1
Tropical Pop - Lilt
2
Tropical Pop - Rubicon
NEW LABEL ALERT!!!
Tropical Pop arrive on the scene to serve peak-time refreshment to the stale dancefloors of the world.
Bursting with flavour, artificial sweeteners and a whole load of E numbers, these cuts deliver totally tropical disco pump and tangy technoid madness - teased, tweaked and transformed for maximum sugar rush.
LIMITED EDITION - ILLICIT INGREDIENTS
Feel the fizz, folks.
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Germany
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Tropical Pop arrive on the scene to serve peak-time refreshment to the stale dancefloors of the world.
Bursting with flavour, artificial sweeteners and a whole load of E numbers, these cuts deliver totally tropical disco pump and tangy technoid madness - teased, tweaked and transformed for maximum sugar rush.
LIMITED EDITION - ILLICIT INGREDIENTS
Feel the fizz, folks.
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WAS - Word and Sound Medien GmbH
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DE - 22113 Hamburg
Germany
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1
Arthur Russell - IN THE LIGHT OF THE MIRACLE
2
Arthur Russell - IN THE LIGHT OF THE MIRACLE - PONYTAIL CLUB MIX (PARTS 1 & 2)
Format Notes: 2024 first-time 12" single release of previously white label only tracks, 140g vinyl, mastered by Simon Francis
Track List:
A1 IN THE LIGHT OF THE MIRACLE (13:26 min)
B1 IN THE LIGHT OF THE MIRACLE - PONYTAIL CLUB MIX (PARTS 1 & 2) (14:10 min)
Release Notes:
FINALLY! The very first commercial release of two legendary remixes of Arthur Russell's "In The Light Of The Miracle". Both are widely regarded as transcendent masterpieces and very much befitting of the title “holy grails”.
These long-beloved mixes are the types you'd wish would last for eternity. With almost 30 minutes of music here, we very nearly get our desires granted. At last, these jaw-dropping mixes are widely available to every Arthur fan in the world. This is musical perfection.
The deep Loft classic "In The Light Of The Miracle" remained unreleased during Arthur's lifetime, finally discovered when Phillip Glass included the original version on Another Thought on Point Music in 1993. As Steve Knutson told us, when Another Thought was being put together, the plan was to release a companion album of remixes that was overseen by Steve D'Aquisto but the project only got as far as these two remixes of "In The Light Of The Miracle".
Some dodgy scans of some centre label designs suggest that Point Music might’ve been planning to release these on a 12" but it didn’t happen. The story goes that Gilles Peterson heard the remixes on a visit to the Point Music offices and wanted to release them on Talkin’ Loud. We’re not sure how many white label copies made it out into the wild, but again, these remixes didn’t make it to a proper release.
These remixes both extend and undeniably enhance the original, elevating it to new heights. The 13 minute remix on the A-side is by Danny Krivit & Tony Smith with editing duties performed by Tony Morgan. As ever with Arthur, the music is almost impossible to describe: is it Disco? Garage House? Avant Garde? None of these tags do full justice to its sheer majesty. You best just listen. Stretching out the original with some unbelievably great percussive elements, until we're in a deeply spiritual, otherworldly realm, it's just too beautiful for words. As many have claimed, it's the prototype for EVERYTHING.
The "Ponytail Club Mix (Part 1 & 2)", produced by Tony Morgan in the mid-90s, is in a more up-tempo style, with vocals higher in the mix, the BPM upped to 120 and the addition of a housey 4/4 kick drum. A 14 minute epic, you could say this is a more straight ahead "club-friendly" mix (but can things ever be that straightforward with Arthur?!) It also has some really interesting vocal parts not used in the other versions, including some vocals from guest poet Allen Ginsberg.
These remixes are part of the same original project that also produced the Another Thought album so it seems only right that they have a sleeve that matches. Thanks again to Janette Beckman for letting us use another of her photos of Arthur and the rest of the design follows what Margery Greenspan, Tina Lauffer and Michael Klotz did for Another Thought back in 1994.
Simon Francis remastered the original audio for both tracks and Cicely Balston's precise cut for Alchemy at AIR Studios ensures this 12" well and truly slaps. The immaculate Record Industry pressing will ensure this incredibly sought-after treasure finds a home in many more collections, this and every year.
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Germany
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Track List:
A1 IN THE LIGHT OF THE MIRACLE (13:26 min)
B1 IN THE LIGHT OF THE MIRACLE - PONYTAIL CLUB MIX (PARTS 1 & 2) (14:10 min)
Release Notes:
FINALLY! The very first commercial release of two legendary remixes of Arthur Russell's "In The Light Of The Miracle". Both are widely regarded as transcendent masterpieces and very much befitting of the title “holy grails”.
These long-beloved mixes are the types you'd wish would last for eternity. With almost 30 minutes of music here, we very nearly get our desires granted. At last, these jaw-dropping mixes are widely available to every Arthur fan in the world. This is musical perfection.
The deep Loft classic "In The Light Of The Miracle" remained unreleased during Arthur's lifetime, finally discovered when Phillip Glass included the original version on Another Thought on Point Music in 1993. As Steve Knutson told us, when Another Thought was being put together, the plan was to release a companion album of remixes that was overseen by Steve D'Aquisto but the project only got as far as these two remixes of "In The Light Of The Miracle".
Some dodgy scans of some centre label designs suggest that Point Music might’ve been planning to release these on a 12" but it didn’t happen. The story goes that Gilles Peterson heard the remixes on a visit to the Point Music offices and wanted to release them on Talkin’ Loud. We’re not sure how many white label copies made it out into the wild, but again, these remixes didn’t make it to a proper release.
These remixes both extend and undeniably enhance the original, elevating it to new heights. The 13 minute remix on the A-side is by Danny Krivit & Tony Smith with editing duties performed by Tony Morgan. As ever with Arthur, the music is almost impossible to describe: is it Disco? Garage House? Avant Garde? None of these tags do full justice to its sheer majesty. You best just listen. Stretching out the original with some unbelievably great percussive elements, until we're in a deeply spiritual, otherworldly realm, it's just too beautiful for words. As many have claimed, it's the prototype for EVERYTHING.
The "Ponytail Club Mix (Part 1 & 2)", produced by Tony Morgan in the mid-90s, is in a more up-tempo style, with vocals higher in the mix, the BPM upped to 120 and the addition of a housey 4/4 kick drum. A 14 minute epic, you could say this is a more straight ahead "club-friendly" mix (but can things ever be that straightforward with Arthur?!) It also has some really interesting vocal parts not used in the other versions, including some vocals from guest poet Allen Ginsberg.
These remixes are part of the same original project that also produced the Another Thought album so it seems only right that they have a sleeve that matches. Thanks again to Janette Beckman for letting us use another of her photos of Arthur and the rest of the design follows what Margery Greenspan, Tina Lauffer and Michael Klotz did for Another Thought back in 1994.
Simon Francis remastered the original audio for both tracks and Cicely Balston's precise cut for Alchemy at AIR Studios ensures this 12" well and truly slaps. The immaculate Record Industry pressing will ensure this incredibly sought-after treasure finds a home in many more collections, this and every year.
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DE - 22113 Hamburg
Germany
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1
C3D-E & Hashman - Understood
2
C3D-E & Hashman - Denoise
Neither "self-actional" nor “inter-actional”.
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1
Sentena And DJ Spence - A1
2
Sentena And DJ Spence - A2
3
Sentena And DJ Spence - A3
4
Sentena And DJ Spence - B1
5
Sentena And DJ Spence - B2
6
Sentena And DJ Spence - B3
Bent downtempo and no tempo half and whole things from a wide time span with noise in between.
Collaborations with Montrealers Kozz (aka Drainolith) and Sweets of the Night on the A side + ancient Doo on the B.
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Collaborations with Montrealers Kozz (aka Drainolith) and Sweets of the Night on the A side + ancient Doo on the B.
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1
Roy Davis Jr. - A1 – RU Ready
2
Roy Davis Jr. - A2 - Save Your Life (Long Version)
3
Roy Davis Jr. - B1 - 2B Or Not 2B (Roy's Remix)
4
Roy Davis Jr. - B2 – Heart Attack (1996 Re-Edit)
Roy Davis Jr. was part of Phuture and then moved on to New York to record for Strictly Rhythm and DJ Duke's Power Music label. He was one of the main players in the 1990s House Music biz and is still very active until today.
Power Music issued his first long player „The Secret Mission“ and a number of Maxis. Some of his classics got reissued in 1996, sometimes remixed, re-edited and/or a bit faster than the original versions.
This remastered edition contains four of his biggest jams, carefully remastered by Thomas P. Heckmann (TPH). „2B Or Not 2B“ and „Heart Attack“ exist in two different versions, all included as a „digital only“ bonus.
Expect the best Chicago House, „Wild Pitch“ and the New York House sound can offer: Rolling drums, heavy snares, wild filter sweeps and slammin' vocals!
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Germany
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Power Music issued his first long player „The Secret Mission“ and a number of Maxis. Some of his classics got reissued in 1996, sometimes remixed, re-edited and/or a bit faster than the original versions.
This remastered edition contains four of his biggest jams, carefully remastered by Thomas P. Heckmann (TPH). „2B Or Not 2B“ and „Heart Attack“ exist in two different versions, all included as a „digital only“ bonus.
Expect the best Chicago House, „Wild Pitch“ and the New York House sound can offer: Rolling drums, heavy snares, wild filter sweeps and slammin' vocals!
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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1
Ettika - A. Ettika
2
Ettika - B. Ettika (Version Arabe)
A holy grail for fans of French boogie, early hip hop, Arabic funk and Balearic bops,"Ettika" has been seriously sought after since Vidal Benjamin found it in the 1€ bin back in 2006. Teasing the ears of the underground via Vidal's 'Balearic Nightmare' mix for Noncollective, copies of the original were soon snapped up completely, and the later adopters were sated by a Blackdisco edit from Alexis Le-Tan (himself gifted Vidal's second copy), which is now also rare as hen's teeth. The fervour for the track is easy to understand. Underpinned by an endlessly buoyant bass groove, chanted female vocals dart out the speakers like a post- modern mantra while synth vamps flare in stuttering stereo. Middle-Eastern motifs add an air of mystery, but this truly belongs in a dance floor utopia. That the track was the product of a 'back-to-work' scheme aimed at unemployed immigrant youth in Rouen only adds to the appeal. Led by teacher Bernard Guégan, a quartet of students delivered lyrics in French and Arabic inspired by their rejection letters, serving a little social commentary and a lot of funk. If you're mad on Ahmed Fakroun and Shams Dinn, or even those folks in the Bush of Ghosts, then this is a must have for you.
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1
dBridge Vs Forest Drive West - Death Race 3000
2
dBridge Vs Forest Drive West - Vignette
3
dBridge Vs Forest Drive West - Van Mij
4
dBridge Vs Forest Drive West - Spitefull Lips
dBridge & Forest Drive West, doing what they do, together
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1
100th Monkey - Raindance
2
100th Monkey - Nyika Nyika
3
100th Monkey - Raindance (Manuel Darquart Remix)
4
100th Monkey - River Ride
Heels & Souls Recordings hit release number nine, looking across the pond to Toronto in the mid-'90s to reissue two blissfully Balearic house gems from 100th Monkey. Alongside remastered versions of ‘Raindance’ and ‘Nyika Nyika’, the flip features a pumping remix of ‘Raindance’ courtesy of dream house hero Manuel Darquart and a previously unreleased ‘90s stunner, ‘River Ride’.
100th Monkey were most known under their Boomtang Boys moniker, a killer Canadian production trio and record label. In the early ‘90s, with a release already out as Fun Wow, brothers Tony and Paul Grace were introduced to Rob DeBoer. With respective backgrounds as a drummer, DJ and keys player and inspired by the sounds coming across from the UK, they began producing releases for the label under a variety of different monikers. From the street soul grooves of ‘Love Trip’ as Boomtang Boys, to the hip house flavours of D.S.B. and the progressive rhythms of The Riders of the Soundguard.
Their only release as 100th Monkey though is a jewel in this Canadian crown. Cooked up in their home studio, packed with synths, samplers and drum machines, ‘Raindance’ is a hit of summertime heat that instantly transports you to sandy shores. A slice of mid-tempo, Balearic deep house anchored by shuffling hats and a spine-tingling bassline, the African vocal samples, dreamy strings and goose-bumping chords merge to send you floating out across the horizon.
Picking up the pace, ‘Nyika Nyika’ is another dream-inducing house cut, equally adept at soundtracking a sunset, as it is at powering a dancefloor. Shimmering arps and looped African vocal samples glisten through the haze, with a punchy bass and enveloping strings reeling you in.
On the B side, Manuel Darquart puts his trademark spin on ‘Raindance’, looping up elements from the OG with a dash of that Darquart hot sauce. The kick gets an injection, steamy synthlines are laid down and a salacious sax is slipped in the mix.
Finally, plucked from the 100th Monkey vaults, ‘River Ride’ is an unreleased cut from 1996. Washing over you with a wave of floating pads, trickling arps, a laidback breakbeat and grooving bassline, it’s the perfect warm-down or warmup material, that rightly sees the light of day for the very first time.
Licensed from The Boomtang Boys and remastered from the original DATs by Justin Drake.
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Germany
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100th Monkey were most known under their Boomtang Boys moniker, a killer Canadian production trio and record label. In the early ‘90s, with a release already out as Fun Wow, brothers Tony and Paul Grace were introduced to Rob DeBoer. With respective backgrounds as a drummer, DJ and keys player and inspired by the sounds coming across from the UK, they began producing releases for the label under a variety of different monikers. From the street soul grooves of ‘Love Trip’ as Boomtang Boys, to the hip house flavours of D.S.B. and the progressive rhythms of The Riders of the Soundguard.
Their only release as 100th Monkey though is a jewel in this Canadian crown. Cooked up in their home studio, packed with synths, samplers and drum machines, ‘Raindance’ is a hit of summertime heat that instantly transports you to sandy shores. A slice of mid-tempo, Balearic deep house anchored by shuffling hats and a spine-tingling bassline, the African vocal samples, dreamy strings and goose-bumping chords merge to send you floating out across the horizon.
Picking up the pace, ‘Nyika Nyika’ is another dream-inducing house cut, equally adept at soundtracking a sunset, as it is at powering a dancefloor. Shimmering arps and looped African vocal samples glisten through the haze, with a punchy bass and enveloping strings reeling you in.
On the B side, Manuel Darquart puts his trademark spin on ‘Raindance’, looping up elements from the OG with a dash of that Darquart hot sauce. The kick gets an injection, steamy synthlines are laid down and a salacious sax is slipped in the mix.
Finally, plucked from the 100th Monkey vaults, ‘River Ride’ is an unreleased cut from 1996. Washing over you with a wave of floating pads, trickling arps, a laidback breakbeat and grooving bassline, it’s the perfect warm-down or warmup material, that rightly sees the light of day for the very first time.
Licensed from The Boomtang Boys and remastered from the original DATs by Justin Drake.
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1
Rahaan - 11 Minutes Of Cold Bloodedness
2
Rahaan - Africano
3
Rahaan - Disco Walkin
4
Rahaan - I.T.T.
DISCO REMIXES
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1
Talking Drums - Doner Summer
2
Talking Drums - Chaba Ranks
3
Talking Drums - Chaba Skanks
Slip this delirious disc out of the lime/slime green sleeve and you're up close and personal with the new chapter in the TD saga.
A dance floor triptych of such seismic scale that the crew spent two years trying to wrangle the tracks on wax, finally finding a plant with the power to press them up.
Sprawling across the A-side is the devastating 'Doner Summer', an instrumental extension of some lost Munich disco masquerading as an Anatolian excursion. Ditching the vocals and cutting the kase, the crew lay down a galloping groove topped with Turkish licks and disco strings, take us into the psychedelic swirl of a tumbling drum breakdown before hitting the big red button marked banger for a searing second half. Firing up the hardware, TD blast this one further into the Phuture, dropping technoid sequences, nagging 303 and Cowley-style FX fuckery for a full on club assault.
In the alternate B-side universe, Hans Zimmer lost his dread note and Denis Villeneuve was forced to turn to Talking Drums for the Dune soundtrack. They obliged with the sci-fi rai of 'Chaba Ranks', reshaping an Algerian OG with a dancehall kick, off beat vamps and star-crossed synths, then letting loose with a heavy bass tone.
|In time honoured fashion, the team also drop a dub version, cutting out the vocals and focussing on those additional elements for the wildly cosmic 'Chaba Skanks'.
Now who's getting the spice in?
Limited Press - Numbered Insert - Drum Fun Guaranteed !
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A dance floor triptych of such seismic scale that the crew spent two years trying to wrangle the tracks on wax, finally finding a plant with the power to press them up.
Sprawling across the A-side is the devastating 'Doner Summer', an instrumental extension of some lost Munich disco masquerading as an Anatolian excursion. Ditching the vocals and cutting the kase, the crew lay down a galloping groove topped with Turkish licks and disco strings, take us into the psychedelic swirl of a tumbling drum breakdown before hitting the big red button marked banger for a searing second half. Firing up the hardware, TD blast this one further into the Phuture, dropping technoid sequences, nagging 303 and Cowley-style FX fuckery for a full on club assault.
In the alternate B-side universe, Hans Zimmer lost his dread note and Denis Villeneuve was forced to turn to Talking Drums for the Dune soundtrack. They obliged with the sci-fi rai of 'Chaba Ranks', reshaping an Algerian OG with a dancehall kick, off beat vamps and star-crossed synths, then letting loose with a heavy bass tone.
|In time honoured fashion, the team also drop a dub version, cutting out the vocals and focussing on those additional elements for the wildly cosmic 'Chaba Skanks'.
Now who's getting the spice in?
Limited Press - Numbered Insert - Drum Fun Guaranteed !
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1
Unknown - Ancora Un Bacio
2
Unknown - Un Sogno Per La Testa
Straight Outta Belpaese, MORE disco – exotica – balearic- Italo-funk for the demanding digger!!!
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After unleashing the enigmatic middle eastern funk bonanza The Nile Files earlier this year the Fossils crew return to western shores with a new EP from UV & NEN , revealing long forgotten newly interpreted disco funk
nuggets that are bound to become classics in their own right.
With newly recorded synths, vocals and nasty bass-lines thrown in the mix, The Bump ’s anthemic qualities are evident from the minute the chorus kicks in and will most likely stick in your head and keep you humming for days... Trust us - this bad boy has been tested on dancefloors from New York to Tel Aviv to London’s Boiler Room until finally finding its way to the pressing plant.
Love Makin’ is a horny (no horns here), psychedelic disco affair, seasoned with sexy moans lifted by abnormal synth activities and followed by Beatcoin , a steady slow stomper that will get booties shaken & shaking across
the dance floor.
As with the previous Fossils release, these are all killers and true crate essentials for the seasoned DJs.
Tracklist:
A. The Bump
B1. Love Makin’
B2. Beatcoin
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1
Ozo - Anambra (12" Extended Mix)
2
Ozo - Anambra (Edited Version)
3
Ozo - Anambra River
(2024 repress) Isle Of Jura go back to 1976 to resurrect ‘Anambra’, the jewel in the crown of Dub, Soul & Funk outfit Ozo. ‘Anambra’ is something of a classic, a unique song that’s slow, ritualistic and spiritual, mixing African & Nyabinghi drumming with a Buddhist Sanskrit mantra ‘Om Mani Padme Hum’. An alternate version ‘Anambra River’ appears for the first time on the same 12”.
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