Tracklisting:
A1 Augusto Taito - Aria
A2 Augusto Taito - Peaceful War
B1 Augusto Taito - Ser Insano
B2 Augusto Taito - Tranacaria

Sales Note
Originally released in Feb 2021 this Beautiful, Deep, Groovy, Sophisticated and Hypnotic Techno Album/Record was written & produced by the talented Argentinian born Augusto Taito. Back by popular demand we are releasing an additional small quantity for you.

Mastering by Koschitzky Mastering
Artwork by YF Agency

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Tracklisting:
A1 Nkx & Hannah Addams - Pandemonium
A2 Nkx & Hannah Addams - Pandemonium (Ricardo Garduno remix)
B1 Nkx & Hannah Addams - Entropic Love
B2 Nkx & Hannah Addams - Neural Hyperventilation

Sales Note
Originally released in Sept 2020 this Industrial and Hypnotic Techno record was written and composed by Nicolo Cantini and Casanova Bar Records founder Domingo Casanova. Back by popular demand we are releasing an additional small quantity for you. Includes a Ricardo Garduno Remix.

Mastering by Conor Dalton at Analog Glowcast,
Artwork by Suzzie Qiu

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Tracklisting:
A1 BLANKA - Love Letter
A2 BLANKA - Time Machine
B1 BLANKA - Love Letter (Arkan remix)
B2 BLANKA - Time Machine (Alarico remix)

Sales Note
Casanova Bar is honored to welcome these 3 talented artists. Blanka is releasing her very first vinyl release with two Groovy and hypnotic Techno tracks.

The French young producer, Arkan is remixing the A1. Love letter. His influences are very notorious in the remaking production, getting a darker and more enveloping track.

On the other remix, the young Italian Legend , Alarico is putting his own interpretation of the new wave of Techno Music
production. Arrhythmic, groovy and fast beats for this one, Don't miss the chance to get your copy of this unique piece.

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Tracklisting:
A1 Phalcon - 0113
A2 Phalcon - 0516
B1 Phalcon - 1313
B2 Phalcon - 1415

Sales Note
Casanova Bar Records is back with a new vinyl release. 4
accurate Techno tracks written and produced in Berlin in 2020
by Aitor Falcon, Phalcon.

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Released on 2xLP cut at 45RPM in gatefold sleeve with 6 panel fold-out poster.

Some albums are game-changers in a genre. Take OutKast's Speakerboxxx / The Love Below or Primal Scream's Screamadelica, they observe, study, and then flip what an album can mean to a genre or moment in time.

From the very first listen of Rubel’s Latin Grammy-nominated third album As Palavras, Vol. 1 & 2, you can feel its transformative force for the MPB genre. Here we see one of Rio’s brightest stars, fusing the contemporary with the classic, soaking up the richness of Brazil’s musical heritage. The result is a marauding 20-track epic, incorporating traditional styles such as forró, MPB, pagode and samba with modern baile funk, rasteirinha and hip-hop.

The album exudes a sense of freedom and creativity, playfully and provocatively juggling the familiar with the forward-thinking. The tracks are divided across two records, navigating feelings of love, heartbreak and discovery, whilst balancing themes of violence, passion, irony and affection. Collaborating with some of the country’s most esteemed artists such as Gabriel do Borel, Liniker, Luedji Luna, Tim Bernardes and Ana Caetano, Rubel takes this fusion of styles, subjects and flavours to the global stage.

The grand, forró-blending, choral opener, ‘Forró Violento (Instrumental)’ sets the tone for the album, with references and links between tradition and modernity everywhere to be seen. From the Ana Frango Elétrico produced, funk flexing, samba-soul brilliance of ‘Não Vou Reclamar de Deus’, to the album’s title cut ‘As Palavras’, in collaboration with Tim Bernardes, that melds MPB influences with electronic elements and hip-hop touches.

Across both sides of the album, Rubel’s story-telling gift is given space to shine. ‘Torto Arado’ featuring Liniker and Luedji Luna, beautifully references the racial injustice, tragedy, hope and ambition found in one the most celebrated Brazilian novels of recent times by Itamar Vieira Júnior. Elsewhere, ‘Na Mão do Palhaço’ manifests a satirical march about a suicidal conservative middle-aged man, who is rescued by the miracle of the carnival.

At times the album is gentle and intimate with tracks like ‘Toda Beleza’ featuring Bala Desejo, or the ode to friendship ‘Lua de Garrafa’, composed with the legendary Milton Nascimento. At others, the grooves hit harder, with sounds from the favelas laced within. ‘Put@ria!’, explores the universe of baile funk, with BK’ and MC Carol trading off on the mic, as ‘Rubelía’ moves between reggaeton, funk, and hip hop. The latter is a tribute to a key influence of the album, Spanish star Rosalía and her parallel mix of current with classic.

Ultimately though the beauty of this album lies in its concept. In the midst of a country divided, ‘As Palavras Vol. 1 & 2’ sets out to bring together genres and generations, grounded in rhythms and words that have helped define Brazil through the ages.

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Kosh continues to move at his own pace with his label Convergence. Musically, that’s fast, but output wise, careful and considered, with over a year or more apart between each installment. That’s because creating complex worlds within worlds, which the Moroccan artist has a knack for, certainly takes time. Now a trifecta of releases in, the Enslaved EP serves as his most fine-tuned and liberated project for the label yet.

On the title track, split between a vocal mix and bonus beat version, Kosh delivers a cosmic and introspective electro demonstration at its core, with flares of psychedelic and trance inducing sonic fusions. Its lyrical content is trademark Kosh, with its cautiously optimistic reflections on the world intuitively tapping into the current zeitgeist, yet through a universal futurist lens, leaving the listener with a sentiment that’s timeless and expansive.

The flip side sees the filtered house foundation of “Supernova” burst into scorching Detroit style techno stabs before the EP enters into uncharted territory with the interplanetary escape soundtrack on acid that is “Above & Beyond.”

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Black Vinyl Repress!

A four-piece band based in Tokyo.

Initially playing reggae/dub music, the band gradually developed into an innovative fusion of diverse musical influences, such as jazz, soul, psyche pop, new age, and exotica. A sound is based on groove and euphoria, with nostalgic melodies.

They have performed at iconic events in Japan such as Fuji Rock Festival, and also have been looking overseas since they performed in Canada(Toronto, Montreal, and Vancouver) in 2019. The new EP "Ramble In The Rainbow"(2024) is their first international release on the US label Peoples Potential Unlimited.

The work shows their musical maturity, drawing inspiration from Sun Ra, Lee "Scratch" Perry, and Yasuaki Shimizu.

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TMD Volume 1 kicks off with 4 tracks of sure fire, rare as …. NYC tracks from THEEEEEE golden era of NYC house that saw David doing his Red Zone thang, along with Simonelli, Frankie and all the other leading the way.

These 4 to the floor house dub gems are taken from the legendary Tommy Musto’s DAT vaults, remastered just for you.


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Matching his signature melodic futurism with enduring club music structures, Pev brings the Pulse series to a natural conclusion with the Pulse Phase EP. On this third release he underlines the broader approach to tempos and styles he's taken across this latest period of his output, soon to be coalesced into a new live set.

If there's been a nostalgic streak detectable amongst the crisp modernism of the Pulse series, it comes through clearer than ever in the looped-up house jack and starry-eyed techno synth hooks of 'Pulse IX'. 'Pulse TEN' pares back for a lean soundsystem workout driven by a strafing arp and fractured drums while 'Pulse XI' revisits 90s bleep techno with a deep, dubby intention. 'Pulse XII' completes the picture capturing the skeletal pressure of 2-step at its most slender and deadly.

There's never a sense of over-familiarity - the exacting angles of the drums and alien hue of the synths maintain Pev's distinctive sound first and foremost. But this series has also been an opportunity to hear some of his musical DNA more explicitly than before, cast in universal rave motifs propelled by the unrelenting pursuit of new forms for the dance.

Livity Sound is a label set up by Peverelist in 2011 as a vehicle for a raw and exploratory strain of UK techno, rooted in the heritage of UK dance music and sound system culture. It has since become one of the UK's foremost protagonists for cutting edge underground electronic music.


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Next batch coming in on the 14th of july.

The Aztecs return. UR receives the message. The Aztecs and the Hermanos make the transition from the guitar player. Natives didn’t take the robbery of Mother Earth’s land or her culture lightly. A new warrior culture, the Electronics did not back down when a war broke out with the programmers over this production. Those who know were avenged for the transgression. Strong beautiful music with a stronger beautiful spirit. A first in the history of music: big can lose. Hear it and feel the power of the cats that still prowl the streets of Detroit.

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Acclaimed UK electronic music producer, DMX Krewhas announced a brand new album, 'UnlikelySeeming', on the Byrd Out label out on 3rd May. The8-track album showcases his blend of joyous,melodic synth hooks, textured pads and analoguedrum machine rhythms. Leaving to one sidepummeling sounds, the focus of this album is onsonic fun, mining the 80s pop vibe DMX Krew doesso well. BBC 6 Music's Tom Ravenscroft describesthe trailing single 'Wednesday Memory' as "thefunkiest thing ever ... it's almost too joyous". Fromthe first 'A New Story', through to 'UncertainCalculation', DMX Krew delivers densely layered andsatisfying tracks, demonstrating the more imaginativeside of his output. The slight outlier is 'Continuation'which offers the most forceful 303 workout, bestsuited to a sweaty dance floor in the early hours.Overall the feel is playful, intelligent, melodic andwonderfully fun - best exemplified by multi-synthmasterpiece 'Data Cruncha' and Megadrive-esquetitle track 'Unlikely Seeming'. To finish the album,'Unlikely Seeming' is given a rework by Portland-based artist Break Mode, managing to achieve aremix that is at once ethereal and uplifting - it has4am written all over it. DMX Krew, aka EdwardUpton, has been crafting innovative electronic musicfor nearly 30 years, releasing on the likes of Rephlex,Central Processing Unit, and Gudu. With a soundrooted in synth-pop, electro, and Italo disco, DMXKrew's music evokes nostalgia for pop melodies andthe early days of rave culture


A1. A NEW STORY
A2. DATA CRUNCHA
A3. UNLIKELY SEEMING
B1
. CONTINUATION
B2. WEDNESDAY MEMORY
B3. IT'S TOMORROW


Stream: http://tinyurl.com/UnlikelySeemingSC

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REPRESS!

This is the first 12“ of the new Move D - “Recurrent Recollections“ series. “Something ’Bout The D“ is featuring three previously released tracks, that only ever appeared on Various Artists compilations on different record labels - from Fred P’s Earth Tones Vol. 1, via Russ Gabriel’s Ferox label to Lowtec’s Out to Lunch imprint. Now for the first time on Source Records, this 12“ kicks off with Aspiration 2010, a subtle and slow building Deep Acid House track evolving across the entire side A. On the B-side the title track “Something ’Bout The D“ takes the vibe back to 90s oldschool Detroit inspired house music - spiced with some 909 euphoria, some uplifting chords and a technoid, abstract but soothing melody. Closing out the 12“ on B2 is the much beloved and hard to find Move D contribution to Out To Lunch’s “Airbag Craftworks Vol. 2“ compilation “Marshmellow Boots“. A hypnotic and bouncing hookline is transformed over surrounding synth stabs and dubs. A subdued fluffy little groover in a typical Move D trademark fashion.

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Repress!!!


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