Tracklist
Side A
1. Prologue (Prologue)
2. Shomyo (Shomyo) - Part 1
3. Gatha (Sanka)
Side B
1. Flower Strewing (Kirisange)
2. Shomyo (Shomyo) - Part 2
3. Prayer (Inori) - Part 1
4. Prayer (Inori) - Part 2
5. Epilogue (Epilogue)
People's only work in 1971 featuring Outkast's organist Yusuke Hoguchi and guitarist Kimio Mizutani, Adams's Hideaki Takebe, and percussionist Larry Sunaga. Produced by Naoki Tachikawa, it was created with the concept of Buddha + Rock.
It is full of unique psychedelia sounds, such as the sutra chanting "Nam-myoho-renge-kyo" backed by a fuzz guitar, the sound of monk's geta, bells, wooden fish, sitar, etc.
Although it uses a lot of sound effects reminiscent of Buddhism, it doesn't feel like a religious idea, and the work is overall easy to listen to.
In recent years, this album has been highly desired by DJs as a breakbeat material and as a spiritual record.
More
Side A
1. Prologue (Prologue)
2. Shomyo (Shomyo) - Part 1
3. Gatha (Sanka)
Side B
1. Flower Strewing (Kirisange)
2. Shomyo (Shomyo) - Part 2
3. Prayer (Inori) - Part 1
4. Prayer (Inori) - Part 2
5. Epilogue (Epilogue)
People's only work in 1971 featuring Outkast's organist Yusuke Hoguchi and guitarist Kimio Mizutani, Adams's Hideaki Takebe, and percussionist Larry Sunaga. Produced by Naoki Tachikawa, it was created with the concept of Buddha + Rock.
It is full of unique psychedelia sounds, such as the sutra chanting "Nam-myoho-renge-kyo" backed by a fuzz guitar, the sound of monk's geta, bells, wooden fish, sitar, etc.
Although it uses a lot of sound effects reminiscent of Buddhism, it doesn't feel like a religious idea, and the work is overall easy to listen to.
In recent years, this album has been highly desired by DJs as a breakbeat material and as a spiritual record.
More
More records from People
1
People - Expression Of Feeling
2
People - Upside Down
3
People - Like A Ship On The Water
4
People - Out On The Road
5
People - Tears Take It Away
6
People - Natures Melody
7
People - Letter For Rubina
8
People - Linda
9
People - Sunrise
MUSIC FOR A SUNDOWNER – Melodic AOR / Yacht Rock from GermanyTramp fans will already be familiar with the band "People", as they were featured on the latest edition of the "Praise Poems" series (Volume 9, TRLP/CD-9109). "Misty Mood" was not only the song we included on Praise Poems 9 but also the title of their debut album from 1981. However, it wasn't their first release on Vinyl.In 1969, two years after the group was founded, a 7-inch single EP with four folk songs was released, by then under the name "The People". With Woodstock and the changes in folk and rock music in the early 1970s, bandleader Bernd Heyder dissolved the band. A few years later he founded "People", whose sound was now based on artists such as Crosby, Stills and Nash and Neil Young. After many frenetically celebrated live performances, the desire to record a full length album arose at the end of the 1970s. In 1981 the time had come and "Misty Mood" was released on a small, local label called "Ohrwurm Records". Just one year later the band released their second album titled "Easy Going". Their third and final album, which exclusively contains songs with German lyrics, was released on CBS Records in 1983. CBS wanted to sign Bernd Heyder as a solo artist, but he politely declined. When the hoped-for success failed to materialize, CBS prematurely terminated the band's contract. In 1984, "People" disbanded.With the stunning LP release "Natures Melody", Tramp Records honors Aschaffenburg's "People" after almost 45 years. The reason why no one has really taken an interest in them so far may be because the original Vinyl records are anything but rare. For the 'people' behind Tramp Records, this is absolutely insignificant, it's simply the music what counts. And the songs are so extraordinary that we are proud to set up a special monument to the band with this album.
More
More records from TEICHIKU/LAWSON (JAPAN)
TRACKLIST
A1. In Fiesta
A2. Five Spot After Dark
A3. Just One Or Eight
B1. CherokeeB2. Blue Romeo
B3. Etude No. 1
B4. You Don't Know What Love Is
• Pressed on black vinyl
• Original released in 1961
• Japanese Jazz
It's been over 60 years since the original recording, and now, this classic masterpiece is back in a monaural version with fantastic sound.
Hideo Shiraki, a key figure in Japanese jazz, left his mark with unique music and a strong presence. One of his standout works is "Matsuri no Gensou," recorded in 1961. This incredible piece takes a Japanese melody and transforms it into a cool jazz style, using a special arrangement with the koto. The collection also features exciting tracks like "Just One Or Eight" and the dynamic "Cherokee" with an amazing solo. Contributions from experts like Hidehiko Matsumoto and Yuzuru Sera add to the greatness. Even after 60 years, the music still feels fresh and passionate. Now reissued in monaural for the first time, this work stands as a timeless masterpiece that continues to captivate audiences worldwide. Enjoy the overwhelming sound of this significant piece in Japanese jazz history.
Text by Yusuke Ogawa (UNIVERSOUND/DEEP JAZZ REALITY) More
A1. In Fiesta
A2. Five Spot After Dark
A3. Just One Or Eight
B1. CherokeeB2. Blue Romeo
B3. Etude No. 1
B4. You Don't Know What Love Is
• Pressed on black vinyl
• Original released in 1961
• Japanese Jazz
It's been over 60 years since the original recording, and now, this classic masterpiece is back in a monaural version with fantastic sound.
Hideo Shiraki, a key figure in Japanese jazz, left his mark with unique music and a strong presence. One of his standout works is "Matsuri no Gensou," recorded in 1961. This incredible piece takes a Japanese melody and transforms it into a cool jazz style, using a special arrangement with the koto. The collection also features exciting tracks like "Just One Or Eight" and the dynamic "Cherokee" with an amazing solo. Contributions from experts like Hidehiko Matsumoto and Yuzuru Sera add to the greatness. Even after 60 years, the music still feels fresh and passionate. Now reissued in monaural for the first time, this work stands as a timeless masterpiece that continues to captivate audiences worldwide. Enjoy the overwhelming sound of this significant piece in Japanese jazz history.
Text by Yusuke Ogawa (UNIVERSOUND/DEEP JAZZ REALITY) More
(2022 Japanese pressing, with obi, Clear vinyl) Part of the Deep Jazz Reality series! The popular work 'Leeward' is affectionately known as 'Mabumi's Fan' among fans. This is the second album recorded in 1978 by Mabumi Yamaguchi, a saxophonist who was active in the George Otsuka Group and the Colgen Band (later The Players).
TRACKLIST
A1. Dawn
A2. Dewdrop
B1. Distant Thunder
B2. Leeward
INFO
A bouncy groove. beautiful melody. Hard bop, jazz rock, fusion. No label can capture the essence of this work. The pure crystal is now shining once again.
The popular work 'Leeward' is affectionately known as 'Mabumi's Fan' among fans. This is the second album recorded in 1978 by Mabumi Yamaguchi, a saxophonist who was active in the George Otsuka Group and the Colgen Band (later The Players). The titles/themes of all four songs, ‘Dawn (Yoake),’ ‘Dewdrop (Tsuyu),’ “Distant Thunder (Enrai),’ and ‘Leeward (Kazashimo),’ unfold before your eyes as vivid images in harmony with the musicality.
A groove that combines dynamism and elasticity. A dignified yet beautiful melody that touches your heart. Hard bop, jazz rock, fusion. All of these apply, but none of them can tell you the essence of this work. It doesn't need any labels, it's just a pure masterpiece. – text by Yusuke Ogawa (universounds/Deep Jazz Reality) More
TRACKLIST
A1. Dawn
A2. Dewdrop
B1. Distant Thunder
B2. Leeward
INFO
A bouncy groove. beautiful melody. Hard bop, jazz rock, fusion. No label can capture the essence of this work. The pure crystal is now shining once again.
The popular work 'Leeward' is affectionately known as 'Mabumi's Fan' among fans. This is the second album recorded in 1978 by Mabumi Yamaguchi, a saxophonist who was active in the George Otsuka Group and the Colgen Band (later The Players). The titles/themes of all four songs, ‘Dawn (Yoake),’ ‘Dewdrop (Tsuyu),’ “Distant Thunder (Enrai),’ and ‘Leeward (Kazashimo),’ unfold before your eyes as vivid images in harmony with the musicality.
A groove that combines dynamism and elasticity. A dignified yet beautiful melody that touches your heart. Hard bop, jazz rock, fusion. All of these apply, but none of them can tell you the essence of this work. It doesn't need any labels, it's just a pure masterpiece. – text by Yusuke Ogawa (universounds/Deep Jazz Reality) More
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All time favourite Aphex Twin Album. Nice and accesible experimental techno. Originally released in 1992. What else could be said here, we finally are stocking copies on arguably the most important and influential electronic album of album time, Aphex Twin's Selected Ambient Works 85–92. You will always need this!!!
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2LP R&S and Apollo Records present an official vinyl repress of this most classicand timeless album The vinyl uses the 2013 re-masters made from original DAT tapes cut by Matt Colton and presented in original artwork.
All time favourite Aphex Twin Album. Nice and accesible experimental techno. Originally released in 1992. What else could be said here, we finally are stocking copies on arguably the most important and influential electronic album of album time, Aphex Twin's Selected Ambient Works 85–92. You will always need this!!!
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Format Notes:
2024 first time vinyl reissue, remastered audio with original artwork, 140g vinyl
Track List:
A1 Blue Trane
A2 Soho
B1 Off Minor
B2 The Maestro
B3 Road Island Red
Release Notes:
Don't judge a book by its cover. Judge a record by its cover.
And, perhaps, its title.
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Yes, in addition to Walton's Fender Rhodes wizardry, Mobius is elevated by Ryo Kawasaki's stinging electric guitar, pristinely clear vocals by Adrienne Albert and Lani Groves, rootsy percussion by Ray Mantilla and Omar Clay, alto and baritone from Charles Davis, trumpet from Roy Burrowes, Gordon Edwards on bass and Frank Foster's tenor sax. Oh and did we mention STEVE GADD ON DRUMS?!?!
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Cedar Walton was born in Dallas, Texas, on January 17, 1934 and began his professional career in 1959 when he began touring for several years with the J.J. Johnson Quintet. He later joined the Art Farmer-Benny Golson Jazztet and then Art Blakey's Jazz Messengers. Pretty solid credentials, right? While based in New York City, Cedar played with such luminaries as Donald Byrd, Eddie Harris, Blue Mitchell, Kenny Dorham, Lee Morgan, Freddie Hubbard, Jimmy Heath and Milt Jackson. Without question, he was one of the most complete and gifted musicians of his time and Mobius provides proof of that. The fresh, danceable tracks, all firmly rooted in the living tradition of blues and gospel, are skilfully presented by a master who enjoyed keeping abreast of contemporary tastes and was always keen to renew his language.
As the album notes state: “Mobius, which is the theoretical shape of the infinite universe, makes use of the most modern recording techniques and synthesizers. We mastered and mixed so that it’s hotter than the competition, which should help radio play and in-store demonstration.” Indeed. Mobius is really gorgeous mid-70s fusion, ranging from the funky to the ecstatic. It's an absolute MONSTER that will completely blow you away; and, yes, it's as wild and hypnotic as the cover. The audio for Mobius has been carefully remastered by Be With regular Simon Francis, ensuring it sounds better than ever. Cicely Balston's expert skills have made sure nothing is lost in the cut whilst the records have been pressed to the highest possible standard at Record Industry in Holland. The original, iconic sleeve has been restored here at Be With HQ as the finishing touch to this long overdue re-issue.
More
2024 first time vinyl reissue, remastered audio with original artwork, 140g vinyl
Track List:
A1 Blue Trane
A2 Soho
B1 Off Minor
B2 The Maestro
B3 Road Island Red
Release Notes:
Don't judge a book by its cover. Judge a record by its cover.
And, perhaps, its title.
Cedar Walton's Mobius is as outrageously, disorientatingly brilliant as the stunning jacket design, featuring the legendary jazz pianist morphing into a mobius strip, set against a beautiful sky filled with cumulus clouds. A proper jazz-funk fusion slapfest, Mobius is a stellar electric set from - essentially - one *hell* of a SUPERBAND.
Yes, in addition to Walton's Fender Rhodes wizardry, Mobius is elevated by Ryo Kawasaki's stinging electric guitar, pristinely clear vocals by Adrienne Albert and Lani Groves, rootsy percussion by Ray Mantilla and Omar Clay, alto and baritone from Charles Davis, trumpet from Roy Burrowes, Gordon Edwards on bass and Frank Foster's tenor sax. Oh and did we mention STEVE GADD ON DRUMS?!?!
Gem after gem of looping, bliss-inducing gold, it's an incredibly revelatory album. It presents a thrilling synthesis of R&B, funk, blues and hard bop (with a hint of rock), all driven by an idiosyncratic electronic keyboard. Walton, a giant in the jazz world, got quite the workout every time he played, from piano to arp synthesizer to clarinet to electric piano to mini-moog and back again.
Mobius was Cedar Walton's debut for RCA in 1975. The versatile artist confirmed his abilities as a player, composer, interpreter and arranger with this stunning record, and his own bright compositions offered a springboard for the improvisations of the different soloists. Coltrane's "Blue Trane" is the first classic to be given the funkafied Mobius treatment, Ryo Kawasaki let loose all over neck-snapping Gadd-drum gold before the horns take a fiery turn and subsequently give way to Cedar's virtuosity. A sparkling b-boy break version of Thelonious Monk's "Off Minor" (featuring an absolutely *fire* solo from Walton) really sets proceedings alight. Of the three original pieces, the shuffling, percussive power of "Soho" is just absolutely mind bending Latin-influenced jazzy soul whilst the mellow vibes of "The Maestro" bring elegant, sumptuous soul. And then there's the effortlessly funky "Road Island Red". Just too, too good.
Cedar Walton was born in Dallas, Texas, on January 17, 1934 and began his professional career in 1959 when he began touring for several years with the J.J. Johnson Quintet. He later joined the Art Farmer-Benny Golson Jazztet and then Art Blakey's Jazz Messengers. Pretty solid credentials, right? While based in New York City, Cedar played with such luminaries as Donald Byrd, Eddie Harris, Blue Mitchell, Kenny Dorham, Lee Morgan, Freddie Hubbard, Jimmy Heath and Milt Jackson. Without question, he was one of the most complete and gifted musicians of his time and Mobius provides proof of that. The fresh, danceable tracks, all firmly rooted in the living tradition of blues and gospel, are skilfully presented by a master who enjoyed keeping abreast of contemporary tastes and was always keen to renew his language.
As the album notes state: “Mobius, which is the theoretical shape of the infinite universe, makes use of the most modern recording techniques and synthesizers. We mastered and mixed so that it’s hotter than the competition, which should help radio play and in-store demonstration.” Indeed. Mobius is really gorgeous mid-70s fusion, ranging from the funky to the ecstatic. It's an absolute MONSTER that will completely blow you away; and, yes, it's as wild and hypnotic as the cover. The audio for Mobius has been carefully remastered by Be With regular Simon Francis, ensuring it sounds better than ever. Cicely Balston's expert skills have made sure nothing is lost in the cut whilst the records have been pressed to the highest possible standard at Record Industry in Holland. The original, iconic sleeve has been restored here at Be With HQ as the finishing touch to this long overdue re-issue.
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2024 Re Release
Genre: Deep House, Minimal House
Tracklist 12":
A1 Where Is Lass?
B1 To The Right
B2 After We’re All Gone
Short Info:
Wareika's finest Jakob Seidensticker, who is estimated for his works on Perlon, Minibar, Mule Musiq,
Pleasure Zone and We R The Aliens, is back with his first solo artist EP in 10 years.
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Genre: Deep House, Minimal House
Tracklist 12":
A1 Where Is Lass?
B1 To The Right
B2 After We’re All Gone
Short Info:
Wareika's finest Jakob Seidensticker, who is estimated for his works on Perlon, Minibar, Mule Musiq,
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Tracklist
A1 Youandewan ‘Ideal-Passage’
B1 Youandewan ‘Thewizzwasfordillysmissus’
B2 Youandewan ‘Sicko’
Following the release of 2017’s ‘The Brane’ EP, Youandewan returns with ‘Ideal Passage’. Release date is 13th July
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Tracklist
A1 Youandewan ‘Ideal-Passage’
B1 Youandewan ‘Thewizzwasfordillysmissus’
B2 Youandewan ‘Sicko’
Following the release of 2017’s ‘The Brane’ EP, Youandewan returns with ‘Ideal Passage’. Release date is 13th July
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Cat-No:Mitsuko001
Release-Date:07.06.2019
Configuration:LP Excl
Cat-No:Mitsuko001
Release-Date:07.06.2019
Configuration:LP Excl
1
Sora - A1. Pause
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Sora - A2. A Caminho Do Mar
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Sora - A3. Revans
4
Sora - A4. La Cathédrale Engloutie
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Sora - A5. Traces
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Sora - A6. Line
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Sora - B1. Fold Air
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Sora - B2. Etude:Diagonal
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Sora - B3. Rayuela (ii)
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Sora - B4. Satelite Towers
No Sales to Japan...
- First release from Mitsuko & Svetlana Records, distributed by friends WRWTFWW Records
- Rare Japanese electronica gem released for the first time ever on vinyl.
- For fans of electronica, minimal, leftfield, glitch, future jazz, Japanese music, Warp Records, WRWTFWW Records, beach, sky, chill.
Tracklisting
A1. Pause
A2. A Caminho Do Mar
A3. Revans
A4. La Cathédrale Engloutie
A5. Traces
A6. Line
B1. Fold Air
B2. Etude:Diagonal
B3. Rayuela (ii)
B4. Satelite Towers
Presented by Mitsuko & Svetlana Records, distributed by WRWTFWW Records.
Composed by Sora
Mastered by Taylor Deupree
Label logo by Shintaro Kago
Soothing cut-ups and analogue collages for dreamers in the summer breeze.
Originally released in 2003 (on CD only), conceived by Sora aka Takeshi Kurosawa. Re.sort is a miracle of Japanese electronica. Widely unknown but very necessary. Fragments and textures playfully flirt with each other, bossa nova and jazz records float in the air, an old phonograph sits by the sea. Leftfield that feels like a home away, where joyful nothings are everything. Sweet minimalism and micro melodies.
Sora means sky. Let's drift.
More
- First release from Mitsuko & Svetlana Records, distributed by friends WRWTFWW Records
- Rare Japanese electronica gem released for the first time ever on vinyl.
- For fans of electronica, minimal, leftfield, glitch, future jazz, Japanese music, Warp Records, WRWTFWW Records, beach, sky, chill.
Tracklisting
A1. Pause
A2. A Caminho Do Mar
A3. Revans
A4. La Cathédrale Engloutie
A5. Traces
A6. Line
B1. Fold Air
B2. Etude:Diagonal
B3. Rayuela (ii)
B4. Satelite Towers
Presented by Mitsuko & Svetlana Records, distributed by WRWTFWW Records.
Composed by Sora
Mastered by Taylor Deupree
Label logo by Shintaro Kago
Soothing cut-ups and analogue collages for dreamers in the summer breeze.
Originally released in 2003 (on CD only), conceived by Sora aka Takeshi Kurosawa. Re.sort is a miracle of Japanese electronica. Widely unknown but very necessary. Fragments and textures playfully flirt with each other, bossa nova and jazz records float in the air, an old phonograph sits by the sea. Leftfield that feels like a home away, where joyful nothings are everything. Sweet minimalism and micro melodies.
Sora means sky. Let's drift.
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Vital Sales Point:
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- Air plays on BBC, NTS, Rinse Fm and largely played in clubs including Ministry Of Sound London.
A1 - Turbojazz feat. Rona Ray - Like You (original mix)
A2 - Turbojazz feat. Rona Ray - Like You (Sean McCabe remix)
B1 - Turbojazz & Broke One - Take 3
B2 - Turbojazz - Star Chaser
More
Vital Sales Point:
- This Ep follows the successful Turbojazz's album "Whateverism"
- The song "lLike You" features the hottest voice in the house music scene right now Rona Ray
- Extensive Global Promo from Hype Filter UK for "Take 3" and "Star Chaser" and via Shine UK for "Like You" with a large support of people like Laurent Garnier, Danny Krivit, Carista, Horse Meet Disco, Jimpster, Session Victim, Bicep, Mr. V and Quentin Harris to name a few.
- Air plays on BBC, NTS, Rinse Fm and largely played in clubs including Ministry Of Sound London.
A1 - Turbojazz feat. Rona Ray - Like You (original mix)
A2 - Turbojazz feat. Rona Ray - Like You (Sean McCabe remix)
B1 - Turbojazz & Broke One - Take 3
B2 - Turbojazz - Star Chaser
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Sascha Dive - Space Odyssey
Introducing the highly anticipated debut of rising German star Sascha Dive on Tenampa, with his captivating EP, 'Time is Flying'.
Sascha, a visionary artist, passionately embraces the essence of the authentic vinyl sound, proudly representing it with each release he does.
His impressive discography boasts an illustrious presence on renowned labels such as Cocoon, Ghostly International, 8bit, and Bondage.
Sascha's signature sound can be best described as soulful, rhythmically captivating, and irresistibly grooving. His music effortlessly transports listeners on a journey that alternates between deep introspection and spaciously transcendent moments. With this remarkable release, Sascha Dive unquestionably showcases his immense talent, leaving a undoubtedly prominent mark.
5. VITAL SALES POINTS:
- Only vinyl limited release. No Repress.
- Releases on: Cocoon, Ghostly International, 8bit, and Bondage.
01- Lost Inside This Sound
02- Backs to Scream
03 Time Is Flying
04 Space Odyssey
More
Sascha, a visionary artist, passionately embraces the essence of the authentic vinyl sound, proudly representing it with each release he does.
His impressive discography boasts an illustrious presence on renowned labels such as Cocoon, Ghostly International, 8bit, and Bondage.
Sascha's signature sound can be best described as soulful, rhythmically captivating, and irresistibly grooving. His music effortlessly transports listeners on a journey that alternates between deep introspection and spaciously transcendent moments. With this remarkable release, Sascha Dive unquestionably showcases his immense talent, leaving a undoubtedly prominent mark.
5. VITAL SALES POINTS:
- Only vinyl limited release. No Repress.
- Releases on: Cocoon, Ghostly International, 8bit, and Bondage.
01- Lost Inside This Sound
02- Backs to Scream
03 Time Is Flying
04 Space Odyssey
More
1
Akagera - Traverse
2
Akagera - Rococo
3
Akagera - Tony
4
Akagera - Lonnie's Lament
5
Akagera - Fauve
6
Akagera - Goodbye Pork Pie Hat
7
Akagera - Sancocho
8
Akagera - Phénomène
The AKAGERA trio released their debut album Serpente in 2019. The subtle blend of African music and jazz laid the foundations for a new sound driven by an unconventional ensemble of instruments.
Their new album, Traverse, is the soundtrack to the imaginary travel diary of three intrepid musicians forced to put a hold on their adventures. Over a period of three years, they took time out from improvisation sessions to collectively compose a repertoire reflecting the diversity of their backgrounds and influences: classical and contemporary music for Benoit, mixed music from South America and the Caribbean for Stéphane, and African rhythms and Brazilian grooves for David, all to the backdrop of their shared passion for jazz.
David Georgelet: drums
Benoit Lavollée: vibraphone, marimba
Stéphane Montigny: bass trombone
A1 - Traverse
A2 - Rococo
A3 - Tony
A4 - Lonnie's Lament
B1 - Fauve
B2 - Goodbye Pork Pie Hat
B3 - Sancocho
B4 - Phénomène More
Their new album, Traverse, is the soundtrack to the imaginary travel diary of three intrepid musicians forced to put a hold on their adventures. Over a period of three years, they took time out from improvisation sessions to collectively compose a repertoire reflecting the diversity of their backgrounds and influences: classical and contemporary music for Benoit, mixed music from South America and the Caribbean for Stéphane, and African rhythms and Brazilian grooves for David, all to the backdrop of their shared passion for jazz.
David Georgelet: drums
Benoit Lavollée: vibraphone, marimba
Stéphane Montigny: bass trombone
A1 - Traverse
A2 - Rococo
A3 - Tony
A4 - Lonnie's Lament
B1 - Fauve
B2 - Goodbye Pork Pie Hat
B3 - Sancocho
B4 - Phénomène More