds on 'Kundalini' and more charming Far Eastern rhythms on 'Muting Cat'. 'Congoflash' brings electrifying cosmic rays to busy hand drum patterns, 'The Magic Of Synesthesia' combines dark amen breaks and bright and uplifting flutes while 'Carousel Of Tears' douses you in watery melodies and celestial pads that awaken the soul.
Pop Archetypes is an adventurous work packed with meticulous and infinite details but all with an overarching narrative that makes it far more than the sum of its parts. More
Limited to 300 copies
Having been long-time admirers of one another from afar, Hell Yeah and Michele Mininni finally come together for Pop Archetypes. It is a multifaceted debut album that collides broken beats, worldly rhythms, jazz, eastern melodies, live drums and much more into one thrilling 15-track opus that arrives on May 31st.
Italian artist Mininni has always had a leftfield take on electronic music and imbued it with rhythms, melodies and instruments from around the globe. He has released it on cult labels like R&S, Optimo Trax, Internasjonal and Curle Recordings but has saved his magnificent debut album for Hell Yeah. It is much more than a collection of sounds he has already explored and instead finds him heading off into all new territory without losing his signature sense of inventive and beguiling rhythm and melody. It is a multicultural journey that takes in heterogeneous styles and diverse influences but distills them all into one cohesive album with its own unique storyline.
Says Mininni of the record, 'I wanted each track to be like pieces of a unique, multifaceted picture, like walking through train cars or progressing through the levels of a video game, all filtered through my own vision and concentrated into 36 minutes. I wanted a pop album rooted in the extraordinary richness of popular music and projected into the future, a continuum where pieces communicate with each other and are received by the ears in symbiotic balance.'
Despite that concept, the album is a spontaneous listen full of surprises, left turns and original ideas that all hold together in thrilling fashion. It kicks off with the tumbling jazz drums and swirling synths of 'Spinning Around Cotton Candy', takes in mellifluous melodic layers and broken beats on 'Golden Room' and 'Slipped Air' casts you adrift amongst gorgeous piano keys and refracted vocals on the suspensory 'Vertigo'. There are jungle interludes with Eastern string melodies like 'Bangkok Tempo', lavish fusions of organic and synthetic sounds on 'Kundalini' and more charming Far Eastern rhythms on 'Muting Cat'. 'Congoflash' brings electrifying cosmic rays to busy hand drum patterns, 'The Magic Of Synesthesia' combines dark amen breaks and bright and uplifting flutes while 'Carousel Of Tears' douses you in watery melodies and celestial pads that awaken the soul.
Pop Archetypes is an adventurous work packed with meticulous and infinite details but all with an overarching narrative that makes it far more than the sum of its parts. More
Label:Hell Yeah Recordings
Cat-No:HYR7267
Release-Date:10.11.2023
Configuration:2LP
Barcode:5060202597048
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1
Calm - Unseen Small Steps
2
Calm - Light Years
3
Calm - Noon At The Moon
4
Calm - The Other Side Of The Moon
5
Calm - Tsukiyo
6
Calm - Between Worlds
7
Calm - Authentic Love Song
8
Calm - Oasis
9
Calm - Light Years
10
Calm - Noon At The Moon
11
Calm - The Other Side Of The Moon
12
Calm - Tsukiyo
13
Calm - Authentic Love Song
14
Calm - Oasis
Following on from the warm reception to Hell Yeah and Music Conception reissuing Calm's cult Before album, the labels have come together once more to offer up a reissue of the Japanese master's highly sought-after long player Moonage Electric Ensemble. The hard-to-find original has been given an all-new mixdown from original stem files and then re-mastered by Calm himself, and the double LP will also come with a bonus 12" featuring his very own Daydream Dubs plus an obi-strip and original artwork by FJD.
The blissful yet soul-stirring Moonage Electric Ensemble, which landed first in 1999, was Kiyotaka Fukagawa's stunning sophomore album and the one that kept the bar high following his debut Shadow of the Earth. It investigated all new worlds of future jazz, ambient and downtempo and has since become a cult classic that often fetches three figures on secondhand markets. He has released over 18 albums since including Before which was reissued in 2022, though Moonage Electric Ensemble remains a favourite with those who enjoy the most accomplished and innovative sounds from the first wave of chillout.
This escapist charmer opens with the suspensory synths and piano keys of 'Unseen Small Steps' featuring spoken words from Dan Gamble, then 'Light Year' has gently tumbling rhythms and shimming synth moving about the soothing mix. 'Noon At The Moon' brings gorgeously fizzing future jazz drums and mellifluous piano playing full of subtle joy, and 'The Other Side Of The Moon' then layers up melancholic chords and chunkier rhythms that are detailed with gorgeous persuasive details and mystic flutes. 'Tsukiyo' is a new age charmer with paddy hand drums and romantic interplay between sax and trumpet, 'Between Worlds' is an ambient interlude with distant winds blowing and intimate whispers from Gamble before closer 'Authentic Love Song' rides on dusty trip hop breaks as lazy piano chords melt the heart and Gamble serves up another aloof monologue.
This is another welcome reissue of a sublime album that is not only one of Calm's finest but also a true gem in the wider world of downtempo music. More
The blissful yet soul-stirring Moonage Electric Ensemble, which landed first in 1999, was Kiyotaka Fukagawa's stunning sophomore album and the one that kept the bar high following his debut Shadow of the Earth. It investigated all new worlds of future jazz, ambient and downtempo and has since become a cult classic that often fetches three figures on secondhand markets. He has released over 18 albums since including Before which was reissued in 2022, though Moonage Electric Ensemble remains a favourite with those who enjoy the most accomplished and innovative sounds from the first wave of chillout.
This escapist charmer opens with the suspensory synths and piano keys of 'Unseen Small Steps' featuring spoken words from Dan Gamble, then 'Light Year' has gently tumbling rhythms and shimming synth moving about the soothing mix. 'Noon At The Moon' brings gorgeously fizzing future jazz drums and mellifluous piano playing full of subtle joy, and 'The Other Side Of The Moon' then layers up melancholic chords and chunkier rhythms that are detailed with gorgeous persuasive details and mystic flutes. 'Tsukiyo' is a new age charmer with paddy hand drums and romantic interplay between sax and trumpet, 'Between Worlds' is an ambient interlude with distant winds blowing and intimate whispers from Gamble before closer 'Authentic Love Song' rides on dusty trip hop breaks as lazy piano chords melt the heart and Gamble serves up another aloof monologue.
This is another welcome reissue of a sublime album that is not only one of Calm's finest but also a true gem in the wider world of downtempo music. More
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Genre:House
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1
Caramel 3000 - Super Rapido (SIRS CUT)
2
Sergio Messina & The Four Twenties - Sometimes Remember (Calm's Mellow Mellow Ac
3
Various Artists (Caramel 3000, Sergio M - Tornei feat Mariana Gehring (Feel Fly Estatico Danzante Remix)
4
My Friend Dario - Acid Mosquito in A Summer Night (DJ Spun It's Rong Remix)
5
Pedro Bertho - Tornei feat Mariana Gehring (Feel Fly Estatico Danzante Remix)
File Under Balearic Gabba EP is the first in a new series of serious DJ tools that will encompass remixes, edits, originals and licenses, all with artwork that is a twist on the original Balearic Gabba logo by PlanetLuke. Up first is a new selection of music from core Hell Yeah artists that is unruly, impossible to define, and sure to twist dance floors inside out.
First up is Daniel Klein better known as SIRS, a Berlin-based mainstay with releases on the likes of Live At Robert Johnson. His cut of 'Super Rapido' is a dubbed-out blend of kosmiche chug and tropical percussion. Tumbling synth sequences bring extra colour as the groove builds over nine irresistible minutes.
Then comes Japanese downtempo master Calm with his Mellow Mellow Acid Dub of Sergio Messina & The Four Twenties's 'Sometimes' which is a nostalgic acid daydream and the perfect sunset soundtrack. Melancholic moods and lazy drums sink you in deep as the gentle acoustic guitars keep you afloat.
Label regular and Internasjonal and International Feel associate Feel Fly then comes through with an Estatico Danzante Remix of Pedro Bertho's 'Tornei' feat Mariana Gehring and takes us to the stars on twinkling keys, dusty breakbeats and steamy, worldly vocals that glow as warm as a setting sun.
Last of all is New York maestro and Loose Control Band member DJ Spun with his It's Rong Remix of My Friend Dario's 'Acid Mosquito in a Summer Night'. It finds him serving up a nine-minute excursion into jungle humidity with tribal percussion and jumbled bongos all run through with a spooky and primeval lead synth over lurching drum breaks.
The File Under Balearic Gabba EP brings a whole new dimension to wonky dance floor workouts. More
First up is Daniel Klein better known as SIRS, a Berlin-based mainstay with releases on the likes of Live At Robert Johnson. His cut of 'Super Rapido' is a dubbed-out blend of kosmiche chug and tropical percussion. Tumbling synth sequences bring extra colour as the groove builds over nine irresistible minutes.
Then comes Japanese downtempo master Calm with his Mellow Mellow Acid Dub of Sergio Messina & The Four Twenties's 'Sometimes' which is a nostalgic acid daydream and the perfect sunset soundtrack. Melancholic moods and lazy drums sink you in deep as the gentle acoustic guitars keep you afloat.
Label regular and Internasjonal and International Feel associate Feel Fly then comes through with an Estatico Danzante Remix of Pedro Bertho's 'Tornei' feat Mariana Gehring and takes us to the stars on twinkling keys, dusty breakbeats and steamy, worldly vocals that glow as warm as a setting sun.
Last of all is New York maestro and Loose Control Band member DJ Spun with his It's Rong Remix of My Friend Dario's 'Acid Mosquito in a Summer Night'. It finds him serving up a nine-minute excursion into jungle humidity with tribal percussion and jumbled bongos all run through with a spooky and primeval lead synth over lurching drum breaks.
The File Under Balearic Gabba EP brings a whole new dimension to wonky dance floor workouts. More
Label:Hell Yeah Recordings
Cat-No:HYR7269
Release-Date:06.10.2023
Genre:Acid House
Configuration:12"
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Genre:Acid House
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1
Quiroga - Once Again
2
Quiroga - Once Again (Ambient Version)
3
Quiroga - Once Again (DMX Krew Remix)
4
Quiroga - Freak The Funk
Italian legend Walter Del Vecchio aka Quiroga pays tribute to the acid house era on Hell Yeah with a new package that comes with two originals, an ambient mix and a remix from cult hero DMX Krew.
Quiroga released his last sublime album Passages on this label and it came as the latest entry into a discography filled with beauty and detail. He is a talented musician from Naples who has his own left-of-centre take on the Mediterranean sounds of the city, as he shows once again here with a house-leaning outing.
Quiroga has teamed up with cult musician Dario Bassolino and called upon Whodamanny's mixing skills for these new tracks. First is 'Once Again', a punchy and chunky house cut with skewed bass spraying about the mix. Its rough analogue edges are lit up by searing acid lines that never quit and will turn any party into a cauldron of intensity. The Ambient Version is a full-flavour downtempo workout that keeps the wild acid lines, adds in some FX, old-school piano chords and a yelping female vocal next to a blissful breakdown. 'Once Again' (DMX Krew Remix) is then a bumping acid-electro monster with fat drums and the manic 303 offset by serene chord work to make for a perfectly emotional dance floor delight.
'Freak The Funk' is a second original cut, as rides of crisp snares and snapping drum breaks blend with a warm bassline and smeared cosmic chords up top. It's a classy peak-time house cut with magical pixelated synth melodies.
Alongside superb artwork from PlanetLuke, this is another essential package from Hell Yeah.
DJ Support:
Sean Johnston (ALFOS), Kristian (AME), Fango, Front De Cadeaux, Sinchi Collective, Phat Phil Cooper, Balearic Gabba Sound System More
Quiroga released his last sublime album Passages on this label and it came as the latest entry into a discography filled with beauty and detail. He is a talented musician from Naples who has his own left-of-centre take on the Mediterranean sounds of the city, as he shows once again here with a house-leaning outing.
Quiroga has teamed up with cult musician Dario Bassolino and called upon Whodamanny's mixing skills for these new tracks. First is 'Once Again', a punchy and chunky house cut with skewed bass spraying about the mix. Its rough analogue edges are lit up by searing acid lines that never quit and will turn any party into a cauldron of intensity. The Ambient Version is a full-flavour downtempo workout that keeps the wild acid lines, adds in some FX, old-school piano chords and a yelping female vocal next to a blissful breakdown. 'Once Again' (DMX Krew Remix) is then a bumping acid-electro monster with fat drums and the manic 303 offset by serene chord work to make for a perfectly emotional dance floor delight.
'Freak The Funk' is a second original cut, as rides of crisp snares and snapping drum breaks blend with a warm bassline and smeared cosmic chords up top. It's a classy peak-time house cut with magical pixelated synth melodies.
Alongside superb artwork from PlanetLuke, this is another essential package from Hell Yeah.
DJ Support:
Sean Johnston (ALFOS), Kristian (AME), Fango, Front De Cadeaux, Sinchi Collective, Phat Phil Cooper, Balearic Gabba Sound System More
Label:Hell Yeah Recordings
Cat-No:HYR7265
Release-Date:15.09.2023
Configuration:2LP
Barcode:5060202596942
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1
Aura Safari - Island Dreams
2
Aura Safari - Sur Mon Balconnet
3
Aura Safari - Riserva Naturale
4
Aura Safari - Onda
5
Aura Safari - Wave Riding
6
Aura Safari - Magic Malbe
7
Aura Safari - Dancing In The Moonlight Ft. Zeke Manyika
8
Aura Safari - Tropical Climax
9
Aura Safari - Sur Mon Balconnet (Soca Dub)
10
Aura Safari - Disco Mantra
11
Aura Safari - Dancing In The Moonlight (Special Afro Dub)
12
Aura Safari - Patagonia
Red hot Italian DJ and production collective Aura Safari is back with a second full-length album, Island Dreams. It lands on Hell Yeah Recordings on September 15th and is another live and sun-kissed odyssey through balmy Mediterranean evenings, gorgeous sundown sessions and funky analogue grooves.
Andrea Moretti, Lorenzo Lavoratori, Daniele Melloni, Nicholas Iammatteo, Lorenzo Francioli, Ruggero Bonucci and Nicola Pitassio are Aura Safari, and between them they play drums, percussion, bass, keys, and guitar. They contributed to the first volume of the Buena Onda compilation in 2020 on this label, a year after serving up a debut album on London's Church Records. Since then they have become ever more entrenched in their local scene in Perugia, playing summer sets at the Umbria Jazz Festival, winter warmers at the legendary Red Zone Club and host their own Tropical Climax parties each month in the town centre.
Aura Safari are also deep-digging music collectors who have extensive and far-reaching tastes. When cooking up their sounds they draw on everything from Afro to Italo, house to disco, 80s boogie to world music, jazz and Balearic beats. This new album shows that once more across four sides of vinyl that sweep you up and transport you to somewhere idyllic.
The title track kicks off with steamy Mediterranean grooves embellished with lush Rhodes chords and sprinkles of cosmic magic. 'Sur Mon Balconnet' then slips into dubbed-out disco territory with 80s synths and leggy drums while 'Riserva Naturale' is a new-age jazz house sound with majestic lead synths and heart-melting chords that speak of a sunset dance on the beach. 'Onda' has squelchy boogie bass with hip-swinging drums, 'Wave Riding' is a lo-fi funk excursion with hints of West Coast Californian swagger and 'Magic Malbe' is loose-limbed Balearica with clear blue skies and blissed-out chords.
'Dancing in the Moonlight' feat. Zeke Manyika has all the vibrant feelings of bubblegum pop with Afro vocals and steel drum sounds next to rich xylophone sounds. There is plenty of heat and exotic charm to the proto-Afro house of 'Tropical Climax' and as well as dub versions of 'Sur Mon Balconnet' and 'Dancing in the Moonlight' come the scuffed-up Dam-Funk style beats and boogie of 'Disco Mantra' before closer 'Patagonia' shuts down with elastic drums and bass and playful synth leads that send you home wanting more.
Island Dreams is a tropical escape to a rich world of fusion sounds that look back to go forwards. It's a feel-good record to accompany hot nights and lazy afternoons, cocktails at dusk and dancing till dawn. More
Andrea Moretti, Lorenzo Lavoratori, Daniele Melloni, Nicholas Iammatteo, Lorenzo Francioli, Ruggero Bonucci and Nicola Pitassio are Aura Safari, and between them they play drums, percussion, bass, keys, and guitar. They contributed to the first volume of the Buena Onda compilation in 2020 on this label, a year after serving up a debut album on London's Church Records. Since then they have become ever more entrenched in their local scene in Perugia, playing summer sets at the Umbria Jazz Festival, winter warmers at the legendary Red Zone Club and host their own Tropical Climax parties each month in the town centre.
Aura Safari are also deep-digging music collectors who have extensive and far-reaching tastes. When cooking up their sounds they draw on everything from Afro to Italo, house to disco, 80s boogie to world music, jazz and Balearic beats. This new album shows that once more across four sides of vinyl that sweep you up and transport you to somewhere idyllic.
The title track kicks off with steamy Mediterranean grooves embellished with lush Rhodes chords and sprinkles of cosmic magic. 'Sur Mon Balconnet' then slips into dubbed-out disco territory with 80s synths and leggy drums while 'Riserva Naturale' is a new-age jazz house sound with majestic lead synths and heart-melting chords that speak of a sunset dance on the beach. 'Onda' has squelchy boogie bass with hip-swinging drums, 'Wave Riding' is a lo-fi funk excursion with hints of West Coast Californian swagger and 'Magic Malbe' is loose-limbed Balearica with clear blue skies and blissed-out chords.
'Dancing in the Moonlight' feat. Zeke Manyika has all the vibrant feelings of bubblegum pop with Afro vocals and steel drum sounds next to rich xylophone sounds. There is plenty of heat and exotic charm to the proto-Afro house of 'Tropical Climax' and as well as dub versions of 'Sur Mon Balconnet' and 'Dancing in the Moonlight' come the scuffed-up Dam-Funk style beats and boogie of 'Disco Mantra' before closer 'Patagonia' shuts down with elastic drums and bass and playful synth leads that send you home wanting more.
Island Dreams is a tropical escape to a rich world of fusion sounds that look back to go forwards. It's a feel-good record to accompany hot nights and lazy afternoons, cocktails at dusk and dancing till dawn. More
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Configuration:LP
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1
M’lumbo - There Are No Words
2
M’lumbo - Shoreline
3
M’lumbo - The Afternoon Levitation
4
M’lumbo - Swoon
5
M’lumbo - Open The Heavens
6
M’lumbo - Quanta
7
M’lumbo - Planetfall
8
M’lumbo - The Great Clock
Legendary New York band M'lumbo distil experiences from their pre-pandemic shamanic travels into their stunning new album The Summer Of Endless Levitation. The eight-track vinyl LP is an avant-garde take on folk music informed by painter and sculptor Jean Hans Arp's 'Biomorphic' works and it serves as a sonic renewal of self.
The cult M'lumbo collective has been a legendary and groundbreaking act since first forming in the mid-80s. They cross genre boundaries as they draw on jazz, world, electronic, rock and experimental music that escapes the commercial world and take you into another realm entirely. There is no limit to their sound; each member brings their own cultural background to the mix, making the band all the more unique.
As the coronavirus pandemic struck, three members of the band Rob Ray Flatow, Paul-Alexandre Meurens and Brian O'Neill under-took a regimen of shamanic traveling in New York City. The experiences led them to spontaneously compose and perform a suite of pieces, informed and inspired by Jean Hans Arp's works but also by the feelings of isolation and indefinite exile yet to come in their urban environment.
Compared to the works they have done as part of the larger M'lumbo band, this album is a more modest and naive affair that is "a vehicle for the renewal of feeling using only a few instruments - acoustic and electric guitar, keyboard, flute, small percussion, kalimba and clarinet - and locating a sense of both the deep sadness and uplifting powers of reverie."
'There Are No Words' kicks off with heavenly chords and organic percussion that recalls the jungle jazz of Don Cherry, then 'Shoreline' is a five-minute dub with percolating rhythms and new age melodies before the soul-soothing acoustic guitar of 'The Afternoon Levitation' blisses you out on a sunny day. The perfectly entitled 'Swoon' is another gloriously uplifting piece of musical spirituality that fuses the electronic and synthetic with the ancient and ritualistic. There is more jungle jazz, big-band horn work and cosmic synth modulations of 'Open The Heavens' while 'Quanta' is a shuffling, jumbled mix of radiant chords, wigged-out electronic lines and celestial charm. 'Planetfall' goes from free-form jazz to double-time techno and back to cathartic ambient. The final trio of tracks conjures up everything from the transcendental jazz of Alice Coltrane to the cinematic downtempo of Calm. More
The cult M'lumbo collective has been a legendary and groundbreaking act since first forming in the mid-80s. They cross genre boundaries as they draw on jazz, world, electronic, rock and experimental music that escapes the commercial world and take you into another realm entirely. There is no limit to their sound; each member brings their own cultural background to the mix, making the band all the more unique.
As the coronavirus pandemic struck, three members of the band Rob Ray Flatow, Paul-Alexandre Meurens and Brian O'Neill under-took a regimen of shamanic traveling in New York City. The experiences led them to spontaneously compose and perform a suite of pieces, informed and inspired by Jean Hans Arp's works but also by the feelings of isolation and indefinite exile yet to come in their urban environment.
Compared to the works they have done as part of the larger M'lumbo band, this album is a more modest and naive affair that is "a vehicle for the renewal of feeling using only a few instruments - acoustic and electric guitar, keyboard, flute, small percussion, kalimba and clarinet - and locating a sense of both the deep sadness and uplifting powers of reverie."
'There Are No Words' kicks off with heavenly chords and organic percussion that recalls the jungle jazz of Don Cherry, then 'Shoreline' is a five-minute dub with percolating rhythms and new age melodies before the soul-soothing acoustic guitar of 'The Afternoon Levitation' blisses you out on a sunny day. The perfectly entitled 'Swoon' is another gloriously uplifting piece of musical spirituality that fuses the electronic and synthetic with the ancient and ritualistic. There is more jungle jazz, big-band horn work and cosmic synth modulations of 'Open The Heavens' while 'Quanta' is a shuffling, jumbled mix of radiant chords, wigged-out electronic lines and celestial charm. 'Planetfall' goes from free-form jazz to double-time techno and back to cathartic ambient. The final trio of tracks conjures up everything from the transcendental jazz of Alice Coltrane to the cinematic downtempo of Calm. More
12"
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Cat-No:HYR7190
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Configuration:12"
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1
Alexander Robotnick - Justin Vandervolgen Edit
2
Alexander Robotnick - Prins Thomas Diskomiks
3
Alexander Robotnick - Bawrut 1-2-3-4 Remix
4
Alexander Robotnick - The Vendetta Suite Stone Tape Remix
Repress!
A1 - Justin Vandervolgen Edit
A2 - Prins Thomas Diskomiks
B1 - Bawrut 1-2-3-4 Remix
B2 - The Vendetta Suite Stone Tape Remix
After a summer run of scorching sounds and horizontal grooves that were designed for sandy open air scenarios, Hell Yeah kick off 2019 with some more of their curious curveballs and playful party pumpers. It's time to forget what you know and prepare for a weird and wonderful trip into weirdness with Alexander Robotnick: he is the man behind the music and a track that was previously released on the Coast to Coast 12” in 2013 and soon became a Balearic gabba classic.
Now it gets a second spot in the headlines after label head Marco first heard it played years ago by Justin Vandergvolgen and asked him to edit it. It comes backed with dazzling remixes from Prins Thomas, man of the moment Bawrut and Irish outfit The Vendetta Suite who takes things in more of a weird and wonderful direction that the label also deals in.
Alexander Robotnick is a legendary Italian producer who had a big hit in the 80s with ‘Problèmes D'Amour’, produced many bands in the 90s and founded his own Hot Elephant label in the 2000s. From Italo-disco to electro he is a master synth manipulator who can go into new romantic o synth pop territory with an always futuristic vision. The original track on this EP was dropped by the likes of Gerd Janson, Dixon, Jackmaster and Peggy Gou in DJ sets and Boiler Rooms.
It is a playful track with a wild, unhinged lead synth line that burrows deep into your brain. Brightly glowing chords have real warmth and add irresistible colour to the track as they ride up and down the scales and the crisp boom bap drums pack a real dance floor punch.
Scandi-disco maestro Prins Thomas remixes it into brilliantly filthy disco cut with rasping bass and hip swaying drums. It builds the tension over three minutes, locking you in before psychedelic leads burst out of the mix and carry you into the cosmos.
Then it’s the much loved current champ Bawrut, whose old Scuola Furano project label boss Marco was the first to release on vinyl back in the early 2000s on Mantra Vibes. His version is a pumping old school house remix, with analogue bass and that unhinged lead synth line bringing the madness. It's filled with raw energy and will blow up any floor.
Last of all, The Vendetta Suite follows up his Solar Lodge 23 EP on this label in 2017 with a remix that is perfectly dreamy. His rippling synth puddles and sci-fi motifs are brilliantly rich and glowing and fill you with warmth. It's the sort of mind expanding track that leads you into a world of cosmic curveballs and cut from free the real world.
More
A1 - Justin Vandervolgen Edit
A2 - Prins Thomas Diskomiks
B1 - Bawrut 1-2-3-4 Remix
B2 - The Vendetta Suite Stone Tape Remix
After a summer run of scorching sounds and horizontal grooves that were designed for sandy open air scenarios, Hell Yeah kick off 2019 with some more of their curious curveballs and playful party pumpers. It's time to forget what you know and prepare for a weird and wonderful trip into weirdness with Alexander Robotnick: he is the man behind the music and a track that was previously released on the Coast to Coast 12” in 2013 and soon became a Balearic gabba classic.
Now it gets a second spot in the headlines after label head Marco first heard it played years ago by Justin Vandergvolgen and asked him to edit it. It comes backed with dazzling remixes from Prins Thomas, man of the moment Bawrut and Irish outfit The Vendetta Suite who takes things in more of a weird and wonderful direction that the label also deals in.
Alexander Robotnick is a legendary Italian producer who had a big hit in the 80s with ‘Problèmes D'Amour’, produced many bands in the 90s and founded his own Hot Elephant label in the 2000s. From Italo-disco to electro he is a master synth manipulator who can go into new romantic o synth pop territory with an always futuristic vision. The original track on this EP was dropped by the likes of Gerd Janson, Dixon, Jackmaster and Peggy Gou in DJ sets and Boiler Rooms.
It is a playful track with a wild, unhinged lead synth line that burrows deep into your brain. Brightly glowing chords have real warmth and add irresistible colour to the track as they ride up and down the scales and the crisp boom bap drums pack a real dance floor punch.
Scandi-disco maestro Prins Thomas remixes it into brilliantly filthy disco cut with rasping bass and hip swaying drums. It builds the tension over three minutes, locking you in before psychedelic leads burst out of the mix and carry you into the cosmos.
Then it’s the much loved current champ Bawrut, whose old Scuola Furano project label boss Marco was the first to release on vinyl back in the early 2000s on Mantra Vibes. His version is a pumping old school house remix, with analogue bass and that unhinged lead synth line bringing the madness. It's filled with raw energy and will blow up any floor.
Last of all, The Vendetta Suite follows up his Solar Lodge 23 EP on this label in 2017 with a remix that is perfectly dreamy. His rippling synth puddles and sci-fi motifs are brilliantly rich and glowing and fill you with warmth. It's the sort of mind expanding track that leads you into a world of cosmic curveballs and cut from free the real world.
More
Label:Hell Yeah Recordings
Cat-No:HYR7262
Release-Date:14.04.2023
Genre:House
Configuration:12"
Barcode:5060202596829
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Genre:House
Configuration:12"
Barcode:5060202596829
1
Pedro Bertho - Tornei Feat. Mariana Gehring
2
Pedro Bertho - Tornei Feat. Mariana Gehring (Romain FX Remix)
3
Pedro Bertho - Elephants Au 5eme
4
Pedro Bertho - Elephants Au 5eme (My Friend Dario Remix)
Hell Yeah heads to Brazil and the cultured sounds of Pedro Bertho for a hot new 12" that features Mariana Gehring and remixes from Romain FX and My Friend Dario. The digital version includes two bonus cuts while the vinyl is the first to have all-new artwork by FJD.
Now based in France, inclusive party promoter Pedro Bertho’s music is a melting pot of sound that draws on his own personal heritage and a life spent digging for records. That means that afro rhythms, Italo melodies, rolling reggae, deep house, and plenty more all get mixed up into something new.
They have come on the likes of Cracki Records and always search out innovative ways to bring euphoria to the dance floor.
For the first tune, he works with Mariana Gehring, a Sao Paulo-based singer and composer influenced by new MPB and other signature Brazilian sounds like Forro, Maracatu and Samba.
Their excellent 'Tornei' is a mix of full-fat bass and sensuous vocals. Fizzing synths, percussion and FX bring the energy while Gehring arrives in the breakdowns to bring the spine-tingling soul. Romain FX is a scene mainstay, label head at fauve, boiler room veteran and has released on the likes of Kalahari oyster cult and many more.
His version is a retro workout with lush cosmic melodies and slinky grown-up grooves sure to get the floor full.
Next is 'Elephants au 5eme', a busy mix of analogue drums and hits, wild elephant trumpets and fleshy synths that bring unusual tropical heat to any party. The same track is remixed by label regular and new school Balearic boss my Friend Dario.
He plays with the vocals, layers in shimmering chords, and keeps things dubby to make for another of his signature grooves. More
Now based in France, inclusive party promoter Pedro Bertho’s music is a melting pot of sound that draws on his own personal heritage and a life spent digging for records. That means that afro rhythms, Italo melodies, rolling reggae, deep house, and plenty more all get mixed up into something new.
They have come on the likes of Cracki Records and always search out innovative ways to bring euphoria to the dance floor.
For the first tune, he works with Mariana Gehring, a Sao Paulo-based singer and composer influenced by new MPB and other signature Brazilian sounds like Forro, Maracatu and Samba.
Their excellent 'Tornei' is a mix of full-fat bass and sensuous vocals. Fizzing synths, percussion and FX bring the energy while Gehring arrives in the breakdowns to bring the spine-tingling soul. Romain FX is a scene mainstay, label head at fauve, boiler room veteran and has released on the likes of Kalahari oyster cult and many more.
His version is a retro workout with lush cosmic melodies and slinky grown-up grooves sure to get the floor full.
Next is 'Elephants au 5eme', a busy mix of analogue drums and hits, wild elephant trumpets and fleshy synths that bring unusual tropical heat to any party. The same track is remixed by label regular and new school Balearic boss my Friend Dario.
He plays with the vocals, layers in shimmering chords, and keeps things dubby to make for another of his signature grooves. More
Label:Hell Yeah Recordings
Cat-No:HYR7251B
Release-Date:17.02.2023
Configuration:2LP
Barcode:5060202595969
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Barcode:5060202595969
1
Calm - Beauty On Earth
2
Calm - Long Summer Dream
3
Calm - Blue In Void
4
Calm - Liminal Moment
5
Calm - I Love You
6
Calm - Feel It
7
Calm - Before Sunrise Blue
8
Calm - Kunpoo
9
Calm - Freedom Sunset
10
Calm - Let's Make Harmony
Following a CD-only release in Japan in 2021, legendary downtempo producer Calm finally releases his “Before” album on vinyl and digital courtesy of Hell Yeah. The 10-track record is a slow-burning Balearic beauty.
Calm aka Kiyotaka Fukagawa has never been to the White Isle, but he sure knows how to capture its musical essence. He has done so over a long and storied career that has taken in 17 albums and some 35 EPs on many labels including this one over the last 20-plus years. His unique blend of ambient, jazz and leftfield was last showcased on this label in 2018 with his By Your Side album, and now he does it again with another timeless and escapist offering.
The record was written, arranged, mixed and produced by Calm, but with gorgeous musical embellishments, trumpets, flutes, saxophones, violins, bass and keys played by friends and guests like Shiba, Sinsuke Fujieda, Fumiko Takeshita, Tomokazu Sugimoto, Yuichiro Kato and Toshitaka Shibata. Tracks from it have already had support from Cosmo Coleen Murphy on Worldwide FM, while Phil Mison says it is "100% reminiscent of an old Café Del Mar or José Padilla record." He is not wrong.
As soon as the opening chords of 'Beauty on Earth' wash over you there is no escaping the naturalistic charm and beauty of this record. 'Long Summer Dream' layers mystic wind sounds and gentle percussive patterns into suspensory bliss, 'Blue in Void' is a plaintive moment of sombre sax and pensive piano, then 'Liminal Moment' awakens the soul with its gorgeous flute lines and looping arps.
There is perfect horizontal sunset house on 'I Love You,' 'Feel It' picks up the pace with seductive saxophone motifs and psychedelic synth loops and 'Before Sunrise Blue' is crushing downtempo melancholia. 'Kunpoo' reawakens you with leggy bass and expansive synths that reach for the heavens, while 'Freedom Sunset' is an epic 10-minute journey out to sea. Lastly, 'Let's Make Harmony' is super slow motion jazz-funk that swells the heart. Before is a superb album that is well-deserving of this double vinyl pressing and is sure to become a Balearic classic.
DJ Support:
Phil Mison, Colleen Cosmo Murphy, Chris Coco, Buena Onda Crew More
Calm aka Kiyotaka Fukagawa has never been to the White Isle, but he sure knows how to capture its musical essence. He has done so over a long and storied career that has taken in 17 albums and some 35 EPs on many labels including this one over the last 20-plus years. His unique blend of ambient, jazz and leftfield was last showcased on this label in 2018 with his By Your Side album, and now he does it again with another timeless and escapist offering.
The record was written, arranged, mixed and produced by Calm, but with gorgeous musical embellishments, trumpets, flutes, saxophones, violins, bass and keys played by friends and guests like Shiba, Sinsuke Fujieda, Fumiko Takeshita, Tomokazu Sugimoto, Yuichiro Kato and Toshitaka Shibata. Tracks from it have already had support from Cosmo Coleen Murphy on Worldwide FM, while Phil Mison says it is "100% reminiscent of an old Café Del Mar or José Padilla record." He is not wrong.
As soon as the opening chords of 'Beauty on Earth' wash over you there is no escaping the naturalistic charm and beauty of this record. 'Long Summer Dream' layers mystic wind sounds and gentle percussive patterns into suspensory bliss, 'Blue in Void' is a plaintive moment of sombre sax and pensive piano, then 'Liminal Moment' awakens the soul with its gorgeous flute lines and looping arps.
There is perfect horizontal sunset house on 'I Love You,' 'Feel It' picks up the pace with seductive saxophone motifs and psychedelic synth loops and 'Before Sunrise Blue' is crushing downtempo melancholia. 'Kunpoo' reawakens you with leggy bass and expansive synths that reach for the heavens, while 'Freedom Sunset' is an epic 10-minute journey out to sea. Lastly, 'Let's Make Harmony' is super slow motion jazz-funk that swells the heart. Before is a superb album that is well-deserving of this double vinyl pressing and is sure to become a Balearic classic.
DJ Support:
Phil Mison, Colleen Cosmo Murphy, Chris Coco, Buena Onda Crew More
Label:Hell Yeah Recordings
Cat-No:HYR7254
Release-Date:03.02.2023
Configuration:12"
Barcode:5060202596386
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1
Calm & Jimi Tenor - Big City Takes (Original Mix)
2
Calm & Jimi Tenor - Big City Takes (Tapes Remix 1)
3
Calm & Jimi Tenor - Big City Takes (Tapes Remix 5)
4
Calm & Jimi Tenor - Time & Space (Calm's Version)
5
Calm & Jimi Tenor - Time & Space (Vendetta Suite Remix)
Musical legends from opposite sides of the world come together on Hell Yeah's next EP as Japan's Calm and Finnish musician Jimi Tenor collaborate on big city takes. It features two new singles as well as remixes from the celebrated tapes and Belfast's best-kept secret, The Vendetta Suite.
This most satisfying of eps came together when the psychedelic space-jazz-funk king and noted musician, composer and producer Jimi Tenor was in tour in Japan. Label head Marco arranged for him to head into Calm's studio in Kawasaki, Tokyo, and real magic happened.
'Big City Takes' is gloriously lush, with serene chords, delicate flutes and organic percussion. Tenor's airy vocal brings the soul as an intimate and late-night groove emerges to melt your heart.
Then come two remixes from tapes. The first is powered by dusty old-school drum breaks. They're doused in subtle euphoria with a nimble bassline down low, while the second one is stripped right back to a pulsing rhythm and killer phased bass. Spread chords bring sunrise feelings to this most colourful of grooves.
On the flip side, Calm offers a version of 'Time & Space' that is nearly eight minutes of exquisitely blissed-out downtempo. Chords ripple like waves, flutes flutter like birds and the whole thing is filled with the joys of a new spring day. The remix comes from The Vendetta Suite, a label regular and under-the-radar talent who is defining his native Northern Irish scene with his fresh fusion sounds. His version brings a new age ambiance to post-rave Balearic comedown. It's one that douses you in life-affirming synths as drums gently persuade you to sway along. More
This most satisfying of eps came together when the psychedelic space-jazz-funk king and noted musician, composer and producer Jimi Tenor was in tour in Japan. Label head Marco arranged for him to head into Calm's studio in Kawasaki, Tokyo, and real magic happened.
'Big City Takes' is gloriously lush, with serene chords, delicate flutes and organic percussion. Tenor's airy vocal brings the soul as an intimate and late-night groove emerges to melt your heart.
Then come two remixes from tapes. The first is powered by dusty old-school drum breaks. They're doused in subtle euphoria with a nimble bassline down low, while the second one is stripped right back to a pulsing rhythm and killer phased bass. Spread chords bring sunrise feelings to this most colourful of grooves.
On the flip side, Calm offers a version of 'Time & Space' that is nearly eight minutes of exquisitely blissed-out downtempo. Chords ripple like waves, flutes flutter like birds and the whole thing is filled with the joys of a new spring day. The remix comes from The Vendetta Suite, a label regular and under-the-radar talent who is defining his native Northern Irish scene with his fresh fusion sounds. His version brings a new age ambiance to post-rave Balearic comedown. It's one that douses you in life-affirming synths as drums gently persuade you to sway along. More
Label:Hell Yeah Recordings
Cat-No:HYR7221
Release-Date:25.11.2022
Configuration:7"
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Label:Hell Yeah Recordings
Cat-No:HYR7221
Release-Date:25.11.2022
Configuration:7"
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1
Jazz N Palms - Original Mix
2
Jazz N Palms - Instrumental Mix
Hell Yeah is proud to present the return of Jazz N Palms with a superb new project following the success of his Ses Rodes album. 'Milano' as a 7" with radio and instrumental versions alongside an original video and expressive artwork by Parisian studio Nokko.
Jazz N Palms is a jazz-inspired project from Italian DJ and producer Riccio. He started this project after moving to Ibiza and falling under the spell of its ancestral side, its sweet and slow pace of life and the natural rhythms of the beauty in the north of the island. In summer, he served up his fantastic Ses Rodes double album which was dedicated to the original way of life that had remained almost unchanged till the early 80s party explosion.
This new track came about after Riccio heard Piera Martell's 1978 soul-jazz track 'Exotica' in a mix by Phil Mison. The idea was reimagine the song with new lyrics and set in Milan, in the early days when the town was invaded by unusual and exotic palm trees in Piazza Duomo. The song tells the story of a country teenager who is unsure about heading to a big new city after receiving an invitation. The story will retrieve familiar emotions for many of us who have faced similarly important decisions in our life, but this time married to an escapist groove.
For this release, the original 'Exotica' has been fully replayed by contemporary musicians from the multi-genre Italian ensemble 291out, with whom Riccio has worked in the past. It has new lyrics sung in Italian by fellow 291out collaborator Giovanna Lubjan after permission was given by original composer Salvo Ingrassia.
'Milano' is a luxurious soul-jazz fusion. It has exotic guitar lines and gently persuasive rhythms topped by the soaring vocal from Lubjan. A steamy sax helps the temperature rise as the track unfolds and traps you under its gorgeous spell.
This is a timeless package of blissed-out brilliance from Jazz N Palms. More
Jazz N Palms is a jazz-inspired project from Italian DJ and producer Riccio. He started this project after moving to Ibiza and falling under the spell of its ancestral side, its sweet and slow pace of life and the natural rhythms of the beauty in the north of the island. In summer, he served up his fantastic Ses Rodes double album which was dedicated to the original way of life that had remained almost unchanged till the early 80s party explosion.
This new track came about after Riccio heard Piera Martell's 1978 soul-jazz track 'Exotica' in a mix by Phil Mison. The idea was reimagine the song with new lyrics and set in Milan, in the early days when the town was invaded by unusual and exotic palm trees in Piazza Duomo. The song tells the story of a country teenager who is unsure about heading to a big new city after receiving an invitation. The story will retrieve familiar emotions for many of us who have faced similarly important decisions in our life, but this time married to an escapist groove.
For this release, the original 'Exotica' has been fully replayed by contemporary musicians from the multi-genre Italian ensemble 291out, with whom Riccio has worked in the past. It has new lyrics sung in Italian by fellow 291out collaborator Giovanna Lubjan after permission was given by original composer Salvo Ingrassia.
'Milano' is a luxurious soul-jazz fusion. It has exotic guitar lines and gently persuasive rhythms topped by the soaring vocal from Lubjan. A steamy sax helps the temperature rise as the track unfolds and traps you under its gorgeous spell.
This is a timeless package of blissed-out brilliance from Jazz N Palms. More
Label:Hell Yeah Recordings
Cat-No:HYR7251
Release-Date:02.09.2022
Configuration:2LP
Barcode:
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Configuration:2LP
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1
Calm - Beauty On Earth
2
Calm - Long Summer Dream
3
Calm - Blue In Void
4
Calm - Liminal Moment
5
Calm - I Love You
6
Calm - Feel It
7
Calm - Before Sunrise Blue
8
Calm - Kunpoo
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Calm - Freedom Sunset
10
Calm - Lets Make Harmony
Following a CD-only release in Japan in 2021, legendary downtempo producer Calm finally releases his “Before” album on vinyl and digital courtesy of Hell Yeah. The 10-track record is a slow-burning Balearic beauty.
Calm aka Kiyotaka Fukagawa has never been to the White Isle, but he sure knows how to capture its musical essence. He has done so over a long and storied career that has taken in 17 albums and some 35 EPs on many labels including this one over the last 20-plus years. His unique blend of ambient, jazz and leftfield was last showcased on this label in 2018 with his By Your Side album, and now he does it again with another timeless and escapist offering.
The record was written, arranged, mixed and produced by Calm, but with gorgeous musical embellishments, trumpets, flutes, saxophones, violins, bass and keys played by friends and guests like Shiba, Sinsuke Fujieda, Fumiko Takeshita, Tomokazu Sugimoto, Yuichiro Kato and Toshitaka Shibata. Tracks from it have already had support from Cosmo Coleen Murphy on Worldwide FM, while Phil Mison says it is "100% reminiscent of an old Café Del Mar or José Padilla record." He is not wrong.
As soon as the opening chords of 'Beauty on Earth' wash over you there is no escaping the naturalistic charm and beauty of this record. 'Long Summer Dream' layers mystic wind sounds and gentle percussive patterns into suspensory bliss, 'Blue in Void' is a plaintive moment of sombre sax and pensive piano, then 'Liminal Moment' awakens the soul with its gorgeous flute lines and looping arps.
There is perfect horizontal sunset house on 'I Love You,' 'Feel It' picks up the pace with seductive saxophone motifs and psychedelic synth loops and 'Before Sunrise Blue' is crushing downtempo melancholia. 'Kunpoo' reawakens you with leggy bass and expansive synths that reach for the heavens, while 'Freedom Sunset' is an epic 10-minute journey out to sea. Lastly, 'Let's Make Harmony' is super slow motion jazz-funk that swells the heart. Before is a superb album that is well-deserving of this double vinyl pressing and is sure to become a Balearic classic. More
Calm aka Kiyotaka Fukagawa has never been to the White Isle, but he sure knows how to capture its musical essence. He has done so over a long and storied career that has taken in 17 albums and some 35 EPs on many labels including this one over the last 20-plus years. His unique blend of ambient, jazz and leftfield was last showcased on this label in 2018 with his By Your Side album, and now he does it again with another timeless and escapist offering.
The record was written, arranged, mixed and produced by Calm, but with gorgeous musical embellishments, trumpets, flutes, saxophones, violins, bass and keys played by friends and guests like Shiba, Sinsuke Fujieda, Fumiko Takeshita, Tomokazu Sugimoto, Yuichiro Kato and Toshitaka Shibata. Tracks from it have already had support from Cosmo Coleen Murphy on Worldwide FM, while Phil Mison says it is "100% reminiscent of an old Café Del Mar or José Padilla record." He is not wrong.
As soon as the opening chords of 'Beauty on Earth' wash over you there is no escaping the naturalistic charm and beauty of this record. 'Long Summer Dream' layers mystic wind sounds and gentle percussive patterns into suspensory bliss, 'Blue in Void' is a plaintive moment of sombre sax and pensive piano, then 'Liminal Moment' awakens the soul with its gorgeous flute lines and looping arps.
There is perfect horizontal sunset house on 'I Love You,' 'Feel It' picks up the pace with seductive saxophone motifs and psychedelic synth loops and 'Before Sunrise Blue' is crushing downtempo melancholia. 'Kunpoo' reawakens you with leggy bass and expansive synths that reach for the heavens, while 'Freedom Sunset' is an epic 10-minute journey out to sea. Lastly, 'Let's Make Harmony' is super slow motion jazz-funk that swells the heart. Before is a superb album that is well-deserving of this double vinyl pressing and is sure to become a Balearic classic. More
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Label:Hell Yeah Recordings
Cat-No:HYR7250
Release-Date:18.03.2022
Genre:Folk
Configuration:LP
Barcode:5060202595617
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Release-Date:18.03.2022
Genre:Folk
Configuration:LP
Barcode:5060202595617
1
Sergio Messina & The Four Twenties - Goodbye Porkpie Hat
2
Sergio Messina & The Four Twenties - Amara Terra Mia
3
Sergio Messina & The Four Twenties - Sometimes Remember
4
Sergio Messina & The Four Twenties - The Way You Make Me Feel
5
Sergio Messina & The Four Twenties - Just Because You're Dead
6
Sergio Messina & The Four Twenties - Sono Stufa Di Tutto
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Sergio Messina & The Four Twenties - Jon Hassell Beach Bar
8
Sergio Messina & The Four Twenties - Ouana Di Lambo
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Sergio Messina & The Four Twenties - Beniamino Placido
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Sergio Messina & The Four Twenties - Nowhere Special
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Sergio Messina & The Four Twenties - Switchblade Bolero
Legendary Italian musician Sergio Messina serves up his 13 track Sensual Musicology on Hell Yeah this March. It comes a couple of years after he first released on the label's Buena Onda compilation and takes in everything from demented waltz to grown-up jazz, groovy beach music to heart-aching melancholia with artwork by virtuoso Italian AD DeeMo.
Now based in Lombardy, Sergio was there at the birth of pirate radio in the mid-seventies and eventually produced Radio art for national broadcaster Rai. At the same time, his DJ career took off and he helped establish Hip hop in Rome before taking his own live show to the stage with a mix of PCs, samplers and tape recorders as early as 1989. Frank Zappa declared himself a fan and in the years since Sergio has done everything from radio art to producing Neapolitan reggae and hip hop band 99 Posse, producing his own solo albums and writing for monthly music magazine Rumore.
On top of this, he has both written books about and delivered lectures on the digital porno revolution, as well as teaching History of Pop Culture at the Istituto Europeo di Design in Milan. All this makes him a truly original creative thinking who has long been immersed in many niche facets of popular culture.
Sensual Musicology took several years and four different locations to happen. Its release has been delayed by the pandemic, during which Sergio lost many friends and relatives close to him. As a result, the album is dedicated to all of them. It is a record that addresses many topics from economic migration to jazz piano, 60s blues motifs to corruption, pollution and racism via Michael Jackson covers, odes to West Coast guitar albums and spaced-out pieces of electronica.
Opening with the beautifully delicate Mingus melodies of 'Goodbye Porkpie Hat' the album roams through the bluesy Italo-American-Jamaican groove of 'Amara,' slow melancholy of 'Sometimes Remember' with classy vocals from chanteuse Valeria Rossi and 'The Way You Make Me Feel', an acoustic rebuild of Michael Jackson's hit song. Then comes the serenade that is 'Just Because You're Dead,' and ‘Sono Stufa di Tutto’ which is based around a protest speech recorded from the radio in the 1980s. Jon Hassell Beach Bar' is a musical hybridisation for dancing pleasure.
The second half of the album takes in 'Ouana Di lambo' which is the Four Twenties taking you to a cocktail bar in the tropics, 'Benjamino Placido' which is a melody for a man who inspired Sergio to start writing his columns, and 'Nowhere Special' which is a tribute to West Coast guitar albums. Closer ‘Switchblade Bolero' has a Zappaesque theme.
Sensual Musicology is a rich and diverse musical world that is as thought-provoking and deep as it is emotionally rewarding. More
Now based in Lombardy, Sergio was there at the birth of pirate radio in the mid-seventies and eventually produced Radio art for national broadcaster Rai. At the same time, his DJ career took off and he helped establish Hip hop in Rome before taking his own live show to the stage with a mix of PCs, samplers and tape recorders as early as 1989. Frank Zappa declared himself a fan and in the years since Sergio has done everything from radio art to producing Neapolitan reggae and hip hop band 99 Posse, producing his own solo albums and writing for monthly music magazine Rumore.
On top of this, he has both written books about and delivered lectures on the digital porno revolution, as well as teaching History of Pop Culture at the Istituto Europeo di Design in Milan. All this makes him a truly original creative thinking who has long been immersed in many niche facets of popular culture.
Sensual Musicology took several years and four different locations to happen. Its release has been delayed by the pandemic, during which Sergio lost many friends and relatives close to him. As a result, the album is dedicated to all of them. It is a record that addresses many topics from economic migration to jazz piano, 60s blues motifs to corruption, pollution and racism via Michael Jackson covers, odes to West Coast guitar albums and spaced-out pieces of electronica.
Opening with the beautifully delicate Mingus melodies of 'Goodbye Porkpie Hat' the album roams through the bluesy Italo-American-Jamaican groove of 'Amara,' slow melancholy of 'Sometimes Remember' with classy vocals from chanteuse Valeria Rossi and 'The Way You Make Me Feel', an acoustic rebuild of Michael Jackson's hit song. Then comes the serenade that is 'Just Because You're Dead,' and ‘Sono Stufa di Tutto’ which is based around a protest speech recorded from the radio in the 1980s. Jon Hassell Beach Bar' is a musical hybridisation for dancing pleasure.
The second half of the album takes in 'Ouana Di lambo' which is the Four Twenties taking you to a cocktail bar in the tropics, 'Benjamino Placido' which is a melody for a man who inspired Sergio to start writing his columns, and 'Nowhere Special' which is a tribute to West Coast guitar albums. Closer ‘Switchblade Bolero' has a Zappaesque theme.
Sensual Musicology is a rich and diverse musical world that is as thought-provoking and deep as it is emotionally rewarding. More
12"
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Label:Hell Yeah Recordings
Cat-No:HYR7241
Release-Date:17.12.2021
Configuration:12"
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1
Aura Safari Featuring Villy - Lagos Connect (Extended Mix)
2
Aura Safari Featuring Villy - Lagos Connect (Reprise Beats)
3
Aura Safari Featuring Villy - Lagos Connect (Dub Version)
4
Aura Safari Featuring Villy - Moving Rivers
Strap in for another standout release from Hell Yeah, and their final 12" of the year. 'Lagos Connect' is a one-off dance floor bomb from Aura Safari, one of the hottest names on the Italian electronic-jazz-funk circuit. Vocals come from Nigerian singer Villy and the artwork is by long-time label collaborator Andrea Amaducci who finishes off this package in style.
Aura Safari are Alessandro Deledda, Andrea Moretti, Lorenzo Lavoratori, Daniele Melloni and Nicholas Iammatteo. They contributed to the first volume of the Buena Onda compilation in 2020 and released the critical acclaimed Hotel Mediterraneo EP after years entrenched in the local scene of Perugia, attending the Umbria Jazz Festival every summer and legendary Red Zone Club during winter, both of which shaped the sound of Aura Safari. Now, they showcase their good-time grooves and vibrant vibes on two brilliant new tracks.
'Lagos Connect' is a gloriously upbeat tune that brims with musicality. The bass is fat, the chords seductive and the guitars slide in and out with funky charm. It immediately drops you in the middle of an open-air dance floor in high summer. Villy's soulful lyrics are socially and politically aware. They talk of living life with good vibrations even in the face of adversity. They speak of how society views those less fortunate and of staying true to yourself. They add realness and emotion to a sizzling and timeless track that will unite hearts and minds around the world. A reprise, radio edit and dub mix are also included, then 'Moving Rivers' ups the jazz-funk. It's another majestic arrangement packed with dazzling Rhodes chords, crashing drums and squelchy bass that demand that you move every limb in your body.
Keep yourself warm this winter with this pair of irresistible dance floor heaters from Aura Safari. More
Aura Safari are Alessandro Deledda, Andrea Moretti, Lorenzo Lavoratori, Daniele Melloni and Nicholas Iammatteo. They contributed to the first volume of the Buena Onda compilation in 2020 and released the critical acclaimed Hotel Mediterraneo EP after years entrenched in the local scene of Perugia, attending the Umbria Jazz Festival every summer and legendary Red Zone Club during winter, both of which shaped the sound of Aura Safari. Now, they showcase their good-time grooves and vibrant vibes on two brilliant new tracks.
'Lagos Connect' is a gloriously upbeat tune that brims with musicality. The bass is fat, the chords seductive and the guitars slide in and out with funky charm. It immediately drops you in the middle of an open-air dance floor in high summer. Villy's soulful lyrics are socially and politically aware. They talk of living life with good vibrations even in the face of adversity. They speak of how society views those less fortunate and of staying true to yourself. They add realness and emotion to a sizzling and timeless track that will unite hearts and minds around the world. A reprise, radio edit and dub mix are also included, then 'Moving Rivers' ups the jazz-funk. It's another majestic arrangement packed with dazzling Rhodes chords, crashing drums and squelchy bass that demand that you move every limb in your body.
Keep yourself warm this winter with this pair of irresistible dance floor heaters from Aura Safari. More
MC
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Label:Hell Yeah Recordings
Cat-No:HYR7243K7
Release-Date:10.12.2021
Configuration:MC
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1
La Guardia de la Luz feat Chris Koehn - Amatista (El Ambiente Mix)
2
Gallo - Abysso (Calm’s Mellow Mellow Acid)
3
The Mechanical Man - The Last Train for the City
4
Feel Fly - Esperanto
5
Tonarunur - Flotholt
6
Chris Coco & Micko Roche - What is Love
7
The Vendetta Suite - Neon Secrets (Max Essa Remix)
8
Relative - The Healing Place
9
Cacao - Lambada
10
Kayroy & Jaspar Robinson - Satellite
11
Somerville & Wilson - Klean Shift
12
GREETINGS & Kayroy - Imagine (Gallo’s Tropical Hinterhof Remix)
Format: Cassette Tape, Download code + Sticker
Buena Onda 2021 is here! This second compilation of contemporary Balearic sounds is a perfect snapshot of the Berlin party of the same name, and a fine representation of the Hell Yeah label it comes on. Featuring 12 exclusive tracks and remixes from family and friends, this now annual collection of global beats housed on vinyl and digital now comes to you via cassette, compiled and mixed by Marco Gallerani & Gallo
This collection is all about updating and refining what Balearic means. It's exotic music for exotic people, grown-up sounds for those who still like to get down. From acid to disco, Italo to downtempo, it's all here and ready to transport you to a dance floor in paradise.
This compilation is jam-packed with heat including Cacao's standout summer sizzler 'Lambada.' You can also expect another classic Mellow Mellow Acid remix from the one and only Calm, Max Essa's Mediterranean deep house take on The Vendetta Suite, churning cosmic charms from Somerville & Wilson and the soft-acid-rave sounds of Gallo's Tropical Hinterhof remix. Add in music from a fine selection of talented Italian newcomers including Feel Fly, The Mechanical Man and Relative, and you have a bumper collection. More
Buena Onda 2021 is here! This second compilation of contemporary Balearic sounds is a perfect snapshot of the Berlin party of the same name, and a fine representation of the Hell Yeah label it comes on. Featuring 12 exclusive tracks and remixes from family and friends, this now annual collection of global beats housed on vinyl and digital now comes to you via cassette, compiled and mixed by Marco Gallerani & Gallo
This collection is all about updating and refining what Balearic means. It's exotic music for exotic people, grown-up sounds for those who still like to get down. From acid to disco, Italo to downtempo, it's all here and ready to transport you to a dance floor in paradise.
This compilation is jam-packed with heat including Cacao's standout summer sizzler 'Lambada.' You can also expect another classic Mellow Mellow Acid remix from the one and only Calm, Max Essa's Mediterranean deep house take on The Vendetta Suite, churning cosmic charms from Somerville & Wilson and the soft-acid-rave sounds of Gallo's Tropical Hinterhof remix. Add in music from a fine selection of talented Italian newcomers including Feel Fly, The Mechanical Man and Relative, and you have a bumper collection. More
12"
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Label:Hell Yeah Recordings
Cat-No:HYR7255
Release-Date:03.12.2021
Configuration:12"
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1
Various Artists - Gallo – Abysso (Calm's Mellow Mellow Acid Remix)
2
Various Artists - Tonarunur – Flotholt
3
Various Artists - Relative - The Healing Place
4
Various Artists - Kayroy - Imagine (Gallo's Tropical Hinterhof Remix)
After the success of the first, there always had to be a second Buena Onda compilation. Before that arrives later this year comes a second delicious sampler featuring a remix from Calm, some 303 Balearic action from Iceland, Italian house newcomer Relative and a fresh Gallo rework.
Buena Onda is of course the cult Berlin-based party that constantly redefines Balearic music. It is run by Hell Yeah label boss Marco with resident DJ and co-founder Gallo and is a party that is both eclectic and euphoric, whether serving up slow acid or dreamy downtempo.
This sampler opens up with Buena Onda favourite Calm and his epic Mellow Mellow Acid remix of Gallo's 'Abysso,' which is long-legged, fulsome and laced with life-affirming piano chords. Then comes Icelandic artist Tonarunur who used to record as B.G. Baarregaard and has landed on the likes of Eskimo Recordings and Citizens of Vice. He layers deep acid lines into a smooth house groove that is sprinkled with cosmic dust. Italian house newcomer Relative then brings tumbling percussion, smeared chords and plenty of drama Italo vibes to his tune 'The Healing Place' and Gallo's Tropical Hinterhof Remix of Kayroy's 'Imagine' is five minutes of post-rave comedown bliss with gorgeous ambient design and celestial chord work that soothes the soul.
This is another perfect snapshot of the mature musical thrills you get at Buena Onda. More
Buena Onda is of course the cult Berlin-based party that constantly redefines Balearic music. It is run by Hell Yeah label boss Marco with resident DJ and co-founder Gallo and is a party that is both eclectic and euphoric, whether serving up slow acid or dreamy downtempo.
This sampler opens up with Buena Onda favourite Calm and his epic Mellow Mellow Acid remix of Gallo's 'Abysso,' which is long-legged, fulsome and laced with life-affirming piano chords. Then comes Icelandic artist Tonarunur who used to record as B.G. Baarregaard and has landed on the likes of Eskimo Recordings and Citizens of Vice. He layers deep acid lines into a smooth house groove that is sprinkled with cosmic dust. Italian house newcomer Relative then brings tumbling percussion, smeared chords and plenty of drama Italo vibes to his tune 'The Healing Place' and Gallo's Tropical Hinterhof Remix of Kayroy's 'Imagine' is five minutes of post-rave comedown bliss with gorgeous ambient design and celestial chord work that soothes the soul.
This is another perfect snapshot of the mature musical thrills you get at Buena Onda. More
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Label:bbe
Cat-No:BBE678ALP
Release-Date:21.07.2023
Genre:Jazz
Configuration:2LP
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The Jazz Room is a hotly curated selectors' V/A compiled by jazz expert and BBE label owner Paul Murphy. Following the success of the original comp first released in 2019, this one comes up after a full four years' worth of curating and mulling, and aims to represent the full range of both classic and contemporary jazz sounds, from New Orleans to Latin jazz, in quick succession. Consisting of contemporary jazz versions of the likes of Fela Kuti, Raul Monsalve and, for some reason, The Human League, said contributions by the likes of Cruisic and Clare Fischer aim to trace the - yes, the - comprehensive throughline of jazz from past to present, all while refusing to abstain from BBE's trademark eclecticism. Highlights include 'Rebel No. 23' and Fast 3's Hammond-organ-injected 'Don't You Want Me'. Most importantly, no track goes without a driving, bright-bursting mood of energy.
Tracklist:
Side 1
1. Eternal Buzz Brass Band - "Sounds Good" (6:40)
2. Cesar's Salad - "Manteca" (6:50)
3. Chip Wickham - "Rebel No 23" (7" edit) (3:58)
Side 2
1. The Stance Brothers - "Roll Call" (3:56)
2. Cruisic - "Jazz Carnival" (4:39)
3. Daniel Crawford - "Water No Get Enemy" (5:38)
4. Los Po-Boy-Citos - "Fried Neckbones & Some Home Fries" (4:50)
Side 3
1. Raul Monsalve Y Los Forajidos - "Black & Decker" (4:50)
2. Clare Fischer - "African Flutes" (8:12)
3. Cheick Tidiane Seck - "Niger Mambo" (8:00)
Side 4
1. Florian Pellissier Quintet - "The Hipster" (5:30)
2. Take Vibe - "Golden Brown" (3:09)
3. Fast 3 - "Don't You Want Me?" (8:27) More
Tracklist:
Side 1
1. Eternal Buzz Brass Band - "Sounds Good" (6:40)
2. Cesar's Salad - "Manteca" (6:50)
3. Chip Wickham - "Rebel No 23" (7" edit) (3:58)
Side 2
1. The Stance Brothers - "Roll Call" (3:56)
2. Cruisic - "Jazz Carnival" (4:39)
3. Daniel Crawford - "Water No Get Enemy" (5:38)
4. Los Po-Boy-Citos - "Fried Neckbones & Some Home Fries" (4:50)
Side 3
1. Raul Monsalve Y Los Forajidos - "Black & Decker" (4:50)
2. Clare Fischer - "African Flutes" (8:12)
3. Cheick Tidiane Seck - "Niger Mambo" (8:00)
Side 4
1. Florian Pellissier Quintet - "The Hipster" (5:30)
2. Take Vibe - "Golden Brown" (3:09)
3. Fast 3 - "Don't You Want Me?" (8:27) More
Label:Erased tapes
Cat-No:ERAT106LP
Release-Date:17.02.2023
Genre:Electronic
Configuration:2LP
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Label:Erased tapes
Cat-No:ERAT106LP
Release-Date:17.02.2023
Genre:Electronic
Configuration:2LP
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Label:Soundway Records
Cat-No:SNDWLP047
Release-Date:14.04.2023
Genre:World Music
Configuration:2LP
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Genre:World Music
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1
Kiki Gyan - Disco Dancer
2
Kiki Gyan - 24 Hours In A Disco
3
Kiki Gyan - Keep On Dancing
4
K G Band - Loving You
5
The Twins - Pretty Pretty Girls
6
Kiki Gyan - Sexy Dancer
7
K G Band - Disco Train
2021 repress.
Out on his own, he produced a series of highly ambitious disco records aimed at positioning him as an international star, but weighed down by the excesses of the era, Gyan saw his meteoric rise matched by an equally swift fall back into obscurity. Soundway Records now collects the best of Gyan�s work as a frontman and solo artist, featuring an array of electrifying disco grooves that still sound contemporary (and in some cases futuristic) decades after their initial release. Tip!
Hailed as Africa's answer to Stevie Wonder, Ghanaian multi-instrumentalist Kiki Gyan was a musical wunderkind who by 1975 had risen from the lowly status of high school dropout to being ranked eighth in a poll of the greatest keyboardists in the world (occupying the rarefied air of the top ten with heavyweights like Steve Winwood, Billy Preston, and Stevie Wonder) as well as becoming an in-demand session player in the top recording studios of London - all before his twenty-first birthday. More
Out on his own, he produced a series of highly ambitious disco records aimed at positioning him as an international star, but weighed down by the excesses of the era, Gyan saw his meteoric rise matched by an equally swift fall back into obscurity. Soundway Records now collects the best of Gyan�s work as a frontman and solo artist, featuring an array of electrifying disco grooves that still sound contemporary (and in some cases futuristic) decades after their initial release. Tip!
Hailed as Africa's answer to Stevie Wonder, Ghanaian multi-instrumentalist Kiki Gyan was a musical wunderkind who by 1975 had risen from the lowly status of high school dropout to being ranked eighth in a poll of the greatest keyboardists in the world (occupying the rarefied air of the top ten with heavyweights like Steve Winwood, Billy Preston, and Stevie Wonder) as well as becoming an in-demand session player in the top recording studios of London - all before his twenty-first birthday. More
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Label:Be With Records
Cat-No:bewith094LP
Release-Date:16.06.2023
Genre:Soul/Funk
Configuration:LP Excl
Barcode:4251804123709
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Last in:03.04.2024
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Last in:03.04.2024
Label:Be With Records
Cat-No:bewith094LP
Release-Date:16.06.2023
Genre:Soul/Funk
Configuration:LP Excl
Barcode:4251804123709
1
Jay Richford and Gary Stevan - A1 : Flying High (3:35)
2
Jay Richford and Gary Stevan - A2 : Going Home (2:46)
3
Jay Richford and Gary Stevan - A3 : Walking In The Dark (4:42)
4
Jay Richford and Gary Stevan - A4 : Fighting For Life (3:37)
5
Jay Richford and Gary Stevan - A5 : Feeling Tense (4:05)
6
Jay Richford and Gary Stevan - B1 : Running Fast (4:42)
7
Jay Richford and Gary Stevan - B2 : Loving Tenderly (3:27)
8
Jay Richford and Gary Stevan - B3 : Fearing Much (3:35)
9
Jay Richford and Gary Stevan - B4 : Being Friendly (2:54)
10
Jay Richford and Gary Stevan - B5 : Having Fun (4:00)
2023 repress
Format Notes: 140g vinyl, remastered from the original tapes
Territories:
Worldwide no restrictions
Track List:
A1 : Flying High (3:35)
A2 : Going Home (2:46)
A3 : Walking In The Dark (4:42)
A4 : Fighting For Life (3:37)
A5 : Feeling Tense (4:05)
B1 : Running Fast (4:42)
B2 : Loving Tenderly (3:27)
B3 : Fearing Much (3:35)
B4 : Being Friendly (2:54)
B5 : Having Fun (4:00)
Release Notes:
More than once Jay Richford and Gary Stevan’s Feelings has been described as the greatest library record ever released. Of course Be With can’t be seen to be playing favourites, but we have to admit, it’s pretty good. Insanely rare and immensely sought-after, it’s a tough funk, street jazz masterpiece coveted for many years by collectors of all musical genres.
Since its original release on Italian label Carosello in 1974, Feelings has appeared on several labels with different sleeves and even under a different artist. Indeed cult library label Conroy put it out in one of their iconic red sleeves in 1976 and yes, Feelings has indeed had more than one modern re-issue since these “original” releases. But a record this special deserves to be kept in press and we think it deserves the Be With treatment.
No, Jay Richford and Gary Stevan aren’t two of the most Italian sounding names. As the story goes these were the pseudonyms adopted by Stefano Torossi and Giancarlo Gazzani who wrote the album but couldn’t use their real names on the original release for legal reasons. But Stefano Torossi himself later both clarified and confused the tale further by explaining that Feelings was the work of four people not just Gazzani and himself. Fellow composers and musicians Sandro Brugnolini and Puccio Roelens also worked on the album and as Torossi himself explained “we all worked together”, with all four gents “dividing the royalties in equal parts… that’s the story.” Right, so, with that all sorted out let’s get back to talking about the music. And what music it is.
Long hailed as a holy grail of library music, Feelings is the epitome of the sort of cinematic orchestral jazzy funk that is “that 70s library music sound”. Infectiously funky, deliciously melodic and with impeccible, elegant production, this record is the showcase for a stunning set of compositions and arrangements and with performances that are nothing short of virtuoso.
The record’s first side lifts off with “Flying High”, soaring brilliant and shimmering. Funk licks, menacing strings and swaggering horns combine for an ice-cold intro groove that Isaac Hayes would surely have envied, before the steady-paced drums deliver the slo-mo TKO. The string-drenched cop-funk of “Going Home” raises the tempo. All funky quick-fire bass lines and killer electric guitar soloing. A real thriller.
“Walking In The Dark” positively drips in blaxploitation-funk drama strings and horn struts, all laced with delicate drums, velvet piano and more filthy wah-wah. “Fighting For Life” is another funk-fuelled workout built around an effortlessly relentless drum track that refuses to give up until even the stiffest-necked head is nodding.
The loping, open drum break that guides the much-loved “Feeling Tense” through its early stages would be good enough on its own. The heavy bass gloss, swirling strings and ominous horns that follow take things to the next level.
The second side opens with another favourite “Running Fast”, and the track does precisely that. This is one fine rollicking chase theme underpinned by frenetic (yet funky) Fender Rhodes and skipping bass and drums. Those sweeping strings are a gorgeous extra. It’s a deliciously feel-good groove that sets the heart racing.
“Loving Tenderly” envelops us in warm, velvety night-time vibes with easy listening horns and slinky strings dialing up the seduction. Definitely one for the lithe lovers out there. The pace picks up on the electrifying “Fearing Much” where strings dart around deep bass, buzzing guitars and another funky drum break. The lush, melancholic “Being Friendly” is another easy beauty, all warm Rhodes and strings. Majestic stuff that puts an aural arm around you. The climactic “Having Fun” rides a pulsating, bass-heavy drum break with snatches of a funky guitar refrain, some luxurious keys, sweeping strings and triumphant horns. Sensational.
“Feelings” is a profoundly appropriate title for such an emotionally funky and genuinely affecting record. Groove-laden bass, irrepressible horns, sweet flute lines, warm Rhodes, lush string arrangements, blaxploitation-styled wah-wah guitars and so, so much more make this one of the finest instrumental soul LPs of the 70s, if not of all time.
The audio for this re-issue of Feelings comes from the original analogue tapes and has been remastered for vinyl by Be With regular Simon Francis and cut by Pete Norman. The same care has been taken by the Be With team to restore that glorious original Carosello sleeve. Feelings is almost too good to be true. Feels good all over.
More
Format Notes: 140g vinyl, remastered from the original tapes
Territories:
Worldwide no restrictions
Track List:
A1 : Flying High (3:35)
A2 : Going Home (2:46)
A3 : Walking In The Dark (4:42)
A4 : Fighting For Life (3:37)
A5 : Feeling Tense (4:05)
B1 : Running Fast (4:42)
B2 : Loving Tenderly (3:27)
B3 : Fearing Much (3:35)
B4 : Being Friendly (2:54)
B5 : Having Fun (4:00)
Release Notes:
More than once Jay Richford and Gary Stevan’s Feelings has been described as the greatest library record ever released. Of course Be With can’t be seen to be playing favourites, but we have to admit, it’s pretty good. Insanely rare and immensely sought-after, it’s a tough funk, street jazz masterpiece coveted for many years by collectors of all musical genres.
Since its original release on Italian label Carosello in 1974, Feelings has appeared on several labels with different sleeves and even under a different artist. Indeed cult library label Conroy put it out in one of their iconic red sleeves in 1976 and yes, Feelings has indeed had more than one modern re-issue since these “original” releases. But a record this special deserves to be kept in press and we think it deserves the Be With treatment.
No, Jay Richford and Gary Stevan aren’t two of the most Italian sounding names. As the story goes these were the pseudonyms adopted by Stefano Torossi and Giancarlo Gazzani who wrote the album but couldn’t use their real names on the original release for legal reasons. But Stefano Torossi himself later both clarified and confused the tale further by explaining that Feelings was the work of four people not just Gazzani and himself. Fellow composers and musicians Sandro Brugnolini and Puccio Roelens also worked on the album and as Torossi himself explained “we all worked together”, with all four gents “dividing the royalties in equal parts… that’s the story.” Right, so, with that all sorted out let’s get back to talking about the music. And what music it is.
Long hailed as a holy grail of library music, Feelings is the epitome of the sort of cinematic orchestral jazzy funk that is “that 70s library music sound”. Infectiously funky, deliciously melodic and with impeccible, elegant production, this record is the showcase for a stunning set of compositions and arrangements and with performances that are nothing short of virtuoso.
The record’s first side lifts off with “Flying High”, soaring brilliant and shimmering. Funk licks, menacing strings and swaggering horns combine for an ice-cold intro groove that Isaac Hayes would surely have envied, before the steady-paced drums deliver the slo-mo TKO. The string-drenched cop-funk of “Going Home” raises the tempo. All funky quick-fire bass lines and killer electric guitar soloing. A real thriller.
“Walking In The Dark” positively drips in blaxploitation-funk drama strings and horn struts, all laced with delicate drums, velvet piano and more filthy wah-wah. “Fighting For Life” is another funk-fuelled workout built around an effortlessly relentless drum track that refuses to give up until even the stiffest-necked head is nodding.
The loping, open drum break that guides the much-loved “Feeling Tense” through its early stages would be good enough on its own. The heavy bass gloss, swirling strings and ominous horns that follow take things to the next level.
The second side opens with another favourite “Running Fast”, and the track does precisely that. This is one fine rollicking chase theme underpinned by frenetic (yet funky) Fender Rhodes and skipping bass and drums. Those sweeping strings are a gorgeous extra. It’s a deliciously feel-good groove that sets the heart racing.
“Loving Tenderly” envelops us in warm, velvety night-time vibes with easy listening horns and slinky strings dialing up the seduction. Definitely one for the lithe lovers out there. The pace picks up on the electrifying “Fearing Much” where strings dart around deep bass, buzzing guitars and another funky drum break. The lush, melancholic “Being Friendly” is another easy beauty, all warm Rhodes and strings. Majestic stuff that puts an aural arm around you. The climactic “Having Fun” rides a pulsating, bass-heavy drum break with snatches of a funky guitar refrain, some luxurious keys, sweeping strings and triumphant horns. Sensational.
“Feelings” is a profoundly appropriate title for such an emotionally funky and genuinely affecting record. Groove-laden bass, irrepressible horns, sweet flute lines, warm Rhodes, lush string arrangements, blaxploitation-styled wah-wah guitars and so, so much more make this one of the finest instrumental soul LPs of the 70s, if not of all time.
The audio for this re-issue of Feelings comes from the original analogue tapes and has been remastered for vinyl by Be With regular Simon Francis and cut by Pete Norman. The same care has been taken by the Be With team to restore that glorious original Carosello sleeve. Feelings is almost too good to be true. Feels good all over.
More
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Last in:19.06.2024
Label:X-Kalay
Cat-No:XK034
Release-Date:10.05.2024
Genre:House
Configuration:12"
Barcode:
1
Julian Anthony - Full Moon Fever
2
Julian Anthony - Open Minded
3
Julian Anthony - Stormy Tuesday
4
Julian Anthony - Virtual Reality
Repress!
In dialogue with both past and future, Slapfunk protégé Julian Anthony drops his debut solo EP and touches down with a 4-track invocation of classic 90s house templates.
Tripped out sensibility meets sci-fi tendency as ‘Full Moon Fever’ and ‘Open Minded’ deliver full-bodied exercises in total dance floor immersion. Fractal fuel for the vision quest, they’re sophisticated like the finest dream house while channelling the buoyant, jacking heft of timeless Chi-town material.
Wide eyed but tuff, ‘Stormy Tuesday’ rolls in with more of the groove-forward drive that typifies Anthony’s best work. It’s just the kind of immaculate gear we've come to expect from the Dutchman, and evoking golden era Dream 2 Science, ‘Virtual Reality’ ploughs the same furrow of propulsive, ‘90s-indebted house. Deep space projections radiating togetherness and warmth from the start. More
In dialogue with both past and future, Slapfunk protégé Julian Anthony drops his debut solo EP and touches down with a 4-track invocation of classic 90s house templates.
Tripped out sensibility meets sci-fi tendency as ‘Full Moon Fever’ and ‘Open Minded’ deliver full-bodied exercises in total dance floor immersion. Fractal fuel for the vision quest, they’re sophisticated like the finest dream house while channelling the buoyant, jacking heft of timeless Chi-town material.
Wide eyed but tuff, ‘Stormy Tuesday’ rolls in with more of the groove-forward drive that typifies Anthony’s best work. It’s just the kind of immaculate gear we've come to expect from the Dutchman, and evoking golden era Dream 2 Science, ‘Virtual Reality’ ploughs the same furrow of propulsive, ‘90s-indebted house. Deep space projections radiating togetherness and warmth from the start. More
Label:Funtown
Cat-No:FUNTOWNPR55
Release-Date:14.06.2024
Configuration:12"
Barcode:
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Last in:13.06.2024
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2LP
in stock
Label:Music For Dreams
Cat-No:ZZZV24009
Release-Date:07.06.2024
Configuration:2LP
Barcode:0616576256439
in stock
Last in:27.05.2024
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in stock
Last in:27.05.2024
Label:Music For Dreams
Cat-No:ZZZV24009
Release-Date:07.06.2024
Configuration:2LP
Barcode:0616576256439
Pete Blaker (NL) has teamed up with Belgium's Rheinzand to re-work tracks from their last Album 'Atlantis Atlantis'. This is by no means your standard 'remix' album!
Pete has sonically re-furbished the tracks getting the band to do new instrumental layers and vocal dubs to enrich his versions to recreate a totally new take on the songs. With Pete leading the way in his production style, showcasing another side to his skills than his traditional disco edits which we know & love. The Album flows through different electronic frequencies taking the listener on an unparalleled journey into another dimension.
Pete says "Back in 2021 I was asked to remix a track for Rheinzand (Strange World). I couldn't imagine that we would have had a whole remix album that would eventually be released on vinyl. This journey was a new, overwhelming, frightening but beautiful experience for me. I had never done something like this. I didn't have the experience and knowledge at that time. I only had one night a week of studio time and 10 months of time. And here we are, I can certainly say - anything is possible.
TRACKLIST:
A1 Love Games
B1. The Gift of Love
B2. Orange Bun.
C1. Ibiza Macht Frei
C2. Facciamo L'Amore
D1. Hotel Cathargo
2LP FORMAT DETAILS: Limited Heavyweight Black Double Vinyl (300 Worldwide)
PRIVATE LISTEN LINK: https://s.disco.ac/fkmejzcsnqxx More
Pete has sonically re-furbished the tracks getting the band to do new instrumental layers and vocal dubs to enrich his versions to recreate a totally new take on the songs. With Pete leading the way in his production style, showcasing another side to his skills than his traditional disco edits which we know & love. The Album flows through different electronic frequencies taking the listener on an unparalleled journey into another dimension.
Pete says "Back in 2021 I was asked to remix a track for Rheinzand (Strange World). I couldn't imagine that we would have had a whole remix album that would eventually be released on vinyl. This journey was a new, overwhelming, frightening but beautiful experience for me. I had never done something like this. I didn't have the experience and knowledge at that time. I only had one night a week of studio time and 10 months of time. And here we are, I can certainly say - anything is possible.
TRACKLIST:
A1 Love Games
B1. The Gift of Love
B2. Orange Bun.
C1. Ibiza Macht Frei
C2. Facciamo L'Amore
D1. Hotel Cathargo
2LP FORMAT DETAILS: Limited Heavyweight Black Double Vinyl (300 Worldwide)
PRIVATE LISTEN LINK: https://s.disco.ac/fkmejzcsnqxx More
Label:Big Saldo's Chunkers
Cat-No:BSC003
Release-Date:20.10.2023
Genre:House
Configuration:12"
Barcode:
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Last in:15.05.2024
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Last in:15.05.2024
Label:Big Saldo's Chunkers
Cat-No:BSC003
Release-Date:20.10.2023
Genre:House
Configuration:12"
Barcode:
1
Sally C - All Love
2
Sally C - Hi It
3
Sally C - Control
4
Sally C - Get Up
Repress coming mid september!
The love for Sally C’s sound and burgeoning label shows no sign of slowing down. Last year’s ‘Big Saldo’s Chunkers 002’ was a phenomenon. Led by ‘Downtown’, which became one of the most beloved tracks of the year, it secured over 30 BBC Radio 1 plays and genre-crossing support from Peggy Gou to TSHA and Bradley Zero. Critical acclaim came from Bandcamp, RA and beyond.
Launched in 2020 with ‘Big Saldo’s Chunkers 001’ that’s currently on its fourth repress, the Chunker sound is special to all those who know it. Taking influence from artists including K-Hand and Fast Eddie, Sally draws on the sensibilities of classic US house music, crafting unique dancefloor cuts that don’t compromise on quality.
Active on the release front over the last 12 months with well-received remixes of Obongjayar, LB aka LABAT and a fresh original on Rhythm Section, we witness a noticeable evolution in her sound with BSC003. “I wanted to challenge myself when writing this record. I still haven’t released a full EP on another label, so I wanted to pair straight up Chunkers with something a bit different to shake up the Chunker energy,” she shares.
The four-tracker opens with ‘All Love’, a joyous house banger that swaps out Sally’s trademark Chunker bassline for a sexier groove. When the euphoric piano breakdown kicks in, soon accompanied by the ‘dance’ vocal on repeat, we’re reminded of the exultant power of rave. ‘
Hit It’ follows, a proper Chunker to the core. A hip house-informed jam, it’s packed full of tight drums, stabs, sirens and one of Sally’s monster Chunker b-lines. An absolute tune!
‘Control’ is a low-slung roller, encapsulating her love for simplistic production principles that birth memorable results. A headsy offering ripe for the after-hours.
‘‘Get Up’ is an ice-cool slab born out of a jam on a drum machine that hits at 144bpm. “I wasn’t sure how this would fit on the record being this speed, but it’s exactly what I envisioned when I wanted to challenge myself more. It’s raw and rolling and as soon as I made it, I knew it fitted into the Chunker family,” Sally explains. More
The love for Sally C’s sound and burgeoning label shows no sign of slowing down. Last year’s ‘Big Saldo’s Chunkers 002’ was a phenomenon. Led by ‘Downtown’, which became one of the most beloved tracks of the year, it secured over 30 BBC Radio 1 plays and genre-crossing support from Peggy Gou to TSHA and Bradley Zero. Critical acclaim came from Bandcamp, RA and beyond.
Launched in 2020 with ‘Big Saldo’s Chunkers 001’ that’s currently on its fourth repress, the Chunker sound is special to all those who know it. Taking influence from artists including K-Hand and Fast Eddie, Sally draws on the sensibilities of classic US house music, crafting unique dancefloor cuts that don’t compromise on quality.
Active on the release front over the last 12 months with well-received remixes of Obongjayar, LB aka LABAT and a fresh original on Rhythm Section, we witness a noticeable evolution in her sound with BSC003. “I wanted to challenge myself when writing this record. I still haven’t released a full EP on another label, so I wanted to pair straight up Chunkers with something a bit different to shake up the Chunker energy,” she shares.
The four-tracker opens with ‘All Love’, a joyous house banger that swaps out Sally’s trademark Chunker bassline for a sexier groove. When the euphoric piano breakdown kicks in, soon accompanied by the ‘dance’ vocal on repeat, we’re reminded of the exultant power of rave. ‘
Hit It’ follows, a proper Chunker to the core. A hip house-informed jam, it’s packed full of tight drums, stabs, sirens and one of Sally’s monster Chunker b-lines. An absolute tune!
‘Control’ is a low-slung roller, encapsulating her love for simplistic production principles that birth memorable results. A headsy offering ripe for the after-hours.
‘‘Get Up’ is an ice-cool slab born out of a jam on a drum machine that hits at 144bpm. “I wasn’t sure how this would fit on the record being this speed, but it’s exactly what I envisioned when I wanted to challenge myself more. It’s raw and rolling and as soon as I made it, I knew it fitted into the Chunker family,” Sally explains. More
LP
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Last in:21.06.2024
Label:Timmion
Cat-No:TRLP12014
Release-Date:31.05.2024
Genre:Jazz
Configuration:LP
Barcode:0617308066500
1
Jimi Tenor & Cold Diamond & Mink - Is There Love In Outer Space?
2
Jimi Tenor & Cold Diamond & Mink - Gaia Sunset Pt.1
3
Jimi Tenor & Cold Diamond & Mink - Gaia Sunset Pt.2
4
Jimi Tenor & Cold Diamond & Mink - Orbiting Telesto
5
Jimi Tenor & Cold Diamond & Mink - Laputa
6
Jimi Tenor & Cold Diamond & Mink - What Are You Doing?
There are certain occasions when you can truly feel the stars align. One of these is when the interstellar voyager of cosmic soul Jimi Tenor finally lands his spaceship at full force on a Timmion recording. In 2024, he will be serving us two spaced out album sessions recorded together with Cold Diamond & Mink. Jimi is no stranger in these space ways as he has operated behind the Timmion scenes for years, furnishing several of the label's artists with his flute and reeds artistry. The first album out is titled "Is There Love In Outer Space?", which begs the question with the force of five extended tracks that are guaranteed to blow your mind to the stratosphere. The pieces are loaded with whooshing and glistening synth noises and span from lofi space funk to cinematic soundscapes. The sweetly floating title track is like some of those galactic ballads that rare soul collectors are spending their pensions on. At the other side of the spectrum, album closer `What Are You Doing?' sounds like Sun Ra sat down at a JBs session, and is straight up meant to get that booty moving. Combined with the raw soul prowess of CD&M, Jimi is able to refine new shades from his already impressive repertoire of talent. Even if you are a friend of his previous work you might not have heard him get down quite like this.
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Label:The Outer Edge
Cat-No:TAC-014
Release-Date:25.11.2022
Configuration:LP Excl
Barcode:4251804139625
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Last in:23.06.2023
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Last in:23.06.2023
Label:The Outer Edge
Cat-No:TAC-014
Release-Date:25.11.2022
Configuration:LP Excl
Barcode:4251804139625
1
Ghia - Curaçao Blue (Introlution)
2
Ghia - Down At The Hilton
3
Ghia - Jump In The Water
4
Ghia - Close To You ('85 Interlude)
5
Ghia - In The Fast Lane
6
Ghia - Flowerplay
7
Ghia - Curaçao Blue
8
Ghia - Through The Window
9
Ghia - Crystal Silence In Dub
10
Ghia - Keep Your House In Disorder (Instrumental)
LP
- Thick 350 g Picture sleeve
- Includes 30x30 cm insert (250 g)
- Previously unissued full length album
- Fully licenced, recorded in 1985-1988
The story about the lost recordings of Ghia continues: Following the recently released "At The Hilton" single, our label is extremely proud to present "Curaçao Blue", the band's first full-length album. And it is simply mind-blowing, to say the least! The LP features 10 unreleased tracks in a similar Balearic vein as featured on the single.
Incredibly, it was only just a few months ago that these tracks were rediscovered on some old tapes by band members Lutz Boberg and Frank Simon. Could anyone imagine that two physics students from a small German town could create such beautiful, thrilling music in their home studio? Although the technical aspects in the creation of the band's earliest tracks may have been straightforward, the outcome is high-quality, creative, modern jazz-funk, with one step in the electro-funk genre due to the use of a drum machine and synthesizer basslines. The album features mostly 4-track recordings, based mainly on the musicians' weapons of choice: a DX21 keyboard (later updated to the legendary DX7) and a guitar. Many things had to be done live in just one take, though the artists were unafraid of using overdubbing techniques to weave their instrumental journeys. The DIY aesthetics just add more beauty and uniqueness to the songs and compositions, and the result is an extremely harmonic work of undeniable musicality. Ghia delivers Balearic jazz-funk at its finest.
Though the music was recorded in Germany, Ghia had a true relationship with the Balearic region and effortlessly applied the vibes to their compositions. As a side note, one track on their earliest demo tapes was called "3 AM at Moëf Gaga" and we did not know what it meant. The band explained that Moëf Gaga is a nightclub on the Spanish coast that is actually still active today. Boberg and Simon, the two original band members of Ghia, visited the club in the early 80s and spent their holiday close to the sea. With their music, they intended to create a summery vibe, capturing a relaxed and soulful view of the seashore, likely with a drink in hand... Perhaps a Blue Curaçao?
The album starts with a revised version of the title track. The drums in this take are much punchier, and we thought that it would fit just perfectly as an introduction. We continue with the already classic "Down At The Hilton" that was featured on the single, but like us, we are sure you could happily listen to this track on repeat. Next up, "Jump In The Water" opens with a catchy delayed melody, which develops into another perfect jazz-funk piece with an extended guitar solo. Another remarkable song might be "In The Fast Lane". As the name suggests, an uptempo number, now with an electro-funk beat combined with speedy keyboard solos that almost sounds like a marimba. On side B, the album keeps the relaxed seaside vibes flowing. To round out the album, we are treated to two pieces that originated after the return home, with memories of the Spanish coast fading but still lingering, likely recorded between 1986 and 1988. Both are instrumental versions of songs to be used later for studio sessions with their new band member, singer Lisa Ohm (who you will hear on Ghia's next album!). On "Crystal Silence In Dub" we get a perfect downtempo groove, positively reminding us of the sound of the 1980s UK funk scene. The album ends with "Keep Your House In Disorder", here as an earlier, rougher, and funkier take than on the final vocal version, which could be found on the B-side of the "What's Your Voodoo" single.
We hope you love this album as much as we do! Nothing like this has yet been released out of Germany. We hardly can recall any privately produced, home recorded jazz-funk/fusion from the 1980s as free, creative, and uninhibited as Ghia's Curaçao Blue. The playful and creative approach, coupled with those nostalgic tones should make this LP an essential pick for any record collection, whether you are a DJ, a home listener, a music lover, or a modern jazz-funk/synth-funk aficionado.
The album is out now on The Outer Edge, the new label by record collector DJ Scientist, aka John Raincoatman. We also want to thank Frederic Stader for his awesome work mastering and sound restoration of the material on this LP.
TRACKLISTS:
Side A
Curaçao Blue (Introlution)
Down At The Hilton
Jump In The Water
Close To You ('85 Interlude)
In The Fast Lane
Side B
Flowerplay
Curaçao Blue
Through The Window
Crystal Silence In Dub
Keep Your House In Disorder (Instrumental)
Genre: Modern Jazz Funk / Balearic Jazz Funk / Synth Funk / Melodic Electro Jazz Funk More
- Thick 350 g Picture sleeve
- Includes 30x30 cm insert (250 g)
- Previously unissued full length album
- Fully licenced, recorded in 1985-1988
The story about the lost recordings of Ghia continues: Following the recently released "At The Hilton" single, our label is extremely proud to present "Curaçao Blue", the band's first full-length album. And it is simply mind-blowing, to say the least! The LP features 10 unreleased tracks in a similar Balearic vein as featured on the single.
Incredibly, it was only just a few months ago that these tracks were rediscovered on some old tapes by band members Lutz Boberg and Frank Simon. Could anyone imagine that two physics students from a small German town could create such beautiful, thrilling music in their home studio? Although the technical aspects in the creation of the band's earliest tracks may have been straightforward, the outcome is high-quality, creative, modern jazz-funk, with one step in the electro-funk genre due to the use of a drum machine and synthesizer basslines. The album features mostly 4-track recordings, based mainly on the musicians' weapons of choice: a DX21 keyboard (later updated to the legendary DX7) and a guitar. Many things had to be done live in just one take, though the artists were unafraid of using overdubbing techniques to weave their instrumental journeys. The DIY aesthetics just add more beauty and uniqueness to the songs and compositions, and the result is an extremely harmonic work of undeniable musicality. Ghia delivers Balearic jazz-funk at its finest.
Though the music was recorded in Germany, Ghia had a true relationship with the Balearic region and effortlessly applied the vibes to their compositions. As a side note, one track on their earliest demo tapes was called "3 AM at Moëf Gaga" and we did not know what it meant. The band explained that Moëf Gaga is a nightclub on the Spanish coast that is actually still active today. Boberg and Simon, the two original band members of Ghia, visited the club in the early 80s and spent their holiday close to the sea. With their music, they intended to create a summery vibe, capturing a relaxed and soulful view of the seashore, likely with a drink in hand... Perhaps a Blue Curaçao?
The album starts with a revised version of the title track. The drums in this take are much punchier, and we thought that it would fit just perfectly as an introduction. We continue with the already classic "Down At The Hilton" that was featured on the single, but like us, we are sure you could happily listen to this track on repeat. Next up, "Jump In The Water" opens with a catchy delayed melody, which develops into another perfect jazz-funk piece with an extended guitar solo. Another remarkable song might be "In The Fast Lane". As the name suggests, an uptempo number, now with an electro-funk beat combined with speedy keyboard solos that almost sounds like a marimba. On side B, the album keeps the relaxed seaside vibes flowing. To round out the album, we are treated to two pieces that originated after the return home, with memories of the Spanish coast fading but still lingering, likely recorded between 1986 and 1988. Both are instrumental versions of songs to be used later for studio sessions with their new band member, singer Lisa Ohm (who you will hear on Ghia's next album!). On "Crystal Silence In Dub" we get a perfect downtempo groove, positively reminding us of the sound of the 1980s UK funk scene. The album ends with "Keep Your House In Disorder", here as an earlier, rougher, and funkier take than on the final vocal version, which could be found on the B-side of the "What's Your Voodoo" single.
We hope you love this album as much as we do! Nothing like this has yet been released out of Germany. We hardly can recall any privately produced, home recorded jazz-funk/fusion from the 1980s as free, creative, and uninhibited as Ghia's Curaçao Blue. The playful and creative approach, coupled with those nostalgic tones should make this LP an essential pick for any record collection, whether you are a DJ, a home listener, a music lover, or a modern jazz-funk/synth-funk aficionado.
The album is out now on The Outer Edge, the new label by record collector DJ Scientist, aka John Raincoatman. We also want to thank Frederic Stader for his awesome work mastering and sound restoration of the material on this LP.
TRACKLISTS:
Side A
Curaçao Blue (Introlution)
Down At The Hilton
Jump In The Water
Close To You ('85 Interlude)
In The Fast Lane
Side B
Flowerplay
Curaçao Blue
Through The Window
Crystal Silence In Dub
Keep Your House In Disorder (Instrumental)
Genre: Modern Jazz Funk / Balearic Jazz Funk / Synth Funk / Melodic Electro Jazz Funk More
Label:Thirty Year Records
Cat-No:TYR010
Release-Date:01.07.2022
Genre:Breaks
Configuration:12"
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Label:Thirty Year Records
Cat-No:TYR010
Release-Date:01.07.2022
Genre:Breaks
Configuration:12"
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Cat-No:XK033
Release-Date:01.12.2023
Genre:House / Techno
Configuration:12"
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Label:X-Kalay
Cat-No:XK033
Release-Date:01.12.2023
Genre:House / Techno
Configuration:12"
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