CYBERMISSION drops ‘Zona’ on INDEX:Records – five cuts of radiant, IDM-pop and hopeful electro. Written in Berlin across 2021-2022, this record wanders into self-discovery, deep romance and memories of the things that we’ve lost.

“Each of us has a purpose and a mission in this world. What is yours? Take some time alone, don’t force it, and the answer will reveal itself.”

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“Featuring appearances from: Special Guest DJ, Ben Bondy, Hysterical Love Project and some other people we can't name for legal reasons"

The holographic swarm that is Downstairs People returns with their latest collection of subconscious songwriting. Simply titled ‘DSP’, Downstairs People’s sophomore album expands on their surreal horoscope of Top 40 musings, with nine works that explore the altered states of pop.

DSP reimagines the FM radio spectrum with distorted hooks, sour candy production and cascading vocal harmonies with no lyrics. Sung to us in an unknown language, it’s an archive of warped transmissions from beyond our solar system, conveniently recorded and presented as a flat, spinning monolith.

A brief history of having no time, and an ode to the subversive power of pop music.

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INDEX:Records is blessed to announce the homecoming of Ike. It’s been a wee while since his last full club outing, but we welcome him back to this realm with open-arms.

Lacing up with chuggy system-rattler 'Vernis VIP', Pulsar is a symbiosis of palpitating-wub and delicate, soft melody. On 'Rose Quartz', perfectly sedated drums are melded with luscious vox – a gratifying release to bass-driven tension-builder, 'Gage'. Mushing a cherry immaculately on top is a Mathis Ruffing indulgence ('Gage Remix'), who treats us to a frenzied yet controlled excursion into DnB hedonism.

Limited edition 12" vinyl of 150 copies, with full colour centre label artwork, white inners and pink outer sleeve.

Written & Produced by Ike Zwanikken
Remix by Mathis Ruffing
Artwork by Amos Turner
Mastered & Cut by Marco @ Analog Cut
Words by Conna Haraway

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New INDEX:Records transmission comes courtesy of Texan vibist Gi Gi. Trodding his own path of introspective, nu-age-infused ambient scapes and trip-hop-laced downtempo divagations, Gi Gi eases us in a distinctively soothing headspace. A self-driven, immersive audio bubble engineering a polychromatic mix of organic field-recording, exotic dub shades, lushly textured envelopes and smooth loungey jazz accents.

From the A1, “The Lower”, a steady-churning combo of retro-stepping UK dynamics, 90s-schooled atmospheric dub and low-slung, LA beat-style swagger, down to the verbed-out summer pop of “Sinews” featuring Hysterical Love Project, Gi Gi puts on a riveting synthesis of seemingly distant varietals.

On “Maiolica”, the mystique-imbued power of drums and shadowiness of the bass collides with the faux-organic vibrancy of singing robot birds; “Pyxis Glint” shows off an ambiguously feverish ASMR-like temper with its tightly woven web of chimey Andean melody and straight out Rephlex-fashioned escapism, whereas “Palm Slick” heads for further exhilarating heights through Hassellian brass flights a la “Blues Nile" and breaksy off-piste, all set at buckling a few knees along the way.

A full-fledged, soulful trip-hop number disguised in matching neo-vintage camo, “Lilted Song” treats us to a fulfilling blend of bleached pads and FX-laden slo-mo percussions swaying with a strong couldn’t-give-a-damn attitude. Gi Gi coming up with the mind trip.

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Like trudging through viscous air, I Lost All My Data is a blissed-out barrage of sub-bass that nods to a long-lasting passion for sound system culture.

Uploading turbo-charged wubs with molten glass melodies, the debut EP of Giovanni Bonelli (aka Notte Infinita) is a welcomed update for UK style broken-techno conventions. Booting-up with its title track, the record quadrisects the fabric of digital music, each cut a sonic reprogramming of its predecessor. ‘Slippery Tuff’ references off-kilter club, while on the flip, ‘Ecstatic Dub (Roller Mix)’ climaxes in an ultra-sensory faux-organic whorl. Unplugging the whole thang, ‘Oxygen’ manipulates post-dubstep textures, into a data-roused jungle tunnel.

Deciphering glitched-out signal processing and harmonic warps, I Lost All My Data is the software upgrade that every system needs – do not choose Later; Install Now.

This record has been played out/supported by...

Bambounou, Madam X, Special Guest DJ, Opium Hum/Michail Stangl (Boiler Room), Lurka, Bruce, orson (version)

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Conceived in the literal underground of the INDEX:Records basement studio in Berlin, the enigmatic, new-coming “pop” group Downstairs People, is an unlikely collaborative project to be birthed from 2020 – the year of isolation. ‘Underground Pop’ is a collection of aural serotonin hits that touch the feel good receptors, genre hopping between synth-pop, house and neo-RnB.

The group is conducted and glued together by INDEX:Record's own, Jorge Camacho, the maestro behind his alias, vase. Camacho brings together a gauntlet of Berlin-based artists and INDEX: affiliates, dishing out something fresh after countless late night sessions, only to curate a serendipitously coherent record of left-field pop hits, that arrive just in time for summer.

Underground Pop by Downstairs People is out 16 April 2021 via single disk 12” LP vinyl, in full colour outer-sleeve and black inner-sleeve. A limited run of 250 copies are distributed worldwide by Rubadub.

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Repress!

Welcome to “Through Lines”, a collection of hand picked tracks by genre nomad and bass innovator Martyn, made between 2005 and 2015, carefully recovered and remastered for vinyl and digital release on 3024. Previously only available on 12” across a scattering of different labels, this set includes essential ‘Martyn Music’ (as the producer likes to classify it); tracks like “Vancouver” (A 140 staple to this day), “Mega Drive Generation” and his classic remix of TRG’s “Broken Heart”, as well as deeper cuts like the rare “Friedrichstrasse” and house gem “For Lost Relatives”.

This is not just a compilation of remastered music, it’s a document of an era of UK inspired dance music where ideas, genres, tempos and scenes seemed to rapidly merge and splinter off. An exciting time where producers constantly tried to one-up each other with new ideas and influences, in a vibrant international scene of small club nights from FWD>> and DMZ in London to Red Zone (co-run by Martyn) in the periphery, the earliest online forums like Dubstepforum and radio shows like Dj Flight’s BBC 1xtra show and Mary Anne Hobbs’ Breezeblock. Innovation in music never happens in a vacuum and is always a product of community, producers, writers, and other makers continuously inspiring and pushing each other to come up with the next thing. This ethos is present in all of Martyn’s music throughout the years, but also in his work with Jeroen Erosie as 3024 and within the 3024 Mentoring Program he runs today.

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Soundway presents Ferdinand ‘Maréchal’ Papillon’s underground club classic Moulongo - recorded in Paris in 1995 and highlighting the Zouk/dancehall/Makossa crossover sound that was then coming out of the city’s studios. Features a new remix from Canadian producer Poirier for a 2024 bassline zouk mover, cut loud and proud on 12” vinyl.

Ferdinand ‘Maréchal’ Papillon was part of the makossa wave that moved from Cameroon to France and across the African diaspora in the 80s and 90s, bringing the sounds of rhythms of Douala and Yaoundé to the clubs and dancefloors of Paris. Although best known for his Sakissa style - his own uptempo take on the makossa of Cameroon - Papillon also regularly featured zouk and reggae influenced tracks on his albums, combining Caribbean and African influences into a unique sound that has stood the test of time.

‘Moulongo’ originally appeared on Papillon’s highly sought after 1995 album “Homme fort….je suis sérieux” and was recorded at Studio de la Madeleine in Paris. The Moulongo session features a who’s who of the Paris scene of the time - Aladji Touré and Toto Guillaume from Cameroon as well as Congolese guitar greats Ngoma Lokito and Nene Tchacou - and combines dancehall, zouk and makossa elements for a pan-African dancefloor sureshot.

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This album consists of unreleased Dubs recorded between 1986-90 at the early
Blakamix Studios.

Blakamix have re-opened the tape vaults and let Mixman loose to revamp and revitalise and give the Dub Doctor treatment to these early Dub tapes.

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Cult soca disco 12”, produced by Leston Paul and originally released in 1984 - now available for the first time in 40 years.

Barbara Hernandez was working as a backing singer for Kool and the Gang in New York at the time the track was recorded, and the session featured their horn section as well as a who’s who of the Trinidad music scene for what would be Barbara’s only solo release. Suffering from poor distribution at the time of release, the 12” failed to make waves at the time but is now lovingly remastered and cut loud, a sure fire dancefloor sure shot.

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N-Gynn drops the second release on his and Thoma Bulwer’s Classique label with four undeniable bombs in his vintage style with a modern twist. Acido is on a classic house tip with sexy female vocals that will get you up, out and dancing with all your best moves, shakes and cheeky smiles. Bandido is on a similarly vibe with deep chords and bumpy house groove to boot! Red-E is more on a deeper techno tip and will take you into new cosmic plains, while PH Neutral will put you straight back into hazy Hackney Wick minimal states of consciouses.

Early support from Raresh, Voigtmann, tINI, Enzo, Rhadoo, Harry McCanna, Silverlining and Anna Wall.

All tracks written and produced by N-Gynn
Engineer Remi Mazet.
Mixed and Mastered by Thoma Bulwer at TB Mastering, Hackney Wick, London

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Tracklisting:
A1 Enzo Leep - Diesel Soul
A2 Izaakson - Moon Star
B1 Kozac - Makuta
B2 Vithz - Just Try

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Tracklisting
A1 Gary Beck - Upside Criminal
A2 Gary Beck - Sambana
B1 Gary Beck - Pepper Track
B2 Gary Beck - Rejected
B3 Gary Beck - Ghost

Sales Note
Gary Beck returns to Mutual Rytm as he unveils a selection of impactful cuts across his debut 12'' on the label, 'Upside Criminal'.

Bek Audio boss and Glasgow techno mainstay Gary Beck has long been a key figure in the scene with a unique sound that has shaped a vast discography. One of the genre's best, with appearances across iconic institutions and collaborations with legendary talents, he is a definitive talent. Returning to SHDW's Mutual Rytm imprint, his new EP lands following his recent appearance on the label's 'Federation Of Rytm III' VA, with the tracks on the package proving as go-to favourites for the label boss over recent months.

''Mutual Rytm has been nothing short of inspirational to me over the last years. I've been playing almost
everything from the label, as the tracks really suited what I was selecting in my DJ sets. The high-quality output really got my juices going to create something for the label, and I was delighted when Marco liked what I sent. This EP signals exactly where I am musically. I'm an absolute sucker for tracks with relentless groovy energy and little breaks, so it felt like a perfect fit. Tracks from the EP have been an absolute joy to play in my sets recently,
and I'm so excited to deliver this EP on my current favourite label, Mutual Rytm.'' - Gary Beck.

The powerful 'Upside Criminal' kicks off with hammering drums and pounding hits that create an inescapable wall of sound that will dominate dance floors of any size. There is more loopy energy to 'Sambana' with its ever more jagged synth stabs and fizzing drum textures while 'Pepper Track' is a futuristic techno workout with rattling snares and mutant synth details peeling off the straight-up groove. 'Rejected' is built around trapped vocal fragments that swirl about the mix to a disorientating effect as the high-speed drums and sheet metal synths race onwards, 'while
Ghost' closes out with a subtle sense of uplifting celebration from the synths that rise up through rusty, rickety techno grooves. Digital Bonus 'Variation 6.1' offers another searing and funky techno stomp, once again providing an extra gem for digital purchasers.





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After years of igniting the Parisian club scene as one half of the duo ALVA, producer Berzingue is set to embark on a new chapter in his career with the release of his new solo EP titled “Road Trip” on Pont Neuf Records. A captivating musical journey, blending deep house, French touch, and sunny chill vibes.

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Tracklisting
A1 Mist Gasp - The Await
A2 Mist Gasp - Nocturnal Pulse
B1 Mist Gasp - The Season
B2 Mist Gasp - Engage

Sales Note
***
stay with me, everything bad,
madmen in wooden houses
without windows,
lost words.
***

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Tracklisting
A1 Casual Treatment - Mechanics
A2 Casual Treatment - Influence Manipulation
A3 Casual Treatment - The Player's Handbook
B1 Casual Treatment - Heritage
B2 Casual Treatment - Tactical Studies

Sales Note
Mord sublabel: Kazerne

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