1
Black Flower - A1. Magma
2
Black Flower - A2. O Fogo
3
Black Flower - A3. The Light
4
Black Flower - A4. Half Liquid
5
Black Flower - B1. Deep Dive Down
6
Black Flower feat. Meskerem Mees - B2. Morning In The Jungle
7
Black Flower - B3. The Forge
8
Black Flower - B4. Blue Speck
TRACKLISTING
A1. Black Flower - Magma
A2. Black Flower - O Fogo
A3. Black Flower - The Light
A4. Black Flower - Half Liquid
B1. Black Flower - Deep Dive Down
B2. Black Flower feat. Meskerem Mees - Morning In The Jungle
B3. Black Flower - The Forge
B4. Black Flower - Blue Speck
INFO
Five-piece hybrid jazz outfit Black Flower are set to release new album 'Magma' on the 28th January via the groove-obsessed Belgian label, Sdban Ultra.
Piloted by Brussels-based saxophonist/flutist/composer Nathan Daems (Echoes of Zoo, Dijf Sanders), the quintet is a vibrant, hypnotic mix of Ethio jazz, afrobeat, psychedelia and oriental influences, inspired by Mulatu Astatke, Fela Kuti and varied western musical traditions.
Black Flower is a band at the peak of their creative powers. Having received glowing praise for the 2019 album 'Future Flora' from Mojo, Songlines, BBC Radio 6 Music's Gilles Peterson, BBC Radio 3's Music Planet, Worldwide FM and Jazz FM among others, forthcoming album 'Magma' sees Black Flower embrace new synth and organ sounds from the band's most recent recruit, Karel Cuelenaere. His influence can be heard from the outset - his keys adding a swirling, mischievousness to album opener and title track 'Magma'. Elsewhere, the shuffling drum patterns and flighty, flute-propelled 'O Fogo' are rich in texture and flow.
Driving rhythms and Eastern influenced melodies serve as a rich source of pleasure that, like magma, become real and solid when finding its way to the surface. It's the perfect metaphor for this album's creational process. The pulsating, trance-inducing 'Deep Dive Down' continues the joyous process while singer-songwriter Meskerem Mees (winner of The Montreux Jazz Talent Award 2021) adds, her clear-as-spring-water vocals to the celestial 'Morning in the Jungle'.
With the much-trusted Frederik Segers on production and London-based visual virtuoso Raimund Wong (Total Refreshment Centre) on artwork duties, it all adds up to the psychedelic and exploratory identity of the band and are key elements that helped 'Magma' in its ascension from deep down up to the surface. A creative process solidified into vinyl, just as magma into rock.
Fellow musicians and spiritual henchmen are Jon Birdsong (dEUS, Beck, Calexico) on cornet, Simon Segers (Absynthe Minded, De Beren Gieren, MDCIII) at the drums, Filip Vandebril (Lady Linn, The Valerie Solanas) at the bass and Karel Cuelenaere (John Ghost) on keys.
More
A1. Black Flower - Magma
A2. Black Flower - O Fogo
A3. Black Flower - The Light
A4. Black Flower - Half Liquid
B1. Black Flower - Deep Dive Down
B2. Black Flower feat. Meskerem Mees - Morning In The Jungle
B3. Black Flower - The Forge
B4. Black Flower - Blue Speck
INFO
Five-piece hybrid jazz outfit Black Flower are set to release new album 'Magma' on the 28th January via the groove-obsessed Belgian label, Sdban Ultra.
Piloted by Brussels-based saxophonist/flutist/composer Nathan Daems (Echoes of Zoo, Dijf Sanders), the quintet is a vibrant, hypnotic mix of Ethio jazz, afrobeat, psychedelia and oriental influences, inspired by Mulatu Astatke, Fela Kuti and varied western musical traditions.
Black Flower is a band at the peak of their creative powers. Having received glowing praise for the 2019 album 'Future Flora' from Mojo, Songlines, BBC Radio 6 Music's Gilles Peterson, BBC Radio 3's Music Planet, Worldwide FM and Jazz FM among others, forthcoming album 'Magma' sees Black Flower embrace new synth and organ sounds from the band's most recent recruit, Karel Cuelenaere. His influence can be heard from the outset - his keys adding a swirling, mischievousness to album opener and title track 'Magma'. Elsewhere, the shuffling drum patterns and flighty, flute-propelled 'O Fogo' are rich in texture and flow.
Driving rhythms and Eastern influenced melodies serve as a rich source of pleasure that, like magma, become real and solid when finding its way to the surface. It's the perfect metaphor for this album's creational process. The pulsating, trance-inducing 'Deep Dive Down' continues the joyous process while singer-songwriter Meskerem Mees (winner of The Montreux Jazz Talent Award 2021) adds, her clear-as-spring-water vocals to the celestial 'Morning in the Jungle'.
With the much-trusted Frederik Segers on production and London-based visual virtuoso Raimund Wong (Total Refreshment Centre) on artwork duties, it all adds up to the psychedelic and exploratory identity of the band and are key elements that helped 'Magma' in its ascension from deep down up to the surface. A creative process solidified into vinyl, just as magma into rock.
Fellow musicians and spiritual henchmen are Jon Birdsong (dEUS, Beck, Calexico) on cornet, Simon Segers (Absynthe Minded, De Beren Gieren, MDCIII) at the drums, Filip Vandebril (Lady Linn, The Valerie Solanas) at the bass and Karel Cuelenaere (John Ghost) on keys.
More
More records from SDBAN Ultra
1
Oriana Ikomo - NEVER FORGET
2
Moodprint - Eartha
3
Kin Gajo - Exit, Gajo!
4
Adja - Told you so
5
bodies - brioche
6
Orson Claeys - Conversations
7
Bodem - Kleine Mars
8
HONEY - Bossa dolce
9
Azmari - Sheep Party
10
Le Ministère - De l'Amour
11
Ciao Kennedy - Parcifal Pt. I
12
echofarmer - beginning would have been outside
13
Kassius - Escapism
14
Bruno x Soet x Moene - OTT
Tracklist
A1. Oriana Ikomo - NEVER FORGET
A2. Moodprint - Eartha
A3. Kin Gajo - Exit, Gajo!
A4. Adja - Told you so
A5. bodies - brioche
B1. Orson Claeys - Conversations
B2. Bodem - Kleine Mars
B3. HONEY - Bossa dolce
C1. Azmari - Sheep Party
C2. Le Ministère - De l'Amour
C3. Ciao Kennedy - Parcifal Pt. I
D1. echofarmer - beginning would have been outside
D2. Kassius - Escapism
D3. Bruno x Soet x Moene - OTT
'Lefto presents Jazz Cats' is back with volume 3 and still doing what it does best: putting you in the front row of what the thriving Belgian jazz scene currently has to offer and revealing a melting pot of the musical talent coming out one of the smallest countries in Europe. Never change a winning team they say, so we're happy to have Belgian DJ and eclectic connoisseur Lefto on board again.
Although you expect thecompilation to be talking jazz, volume 3 explores a broader array of styles, genres, and sounds than ever before, arriving at a point where the 'young cats' of today don't bother no more. It may focus on the Belgian scene, but let's face it, seeing the influences, this one could be compiled from all over the world. From the empowering and bittersweet voices of Oriana Ikomo and Adja, over the more acoustic-electronic productions of Moodprint, Ciao Kennedy, Kassius and echofarmer. It's even expanding the Jazz Cats universe to dub and bass-heavy tracks with Kin Gajo and Le Ministère, Ethio-jazz from Azmari, while sending you back to earth with bodies' swirling sax and drums. That saxophone still rings in your ears when you end up in the orbit of the march-like drums of Bodem, Orson Claeys' piano testing your ability to follow him, slamming the breaks to go smooth cruisin' with HONEY (Morricone meets Khruangbin, anyone?), to crashing in a raging tempo on that last track of Bruno x Soet x Moene. And there you are, back with us.
2018's 'Lefto presents Jazz Cats' included tracks from some of Belgium's biggest hitters, including Black Flower, STUFF. De Beren Gieren and Glass Museum who have all gone on to receive global acclaim. The album was given the accolade of 'Album of the Week' on Worldwide FM and also received further radio support from Jazz FM in addition to numerous glowing reviews. The 2022 follow-up 'Jazz Cats volume 2' paved the way for a new generation inspired by its peers, entering another era of very talented individuals and collectives. Maybe even more so than 4 years before. It uncovered a beautiful balance of more established but also obscure musicians and artists. Opening up to electronics and dance, enter bands like ECHT!, Stellar Legions and TUKAN. Thrilling innovative soundscape grooves and jazz fusion with Bandler Ching and L?p?GangGang, not to forget about the weaving musical odyssey that is M.CHUZI. In addition, there's the balanced unease of One Frame Movement, the laidback 'acoustic electronica' of Boombox Experiments, the classic funky jazz stylings of Cargo Mas and cinematic The Brums, all of these have set volume 2 on the map as an essential release for any jazzhead with a passion for new sounds.
Tastemaker, selector, curator, DJ and producer, these words often get mentioned when Lefto's name pops up in discussions. And rightly so. If you've ever had the pleasure to listen to one of his incredible Boiler Room sets or one of his many radio shows, you'll know why. Famed for his gloriously eclectic taste on the decks, he switches effortlessly between hip hop, funk, breaks, neck-snapping beats, future bass, South-American influences, bruk riddims, some wild African rhythms and of course, jazz.
Growing up as a child, his father would have the sounds of jazz flowing through the speakers. Which led him to bars around town to hear the latest jazz ensembles. Falling in love with the genre, he would later refine his knack for record digging and fine ear for music working at Belgium's legendary Music Mania record store in his hometown Brussels. Which makes that Lefto is consistently a couple steps ahead. He doesn't wait for the next thing to land in his lap, but actively seeking it out.
Lefto on Jazz Cats volume 3:
"Another release in less than two years! I am very impressed by the amount of creative "jazz" talent we've managed to compile over the last couple of years. Thanks to the internet, young musicians find inspiration from around the globe and incorporate diverse influences into their work. Given the history and heritage of jazz in this country, it has managed to create a healthy jazz scene supported by festivals, venues, press, and labels. Therefore, I am very proud to present to you the thirdinstallment of Jazz Cats. This compilation is dedicated to the young and hardworking musicians who are the present and the future of Belgium's jazz scene."
More
A1. Oriana Ikomo - NEVER FORGET
A2. Moodprint - Eartha
A3. Kin Gajo - Exit, Gajo!
A4. Adja - Told you so
A5. bodies - brioche
B1. Orson Claeys - Conversations
B2. Bodem - Kleine Mars
B3. HONEY - Bossa dolce
C1. Azmari - Sheep Party
C2. Le Ministère - De l'Amour
C3. Ciao Kennedy - Parcifal Pt. I
D1. echofarmer - beginning would have been outside
D2. Kassius - Escapism
D3. Bruno x Soet x Moene - OTT
'Lefto presents Jazz Cats' is back with volume 3 and still doing what it does best: putting you in the front row of what the thriving Belgian jazz scene currently has to offer and revealing a melting pot of the musical talent coming out one of the smallest countries in Europe. Never change a winning team they say, so we're happy to have Belgian DJ and eclectic connoisseur Lefto on board again.
Although you expect thecompilation to be talking jazz, volume 3 explores a broader array of styles, genres, and sounds than ever before, arriving at a point where the 'young cats' of today don't bother no more. It may focus on the Belgian scene, but let's face it, seeing the influences, this one could be compiled from all over the world. From the empowering and bittersweet voices of Oriana Ikomo and Adja, over the more acoustic-electronic productions of Moodprint, Ciao Kennedy, Kassius and echofarmer. It's even expanding the Jazz Cats universe to dub and bass-heavy tracks with Kin Gajo and Le Ministère, Ethio-jazz from Azmari, while sending you back to earth with bodies' swirling sax and drums. That saxophone still rings in your ears when you end up in the orbit of the march-like drums of Bodem, Orson Claeys' piano testing your ability to follow him, slamming the breaks to go smooth cruisin' with HONEY (Morricone meets Khruangbin, anyone?), to crashing in a raging tempo on that last track of Bruno x Soet x Moene. And there you are, back with us.
2018's 'Lefto presents Jazz Cats' included tracks from some of Belgium's biggest hitters, including Black Flower, STUFF. De Beren Gieren and Glass Museum who have all gone on to receive global acclaim. The album was given the accolade of 'Album of the Week' on Worldwide FM and also received further radio support from Jazz FM in addition to numerous glowing reviews. The 2022 follow-up 'Jazz Cats volume 2' paved the way for a new generation inspired by its peers, entering another era of very talented individuals and collectives. Maybe even more so than 4 years before. It uncovered a beautiful balance of more established but also obscure musicians and artists. Opening up to electronics and dance, enter bands like ECHT!, Stellar Legions and TUKAN. Thrilling innovative soundscape grooves and jazz fusion with Bandler Ching and L?p?GangGang, not to forget about the weaving musical odyssey that is M.CHUZI. In addition, there's the balanced unease of One Frame Movement, the laidback 'acoustic electronica' of Boombox Experiments, the classic funky jazz stylings of Cargo Mas and cinematic The Brums, all of these have set volume 2 on the map as an essential release for any jazzhead with a passion for new sounds.
Tastemaker, selector, curator, DJ and producer, these words often get mentioned when Lefto's name pops up in discussions. And rightly so. If you've ever had the pleasure to listen to one of his incredible Boiler Room sets or one of his many radio shows, you'll know why. Famed for his gloriously eclectic taste on the decks, he switches effortlessly between hip hop, funk, breaks, neck-snapping beats, future bass, South-American influences, bruk riddims, some wild African rhythms and of course, jazz.
Growing up as a child, his father would have the sounds of jazz flowing through the speakers. Which led him to bars around town to hear the latest jazz ensembles. Falling in love with the genre, he would later refine his knack for record digging and fine ear for music working at Belgium's legendary Music Mania record store in his hometown Brussels. Which makes that Lefto is consistently a couple steps ahead. He doesn't wait for the next thing to land in his lap, but actively seeking it out.
Lefto on Jazz Cats volume 3:
"Another release in less than two years! I am very impressed by the amount of creative "jazz" talent we've managed to compile over the last couple of years. Thanks to the internet, young musicians find inspiration from around the globe and incorporate diverse influences into their work. Given the history and heritage of jazz in this country, it has managed to create a healthy jazz scene supported by festivals, venues, press, and labels. Therefore, I am very proud to present to you the thirdinstallment of Jazz Cats. This compilation is dedicated to the young and hardworking musicians who are the present and the future of Belgium's jazz scene."
More
1
Oriana Ikomo - NEVER FORGET
2
Moodprint - Eartha
3
Kin Gajo - Exit, Gajo!
4
Adja - Told you so
5
bodies - brioche
6
Orson Claeys - Conversations
7
Bodem - Kleine Mars
8
HONEY - Bossa dolce
9
Azmari - Sheep Party
10
Le Ministère - De l'Amour
11
Ciao Kennedy - Parcifal Pt. I
12
echofarmer - beginning would have been outside
13
Kassius - Escapism
14
Bruno x Soet x Moene - OTT
Limited version on 2LP transparent violet vinyl in gatefold sleeve, 300 copies! ‘Lefto presents Jazz Cats' is back with volume 3 and still doing what it does best: putting you in the front row of what the thriving Belgian jazz scene currently has to offer and revealing a melting pot of the musical talent.
Tracklist
A1. Oriana Ikomo - NEVER FORGET
A2. Moodprint - Eartha
A3. Kin Gajo - Exit, Gajo!
A4. Adja - Told you so
A5. bodies - brioche
B1. Orson Claeys - Conversations
B2. Bodem - Kleine Mars
B3. HONEY - Bossa dolce
C1. Azmari - Sheep Party
C2. Le Ministère - De l'Amour
C3. Ciao Kennedy - Parcifal Pt. I
D1. echofarmer - beginning would have been outside
D2. Kassius - Escapism
D3. Bruno x Soet x Moene - OTT
'Lefto presents Jazz Cats' is back with volume 3 and still doing what it does best: putting you in the front row of what the thriving Belgian jazz scene currently has to offer and revealing a melting pot of the musical talent coming out one of the smallest countries in Europe. Never change a winning team they say, so we're happy to have Belgian DJ and eclectic connoisseur Lefto on board again.
Although you expect thecompilation to be talking jazz, volume 3 explores a broader array of styles, genres, and sounds than ever before, arriving at a point where the 'young cats' of today don't bother no more. It may focus on the Belgian scene, but let's face it, seeing the influences, this one could be compiled from all over the world. From the empowering and bittersweet voices of Oriana Ikomo and Adja, over the more acoustic-electronic productions of Moodprint, Ciao Kennedy, Kassius and echofarmer. It's even expanding the Jazz Cats universe to dub and bass-heavy tracks with Kin Gajo and Le Ministère, Ethio-jazz from Azmari, while sending you back to earth with bodies' swirling sax and drums. That saxophone still rings in your ears when you end up in the orbit of the march-like drums of Bodem, Orson Claeys' piano testing your ability to follow him, slamming the breaks to go smooth cruisin' with HONEY (Morricone meets Khruangbin, anyone?), to crashing in a raging tempo on that last track of Bruno x Soet x Moene. And there you are, back with us.
2018's 'Lefto presents Jazz Cats' included tracks from some of Belgium's biggest hitters, including Black Flower, STUFF. De Beren Gieren and Glass Museum who have all gone on to receive global acclaim. The album was given the accolade of 'Album of the Week' on Worldwide FM and also received further radio support from Jazz FM in addition to numerous glowing reviews. The 2022 follow-up 'Jazz Cats volume 2' paved the way for a new generation inspired by its peers, entering another era of very talented individuals and collectives. Maybe even more so than 4 years before. It uncovered a beautiful balance of more established but also obscure musicians and artists. Opening up to electronics and dance, enter bands like ECHT!, Stellar Legions and TUKAN. Thrilling innovative soundscape grooves and jazz fusion with Bandler Ching and L?p?GangGang, not to forget about the weaving musical odyssey that is M.CHUZI. In addition, there's the balanced unease of One Frame Movement, the laidback 'acoustic electronica' of Boombox Experiments, the classic funky jazz stylings of Cargo Mas and cinematic The Brums, all of these have set volume 2 on the map as an essential release for any jazzhead with a passion for new sounds.
Tastemaker, selector, curator, DJ and producer, these words often get mentioned when Lefto's name pops up in discussions. And rightly so. If you've ever had the pleasure to listen to one of his incredible Boiler Room sets or one of his many radio shows, you'll know why. Famed for his gloriously eclectic taste on the decks, he switches effortlessly between hip hop, funk, breaks, neck-snapping beats, future bass, South-American influences, bruk riddims, some wild African rhythms and of course, jazz.
Growing up as a child, his father would have the sounds of jazz flowing through the speakers. Which led him to bars around town to hear the latest jazz ensembles. Falling in love with the genre, he would later refine his knack for record digging and fine ear for music working at Belgium's legendary Music Mania record store in his hometown Brussels. Which makes that Lefto is consistently a couple steps ahead. He doesn't wait for the next thing to land in his lap, but actively seeking it out.
Lefto on Jazz Cats volume 3:
"Another release in less than two years! I am very impressed by the amount of creative "jazz" talent we've managed to compile over the last couple of years. Thanks to the internet, young musicians find inspiration from around the globe and incorporate diverse influences into their work. Given the history and heritage of jazz in this country, it has managed to create a healthy jazz scene supported by festivals, venues, press, and labels. Therefore, I am very proud to present to you the thirdinstallment of Jazz Cats. This compilation is dedicated to the young and hardworking musicians who are the present and the future of Belgium's jazz scene."
More
Tracklist
A1. Oriana Ikomo - NEVER FORGET
A2. Moodprint - Eartha
A3. Kin Gajo - Exit, Gajo!
A4. Adja - Told you so
A5. bodies - brioche
B1. Orson Claeys - Conversations
B2. Bodem - Kleine Mars
B3. HONEY - Bossa dolce
C1. Azmari - Sheep Party
C2. Le Ministère - De l'Amour
C3. Ciao Kennedy - Parcifal Pt. I
D1. echofarmer - beginning would have been outside
D2. Kassius - Escapism
D3. Bruno x Soet x Moene - OTT
'Lefto presents Jazz Cats' is back with volume 3 and still doing what it does best: putting you in the front row of what the thriving Belgian jazz scene currently has to offer and revealing a melting pot of the musical talent coming out one of the smallest countries in Europe. Never change a winning team they say, so we're happy to have Belgian DJ and eclectic connoisseur Lefto on board again.
Although you expect thecompilation to be talking jazz, volume 3 explores a broader array of styles, genres, and sounds than ever before, arriving at a point where the 'young cats' of today don't bother no more. It may focus on the Belgian scene, but let's face it, seeing the influences, this one could be compiled from all over the world. From the empowering and bittersweet voices of Oriana Ikomo and Adja, over the more acoustic-electronic productions of Moodprint, Ciao Kennedy, Kassius and echofarmer. It's even expanding the Jazz Cats universe to dub and bass-heavy tracks with Kin Gajo and Le Ministère, Ethio-jazz from Azmari, while sending you back to earth with bodies' swirling sax and drums. That saxophone still rings in your ears when you end up in the orbit of the march-like drums of Bodem, Orson Claeys' piano testing your ability to follow him, slamming the breaks to go smooth cruisin' with HONEY (Morricone meets Khruangbin, anyone?), to crashing in a raging tempo on that last track of Bruno x Soet x Moene. And there you are, back with us.
2018's 'Lefto presents Jazz Cats' included tracks from some of Belgium's biggest hitters, including Black Flower, STUFF. De Beren Gieren and Glass Museum who have all gone on to receive global acclaim. The album was given the accolade of 'Album of the Week' on Worldwide FM and also received further radio support from Jazz FM in addition to numerous glowing reviews. The 2022 follow-up 'Jazz Cats volume 2' paved the way for a new generation inspired by its peers, entering another era of very talented individuals and collectives. Maybe even more so than 4 years before. It uncovered a beautiful balance of more established but also obscure musicians and artists. Opening up to electronics and dance, enter bands like ECHT!, Stellar Legions and TUKAN. Thrilling innovative soundscape grooves and jazz fusion with Bandler Ching and L?p?GangGang, not to forget about the weaving musical odyssey that is M.CHUZI. In addition, there's the balanced unease of One Frame Movement, the laidback 'acoustic electronica' of Boombox Experiments, the classic funky jazz stylings of Cargo Mas and cinematic The Brums, all of these have set volume 2 on the map as an essential release for any jazzhead with a passion for new sounds.
Tastemaker, selector, curator, DJ and producer, these words often get mentioned when Lefto's name pops up in discussions. And rightly so. If you've ever had the pleasure to listen to one of his incredible Boiler Room sets or one of his many radio shows, you'll know why. Famed for his gloriously eclectic taste on the decks, he switches effortlessly between hip hop, funk, breaks, neck-snapping beats, future bass, South-American influences, bruk riddims, some wild African rhythms and of course, jazz.
Growing up as a child, his father would have the sounds of jazz flowing through the speakers. Which led him to bars around town to hear the latest jazz ensembles. Falling in love with the genre, he would later refine his knack for record digging and fine ear for music working at Belgium's legendary Music Mania record store in his hometown Brussels. Which makes that Lefto is consistently a couple steps ahead. He doesn't wait for the next thing to land in his lap, but actively seeking it out.
Lefto on Jazz Cats volume 3:
"Another release in less than two years! I am very impressed by the amount of creative "jazz" talent we've managed to compile over the last couple of years. Thanks to the internet, young musicians find inspiration from around the globe and incorporate diverse influences into their work. Given the history and heritage of jazz in this country, it has managed to create a healthy jazz scene supported by festivals, venues, press, and labels. Therefore, I am very proud to present to you the thirdinstallment of Jazz Cats. This compilation is dedicated to the young and hardworking musicians who are the present and the future of Belgium's jazz scene."
More
1
Azmari - Sheep Party
2
Azmari - Khamsin
3
Azmari - Abyssal Wandering
4
Azmari - Hadashi
5
Azmari - Zargana
6
Azmari - Crab Squad
7
Azmari - Octopus Perspective
8
Azmari - Nanomia
LP in printed inner sleeve. Five-piece band melting intricate jazz textures with intoxicating oriental influences, otherworldly ethio grooves, enigmatic dark funk, and the pulsating beats of dub music. For fans of Sons of Kemet, The Heliocentrics, Okay Temiz and Antibalas.
TRACKLISTING
A1. Azmari - Sheep Party
A2. Azmari - Khamsin
A3. Azmari - Abyssal Wandering
A4. Azmari - Hadashi
B1. Azmari - Zargana
B2. Azmari - Crab Squad
B3. Azmari - Octopus Perspective
B4. Azmari - Nanomia
INFO
Emerging from the heart of Brussels, the captivating five-piece Azmari is set to release "Maëlström" on October 20. For Maelström, the follow up to their acclaimed debut album Sam?'? (with raving reviews in Uncut, Songlines, Uk Vibe and Electronic Sound), the group has delved into uncharted musical territories creating a mesmerizing "azmarian" identity and melding intricate jazz textures with intoxicating oriental influences, otherworldly ethio grooves, enigmatic dark funk, and the pulsating beats of dub music,
For the creation of "Maëlström," Azmari embarked on an intensive one-week recording journey. During this time, they meticulously honed the sound of their instruments, blending the nostalgic notes of old-school clavinet keyboards with cutting-edge synth sounds, resulting in a distinct and alluring atmosphere. Enriching their traditional instruments with balanced pedal effects and special amplification, the band added new flavours to their sound.
Founded in the vibrant musical haven of Brussels in 2015, Azmari have been crafting a truly unique tapestry of musical exploration. Azmari defies conventional labels to weave a narrative of sonic innovation and artistic liberation. Influences range from an eclectic array of artists, including Okay Temiz, Heliocentrics, Whitefield Brothers, Surprise Chef, Antibalas and Sons of Kemet.
From the band: "For the third part of our musical journey, we dug into a deeper creative process. We literally immersed ourselves in deep waters during a unique two-week aquatic residency. The tracks on this album are thus directly imbued with distinctive underwater frequencies, the sounds of abyssal creatures, and the beauty of the seabed. Convinced by this creative experience, and guided by captain (and producer) Frederik Segers, we brought this album back to the surface and reveal a resolutely scaly, sandy, and deep soundscape." More
TRACKLISTING
A1. Azmari - Sheep Party
A2. Azmari - Khamsin
A3. Azmari - Abyssal Wandering
A4. Azmari - Hadashi
B1. Azmari - Zargana
B2. Azmari - Crab Squad
B3. Azmari - Octopus Perspective
B4. Azmari - Nanomia
INFO
Emerging from the heart of Brussels, the captivating five-piece Azmari is set to release "Maëlström" on October 20. For Maelström, the follow up to their acclaimed debut album Sam?'? (with raving reviews in Uncut, Songlines, Uk Vibe and Electronic Sound), the group has delved into uncharted musical territories creating a mesmerizing "azmarian" identity and melding intricate jazz textures with intoxicating oriental influences, otherworldly ethio grooves, enigmatic dark funk, and the pulsating beats of dub music,
For the creation of "Maëlström," Azmari embarked on an intensive one-week recording journey. During this time, they meticulously honed the sound of their instruments, blending the nostalgic notes of old-school clavinet keyboards with cutting-edge synth sounds, resulting in a distinct and alluring atmosphere. Enriching their traditional instruments with balanced pedal effects and special amplification, the band added new flavours to their sound.
Founded in the vibrant musical haven of Brussels in 2015, Azmari have been crafting a truly unique tapestry of musical exploration. Azmari defies conventional labels to weave a narrative of sonic innovation and artistic liberation. Influences range from an eclectic array of artists, including Okay Temiz, Heliocentrics, Whitefield Brothers, Surprise Chef, Antibalas and Sons of Kemet.
From the band: "For the third part of our musical journey, we dug into a deeper creative process. We literally immersed ourselves in deep waters during a unique two-week aquatic residency. The tracks on this album are thus directly imbued with distinctive underwater frequencies, the sounds of abyssal creatures, and the beauty of the seabed. Convinced by this creative experience, and guided by captain (and producer) Frederik Segers, we brought this album back to the surface and reveal a resolutely scaly, sandy, and deep soundscape." More
1
John Ghost - The Quantities
2
John Ghost - The Hordes
3
John Ghost - The Hedges
4
John Ghost - The Dimmed
5
John Ghost - The Flies
6
John Ghost - Them
LP in printed innersleeve. After the critically acclaimed "Airships Are Organisms" (4-star reviews in The Guardian and Financial Times, as well as airplay on BBC 6 and Worldwide FM) John Ghost is back. Produced by Jørgen Træen (Jaga Jazzist, Electric Eye, Kaizers Orchestra)
TRACKLISTING:
A1. John Ghost - The Quantities
A2. John Ghost - The Hordes
A3. John Ghost - The Hedges
B1. John Ghost - The Dimmed
B2. John Ghost - The Flies
B3. John Ghost – Them
INFO
John Ghost (Ghent, Belgium) is the sextet led by guitarist/composer Jo De Geest. As a group, they draw influences from jazz, rock, and contemporary classical music. Minimalism, electronics, and an overall cinematic quality characterize their instrumental sound. The ensemble's sound can be described as a symbiosis of Hidden Orchestra, Portico Quartet, and James Holden.
After the critically acclaimed “Airships Are Organisms” (4-star reviews in The Guardian and Financial Times, as well as airplay on BBC 6 and Worldwide FM) John Ghost is back with “Thin Air . Mirror Land”, to be released on October 6 via Sdban Ultra, the label of ECHT!, Black Flower, Glass Museum, STUFF. and more.
For this album, they continued their fruitful collaboration with legendary producer Jørgen Træen, known for his work with Jaga Jazzist, Electric Eye, Kaizers Orchestra, and numerous projects on the Hubro Record Label. The result is an album with a slightly more somber tone, focussing on a broader range of instruments and an emphasis on percussive elements."Thin Air . Mirror Land" unfolds as an aesthetic refuge in stormy times. It is a musical urge for introspection in a chaotic reality, and a longing to reconnect with a natural environment.
During the creative process, Jo drew inspiration from the music of artists such as Hans Zimmer, György Ligeti, Magma, The Residents, Disasterpeace, James Holden & The Animal Spirits, Do Make Say Think, William Basinski, and Jóhann Jóhannsson. The album title "Thin Air . Mirror Land" and the song titles are driven by a fascination with the artwork of Edvard Munch. Jo found inspiration in Munch's painting "The Storm" (1893) as a catalyst for the writing process, exploring a dystopian backdrop and the intriguing interplay between comfort and unrest. Heavily inspired by the music, Jaak De Digitale created the gloomy artwork for the album.
Members of the band are Jo De Geest (Endlingr), Rob Banken (Rapidman, HAST), Wim Segers (Compro Oro, PAARD.), Karel Ceulenaere (Black Flower), Lieven Van Pée (Echoes of Zoo, De Beren Gieren) and Elias Devoldere (Nordmann, Elias) who went through a thoughtful studio process, with the result being a conceptual and slightly dystopian atmosphere.
"A vacuum in which we can exist. | Mirror . Land | We stare. We crawl in." More
TRACKLISTING:
A1. John Ghost - The Quantities
A2. John Ghost - The Hordes
A3. John Ghost - The Hedges
B1. John Ghost - The Dimmed
B2. John Ghost - The Flies
B3. John Ghost – Them
INFO
John Ghost (Ghent, Belgium) is the sextet led by guitarist/composer Jo De Geest. As a group, they draw influences from jazz, rock, and contemporary classical music. Minimalism, electronics, and an overall cinematic quality characterize their instrumental sound. The ensemble's sound can be described as a symbiosis of Hidden Orchestra, Portico Quartet, and James Holden.
After the critically acclaimed “Airships Are Organisms” (4-star reviews in The Guardian and Financial Times, as well as airplay on BBC 6 and Worldwide FM) John Ghost is back with “Thin Air . Mirror Land”, to be released on October 6 via Sdban Ultra, the label of ECHT!, Black Flower, Glass Museum, STUFF. and more.
For this album, they continued their fruitful collaboration with legendary producer Jørgen Træen, known for his work with Jaga Jazzist, Electric Eye, Kaizers Orchestra, and numerous projects on the Hubro Record Label. The result is an album with a slightly more somber tone, focussing on a broader range of instruments and an emphasis on percussive elements."Thin Air . Mirror Land" unfolds as an aesthetic refuge in stormy times. It is a musical urge for introspection in a chaotic reality, and a longing to reconnect with a natural environment.
During the creative process, Jo drew inspiration from the music of artists such as Hans Zimmer, György Ligeti, Magma, The Residents, Disasterpeace, James Holden & The Animal Spirits, Do Make Say Think, William Basinski, and Jóhann Jóhannsson. The album title "Thin Air . Mirror Land" and the song titles are driven by a fascination with the artwork of Edvard Munch. Jo found inspiration in Munch's painting "The Storm" (1893) as a catalyst for the writing process, exploring a dystopian backdrop and the intriguing interplay between comfort and unrest. Heavily inspired by the music, Jaak De Digitale created the gloomy artwork for the album.
Members of the band are Jo De Geest (Endlingr), Rob Banken (Rapidman, HAST), Wim Segers (Compro Oro, PAARD.), Karel Ceulenaere (Black Flower), Lieven Van Pée (Echoes of Zoo, De Beren Gieren) and Elias Devoldere (Nordmann, Elias) who went through a thoughtful studio process, with the result being a conceptual and slightly dystopian atmosphere.
"A vacuum in which we can exist. | Mirror . Land | We stare. We crawl in." More
1
Vladimir Cosma - Courage, Fuyons
2
Salix Alba - Vol De La Voiture
3
Louis Marischal - Tu M'Tapes Sur Les Nerfs
4
Martial Solal - Dancing
5
Roger Morès - Dancing
6
Bert Paige - De Discotheek
7
Pieter Verlinden - Theme 19 (Générique + Générique Variation I)
8
Henri Seroka - Theme Axel
9
Rocco Granata - Jonny's Theme
10
Krzysztof Komeda - Les Trucs Du Miroir
11
Quincy Jones - Love Theme From 'The Getaway' (Faraway Forever)
12
Roger Morès - Ballade
13
Alessandro Alessandroni - La Terrificante Notte Del Demonio (Demon Arise)
14
François de Roubaix - Poursuite Sur Les Dunes d'Ostende
15
Jean Marie Bigman - Bolero Pour Denise (Bolero Voor Denise)
16
Alain Pierre - Nacht Shift
Heavyweight 180gr vinyl + extensive liner notes. This compilation brings together some of the best soundtracks with an obvious or hidden Belgian connection, from the early sixties till the late seventies. From obscure local composers to world renowned musicians playing on Hollywood scores.
TRACKLISTING
A1. Vladimir Cosma - Courage, Fuyons
A2. Salix Alba - Vol De La Voiture
A3. Louis Marischal - Tu M'Tapes Sur Les Nerfs
A4. Martial Solal - Dancing
A5. Roger Morès - Dancing
A6. Bert Paige - De Discotheek
A7. Pieter Verlinden - Theme 19 (Générique + Générique Variation I)
A8. Henri Seroka - Theme Axel
B1. Rocco Granata - Jonny's Theme
B2. Krzysztof Komeda - Les Trucs Du Miroir
B3. Quincy Jones - Love Theme From 'The Getaway' (Faraway Forever)
B4. Roger Morès - Ballade
B5. Alessandro Alessandroni - La Terrificante Notte Del Demonio (Demon Arise)
B6. François de Roubaix - Poursuite Sur Les Dunes d'Ostende
B7. Jean Marie Bigman - Bolero Pour Denise (Bolero Voor Denise)
B8. Alain Pierre - Nacht Shift
INFO
Sdban Records, the renowned independent groove & jazz label behind Funky Chicken, Hip Holland Hip, and Discophilia Belgica, is thrilled to announce the upcoming release of its latest compilation album, "The Belgian Soundtrack: A Musical Connection of Belgium with Cinema." Packed with the finest soundtracks boasting an unmistakable Belgian connection, this compilation takes listeners on a captivating journey through a collection of cinematic hidden gems from the early sixties to the late seventies.
Curated by the passionate duo Robin Broos and Tom 'Pélé' Peeters, known for their profound appreciation of obscure soundtracks, "The Belgian Soundtrack" showcases the exceptional talents of both local and internationally acclaimed composers and musicians. From obscure finds composed by lesser-known artists to Hollywood scores performed by world-renowned musicians, this compilation offers a vibrant blend of tracks, including the occasional contribution from renowned international artists who have lent their musical prowess to Belgian films.
"The Belgian Soundtrack" came into being as a serendipitous adventure. Former film journalist Jan Temmerman reached out to us one day, offering a treasure trove of vintage soundtrack albums discovered in his attic," recounts Robin Broos. "With 650 long players, mostly unheard of titles, we embarked on an extraordinary quest-to listen to every single one of them, totaling a staggering 29,250 minutes. It was like watching the original Star Wars trilogy 78 times!"
What started as a quest soon evolved into an intriguing investigation fueled by curiosity. Along the way, Broos and Peeters unearthed dozens of treasures, delved into the backgrounds of obscure composers and musicians, and witnessed an array of enigmatic films. "We encountered an abundance of (un)necessary nudity that we never could have imagined existed," Tom Peeters laughs. The outcome of their explorations is "The Belgian Soundtrack," a meticulously curated collection of funky, melodic, and uplifting tracks, each crafted exclusively for the silver screen and boasting an unexpected Belgian connection.
More
TRACKLISTING
A1. Vladimir Cosma - Courage, Fuyons
A2. Salix Alba - Vol De La Voiture
A3. Louis Marischal - Tu M'Tapes Sur Les Nerfs
A4. Martial Solal - Dancing
A5. Roger Morès - Dancing
A6. Bert Paige - De Discotheek
A7. Pieter Verlinden - Theme 19 (Générique + Générique Variation I)
A8. Henri Seroka - Theme Axel
B1. Rocco Granata - Jonny's Theme
B2. Krzysztof Komeda - Les Trucs Du Miroir
B3. Quincy Jones - Love Theme From 'The Getaway' (Faraway Forever)
B4. Roger Morès - Ballade
B5. Alessandro Alessandroni - La Terrificante Notte Del Demonio (Demon Arise)
B6. François de Roubaix - Poursuite Sur Les Dunes d'Ostende
B7. Jean Marie Bigman - Bolero Pour Denise (Bolero Voor Denise)
B8. Alain Pierre - Nacht Shift
INFO
Sdban Records, the renowned independent groove & jazz label behind Funky Chicken, Hip Holland Hip, and Discophilia Belgica, is thrilled to announce the upcoming release of its latest compilation album, "The Belgian Soundtrack: A Musical Connection of Belgium with Cinema." Packed with the finest soundtracks boasting an unmistakable Belgian connection, this compilation takes listeners on a captivating journey through a collection of cinematic hidden gems from the early sixties to the late seventies.
Curated by the passionate duo Robin Broos and Tom 'Pélé' Peeters, known for their profound appreciation of obscure soundtracks, "The Belgian Soundtrack" showcases the exceptional talents of both local and internationally acclaimed composers and musicians. From obscure finds composed by lesser-known artists to Hollywood scores performed by world-renowned musicians, this compilation offers a vibrant blend of tracks, including the occasional contribution from renowned international artists who have lent their musical prowess to Belgian films.
"The Belgian Soundtrack" came into being as a serendipitous adventure. Former film journalist Jan Temmerman reached out to us one day, offering a treasure trove of vintage soundtrack albums discovered in his attic," recounts Robin Broos. "With 650 long players, mostly unheard of titles, we embarked on an extraordinary quest-to listen to every single one of them, totaling a staggering 29,250 minutes. It was like watching the original Star Wars trilogy 78 times!"
What started as a quest soon evolved into an intriguing investigation fueled by curiosity. Along the way, Broos and Peeters unearthed dozens of treasures, delved into the backgrounds of obscure composers and musicians, and witnessed an array of enigmatic films. "We encountered an abundance of (un)necessary nudity that we never could have imagined existed," Tom Peeters laughs. The outcome of their explorations is "The Belgian Soundtrack," a meticulously curated collection of funky, melodic, and uplifting tracks, each crafted exclusively for the silver screen and boasting an unexpected Belgian connection.
More
1
Kau - Kampala
2
Kau - Amulet
3
Kau - Mirage
4
Kau - Kautokeino
5
Kau - Zero G
6
Kau - Little Steps
7
Kau - Hyde
8
Kau - Alaska
KAU (previously KAU trio.) is an instrumental trio based in Brussels. Taking influences from jazz, groove and electronic music, their aim is simple but straightforward: to make your heads bob.
TRACKLISTING
A1. KAU - Kampala
A2. KAU - Amulet
A3. KAU - Mirage
A4. KAU - Kautokeino
B1. KAU - Zero G
B2. KAU - Little Steps
B3. KAU - Hyde
B4. KAU - Alaska
INFO
KAU (previously KAU trio.) is an instrumental trio based in Brussels. Representing various European backgrounds, the Belgian capital and melting pot proves to be a never ending source of inspiration for the band. Taking influences from jazz, groove and dance music, their aim is simple but straightforward: to make your heads bob. The formula they use to do so has been the same since their early days: improvisation, never ending jam sessions and an open-mindedness towards various genres and styles. This gives their music an organic and vibrant feel. Furthermore, the three boys' long-lasting friendship is at the heart of it all, always relying on what brings them together: their love for music. The KAU cycle is bound to repeat itself and to birth something new - over and over again.
"The Cycle Repeats" is KAU's debut album, due on September 22 on SDBAN Ultra, the home of ECHT!, Black Flower, Glass Museum, STUFF. and more. It represents a milestone in the band's musical journey: it's their firm decision to present a strong and unified trio playing music that stands out through the combination of 80's synths, acoustic drums and electric bass. Moreover, the album succeeds in capturing the energy of their infectious and legendary live shows.
Highlights are album opener "Kampala", which has a throbbing bassline, jazzy synths and heavily modified arpeggiators at its core. The album's first single "Little Steps" starts with a strong hip hop groove, morphing into Herbie Hancock-style chords. "Amulet" is inspired by breakbeats, fast paced grooves and pentatonic bass lines. Both "Kautokeino" and "Alaska" are an invitation to travel to the utmost remote places of this earth, using intense sequencing and suffocating subbasses into an epic finish, probably demonstrating the trio in its most sincere form.
In short: with André Breidlid on drums, Matteo Genovese on bass and Jan Janzen on synths, KAU are a trio of childhood friends with a pan-European identity, whose music reflects the city they grew up in: unapologetic, richly diverse and with a spontaneous groove underlining it all. With their new album "The Cycle Repeats" they directly aim for your dancing shoes and souls.
More
TRACKLISTING
A1. KAU - Kampala
A2. KAU - Amulet
A3. KAU - Mirage
A4. KAU - Kautokeino
B1. KAU - Zero G
B2. KAU - Little Steps
B3. KAU - Hyde
B4. KAU - Alaska
INFO
KAU (previously KAU trio.) is an instrumental trio based in Brussels. Representing various European backgrounds, the Belgian capital and melting pot proves to be a never ending source of inspiration for the band. Taking influences from jazz, groove and dance music, their aim is simple but straightforward: to make your heads bob. The formula they use to do so has been the same since their early days: improvisation, never ending jam sessions and an open-mindedness towards various genres and styles. This gives their music an organic and vibrant feel. Furthermore, the three boys' long-lasting friendship is at the heart of it all, always relying on what brings them together: their love for music. The KAU cycle is bound to repeat itself and to birth something new - over and over again.
"The Cycle Repeats" is KAU's debut album, due on September 22 on SDBAN Ultra, the home of ECHT!, Black Flower, Glass Museum, STUFF. and more. It represents a milestone in the band's musical journey: it's their firm decision to present a strong and unified trio playing music that stands out through the combination of 80's synths, acoustic drums and electric bass. Moreover, the album succeeds in capturing the energy of their infectious and legendary live shows.
Highlights are album opener "Kampala", which has a throbbing bassline, jazzy synths and heavily modified arpeggiators at its core. The album's first single "Little Steps" starts with a strong hip hop groove, morphing into Herbie Hancock-style chords. "Amulet" is inspired by breakbeats, fast paced grooves and pentatonic bass lines. Both "Kautokeino" and "Alaska" are an invitation to travel to the utmost remote places of this earth, using intense sequencing and suffocating subbasses into an epic finish, probably demonstrating the trio in its most sincere form.
In short: with André Breidlid on drums, Matteo Genovese on bass and Jan Janzen on synths, KAU are a trio of childhood friends with a pan-European identity, whose music reflects the city they grew up in: unapologetic, richly diverse and with a spontaneous groove underlining it all. With their new album "The Cycle Repeats" they directly aim for your dancing shoes and souls.
More
1
LupaGangGang - Intro
2
LupaGangGang - Dada Data
3
LupaGangGang - Out The Light
4
LupaGangGang - Wanderer
5
LupaGangGang - Metaphor
6
LupaGangGang - Elsewhere
7
LupaGangGang - Time Faded
8
LupaGangGang - Candy
9
LupaGangGang - The Fountain & The Red Gimini
LP in printed innersleeve.
TRACKLISTING
A1. LupaGangGang - Intro
A2. LupaGangGang - Dada Data
A3. LupaGangGang - Out The Light
A4. LupaGangGang - Wanderer
B1. LupaGangGang - Metaphor
B2. LupaGangGang - Elsewhere
B3. LupaGangGang - Time Faded
B4. LupaGangGang - Candy
B5. LupaGangGang - The Fountain & The Red Gimini
INFO
As rookies in the thriving Brussels scene, jazz fusion quartet LupaGangGang have been making waves the last couple of years. After the EPs 'Stalingrad' and 'Urban Detox', they are now releasing their debut album 'Dopamine Overdose' on March 17 via Sdban Ultra.
Lyrically the inspiration for the album comes from growing up in a digital world and the constant dopamine we all have to deal with because of that. Musically their sound is rich, diverse and hard to pin down, looking at Yussef Dayes, BADBADNOTGOOD and even Black Country, New Road for inspiration.
LupaGangGang started out as a jazz/funk cover band in 2017. Anton, Miel, Lena and Rob all met at a jam session summer camp while still in school. Over time, the band started writing their own songs and released two EPs to critical acclaim. Due to the band's desire for creative expansion over genres, they have been able to perform on various Belgian stages for the past three years including Ancienne Belgique to Flagey, Gent Jazz and Handelsbeurs in support of label mates, Black Flower.
The album title 'Dopamine Overdose' is a quote from the track 'Dada Data', a track about the influence social media tends to have on our lives. The album's recurring theme is definitely the struggle with today's hyper virtual society and the overwhelming influence tech is having on society. With unbridled enthusiasm the band tackle relevant themes and combine striking observations with a highly contagious and very diverse sound.
From "Out the Light'', a smooth track about being stuck in the image we all try to create of ourselves, to 'Wanderer', a jazzy tune about the road to self-acceptance, and from 'Candy', combining a punk attitude with infectious hand claps, to 'Time Faded', about the difficulty of finishing your artistic work, Lup?GangGang constantly showcase their genre-defying versatility.
As a whole, the album is a very balanced collection of tracks, ranging from brooding atmospheres to punky explosions with a constant drive, social criticism and an indomitable energy binding it all together. A promising debut, indeed.
More
TRACKLISTING
A1. LupaGangGang - Intro
A2. LupaGangGang - Dada Data
A3. LupaGangGang - Out The Light
A4. LupaGangGang - Wanderer
B1. LupaGangGang - Metaphor
B2. LupaGangGang - Elsewhere
B3. LupaGangGang - Time Faded
B4. LupaGangGang - Candy
B5. LupaGangGang - The Fountain & The Red Gimini
INFO
As rookies in the thriving Brussels scene, jazz fusion quartet LupaGangGang have been making waves the last couple of years. After the EPs 'Stalingrad' and 'Urban Detox', they are now releasing their debut album 'Dopamine Overdose' on March 17 via Sdban Ultra.
Lyrically the inspiration for the album comes from growing up in a digital world and the constant dopamine we all have to deal with because of that. Musically their sound is rich, diverse and hard to pin down, looking at Yussef Dayes, BADBADNOTGOOD and even Black Country, New Road for inspiration.
LupaGangGang started out as a jazz/funk cover band in 2017. Anton, Miel, Lena and Rob all met at a jam session summer camp while still in school. Over time, the band started writing their own songs and released two EPs to critical acclaim. Due to the band's desire for creative expansion over genres, they have been able to perform on various Belgian stages for the past three years including Ancienne Belgique to Flagey, Gent Jazz and Handelsbeurs in support of label mates, Black Flower.
The album title 'Dopamine Overdose' is a quote from the track 'Dada Data', a track about the influence social media tends to have on our lives. The album's recurring theme is definitely the struggle with today's hyper virtual society and the overwhelming influence tech is having on society. With unbridled enthusiasm the band tackle relevant themes and combine striking observations with a highly contagious and very diverse sound.
From "Out the Light'', a smooth track about being stuck in the image we all try to create of ourselves, to 'Wanderer', a jazzy tune about the road to self-acceptance, and from 'Candy', combining a punk attitude with infectious hand claps, to 'Time Faded', about the difficulty of finishing your artistic work, Lup?GangGang constantly showcase their genre-defying versatility.
As a whole, the album is a very balanced collection of tracks, ranging from brooding atmospheres to punky explosions with a constant drive, social criticism and an indomitable energy binding it all together. A promising debut, indeed.
More
1
M.CHUZI - Tzatzìki
2
M.CHUZI feat. Nabou Claerhout - Mammoet
3
M.CHUZI feat. Joy Slam - Carbonade
4
M.CHUZI - Intermetsauce
5
M.CHUZI - Tahini Miso
6
M.CHUZI - Sambal
7
M.CHUZI feat. Mixmaster Menno - Pickles
Standard LP on black vinyl. The collective's debut album 'Papara' is an inviting mouthful of afro rhythms, funk, and prog jazz, combined with the spacey soundscapes of the Brussels metropole, as they look to Fela Kuti's afrobeat style for inspiration.
TRACKLISTING
A1. M.CHUZI - Tzatzìki
A2. M.CHUZI feat. Nabou Claerhout - Mammoet
A3. M.CHUZI feat. Joy Slam - Carbonade
A4. M.CHUZI - Intermetsauce
B1. M.CHUZI - Tahini Miso
B2. M.CHUZI - Sambal
B3. M.CHUZI feat. Mixmaster Menno - Pickles
INFO
On the isle of Crete, the ancient practice of dipping your bread in different sauces and dips is called "papara". True to its music-as-sauce philosophy, Brussels-based groove formation M.CHUZI invites you to dip your ear into the sonic sauces that are on offer in its versatile menu.
Released 4th November via Sdban Ultra, the collective's debut album 'Papara' is an inviting mouthful of afro rhythms, funk, and prog jazz, combined with the spacey soundscapes of the Brussels metropole, as they look to Fela Kuti's afrobeat style for inspiration.
Winner of the prestigious Sound Track contest held at Ancienne Belgique back in December 2019, the octet has gone from strength to strength, including having album track 'Tzatzìki' feature on the critically acclaimed various artist's compilation 'Lefto presents Jazz Cats volume 2', released earlier this summer. The track was arguably the highlight of the album and received radio support from leading radio DJs including Gilles Peterson of BBC Radio 6 Music and Worldwide FM fame.
It's the tasty 'Tzatzìki' that launches 'Papara', an exotica-spawned, merry bombardment of fizzing percussion and a subsequent brass freakout. Next up is the heavy acid rock of 'Mammoet' featuring rising trombonist Nabou, which soon breaks out into a groove-laden mix of Egyptian-inspired horns and Fela-style rhythms, before poetic warrior Joy Slam, adds her vocals to the dub-centric rhythms of the sweet 'Carbonade'.
Elsewhere, 'Intermetsauce' fuses skittish horns with funky drums while the spicy 'Tahini Miso' bursts into life with trance-inducing beats and mystical, Middle-Eastern seasoning. The album closes with the multi-rhythms of the burning 'Sambal', before we dive-dip into the funky 'Pickles', featuring Mixmaster Menno's (STUFF.) wildstyle scratching skills. With each track named after a band member or featured artists' favourite sauce, M.CHUZI serves you a diverse and flavourful plate of unique compositions, taking afro-groove and its descendants to a new level of eclectic dynamism.
More
TRACKLISTING
A1. M.CHUZI - Tzatzìki
A2. M.CHUZI feat. Nabou Claerhout - Mammoet
A3. M.CHUZI feat. Joy Slam - Carbonade
A4. M.CHUZI - Intermetsauce
B1. M.CHUZI - Tahini Miso
B2. M.CHUZI - Sambal
B3. M.CHUZI feat. Mixmaster Menno - Pickles
INFO
On the isle of Crete, the ancient practice of dipping your bread in different sauces and dips is called "papara". True to its music-as-sauce philosophy, Brussels-based groove formation M.CHUZI invites you to dip your ear into the sonic sauces that are on offer in its versatile menu.
Released 4th November via Sdban Ultra, the collective's debut album 'Papara' is an inviting mouthful of afro rhythms, funk, and prog jazz, combined with the spacey soundscapes of the Brussels metropole, as they look to Fela Kuti's afrobeat style for inspiration.
Winner of the prestigious Sound Track contest held at Ancienne Belgique back in December 2019, the octet has gone from strength to strength, including having album track 'Tzatzìki' feature on the critically acclaimed various artist's compilation 'Lefto presents Jazz Cats volume 2', released earlier this summer. The track was arguably the highlight of the album and received radio support from leading radio DJs including Gilles Peterson of BBC Radio 6 Music and Worldwide FM fame.
It's the tasty 'Tzatzìki' that launches 'Papara', an exotica-spawned, merry bombardment of fizzing percussion and a subsequent brass freakout. Next up is the heavy acid rock of 'Mammoet' featuring rising trombonist Nabou, which soon breaks out into a groove-laden mix of Egyptian-inspired horns and Fela-style rhythms, before poetic warrior Joy Slam, adds her vocals to the dub-centric rhythms of the sweet 'Carbonade'.
Elsewhere, 'Intermetsauce' fuses skittish horns with funky drums while the spicy 'Tahini Miso' bursts into life with trance-inducing beats and mystical, Middle-Eastern seasoning. The album closes with the multi-rhythms of the burning 'Sambal', before we dive-dip into the funky 'Pickles', featuring Mixmaster Menno's (STUFF.) wildstyle scratching skills. With each track named after a band member or featured artists' favourite sauce, M.CHUZI serves you a diverse and flavourful plate of unique compositions, taking afro-groove and its descendants to a new level of eclectic dynamism.
More
1
M.CHUZI - Tzatzìki
2
M.CHUZI feat. Nabou Claerhout - Mammoet
3
M.CHUZI feat. Joy Slam - Carbonade
4
M.CHUZI - Intermetsauce
5
M.CHUZI - Tahini Miso
6
M.CHUZI - Sambal
7
M.CHUZI feat. Mixmaster Menno - Pickles
Limited edition on green vinyl. The collective's debut album 'Papara' is an inviting mouthful of afro rhythms, funk, and prog jazz, combined with the spacey soundscapes of the Brussels metropole, as they look to Fela Kuti's afrobeat style for inspiration.
TRACKLISTING
A1. M.CHUZI - Tzatzìki
A2. M.CHUZI feat. Nabou Claerhout - Mammoet
A3. M.CHUZI feat. Joy Slam - Carbonade
A4. M.CHUZI - Intermetsauce
B1. M.CHUZI - Tahini Miso
B2. M.CHUZI - Sambal
B3. M.CHUZI feat. Mixmaster Menno - Pickles
INFO
On the isle of Crete, the ancient practice of dipping your bread in different sauces and dips is called "papara". True to its music-as-sauce philosophy, Brussels-based groove formation M.CHUZI invites you to dip your ear into the sonic sauces that are on offer in its versatile menu.
Released 4th November via Sdban Ultra, the collective's debut album 'Papara' is an inviting mouthful of afro rhythms, funk, and prog jazz, combined with the spacey soundscapes of the Brussels metropole, as they look to Fela Kuti's afrobeat style for inspiration.
Winner of the prestigious Sound Track contest held at Ancienne Belgique back in December 2019, the octet has gone from strength to strength, including having album track 'Tzatzìki' feature on the critically acclaimed various artist's compilation 'Lefto presents Jazz Cats volume 2', released earlier this summer. The track was arguably the highlight of the album and received radio support from leading radio DJs including Gilles Peterson of BBC Radio 6 Music and Worldwide FM fame.
It's the tasty 'Tzatzìki' that launches 'Papara', an exotica-spawned, merry bombardment of fizzing percussion and a subsequent brass freakout. Next up is the heavy acid rock of 'Mammoet' featuring rising trombonist Nabou, which soon breaks out into a groove-laden mix of Egyptian-inspired horns and Fela-style rhythms, before poetic warrior Joy Slam, adds her vocals to the dub-centric rhythms of the sweet 'Carbonade'.
Elsewhere, 'Intermetsauce' fuses skittish horns with funky drums while the spicy 'Tahini Miso' bursts into life with trance-inducing beats and mystical, Middle-Eastern seasoning. The album closes with the multi-rhythms of the burning 'Sambal', before we dive-dip into the funky 'Pickles', featuring Mixmaster Menno's (STUFF.) wildstyle scratching skills. With each track named after a band member or featured artists' favourite sauce, M.CHUZI serves you a diverse and flavourful plate of unique compositions, taking afro-groove and its descendants to a new level of eclectic dynamism.
More
TRACKLISTING
A1. M.CHUZI - Tzatzìki
A2. M.CHUZI feat. Nabou Claerhout - Mammoet
A3. M.CHUZI feat. Joy Slam - Carbonade
A4. M.CHUZI - Intermetsauce
B1. M.CHUZI - Tahini Miso
B2. M.CHUZI - Sambal
B3. M.CHUZI feat. Mixmaster Menno - Pickles
INFO
On the isle of Crete, the ancient practice of dipping your bread in different sauces and dips is called "papara". True to its music-as-sauce philosophy, Brussels-based groove formation M.CHUZI invites you to dip your ear into the sonic sauces that are on offer in its versatile menu.
Released 4th November via Sdban Ultra, the collective's debut album 'Papara' is an inviting mouthful of afro rhythms, funk, and prog jazz, combined with the spacey soundscapes of the Brussels metropole, as they look to Fela Kuti's afrobeat style for inspiration.
Winner of the prestigious Sound Track contest held at Ancienne Belgique back in December 2019, the octet has gone from strength to strength, including having album track 'Tzatzìki' feature on the critically acclaimed various artist's compilation 'Lefto presents Jazz Cats volume 2', released earlier this summer. The track was arguably the highlight of the album and received radio support from leading radio DJs including Gilles Peterson of BBC Radio 6 Music and Worldwide FM fame.
It's the tasty 'Tzatzìki' that launches 'Papara', an exotica-spawned, merry bombardment of fizzing percussion and a subsequent brass freakout. Next up is the heavy acid rock of 'Mammoet' featuring rising trombonist Nabou, which soon breaks out into a groove-laden mix of Egyptian-inspired horns and Fela-style rhythms, before poetic warrior Joy Slam, adds her vocals to the dub-centric rhythms of the sweet 'Carbonade'.
Elsewhere, 'Intermetsauce' fuses skittish horns with funky drums while the spicy 'Tahini Miso' bursts into life with trance-inducing beats and mystical, Middle-Eastern seasoning. The album closes with the multi-rhythms of the burning 'Sambal', before we dive-dip into the funky 'Pickles', featuring Mixmaster Menno's (STUFF.) wildstyle scratching skills. With each track named after a band member or featured artists' favourite sauce, M.CHUZI serves you a diverse and flavourful plate of unique compositions, taking afro-groove and its descendants to a new level of eclectic dynamism.
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1
Stella Legions - Alice
2
Stella Legions - An Arp in Tunisia
3
Stella Legions - Jahzz
4
Stella Legions - Wessel
5
Stella Legions - Odyssey
6
Stella Legions - Witches
7
Stella Legions - Alcyone
8
Stella Legions - Covix
LP in gatefold sleeve. Stellar Legions is four experienced space cadets from the Antwerp interstellar legion, led by Captain Andrew Claes (STUFF., BRZZVLL, Internal Sun).
TRACKLISTING
A1. Stellar Legions - Alice
A2. Stellar Legions - An Arp in Tunisia
A3. Stellar Legions - Jahzz
A4. Stellar Legions - Wessel
B1. Stellar Legions - Odyssey
B2. Stellar Legions - Witches
B3. Stellar Legions - Alcyone
B4. Stellar Legions - Covix
INFO
Stellar Legions is four experienced space cadets from the Antwerp interstellar legion, led by Captain Andrew Claes (STUFF., BRZZVLL, Internal Sun). With a sound rooted in jazz, improv, hip-hop, dub and electronic music, brace yourself for an intergalactic trip through colourful musical worlds and allow yourself to be carried away to indefinable, otherworldly but always hospitable beacons.
Alongside Claes, the delegates on duty are all heroes from the Allied star: Bram Weijters (Raymond Van Het Groenewoud, Crazy Men), Klaas De Somer (Tourist Lemc, Selah Sue) and Fre Madou (ex-DAAU, Namid). With them, come stories and artifacts from the multidimensional cosmos to our beloved mother planet Earth and this autumn, they passionately present their first omnibus 'Stellar Legions', released 21st October via the groove-obssessed Sdban Ultra label.
The album consists of eight tracks recorded in the studio and live, resulting in one big cosmic experience that exhilarates down to every last arrangement. From Claes' twisted sax on the semi-electronic ecstatic dream world that is an 'An Arp in Tunisia' to the jazzy snatches of 'Wessel' where De Somer's hurried drum patterns and Weijters frenzied keyboard solos catch light, Stellar Legions unites the adventure and improvisation of jazz with contemporary sounds.
At the core of the Stellar Legions sound is a rhythm section Sly & Robbie would have approved of: loose and sticky, grinding and unwinding: De Somer's drums fizz with expectation while the relentless bass strokes from Madou provide the beating pulse. It's fresh, it's raw and it keeps us listening, grooving and wanting more. Elsewhere, 'Odyssey' is a cataclysmic mix of feverish sounds and melodies that take you to an extra-terrestrial place, while the live recording of 'Alcyone', basks in a spatial mix of futuristic grooves and ethereal soundscapes before album closer 'Covix', results in a spacious and wonderfully atmospheric affair.
Electronics wizard Andrew Claes has recorded music in a wide range of styles ranging from free jazz outfit Chaos of the Haunted Spire (duo with Teun Verbruggen) to techno icon Marco Bailey and New Wave hero, Marcel Vanthilt. In addition, he has collaborated with Zach Danziger, Zap Mama, Brussels Jazz Orchestra, Hermes Ensemble, Mauro Pawlowski, Josse De Pauw and many others and released music with the electro-jazz collective AAN/EOP and his solo project, Internal Sun.
Claes is also a teacher of 'Live Electronics' at the Conservatory of Antwerp and a doctorate in the arts, where he is currently investigating the possibilities of an electro-acoustic saxophone. He also regularly gives workshops on the Belgian synthesizer microcontroller platform, Axoloti. His latest achievement is AI-driven robot-jazz project 'BotBop' with Dago Sondervan and Kasper Jordaens, which explores the possibilities and limits of 'computer aided music performance'. Their latest project 'Integers & Strings' premiered at the Sònar festival in Barcelona in November 2021. More
TRACKLISTING
A1. Stellar Legions - Alice
A2. Stellar Legions - An Arp in Tunisia
A3. Stellar Legions - Jahzz
A4. Stellar Legions - Wessel
B1. Stellar Legions - Odyssey
B2. Stellar Legions - Witches
B3. Stellar Legions - Alcyone
B4. Stellar Legions - Covix
INFO
Stellar Legions is four experienced space cadets from the Antwerp interstellar legion, led by Captain Andrew Claes (STUFF., BRZZVLL, Internal Sun). With a sound rooted in jazz, improv, hip-hop, dub and electronic music, brace yourself for an intergalactic trip through colourful musical worlds and allow yourself to be carried away to indefinable, otherworldly but always hospitable beacons.
Alongside Claes, the delegates on duty are all heroes from the Allied star: Bram Weijters (Raymond Van Het Groenewoud, Crazy Men), Klaas De Somer (Tourist Lemc, Selah Sue) and Fre Madou (ex-DAAU, Namid). With them, come stories and artifacts from the multidimensional cosmos to our beloved mother planet Earth and this autumn, they passionately present their first omnibus 'Stellar Legions', released 21st October via the groove-obssessed Sdban Ultra label.
The album consists of eight tracks recorded in the studio and live, resulting in one big cosmic experience that exhilarates down to every last arrangement. From Claes' twisted sax on the semi-electronic ecstatic dream world that is an 'An Arp in Tunisia' to the jazzy snatches of 'Wessel' where De Somer's hurried drum patterns and Weijters frenzied keyboard solos catch light, Stellar Legions unites the adventure and improvisation of jazz with contemporary sounds.
At the core of the Stellar Legions sound is a rhythm section Sly & Robbie would have approved of: loose and sticky, grinding and unwinding: De Somer's drums fizz with expectation while the relentless bass strokes from Madou provide the beating pulse. It's fresh, it's raw and it keeps us listening, grooving and wanting more. Elsewhere, 'Odyssey' is a cataclysmic mix of feverish sounds and melodies that take you to an extra-terrestrial place, while the live recording of 'Alcyone', basks in a spatial mix of futuristic grooves and ethereal soundscapes before album closer 'Covix', results in a spacious and wonderfully atmospheric affair.
Electronics wizard Andrew Claes has recorded music in a wide range of styles ranging from free jazz outfit Chaos of the Haunted Spire (duo with Teun Verbruggen) to techno icon Marco Bailey and New Wave hero, Marcel Vanthilt. In addition, he has collaborated with Zach Danziger, Zap Mama, Brussels Jazz Orchestra, Hermes Ensemble, Mauro Pawlowski, Josse De Pauw and many others and released music with the electro-jazz collective AAN/EOP and his solo project, Internal Sun.
Claes is also a teacher of 'Live Electronics' at the Conservatory of Antwerp and a doctorate in the arts, where he is currently investigating the possibilities of an electro-acoustic saxophone. He also regularly gives workshops on the Belgian synthesizer microcontroller platform, Axoloti. His latest achievement is AI-driven robot-jazz project 'BotBop' with Dago Sondervan and Kasper Jordaens, which explores the possibilities and limits of 'computer aided music performance'. Their latest project 'Integers & Strings' premiered at the Sònar festival in Barcelona in November 2021. More
1
Lucid Lucia - Mumpsimus
2
Lucid Lucia - Pigeons
3
Lucid Lucia - Reminiscence
4
Lucid Lucia - Quanked
5
Lucid Lucia - Oneironauts
6
Lucid Lucia - Pukti part 1
7
Lucid Lucia - Pukti part 2
8
Lucid Lucia - Onychorhynchus
9
Lucid Lucia - Voor Pieter A.
LP in printed innersleeve. Searching to unwrap the mystery that is a human life, across nine tracks of jazz and space funk-infused grooves, Lucid Lucia look to the sound of Herbie's 'Head Hunters' and Miles' acid funk of the mid-70s for inspiration.
TRACKLISTING
A1. Lucid Lucia - Mumpsimus
A2. Lucid Lucia - Pigeons
A3. Lucid Lucia - Reminiscence
A4. Lucid Lucia - Quanked
B1. Lucid Lucia - Oneironauts
B2. Lucid Lucia - Pukti part 1
B3. Lucid Lucia - Pukti part 2
B4. Lucid Lucia - Onychorhynchus
B5. Lucid Lucia - Voor Pieter A.
INFO
Following the release of their critically acclaimed self-titled debut EP in 2021, Antwerp's Lucid Lucia are set to release their debut album 'Ever-changing Light' on the 7th October via the groove-obsessed Belgian tastemaker label, Sdban Ultra.
Searching to unwrap the mystery that is a human life, across nine tracks of jazz and space funk-infused grooves, Lucid Lucia look to the sound of Herbie's 'Head Hunters' and Miles' acid funk of the mid-70s for inspiration.
'Ever-changing Light' is a mind-expanding celebration centered on freedom and rhythm. Free-spirited saxes, futuristic-sounding keys, monstrous bass lines and shifting drum beats unite, resulting in an uplifting and joyous celebration of jazz, funk and groove. From the loose, laidback stylings of 'Mumpsimus' and the jazz-funk odyssey that is 'Pigeons' to the sonic wonders of 'Reminiscence' and urgent flow of 'Quanked', Lucid Lucia is a marvelous journey of luminous sounds and vibrant rhythms. Elsewhere, the warped aesthetics of 'Oneironauts' and improv 'Pukti part 1' showcase a tight rhythm section, inventive horns, funky keys and guitar while the spiritual magnum opus 'Voor Pieter A.' is a magical example of the virtuosity of Lucid Lucia.
Born from the ashes of fusion outfit BRZZVLL, Lucid Lucia were founded by saxophonist Vincent Brijs, a household name in Antwerp and the Belgian jazz scene. Former winners of the Jong Jazztalent Gent, BRZZVLL released their debut album 'Days of Thunder, Days of Grace' in 2008 and would go on to release five more albums including teaming up with Trinidad-born poet, novelist and musician Anthony Joseph on the 2014 critically acclaimed album 'Engines' and with hip-hop MC, writer and producer Amir Sulaiman on the 2016 album 'First Let's Dance'. The 2017 album 'Waiho', the band's first instumental album and final album received glowing praise from numerous tastemakers including UNCUT magazine, The Line of Best Fit, XLR8R and Record Collector magazine.
To the present day and Lucid Lucia marks a brighter, clearer sound for the sextet. Consisting of Vincent Brijs: saxophones and EWI, Bart Borremans: saxophones, Stijn Cools: drums, Dries Laheye: bass, Dries Verhulst: guitar, Jan Willems: keys and James Williams: drums and percussion, they have honed their skills performing with numerous artists from home and around the world including Ursula Rucker, Joseph Bowie (Defunkt), Amir Sulaiman, Anthony Joseph, Zena Edwards, Ayanna Witter Johnson, Baloji, Mo & Grazz, Kain the Poet (The Last Poets), Marie Daulne, Dizzy Madjeku, Ida Nielsen and many others. More
TRACKLISTING
A1. Lucid Lucia - Mumpsimus
A2. Lucid Lucia - Pigeons
A3. Lucid Lucia - Reminiscence
A4. Lucid Lucia - Quanked
B1. Lucid Lucia - Oneironauts
B2. Lucid Lucia - Pukti part 1
B3. Lucid Lucia - Pukti part 2
B4. Lucid Lucia - Onychorhynchus
B5. Lucid Lucia - Voor Pieter A.
INFO
Following the release of their critically acclaimed self-titled debut EP in 2021, Antwerp's Lucid Lucia are set to release their debut album 'Ever-changing Light' on the 7th October via the groove-obsessed Belgian tastemaker label, Sdban Ultra.
Searching to unwrap the mystery that is a human life, across nine tracks of jazz and space funk-infused grooves, Lucid Lucia look to the sound of Herbie's 'Head Hunters' and Miles' acid funk of the mid-70s for inspiration.
'Ever-changing Light' is a mind-expanding celebration centered on freedom and rhythm. Free-spirited saxes, futuristic-sounding keys, monstrous bass lines and shifting drum beats unite, resulting in an uplifting and joyous celebration of jazz, funk and groove. From the loose, laidback stylings of 'Mumpsimus' and the jazz-funk odyssey that is 'Pigeons' to the sonic wonders of 'Reminiscence' and urgent flow of 'Quanked', Lucid Lucia is a marvelous journey of luminous sounds and vibrant rhythms. Elsewhere, the warped aesthetics of 'Oneironauts' and improv 'Pukti part 1' showcase a tight rhythm section, inventive horns, funky keys and guitar while the spiritual magnum opus 'Voor Pieter A.' is a magical example of the virtuosity of Lucid Lucia.
Born from the ashes of fusion outfit BRZZVLL, Lucid Lucia were founded by saxophonist Vincent Brijs, a household name in Antwerp and the Belgian jazz scene. Former winners of the Jong Jazztalent Gent, BRZZVLL released their debut album 'Days of Thunder, Days of Grace' in 2008 and would go on to release five more albums including teaming up with Trinidad-born poet, novelist and musician Anthony Joseph on the 2014 critically acclaimed album 'Engines' and with hip-hop MC, writer and producer Amir Sulaiman on the 2016 album 'First Let's Dance'. The 2017 album 'Waiho', the band's first instumental album and final album received glowing praise from numerous tastemakers including UNCUT magazine, The Line of Best Fit, XLR8R and Record Collector magazine.
To the present day and Lucid Lucia marks a brighter, clearer sound for the sextet. Consisting of Vincent Brijs: saxophones and EWI, Bart Borremans: saxophones, Stijn Cools: drums, Dries Laheye: bass, Dries Verhulst: guitar, Jan Willems: keys and James Williams: drums and percussion, they have honed their skills performing with numerous artists from home and around the world including Ursula Rucker, Joseph Bowie (Defunkt), Amir Sulaiman, Anthony Joseph, Zena Edwards, Ayanna Witter Johnson, Baloji, Mo & Grazz, Kain the Poet (The Last Poets), Marie Daulne, Dizzy Madjeku, Ida Nielsen and many others. More
1
Glass Museum - Caillebotis
2
Glass Museum - Shiitake
3
Glass Museum - Ellipse
4
Glass Museum - Reflet
5
Glass Museum - Swimming Trees
6
Glass Museum - Auburn
7
Glass Museum - Opal Sequences
8
Glass Museum - Kendama
Standard version on black vinyl in printed innersleeve. Belgian instrumentalists Glass Museum have found the perfect balance between piano and drums. Where jazz and electronics collide, uniting the surgical precision of the best contemporary jazz, à la Gogo Penguin and Badbadnotgood, with the electronic influences of Jon Hopkins or Floating Points.
TRACKLISTING
A1. Glass Museum - Caillebotis
A2. Glass Museum - Shiitake
A3. Glass Museum - Ellipse
A4. Glass Museum - Reflet
B1. Glass Museum - Swimming Trees
B2. Glass Museum - Auburn
B3. Glass Museum - Opal Sequences
B4. Glass Museum - Kendama
INFO
Belgian instrumentalists Glass Museum have found the perfect balance between piano and drums, where jazz and electronics collide, uniting the surgical precision of the best contemporary jazz, à la Gogo Penguin and Badbadnotgood, with the electronic influences of Jon Hopkins or Floating Points.
In motion since 2016, the duo consisting of keyboardist Antoine Flipo and drummer Martin Grégoire, have a rich history written around a powerful connection to duality. From the initial impact of the 'Deux' EP in 2018, to the synthetic and organic textures of the critically acclaimed 2020 album 'Reykjavik', Glass Museum has found its balance in symmetry.
Released 29th April via the groove-obsessed Sdban Ultra label, 'Reflet' was born out of a desire for freedom, a wish to innovate and travel differently. This new piece stands out as an artistic climax crafted at the crossroads of time and genres, an electronic proposition wrought by two brave hearts, tempered by the organic reflections delivered through computer free melodies. An album which places the human at the core of its compositions and in order to return to a more instinctive and instantaneous means of creation, the duo retreated to a secret location in one of the most remote parts of the Ardennes. It's there, in the shade of spruces, that the album was first born.
Extremely cinematographic, 'Reflet' delivers a panoramic view point: jazz, breakbeat, minimal techno and deep house, collide on neo classical grounds. From the dynamic instrumentation of album opener 'Caillebotis' to the absorbing oscillations of 'Shiitake' and grand gestures of the album title track, 'Reflet' is an odyssey running through troubled times, an ode to night time, to life, dreams and to all rhythms that convey emotions beyond words. Like its immersive creative process, the album offers a counterpoint and, above all, endless perspectives. Elsewhere, the pulsing, melodic 'Auburn' and entrancing electronic textures of 'Opal Sequences' continue the exploration before the strutting 'Kendama' showcases the electronic sensibilities that are buried within their productions.
Shining as a true instrumental tour de force, 'Reflet' also takes inspiration from the progress of the Ohme Collective. At the crossroads of art disciplines, science, new technologies and societal challenges, this creative community draws the future of visual arts and created the album artwork for this resolutely futuristic album.
Having initially won the opportunity to perform at the Dour Festival, Tournai back in 2016, Glass Museum have picked up a series of awards and distinctions back home in their homeland and they now find themselves dining at the top table of Europe's contemporary music scene. The international music scene opened itself to the band once again in 2019, with the duo performing at Elb Jazz in Hamburg, the legendary Ancienne Belgique in Brussels and the Iceland Airwaves Festival, Reykjavik.
In 2020, Glass Museum distinguished themselves by remixing a track for electronic artist, Rone. Having recently received a César Award for his soundtrack to the Jacques Audiard film, Les Olympiades, the French producer called on the Brussels duo's know-how - a mark of confidence which once again underlines the international reach of Glass Museum. Germany, Iceland, Turkey, Romania, Greece, France or Czech Republic have already approved Glass Museum's singular recipe.
LIVE:
25/03 : Piano Days - CC, Hasselt (BE)
04/05 : Tournai Jazz Festival, Tournai (BE)
06/05 : Studio De L'Ermitage, Paris (FR)
26/05 : Melkweg, Amsterdam (NL)
28/05 : Jazz Sous Les Pomiers, Coutances (FR)
29/05 : Haldern Pop Bar, Haldern (DE)
30/05 : Hebebühne, Hamburg (DE)
31/05 : Berghain Kantine, Berlin (DE)
04/06 : Ancienne Belgique, Brussels (BE)
07/06 : Funke, Ghent (BE)
10/06 : CC, Comines (BE) More
TRACKLISTING
A1. Glass Museum - Caillebotis
A2. Glass Museum - Shiitake
A3. Glass Museum - Ellipse
A4. Glass Museum - Reflet
B1. Glass Museum - Swimming Trees
B2. Glass Museum - Auburn
B3. Glass Museum - Opal Sequences
B4. Glass Museum - Kendama
INFO
Belgian instrumentalists Glass Museum have found the perfect balance between piano and drums, where jazz and electronics collide, uniting the surgical precision of the best contemporary jazz, à la Gogo Penguin and Badbadnotgood, with the electronic influences of Jon Hopkins or Floating Points.
In motion since 2016, the duo consisting of keyboardist Antoine Flipo and drummer Martin Grégoire, have a rich history written around a powerful connection to duality. From the initial impact of the 'Deux' EP in 2018, to the synthetic and organic textures of the critically acclaimed 2020 album 'Reykjavik', Glass Museum has found its balance in symmetry.
Released 29th April via the groove-obsessed Sdban Ultra label, 'Reflet' was born out of a desire for freedom, a wish to innovate and travel differently. This new piece stands out as an artistic climax crafted at the crossroads of time and genres, an electronic proposition wrought by two brave hearts, tempered by the organic reflections delivered through computer free melodies. An album which places the human at the core of its compositions and in order to return to a more instinctive and instantaneous means of creation, the duo retreated to a secret location in one of the most remote parts of the Ardennes. It's there, in the shade of spruces, that the album was first born.
Extremely cinematographic, 'Reflet' delivers a panoramic view point: jazz, breakbeat, minimal techno and deep house, collide on neo classical grounds. From the dynamic instrumentation of album opener 'Caillebotis' to the absorbing oscillations of 'Shiitake' and grand gestures of the album title track, 'Reflet' is an odyssey running through troubled times, an ode to night time, to life, dreams and to all rhythms that convey emotions beyond words. Like its immersive creative process, the album offers a counterpoint and, above all, endless perspectives. Elsewhere, the pulsing, melodic 'Auburn' and entrancing electronic textures of 'Opal Sequences' continue the exploration before the strutting 'Kendama' showcases the electronic sensibilities that are buried within their productions.
Shining as a true instrumental tour de force, 'Reflet' also takes inspiration from the progress of the Ohme Collective. At the crossroads of art disciplines, science, new technologies and societal challenges, this creative community draws the future of visual arts and created the album artwork for this resolutely futuristic album.
Having initially won the opportunity to perform at the Dour Festival, Tournai back in 2016, Glass Museum have picked up a series of awards and distinctions back home in their homeland and they now find themselves dining at the top table of Europe's contemporary music scene. The international music scene opened itself to the band once again in 2019, with the duo performing at Elb Jazz in Hamburg, the legendary Ancienne Belgique in Brussels and the Iceland Airwaves Festival, Reykjavik.
In 2020, Glass Museum distinguished themselves by remixing a track for electronic artist, Rone. Having recently received a César Award for his soundtrack to the Jacques Audiard film, Les Olympiades, the French producer called on the Brussels duo's know-how - a mark of confidence which once again underlines the international reach of Glass Museum. Germany, Iceland, Turkey, Romania, Greece, France or Czech Republic have already approved Glass Museum's singular recipe.
LIVE:
25/03 : Piano Days - CC, Hasselt (BE)
04/05 : Tournai Jazz Festival, Tournai (BE)
06/05 : Studio De L'Ermitage, Paris (FR)
26/05 : Melkweg, Amsterdam (NL)
28/05 : Jazz Sous Les Pomiers, Coutances (FR)
29/05 : Haldern Pop Bar, Haldern (DE)
30/05 : Hebebühne, Hamburg (DE)
31/05 : Berghain Kantine, Berlin (DE)
04/06 : Ancienne Belgique, Brussels (BE)
07/06 : Funke, Ghent (BE)
10/06 : CC, Comines (BE) More
1
Stuff. - A1. Blue 11:16
2
Stuff. - B1. Orange 10:38
TRACKLISTING
A1. STUFF. – Blue 11:16
B1. STUFF. – Orange 10:38
INFO
'More Treats' contains five compositions that didn't make it to the band's latest album 'T(h)reats' but were too fine not to share with the world.
All tracks have been fused into two continuous mixes for maximum listening pleasure, one on each side of this limited edition vinyl.
More
A1. STUFF. – Blue 11:16
B1. STUFF. – Orange 10:38
INFO
'More Treats' contains five compositions that didn't make it to the band's latest album 'T(h)reats' but were too fine not to share with the world.
All tracks have been fused into two continuous mixes for maximum listening pleasure, one on each side of this limited edition vinyl.
More
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Tigerbalm - Vem Ca ft. Joao Selva
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Tigerbalm - Vem Ca ft. Joao Selva (Yuksek Remix)
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Tigerbalm - Profunda Alma (Make-A-Dance Acid Remix)
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Tigerbalm - Profunda Alma (Make-A-Dance Tribal Dub)
With output on Ubiquity, Wonderwheel and Razor-N-Tape, London’s Tigerbalm has truly come into her own production voice recently, bringing forth a colorful vision of tropical influences filtered through modern club sounds. With the Profunda Alma EP, the Tiger focusses her attention on Brazil, coaxing out two gorgeous original songs that pay homage to the sizable impact the country has had on her musical sensibilities. Profunda Alma features the vocalist Joy Tyson (who appeared on Tigerbalm’s earlier Nina EP), and creates an atmosphere of deep emotional mystique through driving percussion, an insistent bassline and dramatic guitar stabs. Vem Ca goes for a more bouncey retro samba vibe and features the incredible vocals of Joao Selva, who delivers a hook that feels almost canonical, as if we’ve known it forever. Ever consistent French producer Yuksek takes Vem Ca straight to the club with his remix, and London upstarts Make-A-Dance deliver two trippy dancefloor takes on the title track to make this record a powerful 5-tracker!
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1
Thelonious Monk - I Love You (Sweetheart Of All My Dreams)
2
Thelonious Monk - Lulu's Back In Town
3
Thelonious Monk - Just a Gigolo
4
Thelonious Monk - I'm Getting Sentimental Over You
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Thelonious Monk - Crepuscule With Nellie
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Thelonious Monk - Epistrophy
Transversales Disques proudly presents Thelonious Monk / Live in Paris (1966).
LOST ORTF RECORDINGS. A unique pianist and composer, Thelonious Monk (1917-1982) is one of the greatest jazz legends of all time. Thelonious is surrounded by his legendary quartet featuring Charlie Rouse (saxophone ténor), Larry Gales (bass),and Ben Riley (drum).
First ever official release of this lost ORTF recording performed live in Paris at Studio 104, Maison de la Radio.Release with the full permission and cooperation of the National Audiovisual Institute (INA).
Deluxe Tip-On Jacket / Exclusive Liner notes
A1 - I Love You (Sweetheart Of All My Dreams)
A2 - Lulu's Back In Town
A3 - Just a Gigolo
B1 - I'm Getting Sentimental Over You
B2 - Crepuscule With Nellie
B3 - Epistrophy More
LOST ORTF RECORDINGS. A unique pianist and composer, Thelonious Monk (1917-1982) is one of the greatest jazz legends of all time. Thelonious is surrounded by his legendary quartet featuring Charlie Rouse (saxophone ténor), Larry Gales (bass),and Ben Riley (drum).
First ever official release of this lost ORTF recording performed live in Paris at Studio 104, Maison de la Radio.Release with the full permission and cooperation of the National Audiovisual Institute (INA).
Deluxe Tip-On Jacket / Exclusive Liner notes
A1 - I Love You (Sweetheart Of All My Dreams)
A2 - Lulu's Back In Town
A3 - Just a Gigolo
B1 - I'm Getting Sentimental Over You
B2 - Crepuscule With Nellie
B3 - Epistrophy More
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Carol Kim - Sai Gon
2
Son Ca - Khi Tinh Yeu Ðên
3
Van Son - Co Tay Ðen
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Elvis Phýõng - Loan Mãt Nhung
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Thanh Tuyên - Con Gai Cua Me
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Thanh Thuy - Trang Mõ Ben Suôi
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Phuong Dung - Khuc Hat An Tinh
8
Thanh Lan - Sang Rýng
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Son - Thon Trang Mõ H.i Trang Tron
10
Tuy Phuõng - Xin Lê Cuõi Em
11
Champagne - Funky Do
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Hùng Cýõng & Mai L. Huyên - Tai Anh Hay Tai Em
13
Connie Kim - Tup Lêu L. Týõng
14
Truõng Hai - Ðuõng Len Non
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Mai L. Huyên - Nhõ Minh Anh Thoi
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L. Thu - Mýng Nãng Xuan Vê
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Phuong Dung - Nhýng Ðôi Hoa Sim
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Kích Ð.ng Nhac - Lo Tho To Liêu
Territories: WORLD minus FR
- 2LP
- OBI
- Gatefold
- Printed Inner-sleves
GENRE/S:
World / Asian / Funk / Rock / Nhac Vang / Reissue
SHORT INFO:
Saigon Supersound wird fortgesetzt um weitere interessante Melodien aus einer musikalischen Ära zu präsentieren, die lange Zeit im Dunkeln lag. Nach dem interntional gut aufgenommenen Release von Volume 1 freuen wir uns sehr, tiefer zu diggen und interessante Musik einer kurzen, aber bedeutenden Periode in der Geschichte Vietnams zu teilen.
Diesmal beschränkt sich die Auswahl der Titel auf die Zeit zwischen 1964 - 1975, das sogenannte "Goldene Zeitalter", in dem es im Süden Vietnams unter schwierigen Umständen eine lebendige Popkultur gab.
Für uns ist diese Geschichte mit Vol. 1 noch nicht zu Ende erzählt. Einige musikalische Facetten sind noch nicht beleuchtet, auch aus Mangel an qualitativ, geeignetem Ausgangsmaterial zur Aufarbeitung/Restaurierung. In der Zwischenzeit und vor allem durch die große Resonanz, die wir mit Vol. 1 in Vietnam erhalten haben (wir konnten zur Veröffentlichung Shows in den drei größten Städten Vietnams organisieren) und auch auf Festivals, die wir in London und Paris gespielt haben, haben sich neue Türen geöffnet und uns die Möglichkeit gegeben, Vol. 2 so zu gestalten, wie wir es uns wünschen.
VITAL SALES POINTS:
Erneut Features in FAZ / TAZ u.a.
- In der Auswahl für "Deutsche Schallplattenkritik" 2018
TRACKLISTS:
A1. Sai Gon - Carol Kim
A2. Khi Tinh Yeu Ðên - Son Ca
A3. Co Tay Ðen - Van Son
A4. Loan Mãt Nhung - Elvis Phýõng
B1. Con Gai Cua Me - Thanh Tuyên
B2. Trang Mõ Ben Suôi - Thanh Thuy
B3. Khuc Hat An Tinh - Phuong Dung
B4. Sang Rýng - Thanh Lan
C1. Thon Trang Mõ H.i Trang Tron - Son
C2. Xin Lê Cuõi Em - Tuy Phuõng
C3. Funky Do – Champagne
C4. Tai Anh Hay Tai Em - Hùng Cýõng & Mai L. Huyên
C5. Tup Lêu L. Týõng - Connie Kim
D1. Ðuõng Len Non - Truõng Hai
D2. Nhõ Minh Anh Thoi - Mai L. Huyên
D3. Mýng Nãng Xuan Vê - L. Thu
D4. Nhýng Ðôi Hoa Sim - Phuong Dung
D5. Lo Tho To Liêu - Kích Ð.ng Nhac More
- 2LP
- OBI
- Gatefold
- Printed Inner-sleves
GENRE/S:
World / Asian / Funk / Rock / Nhac Vang / Reissue
SHORT INFO:
Saigon Supersound wird fortgesetzt um weitere interessante Melodien aus einer musikalischen Ära zu präsentieren, die lange Zeit im Dunkeln lag. Nach dem interntional gut aufgenommenen Release von Volume 1 freuen wir uns sehr, tiefer zu diggen und interessante Musik einer kurzen, aber bedeutenden Periode in der Geschichte Vietnams zu teilen.
Diesmal beschränkt sich die Auswahl der Titel auf die Zeit zwischen 1964 - 1975, das sogenannte "Goldene Zeitalter", in dem es im Süden Vietnams unter schwierigen Umständen eine lebendige Popkultur gab.
Für uns ist diese Geschichte mit Vol. 1 noch nicht zu Ende erzählt. Einige musikalische Facetten sind noch nicht beleuchtet, auch aus Mangel an qualitativ, geeignetem Ausgangsmaterial zur Aufarbeitung/Restaurierung. In der Zwischenzeit und vor allem durch die große Resonanz, die wir mit Vol. 1 in Vietnam erhalten haben (wir konnten zur Veröffentlichung Shows in den drei größten Städten Vietnams organisieren) und auch auf Festivals, die wir in London und Paris gespielt haben, haben sich neue Türen geöffnet und uns die Möglichkeit gegeben, Vol. 2 so zu gestalten, wie wir es uns wünschen.
VITAL SALES POINTS:
Erneut Features in FAZ / TAZ u.a.
- In der Auswahl für "Deutsche Schallplattenkritik" 2018
TRACKLISTS:
A1. Sai Gon - Carol Kim
A2. Khi Tinh Yeu Ðên - Son Ca
A3. Co Tay Ðen - Van Son
A4. Loan Mãt Nhung - Elvis Phýõng
B1. Con Gai Cua Me - Thanh Tuyên
B2. Trang Mõ Ben Suôi - Thanh Thuy
B3. Khuc Hat An Tinh - Phuong Dung
B4. Sang Rýng - Thanh Lan
C1. Thon Trang Mõ H.i Trang Tron - Son
C2. Xin Lê Cuõi Em - Tuy Phuõng
C3. Funky Do – Champagne
C4. Tai Anh Hay Tai Em - Hùng Cýõng & Mai L. Huyên
C5. Tup Lêu L. Týõng - Connie Kim
D1. Ðuõng Len Non - Truõng Hai
D2. Nhõ Minh Anh Thoi - Mai L. Huyên
D3. Mýng Nãng Xuan Vê - L. Thu
D4. Nhýng Ðôi Hoa Sim - Phuong Dung
D5. Lo Tho To Liêu - Kích Ð.ng Nhac More
1
Piry Reis - O Sol Na Janela
2
Nando Carneiro - G.R.E.S. Luxo Artezanal
3
Cinema - Sem Toto
4
Os Mulheres Negras - So Quero Um Xodo
5
Fernando Falcao - Amanhecer Tabajra
6
Anoo Luz - Por Que
7
Andrea Daltro - Kiua
8
Os Mulheres Negras - Maoscolorida
9
Bene Fonteles - O M M
10
Carlinhos Santos - Giramundo
11
Priscilla Ermel - Gestos De Equilibrio
12
Carioca - Branca
13
Marco Bosco - Sol Da Manha
14
Maria Rita - Cantico Brasileiro No. 3 (Kamaiura)
15
Marco Bosco - Madeira II
16
Priscilla Ermel - Corpo Do Vento
17
Luhli E Lucina - E Foi
Repress!
For their first multi-artist compilation, Music From Memory take us on a trip to the heart of the Amazon rainforest. Outro Tempo: Electronic and Contemporary Music From Brazil, 1978-1992 is a double LP that explores the outer reaches of Brazilian music, where indigenous rhythms mix with synthesizers and where MPB mingles with drum computers. As Brazil faced the last years of its military dictatorship and transition to democracy, a generation of forward-thinking musicians developed an alternative vision of Brazilian music and culture. They embraced traditionally shunned electronic production methods and infused their music with elements of ambient, jazz-fusion, and minimalism. At the same time they referenced the musical forms and spirituality of indigenous tribes from the Amazon. The music they produced was a complex and mesmerising tapestry that vividly evoked Brazilian landscapes and simultaneously reached out to the world beyond its borders.The product of extensive research, this compilation is a unique introduction to this visionary music and features many fresh discoveries in a country well trodden by record diggers. It gathers tracks from obscure albums that have for too long been neglected by even the most avid collectors of Brazilian music. It includes now highly sought after music by Andrea Daltro, Maria Rita, and Fernando Falco, as well as unknown gems like those of Cinema, Carlinhos Santos, and Anno Luz. This is an essential release that reveals a broader spectrum of Brazilian music, striking a unique sonic signature that is full of innovation, experimentation, and beauty. Compiled by John Gomez and featuring extensive liner notes, Outro Tempo showcases this overlooked corner in Brazil's rich music history for the first time. More
For their first multi-artist compilation, Music From Memory take us on a trip to the heart of the Amazon rainforest. Outro Tempo: Electronic and Contemporary Music From Brazil, 1978-1992 is a double LP that explores the outer reaches of Brazilian music, where indigenous rhythms mix with synthesizers and where MPB mingles with drum computers. As Brazil faced the last years of its military dictatorship and transition to democracy, a generation of forward-thinking musicians developed an alternative vision of Brazilian music and culture. They embraced traditionally shunned electronic production methods and infused their music with elements of ambient, jazz-fusion, and minimalism. At the same time they referenced the musical forms and spirituality of indigenous tribes from the Amazon. The music they produced was a complex and mesmerising tapestry that vividly evoked Brazilian landscapes and simultaneously reached out to the world beyond its borders.The product of extensive research, this compilation is a unique introduction to this visionary music and features many fresh discoveries in a country well trodden by record diggers. It gathers tracks from obscure albums that have for too long been neglected by even the most avid collectors of Brazilian music. It includes now highly sought after music by Andrea Daltro, Maria Rita, and Fernando Falco, as well as unknown gems like those of Cinema, Carlinhos Santos, and Anno Luz. This is an essential release that reveals a broader spectrum of Brazilian music, striking a unique sonic signature that is full of innovation, experimentation, and beauty. Compiled by John Gomez and featuring extensive liner notes, Outro Tempo showcases this overlooked corner in Brazil's rich music history for the first time. More
1
Nu Genea - Bar Mediterraneo
2
Nu Genea - Tienate
3
Nu Genea - Gelbi (with Marzouk Mejri)
4
Nu Genea - Marechia (with Celia Kameni)
5
Nu Genea - Straniero
6
Nu Genea - Vesuvio
7
Nu Genea - Rire
8
Nu Genea - La Crisi
Four years after Nuova Napoli, Nu Genea are back with Bar Mediterraneo, a new album and journey, which projects the
sounds of the Neapolitan duo formed by Massimo Di Lena and Lucio Aquilina even further.
Nu Genea's Bar Mediterraneo is an idea of a shared place where people meet and fuse together; a space that leaves its
doors open to travellers and their lives, always exposed to the whims of fate. Some of this can be experienced through the
multitude of sounds that come together in the tracks, layers of different acoustic instruments, voices and synthesizers
merging in a unique musical blend.
Opening up to the voices of many different people, separated by languages but united by the sea and the music, Nu
Genea's hometown, Napoli, becomes a true place of encounter.
You can hear this all along. In "Gelbi", a gorgeously deep and propulsive Ney flute plunges into murky waters of the
melancholic Tunisian dialect sung by Marzouk Mejri. In "Marechia'", unbridled happiness and sun ooze from the delicate
vocals of Célia Kameni and create an acrobatic bridge between French and Neapolitan language. In "Straniero", your
soul is arrested from the moment the slow spell-binding mandolin ignites the hypnotic patterns recorded by the legendary
Afrobeat drummer Tony Allen. In "Bar Mediterraneo", the title track, bittersweet guitar’s riffs, analog waves and choirs are
overwhelming the song giving you what you would like to hear on a boat trip along the Amalfi Coast.
Nu Genea couldn't afford to overlook their firmly anchored roots into the Neapolitan culture and its dialect with "Tienaté",
where the power of neapolitan language (interpreted by Fabiana Martone) supports those quarter-tone strings and the
uncessant folk-disco groove that spreads to the entire song. In "Praja Magia", repetitive mandolin riffs lead the song,
giving space to a choral yet tight vocal line that speaks of Varcaturo, a village close to Napoli. In "Rire", a volley of poetic,
deceptively laidback, lyrical fury interpreted by Sicilian Marco Castello intimately combines with a highly musical, multitextured
instrumental backbone and the swoon of a chanson in its heart. In "La Crisi'', the lyrics of a Raffaele Viviani’s
poem from 1930 have been adapted to a laidback jazz-funk groove in full NG style. In "Vesuvio", revaluing the evocative
verses and powerful mantra of Vesuvio, Nu Genea re-adapted to the dancefloor a folk song by the working-class band E’
Zezi from Pomigliano D'Arco, combining the voices of a school choir with Jupiter-6 arpeggios and bold percussions.
Bar Mediterraneo is the place where people constantly return to transform curiosity into participation, tradition into
sharing, unfamiliar into familiar. When travellers come through its “doors”, carrying their treasures of words and emotions,
they aren’t strangers any more. They take part in a shared experience, enriching themselves and others by leading to
unexpected musical journeys.
TRACKLIST:
A1. Bar Mediterraneo
A2. Tienaté
A3. Gelbi (with Marzouk Mejri)
A4. Marechià (with Célia Kameni)
A5. Straniero
B1. Praja Magia
B2. Vesuvio
B3. Rire
B4. La Crisi More
sounds of the Neapolitan duo formed by Massimo Di Lena and Lucio Aquilina even further.
Nu Genea's Bar Mediterraneo is an idea of a shared place where people meet and fuse together; a space that leaves its
doors open to travellers and their lives, always exposed to the whims of fate. Some of this can be experienced through the
multitude of sounds that come together in the tracks, layers of different acoustic instruments, voices and synthesizers
merging in a unique musical blend.
Opening up to the voices of many different people, separated by languages but united by the sea and the music, Nu
Genea's hometown, Napoli, becomes a true place of encounter.
You can hear this all along. In "Gelbi", a gorgeously deep and propulsive Ney flute plunges into murky waters of the
melancholic Tunisian dialect sung by Marzouk Mejri. In "Marechia'", unbridled happiness and sun ooze from the delicate
vocals of Célia Kameni and create an acrobatic bridge between French and Neapolitan language. In "Straniero", your
soul is arrested from the moment the slow spell-binding mandolin ignites the hypnotic patterns recorded by the legendary
Afrobeat drummer Tony Allen. In "Bar Mediterraneo", the title track, bittersweet guitar’s riffs, analog waves and choirs are
overwhelming the song giving you what you would like to hear on a boat trip along the Amalfi Coast.
Nu Genea couldn't afford to overlook their firmly anchored roots into the Neapolitan culture and its dialect with "Tienaté",
where the power of neapolitan language (interpreted by Fabiana Martone) supports those quarter-tone strings and the
uncessant folk-disco groove that spreads to the entire song. In "Praja Magia", repetitive mandolin riffs lead the song,
giving space to a choral yet tight vocal line that speaks of Varcaturo, a village close to Napoli. In "Rire", a volley of poetic,
deceptively laidback, lyrical fury interpreted by Sicilian Marco Castello intimately combines with a highly musical, multitextured
instrumental backbone and the swoon of a chanson in its heart. In "La Crisi'', the lyrics of a Raffaele Viviani’s
poem from 1930 have been adapted to a laidback jazz-funk groove in full NG style. In "Vesuvio", revaluing the evocative
verses and powerful mantra of Vesuvio, Nu Genea re-adapted to the dancefloor a folk song by the working-class band E’
Zezi from Pomigliano D'Arco, combining the voices of a school choir with Jupiter-6 arpeggios and bold percussions.
Bar Mediterraneo is the place where people constantly return to transform curiosity into participation, tradition into
sharing, unfamiliar into familiar. When travellers come through its “doors”, carrying their treasures of words and emotions,
they aren’t strangers any more. They take part in a shared experience, enriching themselves and others by leading to
unexpected musical journeys.
TRACKLIST:
A1. Bar Mediterraneo
A2. Tienaté
A3. Gelbi (with Marzouk Mejri)
A4. Marechià (with Célia Kameni)
A5. Straniero
B1. Praja Magia
B2. Vesuvio
B3. Rire
B4. La Crisi More
1
Okay Temiz - Eastern Breeze
2
Okay Temiz - Penguin
3
Okay Temiz - Galaxy Nine
4
Okay Temiz - Savsat Bari
5
Okay Temiz - Repercussions
6
Okay Temiz - Drummer Of The Two Worlds
7
Okay Temiz - Sipsi
8
Okay Temiz - Ocean Rolelr
9
Okay Temiz - Fantasia Drive
FIRST OFFICIAL REISSUE OF ONE OF THE MOST SAMPLED TURKISH RECORDS IN 45 YEARS! SAMPLED BY RAP LEGENDS LIKE SCARFACE OF THE GETO BOYS. TURKISH PSYCHEDELIC MASTERPIECE FROM 1980
Licensed from "Warner Records Sweden" and remastered from original material in Warner Record's vaults by Shawn Joseph at Optimum Mastering Bristol. 180 gr heavyweight vinyl Manufactured in Optimal Berlin.
Recorded between Istanbul and Stockholm, it captures the era between Okay Temiz's Don Cherry Trio touring and his own band Oriental Wind's sensational debut.
Mentioned distinctive elements have elevated the record to 'cult' status among record collectors, sample enthusiasts, and diggers around the world.
By 1980, Okay Temiz had already embarked on a series of dynamic collaborations and sound experiences with Don Cherry as a member of the Don Cherry Trio. This period included a noteworthy summer in the early '70s at Dartmouth College in New Hampshire, hosted by Jon Appleton, a notable American composer and visionary in electro-acoustic music.
"During that summer, Jon asked me, 'What kind of sound do you have in mind?' I had already given this considerable thought, using a tape recorder to capture sound frequencies influenced by the moon's position. Jon Appleton's question made me think about the extension of 'Organic Music Theory,' which we were exploring with Don Cherry at the time."
In 1982, Okay Temiz recorded the most comprehensive answer to 'What is Turkish Jazz?' at the Montreux Jazz Festival (CAZLP 004) with his band Oriental Wind, featuring Bobo Stenson (of the Jan Garbarek - Bobo Stenson Quartet), Palle Danielsson (of the Peter Erskine European Trio), and Lennart Åberg (of the Scandinavia New Jazz Group).
In 1980, without fully realizing he was navigating between these two worlds, Okay Temiz entered Stockholm's renowned Metronome studios to record the 'sound in his mind' as a solo artist.
`Drummer of Two Worlds` is a star map of Okay Temiz's musical worlds. Blending elements from the grand piano to his handmade drums, and from the amplified Berimbau to his cowbell array, weaving Turkish rhythms like 9/8 and 7/8 with the universality of 4/4, it presents a unique sound narrative that resonates with the dimensions of a well-traveled mind."
Haluk Damar
A1 - Eastern Breeze
A2 - Penguin
A3 - Galaxy Nine
A4 - Savsat Bari
A5 - Repercussions
B1 - Drummer Of The Two Worlds
B2 - Sipsi
B3 - Ocean Rolelr
B4 - Fantasia Drive More
Licensed from "Warner Records Sweden" and remastered from original material in Warner Record's vaults by Shawn Joseph at Optimum Mastering Bristol. 180 gr heavyweight vinyl Manufactured in Optimal Berlin.
Recorded between Istanbul and Stockholm, it captures the era between Okay Temiz's Don Cherry Trio touring and his own band Oriental Wind's sensational debut.
Mentioned distinctive elements have elevated the record to 'cult' status among record collectors, sample enthusiasts, and diggers around the world.
By 1980, Okay Temiz had already embarked on a series of dynamic collaborations and sound experiences with Don Cherry as a member of the Don Cherry Trio. This period included a noteworthy summer in the early '70s at Dartmouth College in New Hampshire, hosted by Jon Appleton, a notable American composer and visionary in electro-acoustic music.
"During that summer, Jon asked me, 'What kind of sound do you have in mind?' I had already given this considerable thought, using a tape recorder to capture sound frequencies influenced by the moon's position. Jon Appleton's question made me think about the extension of 'Organic Music Theory,' which we were exploring with Don Cherry at the time."
In 1982, Okay Temiz recorded the most comprehensive answer to 'What is Turkish Jazz?' at the Montreux Jazz Festival (CAZLP 004) with his band Oriental Wind, featuring Bobo Stenson (of the Jan Garbarek - Bobo Stenson Quartet), Palle Danielsson (of the Peter Erskine European Trio), and Lennart Åberg (of the Scandinavia New Jazz Group).
In 1980, without fully realizing he was navigating between these two worlds, Okay Temiz entered Stockholm's renowned Metronome studios to record the 'sound in his mind' as a solo artist.
`Drummer of Two Worlds` is a star map of Okay Temiz's musical worlds. Blending elements from the grand piano to his handmade drums, and from the amplified Berimbau to his cowbell array, weaving Turkish rhythms like 9/8 and 7/8 with the universality of 4/4, it presents a unique sound narrative that resonates with the dimensions of a well-traveled mind."
Haluk Damar
A1 - Eastern Breeze
A2 - Penguin
A3 - Galaxy Nine
A4 - Savsat Bari
A5 - Repercussions
B1 - Drummer Of The Two Worlds
B2 - Sipsi
B3 - Ocean Rolelr
B4 - Fantasia Drive More
1
Fatimah Razak - Dahaga
2
Black Brothers - Mangge Mangge
3
Marini & The Steps - Kuingin Dekatmu
4
Tian Niu - Deng Ni Zai Yu Zhong
5
The Rollies - Disco
6
Regalado - Pinoy Funk
7
John Philips & The Steps - Ayo Ke Disco
8
Aria Yunior - Salah Tingkah
9
Ahmadi Hassan - Habibi (Mari Bersatu)
10
Pongsri Woranuch - Aew...Phu Chai
Soundway Records delivers an exciting new compilation, diving ever deeper into South-East Asia. Ayo Ke Disco celebrates the musical identities emerging during the 1970s and 80s from the newly independent countries nestled around the South China Sea.
This time, Soundway’s long-time general manager Alice Whittington (aka DJ Norsicaa) steps into the limelight, embracing her Malaysian heritage and selecting music from her heavy collection of Asian records. Aside from steering the label, she is often found on international stages and radio stations playing an eclectic array of music.
For Ayo Ke Disco (meaning ‘Let’s go to the disco’ in Indonesian), 10 rare tracks of disco-funk, psychedelic funk, synth, city pop, and Hindustani-Arabic rhythms were painstakingly licensed from local labels – forming a snapshot of the vibrant discotheques and live scenes across Indonesia, Singapore, Thailand, Malaysia, Hong Kong and the Philippines.
The vinyl release is also accompanied by the Ayo Ke Disco zine from Norsicaa, with extensive research on the history of music in South-East Asia, archival photos and exclusive interviews with some of the region’s most respected collectors. More
This time, Soundway’s long-time general manager Alice Whittington (aka DJ Norsicaa) steps into the limelight, embracing her Malaysian heritage and selecting music from her heavy collection of Asian records. Aside from steering the label, she is often found on international stages and radio stations playing an eclectic array of music.
For Ayo Ke Disco (meaning ‘Let’s go to the disco’ in Indonesian), 10 rare tracks of disco-funk, psychedelic funk, synth, city pop, and Hindustani-Arabic rhythms were painstakingly licensed from local labels – forming a snapshot of the vibrant discotheques and live scenes across Indonesia, Singapore, Thailand, Malaysia, Hong Kong and the Philippines.
The vinyl release is also accompanied by the Ayo Ke Disco zine from Norsicaa, with extensive research on the history of music in South-East Asia, archival photos and exclusive interviews with some of the region’s most respected collectors. More
1
Carol Kim - Tình Ta Nhu Lua Ðom Hoa
2
Hùng Cung & Mai Le Huyen - Song Cho Nhau
3
Duy Quang & Thái Hion - Mong Ve Quê
4
Thanh Vu - N.u Mình Còn Yêu Nhau
5
Connie Kim - Lý Luan Tình Yêu
6
Hòa tau - Pho Ðêm
7
Phuong Mai - Mùa Xuân Gui Em
8
Khánh Ly - Di.m Xua
9
Kim Loan - Can Nhà Ngo.i Ô
10
Thanh Thuý & Van Thanh & Hoàng Liêm & Th - Ðoàn Ngu La Tho
11
Kiau Oanh - Ðêm Cu.i Cùng
12
Thanh Lan, Châu Hà & Thanh Mai - Hát M.ng Xuân
13
Mai L. Huy.n - Có Ai Trên Ð.i Mà Không Yêu
14
Vân Son & Thùy Dung - Ch.n M.t G.i Vàng
15
Hoàng Oanh - Mùa G.t M.i
16
Thanh Lan - Tình Ðêm Liên Hoan
17
Phuong Dung - Vòng Tay Gi. Tr.n Ân Tình
18
Ng.c Giàu - 7 câu v.ng c. chúc T.t
Territories: WORLD minus FR
World / Asian / Funk / Rock / Nhac Vang / Reissue
SHORT INFO:
DEUTSCH
Was 2012 als Idee begann, wurde mit der Veröffentlichung von SAIGON SUPERSOUND Vol.1, zusammengestellt von Jan Hagenkötter, Realität. Eine Compilation über die Geschichte einer fast verlorenen musikalischen Ära in Vietnam, bestehend aus Tracks aus den Jahren 1965 bis 1975, der sogenannten "Goldenen Musik"-Periode im Süden Vietnams, in der sich - unter schwierigen Umständen - eine lebendige Popkultur entwickelt hatte. Diese Periode ist gekennzeichnet durch die Verschmelzung vietnamesischer Musik mit westlicher Popmusik Mit der Veröffentlichung von Saigon Supersound Vol. 1 im Mai 2017 wird die Geschichte dieser fast unbekannten Musik zum ersten Mal neu aufgelegt. Einige Stücke werden zum allerersten Mal wiederveröffentlicht, oder überhaupt auf Vinyl veröffentlicht seit sie ursprünglich auf R2R-Tonband oder 7" Vinyl veröffentlicht wurden. ??
ENGLISH
What started as an idea in 2012 became reality with the release of SAIGON SUPERSOUND Vol.1, compiled by Jan Hagenkötter. A compilation about the story of a musical era in Vietnam that was almost lost, made of tracks from 1965 to 1975, the so-called "Golden Music" period in the south of Vietnam, where - under difficult circumstances - a lively pop culture had developed. This period is characterized by the fusion of Vietnamese music with western pop music. With the release of Saigon Supersound Vol. 1 in May 2017 the story of this nearly unknown music will be reissued for the first time. The compilation includes some tunes reissued for the very first time since they´ve been released originally. Some tunes even for the very first time on Vinyl since they ?ve been released originaly on reel 2 reel tape only.
VITAL SALES POINTS:
Artikel und Features in FAZ / SZ / MINT Special (9 Seiten) / TAZ / JAZZTHING / u.a.
Radio Specials/Interview: WDR "Cosmo" / SWR2 "Talking Music" u.a.
TRACKLISTS:
A1. Tình Ta Nhu Lua Ðom Hoa - Carol Kim
A2. Song Cho Nhau - Hùng Cung & Mai Le Huyen
A3. Mong Ve Quê - Duy Quang & Thái Hi.n
A4. N.u Mình Còn Yêu Nhau - Thanh Vu
B1. Lý Luan Tình Yêu - Connie Kim
B2. Ph. Ðêm - Hòa t.u
B3. Mùa Xuân G.i Em - Phu.ng Mai
B4. Di.m Xua - Khánh Ly
B5. Can Nhà Ngo.i Ô - Kim Loan
C1. Ðoàn Ngu.i L. Th. - Thanh Thuý & Van Thanh & Hoàng Liêm & Thanh Mai
C2. Ðêm Cu.i Cùng - Ki.u Oanh
C3. Hát M.ng Xuân - Thanh Lan, Châu Hà & Thanh Mai
C4. Có Ai Trên Ð.i Mà Không Yêu - Mai L. Huy.n
D1. Ch.n M.t G.i Vàng - Vân Son & Thùy Dung
D2. Mùa G.t M.i - Hoàng Oanh
D3. Tình Ðêm Liên Hoan - Thanh Lan
D4. Vòng Tay Gi. Tr.n Ân Tình - Phuong Dung
D5. 7 câu v.ng c. chúc T.t - Ng.c Giàu
More
World / Asian / Funk / Rock / Nhac Vang / Reissue
SHORT INFO:
DEUTSCH
Was 2012 als Idee begann, wurde mit der Veröffentlichung von SAIGON SUPERSOUND Vol.1, zusammengestellt von Jan Hagenkötter, Realität. Eine Compilation über die Geschichte einer fast verlorenen musikalischen Ära in Vietnam, bestehend aus Tracks aus den Jahren 1965 bis 1975, der sogenannten "Goldenen Musik"-Periode im Süden Vietnams, in der sich - unter schwierigen Umständen - eine lebendige Popkultur entwickelt hatte. Diese Periode ist gekennzeichnet durch die Verschmelzung vietnamesischer Musik mit westlicher Popmusik Mit der Veröffentlichung von Saigon Supersound Vol. 1 im Mai 2017 wird die Geschichte dieser fast unbekannten Musik zum ersten Mal neu aufgelegt. Einige Stücke werden zum allerersten Mal wiederveröffentlicht, oder überhaupt auf Vinyl veröffentlicht seit sie ursprünglich auf R2R-Tonband oder 7" Vinyl veröffentlicht wurden. ??
ENGLISH
What started as an idea in 2012 became reality with the release of SAIGON SUPERSOUND Vol.1, compiled by Jan Hagenkötter. A compilation about the story of a musical era in Vietnam that was almost lost, made of tracks from 1965 to 1975, the so-called "Golden Music" period in the south of Vietnam, where - under difficult circumstances - a lively pop culture had developed. This period is characterized by the fusion of Vietnamese music with western pop music. With the release of Saigon Supersound Vol. 1 in May 2017 the story of this nearly unknown music will be reissued for the first time. The compilation includes some tunes reissued for the very first time since they´ve been released originally. Some tunes even for the very first time on Vinyl since they ?ve been released originaly on reel 2 reel tape only.
VITAL SALES POINTS:
Artikel und Features in FAZ / SZ / MINT Special (9 Seiten) / TAZ / JAZZTHING / u.a.
Radio Specials/Interview: WDR "Cosmo" / SWR2 "Talking Music" u.a.
TRACKLISTS:
A1. Tình Ta Nhu Lua Ðom Hoa - Carol Kim
A2. Song Cho Nhau - Hùng Cung & Mai Le Huyen
A3. Mong Ve Quê - Duy Quang & Thái Hi.n
A4. N.u Mình Còn Yêu Nhau - Thanh Vu
B1. Lý Luan Tình Yêu - Connie Kim
B2. Ph. Ðêm - Hòa t.u
B3. Mùa Xuân G.i Em - Phu.ng Mai
B4. Di.m Xua - Khánh Ly
B5. Can Nhà Ngo.i Ô - Kim Loan
C1. Ðoàn Ngu.i L. Th. - Thanh Thuý & Van Thanh & Hoàng Liêm & Thanh Mai
C2. Ðêm Cu.i Cùng - Ki.u Oanh
C3. Hát M.ng Xuân - Thanh Lan, Châu Hà & Thanh Mai
C4. Có Ai Trên Ð.i Mà Không Yêu - Mai L. Huy.n
D1. Ch.n M.t G.i Vàng - Vân Son & Thùy Dung
D2. Mùa G.t M.i - Hoàng Oanh
D3. Tình Ðêm Liên Hoan - Thanh Lan
D4. Vòng Tay Gi. Tr.n Ân Tình - Phuong Dung
D5. 7 câu v.ng c. chúc T.t - Ng.c Giàu
More
We are happy to announce a new repress on BioVinyl!
Trumpeter, bandleader and composer Matthew Halsall announces landmark new album "An Ever Changing View", an expansive, immaculately conceived project which presents Halsall’s signature blend of jazz, electronica, global and spiritual jazz influences.
Track Listing:
A1. Tracing Nature
A2. Water Street
B1. An Ever Changing View
B2. Calder Shapes
C1. Mountains, Trees and Seas
C2. Field of Vision
C3. Jewels
D1. Sunlight Reflection
D2. Natural Movement
D3. Triangles in the Sky More
Trumpeter, bandleader and composer Matthew Halsall announces landmark new album "An Ever Changing View", an expansive, immaculately conceived project which presents Halsall’s signature blend of jazz, electronica, global and spiritual jazz influences.
Track Listing:
A1. Tracing Nature
A2. Water Street
B1. An Ever Changing View
B2. Calder Shapes
C1. Mountains, Trees and Seas
C2. Field of Vision
C3. Jewels
D1. Sunlight Reflection
D2. Natural Movement
D3. Triangles in the Sky More
In their first bout of new music since 2022’s critically celebrated Mondays at Enfield Tennis Academy, Jeff Parker and his ETA IVtet find themselves exploring the depths of improvised jazz grooves on The Way Out of Easy.
Tracklist
1.1Freakadelic
1.2Late Autumn
2.1Easy Way Out
2.2Chrome Dome
Listen: https://listen.k7.com/3b02e2f5-05af-484c-8bbe-5645f87763dc More
Tracklist
1.1Freakadelic
1.2Late Autumn
2.1Easy Way Out
2.2Chrome Dome
Listen: https://listen.k7.com/3b02e2f5-05af-484c-8bbe-5645f87763dc More
1
Orkes Teruna Ria - Bulan Dagoan
2
Yanti Bersaudara - Gumbira
3
Orkes Suita Rama - Tepui Tepui
4
Band Nada Kentjana - Djaleuleudja
5
Orkes Lokananta & Chris Byantoro - Nganggo Teklek Nang Krikilan
6
Orkes Teruna Ria - Budjang Talalai
7
Orkes Kelana Ria - Ya Mahmud
8
Orkes Teruna Ria - Geleang Sapi
9
Zaenal Combo - Ampat Lima Dalam Djambangan
10
Zaenal Combo - Seruling
11
Orkes Kelana Ria - Sojang
12
Mus DS - Neleng Neng Kung
13
Orkes Gumarang - Malin Kundang
14
Orkes Tropicana - Pantjaran Kasih
15
Orkes Teruna Ria - Tak Ton Tong
16
Orkes Lokananta - Tari Bali
17
Orkes Kelana Ria - Emplek Emplek Ketepu
18
Mus DS - Ahai Dara
19
Orkes Kelana Ria - Semoga
20
Zaenal Combo - Kaden Sadje
21
Orkes Irama - Gendjer Gendjer
22
Orkes Teruna Ria - Modjang Parahyangan
23
Orkes Sendja Meraju - Bubuj Bulan
24
Mus DS - Tautjo Tjiandjur
25
Nada Kantjana - Nelengnengkung
26
Ivo Nilakreshna - Ka Huma (bonus 7")
27
Zaenal Combo - Tandung Tjina
2LP+7" + extended liner notes in large 8-page booklet!
Padang Moonrise is the story of modern Indonesian music that emerged underneath the volcanoes of Java and Sumatra. Java, the most populous island in the archipelago of over 17,000 islands and 1300 distinct ethnic groups, and its capital city Jakarta, was where most of the post-colonial national identity, politics, administration and music production was centred.
Traditional songs from Java, Sumatra, Bali and beyond were re-imagined by a small group of state-sponsored musicians that also composed and arranged new music. These songs aimed at consolidating a geographically disparate country with a new language and new ideas of national character. This compilation brings together a handful of these recordings that combine elements of regional popular music, Islamic Gambus, Javanese & Balinese Gamelan and Kroncong, with jazz, Afro-latin music & instrumentation, and vocal harmonies influenced by banned American doo-wop and rock & roll.
The results are a unique blend of styles that have remained mostly insulated from the world outside of Indonesia until a recent worldwide resurgence in the interest of recorded music of all forms has shone a new light on these nearly forgotten recordings.
credits
releases November 25, 2022
Compiled by Miles Cleret
Artwork by Lewis Heriz
Mastered by Dan Elleson
Lacquer cuts by Frank Merritt
Layout by Meurig Rees
Tracklist:
1.Orkes Teruna Ria - Bulan Dagoan
2.Yanti Bersaudara - Gumbira
3.Orkes Suita Rama - Tepui Tepui
4.Band Nada Kentjana - Djaleuleudja
5.Orkes Lokananta - Nganggo Telek Nang Krikilan
6.Orkes Teruna Ria - Budjang Talalai
7.Orkes Kelana Ria - Ya Mahmud
8.Orkes Teruna Ria - Geleang Sapi
9.Zaenal Combo - Ampat Lima Dalam Djambangan
10.Zaenal Combo - Seruling
11.Orkes Kelana Ria - Sajang
12.Mus D.S. - Neleng Neng Kung
13.Orkes Gumarang - Malin Kundang
14.Orkes Tropicana - Pantjaran Kasih
15.Orkes Teruna Ria - Tak Ton Tong
16.Orkes Lokananta - Tari Bali
17.Orkes Kelana Ria - Emplek Emplek Ketepu
18.Mus D.S. - Ahai Dara
19.Orkes Kelana Ria - Semoga 02:20
20.Zaenal Combo - Kaden Sadje
21.Orkes Irama - Gendjer Gendjer
22.Orkes Teruna Ria - Modjang Parahyangan
23.Orkes Sendja Meraju - Bubuj Bulan
24.Mus D. S. - Tautjo Tjiandjur
25.Nada Kantjana - Nelengnengkung
26.Ivo Nilakreshna - Ka Huma 02:33
27.Zaenal Combo - Tandung Tjina More
Padang Moonrise is the story of modern Indonesian music that emerged underneath the volcanoes of Java and Sumatra. Java, the most populous island in the archipelago of over 17,000 islands and 1300 distinct ethnic groups, and its capital city Jakarta, was where most of the post-colonial national identity, politics, administration and music production was centred.
Traditional songs from Java, Sumatra, Bali and beyond were re-imagined by a small group of state-sponsored musicians that also composed and arranged new music. These songs aimed at consolidating a geographically disparate country with a new language and new ideas of national character. This compilation brings together a handful of these recordings that combine elements of regional popular music, Islamic Gambus, Javanese & Balinese Gamelan and Kroncong, with jazz, Afro-latin music & instrumentation, and vocal harmonies influenced by banned American doo-wop and rock & roll.
The results are a unique blend of styles that have remained mostly insulated from the world outside of Indonesia until a recent worldwide resurgence in the interest of recorded music of all forms has shone a new light on these nearly forgotten recordings.
credits
releases November 25, 2022
Compiled by Miles Cleret
Artwork by Lewis Heriz
Mastered by Dan Elleson
Lacquer cuts by Frank Merritt
Layout by Meurig Rees
Tracklist:
1.Orkes Teruna Ria - Bulan Dagoan
2.Yanti Bersaudara - Gumbira
3.Orkes Suita Rama - Tepui Tepui
4.Band Nada Kentjana - Djaleuleudja
5.Orkes Lokananta - Nganggo Telek Nang Krikilan
6.Orkes Teruna Ria - Budjang Talalai
7.Orkes Kelana Ria - Ya Mahmud
8.Orkes Teruna Ria - Geleang Sapi
9.Zaenal Combo - Ampat Lima Dalam Djambangan
10.Zaenal Combo - Seruling
11.Orkes Kelana Ria - Sajang
12.Mus D.S. - Neleng Neng Kung
13.Orkes Gumarang - Malin Kundang
14.Orkes Tropicana - Pantjaran Kasih
15.Orkes Teruna Ria - Tak Ton Tong
16.Orkes Lokananta - Tari Bali
17.Orkes Kelana Ria - Emplek Emplek Ketepu
18.Mus D.S. - Ahai Dara
19.Orkes Kelana Ria - Semoga 02:20
20.Zaenal Combo - Kaden Sadje
21.Orkes Irama - Gendjer Gendjer
22.Orkes Teruna Ria - Modjang Parahyangan
23.Orkes Sendja Meraju - Bubuj Bulan
24.Mus D. S. - Tautjo Tjiandjur
25.Nada Kantjana - Nelengnengkung
26.Ivo Nilakreshna - Ka Huma 02:33
27.Zaenal Combo - Tandung Tjina More