1
Barrington Levy - Place Too Dark
2
Barrington Levy - Call You On The Phone
3
Barrington Levy - True I Own
4
Barrington Levy - Roof Over My Head
5
Barrington Levy - Walk 2000 Miles
6
Barrington Levy - Sister Debbie
7
Barrington Levy - Doe Rae Me
8
Barrington Levy - My One And Only Lover
9
Barrington Levy - One And One
10
Barrington Levy - Butterfly
11 song LP, one track in extended mix.
Classic LP recorded circa 1980 in the Radics / Scientist era, this is a reissue of the 1997 pressing with 2 bonus tracks, but with a fresh new layout for 2024. Timeless stuff here that is the top shelf of its era.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Classic LP recorded circa 1980 in the Radics / Scientist era, this is a reissue of the 1997 pressing with 2 bonus tracks, but with a fresh new layout for 2024. Timeless stuff here that is the top shelf of its era.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
More records from Barrington Levy
1
Barrington Levy - One Foot Jojo
2
Barrington Levy - One Foot Jojo Dub
3
Barrington Levy - To Love Someone
4
Barrington Levy - To Love Someone Dub
Both sides with dub.
Comes in Bond Export company sleeve.
One of the most requested Jah Life releases, finally here. Killer 1983 Barrington Levy single, only ever released once on a UK 12 inch. These tunes also appeared on the "Teach Me Culture" album, sans dubs of course. Perfect new pressing from the original mothers, identical to the original. Play loud.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Comes in Bond Export company sleeve.
One of the most requested Jah Life releases, finally here. Killer 1983 Barrington Levy single, only ever released once on a UK 12 inch. These tunes also appeared on the "Teach Me Culture" album, sans dubs of course. Perfect new pressing from the original mothers, identical to the original. Play loud.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
More records from Jah Life
1
Barrington Levy - One Foot Jojo
2
Barrington Levy - One Foot Jojo Dub
3
Barrington Levy - To Love Someone
4
Barrington Levy - To Love Someone Dub
Both sides with dub.
Comes in Bond Export company sleeve.
One of the most requested Jah Life releases, finally here. Killer 1983 Barrington Levy single, only ever released once on a UK 12 inch. These tunes also appeared on the "Teach Me Culture" album, sans dubs of course. Perfect new pressing from the original mothers, identical to the original. Play loud.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Comes in Bond Export company sleeve.
One of the most requested Jah Life releases, finally here. Killer 1983 Barrington Levy single, only ever released once on a UK 12 inch. These tunes also appeared on the "Teach Me Culture" album, sans dubs of course. Perfect new pressing from the original mothers, identical to the original. Play loud.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Wayne Jarrett - One Day In Your Life
2
Wayne Jarrett - One Day Dub
3
Wayne Jarrett - Satta Dread
4
Wayne Jarrett - Satta Dub
5
Wayne Jarrett - Greedy Girl
6
Wayne Jarrett - Greedy Girl Dub
7
Wayne Jarrett - Judgement Time
8
Wayne Jarrett - Judgemen Dub
9
Wayne Jarrett - I Won't Give Up
10
Wayne Jarrett - I Won't Give Up Dub
Ten song showcase LP - 5 vocals, 5 dubs. 5 tracks previously unreleased.
New showcase LP collecting a couple long requested classics coupled with a trio of rare and previously unreleased heaters from the early '80s Roots Radics era. This new LP now makes a trio of classic albums along with his "What's Wrong With the Youths" and "Chip In" albums for Jah Life and Junjo Lawes. In a beautiful sleeve with the vibes of the time, designed by the great Seen Studio.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
New showcase LP collecting a couple long requested classics coupled with a trio of rare and previously unreleased heaters from the early '80s Roots Radics era. This new LP now makes a trio of classic albums along with his "What's Wrong With the Youths" and "Chip In" albums for Jah Life and Junjo Lawes. In a beautiful sleeve with the vibes of the time, designed by the great Seen Studio.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Scientist - A1
2
Scientist - A2
3
Scientist - A3
4
Scientist - A4
5
Scientist - A5
6
Scientist - B1
7
Scientist - B2
8
Scientist - B3
9
Scientist - B4
10
Scientist - B5
Listening Link: https://soundcloud.com/dkr-nyc/sets/scientist-the-dub-album-they
Totally killer previously unreleased dub companion LP to Flick Wilson's "School Days" LP. Jah Life was no slacker when it came to mixing dubs, and sat in with Scientist at King Tubby's for the mixing of many of the classic Junjo/Radics/Scientist albums. But more importantly, they also mixed a ton load of dubs for Jah Life himself, many of which, like this album, remain unreleased...until now! Nine out of ten tracks from the Flick Wilson album are dubbed here, and one track from the Wayne Jarrett "What's Wrong..." album. Classic Scientist 1980 style mixing, nothing else like it, hard stuff. Cover features a fantastic previously unseen photo from Beth Lesser.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Totally killer previously unreleased dub companion LP to Flick Wilson's "School Days" LP. Jah Life was no slacker when it came to mixing dubs, and sat in with Scientist at King Tubby's for the mixing of many of the classic Junjo/Radics/Scientist albums. But more importantly, they also mixed a ton load of dubs for Jah Life himself, many of which, like this album, remain unreleased...until now! Nine out of ten tracks from the Flick Wilson album are dubbed here, and one track from the Wayne Jarrett "What's Wrong..." album. Classic Scientist 1980 style mixing, nothing else like it, hard stuff. Cover features a fantastic previously unseen photo from Beth Lesser.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Jah Life - Jah Life In Dub
2
Jah Life - Three Shaolin Dub
3
Jah Life - Four English Dub
4
Jah Life - Five Collie Dub
5
Jah Life - Seven My Heart Is Dub
6
Jah Life - Nine What You Gonna Dub
Listening Link: https://soundcloud.com/dkr-nyc/sets/jl-013-jah-life-in-dub-lp-mixed-by-scientist
The infamous and legendary "Jah Life in Dub" LP, finally released. Originally slated for release in late '80/early '81, this was to be Jah Life's first dub LP, featuring all exclusive mixes to now-classic Barrington Levy tunes. For one reason or another, the LP was never released. To confuse matters, a couple years later, some of the unused jackets were given to Germain to house an untitled dub LP of his productions. Naturally, we needed to rectify this situation. So here it is, finally released 34 years later! Featuring ten killer dubs to Barrington Levy tunes, ALL MIXED BY SCIENTIST AT KING TUBBY'S. Six out of the ten tracks are previously unreleased mixes, including a dub to the song "Jah Life" which has never been available anywhere before. As an added bonus, the first pressing of this LP will come housed in the original jackets from 1980, which features killer artwork by Oneil Nanco.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
The infamous and legendary "Jah Life in Dub" LP, finally released. Originally slated for release in late '80/early '81, this was to be Jah Life's first dub LP, featuring all exclusive mixes to now-classic Barrington Levy tunes. For one reason or another, the LP was never released. To confuse matters, a couple years later, some of the unused jackets were given to Germain to house an untitled dub LP of his productions. Naturally, we needed to rectify this situation. So here it is, finally released 34 years later! Featuring ten killer dubs to Barrington Levy tunes, ALL MIXED BY SCIENTIST AT KING TUBBY'S. Six out of the ten tracks are previously unreleased mixes, including a dub to the song "Jah Life" which has never been available anywhere before. As an added bonus, the first pressing of this LP will come housed in the original jackets from 1980, which features killer artwork by Oneil Nanco.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
'First pair of tunes kicking off a barrage of previously unreleased tunes from Jah Life, many coming thru 2022. Michael Prophet and Tony Tuff both voiced this killer late 80s digital rhythm, hitting firmly in the style we love the most.'
https://soundcloud.com/dkr-nyc/jl038a-in-my-heart
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
https://soundcloud.com/dkr-nyc/jl038a-in-my-heart
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Customers who bought this also bought this
Smokey colour vinyl 3LP with obi-strip
TRACKLIST:
Holiday Roberta Jean Machine I Need You So Much Runaway I'm Doing Fine Shades Of Jae Riley's Song Back At Bakers (On Livernois) Mahogani 9000 Black Mahogani
LP FORMAT DETAILS: Smokey colour vinyl 3LP with obi-strip
LISTEN LINK: https://open.spotify.com/album/224OuhZ1LThmaYGhD8ikq6?si=HPDOersESUmohYgJABHYnA
OVERVIEW:
It’s been over 20 years since Kenny Dixon Jr., better known as Moodymann, released Black Mahogani—an album rich in atmosphere and emotion, offering a quintessential journey through deep house, soul, and jazz. Timeless yet modern, it’s an immersive and emotionally resonant experience that reflects the singular character of Detroit’s deep musical heritage. Originally released in 2004, Black Mahogani is arguably one of Moodymann’s most revered and sought-after works. It completes the puzzle laid out by his rare and elusive KDJ 12” releases from the mid to late '90s. With the help of Detroit legends like the late Amp Fiddler, Roberta Sweed, and Norma Jean Bell, Dixon infused his analog soundscapes and samples with a new organic warmth—expanding the deep house genre while simultaneously paying homage to 1970s soul and cinematic soundtracks. Dixon’s masterful control of tension—knowing exactly when to hold back and when to let go—makes Black Mahogani an enduring masterpiece. It's not just a landmark in electronic music, but a definitive statement in 21st-century Black American music.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
TRACKLIST:
Holiday Roberta Jean Machine I Need You So Much Runaway I'm Doing Fine Shades Of Jae Riley's Song Back At Bakers (On Livernois) Mahogani 9000 Black Mahogani
LP FORMAT DETAILS: Smokey colour vinyl 3LP with obi-strip
LISTEN LINK: https://open.spotify.com/album/224OuhZ1LThmaYGhD8ikq6?si=HPDOersESUmohYgJABHYnA
OVERVIEW:
It’s been over 20 years since Kenny Dixon Jr., better known as Moodymann, released Black Mahogani—an album rich in atmosphere and emotion, offering a quintessential journey through deep house, soul, and jazz. Timeless yet modern, it’s an immersive and emotionally resonant experience that reflects the singular character of Detroit’s deep musical heritage. Originally released in 2004, Black Mahogani is arguably one of Moodymann’s most revered and sought-after works. It completes the puzzle laid out by his rare and elusive KDJ 12” releases from the mid to late '90s. With the help of Detroit legends like the late Amp Fiddler, Roberta Sweed, and Norma Jean Bell, Dixon infused his analog soundscapes and samples with a new organic warmth—expanding the deep house genre while simultaneously paying homage to 1970s soul and cinematic soundtracks. Dixon’s masterful control of tension—knowing exactly when to hold back and when to let go—makes Black Mahogani an enduring masterpiece. It's not just a landmark in electronic music, but a definitive statement in 21st-century Black American music.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Moor Mother - One For Archie
2
Moor Mother - They’ve Got A Plan
12" Vinyl
Track List:
A 1 One For Archie 04:07
Nicole Mitchell: Flute
Nduduzo Makhathini: Piano
Moor Mother: Voice
Written by Moor Mother, Nicole Mitchell & Nduduzo Makhathini
Produced by Nicole Mitchell & Nduduzo Makhathini
Recorded at Enjoy Jazz Festival Germany by Patrick Destandeau
B 1 They’ve Got A Plan 04:55
Moor Mother
Written, composed and produced by Moor Mother
Mastered by Lopazz at Mixmastering
Cover Artwork: Nonot Studio
A duo concert featuring universal artist and activist Moor Mother and Archie Shepp was planned for October 19, 2023, at the Enjoy Jazz Festival. However, a spinal disc operation on the then 86-year-old saxophone legend led to the cancellation of this eagerly awaited world premiere – and to a spontaneous demonstration of respect.
To honor the great Archie Shepp, one of the most influential intellectuals in jazz, an Enjoy Jazz all-star cast spontaneously recorded a tribute song during the festival – organized by festival director Rainer Kern. The line-up consisted of Nicole Mitchell, the most important flutist in the history of jazz, as well as the Enjoy Jazz “Artists in Residence” for 2023 and 2024, Moor Mother (spoken word) and Nduduzo Makhathini (piano).
In her lyrics, the poetess creates a powerful linguistic monument to Archie Shepp, whom she greatly admires, by playing with the titles of the saxophonist's legendary recordings (instead of with him himself). The title “One For Archie” is an allusion to Shepp's 1964 Impulse debut, “Four For Trane,” which, according to “Jazzwise”, is one of the “100 Jazz Albums That Shook The World.” In her moving text, Moor Mother also celebrates Shepp's political and social commitment.
The way Moor Mother rhythmically and aesthetically picks up on Shepp's unique playing style, which oscillates between rugged clarity and deep humanity, begins to improvise on it, and thereby creates new connections, is impressive proof of her masterful artistry. Her recitation is peppered with haunting dramatic climaxes that give listeners goosebumps due to their authenticity.
The B-side features “They've Got A Plan,” a song that is like a beacon. An intense and powerful invocation of “Agenda 2063,” a master plan of the African Union to transform the continent socially, economically, and politically.
Both tracks are available on vinyl for the first time.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Track List:
A 1 One For Archie 04:07
Nicole Mitchell: Flute
Nduduzo Makhathini: Piano
Moor Mother: Voice
Written by Moor Mother, Nicole Mitchell & Nduduzo Makhathini
Produced by Nicole Mitchell & Nduduzo Makhathini
Recorded at Enjoy Jazz Festival Germany by Patrick Destandeau
B 1 They’ve Got A Plan 04:55
Moor Mother
Written, composed and produced by Moor Mother
Mastered by Lopazz at Mixmastering
Cover Artwork: Nonot Studio
A duo concert featuring universal artist and activist Moor Mother and Archie Shepp was planned for October 19, 2023, at the Enjoy Jazz Festival. However, a spinal disc operation on the then 86-year-old saxophone legend led to the cancellation of this eagerly awaited world premiere – and to a spontaneous demonstration of respect.
To honor the great Archie Shepp, one of the most influential intellectuals in jazz, an Enjoy Jazz all-star cast spontaneously recorded a tribute song during the festival – organized by festival director Rainer Kern. The line-up consisted of Nicole Mitchell, the most important flutist in the history of jazz, as well as the Enjoy Jazz “Artists in Residence” for 2023 and 2024, Moor Mother (spoken word) and Nduduzo Makhathini (piano).
In her lyrics, the poetess creates a powerful linguistic monument to Archie Shepp, whom she greatly admires, by playing with the titles of the saxophonist's legendary recordings (instead of with him himself). The title “One For Archie” is an allusion to Shepp's 1964 Impulse debut, “Four For Trane,” which, according to “Jazzwise”, is one of the “100 Jazz Albums That Shook The World.” In her moving text, Moor Mother also celebrates Shepp's political and social commitment.
The way Moor Mother rhythmically and aesthetically picks up on Shepp's unique playing style, which oscillates between rugged clarity and deep humanity, begins to improvise on it, and thereby creates new connections, is impressive proof of her masterful artistry. Her recitation is peppered with haunting dramatic climaxes that give listeners goosebumps due to their authenticity.
The B-side features “They've Got A Plan,” a song that is like a beacon. An intense and powerful invocation of “Agenda 2063,” a master plan of the African Union to transform the continent socially, economically, and politically.
Both tracks are available on vinyl for the first time.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Label:Erased Tapes
Cat-No:ERATPLP174
Release-Date:04.07.2025
Genre:Electronic, Electronica
Configuration:2LP
Label:Erased Tapes
Cat-No:ERATPLP174
Release-Date:04.07.2025
Genre:Electronic, Electronica
Configuration:2LP
1
Rival Consoles - In Reverse
2
Rival Consoles - Catherine
3
Rival Consoles - Drum Song
4
Rival Consoles - Soft Gradient Beckons
5
Rival Consoles - Gaivotas
6
Rival Consoles - Coda
7
Rival Consoles - Known Shape
8
Rival Consoles - Nocturne
9
Rival Consoles - Jupiter
10
Rival Consoles - In A Trance
11
Rival Consoles - If Not Now
12
Rival Consoles - 2 Forms
13
Rival Consoles - Tape Loop
14
Rival Consoles - Landscape From Memory
Rival Consoles has been concurrently in the foreground and background of electronic music since the late 00s; conjuring tense melancholia for Black Mirror soundtracks, playing in front of 10,000 dance fans at Drumsheds, selling out London’s Barbican Hall, and logging an expansive, wandering collection of synth-sculpted albums that explore a myriad different styles and aesthetics—but always with human emotion as their lodestar. Landscape from Memory, the ninth studio LP from the UK producer and musician born Ryan Lee West, finally blossomed following a frustrating fallow year away from the production desk. For West, having spent the past decade producing and writing in a habitual way, falling out of love with creativity meant a slowing of the clock that makes him tick, a sense of being swallowed whole by some elementary force. However, the time out also made room for his most invigorating record yet.
Partly stitched together from a scrapbook of discarded audio snippets, Landscape from Memory demanded a degree of openness and vulnerability in its assembly. “There is a kind of strange beauty to it because it involves the past, present and future in a very strong way,” offers the Erased Tapes mainstay. He set to work massaging melodic kernels into full tracks, like the skippy, haunted club shuffle of memory-jogging lead single ‘Catherine’, which is dedicated to his partner. “It’s extremely open, just a naked melody on drums, so exposed as an idea… I think because she was so excited by it, I was like, ‘Oh, yeah, I'm excited too, actually, I just didn't realise,” he reflects.
Appropriately, the title track became the first piece of music that made West “feel an emotional reaction after a long time of having zero reaction”—closing the record transcendently in a fever dream of euphoric synthwave—although ‘Catherine’ can be understood as the spark that lit the fuse, bristling with energetic joy. Similarly, ‘Known Shape’ makes a play for an otherworldly dancefloor, melding a loping drum pattern to a twitchy soundscape. Granted, some of the standout moments of the LP can be found lurking in its weirder, wilder corners, from the broken-sounding synth that runs like a rough river through ‘2 Forms’, to the head-nodding, disembodied bounce of uncanny valley bop ‘In a Trance’. “I remember making that in a New York hotel room, starting it, when Robert (Raths, Erased Tapes founder) was doing something on his phone and I was just being annoying in the background,” recalls West of one of several pieces made on the road. Yet Raths expressed his excitement about the track as he was hooked instantly.
“I like music that has a sense of momentum, really pushing forward,” he adds of the ‘Landscape from Memory’ ice-breaker. “And it just instantly has that from the first breath. So I kind of like moments like that when they appear.”
These climatic productions are characterised by their propulsive quality, and driven by West’s own push to step outside his comfort zone, having found inspiration flowing from new and unfamiliar sources. After his self-built Hackney studio suddenly felt too controlled of an environment, West altered course, mapping out tracks away from his desk. To that end, Landscape from Memory is a travelogue of creativity on the move, a collection of postcards from everywhere, and an album defined by its restlessness.
Just like the record itself sprang from conflicting emotions, bliss and dread tussle audibly for dominance throughout. You can hear this tug-of-war in the radiant swell of ‘Nocturne’, an eerie, reverb-drenched meander through classical tones, or the warm piano figures that collide with percussive crunch on ‘If Not Now’. Away from the music, this essence resides in a grainy film photo that in West’s eyes holds the record’s emotional DNA: a serene vista of tall green trees that hide the roaring A12 road beneath this studio. “I just think it’s quite evocative because even though it was an alarming place, it also looks really comforting at the same time,” he muses.
This dichotomy flourishes in that sweet spot between knotty ambient and widescreen electronica, where environmental tones and electro-acoustic textures converge to create a living document of sound. On Landscape from Memory, sonic touches hint at something intimate and familiar: cracking ice, the buzzing of a fridge, the distant hum of the motorway. Investing more time with the acoustic guitar in the initial stages helped West convey this homespun quality. For instance, on ‘In Reverse’, gossamer melodies are layered to create “a tapestry of guitar parts” while ‘Gaivotas’, which was born out of a residency at Lisbon’s synth hotspot Patch Point last February, contrasts “extremely digital synths” with a cheap acoustic guitar that snakes through dense, rhythmic terrain.
“A lot of things that go on in the music are like a guitarist's perspective of treating sounds,” he offers, explaining that much of the record involved “crudely recording” ideas into a laptop microphone. “I just like the honesty of it,” he says of the guitar, also pointing to the record’s additional array of “unusual recording techniques.” Among these, drums were placed on the sofa to create the muffled, deadened sensation on ‘Coda’, where a woozy shoegaze fog and angel sighs build into a jumpy, organic groove. Or ‘Tape Loop’, which “importantly, was recorded with a microphone. So not only does it slow down the music, but also the dimensions of the room the microphone picks up changes,” he explains.
Growing up, West would often mess around with the materials on his parents’ land in the small town of Syston outside of Leicester, hammering nails into wood and “sawing stuff,” which ignited a strong curiosity for making and materials from childhood. He soon found his way into music, starting on the guitar before teaching himself digital production and going on to study music technology at Leicester’s De Montfort University. He later became the first signee to the nascent London label Erased Tapes in 2007, establishing the label's shorthand for exploratory post-minimalism. IO, his debut album as Rival Consoles, came out in 2009, while his output has since evolved across nearly two decades of activity, from the critically acclaimed 2018 offering Persona to Landscape from Memory’s 2022 predecessor, Now Is.
As a multidisciplinary artist he has always been passionate about imagery and how it relates to and inspires music. His 2020 record Articulation was informed by drawings he made in his sketchbook. He has also been experimenting in various motion media, from programming particle animations in Max MSP to filming and editing daily video clips, and manipulating imagery in Touchdesigner or Blender, which would shape the visual counterpart in his live A/V shows since 2015.
As Rival Consoles, West’s calling card is his ability to channel hope, pain, sadness, and euphoria in one fell swoop, twisting the key in the lock of his internal world and telling stories without words. Crucially, Landscape from Memory is as much about zooming in on the details as it is about seeing past the horizon. Like a saturated photograph or an abstract painting daubed with bright splotches, Landscape from Memory is a riot of colour, an album blazing with a sound-shaper’s renewed love for his craft.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Partly stitched together from a scrapbook of discarded audio snippets, Landscape from Memory demanded a degree of openness and vulnerability in its assembly. “There is a kind of strange beauty to it because it involves the past, present and future in a very strong way,” offers the Erased Tapes mainstay. He set to work massaging melodic kernels into full tracks, like the skippy, haunted club shuffle of memory-jogging lead single ‘Catherine’, which is dedicated to his partner. “It’s extremely open, just a naked melody on drums, so exposed as an idea… I think because she was so excited by it, I was like, ‘Oh, yeah, I'm excited too, actually, I just didn't realise,” he reflects.
Appropriately, the title track became the first piece of music that made West “feel an emotional reaction after a long time of having zero reaction”—closing the record transcendently in a fever dream of euphoric synthwave—although ‘Catherine’ can be understood as the spark that lit the fuse, bristling with energetic joy. Similarly, ‘Known Shape’ makes a play for an otherworldly dancefloor, melding a loping drum pattern to a twitchy soundscape. Granted, some of the standout moments of the LP can be found lurking in its weirder, wilder corners, from the broken-sounding synth that runs like a rough river through ‘2 Forms’, to the head-nodding, disembodied bounce of uncanny valley bop ‘In a Trance’. “I remember making that in a New York hotel room, starting it, when Robert (Raths, Erased Tapes founder) was doing something on his phone and I was just being annoying in the background,” recalls West of one of several pieces made on the road. Yet Raths expressed his excitement about the track as he was hooked instantly.
“I like music that has a sense of momentum, really pushing forward,” he adds of the ‘Landscape from Memory’ ice-breaker. “And it just instantly has that from the first breath. So I kind of like moments like that when they appear.”
These climatic productions are characterised by their propulsive quality, and driven by West’s own push to step outside his comfort zone, having found inspiration flowing from new and unfamiliar sources. After his self-built Hackney studio suddenly felt too controlled of an environment, West altered course, mapping out tracks away from his desk. To that end, Landscape from Memory is a travelogue of creativity on the move, a collection of postcards from everywhere, and an album defined by its restlessness.
Just like the record itself sprang from conflicting emotions, bliss and dread tussle audibly for dominance throughout. You can hear this tug-of-war in the radiant swell of ‘Nocturne’, an eerie, reverb-drenched meander through classical tones, or the warm piano figures that collide with percussive crunch on ‘If Not Now’. Away from the music, this essence resides in a grainy film photo that in West’s eyes holds the record’s emotional DNA: a serene vista of tall green trees that hide the roaring A12 road beneath this studio. “I just think it’s quite evocative because even though it was an alarming place, it also looks really comforting at the same time,” he muses.
This dichotomy flourishes in that sweet spot between knotty ambient and widescreen electronica, where environmental tones and electro-acoustic textures converge to create a living document of sound. On Landscape from Memory, sonic touches hint at something intimate and familiar: cracking ice, the buzzing of a fridge, the distant hum of the motorway. Investing more time with the acoustic guitar in the initial stages helped West convey this homespun quality. For instance, on ‘In Reverse’, gossamer melodies are layered to create “a tapestry of guitar parts” while ‘Gaivotas’, which was born out of a residency at Lisbon’s synth hotspot Patch Point last February, contrasts “extremely digital synths” with a cheap acoustic guitar that snakes through dense, rhythmic terrain.
“A lot of things that go on in the music are like a guitarist's perspective of treating sounds,” he offers, explaining that much of the record involved “crudely recording” ideas into a laptop microphone. “I just like the honesty of it,” he says of the guitar, also pointing to the record’s additional array of “unusual recording techniques.” Among these, drums were placed on the sofa to create the muffled, deadened sensation on ‘Coda’, where a woozy shoegaze fog and angel sighs build into a jumpy, organic groove. Or ‘Tape Loop’, which “importantly, was recorded with a microphone. So not only does it slow down the music, but also the dimensions of the room the microphone picks up changes,” he explains.
Growing up, West would often mess around with the materials on his parents’ land in the small town of Syston outside of Leicester, hammering nails into wood and “sawing stuff,” which ignited a strong curiosity for making and materials from childhood. He soon found his way into music, starting on the guitar before teaching himself digital production and going on to study music technology at Leicester’s De Montfort University. He later became the first signee to the nascent London label Erased Tapes in 2007, establishing the label's shorthand for exploratory post-minimalism. IO, his debut album as Rival Consoles, came out in 2009, while his output has since evolved across nearly two decades of activity, from the critically acclaimed 2018 offering Persona to Landscape from Memory’s 2022 predecessor, Now Is.
As a multidisciplinary artist he has always been passionate about imagery and how it relates to and inspires music. His 2020 record Articulation was informed by drawings he made in his sketchbook. He has also been experimenting in various motion media, from programming particle animations in Max MSP to filming and editing daily video clips, and manipulating imagery in Touchdesigner or Blender, which would shape the visual counterpart in his live A/V shows since 2015.
As Rival Consoles, West’s calling card is his ability to channel hope, pain, sadness, and euphoria in one fell swoop, twisting the key in the lock of his internal world and telling stories without words. Crucially, Landscape from Memory is as much about zooming in on the details as it is about seeing past the horizon. Like a saturated photograph or an abstract painting daubed with bright splotches, Landscape from Memory is a riot of colour, an album blazing with a sound-shaper’s renewed love for his craft.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Label:Throttle
Cat-No:THROT014LP
Release-Date:28.11.2025
Genre:Electronic, Electronica
Configuration:2LP Excl
Label:Throttle
Cat-No:THROT014LP
Release-Date:28.11.2025
Genre:Electronic, Electronica
Configuration:2LP Excl
Tracklist:
A1) Gift And Wound A2) Infinite Roller B1) No Pills U B2) Janus Modal C1) 1 BEDO Bailiff C2) Globecore Flats C3) Blowtorch Thimble C4) Civilians D1) Inpatient's Day Out D2) Who Booed The Goose D3) 5 Millionth Cave Painting D4) Negation Loop D5) Micro Lyf
*GATEFOLD DOUBLE VINYL WITH SPOT UV FRONT COVER*
Following the skewed-unself-help-brilliance of 'Sus Dog' (which marked his first full foray into songs, abetted by Thom Yorke), and its companion piece 'Cave Dog', Chris Clark returns to the dancefloor's simple, but no less affecting pleasures, with 'Steep Stims'.
"I found it hard to pull away from listening to this record, hard to stop making it, I had to remove myself from the Stims and stop enjoying it at some point. The album feels like nature to me. I love it when electronic music feels more naturalistic than acoustic music, more potent, that's the devil's trick, the promise of electronic music." comments Chris.
"I used an old synth - the Virus on all of the tracks. I used it at Mess in Melbourne - run by my friend Robin Fox - I loved it so much I had to buy one when I got back to the UK, it took a while to find. They're a bit clunky to program but make some of my most favourite sounds."
'Steep Stims' marks a back-to-basics approach, invoking the early years of gung-ho creativity enforced by limitations in technology at the time. "Most of the tracks on this album capture the spirit of making music on old samplers, which don't have much memory time", explains Clark. "It reminds me of making 'Clarence Park', my first album, where I would have to finish tunes in the session, as they would be saved on floppy disks and I couldn't easily go between tracks. This new record is just a few synths and a few choice sounds; the writing is the important thing."
Made quickly, 'Steep Stims' reflects the immediate rave energy of his live show, but that's not to say it's basic floor fodder, as it's rife with personality, synth magic, and knack for melody. Although swift and impressionistically captured rather than laboured over, it's still formidably deft, with plenty of oddball weirdness lurking beneath the dancefloor.
Soft, orange, scorched, brutal, the opening track 'Gift and Wound' captures the classic dance music dread / awe / euphoria combo perfectly, before 'Infinite Roller' merges sparkly-minimalism with snarling bass and soft sines, which turn more dense and metallic as it progresses.
The melancholic smoke belch of 'No Pills U' gives strong classic vibrations, which is belied by its creation, made in just 20 minutes. "I love working quickly sometimes", comments Clark. "Inspiration hits, rough and ready. It's off the cuff but also screams 'don't gild the lily with nonsense, keep it simple keep it clean'". Segueing into its elder brother, the piece becomes bigger and beatier on 'Janus Modal', where it permutates for over 7 minutes of fluttering, beatific club majesty.
At '18EDO Bailiff' you inexplicably find yourself at a clearing, things have suddenly got much quieter. You enter a decrepit and eerie old house, and as you move through its unsettling interior, you arrive at 'Globecore Flats'. A real piano tuned to 18 notes per octave gives the pair of tracks a haunted, olde worlde feel, which promptly gets eaten by a huge tech step tearout monster, birthing a strange but exotic beast.
The white hot 'Blowtorch Thimble' is all hooktasm-rave-hyper-amen-energy, whilst acidic flute leaps around like Ian Anderson on pingers throughout the catchily simple jump-up lurch of 'Civilians'.
"'In Patient's Day Out' is like some sort of Morricone-does-kraut-rock-with-drum-machines, but that's probably just in my head" says Clark. "I made several versions of this then went with the early mix but cranked through some choice outboard because it just had something."
Drumless, yet still full of exhilarating-big-trance-drama, 'Who Booed The Goose' flashes by in stroboscopic fast forward, then '5 Millionth Cave Painting' gives a palate cleanser, letting "the virus with its delicious broken, luxurious reverb have a moment", before 'Negation Loop' swoops down in all its glory, with Clark's tweaked vocals leading deconstructed trance breakdowns, tape edits and brutal noisebursts.
An antidote to the bombast of its predecessor is 'Micro Lyf', which closes the set on a poignant note, of sorts. Muted staccato gives way to field recordings "that gradually put it in this outside space; alien in a meadow somewhere nameless. It feels like a sinkhole. The record kinda swallows itself up and then is gone", ends Chris.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
A1) Gift And Wound A2) Infinite Roller B1) No Pills U B2) Janus Modal C1) 1 BEDO Bailiff C2) Globecore Flats C3) Blowtorch Thimble C4) Civilians D1) Inpatient's Day Out D2) Who Booed The Goose D3) 5 Millionth Cave Painting D4) Negation Loop D5) Micro Lyf
*GATEFOLD DOUBLE VINYL WITH SPOT UV FRONT COVER*
Following the skewed-unself-help-brilliance of 'Sus Dog' (which marked his first full foray into songs, abetted by Thom Yorke), and its companion piece 'Cave Dog', Chris Clark returns to the dancefloor's simple, but no less affecting pleasures, with 'Steep Stims'.
"I found it hard to pull away from listening to this record, hard to stop making it, I had to remove myself from the Stims and stop enjoying it at some point. The album feels like nature to me. I love it when electronic music feels more naturalistic than acoustic music, more potent, that's the devil's trick, the promise of electronic music." comments Chris.
"I used an old synth - the Virus on all of the tracks. I used it at Mess in Melbourne - run by my friend Robin Fox - I loved it so much I had to buy one when I got back to the UK, it took a while to find. They're a bit clunky to program but make some of my most favourite sounds."
'Steep Stims' marks a back-to-basics approach, invoking the early years of gung-ho creativity enforced by limitations in technology at the time. "Most of the tracks on this album capture the spirit of making music on old samplers, which don't have much memory time", explains Clark. "It reminds me of making 'Clarence Park', my first album, where I would have to finish tunes in the session, as they would be saved on floppy disks and I couldn't easily go between tracks. This new record is just a few synths and a few choice sounds; the writing is the important thing."
Made quickly, 'Steep Stims' reflects the immediate rave energy of his live show, but that's not to say it's basic floor fodder, as it's rife with personality, synth magic, and knack for melody. Although swift and impressionistically captured rather than laboured over, it's still formidably deft, with plenty of oddball weirdness lurking beneath the dancefloor.
Soft, orange, scorched, brutal, the opening track 'Gift and Wound' captures the classic dance music dread / awe / euphoria combo perfectly, before 'Infinite Roller' merges sparkly-minimalism with snarling bass and soft sines, which turn more dense and metallic as it progresses.
The melancholic smoke belch of 'No Pills U' gives strong classic vibrations, which is belied by its creation, made in just 20 minutes. "I love working quickly sometimes", comments Clark. "Inspiration hits, rough and ready. It's off the cuff but also screams 'don't gild the lily with nonsense, keep it simple keep it clean'". Segueing into its elder brother, the piece becomes bigger and beatier on 'Janus Modal', where it permutates for over 7 minutes of fluttering, beatific club majesty.
At '18EDO Bailiff' you inexplicably find yourself at a clearing, things have suddenly got much quieter. You enter a decrepit and eerie old house, and as you move through its unsettling interior, you arrive at 'Globecore Flats'. A real piano tuned to 18 notes per octave gives the pair of tracks a haunted, olde worlde feel, which promptly gets eaten by a huge tech step tearout monster, birthing a strange but exotic beast.
The white hot 'Blowtorch Thimble' is all hooktasm-rave-hyper-amen-energy, whilst acidic flute leaps around like Ian Anderson on pingers throughout the catchily simple jump-up lurch of 'Civilians'.
"'In Patient's Day Out' is like some sort of Morricone-does-kraut-rock-with-drum-machines, but that's probably just in my head" says Clark. "I made several versions of this then went with the early mix but cranked through some choice outboard because it just had something."
Drumless, yet still full of exhilarating-big-trance-drama, 'Who Booed The Goose' flashes by in stroboscopic fast forward, then '5 Millionth Cave Painting' gives a palate cleanser, letting "the virus with its delicious broken, luxurious reverb have a moment", before 'Negation Loop' swoops down in all its glory, with Clark's tweaked vocals leading deconstructed trance breakdowns, tape edits and brutal noisebursts.
An antidote to the bombast of its predecessor is 'Micro Lyf', which closes the set on a poignant note, of sorts. Muted staccato gives way to field recordings "that gradually put it in this outside space; alien in a meadow somewhere nameless. It feels like a sinkhole. The record kinda swallows itself up and then is gone", ends Chris.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Finally: the long awaited Trentemøller debut album - maybe one of the most anticipated independent albums of the year - is ready to be released in October!The danish producer Anders Trentemøller is one of the hottest artists on the electronic circuit - the man of the moment!His 12“es broke many sales-records and he‘s been voted as the shooting star in 2005 by many reader polls.So the time is right to release his debut album The Last Resort“ - a beautifully crafted, astonishing masterpiece, that will leave you breathless. The 13 instrumental tracks together form a wordless musical story, almost like the soundtrack of a movie. It manages to capture a whole range of emotions in subtle melodic miniatures, dreamy ambiences, dusty beats, deep dub-tracks and driving groove-excursions. An ever-changing kaleidoscope of colours and moods, „The Last Resort“ without a doubt contains Trentemøller’s best work to date. Although it’s an electronic album, it also incorporates live-drums, guitars, bass and other acoustic instruments like celesta, glockenspiel, melodica and even DJ scratching to create a more organic feel. „Something I couldn’t manage with just electronica“, according to the producer.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Danger Mouse - A1. Nas vs Portishead – It Ain’t Hard to Tell (3:19)
2
Danger Mouse - A2. Audio Two vs Air – Top Billin (2:59)
3
Danger Mouse - A3. Suzanne Vega vs 50 Cent – Tom’s Diner (4:54)
4
Danger Mouse - B1. Outkast vs Funkadelic – Whole World (4:53)
5
Danger Mouse - B2. Xzibit vs Radiohead – Paparazzi (3:43)
This repressed 12" features 5 of the best early DM remixes from his now legendary (and long out of print) mashup EP 12"s. Includes his classic mashed up remixes of NAS vs PORTISHEAD, AUDIO TWO vs AIR, SUZANNE VEGA vs 50 CENT, OUTKAST vs FUNKADELIC, and XZIBIT vs RADIOHEAD.
Tracklisting:
A1. Nas vs Portishead – It Ain’t Hard to Tell (3:19)
A2. Audio Two vs Air – Top Billin (2:59)
A3. Suzanne Vega vs 50 Cent – Tom’s Diner (4:54)
B1. Outkast vs Funkadelic – Whole World (4:53)
B2. Xzibit vs Radiohead – Paparazzi (3:43)
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Tracklisting:
A1. Nas vs Portishead – It Ain’t Hard to Tell (3:19)
A2. Audio Two vs Air – Top Billin (2:59)
A3. Suzanne Vega vs 50 Cent – Tom’s Diner (4:54)
B1. Outkast vs Funkadelic – Whole World (4:53)
B2. Xzibit vs Radiohead – Paparazzi (3:43)
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Plastikman - A1 Konception
2
Plastikman - A2 Plastique
3
Plastikman - B1 Kriket
4
Plastikman - B2 FUK
5
Plastikman - B3 Outbak
6
Plastikman - C1 Ethnik
7
Plastikman - C2 Plasmatik
8
Plastikman - C3 Goo
9
Plastikman - D1 Marbles
10
Plastikman - D2 Lasttrak
Territory: WW-UK/EIRE & USA,Canada
Limited Edition Double Vinyl
Pressed on bio-viny and packaged in environmental wrapping
ABOUT
In celebration of its 30th anniversary, Plastikman, aka Richie Hawtin, has remastered his groundbreaking second album, Musik, from the original tapes for a new limited bio-vinyl edition.
The record was first released in November 1994 through NovaMute and Plus 8, following the debut Plastikman album, Sheet One (1993). A masterclass in minimal techno, Musik quickly propelled Hawtin to new levels of success. The release followed Plastikman's first-ever live performance in a black vinyl-encased room at a semi-derelict Packard Plant in Detroit, where Hawtin was central to the burgeoning underground scene.
Before the full album hit the shelves, the track 'Plastique' (which was later described by Q as "...the flipside to Hawtin's early singles, all ticking percussion, feline acid tweaks, and cushioned sub-bass") set the stage for a more dance floor-friendly album, albeit one with an unsettling and sinister side.
The album, described by The Guardian as "music as you've never heard it before" and by The Wire, who made it one of their Albums of the Year, as "... a masterpiece", defined a moment in techno that still echoes today.
Now, 30 years later, the album has been remastered from the original tapes, reminding us why Plastikman is a name that still resonates and that the album's intensity - on and off the dance floor - has lost none of its potency in the intervening years.
Available on limited edition double bio-vinyl from Mute and NovaMute.
TRACKLIST
A1 Konception
A2 Plastique
B1 Kriket
B2 FUK
B3 Outbak
C1 Ethnik
C2 Plasmatik
C3 Goo
D1 Marbles
D2 Lasttrak
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Limited Edition Double Vinyl
Pressed on bio-viny and packaged in environmental wrapping
ABOUT
In celebration of its 30th anniversary, Plastikman, aka Richie Hawtin, has remastered his groundbreaking second album, Musik, from the original tapes for a new limited bio-vinyl edition.
The record was first released in November 1994 through NovaMute and Plus 8, following the debut Plastikman album, Sheet One (1993). A masterclass in minimal techno, Musik quickly propelled Hawtin to new levels of success. The release followed Plastikman's first-ever live performance in a black vinyl-encased room at a semi-derelict Packard Plant in Detroit, where Hawtin was central to the burgeoning underground scene.
Before the full album hit the shelves, the track 'Plastique' (which was later described by Q as "...the flipside to Hawtin's early singles, all ticking percussion, feline acid tweaks, and cushioned sub-bass") set the stage for a more dance floor-friendly album, albeit one with an unsettling and sinister side.
The album, described by The Guardian as "music as you've never heard it before" and by The Wire, who made it one of their Albums of the Year, as "... a masterpiece", defined a moment in techno that still echoes today.
Now, 30 years later, the album has been remastered from the original tapes, reminding us why Plastikman is a name that still resonates and that the album's intensity - on and off the dance floor - has lost none of its potency in the intervening years.
Available on limited edition double bio-vinyl from Mute and NovaMute.
TRACKLIST
A1 Konception
A2 Plastique
B1 Kriket
B2 FUK
B3 Outbak
C1 Ethnik
C2 Plasmatik
C3 Goo
D1 Marbles
D2 Lasttrak
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
DJ Koze - Pick Up (12" Extended Disco Version)
2
DJ Koze - The Love Truck
2025 repress
Tracklist
A. Pick Up (12" Extended Disco Version)
B. The Love Truck
DJ Koze might be one of the world's best producers, but above all he's a DJ, and it's his DJ ear that governs. Just as in a great set, so with his releases: "Seeing Aliens" came out of nowhere, a big buzzing beast of a track, to announce that Koze was back on the scene and prime everyone for the coming album, knock knock. But now that Koze has your attention, it's time to remind everyone what's most important about club music, pull things back, take a turn to the left, and get deep into the groove.
Thus "Pick Up": the second single from knock knock is 100% pure groove, doubly so in the extended 12" version. In a sense it's incredibly familiar - it is essentially a filter disco record, very close to something you could imagine coming out of Paris around the turn of the millennium. But of course, this is Koze. Nothing is normal or familiar in his world, and he's taken this most foundational of clubland staples into new territory. Flipping samples of Gladys Knight & the Pips "Neither One Of Us (Wants to Be the First to Say Goodbye)" and Melba Moore's "Pick Me Up, I'll Dance", it creates something completely airborne, shot through with emotions such as gods must feel: not quite explicable to the human mind but strong enough to knock you off your feet. In its way it's absolutely as powerful as "Seeing Aliens", but it comes in like the proverbial iron fist in a glove of velvet.
The flip, a ten-minute new track, "The Love Truck" is a big contrast again. If "Pick Up" is giddy flight, "The Love Truck" is woozy floating. Its sharp, clicking percussion recalls 2000s minimal techno, but this time absolutely nothing is generic. The long, intense, on-and-off bass tones, the flickers of birdsong, the pure voices slipping in backwards as if from the future... it's all like the most blissful dream, and culminates in a coda so subtle yet so beautiful it's like ever time you've ever seen the sun rise and thought "I never want this to end", all the while understanding deep down that the fleeting nature of the pleasure is also what give it its power. But of course, being created with that consummate DJ's ear, it's also full of the thrill of wondering what Koze has in store next.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Tracklist
A. Pick Up (12" Extended Disco Version)
B. The Love Truck
DJ Koze might be one of the world's best producers, but above all he's a DJ, and it's his DJ ear that governs. Just as in a great set, so with his releases: "Seeing Aliens" came out of nowhere, a big buzzing beast of a track, to announce that Koze was back on the scene and prime everyone for the coming album, knock knock. But now that Koze has your attention, it's time to remind everyone what's most important about club music, pull things back, take a turn to the left, and get deep into the groove.
Thus "Pick Up": the second single from knock knock is 100% pure groove, doubly so in the extended 12" version. In a sense it's incredibly familiar - it is essentially a filter disco record, very close to something you could imagine coming out of Paris around the turn of the millennium. But of course, this is Koze. Nothing is normal or familiar in his world, and he's taken this most foundational of clubland staples into new territory. Flipping samples of Gladys Knight & the Pips "Neither One Of Us (Wants to Be the First to Say Goodbye)" and Melba Moore's "Pick Me Up, I'll Dance", it creates something completely airborne, shot through with emotions such as gods must feel: not quite explicable to the human mind but strong enough to knock you off your feet. In its way it's absolutely as powerful as "Seeing Aliens", but it comes in like the proverbial iron fist in a glove of velvet.
The flip, a ten-minute new track, "The Love Truck" is a big contrast again. If "Pick Up" is giddy flight, "The Love Truck" is woozy floating. Its sharp, clicking percussion recalls 2000s minimal techno, but this time absolutely nothing is generic. The long, intense, on-and-off bass tones, the flickers of birdsong, the pure voices slipping in backwards as if from the future... it's all like the most blissful dream, and culminates in a coda so subtle yet so beautiful it's like ever time you've ever seen the sun rise and thought "I never want this to end", all the while understanding deep down that the fleeting nature of the pleasure is also what give it its power. But of course, being created with that consummate DJ's ear, it's also full of the thrill of wondering what Koze has in store next.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
2xLP, Gatefold Jacket, Black Vinyl
The Great Escape is the debut collaborative album from San Francisco Legend, Larry June & prolific super producer, The Alchemist. Through a process that felt very organic, the two churned out an extra healthy amount of music that resulted in what may be their magnum opus. At 15 tracks, the album includes tasteful features from some of Hip-Hop's most celebrated figures; Action Bronson, Big Sean, Ty Dolla $ign, Slum Village, Boldy James, Evidence, Wiz Khalifa, Jay Worthy, Curren$y & Joey Bada$$. Like a fine wine, sit back, let it breathe, and enjoy the neat yet exquisitely rich complexities of two of Hip-Hop's smoothest figures.
Key Marketing/Selling:
- Larry June & The Alchemist are each extremely respected and notable individual artists in the Hip-Hop community
- Album activations in LA, SF, CDMX and NY during release week, with multiple exclusive merch drops planned alongside each release
- The Alchemist routinely sells out of physical product on each drop - CD/CS/LP
- Larry June's previous releases, Orange Print & Spaceships On The Blade, have done exceptionally well at retail
- The Alchemist has put together some of the most sought after physical releases over the last 3+ years
- All production is handled by The Alchemist, with additional production on Track 6 by frequent Griselda collaborator, Beat Butcha
- Features include notable rap luminaries Action Bronson, Big Sean, Slum Village, Ty Dolla $ign, Boldly James, Evidence, Wiz Khalifa, Jay Worthy, Joey Bada$$, & Curren$y
- Extensive press write ups published throughout album rollout such as Rolling Stone, HipHopDX, Billboard, Okayplayer, The Source, BrooklynVegan, Yahoo, Vibe
- Extensive outdoor campaign with multiple billboards secured from all major DSPs
- Each single has been featured and placed on numerous playlists and obtained multiple playlist covers across all DSPs
- Multiple videos released with more on the way
- "Making of" Documentary released in support of album rollout
- 89 Earthquake has over 2.3M streams on Spotify alone since release on 3/1/23 (3/29/23)
- 47 date nationwide tour planned in support of the album, with multiple dates already sold out and additional shows already added. European dates are expected to follow shortly
- Larry June has over 3.3M monthly listeners on Spotify
- The Alchemist has over 6.8M monthly listeners on Spotify
Tracklist:
A1/1. Turkish Cotton
A2/2. 89 Earthquake
A3/3. Solid Plan (feat. Action Bronson)
A4/4. Palisades, CA (feat.Big Sean)
B1/5. Summer Reign (feat. Ty Dolla $ign)
B2/6. Orange Village (feat. Slum Village)
B3/7. Porsches in Spanish
B4/8. Art Talk (feat. Boldy James)
C1/9. Ocean Sounds
C2/10. Left No Evidence (feat. Evidence)
C3/11. What Happened To The World? (feat. Wiz Khalifa)
C4/12. Éxito (feat. Jay Worthy)
D1/13. 60 Days
D2/14. Barragán Lighting (feat. Joey Bada$$ & Curren$y)
D3/15. Margie's Candy House
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
The Great Escape is the debut collaborative album from San Francisco Legend, Larry June & prolific super producer, The Alchemist. Through a process that felt very organic, the two churned out an extra healthy amount of music that resulted in what may be their magnum opus. At 15 tracks, the album includes tasteful features from some of Hip-Hop's most celebrated figures; Action Bronson, Big Sean, Ty Dolla $ign, Slum Village, Boldy James, Evidence, Wiz Khalifa, Jay Worthy, Curren$y & Joey Bada$$. Like a fine wine, sit back, let it breathe, and enjoy the neat yet exquisitely rich complexities of two of Hip-Hop's smoothest figures.
Key Marketing/Selling:
- Larry June & The Alchemist are each extremely respected and notable individual artists in the Hip-Hop community
- Album activations in LA, SF, CDMX and NY during release week, with multiple exclusive merch drops planned alongside each release
- The Alchemist routinely sells out of physical product on each drop - CD/CS/LP
- Larry June's previous releases, Orange Print & Spaceships On The Blade, have done exceptionally well at retail
- The Alchemist has put together some of the most sought after physical releases over the last 3+ years
- All production is handled by The Alchemist, with additional production on Track 6 by frequent Griselda collaborator, Beat Butcha
- Features include notable rap luminaries Action Bronson, Big Sean, Slum Village, Ty Dolla $ign, Boldly James, Evidence, Wiz Khalifa, Jay Worthy, Joey Bada$$, & Curren$y
- Extensive press write ups published throughout album rollout such as Rolling Stone, HipHopDX, Billboard, Okayplayer, The Source, BrooklynVegan, Yahoo, Vibe
- Extensive outdoor campaign with multiple billboards secured from all major DSPs
- Each single has been featured and placed on numerous playlists and obtained multiple playlist covers across all DSPs
- Multiple videos released with more on the way
- "Making of" Documentary released in support of album rollout
- 89 Earthquake has over 2.3M streams on Spotify alone since release on 3/1/23 (3/29/23)
- 47 date nationwide tour planned in support of the album, with multiple dates already sold out and additional shows already added. European dates are expected to follow shortly
- Larry June has over 3.3M monthly listeners on Spotify
- The Alchemist has over 6.8M monthly listeners on Spotify
Tracklist:
A1/1. Turkish Cotton
A2/2. 89 Earthquake
A3/3. Solid Plan (feat. Action Bronson)
A4/4. Palisades, CA (feat.Big Sean)
B1/5. Summer Reign (feat. Ty Dolla $ign)
B2/6. Orange Village (feat. Slum Village)
B3/7. Porsches in Spanish
B4/8. Art Talk (feat. Boldy James)
C1/9. Ocean Sounds
C2/10. Left No Evidence (feat. Evidence)
C3/11. What Happened To The World? (feat. Wiz Khalifa)
C4/12. Éxito (feat. Jay Worthy)
D1/13. 60 Days
D2/14. Barragán Lighting (feat. Joey Bada$$ & Curren$y)
D3/15. Margie's Candy House
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
2CD TRACKLIST (+ DL CONTINUOUS MIX)
CD1
01. Charles Webster & Ursula Rucker – Begin Anew (Quivver & Dave Seaman Beginapella)
02. DJ Counselling – Sun God
03. Quivver & Dave Seaman – The Water’s Edge
04. Quivver – Fever
05. Murat Uncuoglu – Magico
06. Enamour – Merge with Dust
w/ Carlos Barbero & Dom Fricot – Closer to Closure (accapella)
07. Four Candles – On the Fence
08. Kamilo Sanclemente – Horizons
w/ Anthony Pappa x Jamie Stevens x Alice Rose – Nothing to Hide (accapella)
09. Aikon – Hurricane
10. Stas Drive – Bipolar
11. Einmusik – Walensee
12. Quivver & Dave Seaman – Mushroom Embargo
13. Ben Archbold – Psychedelic Halo
14. Quivver & Dave Seaman – Make This Disappear
15. Robert Babicz – Mystik
16. Just Her – Lifted
CD2
01. Quivver & Dave Seaman – Go with The Flo
02. Paul (AR) & Capri – Push
03. pølaroit – Apart (Timo Maas Remix)
04. Dave Seaman – YoHo (James Harcourt remix)
05. Gai Barone – Thinking Together
06. Dee Montero – Sensei
w/ Quivver x Dave Seaman feat. Brianna Price – Rockets & Rainbows (accapella)
07. Quivver & Dave Seaman – Operation Magpie
08. Jamie Stevens – The Peace Machine
09. Jepe – Dream State
10. Stas Drive – Hold Me Tight
11. Axel Giova & Larrosa – Conditional
12. Floormagnet – Other Sounds (Original mix w/ Circulation remix)
13. Underworld – Low Burn (Dave Seaman remix)
14. Jamie Stevens & Kasey Taylor – Verlaine
15. Chicola – Dust Coins
16. Ron Flatter – Ovid
Following 2023's acclaimed, chart-topping mixes from Henry Saiz, and Tim Green, Balance have enlisted the services of two masters of their craft in Dave Seaman and Quivver, to curate their next mix compilation release. Style and substance joined at the hip.
With Balance presents Dave Seaman & Quivver, both artists have reached out far and wide to their producer friends to pull off a real coup. Every track is exclusive to this release - not one track has previously been released. If that's not enough, the pair have added five exclusive collaborative productions, making this release is a perfect snapshot of where Dave Seaman & Quivver are musically right now.
The lead single from the album, ‘Make This Disappear’ features experienced vocalist Quivver on lead vocals...and even has Dave Seaman making his debut behind the mic contributing backing vocals. A first after more than three decades of making music.
There is also particular excitement about Dave Seaman's highly sought after, previously unreleased remix of Underworld's ‘Low Burn’, which gets its long overdue release here. Exclusive tracks come from some of the hottest electronic music producers, from the fabulous Einmusik, through to Robert Babicz, Gai Barone, Dee Montero, Timo Maas, and the wonderful Just Her, amongst many other quality artists.
Quivver explains: "With DJ Mixes two-a-penny these days online, we really wanted to create something special that would stand out from the crowd and stand the test of time."
Dave Seaman adds: "Much of modern music culture is so disposable in today's digital era, so when we were offered the opportunity to hark back to the halcyon days of the mix compilation and make an album as a physical product again, we jumped at the chance. The Balance Mix series is one of the most respected out there, so it's an honour to become part of their 20-year history. It was a true labour of love which we hope comes across when you press play."
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
CD1
01. Charles Webster & Ursula Rucker – Begin Anew (Quivver & Dave Seaman Beginapella)
02. DJ Counselling – Sun God
03. Quivver & Dave Seaman – The Water’s Edge
04. Quivver – Fever
05. Murat Uncuoglu – Magico
06. Enamour – Merge with Dust
w/ Carlos Barbero & Dom Fricot – Closer to Closure (accapella)
07. Four Candles – On the Fence
08. Kamilo Sanclemente – Horizons
w/ Anthony Pappa x Jamie Stevens x Alice Rose – Nothing to Hide (accapella)
09. Aikon – Hurricane
10. Stas Drive – Bipolar
11. Einmusik – Walensee
12. Quivver & Dave Seaman – Mushroom Embargo
13. Ben Archbold – Psychedelic Halo
14. Quivver & Dave Seaman – Make This Disappear
15. Robert Babicz – Mystik
16. Just Her – Lifted
CD2
01. Quivver & Dave Seaman – Go with The Flo
02. Paul (AR) & Capri – Push
03. pølaroit – Apart (Timo Maas Remix)
04. Dave Seaman – YoHo (James Harcourt remix)
05. Gai Barone – Thinking Together
06. Dee Montero – Sensei
w/ Quivver x Dave Seaman feat. Brianna Price – Rockets & Rainbows (accapella)
07. Quivver & Dave Seaman – Operation Magpie
08. Jamie Stevens – The Peace Machine
09. Jepe – Dream State
10. Stas Drive – Hold Me Tight
11. Axel Giova & Larrosa – Conditional
12. Floormagnet – Other Sounds (Original mix w/ Circulation remix)
13. Underworld – Low Burn (Dave Seaman remix)
14. Jamie Stevens & Kasey Taylor – Verlaine
15. Chicola – Dust Coins
16. Ron Flatter – Ovid
Following 2023's acclaimed, chart-topping mixes from Henry Saiz, and Tim Green, Balance have enlisted the services of two masters of their craft in Dave Seaman and Quivver, to curate their next mix compilation release. Style and substance joined at the hip.
With Balance presents Dave Seaman & Quivver, both artists have reached out far and wide to their producer friends to pull off a real coup. Every track is exclusive to this release - not one track has previously been released. If that's not enough, the pair have added five exclusive collaborative productions, making this release is a perfect snapshot of where Dave Seaman & Quivver are musically right now.
The lead single from the album, ‘Make This Disappear’ features experienced vocalist Quivver on lead vocals...and even has Dave Seaman making his debut behind the mic contributing backing vocals. A first after more than three decades of making music.
There is also particular excitement about Dave Seaman's highly sought after, previously unreleased remix of Underworld's ‘Low Burn’, which gets its long overdue release here. Exclusive tracks come from some of the hottest electronic music producers, from the fabulous Einmusik, through to Robert Babicz, Gai Barone, Dee Montero, Timo Maas, and the wonderful Just Her, amongst many other quality artists.
Quivver explains: "With DJ Mixes two-a-penny these days online, we really wanted to create something special that would stand out from the crowd and stand the test of time."
Dave Seaman adds: "Much of modern music culture is so disposable in today's digital era, so when we were offered the opportunity to hark back to the halcyon days of the mix compilation and make an album as a physical product again, we jumped at the chance. The Balance Mix series is one of the most respected out there, so it's an honour to become part of their 20-year history. It was a true labour of love which we hope comes across when you press play."
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Len Faki - A1. Don't Be Stupid Day (Herbert's Brain Dub)
2
Len Faki - A2. It's Time (to Move Your Body) (Cromby Remix)
3
Len Faki - B1. Gamma (Glaskin Remix)
4
Len Faki - B2. Blackjack (Cromby Remix)
12" vinyl with full cover print
TRACKLIST:
A1. Don't Be Stupid Day (Herbert's Brain Dub)
A2. It's Time (to Move Your Body) (Cromby Remix)
B1. Gamma (Glaskin Remix)
B2. Blackjack (Cromby Remix)
INFO:
This third and final installment of the Fusion remix series sees Len Faki personally select from his most beloved producers to expand on his ambitious album project Fusion that was released as a double LP in 2023.
First up is Herbert's trippy rework of Don't Be Stupid Day, one of the album's most memorable vocal cuts. Herbert's Brain Dub transforms the track slowly and playfully, using the witty lyrics for crafting catchy hooks.
Irish powerhouse Cromby has two appearances on this EP, getting to revamp the more house-leaning productions from Fusion. His take on It's Time (to Move Your Body) is grooving grand, its bubbling acid riff and dancing hi hats teeming with life. Meanwhile, the Blackjack remix further energizes the original's shiny centerstage synths, crazily riding the pitch up and down for an all-out party.
Finally, the brotherly duo Glaskin are reshaping the ambient album highlight Gamma into a highly effective, reduced but propulsive, tunneling techno affair.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
TRACKLIST:
A1. Don't Be Stupid Day (Herbert's Brain Dub)
A2. It's Time (to Move Your Body) (Cromby Remix)
B1. Gamma (Glaskin Remix)
B2. Blackjack (Cromby Remix)
INFO:
This third and final installment of the Fusion remix series sees Len Faki personally select from his most beloved producers to expand on his ambitious album project Fusion that was released as a double LP in 2023.
First up is Herbert's trippy rework of Don't Be Stupid Day, one of the album's most memorable vocal cuts. Herbert's Brain Dub transforms the track slowly and playfully, using the witty lyrics for crafting catchy hooks.
Irish powerhouse Cromby has two appearances on this EP, getting to revamp the more house-leaning productions from Fusion. His take on It's Time (to Move Your Body) is grooving grand, its bubbling acid riff and dancing hi hats teeming with life. Meanwhile, the Blackjack remix further energizes the original's shiny centerstage synths, crazily riding the pitch up and down for an all-out party.
Finally, the brotherly duo Glaskin are reshaping the ambient album highlight Gamma into a highly effective, reduced but propulsive, tunneling techno affair.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Len Faki - Sexuality (My Reality) (Hardspace Mix)
2
Len Faki - Shri Yantra (Luke Slater Deep Heet Remix)
3
Len Faki - Make Me Scream (Amotik Remix)
4
Len Faki - Raum 422 (Ploy Remix)
5
Len Faki - Hymn (ANNA Remix)
6
Len Faki - Astra (Len Faki Beat Room Mix)
7
Len Faki - Don't Be Stupid Day (Modeselektor Remix)
8
Len Faki - Waver (Beste Hira Remix)
2x 12” vinyl with full cover print
TRACKLIST:
A1. Sexuality (My Reality) (Hardspace Mix)
A2. Shri Yantra (Luke Slater Deep Heet Remix))
B1. Make Me Scream (Amotik Remix)
B2. Raum 422 (Ploy Remix)
C1. Hymn (ANNA Remix)
C2. Astra (Len Faki Beat Room Mix)
D1. Don't Be Stupid Day (Modeselektor Remix)
D2. Waver (Beste Hira Remix)
INFO:
Len Faki assembles second star-studded Fusion Remixes instalment
The Berliner recruits his favourite producers for the second edition of ‘Fusion’ reworks
Berlin-based renowned techno artist Len Faki has announced the second instalment of his Fusion remix trilogy, out 19th April on his label imprint Figure.
Nearly a year on from the original LP release, Fusion Remixes 02/03 reminds us of the versatility and musical expansiveness of Len Faki’s latest masterwork. The Berliner has hand-picked his favourite producers, from ANNA to Modeselektor, to reimagine eight originals on the second double 12“ EP of the Fusion Remixes collection, following January’s first instalment.
Part two of the trilogy kicks off with ‘Sexuality (My Reality)’, recrafted by Len himself under the moniker Hardspace into a rasping stomper, adding a cacophony of hit hats into the mix using his understanding of floor dynamics. Fusion deep cut ‘Shri Yantra’ gets the club treatment next, with Luke Slater’s Deep Heat remix ramping up the intensity, transporting the original’s delicate synth textures into a high octane screamer.
On the B-side, Amotik morphs the bouncing ‘Make Me Scream’ into a one-way tunnel of haunted voices and pummeling percussion, while the sharp breakbeats and warm synths give Ploy’s rework of ‘Raum 422’ a distinctly old school feel.
Next up, ANNA crafts the album highlight two-parter ‘Hymn’ into a club anthem with thick low end and intricate topline melodies, and ‘Astra’ gets a rework from the man Len Faki himself on a lean Beat Room mix crawling with otherworldly sound effects.
Closing this second remixes EP out, Fusions lead single ‘Don’t Be Stupid Day’ is reinterpreted as an ominous, distorted fever dream by Modeselektor, before Beste Hira’s take on ‘Waver’
Stay tuned for part three of the remix trilogy, bringing even more of the Fusion originals back in a new guise…
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
TRACKLIST:
A1. Sexuality (My Reality) (Hardspace Mix)
A2. Shri Yantra (Luke Slater Deep Heet Remix))
B1. Make Me Scream (Amotik Remix)
B2. Raum 422 (Ploy Remix)
C1. Hymn (ANNA Remix)
C2. Astra (Len Faki Beat Room Mix)
D1. Don't Be Stupid Day (Modeselektor Remix)
D2. Waver (Beste Hira Remix)
INFO:
Len Faki assembles second star-studded Fusion Remixes instalment
The Berliner recruits his favourite producers for the second edition of ‘Fusion’ reworks
Berlin-based renowned techno artist Len Faki has announced the second instalment of his Fusion remix trilogy, out 19th April on his label imprint Figure.
Nearly a year on from the original LP release, Fusion Remixes 02/03 reminds us of the versatility and musical expansiveness of Len Faki’s latest masterwork. The Berliner has hand-picked his favourite producers, from ANNA to Modeselektor, to reimagine eight originals on the second double 12“ EP of the Fusion Remixes collection, following January’s first instalment.
Part two of the trilogy kicks off with ‘Sexuality (My Reality)’, recrafted by Len himself under the moniker Hardspace into a rasping stomper, adding a cacophony of hit hats into the mix using his understanding of floor dynamics. Fusion deep cut ‘Shri Yantra’ gets the club treatment next, with Luke Slater’s Deep Heat remix ramping up the intensity, transporting the original’s delicate synth textures into a high octane screamer.
On the B-side, Amotik morphs the bouncing ‘Make Me Scream’ into a one-way tunnel of haunted voices and pummeling percussion, while the sharp breakbeats and warm synths give Ploy’s rework of ‘Raum 422’ a distinctly old school feel.
Next up, ANNA crafts the album highlight two-parter ‘Hymn’ into a club anthem with thick low end and intricate topline melodies, and ‘Astra’ gets a rework from the man Len Faki himself on a lean Beat Room mix crawling with otherworldly sound effects.
Closing this second remixes EP out, Fusions lead single ‘Don’t Be Stupid Day’ is reinterpreted as an ominous, distorted fever dream by Modeselektor, before Beste Hira’s take on ‘Waver’
Stay tuned for part three of the remix trilogy, bringing even more of the Fusion originals back in a new guise…
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More