1
Soul Supreme - Dues And Don'ts
2
Soul Supreme - Fraud Fades
By now, heads surely know that a new record by Soul Supremeis a guaranteed sure shot. Following his acclaimed tributes to A Tribe Called Quest, J Dilla, Mos Def, and more, the new "Dues and Don'ts" b/w "Fraud Fades" 45 features two all-original jazz-funk groovers by the Amsterdam-based keyboardist and producer.
"Adding Soul Supreme releases to the essential crates list has become mandatory and will surely be heavy spins for years to come,"Skeme Richards recently wrote on his Nostalgia King blog. It indeed looks like Soul Supreme's 45s rarely leave record bags, with the likes of DJ Koco,Jazzy Jeff,House Shoes,Skratch Bastid,Rich Medina, and DJ Green Lantern, among others, regularly playing his music in DJ sets around the globe.
This new release takes two highlights from last year's album 'Poetic Justice,' with "Dues and Don'ts" and "Fraud Fades" for the first time available on 45.Jay 'J-Zone' Mumfordgraces both songs with drums, heavily on point as always. The A-side features slow burner "Dues and Don'ts" with its syrupy funk rhythms. The hard-hitting, body-moving "Fraud Fades" on the B-side is the real anthem here—drum breaks galore. Clearly inspired by 60s Blue Note, the brass-heavy 'money-grubbing bad guy theme' concludes with a killer solo byDotan 'Tane' Bergmanon guitar, responded to with a solo by Soul Supreme himself.
With these two heavy hitters, this 45 is bound to never leave your record bag either.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
"Adding Soul Supreme releases to the essential crates list has become mandatory and will surely be heavy spins for years to come,"Skeme Richards recently wrote on his Nostalgia King blog. It indeed looks like Soul Supreme's 45s rarely leave record bags, with the likes of DJ Koco,Jazzy Jeff,House Shoes,Skratch Bastid,Rich Medina, and DJ Green Lantern, among others, regularly playing his music in DJ sets around the globe.
This new release takes two highlights from last year's album 'Poetic Justice,' with "Dues and Don'ts" and "Fraud Fades" for the first time available on 45.Jay 'J-Zone' Mumfordgraces both songs with drums, heavily on point as always. The A-side features slow burner "Dues and Don'ts" with its syrupy funk rhythms. The hard-hitting, body-moving "Fraud Fades" on the B-side is the real anthem here—drum breaks galore. Clearly inspired by 60s Blue Note, the brass-heavy 'money-grubbing bad guy theme' concludes with a killer solo byDotan 'Tane' Bergmanon guitar, responded to with a solo by Soul Supreme himself.
With these two heavy hitters, this 45 is bound to never leave your record bag either.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
More records from Soul Supreme
1
Soul Supreme - Taking The Stand (Thes One Remix) (Feat. Thes One & Damu The Fudgemunk)
2
Soul Supreme - Taking The Stand
Now that's what we call a remix treatment! Soul Supreme enlists a dream line-up for the official remix of "Taking The Stand." The intro line is all there is to say that this 45 is a no-brainer to cop:"Thes Oneis on the beat,Soul Supremecomposed the suite,the Fudgemunkis about to speak."
As a long-time fan of People Under The Stairs and Damu The Fudgemunk, this is a full-circle moment for Soul Supreme. He deejayed alongside Damu in the past, and he has shown his appreciation to both P.U.T.S. and Damu with various tribute mixes. Matter of fact, this release is a full-circle moment for any hip-hop head: this 45 marks the very first time Thes One and Damu can be heard on one record together.
In typical crate-digging fashion, Thes One flips key elements from Soul Supreme's "Taking The Stand" into a neck-snapping beat. The instrumental album version of "Taking The Stand" can be found on the B-side of this 45. The original is a beautifully melodic jazz-funk head-nodder featuring drums by Tamuz Dolev and a spirited guitar solo by Radiohop's Johnny Biner.
"Taking The Stand" originally appeared on Soul Supreme's highly acclaimed instrumental albumPoetic Justice. Released last year, the album channeled his ongoing legal battle with a Norwegian label that stole his music. Fresh off his latest collaborations withRaw Poetic, Damu The Fudgemunk hopped back on the mic for this remix to voice his displeasure about shifty record labels. Damu also laid down cuts for the outro of the track, serving as a tribute to the lateDouble K.
"While you hadMadlib,DOOM, andQuas doing all kinds of esoteric stuff in this beautiful wave of underground hip-hop in the late '90s and early 2000s, these were legends but not people you actually knew.People Under the Stairs were like your friends, kind of, even though you don't know them,"Soul Supreme toldWax Poetics in 2022."They are more like everyday people who make amazing music. (...) Thes OneandDouble K were really honest about who they are. That's something, for me, that I consider one of the most important things in music."The 45 release of "Taking The Stand (Thes One Remix)" shows just that: three like-minded music heads at their most honest and passionate.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
As a long-time fan of People Under The Stairs and Damu The Fudgemunk, this is a full-circle moment for Soul Supreme. He deejayed alongside Damu in the past, and he has shown his appreciation to both P.U.T.S. and Damu with various tribute mixes. Matter of fact, this release is a full-circle moment for any hip-hop head: this 45 marks the very first time Thes One and Damu can be heard on one record together.
In typical crate-digging fashion, Thes One flips key elements from Soul Supreme's "Taking The Stand" into a neck-snapping beat. The instrumental album version of "Taking The Stand" can be found on the B-side of this 45. The original is a beautifully melodic jazz-funk head-nodder featuring drums by Tamuz Dolev and a spirited guitar solo by Radiohop's Johnny Biner.
"Taking The Stand" originally appeared on Soul Supreme's highly acclaimed instrumental albumPoetic Justice. Released last year, the album channeled his ongoing legal battle with a Norwegian label that stole his music. Fresh off his latest collaborations withRaw Poetic, Damu The Fudgemunk hopped back on the mic for this remix to voice his displeasure about shifty record labels. Damu also laid down cuts for the outro of the track, serving as a tribute to the lateDouble K.
"While you hadMadlib,DOOM, andQuas doing all kinds of esoteric stuff in this beautiful wave of underground hip-hop in the late '90s and early 2000s, these were legends but not people you actually knew.People Under the Stairs were like your friends, kind of, even though you don't know them,"Soul Supreme toldWax Poetics in 2022."They are more like everyday people who make amazing music. (...) Thes OneandDouble K were really honest about who they are. That's something, for me, that I consider one of the most important things in music."The 45 release of "Taking The Stand (Thes One Remix)" shows just that: three like-minded music heads at their most honest and passionate.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Soul Supreme - Pulling Back the Curtain (Intro)
2
Soul Supreme - Dues and Dont's
3
Soul Supreme - The Wait
4
Soul Supreme - Fraud Fades
5
Soul Supreme - Suit Up
6
Soul Supreme - Mood Swings
7
Soul Supreme - Mono Pro Bono
8
Soul Supreme - The Oath
9
Soul Supreme - Taking the Stand
10
Soul Supreme - All Rise
11
Soul Supreme - Sinkhole
12
Soul Supreme - The Appeal
13
Soul Supreme - Loyalty over Royalty
14
Soul Supreme - The Wait (Pt. 2)
15
Soul Supreme - No Clouds on a Sunny Day
16
Soul Supreme - The Wait (Pt. 3)
17
Soul Supreme - I Rest My Case
The music of Soul Supreme moves, grooves, throbs, and hits more than ever before. But the colorful sonic palette of Poetic Justice actually sprouted from a dark place: an ongoing battle with an independent label to reclaim his master rights—even today, "Industry Rule #4080" is still in full effect. So copping this record doesn't only support his cause—it's also well worth it for the listener. Poetic Justice features Soul Supreme's biggest line-up of guest musicians to date: including drummer J-Zone, bass player Glenn Gaddum Jr., Gallowstreet's Jeroen Verberne, and Radiohop's Johnny Biner and Euan Jenkins. With Soul Supreme himself on his trusted set-up and a newly added Clavinet, his melting pot of jazz-funk, hip-hop grooves, soulful cuts, and library funk sounds richer than ever before. "I have decided to create a positive outlet for what is a very negative event in my life," he writes in the announcement of Poetic Justice. "I wrote music that reflected how I feel going through this process. No matter what the legal battle results in—I know I have made something beautiful and honest from this terrible experience. At least for myself but hopefully for others to enjoy it as well." Rest assured, Poetic Justice is a record to fully enjoy; from the first heartfelt notes on "Intro (Pullin' Back The Curtain)" to the last thumping drum hits of "I Rest My Case."
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
More records from Soul Supreme Records
1
Soul Supreme - Taking The Stand (Thes One Remix) (Feat. Thes One & Damu The Fudgemunk)
2
Soul Supreme - Taking The Stand
Now that's what we call a remix treatment! Soul Supreme enlists a dream line-up for the official remix of "Taking The Stand." The intro line is all there is to say that this 45 is a no-brainer to cop:"Thes Oneis on the beat,Soul Supremecomposed the suite,the Fudgemunkis about to speak."
As a long-time fan of People Under The Stairs and Damu The Fudgemunk, this is a full-circle moment for Soul Supreme. He deejayed alongside Damu in the past, and he has shown his appreciation to both P.U.T.S. and Damu with various tribute mixes. Matter of fact, this release is a full-circle moment for any hip-hop head: this 45 marks the very first time Thes One and Damu can be heard on one record together.
In typical crate-digging fashion, Thes One flips key elements from Soul Supreme's "Taking The Stand" into a neck-snapping beat. The instrumental album version of "Taking The Stand" can be found on the B-side of this 45. The original is a beautifully melodic jazz-funk head-nodder featuring drums by Tamuz Dolev and a spirited guitar solo by Radiohop's Johnny Biner.
"Taking The Stand" originally appeared on Soul Supreme's highly acclaimed instrumental albumPoetic Justice. Released last year, the album channeled his ongoing legal battle with a Norwegian label that stole his music. Fresh off his latest collaborations withRaw Poetic, Damu The Fudgemunk hopped back on the mic for this remix to voice his displeasure about shifty record labels. Damu also laid down cuts for the outro of the track, serving as a tribute to the lateDouble K.
"While you hadMadlib,DOOM, andQuas doing all kinds of esoteric stuff in this beautiful wave of underground hip-hop in the late '90s and early 2000s, these were legends but not people you actually knew.People Under the Stairs were like your friends, kind of, even though you don't know them,"Soul Supreme toldWax Poetics in 2022."They are more like everyday people who make amazing music. (...) Thes OneandDouble K were really honest about who they are. That's something, for me, that I consider one of the most important things in music."The 45 release of "Taking The Stand (Thes One Remix)" shows just that: three like-minded music heads at their most honest and passionate.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
As a long-time fan of People Under The Stairs and Damu The Fudgemunk, this is a full-circle moment for Soul Supreme. He deejayed alongside Damu in the past, and he has shown his appreciation to both P.U.T.S. and Damu with various tribute mixes. Matter of fact, this release is a full-circle moment for any hip-hop head: this 45 marks the very first time Thes One and Damu can be heard on one record together.
In typical crate-digging fashion, Thes One flips key elements from Soul Supreme's "Taking The Stand" into a neck-snapping beat. The instrumental album version of "Taking The Stand" can be found on the B-side of this 45. The original is a beautifully melodic jazz-funk head-nodder featuring drums by Tamuz Dolev and a spirited guitar solo by Radiohop's Johnny Biner.
"Taking The Stand" originally appeared on Soul Supreme's highly acclaimed instrumental albumPoetic Justice. Released last year, the album channeled his ongoing legal battle with a Norwegian label that stole his music. Fresh off his latest collaborations withRaw Poetic, Damu The Fudgemunk hopped back on the mic for this remix to voice his displeasure about shifty record labels. Damu also laid down cuts for the outro of the track, serving as a tribute to the lateDouble K.
"While you hadMadlib,DOOM, andQuas doing all kinds of esoteric stuff in this beautiful wave of underground hip-hop in the late '90s and early 2000s, these were legends but not people you actually knew.People Under the Stairs were like your friends, kind of, even though you don't know them,"Soul Supreme toldWax Poetics in 2022."They are more like everyday people who make amazing music. (...) Thes OneandDouble K were really honest about who they are. That's something, for me, that I consider one of the most important things in music."The 45 release of "Taking The Stand (Thes One Remix)" shows just that: three like-minded music heads at their most honest and passionate.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Soul Supreme - Pulling Back the Curtain (Intro)
2
Soul Supreme - Dues and Dont's
3
Soul Supreme - The Wait
4
Soul Supreme - Fraud Fades
5
Soul Supreme - Suit Up
6
Soul Supreme - Mood Swings
7
Soul Supreme - Mono Pro Bono
8
Soul Supreme - The Oath
9
Soul Supreme - Taking the Stand
10
Soul Supreme - All Rise
11
Soul Supreme - Sinkhole
12
Soul Supreme - The Appeal
13
Soul Supreme - Loyalty over Royalty
14
Soul Supreme - The Wait (Pt. 2)
15
Soul Supreme - No Clouds on a Sunny Day
16
Soul Supreme - The Wait (Pt. 3)
17
Soul Supreme - I Rest My Case
The music of Soul Supreme moves, grooves, throbs, and hits more than ever before. But the colorful sonic palette of Poetic Justice actually sprouted from a dark place: an ongoing battle with an independent label to reclaim his master rights—even today, "Industry Rule #4080" is still in full effect. So copping this record doesn't only support his cause—it's also well worth it for the listener. Poetic Justice features Soul Supreme's biggest line-up of guest musicians to date: including drummer J-Zone, bass player Glenn Gaddum Jr., Gallowstreet's Jeroen Verberne, and Radiohop's Johnny Biner and Euan Jenkins. With Soul Supreme himself on his trusted set-up and a newly added Clavinet, his melting pot of jazz-funk, hip-hop grooves, soulful cuts, and library funk sounds richer than ever before. "I have decided to create a positive outlet for what is a very negative event in my life," he writes in the announcement of Poetic Justice. "I wrote music that reflected how I feel going through this process. No matter what the legal battle results in—I know I have made something beautiful and honest from this terrible experience. At least for myself but hopefully for others to enjoy it as well." Rest assured, Poetic Justice is a record to fully enjoy; from the first heartfelt notes on "Intro (Pullin' Back The Curtain)" to the last thumping drum hits of "I Rest My Case."
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Gallowstreet, Shamis & Rebiere - 52 North (Soul Supreme Remix) [feat. Lyma & Soul Supreme]
2
Gallowstreet, Shamis & Rebiere - Backpack (Soul Supreme Remix) [feat. Soul Supreme]
The Amsterdam-based producer, keyboardist, and music-lover Soul Supreme, known for his covers of classic cuts by the likes of A Tribe Called Quest, Mos Def or MF DOOM steps away from the cover format for a moment, and channels his fresh take into remixes of two INI Movement releases. Leaving out the brass, both remixes eloquently underline the low-end essence of the compositions and explore new realms in a special way. The upbeat remix of '52 North' by Gallowstreet and LYMA on the A-side brings a percussion-heavy instrumentation & layers of signature keys to an ode to the city of Amsterdam. Staying close to the original composition, the remix expands the richness and depth, bringing the tune even closer to the dancefloor crowd. On the flipside of the 45, the luscious rework of Shamis & Rebiere's track 'Backpack' brings a laid-back, soulful production to a personal story of co-parenting. We're immersed in a wistful hip hop bounce with a reference to Common, stunning Rhodes solo and an extra guitar layer by Johnny Biner. The vulnerable theme of the original song is accentuated with an alternative ending, leaving us with a feeling of reassurance, love and encouragement. All of that on a limited 7'' with artwork by Dase Boogie, released on Soul Supreme Records in collaboration with INI Movement label.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
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Label:Big Crown Records
Cat-No:BCRLPC1129
Release-Date:06.09.2024
Genre:Dope Beat/Hip Hop
Configuration:LP
Label:Big Crown Records
Cat-No:BCRLPC1129
Release-Date:06.09.2024
Genre:Dope Beat/Hip Hop
Configuration:LP
1
El Michels Affair & Black Thought - Grateful (Instrumental)
2
El Michels Affair & Black Thought - Glorious Game (Instrumental)
3
El Michels Affair & Black Thought - I'm Still Somehow (Instrumental)
4
El Michels Affair & Black Thought - Hollow Way (Instrumental)
5
El Michels Affair & Black Thought - Protocol (Instrumental)
6
El Michels Affair & Black Thought - The Weather (Instrumental)
7
El Michels Affair & Black Thought - That Girl (Instrumental)
8
El Michels Affair & Black Thought - I Would Never (Instrumental)
9
El Michels Affair & Black Thought - Alone (Instrumental)
10
El Michels Affair & Black Thought - Miracle (Instrumental)
11
El Michels Affair & Black Thought - Glorious Game (Reprise) (Instrumental)
12
El Michels Affair & Black Thought - Alter Ego Feat. Brainstory (Instrumental)
Blood Smoke Vinyl. The Instrumental version of the underground classic El Michels Affair & Black Thought collaborative album Glorious Game When Leon Michels and El Michels Affair released their rst record, Sounding Out The City, in 2005, it was hard to guess what was next for Michels and his then-introduced, now-patented "cinematic soul" sound. Now, four EMA studio albums and scores of tribute and remix projects later_all while producing for some of the biggest names in the industry_Michels has trademarked his sound, with each project taking audiences somewhere new and pushing the boundaries of what he is known for. The man is a river, not a lake and this time he takes his golden touch into the realm of hip-hop laying down a musical bed for one of the greatest to ever rhyme into a microphone: Black Thought of The Roots crew. Releasing on Big Crown Records, the LP is called Glorious Game and it is a remarkable debut partnership in more ways than one. Michels provides his bottom-heavy, soul-tinged production for Black Thought who gives us some of the more personal and transparent verses we've ever heard from him. Michels and Black Thought have been in each other's orbit for a while now. The two rst met in the 2000s when Thought was rst getting familiar with the contemporary soul scene. "Out of that whole world, Menahan Street Band was probably my favorite," recalling the funk and soul group Michels was a founding member of back in 2007. Fast forward a few years and musicians from that collective_Dave Guy on trumpet and Ian Hendrickson-Smith on sax _are now full time players with The Roots. This connection eventually led Leon and Thought to doing a few fundraising events around NYC and Philly together. "Before long, Black Thought was coming around the studio and would jam with us from time to time," Michels explains. "Then, fast forward to 2020 and COVID lockdowns, he just hit me up out of the blue, wanting me to send him stuff to write to. We both were looking to stay busy." Being that Black Thought is the co-founder and emcee for, hands down, the best live-band group in hip-hop. Michels took a decidedly different approach to this project and instead of sending recorded tracks of live compositions, he pulled out the sampler and sampled himself and some records from his collection. "I'm a big fan of soul music," as if Michels has to remind us. "And part of hip-hop's appeal to me has always been the sample-based production" For Glorious Game, Michels would make wholly composed and recorded soul songs in his studio, sample himself, then chop and/or loop up his sounds and create instrumentals for Black Thought. On some tracks he took a more traditional hip-hop approach, starting from samples of other people's music but then adding live instrumentation on top.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Ryo Fukui - It Could Happen To You
2
Ryo Fukui - I Want To Talk About You
3
Ryo Fukui - Early Summer
4
Ryo Fukui - Willow Weep For Me
5
Ryo Fukui - Autumn Leaves
6
Ryo Fukui - Scenery
The Standard Edition - Territory - NO Sales to Japan
Ryo Fukui's 1976 highly sought-after jazz masterpiece SCENERY-
LP Edition: Mastered at half speed, 140g vinyl, Sticker
We Release Jazz (WRWTFWW Records' new sister-label) is proud to present its first release, the official reissue of Ryo Fukui's highly sought-after masterpiece Scenery (1976), sourced from the original masters and available on limited edition 180g vinyl mastered at half speed for audiophile sound and on digipack CD.
Unquestionably one of the most important Japanese jazz albums ever recorded, Scenery reveals Ryo Fukui as a miraculously brilliant self-taught pianist fusing modal, bop, and cool jazz influences for a very personal, dexterous and game-changing take on classic standards made famous by Bing Crosby and John Coltrane among others. From "It Could Happen To You" and its serene and calm intro which magically flows into a jubilant and upbeat piece, to the out-of-this-world piano solo of "Early Summer", or the incredible teamwork of "Autumn Leaves" where Fukui leads Satoshi Denpo (bass) and Yoshinori Fukui (drums) into groove heaven, every single note on the album oozes precision, confidence and flair and every single section slides seamlessly into one another, creating a supreme and elegant blend of jazz. Often compared to McCoy Tyner or Bill Evans, Ryo Fukui was a genius in his own right, a true master of his craft whose perfectionism gave birth to some of the greatest music ever recorded. Scenery is his magnum opus and an absolute must-have.
The Hokkaido wizard-pianist followed Scenery with the soulful gem Mellow Dream (also available on We Release Jazz) in 1977. He then focused on improving his live skills, often performing at Sapporo's Slowboat Jazz Club (which he co-founded with his wife Yasuko Fukui) and releasing 2 live albums. Ryo Fukui sadly passed away in March 2016, leaving behind a legacy of works that is sure to captivate jazz lovers for generations to come.
Tracklisting Vinyl LP
A1 It Could Happen To You
A2 I Want To Talk About You
A3 Early Summer
B1 Willow Weep For Me
B2 Autumn Leaves
B3 Scenery
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Ryo Fukui's 1976 highly sought-after jazz masterpiece SCENERY-
LP Edition: Mastered at half speed, 140g vinyl, Sticker
We Release Jazz (WRWTFWW Records' new sister-label) is proud to present its first release, the official reissue of Ryo Fukui's highly sought-after masterpiece Scenery (1976), sourced from the original masters and available on limited edition 180g vinyl mastered at half speed for audiophile sound and on digipack CD.
Unquestionably one of the most important Japanese jazz albums ever recorded, Scenery reveals Ryo Fukui as a miraculously brilliant self-taught pianist fusing modal, bop, and cool jazz influences for a very personal, dexterous and game-changing take on classic standards made famous by Bing Crosby and John Coltrane among others. From "It Could Happen To You" and its serene and calm intro which magically flows into a jubilant and upbeat piece, to the out-of-this-world piano solo of "Early Summer", or the incredible teamwork of "Autumn Leaves" where Fukui leads Satoshi Denpo (bass) and Yoshinori Fukui (drums) into groove heaven, every single note on the album oozes precision, confidence and flair and every single section slides seamlessly into one another, creating a supreme and elegant blend of jazz. Often compared to McCoy Tyner or Bill Evans, Ryo Fukui was a genius in his own right, a true master of his craft whose perfectionism gave birth to some of the greatest music ever recorded. Scenery is his magnum opus and an absolute must-have.
The Hokkaido wizard-pianist followed Scenery with the soulful gem Mellow Dream (also available on We Release Jazz) in 1977. He then focused on improving his live skills, often performing at Sapporo's Slowboat Jazz Club (which he co-founded with his wife Yasuko Fukui) and releasing 2 live albums. Ryo Fukui sadly passed away in March 2016, leaving behind a legacy of works that is sure to captivate jazz lovers for generations to come.
Tracklisting Vinyl LP
A1 It Could Happen To You
A2 I Want To Talk About You
A3 Early Summer
B1 Willow Weep For Me
B2 Autumn Leaves
B3 Scenery
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Cortex - La Rue
2
Cortex - Automne (Colchiques)
3
Cortex - L'Enfant Samba
4
Cortex - Troupeau Bleu
5
Cortex - Prelude A "Go Round"
6
Cortex - Go Round
7
Cortex - Chanson D'Un Jour D'Hiver
8
Cortex - Mary Et Jeff
9
Cortex - Huit Octobre 1971
10
Cortex - Sabbat (1ère Partie)
11
Cortex - Sabbat (2ème Partie)
12
Cortex - Sabbat (3ème Partie)
13
Cortex - Madbass
Very first version of the first single by Cortex, reissued as 7inch for the 1st time. “I remember that I and Alain Gandolfi wanted to put ‘Mary & Jeff’ on the A side, but the producer decided to set ‘L’Enfant Samba’ instead because he thought that the voice of Mireille would be more selling than my piano… 6 months after, at the beginning of 1976, ‘Mary & Jeff’ was a hit in a lot of Disco clubs and radios!” (Alain Mion).
Limited to 500 copies.
La Rue 4:23
Automne (Colchiques) 2:35
L'Enfant Samba 3:00
Troupeau Bleu 5:00
Prelude A "Go Round" 3:52
Go Round 1:20
Chanson D'Un Jour D'Hiver 5:20
Mary Et Jeff 2:40
Huit Octobre 1971 4:22
Sabbat (1ère Partie) 1:00
Sabbat (2ème Partie) 3:15
Sabbat (3ème Partie) 0:26
Madbass 2:50
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Limited to 500 copies.
La Rue 4:23
Automne (Colchiques) 2:35
L'Enfant Samba 3:00
Troupeau Bleu 5:00
Prelude A "Go Round" 3:52
Go Round 1:20
Chanson D'Un Jour D'Hiver 5:20
Mary Et Jeff 2:40
Huit Octobre 1971 4:22
Sabbat (1ère Partie) 1:00
Sabbat (2ème Partie) 3:15
Sabbat (3ème Partie) 0:26
Madbass 2:50
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
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Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Sixto Rodriguez - Sugar Man
2
Sixto Rodriguez - Only good for conversation
Just had to do it, this timeless classic "Sugar man" by Sixto Rodriguez. An immense tune. OG released on the funk and soul label; Sussex records. With a top line up of musicains - Bob Babbitt on bass and Dennis coffey on Guitar; Gordon Staples did the stunning Strings arrangment and Mike Theodore producer...This was previously issued as a 7" in the 70s, but sell for well over £100.00. We have used the OG White colour sleeve design instead of the South African issue with a black sleeve, in keeping with format styles. On the flip we have take another track from the LP "Only good for conversation" Heavy groove with nice bass drum loop, it has a Eugene McDaniels vibes.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Frederic Rabold - Noon In Tunisia (feat. Crew)
2
Frederic Rabold - Yahtzee (feat. Crew)
3
Frederic Rabold - Time Machine I (feat. Crew)
4
Frederic Rabold - Indian Impression (feat. Crew)
5
Frederic Rabold - Children Of The Sun (feat. Crew)
6
Frederic Rabold - Zest (feat. Crew)
7
Frederic Rabold - Ride On (feat. Crew)
8
Frederic Rabold - Explosion (feat. Crew)
9
Frederic Rabold - Beatschön (feat. Crew)
10
Frederic Rabold - Januschka (feat. Crew)
11
Frederic Rabold - The Last Of The Past (feat. Inspiration Orchestra)
12
Frederic Rabold - Berlin (feat. Inspiration Orchestra)
13
Frederic Rabold - Solstice Celebrations (feat. Crew)
14
Frederic Rabold - Blue Cha Cha Cha
15
Frederic Rabold - Spring Feelings
16
Frederic Rabold - Relaxing Walk (feat. Inspiration Orchestra)
17
Frederic Rabold - Brother W.H. (feat. Crew)
Frédéric Rabold was born on November 23rd, 1944, in Paris, France. His father was a jazz musician and had dreams of all three of his children becoming musicians as well. Frédéric started out learning the violin but always gravitated to the trumpet. The violin actually ended up on the wall at some point, which may have revealed Rabold's tendency toward impulsiveness. He came into contact with jazz music at an early age when he lived with his parents in France. Later on, his father had a big band with which he performed at dances in health resorts. At the age of 16, he often played with his father in American Army Clubs. From 1961 to 1964, Frédéric studied at the University of Music in Karlsruhe. In 1965, he moved to Stuttgart where he still lives today. In the same year drummer Axel Lauser approached him and asked if he wanted to play in his trio. Then, for a few years, Frédéric played in the Axel Lauser Quartet. In 1968, Frédéric founded his own band, the Frédéric Rabold Crew. The music of the "Crew" was well received in the 1968 era and the band quickly gained recognition in the German modern jazz scene. Invitations to several major festivals followed, including the jazz festival in Zurich. Later, they toured extensively through Eastern Europe on behalf of the Goethe Institute. In 1968, the first recordings were made by a friend of the band during a rehearsal. However, they were not to be released until 1980 on the LP "Berlin". "Noon In Tunisia" is one of these tracks. In March, 1970, the crew performed at the 12th German Jazz Festival in Frankfurt am Main amongst such Jazz greats as the Albert Mangelsdorff Quartet, the Klaus Doldinger Quartet and the Dave Pike Set. Two years later, the Frédéric Rabold Crew released their debut album entitled "Flair". This was followed in the 1970s by more than half a dozen albums for various labels. These included the album "Open House" with guest guitarist Martin Ederer, as well as three albums with singer Lauren Newton between 1975 and 1979. Rabold also worked with avant-garde jazz musicians such as Gunter Hampel, Leszek Zadlo, Lester Bowie, Manfred Schoof, Albert Mangelsdorff and Jeanne Lee. In the mid-1970s, a second formation was formed, the "Frédéric Rabold Jazz Inspiration Orchestra", which, unlike the crew, continued to exist with the same line-up well into the 2010s. In 2018, Frédéric Rabold celebrated the 50th anniversary of his group, the Frédéric Rabold Crew. Today, Rabold can look back on more than 1000 original compositions. Sometimes certain events led him to a composition, other times he just sat down at the piano and something happened, or not. Even though his real love is modern jazz, he has played all styles himself, including classical trumpet. In this respect, his role models were actually always American jazz musicians, who were sometimes quite unconventional in this respect. Frédéric Rabold's motto has always been: there is good and not so good music in all styles. This album brings together only the former.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Jay Richford and Gary Stevan - A1 : Flying High (3:35)
2
Jay Richford and Gary Stevan - A2 : Going Home (2:46)
3
Jay Richford and Gary Stevan - A3 : Walking In The Dark (4:42)
4
Jay Richford and Gary Stevan - A4 : Fighting For Life (3:37)
5
Jay Richford and Gary Stevan - A5 : Feeling Tense (4:05)
6
Jay Richford and Gary Stevan - B1 : Running Fast (4:42)
7
Jay Richford and Gary Stevan - B2 : Loving Tenderly (3:27)
8
Jay Richford and Gary Stevan - B3 : Fearing Much (3:35)
9
Jay Richford and Gary Stevan - B4 : Being Friendly (2:54)
10
Jay Richford and Gary Stevan - B5 : Having Fun (4:00)
2023 repress
Format Notes: 140g vinyl, remastered from the original tapes
Territories:
Worldwide no restrictions
Track List:
A1 : Flying High (3:35)
A2 : Going Home (2:46)
A3 : Walking In The Dark (4:42)
A4 : Fighting For Life (3:37)
A5 : Feeling Tense (4:05)
B1 : Running Fast (4:42)
B2 : Loving Tenderly (3:27)
B3 : Fearing Much (3:35)
B4 : Being Friendly (2:54)
B5 : Having Fun (4:00)
Release Notes:
More than once Jay Richford and Gary Stevan’s Feelings has been described as the greatest library record ever released. Of course Be With can’t be seen to be playing favourites, but we have to admit, it’s pretty good. Insanely rare and immensely sought-after, it’s a tough funk, street jazz masterpiece coveted for many years by collectors of all musical genres.
Since its original release on Italian label Carosello in 1974, Feelings has appeared on several labels with different sleeves and even under a different artist. Indeed cult library label Conroy put it out in one of their iconic red sleeves in 1976 and yes, Feelings has indeed had more than one modern re-issue since these “original” releases. But a record this special deserves to be kept in press and we think it deserves the Be With treatment.
No, Jay Richford and Gary Stevan aren’t two of the most Italian sounding names. As the story goes these were the pseudonyms adopted by Stefano Torossi and Giancarlo Gazzani who wrote the album but couldn’t use their real names on the original release for legal reasons. But Stefano Torossi himself later both clarified and confused the tale further by explaining that Feelings was the work of four people not just Gazzani and himself. Fellow composers and musicians Sandro Brugnolini and Puccio Roelens also worked on the album and as Torossi himself explained “we all worked together”, with all four gents “dividing the royalties in equal parts… that’s the story.” Right, so, with that all sorted out let’s get back to talking about the music. And what music it is.
Long hailed as a holy grail of library music, Feelings is the epitome of the sort of cinematic orchestral jazzy funk that is “that 70s library music sound”. Infectiously funky, deliciously melodic and with impeccible, elegant production, this record is the showcase for a stunning set of compositions and arrangements and with performances that are nothing short of virtuoso.
The record’s first side lifts off with “Flying High”, soaring brilliant and shimmering. Funk licks, menacing strings and swaggering horns combine for an ice-cold intro groove that Isaac Hayes would surely have envied, before the steady-paced drums deliver the slo-mo TKO. The string-drenched cop-funk of “Going Home” raises the tempo. All funky quick-fire bass lines and killer electric guitar soloing. A real thriller.
“Walking In The Dark” positively drips in blaxploitation-funk drama strings and horn struts, all laced with delicate drums, velvet piano and more filthy wah-wah. “Fighting For Life” is another funk-fuelled workout built around an effortlessly relentless drum track that refuses to give up until even the stiffest-necked head is nodding.
The loping, open drum break that guides the much-loved “Feeling Tense” through its early stages would be good enough on its own. The heavy bass gloss, swirling strings and ominous horns that follow take things to the next level.
The second side opens with another favourite “Running Fast”, and the track does precisely that. This is one fine rollicking chase theme underpinned by frenetic (yet funky) Fender Rhodes and skipping bass and drums. Those sweeping strings are a gorgeous extra. It’s a deliciously feel-good groove that sets the heart racing.
“Loving Tenderly” envelops us in warm, velvety night-time vibes with easy listening horns and slinky strings dialing up the seduction. Definitely one for the lithe lovers out there. The pace picks up on the electrifying “Fearing Much” where strings dart around deep bass, buzzing guitars and another funky drum break. The lush, melancholic “Being Friendly” is another easy beauty, all warm Rhodes and strings. Majestic stuff that puts an aural arm around you. The climactic “Having Fun” rides a pulsating, bass-heavy drum break with snatches of a funky guitar refrain, some luxurious keys, sweeping strings and triumphant horns. Sensational.
“Feelings” is a profoundly appropriate title for such an emotionally funky and genuinely affecting record. Groove-laden bass, irrepressible horns, sweet flute lines, warm Rhodes, lush string arrangements, blaxploitation-styled wah-wah guitars and so, so much more make this one of the finest instrumental soul LPs of the 70s, if not of all time.
The audio for this re-issue of Feelings comes from the original analogue tapes and has been remastered for vinyl by Be With regular Simon Francis and cut by Pete Norman. The same care has been taken by the Be With team to restore that glorious original Carosello sleeve. Feelings is almost too good to be true. Feels good all over.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Format Notes: 140g vinyl, remastered from the original tapes
Territories:
Worldwide no restrictions
Track List:
A1 : Flying High (3:35)
A2 : Going Home (2:46)
A3 : Walking In The Dark (4:42)
A4 : Fighting For Life (3:37)
A5 : Feeling Tense (4:05)
B1 : Running Fast (4:42)
B2 : Loving Tenderly (3:27)
B3 : Fearing Much (3:35)
B4 : Being Friendly (2:54)
B5 : Having Fun (4:00)
Release Notes:
More than once Jay Richford and Gary Stevan’s Feelings has been described as the greatest library record ever released. Of course Be With can’t be seen to be playing favourites, but we have to admit, it’s pretty good. Insanely rare and immensely sought-after, it’s a tough funk, street jazz masterpiece coveted for many years by collectors of all musical genres.
Since its original release on Italian label Carosello in 1974, Feelings has appeared on several labels with different sleeves and even under a different artist. Indeed cult library label Conroy put it out in one of their iconic red sleeves in 1976 and yes, Feelings has indeed had more than one modern re-issue since these “original” releases. But a record this special deserves to be kept in press and we think it deserves the Be With treatment.
No, Jay Richford and Gary Stevan aren’t two of the most Italian sounding names. As the story goes these were the pseudonyms adopted by Stefano Torossi and Giancarlo Gazzani who wrote the album but couldn’t use their real names on the original release for legal reasons. But Stefano Torossi himself later both clarified and confused the tale further by explaining that Feelings was the work of four people not just Gazzani and himself. Fellow composers and musicians Sandro Brugnolini and Puccio Roelens also worked on the album and as Torossi himself explained “we all worked together”, with all four gents “dividing the royalties in equal parts… that’s the story.” Right, so, with that all sorted out let’s get back to talking about the music. And what music it is.
Long hailed as a holy grail of library music, Feelings is the epitome of the sort of cinematic orchestral jazzy funk that is “that 70s library music sound”. Infectiously funky, deliciously melodic and with impeccible, elegant production, this record is the showcase for a stunning set of compositions and arrangements and with performances that are nothing short of virtuoso.
The record’s first side lifts off with “Flying High”, soaring brilliant and shimmering. Funk licks, menacing strings and swaggering horns combine for an ice-cold intro groove that Isaac Hayes would surely have envied, before the steady-paced drums deliver the slo-mo TKO. The string-drenched cop-funk of “Going Home” raises the tempo. All funky quick-fire bass lines and killer electric guitar soloing. A real thriller.
“Walking In The Dark” positively drips in blaxploitation-funk drama strings and horn struts, all laced with delicate drums, velvet piano and more filthy wah-wah. “Fighting For Life” is another funk-fuelled workout built around an effortlessly relentless drum track that refuses to give up until even the stiffest-necked head is nodding.
The loping, open drum break that guides the much-loved “Feeling Tense” through its early stages would be good enough on its own. The heavy bass gloss, swirling strings and ominous horns that follow take things to the next level.
The second side opens with another favourite “Running Fast”, and the track does precisely that. This is one fine rollicking chase theme underpinned by frenetic (yet funky) Fender Rhodes and skipping bass and drums. Those sweeping strings are a gorgeous extra. It’s a deliciously feel-good groove that sets the heart racing.
“Loving Tenderly” envelops us in warm, velvety night-time vibes with easy listening horns and slinky strings dialing up the seduction. Definitely one for the lithe lovers out there. The pace picks up on the electrifying “Fearing Much” where strings dart around deep bass, buzzing guitars and another funky drum break. The lush, melancholic “Being Friendly” is another easy beauty, all warm Rhodes and strings. Majestic stuff that puts an aural arm around you. The climactic “Having Fun” rides a pulsating, bass-heavy drum break with snatches of a funky guitar refrain, some luxurious keys, sweeping strings and triumphant horns. Sensational.
“Feelings” is a profoundly appropriate title for such an emotionally funky and genuinely affecting record. Groove-laden bass, irrepressible horns, sweet flute lines, warm Rhodes, lush string arrangements, blaxploitation-styled wah-wah guitars and so, so much more make this one of the finest instrumental soul LPs of the 70s, if not of all time.
The audio for this re-issue of Feelings comes from the original analogue tapes and has been remastered for vinyl by Be With regular Simon Francis and cut by Pete Norman. The same care has been taken by the Be With team to restore that glorious original Carosello sleeve. Feelings is almost too good to be true. Feels good all over.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Johnny Jewel - Many Moons
2
Dean Hurley - Outlands
3
Pye Corner Audio - Jupiter Orbit 707
4
RAMZi - Existenz
5
Legowelt - Nebia Vera Pelliccia
6
TM Solver - Serious Ambien (SOS Edit)
7
State Azure - Azimuth
8
Lord Of The Isles - Meet Me At The Portal
Format: limited coloured vinyl LP (comes in different coloured vinyl, we cannot guarantee which one you will receive)
Secrets Of Sound sold out their first release in quick fashion and now they return with a second instalment in the Exotic Origins series, designed to take you a million light years away from your current reality and deep into the far depths of space with eight superbly cosmic explorations of ambient and downtempo magic. Italians Do It Better man Johnny Jewel kicks off with some sultry sax-laced sounds, David Lynch's musical partner Dean Hurley crushes on shimmering pads and Pye Corner Audio bring a little intergalactic tension. Elsewhere there are sugary synths from Legowelt, suspensory pads from TM Solver and plenty more to help you escape to another dimension. Add to that the fact it arrives on a random variety of different vinyl colours and comes with a download code, and you've got rather a nice package.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Secrets Of Sound sold out their first release in quick fashion and now they return with a second instalment in the Exotic Origins series, designed to take you a million light years away from your current reality and deep into the far depths of space with eight superbly cosmic explorations of ambient and downtempo magic. Italians Do It Better man Johnny Jewel kicks off with some sultry sax-laced sounds, David Lynch's musical partner Dean Hurley crushes on shimmering pads and Pye Corner Audio bring a little intergalactic tension. Elsewhere there are sugary synths from Legowelt, suspensory pads from TM Solver and plenty more to help you escape to another dimension. Add to that the fact it arrives on a random variety of different vinyl colours and comes with a download code, and you've got rather a nice package.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Soul Supreme - Taking The Stand (Thes One Remix) (Feat. Thes One & Damu The Fudgemunk)
2
Soul Supreme - Taking The Stand
Now that's what we call a remix treatment! Soul Supreme enlists a dream line-up for the official remix of "Taking The Stand." The intro line is all there is to say that this 45 is a no-brainer to cop:"Thes Oneis on the beat,Soul Supremecomposed the suite,the Fudgemunkis about to speak."
As a long-time fan of People Under The Stairs and Damu The Fudgemunk, this is a full-circle moment for Soul Supreme. He deejayed alongside Damu in the past, and he has shown his appreciation to both P.U.T.S. and Damu with various tribute mixes. Matter of fact, this release is a full-circle moment for any hip-hop head: this 45 marks the very first time Thes One and Damu can be heard on one record together.
In typical crate-digging fashion, Thes One flips key elements from Soul Supreme's "Taking The Stand" into a neck-snapping beat. The instrumental album version of "Taking The Stand" can be found on the B-side of this 45. The original is a beautifully melodic jazz-funk head-nodder featuring drums by Tamuz Dolev and a spirited guitar solo by Radiohop's Johnny Biner.
"Taking The Stand" originally appeared on Soul Supreme's highly acclaimed instrumental albumPoetic Justice. Released last year, the album channeled his ongoing legal battle with a Norwegian label that stole his music. Fresh off his latest collaborations withRaw Poetic, Damu The Fudgemunk hopped back on the mic for this remix to voice his displeasure about shifty record labels. Damu also laid down cuts for the outro of the track, serving as a tribute to the lateDouble K.
"While you hadMadlib,DOOM, andQuas doing all kinds of esoteric stuff in this beautiful wave of underground hip-hop in the late '90s and early 2000s, these were legends but not people you actually knew.People Under the Stairs were like your friends, kind of, even though you don't know them,"Soul Supreme toldWax Poetics in 2022."They are more like everyday people who make amazing music. (...) Thes OneandDouble K were really honest about who they are. That's something, for me, that I consider one of the most important things in music."The 45 release of "Taking The Stand (Thes One Remix)" shows just that: three like-minded music heads at their most honest and passionate.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
As a long-time fan of People Under The Stairs and Damu The Fudgemunk, this is a full-circle moment for Soul Supreme. He deejayed alongside Damu in the past, and he has shown his appreciation to both P.U.T.S. and Damu with various tribute mixes. Matter of fact, this release is a full-circle moment for any hip-hop head: this 45 marks the very first time Thes One and Damu can be heard on one record together.
In typical crate-digging fashion, Thes One flips key elements from Soul Supreme's "Taking The Stand" into a neck-snapping beat. The instrumental album version of "Taking The Stand" can be found on the B-side of this 45. The original is a beautifully melodic jazz-funk head-nodder featuring drums by Tamuz Dolev and a spirited guitar solo by Radiohop's Johnny Biner.
"Taking The Stand" originally appeared on Soul Supreme's highly acclaimed instrumental albumPoetic Justice. Released last year, the album channeled his ongoing legal battle with a Norwegian label that stole his music. Fresh off his latest collaborations withRaw Poetic, Damu The Fudgemunk hopped back on the mic for this remix to voice his displeasure about shifty record labels. Damu also laid down cuts for the outro of the track, serving as a tribute to the lateDouble K.
"While you hadMadlib,DOOM, andQuas doing all kinds of esoteric stuff in this beautiful wave of underground hip-hop in the late '90s and early 2000s, these were legends but not people you actually knew.People Under the Stairs were like your friends, kind of, even though you don't know them,"Soul Supreme toldWax Poetics in 2022."They are more like everyday people who make amazing music. (...) Thes OneandDouble K were really honest about who they are. That's something, for me, that I consider one of the most important things in music."The 45 release of "Taking The Stand (Thes One Remix)" shows just that: three like-minded music heads at their most honest and passionate.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
VILLALOBOS - EASY LEE
2
VILLALOBOS - THEOGENESE
3
VILLALOBOS - BAHAHA HAHI
4
VILLALOBOS - LA RAJA
5
VILLALOBOS - I TRY TO LIVE (CAN I LIVE)
6
VILLALOBOS - QUIZÅS
7
VILLALOBOS - FUSION THE ENEMIES
8
VILLALOBOS - DEXTER
9
VILLALOBOS - BACH TO BACK
10
VILLALOBOS - Y.G.H.
11
VILLALOBOS - WAIWORINAO
Format: 4x12"LP
Tracklist
A EASY LEE
B THEOGENESE
C1 BAHAHA HAHI
C2 LA RAJA
D I TRY TO LIVE (CAN I LIVE)
E1 QUIZÅS
E2 FUSION THE ENEMIES
F DEXTER
G BACH TO BACK
H1 Y.G.H.
H2 WAIWORINAO
Ricardo Villalobos first album „Alcachofa“ from 2003.
Originally released by Playhouse as a 3x12“ record set, the re-release adds a fourth 12“, the „Alcachofa Tools“.
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DE - 22113 Hamburg
Germany
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Tracklist
A EASY LEE
B THEOGENESE
C1 BAHAHA HAHI
C2 LA RAJA
D I TRY TO LIVE (CAN I LIVE)
E1 QUIZÅS
E2 FUSION THE ENEMIES
F DEXTER
G BACH TO BACK
H1 Y.G.H.
H2 WAIWORINAO
Ricardo Villalobos first album „Alcachofa“ from 2003.
Originally released by Playhouse as a 3x12“ record set, the re-release adds a fourth 12“, the „Alcachofa Tools“.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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NO VINYLE OF ANY MANU CHAO ALBUM HAS BEEN AVAILABLE ON SALE FOR AGES. ALL STUDIO & LIVE ALBUMS ARE BACK ON DOUBLE VINYL GATEFOLD FEAT. THE CD
TRACKLIST
A1. CLANDESTINO - A2. DESAPARECIDO - A3. BONGO BONG - A4. JE NE T’AIME PLUS - B1. MENTIRA... - B2. LAGRIMAS DE ORO - B3. MAMA CALL - C1. LUNA Y SOL - C2. POR EL SUELO - C3. WELCOME TO TIJUANA - C4. DIA LUNA... DIA PENA - D1. MALEGRIA - D2. LA VIE A 2 - D3. MINHA GALERA - D4. LA DESPEDIDA - D5. EL VIENTO
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DE - 22113 Hamburg
Germany
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TRACKLIST
A1. CLANDESTINO - A2. DESAPARECIDO - A3. BONGO BONG - A4. JE NE T’AIME PLUS - B1. MENTIRA... - B2. LAGRIMAS DE ORO - B3. MAMA CALL - C1. LUNA Y SOL - C2. POR EL SUELO - C3. WELCOME TO TIJUANA - C4. DIA LUNA... DIA PENA - D1. MALEGRIA - D2. LA VIE A 2 - D3. MINHA GALERA - D4. LA DESPEDIDA - D5. EL VIENTO
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WAS - Word and Sound Medien GmbH
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DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
musclecars - Tonight
2
musclecars - Tonight (Louie Vega Bronx Dub)
3
musclecars - Tonight (Louie Vega Remix)
4
musclecars - Hello? (Maurice Fulton Remix)
5
musclecars - Ha Ya! (Eternal Life)(Planetarium Mix)
6
musclecars - I Don’t Remember The Last Time I Saw Stars
After the highly anticipated debut album "Sugar Honey Iced Tea!," the dynamic NYC duo strikes once more with a double pack of alternate versions and remixes. Craig Handfield and Brandon Weems, better known as musclecars, have unveiled a dance music masterpiece, now graced by the touch of house music legends Louie Vega and Maurice Fulton.
This double pack showcases multiple versions of "Tonight," remixed by dance music maestro Louie Vega, who momentarily stepped away from his Masters At Work ventures to infuse this project with his magic. The main remix unfolds like an epic journey adorned with orchestral elegance, while the dub versions range from festival anthems (NV South Jersey Mix) to tracks that echo the early Masters At Work essence (Louie Vega’s Bronx Dub).
Additionally, we are gifted a new version of "Hello?" reimagined by Maurice Fulton. In this version, Maurice's signature live bass lines intertwine with exuberant, hard-hitting percussion, casting a whimsical light on the deep, introspective original.
Complementing the remixes from musclecars' esteemed inspirations, we encounter two new versions of "Ha Ya! (Eternal Life)" and "Water," both stripped of percussion to reveal the stunning arrangements, textures, and harmonies. These renditions are accompanied by a full side of musclecars’ dance odyssey "I Don’t Remember The Last Time I Saw Stars."
The Double Honey Pack is a tour de force. It’s a rarity to witness two legends unite to elevate an already stellar project, yet Vega and Fulton achieve just that. Meanwhile, Weems and Handfield meticulously peel back the layers, allowing the intricate details to shine. This promises to be the release of the summer!
A1. Tonight (05:55)
A2. Tonight (Louie Vega Bronx Dub) (05:50)
B1. Tonight (Louie Vega Remix) (08:22)
C1. Hello? (Maurice Fulton Remix) (06:44)
C2. Ha Ya! (Eternal Life)(Planetarium Mix) (07:38)
D1. I Don’t Remember The Last Time I Saw Stars (11:10)
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DE - 22113 Hamburg
Germany
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This double pack showcases multiple versions of "Tonight," remixed by dance music maestro Louie Vega, who momentarily stepped away from his Masters At Work ventures to infuse this project with his magic. The main remix unfolds like an epic journey adorned with orchestral elegance, while the dub versions range from festival anthems (NV South Jersey Mix) to tracks that echo the early Masters At Work essence (Louie Vega’s Bronx Dub).
Additionally, we are gifted a new version of "Hello?" reimagined by Maurice Fulton. In this version, Maurice's signature live bass lines intertwine with exuberant, hard-hitting percussion, casting a whimsical light on the deep, introspective original.
Complementing the remixes from musclecars' esteemed inspirations, we encounter two new versions of "Ha Ya! (Eternal Life)" and "Water," both stripped of percussion to reveal the stunning arrangements, textures, and harmonies. These renditions are accompanied by a full side of musclecars’ dance odyssey "I Don’t Remember The Last Time I Saw Stars."
The Double Honey Pack is a tour de force. It’s a rarity to witness two legends unite to elevate an already stellar project, yet Vega and Fulton achieve just that. Meanwhile, Weems and Handfield meticulously peel back the layers, allowing the intricate details to shine. This promises to be the release of the summer!
A1. Tonight (05:55)
A2. Tonight (Louie Vega Bronx Dub) (05:50)
B1. Tonight (Louie Vega Remix) (08:22)
C1. Hello? (Maurice Fulton Remix) (06:44)
C2. Ha Ya! (Eternal Life)(Planetarium Mix) (07:38)
D1. I Don’t Remember The Last Time I Saw Stars (11:10)
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