1
Border One - Strange Attractor
2
Border One - Astral Plane
3
Border One - Time Dilation
4
Border One - Fractal
Tracklist
A1. Border One - Strange Attractor
A2. Border One - Astral Plane
B1. Border One - Time Dilation
B2. Border One - Fractal
Border One's fourth contribution to Token Records is an ode to the cosmic, an ever-present theme in the Belgian's acclaimed career. 'Strange Attractor' takes techno and applies Border One's bubbly modular sound glossing over thick drums, weaving through sound design destined for sophisticated sets on worthy sound systems. Calm and collected, he offers yet again his attention to detail and devotion to effect.
As an introduction, 'Strange Attractor' presents a gripping story. Displaying sustained tension, he takes his time to reveal his channels. Forcing the listener to settle in and anticipate, the elements diverge and converge over the space of six minutes, shifting groove throughout. A return to calm, slightly uneasy control helps us arrive at an influx in energy for the rest of the project. Moving along to 'Astral Plane', we are introduced to more extroverted sequences. Boomy through fluctuating synth lines and stomping claps, the seasoned producer uses the size of his design in the low end to justify a more erratic arrangement. Spread noise in the background interweaves with confronting synth work, making 'Astral Plane' impressive in weight without losing the intricate quality that its producer is known for. Opening the dimension of the project through far spread elements, 'Time Dilation' creates linear focus with a cloudy entourage. An always club efficient throbbing main synth persists through an exciting structure, highly resonant transitions whip through drum machine patterns, making the third track on the record nothing if not a nail biter. The shuffle of the hi hats does nothing to slow down the energetic peak of the EP; we find Border One confidently in control of layered machinery. Drawing the project to a close, 'Fractal' blinks through persistent tension. Linear rides and drones open and close with each transition, making for a bent atmosphere of intrigue. With a sturdy rhythm dotting along from start to finish, the tonality of Fractal makes it the perfect final bow to grasp Border One's intentions and the universe he puts his work in.
More
A1. Border One - Strange Attractor
A2. Border One - Astral Plane
B1. Border One - Time Dilation
B2. Border One - Fractal
Border One's fourth contribution to Token Records is an ode to the cosmic, an ever-present theme in the Belgian's acclaimed career. 'Strange Attractor' takes techno and applies Border One's bubbly modular sound glossing over thick drums, weaving through sound design destined for sophisticated sets on worthy sound systems. Calm and collected, he offers yet again his attention to detail and devotion to effect.
As an introduction, 'Strange Attractor' presents a gripping story. Displaying sustained tension, he takes his time to reveal his channels. Forcing the listener to settle in and anticipate, the elements diverge and converge over the space of six minutes, shifting groove throughout. A return to calm, slightly uneasy control helps us arrive at an influx in energy for the rest of the project. Moving along to 'Astral Plane', we are introduced to more extroverted sequences. Boomy through fluctuating synth lines and stomping claps, the seasoned producer uses the size of his design in the low end to justify a more erratic arrangement. Spread noise in the background interweaves with confronting synth work, making 'Astral Plane' impressive in weight without losing the intricate quality that its producer is known for. Opening the dimension of the project through far spread elements, 'Time Dilation' creates linear focus with a cloudy entourage. An always club efficient throbbing main synth persists through an exciting structure, highly resonant transitions whip through drum machine patterns, making the third track on the record nothing if not a nail biter. The shuffle of the hi hats does nothing to slow down the energetic peak of the EP; we find Border One confidently in control of layered machinery. Drawing the project to a close, 'Fractal' blinks through persistent tension. Linear rides and drones open and close with each transition, making for a bent atmosphere of intrigue. With a sturdy rhythm dotting along from start to finish, the tonality of Fractal makes it the perfect final bow to grasp Border One's intentions and the universe he puts his work in.
More
More records from Border One
1
Border One - Echoes From The Abyss
2
Border One - Solar Flare
3
Border One - Celestial Observer
4
Border One - Escaping The Void
Tracklist
A1. Border One - Strange Attractor
A2. Border One - Astral Plane
B1. Border One - Time Dilation
B2. Border One - Fractal
Border One's fourth contribution to Token Records is an ode to the cosmic, an ever-present theme in the Belgian's acclaimed career. 'Strange Attractor' takes techno and applies Border One's bubbly modular sound glossing over thick drums, weaving through sound design destined for sophisticated sets on worthy sound systems. Calm and collected, he offers yet again his attention to detail and devotion to effect.
As an introduction, 'Strange Attractor' presents a gripping story. Displaying sustained tension, he takes his time to reveal his channels. Forcing the listener to settle in and anticipate, the elements diverge and converge over the space of six minutes, shifting groove throughout. A return to calm, slightly uneasy control helps us arrive at an influx in energy for the rest of the project. Moving along to 'Astral Plane', we are introduced to more extroverted sequences. Boomy through fluctuating synth lines and stomping claps, the seasoned producer uses the size of his design in the low end to justify a more erratic arrangement. Spread noise in the background interweaves with confronting synth work, making 'Astral Plane' impressive in weight without losing the intricate quality that its producer is known for. Opening the dimension of the project through far spread elements, 'Time Dilation' creates linear focus with a cloudy entourage. An always club efficient throbbing main synth persists through an exciting structure, highly resonant transitions whip through drum machine patterns, making the third track on the record nothing if not a nail biter. The shuffle of the hi hats does nothing to slow down the energetic peak of the EP; we find Border One confidently in control of layered machinery. Drawing the project to a close, 'Fractal' blinks through persistent tension. Linear rides and drones open and close with each transition, making for a bent atmosphere of intrigue. With a sturdy rhythm dotting along from start to finish, the tonality of Fractal makes it the perfect final bow to grasp Border One's intentions and the universe he puts his work in.
More
A1. Border One - Strange Attractor
A2. Border One - Astral Plane
B1. Border One - Time Dilation
B2. Border One - Fractal
Border One's fourth contribution to Token Records is an ode to the cosmic, an ever-present theme in the Belgian's acclaimed career. 'Strange Attractor' takes techno and applies Border One's bubbly modular sound glossing over thick drums, weaving through sound design destined for sophisticated sets on worthy sound systems. Calm and collected, he offers yet again his attention to detail and devotion to effect.
As an introduction, 'Strange Attractor' presents a gripping story. Displaying sustained tension, he takes his time to reveal his channels. Forcing the listener to settle in and anticipate, the elements diverge and converge over the space of six minutes, shifting groove throughout. A return to calm, slightly uneasy control helps us arrive at an influx in energy for the rest of the project. Moving along to 'Astral Plane', we are introduced to more extroverted sequences. Boomy through fluctuating synth lines and stomping claps, the seasoned producer uses the size of his design in the low end to justify a more erratic arrangement. Spread noise in the background interweaves with confronting synth work, making 'Astral Plane' impressive in weight without losing the intricate quality that its producer is known for. Opening the dimension of the project through far spread elements, 'Time Dilation' creates linear focus with a cloudy entourage. An always club efficient throbbing main synth persists through an exciting structure, highly resonant transitions whip through drum machine patterns, making the third track on the record nothing if not a nail biter. The shuffle of the hi hats does nothing to slow down the energetic peak of the EP; we find Border One confidently in control of layered machinery. Drawing the project to a close, 'Fractal' blinks through persistent tension. Linear rides and drones open and close with each transition, making for a bent atmosphere of intrigue. With a sturdy rhythm dotting along from start to finish, the tonality of Fractal makes it the perfect final bow to grasp Border One's intentions and the universe he puts his work in.
More
1
Border One - Gazing Eye
2
Border One - Looming From Afar
3
Border One - Weaving Shadows
4
Border One - Web Of Deceit
Tracklist
A1. Gazing Eye
A2. Looming From Afar
B1. Weaving Shadows
B2. Web Of Deceit
Border One presents his latest EP 'Weaving Shadows', marking the fourth release on his own label, Border One Records.
More
A1. Gazing Eye
A2. Looming From Afar
B1. Weaving Shadows
B2. Web Of Deceit
Border One presents his latest EP 'Weaving Shadows', marking the fourth release on his own label, Border One Records.
More
1
Border One - Third Vision
2
Border One - Optical Void
3
Border One - Mind's Eye
4
Border One - Inner Sight
Tracklisting
A1 Border One - Third Vision
A2 Border One - Optical Void
B1 Border One - Mind's Eye
B2 Border One - Inner Sight More
A1 Border One - Third Vision
A2 Border One - Optical Void
B1 Border One - Mind's Eye
B2 Border One - Inner Sight More
1
Border One - Light Trail
2
Border One - Transmute
3
Border One - Radiant
4
Border One - Prism
Reclaiming his place on Token with another 12" record, Belgium's Border One presents 'Light Trail' - an ode to dissonance and drive. With his recognizable use of dynamic percussion and metallic synth work, he stops at nothing to provide a sound-system ready record for a busy dancefloor.
TRACKLISTING
A1. Border One - Light Trail
A2. Border One - Transmute
B1. Border One - Radiant
B2. Border One - Prism
INFO
Opening the record with a throbbing bassline and a sustained pad, Border One wastes no time in getting to the point. He begins with leaning on rock solid groove to space out his ambient elements and stabs, creating a rich atmosphere while remaining focused on the movement. Transitioning from an intriguingly subaquatic A1, the needle slides to a more brutal second followup 'Transmute'. Providing a constant and saturated low-end, Border One remains expressive with his use of his drum machine while keeping a familiar bubbly main synth. The reduced depth in 'Transmute' is likely due to the tension coming from his percussive work as opposed to a synth, making it very efficient for virtually any occasion. As the A2 draws to a close, Border One dives back into the mind with the other side of the record - starting with 'Radiant'. Shrill tension makes its return over a playful, hypnotic synth sequence to create a satisfying contrast between crystal and viscous elements. 'Prism' then closes the record down on a driving jazzy tone, showing the artist's versatility and understanding of his genre. Dissonant chord stabs peak out of sometimes busier percussion lines, making it the perfect way to conclude a dance floor-oriented record. More
TRACKLISTING
A1. Border One - Light Trail
A2. Border One - Transmute
B1. Border One - Radiant
B2. Border One - Prism
INFO
Opening the record with a throbbing bassline and a sustained pad, Border One wastes no time in getting to the point. He begins with leaning on rock solid groove to space out his ambient elements and stabs, creating a rich atmosphere while remaining focused on the movement. Transitioning from an intriguingly subaquatic A1, the needle slides to a more brutal second followup 'Transmute'. Providing a constant and saturated low-end, Border One remains expressive with his use of his drum machine while keeping a familiar bubbly main synth. The reduced depth in 'Transmute' is likely due to the tension coming from his percussive work as opposed to a synth, making it very efficient for virtually any occasion. As the A2 draws to a close, Border One dives back into the mind with the other side of the record - starting with 'Radiant'. Shrill tension makes its return over a playful, hypnotic synth sequence to create a satisfying contrast between crystal and viscous elements. 'Prism' then closes the record down on a driving jazzy tone, showing the artist's versatility and understanding of his genre. Dissonant chord stabs peak out of sometimes busier percussion lines, making it the perfect way to conclude a dance floor-oriented record. More
1
Border One - No Title
2
Border One - No Title
3
Border One - No Title
4
Border One - No Title
Tracklisting:
A1 Border One - Crude 01
A2 Border One - Crude 02
B1 Border One - Derail
B2 Border One - Restless
Release Note:
- 2022 repress -
Third transmission of the SK11X series off-shoot helmed by Setaoc Mass comes via rising Belgian protege Border One. A staple figure of the respected Voltage Festival in his own country, Border One's raw, insistent sound has seen him release on Key Vinyl, Form & Function, and his own self-titled imprint whilst also featuring on DVS1's revered fabric mix. On the Restless EP however he hits his stride, steadily building intensity through restrained repetition and droning, hypnotic sound design on the opening pairing of "Crude". On the B-side, "Derail" clashes harsher hi-hats to a looping, angst-riddled groove, whilst "Restless" releases the tension with its bouncier pummel and high-pressure torque. More
A1 Border One - Crude 01
A2 Border One - Crude 02
B1 Border One - Derail
B2 Border One - Restless
Release Note:
- 2022 repress -
Third transmission of the SK11X series off-shoot helmed by Setaoc Mass comes via rising Belgian protege Border One. A staple figure of the respected Voltage Festival in his own country, Border One's raw, insistent sound has seen him release on Key Vinyl, Form & Function, and his own self-titled imprint whilst also featuring on DVS1's revered fabric mix. On the Restless EP however he hits his stride, steadily building intensity through restrained repetition and droning, hypnotic sound design on the opening pairing of "Crude". On the B-side, "Derail" clashes harsher hi-hats to a looping, angst-riddled groove, whilst "Restless" releases the tension with its bouncier pummel and high-pressure torque. More
1
Border One - Cyclone
2
Border One - Halo
3
Border One - Stratus
4
Border One - Spheric
Border One returns to Token with 4 tracks of no nonsense, body focused music. This collection of tracks, meant to deliver uncompromising groove, affirms Border One's sonic identity through his use of evolving yet persistent tension brewing above hypnotic elements. This signature storm adds a dimension to Cyclone that guides the listener between club and mind by adding this constant yet recognizable anticipation.
TRACKLISTING
A1. Border One - Cyclone
A2. Border One - Halo
B1. Border One - Stratus
B2. Border One - Spheric
INFO
Token sees the return of Brussels-based Border One for 4 tracks of no nonsense, body focused music. This collection of tracks, meant to deliver uncompromising groove, affirms Border One's sonic identity through his use of evolving yet persistent tension brewing above hypnotic elements. This signature storm adds a dimension to Cyclone that guides the listener between club and mind by adding this constant yet recognizable anticipation.
The EP opens up at full capacity with the title track; bent metallics over an intimidatingly deep kick are stalked and circled by a sinister pad that leaves only to release maximum tension. This peak-time cut is followed by the subdued A2 'Halo' where, this time, melodic ambience is prioritized. Light toms drive us forward to undress a track with a patiently strained arrangement, partially through a filter only opening fully midway through, imposing the producer's pace. Border One then lifts the energy with 'Stratus' through 1/16th rhythmics with an almost psychotic arpeggio and tunneling hi hats in a track that can be visually described as racing fractals. The invigoratingly hypnotic quality of 'Stratus' creates an ultimate closed-eye dance floor experience to then pull us into 'Spheric' that closes the EP out in an entirely new but familiar cosmic atmosphere. Space is given to this last cut, with short plucked synths resonating through vast soundscapes, giving the project an ethereal closing over lighter, bouncing percussion. More
TRACKLISTING
A1. Border One - Cyclone
A2. Border One - Halo
B1. Border One - Stratus
B2. Border One - Spheric
INFO
Token sees the return of Brussels-based Border One for 4 tracks of no nonsense, body focused music. This collection of tracks, meant to deliver uncompromising groove, affirms Border One's sonic identity through his use of evolving yet persistent tension brewing above hypnotic elements. This signature storm adds a dimension to Cyclone that guides the listener between club and mind by adding this constant yet recognizable anticipation.
The EP opens up at full capacity with the title track; bent metallics over an intimidatingly deep kick are stalked and circled by a sinister pad that leaves only to release maximum tension. This peak-time cut is followed by the subdued A2 'Halo' where, this time, melodic ambience is prioritized. Light toms drive us forward to undress a track with a patiently strained arrangement, partially through a filter only opening fully midway through, imposing the producer's pace. Border One then lifts the energy with 'Stratus' through 1/16th rhythmics with an almost psychotic arpeggio and tunneling hi hats in a track that can be visually described as racing fractals. The invigoratingly hypnotic quality of 'Stratus' creates an ultimate closed-eye dance floor experience to then pull us into 'Spheric' that closes the EP out in an entirely new but familiar cosmic atmosphere. Space is given to this last cut, with short plucked synths resonating through vast soundscapes, giving the project an ethereal closing over lighter, bouncing percussion. More
1
Border One - No Title
2
Border One - No Title
3
Border One - No Title
4
Border One - No Title
Border One is one of the emerging names from Belgium. He has attracted his attention in the scene for his ability to create perfect deep and groovy tools. These are four tracks that 100% confirm that.
12" Vinyl Only More
12" Vinyl Only More
1
Border One - No Title
2
Border One - No Title
3
Border One - No Title
4
Border One - No Title
After already contributing a remix to our first release, Border One returns to Escapism with the EP "Restive". The up-and-coming Belgian producer and DJ manages to connect hypnotic grooves and dancefloor vibes on two original cuts. Cassegrain and Phara are on remix duty, finessing the originals with their unique take on techno.
More
More records from Token
1
Border One - Echoes From The Abyss
2
Border One - Solar Flare
3
Border One - Celestial Observer
4
Border One - Escaping The Void
Tracklist
A1. Border One - Strange Attractor
A2. Border One - Astral Plane
B1. Border One - Time Dilation
B2. Border One - Fractal
Border One's fourth contribution to Token Records is an ode to the cosmic, an ever-present theme in the Belgian's acclaimed career. 'Strange Attractor' takes techno and applies Border One's bubbly modular sound glossing over thick drums, weaving through sound design destined for sophisticated sets on worthy sound systems. Calm and collected, he offers yet again his attention to detail and devotion to effect.
As an introduction, 'Strange Attractor' presents a gripping story. Displaying sustained tension, he takes his time to reveal his channels. Forcing the listener to settle in and anticipate, the elements diverge and converge over the space of six minutes, shifting groove throughout. A return to calm, slightly uneasy control helps us arrive at an influx in energy for the rest of the project. Moving along to 'Astral Plane', we are introduced to more extroverted sequences. Boomy through fluctuating synth lines and stomping claps, the seasoned producer uses the size of his design in the low end to justify a more erratic arrangement. Spread noise in the background interweaves with confronting synth work, making 'Astral Plane' impressive in weight without losing the intricate quality that its producer is known for. Opening the dimension of the project through far spread elements, 'Time Dilation' creates linear focus with a cloudy entourage. An always club efficient throbbing main synth persists through an exciting structure, highly resonant transitions whip through drum machine patterns, making the third track on the record nothing if not a nail biter. The shuffle of the hi hats does nothing to slow down the energetic peak of the EP; we find Border One confidently in control of layered machinery. Drawing the project to a close, 'Fractal' blinks through persistent tension. Linear rides and drones open and close with each transition, making for a bent atmosphere of intrigue. With a sturdy rhythm dotting along from start to finish, the tonality of Fractal makes it the perfect final bow to grasp Border One's intentions and the universe he puts his work in.
More
A1. Border One - Strange Attractor
A2. Border One - Astral Plane
B1. Border One - Time Dilation
B2. Border One - Fractal
Border One's fourth contribution to Token Records is an ode to the cosmic, an ever-present theme in the Belgian's acclaimed career. 'Strange Attractor' takes techno and applies Border One's bubbly modular sound glossing over thick drums, weaving through sound design destined for sophisticated sets on worthy sound systems. Calm and collected, he offers yet again his attention to detail and devotion to effect.
As an introduction, 'Strange Attractor' presents a gripping story. Displaying sustained tension, he takes his time to reveal his channels. Forcing the listener to settle in and anticipate, the elements diverge and converge over the space of six minutes, shifting groove throughout. A return to calm, slightly uneasy control helps us arrive at an influx in energy for the rest of the project. Moving along to 'Astral Plane', we are introduced to more extroverted sequences. Boomy through fluctuating synth lines and stomping claps, the seasoned producer uses the size of his design in the low end to justify a more erratic arrangement. Spread noise in the background interweaves with confronting synth work, making 'Astral Plane' impressive in weight without losing the intricate quality that its producer is known for. Opening the dimension of the project through far spread elements, 'Time Dilation' creates linear focus with a cloudy entourage. An always club efficient throbbing main synth persists through an exciting structure, highly resonant transitions whip through drum machine patterns, making the third track on the record nothing if not a nail biter. The shuffle of the hi hats does nothing to slow down the energetic peak of the EP; we find Border One confidently in control of layered machinery. Drawing the project to a close, 'Fractal' blinks through persistent tension. Linear rides and drones open and close with each transition, making for a bent atmosphere of intrigue. With a sturdy rhythm dotting along from start to finish, the tonality of Fractal makes it the perfect final bow to grasp Border One's intentions and the universe he puts his work in.
More
1
Nørbak - Flauta
2
Nørbak - Despida
3
Nørbak - Golpe
4
Nørbak - Camarada
Tracklist
A1. Nørbak - Flauta
A2. Nørbak - Despida
B1. Nørbak - Golpe
B2. Nørbak - Camarada
A natural fit for the Token label and now a regular contributor, Nørbak presents his new release 'Flauta' on the Belgian imprint. Keeping things driving and dense, his productions boast a raw intensity, continuing to describe spacious rooms with roaring atmospheres.
The title track serves as a firm introduction to the project; 'Flauta' is a typical Nørbak A1. Claps on the kick, thick sound design on all levels, and tribal percussion make for an imposing first track. Finding groove in the chaos is never difficult for the Portuguese artist, his seamless blend of functional and mental techno make for quite a recognizable sound with reliable effect. On the other hand, his followup 'Despida' sharpens the tone and focuses its elements. Proving he can do just as much damage with a more minimal approach, Nørbak drops the claps for shakers and whips up a distorted stab as the main driver of the track. Despite the versatility of his records, there is something very homogenous about the tonality of his drums and synths - they seem electric, and 'Despida' truly nails that aesthetic. Moving on to the B side, we have yet another facade of the project. While 'Golpe' has a classic foundation, Nørbak's flamboyant sound design guides the track's arrangement, making anything but a loop. The record's structure makes for clear accents that insist on a pulsating atmosphere. This moves perfectly into the EP's conclusion. 'Camarada' resembles more 'Despida' in the minimal construction, retaining a lot of the squelching lead textures. Mastering the question/answer style of techno, Nørbak is able to capitalize on the tonality of his sonic experiments to create swing on the dance floor. Obscure, quick, and elusive, Nørbak wraps up 'Flauta' with restraint and efficiency.
More
A1. Nørbak - Flauta
A2. Nørbak - Despida
B1. Nørbak - Golpe
B2. Nørbak - Camarada
A natural fit for the Token label and now a regular contributor, Nørbak presents his new release 'Flauta' on the Belgian imprint. Keeping things driving and dense, his productions boast a raw intensity, continuing to describe spacious rooms with roaring atmospheres.
The title track serves as a firm introduction to the project; 'Flauta' is a typical Nørbak A1. Claps on the kick, thick sound design on all levels, and tribal percussion make for an imposing first track. Finding groove in the chaos is never difficult for the Portuguese artist, his seamless blend of functional and mental techno make for quite a recognizable sound with reliable effect. On the other hand, his followup 'Despida' sharpens the tone and focuses its elements. Proving he can do just as much damage with a more minimal approach, Nørbak drops the claps for shakers and whips up a distorted stab as the main driver of the track. Despite the versatility of his records, there is something very homogenous about the tonality of his drums and synths - they seem electric, and 'Despida' truly nails that aesthetic. Moving on to the B side, we have yet another facade of the project. While 'Golpe' has a classic foundation, Nørbak's flamboyant sound design guides the track's arrangement, making anything but a loop. The record's structure makes for clear accents that insist on a pulsating atmosphere. This moves perfectly into the EP's conclusion. 'Camarada' resembles more 'Despida' in the minimal construction, retaining a lot of the squelching lead textures. Mastering the question/answer style of techno, Nørbak is able to capitalize on the tonality of his sonic experiments to create swing on the dance floor. Obscure, quick, and elusive, Nørbak wraps up 'Flauta' with restraint and efficiency.
More
1
KR!Z - Angels Landing
2
KR!Z - Medusa
3
KR!Z - Oblivion
4
KR!Z - Ninth Circle
Tracklist
A1. Kr!z - Angels Landing
A2. Kr!z - Medusa
B1. Kr!z - Oblivion
B2. Kr!z - Ninth Circle
(early support by Luke Slater, Ben UFO, Marron & Border One) In the wake of a string of record releases, Token's curator returns to his label with 'Angels Landing' highlighting his mission statement. 4 delirious & dissonant techno cuts from the Belgian artist have proven to be a stylistic favorite in both his productions and his DJ sets. With a wink to older production techniques, Kr!z keeps this contribution to Token fresh and efficient while reaffirming the historic label's sonic identity.
In the wake of a string of record releases, Token's curator returns to his label with 'Angels Landing' to highlight his mission statement. Four cuts of delirious and dissonant techno from the Belgian artist have proven to be a stylistic favorite in both his productions and his DJ sets. With a wink to older production techniques, Kr!z keeps this contribution to Token fresh and efficient while reaffirming the historic label's sonic identity.
While using a steady bassline for his tracks, Kr!z ups the ante with a Detroit-style pad that floats around the rest of the record for the 'Angels Landing' title track. By opening and closing hihats, rolling the claps all along, and pitching his rides, he creates tension by fully utilizing his drum machine.The synth stabs and overall pace make for a modern twist, however; it's applicable music for layered sets that the Token boss has been known for performing over the years. This dance-ready, nostalgic-nudging kind of techno is spread throughout the entirety of the EP, but is most transparent on the B1 'Oblivion'. Key stab sequences have been iconic in the scene for some time, but it's Kr!z's persistence and minimalism that renders this track so exciting. Opening and shutting filters, sliding portamento, and pushing the release, the seasoned artist manifests tension through minimal elements and relies on his transitions to keep up the pace. Usually juggling between rounder and sharper sound design, 'Medusa' boasts both; Kr!z's electric lead bites a low- swaying synth line. Destined for peak use, complete with white noise transitions and open rides, Kr!z combines the sound of a club at its climax with his almost psychotic low-mid arpeggio to createone of his most hypnotic tracks to date. 'Ninth Circle', on the other hand, dials it back as the last track. More keys, yet obscure in intention and effect, the closer creates a question mark at the end of the EP with big transitions and a groovy use of toms. Cementing himself as a game player in production as much as in DJing, Kr!z's 'Angels Landing' continues his search in eerie sounds and expressive drums to add to his label's catalog of savant club music.
More
A1. Kr!z - Angels Landing
A2. Kr!z - Medusa
B1. Kr!z - Oblivion
B2. Kr!z - Ninth Circle
(early support by Luke Slater, Ben UFO, Marron & Border One) In the wake of a string of record releases, Token's curator returns to his label with 'Angels Landing' highlighting his mission statement. 4 delirious & dissonant techno cuts from the Belgian artist have proven to be a stylistic favorite in both his productions and his DJ sets. With a wink to older production techniques, Kr!z keeps this contribution to Token fresh and efficient while reaffirming the historic label's sonic identity.
In the wake of a string of record releases, Token's curator returns to his label with 'Angels Landing' to highlight his mission statement. Four cuts of delirious and dissonant techno from the Belgian artist have proven to be a stylistic favorite in both his productions and his DJ sets. With a wink to older production techniques, Kr!z keeps this contribution to Token fresh and efficient while reaffirming the historic label's sonic identity.
While using a steady bassline for his tracks, Kr!z ups the ante with a Detroit-style pad that floats around the rest of the record for the 'Angels Landing' title track. By opening and closing hihats, rolling the claps all along, and pitching his rides, he creates tension by fully utilizing his drum machine.The synth stabs and overall pace make for a modern twist, however; it's applicable music for layered sets that the Token boss has been known for performing over the years. This dance-ready, nostalgic-nudging kind of techno is spread throughout the entirety of the EP, but is most transparent on the B1 'Oblivion'. Key stab sequences have been iconic in the scene for some time, but it's Kr!z's persistence and minimalism that renders this track so exciting. Opening and shutting filters, sliding portamento, and pushing the release, the seasoned artist manifests tension through minimal elements and relies on his transitions to keep up the pace. Usually juggling between rounder and sharper sound design, 'Medusa' boasts both; Kr!z's electric lead bites a low- swaying synth line. Destined for peak use, complete with white noise transitions and open rides, Kr!z combines the sound of a club at its climax with his almost psychotic low-mid arpeggio to createone of his most hypnotic tracks to date. 'Ninth Circle', on the other hand, dials it back as the last track. More keys, yet obscure in intention and effect, the closer creates a question mark at the end of the EP with big transitions and a groovy use of toms. Cementing himself as a game player in production as much as in DJing, Kr!z's 'Angels Landing' continues his search in eerie sounds and expressive drums to add to his label's catalog of savant club music.
More
1
Singular Anomalies - Partenope
2
Ketch - Whispers
3
Justyn Nell - Amaranth
4
DHÆÜR - Sculpting The Mind
5
Maasym - Intermediate Direction
6
Ray Kajioka - Black Hole
7
Kameliia - Point Of View
8
Kashpitzky & Casual Treatment - Diffusion
Tracklist
A1. Singular Anomalies - Partenope
A2. Ketch - Whispers
B1. Justyn Nell - Amaranth
B2. DHÆÜR - Sculpting The Mind
C1. Maasym - Intermediate Direction
C2. Ray Kajioka - Black Hole
D1. Kameliia - Point Of View
D2. Kashpitzky & Casual Treatment - Diffusion
With eight fresh tracks for the modern dance floor, Token writes another chapter of the Fuga series. Challenging new faces to complete the label's sound, Fuga V is another focused compilation that balances spatial detail and rhythmic bite.
Bubbly yet cosmic synth work opens the VA convincingly, a record for true Token fans. Dissonance, delay, slithering pads, and the occasional thundering 909 clap make 'Partenope' by Singular Anomalies an obvious choice as an opening, retaining the label's original sound with a nice twist. With Singular Anomalies staying light on rhythm, Ketchquickly turns up the intensity with his contribution 'Whispers'. Plowing through the ambiance with a heavy kick, the producer lines up a track of percussive melodic harmony with a moody groove. The followup by Justyn Nell, 'Amaranth' employs a classic, distorted bassline that runs persistently throughout the track with playful 909 work for the drums. A full force club controller now passed, the followup by DHÆÜR delves back into vast open spaces for a close-eyed, mental experience. 'Sculpting the Mind', appropriately named, breathes through with opening and closing background textures along a loopy lead. The introspective quality of this track is continued by Maasym, who takes things in an almost tribal direction with hypnotic wooden textures. 'Intermediate Direction' is a progressive addition to this edition of Fuga that serves as a dancefloor brain-soother. Taking things back to the roots with some old school machine work, we have 'Black Hole'by Ray Kaijoka. A nice psychotic arp leads the listener along into a surprisingly melodic arrangement supported by infectious drums, all of which is expertly crafted for club movement. Taking a dive, Kameliia gives us 'Point of View' which boasts a powerfully round low-end and an intense progression with far off strings that add a warm cinematic feel. Serious and effective, 'Point of View' is a track communicating tone and mediation. To close Fuga V, the dup Kashpitzky & Casual Treatment take matters into their own hands with a very high intensity record 'Diffusion'. Huge cut transitions, saturated drums pushing the limit with a loud clap, and laser-like lead make for an impressive last chapter of Fuga V.
More
1
Inigo Kennedy - Magnitude Seven
2
Inigo Kennedy - The Calling
3
Inigo Kennedy - Out Of The Woods
Tracklist
A. Inigo Kennedy - Magnitude Seven
B1. Inigo Kennedy - The Calling
B2. Inigo Kennedy - Out Of The Woods
As Token gears up for its 126th release, the time has come to invite a label favorite - Inigo Kennedy. The Englishman responsible for Token 1 readies us for three tracks of pure grain and warbling melodies packaged as 'The Calling' - a hypnotic yet stomping club record that highlights his unique production style full of character.
Taking up the entirety of the A side, 'Magnitude Seven' pulses itself through the first part of the ep. Melodic yet dissonant as many of Kennedy's best records, the track calls on a stripped down acid line to support a saturated groove and noisy synthwork. Epic in construction, 'Magnitude Seven' comes in waves of unsettling intensity emphasized by a powerful double kick sequence. The B1 takes it up a notch as the title track appropriately named 'The Calling'. A frantic four to the floor rhythm pushes along sustained notes, settling in a certain pressure. Harmonic sections breathe more life in an otherwise nail biting record that defines the Token sound accurately and Kennedy uses this arrangement to distance himself from the classic loop based template used by most producers in his field today, confirming the ongoing relevance of a longstanding career in club music. Ending with a bit of a twist for most, longtime fans will be unsurprised by the choice to wrap things up with 'Out of the Woods' - a fitting electronica closer that departs from 'The Calling' with a focus on introspection. Drifting notes and a shuffled percussion line are reminiscent of his UK roots and fit perfectly as an epilogue to his previous techno tracks. Ethereal as ever, Inigo Kennedy offers us another masterclass in out of the box production techniques in soulful electronic music.
More
A. Inigo Kennedy - Magnitude Seven
B1. Inigo Kennedy - The Calling
B2. Inigo Kennedy - Out Of The Woods
As Token gears up for its 126th release, the time has come to invite a label favorite - Inigo Kennedy. The Englishman responsible for Token 1 readies us for three tracks of pure grain and warbling melodies packaged as 'The Calling' - a hypnotic yet stomping club record that highlights his unique production style full of character.
Taking up the entirety of the A side, 'Magnitude Seven' pulses itself through the first part of the ep. Melodic yet dissonant as many of Kennedy's best records, the track calls on a stripped down acid line to support a saturated groove and noisy synthwork. Epic in construction, 'Magnitude Seven' comes in waves of unsettling intensity emphasized by a powerful double kick sequence. The B1 takes it up a notch as the title track appropriately named 'The Calling'. A frantic four to the floor rhythm pushes along sustained notes, settling in a certain pressure. Harmonic sections breathe more life in an otherwise nail biting record that defines the Token sound accurately and Kennedy uses this arrangement to distance himself from the classic loop based template used by most producers in his field today, confirming the ongoing relevance of a longstanding career in club music. Ending with a bit of a twist for most, longtime fans will be unsurprised by the choice to wrap things up with 'Out of the Woods' - a fitting electronica closer that departs from 'The Calling' with a focus on introspection. Drifting notes and a shuffled percussion line are reminiscent of his UK roots and fit perfectly as an epilogue to his previous techno tracks. Ethereal as ever, Inigo Kennedy offers us another masterclass in out of the box production techniques in soulful electronic music.
More
1
Oscar Mulero - The Sweat And The Salt
2
Oscar Mulero - The Reddish Glow
3
Oscar Mulero - Why Are You Holding a Gun?
4
Oscar Mulero - The Sunlight Blinded His Eyes
Tracklist
Tracklist
A1. Oscar Mulero - The Sweat And The Salt
A2. Oscar Mulero - The Reddish Glow
B1. Oscar Mulero - Why Are You Holding a Gun?
B2. Oscar Mulero - The Sunlight Blinded His Eyes
Known for his intense DJ sets and heavily textured productions, Oscar Mulero embodies all that has made him a central figure in the international techno scene in 'The Stranger'. His first release on Token since 2021's 'Titan', the Spaniard announces his return the only way he knows how, through layered concoctions of noisy synth work and impactful percussion wrapped up in a four track EP of impressive weight.
The record's first track 'The Sweat and the Salt' is a representative introduction to the rest of the project. Mulero holds nothing back with his moody, obscure style and funnels measured grit into every detail he can. Hypnotic to its core but noisy and saturated enough to give it an industrial edge, the intricacies of this first track are upheld and continued in 'The Reddish Glow'. Here, we have more of a melodic back and forth being played between synth sequences. With no small dose of reverb to open up the dimension of the track, the incessant tapping of high to low frequency plucks make it a destabilizing mind trip of a club record. Complete with racing hi hats and his signature kick, Mulero plays with his elements to ensure depth in disorientation. 'Why Are You Holding a Gun' flattens up the space a little bit, creating more of a two-dimensional ambiance and taking synth distortion to a new level. A mess of an analog sequence hissing in the high end is paced out by metallic rides and short hi hats, making an effective dancefloor instrument. As powerful as ever, the PoleGroup boss controls his chaos with rhythmically questionable elements that add to the general delirium of 'The Stranger'. As the final chapter, 'The Sunlight Blinded His Eyes' is the perfect arrival to a stomping EP. A meditative pad hovers in the back while a rhythmically centered track forms, shuffling through drum patterns and an infectious bassline. Still packing a punch in the kick, this final song takes us out into the cosmos after a high pressure club music display by one of Spain's most respected contributors to techno.
More
Tracklist
A1. Oscar Mulero - The Sweat And The Salt
A2. Oscar Mulero - The Reddish Glow
B1. Oscar Mulero - Why Are You Holding a Gun?
B2. Oscar Mulero - The Sunlight Blinded His Eyes
Known for his intense DJ sets and heavily textured productions, Oscar Mulero embodies all that has made him a central figure in the international techno scene in 'The Stranger'. His first release on Token since 2021's 'Titan', the Spaniard announces his return the only way he knows how, through layered concoctions of noisy synth work and impactful percussion wrapped up in a four track EP of impressive weight.
The record's first track 'The Sweat and the Salt' is a representative introduction to the rest of the project. Mulero holds nothing back with his moody, obscure style and funnels measured grit into every detail he can. Hypnotic to its core but noisy and saturated enough to give it an industrial edge, the intricacies of this first track are upheld and continued in 'The Reddish Glow'. Here, we have more of a melodic back and forth being played between synth sequences. With no small dose of reverb to open up the dimension of the track, the incessant tapping of high to low frequency plucks make it a destabilizing mind trip of a club record. Complete with racing hi hats and his signature kick, Mulero plays with his elements to ensure depth in disorientation. 'Why Are You Holding a Gun' flattens up the space a little bit, creating more of a two-dimensional ambiance and taking synth distortion to a new level. A mess of an analog sequence hissing in the high end is paced out by metallic rides and short hi hats, making an effective dancefloor instrument. As powerful as ever, the PoleGroup boss controls his chaos with rhythmically questionable elements that add to the general delirium of 'The Stranger'. As the final chapter, 'The Sunlight Blinded His Eyes' is the perfect arrival to a stomping EP. A meditative pad hovers in the back while a rhythmically centered track forms, shuffling through drum patterns and an infectious bassline. Still packing a punch in the kick, this final song takes us out into the cosmos after a high pressure club music display by one of Spain's most respected contributors to techno.
More
1
Tides - Enchant
2
Tides - Bliss
3
Tides - Veiled Dreams
4
Tides - Euphoria
5
Tides - Oceanid
6
Tides - Drama
7
Tides - Scene
8
Tides - Delusional Bond
9
Tides - Awakening
10
Tides - Immersive Mind
TRACKLIST:
A1. Ignez - Enchant
A2. Ignez - Bliss
A3. Ignez - Veiled Dreams
B1. Ignez - Euphoria
B2. Ignez - Oceanid
C1. Ignez - Drama
C2. Ignez - Scene
D1. Ignez - Delusional Bond
D2. Ignez - Awakening
D3. Ignez - Immersive Mind
(gatefold sleeve) Ignez makes his Token comeback for a new format yet again, presenting his first ever LP with the Belgian label. One of the scene's most intriguing artists to emerge in the past few years, the young Dutchman has paved his road to acclaim by experimenting with sonic narratives and interpreting them with dance floor efficiency. Constantly working the conceptual intentions of his records, Ignez offers a refreshing take on club music by giving it his unmistakable touch of cinematic storytelling.
'Tides' is an ode to his personal connection with nature, and each track represents a shift in energy and emotional ambiance, rising and falling with each transition. With this approach, it only makes sense to release a project of this length; Ignez is able to tell his story through waves, washing over assertive rhythmic work with far off keys and soothing pads. Songs like the album's introduction 'Enchant' and 'Delusional Bond' inspire curiosity of what lies beyond murky waters and the impactful aftermath of these tracks explains the untameable quality of ocean tides through erratic percussion and razor-sharp sound design like in 'Bliss'. Ignez's synth work throughout 'Tides' is elusive if anything, swimming through his arrangements in an unpredictable manner. He tells the story of an environment that imposes the sometimes harsh rules of its territory with restless elements ready to jump out at any given moment. This feeling of almost powerlessness can be felt in 'Awakening' for example, a record that's bent on intrigue and suspense over a stomping four to thefloor kick. Curiosity, anticipation, discovery: these are all things that can describe the chosen theme and, of course, Ignez's work as a composer. The album serves as a look into the respect the artist has for unstoppable energy and his translation of it thereof through the expressive sound design and thick atmospheres that propelled him to the forefront of his scene. More
A1. Ignez - Enchant
A2. Ignez - Bliss
A3. Ignez - Veiled Dreams
B1. Ignez - Euphoria
B2. Ignez - Oceanid
C1. Ignez - Drama
C2. Ignez - Scene
D1. Ignez - Delusional Bond
D2. Ignez - Awakening
D3. Ignez - Immersive Mind
(gatefold sleeve) Ignez makes his Token comeback for a new format yet again, presenting his first ever LP with the Belgian label. One of the scene's most intriguing artists to emerge in the past few years, the young Dutchman has paved his road to acclaim by experimenting with sonic narratives and interpreting them with dance floor efficiency. Constantly working the conceptual intentions of his records, Ignez offers a refreshing take on club music by giving it his unmistakable touch of cinematic storytelling.
'Tides' is an ode to his personal connection with nature, and each track represents a shift in energy and emotional ambiance, rising and falling with each transition. With this approach, it only makes sense to release a project of this length; Ignez is able to tell his story through waves, washing over assertive rhythmic work with far off keys and soothing pads. Songs like the album's introduction 'Enchant' and 'Delusional Bond' inspire curiosity of what lies beyond murky waters and the impactful aftermath of these tracks explains the untameable quality of ocean tides through erratic percussion and razor-sharp sound design like in 'Bliss'. Ignez's synth work throughout 'Tides' is elusive if anything, swimming through his arrangements in an unpredictable manner. He tells the story of an environment that imposes the sometimes harsh rules of its territory with restless elements ready to jump out at any given moment. This feeling of almost powerlessness can be felt in 'Awakening' for example, a record that's bent on intrigue and suspense over a stomping four to thefloor kick. Curiosity, anticipation, discovery: these are all things that can describe the chosen theme and, of course, Ignez's work as a composer. The album serves as a look into the respect the artist has for unstoppable energy and his translation of it thereof through the expressive sound design and thick atmospheres that propelled him to the forefront of his scene. More
1
Orbe - Andromeda (Part 1)
2
Orbe - Andromeda (Part 2)
3
Orbe - Andromeda (Part 3)
4
Orbe - Andromeda (Part 4)
TRACKLISTING
A1. ORBE - Andromeda (Part 1)
A2. ORBE - Andromeda (Part 2)
B1. ORBE - Andromeda (Part 3)
B2. ORBE - Andromeda (Part 4)
INFO
For Token's 120th release, the imprint reintroduces scene favorite ORBE for another EP. Revered for his deep and viscous textures over stark rhythms, the Spaniard furthers his point in four calculated and layered examples.
Opening with deeply filtered synth work, ORBE takes his time to subtly introduce shrill tension in the first track, displaying control in a progressive arrangement. He's quickly able to accentuate his intention with a single stab, providing a shimmer and a sharp edge to a rounder-bodied record. Turning over to Andromeda 2, we switch to a dryer lead with a convoluted ambiance, giving a driving track more structure through contrasted transitions. ORBE intensifies the rest of the cut with an electrifying noise circling around the mainland of his identifiably layered work. Alleviating some harshness from the main components, the artist dives into a more liquid and cavernous environment. Pressing through with sustained keys, ORBE continues to evoke a sense of suspense even in his more adventurous tracks. Anticipation rises and falls with the sustain of his resonant lead, taking us to the final chapter of Andromeda. To round off the cosmic voyage our artist departs with what, in the beginning, seems like another intimidating presentation of thick synthlines whipping across a steady rhythm - but then comes a surprisingly ethereal pad, oscillating throughout Andromeda 4, to indicate a safe arrival from a nail-biting story. More
A1. ORBE - Andromeda (Part 1)
A2. ORBE - Andromeda (Part 2)
B1. ORBE - Andromeda (Part 3)
B2. ORBE - Andromeda (Part 4)
INFO
For Token's 120th release, the imprint reintroduces scene favorite ORBE for another EP. Revered for his deep and viscous textures over stark rhythms, the Spaniard furthers his point in four calculated and layered examples.
Opening with deeply filtered synth work, ORBE takes his time to subtly introduce shrill tension in the first track, displaying control in a progressive arrangement. He's quickly able to accentuate his intention with a single stab, providing a shimmer and a sharp edge to a rounder-bodied record. Turning over to Andromeda 2, we switch to a dryer lead with a convoluted ambiance, giving a driving track more structure through contrasted transitions. ORBE intensifies the rest of the cut with an electrifying noise circling around the mainland of his identifiably layered work. Alleviating some harshness from the main components, the artist dives into a more liquid and cavernous environment. Pressing through with sustained keys, ORBE continues to evoke a sense of suspense even in his more adventurous tracks. Anticipation rises and falls with the sustain of his resonant lead, taking us to the final chapter of Andromeda. To round off the cosmic voyage our artist departs with what, in the beginning, seems like another intimidating presentation of thick synthlines whipping across a steady rhythm - but then comes a surprisingly ethereal pad, oscillating throughout Andromeda 4, to indicate a safe arrival from a nail-biting story. More
1
Jeroen Search - Light Spinner
2
Jeroen Search - Six Requests
3
Jeroen Search - Ten Foot Radius
4
Jeroen Search - Restore Balance
Two years have passed since his last release on Token Records, and now Jeroen Search is back with his unmistakable style for a lesson in techno production called 'Shadow Dimension'.Stripped down and minimal, we're reminded that the original character of this music can be found in the hissing of circuits and the impact of analog distortion.
TRACKLISTING
A1. Jeroen Search - Light Spinner
A2. Jeroen Search - Six Requests
B1. Jeroen Search - Ten Foot Radius
B2. Jeroen Search - Restore Balance
INFO
Two years have passed since his last release on Token Records, and now Jeroen Search is back with his unmistakable style for a lesson in techno production called 'Shadow Dimension'. Stripped down and minimal, we're reminded that the original character of this music can be found in the hissing of circuits and the impact of analog distortion.
Wasting no time, Search kicks the record off at full pace with a spacey arpeggio and resonating percussion. Hiding 'Light Spinner' in initial obscurity, the Dutchman reveals steady intrigue by controlling tension and opening up his elements throughout its duration. The fluttering synthline is quickly exchanged for shuffled hi hats and a brutally monophonic lead. What begins as a rather two-dimensional track is given depth by levitating pads wide in the stereo image and competing 909 rides. Still a rhythm-heavy record, Search gives 'Six Requests' thrilling atmospheres to a throbbing core. Moving on to the B-side, the seasoned producer starts fresh with a warbly lead over a layered kick drum in 'Ten Foot Radius'. Keeping things simple most of the time, Search fiddles lightheartedly with his parameters to turn his synth into almost noise over a steady percussion. The quirkiness of the record has a more aggressive underbelly, luring the listener into a club ready cut. Moving on to the closer 'Restore Balance', Search does just that. Finding a groove in a quicker percussion-line, bouncy keys hop about a fun but concentrated record. An ever evolving structure cutting along, he plays with the dry of his percussion and the wet of his synths, mastering the unique production style he's known for. More
TRACKLISTING
A1. Jeroen Search - Light Spinner
A2. Jeroen Search - Six Requests
B1. Jeroen Search - Ten Foot Radius
B2. Jeroen Search - Restore Balance
INFO
Two years have passed since his last release on Token Records, and now Jeroen Search is back with his unmistakable style for a lesson in techno production called 'Shadow Dimension'. Stripped down and minimal, we're reminded that the original character of this music can be found in the hissing of circuits and the impact of analog distortion.
Wasting no time, Search kicks the record off at full pace with a spacey arpeggio and resonating percussion. Hiding 'Light Spinner' in initial obscurity, the Dutchman reveals steady intrigue by controlling tension and opening up his elements throughout its duration. The fluttering synthline is quickly exchanged for shuffled hi hats and a brutally monophonic lead. What begins as a rather two-dimensional track is given depth by levitating pads wide in the stereo image and competing 909 rides. Still a rhythm-heavy record, Search gives 'Six Requests' thrilling atmospheres to a throbbing core. Moving on to the B-side, the seasoned producer starts fresh with a warbly lead over a layered kick drum in 'Ten Foot Radius'. Keeping things simple most of the time, Search fiddles lightheartedly with his parameters to turn his synth into almost noise over a steady percussion. The quirkiness of the record has a more aggressive underbelly, luring the listener into a club ready cut. Moving on to the closer 'Restore Balance', Search does just that. Finding a groove in a quicker percussion-line, bouncy keys hop about a fun but concentrated record. An ever evolving structure cutting along, he plays with the dry of his percussion and the wet of his synths, mastering the unique production style he's known for. More
1
Border One - Light Trail
2
Border One - Transmute
3
Border One - Radiant
4
Border One - Prism
Reclaiming his place on Token with another 12" record, Belgium's Border One presents 'Light Trail' - an ode to dissonance and drive. With his recognizable use of dynamic percussion and metallic synth work, he stops at nothing to provide a sound-system ready record for a busy dancefloor.
TRACKLISTING
A1. Border One - Light Trail
A2. Border One - Transmute
B1. Border One - Radiant
B2. Border One - Prism
INFO
Opening the record with a throbbing bassline and a sustained pad, Border One wastes no time in getting to the point. He begins with leaning on rock solid groove to space out his ambient elements and stabs, creating a rich atmosphere while remaining focused on the movement. Transitioning from an intriguingly subaquatic A1, the needle slides to a more brutal second followup 'Transmute'. Providing a constant and saturated low-end, Border One remains expressive with his use of his drum machine while keeping a familiar bubbly main synth. The reduced depth in 'Transmute' is likely due to the tension coming from his percussive work as opposed to a synth, making it very efficient for virtually any occasion. As the A2 draws to a close, Border One dives back into the mind with the other side of the record - starting with 'Radiant'. Shrill tension makes its return over a playful, hypnotic synth sequence to create a satisfying contrast between crystal and viscous elements. 'Prism' then closes the record down on a driving jazzy tone, showing the artist's versatility and understanding of his genre. Dissonant chord stabs peak out of sometimes busier percussion lines, making it the perfect way to conclude a dance floor-oriented record. More
TRACKLISTING
A1. Border One - Light Trail
A2. Border One - Transmute
B1. Border One - Radiant
B2. Border One - Prism
INFO
Opening the record with a throbbing bassline and a sustained pad, Border One wastes no time in getting to the point. He begins with leaning on rock solid groove to space out his ambient elements and stabs, creating a rich atmosphere while remaining focused on the movement. Transitioning from an intriguingly subaquatic A1, the needle slides to a more brutal second followup 'Transmute'. Providing a constant and saturated low-end, Border One remains expressive with his use of his drum machine while keeping a familiar bubbly main synth. The reduced depth in 'Transmute' is likely due to the tension coming from his percussive work as opposed to a synth, making it very efficient for virtually any occasion. As the A2 draws to a close, Border One dives back into the mind with the other side of the record - starting with 'Radiant'. Shrill tension makes its return over a playful, hypnotic synth sequence to create a satisfying contrast between crystal and viscous elements. 'Prism' then closes the record down on a driving jazzy tone, showing the artist's versatility and understanding of his genre. Dissonant chord stabs peak out of sometimes busier percussion lines, making it the perfect way to conclude a dance floor-oriented record. More
1
James Ruskin - From The Ashes 1
2
James Ruskin - From The Ashes 2
3
James Ruskin - From The Ashes 3
Offering a three track EP on Token, emblematic UK producer James Ruskin proves his capability and linear focus once again through 'From the Ashes'. Looking past trends tocreate a lasting record rich in texture and thick with impact, the project affirms what the scene has already known to be true about his work for the past 25 years.
TRACKLISTING
A1. James Ruskin - From The Ashes 1
A2. James Ruskin - From The Ashes 2
B. James Ruskin - From The Ashes 3
INFO
Setting his intentions from the A1, Ruskin wastes no time by creating an intimidating introduction. Saturated percussion and stuttering keys whip through a 4 minute masterclass of sound system focused production. Adventurous in structure, Ruskin remains unquestionably in control of a bursting, almost chaotic track. 'From the Ashes 2' picks up what was left off, containing a hard-set groove with hi hats slithering in progressively from the stereo image to slightly destabilize an impressive club-heavy tool. With intricate work being done in the ambience, the EP's hard hitting second track booms through a cavernous acoustic, giving the record not only body, but dimension. Switching up the rhythm and focusing on more mental synth work for the third act, Ruskin quickly and mercilessly rips through his work with a shrill pad, creating overwhelming tension to be released in the first third of the recording. He brings a dosed dissonance between his elements, reflective of the qualities of vintage techno with today's capabilities and arrangement. Pushing intensity through waves, Ruskin leaves us in anticipation of a fourth track that is never given. More
TRACKLISTING
A1. James Ruskin - From The Ashes 1
A2. James Ruskin - From The Ashes 2
B. James Ruskin - From The Ashes 3
INFO
Setting his intentions from the A1, Ruskin wastes no time by creating an intimidating introduction. Saturated percussion and stuttering keys whip through a 4 minute masterclass of sound system focused production. Adventurous in structure, Ruskin remains unquestionably in control of a bursting, almost chaotic track. 'From the Ashes 2' picks up what was left off, containing a hard-set groove with hi hats slithering in progressively from the stereo image to slightly destabilize an impressive club-heavy tool. With intricate work being done in the ambience, the EP's hard hitting second track booms through a cavernous acoustic, giving the record not only body, but dimension. Switching up the rhythm and focusing on more mental synth work for the third act, Ruskin quickly and mercilessly rips through his work with a shrill pad, creating overwhelming tension to be released in the first third of the recording. He brings a dosed dissonance between his elements, reflective of the qualities of vintage techno with today's capabilities and arrangement. Pushing intensity through waves, Ruskin leaves us in anticipation of a fourth track that is never given. More
(incl. tracks by Coefficient, Bailey Ibbs, Phara, Hemka, Norbak, Vinicius Honorio & Ricardo Garduno, Kike Pravda & Amorphic) Fuga returns with a new chapter. This compilation serves as a reflection of techno today while maintaining the cosmic, driving sound that has become Token's signature over the years.
TRACKLISTING
A1. Coefficient - Neutron Star Remnant
A2. Bailey Ibbs - Caelid
B1. Phara - Evoke
B2. Hemka - Bazaar
C1. Nørbak - Dano
C2. Vinicius Honorio & Ricardo Garduno - Murked
D1. Kike Pravda - Lost In Darkness
D2. Amorphic - A57
INFO
As the second release of 2023 and already on its fourth edition, Fuga is back on Token. This compilation serves as a reflection of techno today while maintaining the cosmic, driving sound that has become Token's signature over the years.
Our introduction to this excursion is appropriately named 'Neutron Star Remnant' by UK's Coefficient. A pulsating bassline over a syncopated kick swings along lush pads to create a first look into the compilation, promising character and quality. Turning the page over to Bailey Ibbs, our dreamlike curtain is dropped and we're left with 'Caelid'. The tone is set, the nostalgia is lost, and we are left with Ibb's sleek uptempo techno track, bursting with groove; the sequence of percussive elements brew the perfect storm of infectious techno. Phara then takes control with 'Evoke', boasting a thick and persistent bassline. Returning to a rounder, analog sounding record, the dissonance of the lead bells make it a true nail-biter of a track. The intensity of the project is quickly lifted by Hemka's 'Bazaar' for nearly six and a half minutes of barely contained, high-pressure club music. The cyclical rise of the background atmosphere and soundscapes make this a properly anxious piece. Nørbak then uses 'Dano' to take down the intensity with a tom-driven percussion line and a thick, intricate ambience evolving like waves through a reliable rhythm. For our 6th chapter, Vinicius Honorio & Ricardo Garduno guide us back to the body. A drum machine skips along to a muffled synth line, reducing the dimensions of the record that had been opened, and resorting to being slightly more claustrophobic to create that needed tension. We then jump into Kike Pravda's 'Lost in Darkness' for a full-on space and granular submersion. Our second to last track inches along almost like an insect, one texture exchanging for another, constantly pushing through its duration. Finally we turn to our last chapter by Amorphic called 'A57'. This ending picks up the pace but offers space for a meditative and relaxing conclusion to wind down after another intense installment of Fuga. More
TRACKLISTING
A1. Coefficient - Neutron Star Remnant
A2. Bailey Ibbs - Caelid
B1. Phara - Evoke
B2. Hemka - Bazaar
C1. Nørbak - Dano
C2. Vinicius Honorio & Ricardo Garduno - Murked
D1. Kike Pravda - Lost In Darkness
D2. Amorphic - A57
INFO
As the second release of 2023 and already on its fourth edition, Fuga is back on Token. This compilation serves as a reflection of techno today while maintaining the cosmic, driving sound that has become Token's signature over the years.
Our introduction to this excursion is appropriately named 'Neutron Star Remnant' by UK's Coefficient. A pulsating bassline over a syncopated kick swings along lush pads to create a first look into the compilation, promising character and quality. Turning the page over to Bailey Ibbs, our dreamlike curtain is dropped and we're left with 'Caelid'. The tone is set, the nostalgia is lost, and we are left with Ibb's sleek uptempo techno track, bursting with groove; the sequence of percussive elements brew the perfect storm of infectious techno. Phara then takes control with 'Evoke', boasting a thick and persistent bassline. Returning to a rounder, analog sounding record, the dissonance of the lead bells make it a true nail-biter of a track. The intensity of the project is quickly lifted by Hemka's 'Bazaar' for nearly six and a half minutes of barely contained, high-pressure club music. The cyclical rise of the background atmosphere and soundscapes make this a properly anxious piece. Nørbak then uses 'Dano' to take down the intensity with a tom-driven percussion line and a thick, intricate ambience evolving like waves through a reliable rhythm. For our 6th chapter, Vinicius Honorio & Ricardo Garduno guide us back to the body. A drum machine skips along to a muffled synth line, reducing the dimensions of the record that had been opened, and resorting to being slightly more claustrophobic to create that needed tension. We then jump into Kike Pravda's 'Lost in Darkness' for a full-on space and granular submersion. Our second to last track inches along almost like an insect, one texture exchanging for another, constantly pushing through its duration. Finally we turn to our last chapter by Amorphic called 'A57'. This ending picks up the pace but offers space for a meditative and relaxing conclusion to wind down after another intense installment of Fuga. More
1
Deniro - Saola
2
Deniro - Vaquita
3
Deniro - Gharial
4
Deniro - Baiji
After a more than convincing debut on Token with his contribution to 2020's Fuga II compilation, Deniro returns with a 4-part sonic manifesto entitled 'Saola'.
TRACKLISTING
A1. Deniro - Saola
A2. Deniro - Vaquita
B1. Deniro - Gharial
B2. Deniro - Baiji
INFO
After a more than convincing debut on Token with his contribution to 2020's Fuga II compilation, Deniro returns with a 4-part sonic manifesto entitled 'Saola'. With each track name referring to either a highly endangered or extinct wild animal, Deniro offers analog efficiency denoting various ecospheres through minimalist composition. Linear in form yet immersive in effect, Saola guides the listener from lucity into spacious abyss.
Initiating the EP with the title track, 'Saola' confronts with what can almost be perceived as a hastily played piano. The A1 provides nail-biting dissonance to kick things off with hypnotic delay, gripping the listener until the very end with consistent progression through a simplistic albeit powerful percussion line. Deniro then picks up the pace and shines things up with a brightly stabbed synth and 16th hats to roll us through the highly efficacious followup, 'Vaquita'.
Even more explosive than its predecessor, Deniro uses 'Vaquita' to show tense restraint in his arrangement that's complemented by his pressing lead sequence.
The record is then flipped to reveal a B side that takes off as soon as the needle hits the wax. 'Gharial' begins explosively full-on, throwing the listener into a vicious pursuit soundtracked by a fleetingly polyrhythmic arpeggio. The energy is underlined by rolling snares and toms to expand the width of the EP before arriving into the final excursion through the record's most introspective piece. High pitched plucks like stars brush along a song that inspires discovery. Whirlpooling white-noise in the far stereo field gives deep ambience to 'Baiji', offering an ethereal conclusion to an suspenseful adventure. More
TRACKLISTING
A1. Deniro - Saola
A2. Deniro - Vaquita
B1. Deniro - Gharial
B2. Deniro - Baiji
INFO
After a more than convincing debut on Token with his contribution to 2020's Fuga II compilation, Deniro returns with a 4-part sonic manifesto entitled 'Saola'. With each track name referring to either a highly endangered or extinct wild animal, Deniro offers analog efficiency denoting various ecospheres through minimalist composition. Linear in form yet immersive in effect, Saola guides the listener from lucity into spacious abyss.
Initiating the EP with the title track, 'Saola' confronts with what can almost be perceived as a hastily played piano. The A1 provides nail-biting dissonance to kick things off with hypnotic delay, gripping the listener until the very end with consistent progression through a simplistic albeit powerful percussion line. Deniro then picks up the pace and shines things up with a brightly stabbed synth and 16th hats to roll us through the highly efficacious followup, 'Vaquita'.
Even more explosive than its predecessor, Deniro uses 'Vaquita' to show tense restraint in his arrangement that's complemented by his pressing lead sequence.
The record is then flipped to reveal a B side that takes off as soon as the needle hits the wax. 'Gharial' begins explosively full-on, throwing the listener into a vicious pursuit soundtracked by a fleetingly polyrhythmic arpeggio. The energy is underlined by rolling snares and toms to expand the width of the EP before arriving into the final excursion through the record's most introspective piece. High pitched plucks like stars brush along a song that inspires discovery. Whirlpooling white-noise in the far stereo field gives deep ambience to 'Baiji', offering an ethereal conclusion to an suspenseful adventure. More
1
Border One - Cyclone
2
Border One - Halo
3
Border One - Stratus
4
Border One - Spheric
Border One returns to Token with 4 tracks of no nonsense, body focused music. This collection of tracks, meant to deliver uncompromising groove, affirms Border One's sonic identity through his use of evolving yet persistent tension brewing above hypnotic elements. This signature storm adds a dimension to Cyclone that guides the listener between club and mind by adding this constant yet recognizable anticipation.
TRACKLISTING
A1. Border One - Cyclone
A2. Border One - Halo
B1. Border One - Stratus
B2. Border One - Spheric
INFO
Token sees the return of Brussels-based Border One for 4 tracks of no nonsense, body focused music. This collection of tracks, meant to deliver uncompromising groove, affirms Border One's sonic identity through his use of evolving yet persistent tension brewing above hypnotic elements. This signature storm adds a dimension to Cyclone that guides the listener between club and mind by adding this constant yet recognizable anticipation.
The EP opens up at full capacity with the title track; bent metallics over an intimidatingly deep kick are stalked and circled by a sinister pad that leaves only to release maximum tension. This peak-time cut is followed by the subdued A2 'Halo' where, this time, melodic ambience is prioritized. Light toms drive us forward to undress a track with a patiently strained arrangement, partially through a filter only opening fully midway through, imposing the producer's pace. Border One then lifts the energy with 'Stratus' through 1/16th rhythmics with an almost psychotic arpeggio and tunneling hi hats in a track that can be visually described as racing fractals. The invigoratingly hypnotic quality of 'Stratus' creates an ultimate closed-eye dance floor experience to then pull us into 'Spheric' that closes the EP out in an entirely new but familiar cosmic atmosphere. Space is given to this last cut, with short plucked synths resonating through vast soundscapes, giving the project an ethereal closing over lighter, bouncing percussion. More
TRACKLISTING
A1. Border One - Cyclone
A2. Border One - Halo
B1. Border One - Stratus
B2. Border One - Spheric
INFO
Token sees the return of Brussels-based Border One for 4 tracks of no nonsense, body focused music. This collection of tracks, meant to deliver uncompromising groove, affirms Border One's sonic identity through his use of evolving yet persistent tension brewing above hypnotic elements. This signature storm adds a dimension to Cyclone that guides the listener between club and mind by adding this constant yet recognizable anticipation.
The EP opens up at full capacity with the title track; bent metallics over an intimidatingly deep kick are stalked and circled by a sinister pad that leaves only to release maximum tension. This peak-time cut is followed by the subdued A2 'Halo' where, this time, melodic ambience is prioritized. Light toms drive us forward to undress a track with a patiently strained arrangement, partially through a filter only opening fully midway through, imposing the producer's pace. Border One then lifts the energy with 'Stratus' through 1/16th rhythmics with an almost psychotic arpeggio and tunneling hi hats in a track that can be visually described as racing fractals. The invigoratingly hypnotic quality of 'Stratus' creates an ultimate closed-eye dance floor experience to then pull us into 'Spheric' that closes the EP out in an entirely new but familiar cosmic atmosphere. Space is given to this last cut, with short plucked synths resonating through vast soundscapes, giving the project an ethereal closing over lighter, bouncing percussion. More
1
Planetary Assault Systems - A1. Labstract
2
Planetary Assault Systems - A2. One For The Groove
3
Planetary Assault Systems - B1. Give In
4
Planetary Assault Systems - B2. If I Die
5
Planetary Assault Systems - C1. Coal
6
Planetary Assault Systems - C2. Run
7
Planetary Assault Systems - D1. The Drag Train
8
Planetary Assault Systems - D2. Nano Chameleon
Luke Slater presents "Sky Scraping", a new Planetary Assault Systems album. P.A.S. has become a byword for hypnotic, funk-heavy Techno in a purist tradition. Toeing the line between heady, psychedelic material and all out main room fare - Slater's work as PAS captures the very best facets of the genre, with economically selected parts exquisitely arranged and engineered with a shrewd and uncompromising ear for what really makes people move.
TRACKLISTING
A1. Planetary Assault Systems - Labstract
A2. Planetary Assault Systems - One For The Groove
B1. Planetary Assault Systems - Give In
B2. Planetary Assault Systems - If I Die
C1. Planetary Assault Systems - Coal
C2. Planetary Assault Systems - Run
D1. Planetary Assault Systems - The Drag Train
D2. Planetary Assault Systems - Nano Chameleon
INFO
Luke Slater presents new Planetary Assault Systems album, Sky Scraping.
The iconic British producer, whose last LP arrived via Ostgut Ton in 2016, follows up this year's Say It Loud on Token with a full length featuring a wealth of brand new material.
A figure who needs little introduction to fans of the genre, but whose consistency in the studio and on the road has repeatedly marked him out as true pioneer of sound design and performance with a singular vision, Slater first minted the PAS alias in '93. Since then, a slew of singles and LP's from the industrious artist have made sure Planetary Assault Systems has become a byword for hypnotic, funk-heavy Techno in a purist tradition. Toeing the line between heady, psychedelic material and all out main room fare - Slater's work as PAS captures the very best facets of the genre, with economically selected parts exquisitely arranged and engineered with a shrewd and uncompromising ear for what really makes people move.
On the new LP, Slater draws on studio material but also components recorded during the PAS live show - and he's keen to let fans know the focus is well and truly on the dance floor with this one: Sky Scraping is a loud and unabashed celebration of the formative and familiar environments so loved by the electronic music community, the dark clubs and festivals made special by their unique ability to bring like minded people together.
Sky Scraping kicks off in characteristically dense, psychedelic fashion with Labstract - a slice of classic PAS with cavernous low end and a tight, looping sequence doing the driving work while frenetic drum machine cuts and wide angle synth sirens shift the track onwards from one phase to the next. Follow up One For The Groove showcases the chunkier side of Slater's production as PAS with an infectious 909 pattern propelled on in the high mids by a squelching synth patch. Bang Wap revisits the artist's last outing on Token - a monstrous, unforgiving roller designed with peak time in mind. Say It Loud - the idiosyncratic proto-anthem that accompanied Bang Wap earlier in the year leads the LP onwards, before sequing into new recording Give In - a masterclass in dense, funky, face-melting Techno. Drums take centre stage on If I Die, as the artist returns to the 909 for a marginally slowed down cut that really highlights the artist's connection to and natural affinity with groove and drum machine cuts. Coal thrusts the listener straight back down the wormhole - an extraordinary, driving piece propelled by a guttural lead synth sequence and ghostly drums, before giving way to Run - a dry, pared back recording with plucked, staccato synths that makes for a good contrast to its fathoms deep predecessor. Though not without moments of hysteria in its closing quarter, The Drag Train, featuring a classic, more mono finish begins the wind down towards the LP's close. Nano Chameleon ties up Sky Scraping, a track as forceful as anything that has come earlier on the record - as it approaches its close, a warping lead powers the recording home with shuffling white noise percussion dipping in and out of the sonic main stage before giving way to a delicate, controlled chaos. More
TRACKLISTING
A1. Planetary Assault Systems - Labstract
A2. Planetary Assault Systems - One For The Groove
B1. Planetary Assault Systems - Give In
B2. Planetary Assault Systems - If I Die
C1. Planetary Assault Systems - Coal
C2. Planetary Assault Systems - Run
D1. Planetary Assault Systems - The Drag Train
D2. Planetary Assault Systems - Nano Chameleon
INFO
Luke Slater presents new Planetary Assault Systems album, Sky Scraping.
The iconic British producer, whose last LP arrived via Ostgut Ton in 2016, follows up this year's Say It Loud on Token with a full length featuring a wealth of brand new material.
A figure who needs little introduction to fans of the genre, but whose consistency in the studio and on the road has repeatedly marked him out as true pioneer of sound design and performance with a singular vision, Slater first minted the PAS alias in '93. Since then, a slew of singles and LP's from the industrious artist have made sure Planetary Assault Systems has become a byword for hypnotic, funk-heavy Techno in a purist tradition. Toeing the line between heady, psychedelic material and all out main room fare - Slater's work as PAS captures the very best facets of the genre, with economically selected parts exquisitely arranged and engineered with a shrewd and uncompromising ear for what really makes people move.
On the new LP, Slater draws on studio material but also components recorded during the PAS live show - and he's keen to let fans know the focus is well and truly on the dance floor with this one: Sky Scraping is a loud and unabashed celebration of the formative and familiar environments so loved by the electronic music community, the dark clubs and festivals made special by their unique ability to bring like minded people together.
Sky Scraping kicks off in characteristically dense, psychedelic fashion with Labstract - a slice of classic PAS with cavernous low end and a tight, looping sequence doing the driving work while frenetic drum machine cuts and wide angle synth sirens shift the track onwards from one phase to the next. Follow up One For The Groove showcases the chunkier side of Slater's production as PAS with an infectious 909 pattern propelled on in the high mids by a squelching synth patch. Bang Wap revisits the artist's last outing on Token - a monstrous, unforgiving roller designed with peak time in mind. Say It Loud - the idiosyncratic proto-anthem that accompanied Bang Wap earlier in the year leads the LP onwards, before sequing into new recording Give In - a masterclass in dense, funky, face-melting Techno. Drums take centre stage on If I Die, as the artist returns to the 909 for a marginally slowed down cut that really highlights the artist's connection to and natural affinity with groove and drum machine cuts. Coal thrusts the listener straight back down the wormhole - an extraordinary, driving piece propelled by a guttural lead synth sequence and ghostly drums, before giving way to Run - a dry, pared back recording with plucked, staccato synths that makes for a good contrast to its fathoms deep predecessor. Though not without moments of hysteria in its closing quarter, The Drag Train, featuring a classic, more mono finish begins the wind down towards the LP's close. Nano Chameleon ties up Sky Scraping, a track as forceful as anything that has come earlier on the record - as it approaches its close, a warping lead powers the recording home with shuffling white noise percussion dipping in and out of the sonic main stage before giving way to a delicate, controlled chaos. More
1
ORBE - A1. FM-2030
2
ORBE - A2. Extropy
3
ORBE - B1. Transhuman
4
ORBE - B2. Posthuman Being
TRACKLISTING
A1. ORBE - FM-2030
A2. ORBE - Extropy
B1. ORBE - Transhuman
B2. ORBE - Posthuman Being
INFO
ORBE debuts on Token.
The Spanish producer arrives on the label with a brace of high energy, atmospheric dance floor cuts. Leaning tentatively towards a more booming, warehouse-ready finish, the four track EP channels funk, density and smart sound design in equal measure.
Tripping opener FM-2030 marries a bold, aquatic lead sequence with glassy pads set in the sonic periphery that serve to create a pleasing sense of suspension. Drum machine flourishes help guide the recording onwards, increasing intensity where required and exuberant synth hits wax and bend in support along the way, tying up a classy, rolling number. A-side follow up Extropy features booming, fathoms deep low end and that same sunk, introspective finish. Noisy percussive elements inject groove and dynamics to proceedings while a growling synth shifts in and out of view for added effect. Caustic B1 Transhuman builds itself around a single warping lead, expertly tweaked and plied along its run time to generate a palpable hysteria. Buoyed by expertly centred kicks, it's a powerful piece of off kilter dance floor material. Closing piece Posthuman Being drives the record home - an expertly executed slice of peak time Techno, complete with driving bassline and crisp atmospherics for added character. More
A1. ORBE - FM-2030
A2. ORBE - Extropy
B1. ORBE - Transhuman
B2. ORBE - Posthuman Being
INFO
ORBE debuts on Token.
The Spanish producer arrives on the label with a brace of high energy, atmospheric dance floor cuts. Leaning tentatively towards a more booming, warehouse-ready finish, the four track EP channels funk, density and smart sound design in equal measure.
Tripping opener FM-2030 marries a bold, aquatic lead sequence with glassy pads set in the sonic periphery that serve to create a pleasing sense of suspension. Drum machine flourishes help guide the recording onwards, increasing intensity where required and exuberant synth hits wax and bend in support along the way, tying up a classy, rolling number. A-side follow up Extropy features booming, fathoms deep low end and that same sunk, introspective finish. Noisy percussive elements inject groove and dynamics to proceedings while a growling synth shifts in and out of view for added effect. Caustic B1 Transhuman builds itself around a single warping lead, expertly tweaked and plied along its run time to generate a palpable hysteria. Buoyed by expertly centred kicks, it's a powerful piece of off kilter dance floor material. Closing piece Posthuman Being drives the record home - an expertly executed slice of peak time Techno, complete with driving bassline and crisp atmospherics for added character. More
1
Planetary Assault System - No Title
2
Planetary Assault System - No Title
3
Planetary Assault System - No Title
4
Planetary Assault System - No Title
Token celebrates its 100th release with Luke Slater, a legend of the genre, releasing under one of his most iconic aliases: Planetary Assault Systems. For over 25 years, Slater has delivered unparalleled quality in his music - a formative figure in Techno and instrumental in defining the sound globally, few can touch the Brit for depth, urgency and hit rate.
TRACKLISTING
A1. Planetary Assault Systems - Bang Wap
A2. Planetary Assault Systems - Bolt
B1. Planetary Assault Systems - Say It Loud
B2. Planetary Assault Systems - Shine
More
TRACKLISTING
A1. Planetary Assault Systems - Bang Wap
A2. Planetary Assault Systems - Bolt
B1. Planetary Assault Systems - Say It Loud
B2. Planetary Assault Systems - Shine
More
1
PTTRN - No Title
2
PTTRN - No Title
3
PTTRN - No Title
4
PTTRN - No Title
5
PTTRN - No Title
TRACKLISTING
A1. PTTRN - Disappear 1
A2. PTTRN - Disappear 2
A3. PTTRN - Disappear 3
B1. PTTRN - Disappear 4
B2. PTTRN - Disappear 4 (Mike Parker Remix)
PTTRN follow up strong releases on labels like MindTrip and Float with a first high energy offering for Token. The record also marks Mike Parker's first outing on the label with a stunning remix in his inimitable style.
A natural fit for Token, the Belgian duo serve up a neat package of rolling contemporary Techno - driven but dynamic and broad in terms of tone. The production is decidedly refined and riffs on the classic posits of the genre, making the very most of very little.
Opener Disappear 1 sets the scene: immediate, metallic material for the dance-floor and Disappear 2 doesn't let the energy dip - a slice of pure peak time Techno executed with considerable deftness. Closing out the A side, Disappear 3 opens things up, a marginally more airy take on the same dense, rhythmic work. On the B side Disappear 4 goes deeper and more hypnotic but doesn't lose the energy that defines the record before segueing into Parker's remix - a powerful dose of the classic sound that has made the artist one of the true mainstays of the genre More
A1. PTTRN - Disappear 1
A2. PTTRN - Disappear 2
A3. PTTRN - Disappear 3
B1. PTTRN - Disappear 4
B2. PTTRN - Disappear 4 (Mike Parker Remix)
PTTRN follow up strong releases on labels like MindTrip and Float with a first high energy offering for Token. The record also marks Mike Parker's first outing on the label with a stunning remix in his inimitable style.
A natural fit for Token, the Belgian duo serve up a neat package of rolling contemporary Techno - driven but dynamic and broad in terms of tone. The production is decidedly refined and riffs on the classic posits of the genre, making the very most of very little.
Opener Disappear 1 sets the scene: immediate, metallic material for the dance-floor and Disappear 2 doesn't let the energy dip - a slice of pure peak time Techno executed with considerable deftness. Closing out the A side, Disappear 3 opens things up, a marginally more airy take on the same dense, rhythmic work. On the B side Disappear 4 goes deeper and more hypnotic but doesn't lose the energy that defines the record before segueing into Parker's remix - a powerful dose of the classic sound that has made the artist one of the true mainstays of the genre More
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Tracklist 12":
A1) Orlando Magic, A2) Cabrio Mango
B1) 1981, B2) She Keeps It Good
The Toy Tonics crew is known for being addicted to two things: vintage music machines and old vinyl. 100% music aficionados. On the Tonic Edit series the crew shares some of their favorite old tracks - in a reworked version.
This time COEO get back in time. They destroyed a couple of 1970ies disco jams. Recut & repasted them. And gave them their special COEO touch. Of course it's irresistible!
This release comes on vinyl only first. Later maybe could be out on selected Digital sellers.. not sure yet.
More
A1) Orlando Magic, A2) Cabrio Mango
B1) 1981, B2) She Keeps It Good
The Toy Tonics crew is known for being addicted to two things: vintage music machines and old vinyl. 100% music aficionados. On the Tonic Edit series the crew shares some of their favorite old tracks - in a reworked version.
This time COEO get back in time. They destroyed a couple of 1970ies disco jams. Recut & repasted them. And gave them their special COEO touch. Of course it's irresistible!
This release comes on vinyl only first. Later maybe could be out on selected Digital sellers.. not sure yet.
More
1
CYRK - Superior Things
2
CYRK - Heatwave
3
CYRK - Chappers Said So (Voiski Remix)
4
CYRK - Chappers Said So
12” (+ download)
Tracklist
A1) Superior Things
A2) Heatwave
B1) Chappers Said So (Voiski Remix)
B2) Chappers Said So
Infotext
CYRK, the Belgian-German duo of Sammy Goossens and Pascal Hetzel, is giving its debut release on Vakant with three fast-paced no-holds-barred electro jams topped off with a remix by French producer Voiski.
'Superior Things', the eponymous title track, kicks off the EP with driving funk and and acid lead synths, followed by 'Heatwave', another futuristic high-tech-funker. On the flip we have 'Chappers Said So', a sublime homage to classic Detroit electro and last but definitely not least Voiski's remix of the latter, an immersive and trance-inducing techno re-work for you to get lost in.
Artwork by SEO – www.artseo.de
More
Tracklist
A1) Superior Things
A2) Heatwave
B1) Chappers Said So (Voiski Remix)
B2) Chappers Said So
Infotext
CYRK, the Belgian-German duo of Sammy Goossens and Pascal Hetzel, is giving its debut release on Vakant with three fast-paced no-holds-barred electro jams topped off with a remix by French producer Voiski.
'Superior Things', the eponymous title track, kicks off the EP with driving funk and and acid lead synths, followed by 'Heatwave', another futuristic high-tech-funker. On the flip we have 'Chappers Said So', a sublime homage to classic Detroit electro and last but definitely not least Voiski's remix of the latter, an immersive and trance-inducing techno re-work for you to get lost in.
Artwork by SEO – www.artseo.de
More
1
Sibling & Heavenchord - Lonesome Landscape
2
Sibling & Heavenchord - Calmness
3
Sibling & Heavenchord - Overcoming
4
Sibling & Heavenchord - Slow Sensation
Special Remarks : 180 gram Vinyl + Downloadcode, 30x30 chrome glossy printed inlay
The new talented Italian producers Sibling and the Russian Artist Heavenchord kicking it off
with Lonesome Landscape EP on FAUXPAS MUSIK. An emotional piece of late night
atmosphere dub techno music full of analogue warmth and heart-warming depth.
Vinyl tastes better...
Tracklist Vinyl:
A1 Lonesome Landscape
A2 Calmness
B1 Overcoming
B2 Slow Sensation More
The new talented Italian producers Sibling and the Russian Artist Heavenchord kicking it off
with Lonesome Landscape EP on FAUXPAS MUSIK. An emotional piece of late night
atmosphere dub techno music full of analogue warmth and heart-warming depth.
Vinyl tastes better...
Tracklist Vinyl:
A1 Lonesome Landscape
A2 Calmness
B1 Overcoming
B2 Slow Sensation More
1
Rukka, Teakup, Sepehr, and Pressure Poin - Rukka - Stellar Radiation
2
Rukka, Teakup, Sepehr, and Pressure Poin - Teakup-Believe
3
Rukka, Teakup, Sepehr, and Pressure Poin - Sepehr - Exit Your Body
4
Rukka, Teakup, Sepehr, and Pressure Poin - Pressure Point - So Far So Good
Space-influenced tracks that bring the listener to the heart of the funk cosmos, Residual's latest serves up a brilliant and dexterous voyage to soundspheres that are well worth getting lost in.
Tracklist:
A1- Rukka- Stellar Radiation 7:08
A2- Teakup-Believe 3:56
B1- Sepehr-Exit Your Body 6:21
B2- Pressure Point- So Far, So Good 5:45
Release info / promo text:
If you've encountered Titonton Duvante's Residual over the years, then you'll be all too aware of their ability to conjure up genuinely thrilling and thought-provoking electronic works. Indeed, while he's best known as a DJ/producer in his own right, Duvante's own A&R skills are impressive, with Residual counting on everyone from Fym to Boo Williams to Garrett David over the years. As with their last V/A (the brilliant Refraction Vol. III), the label owner has done another expert job at rounding up some great troops here, with four emerging producers delivering the goods courtesy of Refraction Vol. IV.
We get underway courtesy of Rukka's 'Stellar Radiation'. Full of zippy, nimble synths and clever cowbell sounds, 'Stellar Radiation' is a brilliantly constructed slice of intergalactic funk that brings the rabbit role in some style. Teakup's 'Believe' is a more stuffy, techno-focused cut, the likes of which has been produced in a unique, urban-influenced vein. Miscellanea I on the Is / Was label, it's another reminder of the Ohio native's undoubted talents.
'Sepehr's 'Exit Your Body' plays out like a vintage cut from The Martian. Loaded with funk and soul motifs and characterised by its 808 sounds, this is techno of a real swagger and panache. Deep but brilliantly catchy, it's indicative of the label at its very best. It's then left to Italian producer Pressure Point to see us out, a task he fulfils in some fashion thanks to 'So Far So Good'. Another track with its roots in classic sounds, it too maintains a sort of contemporary edge. Really fascinating and sumptuous stuff that strays down different paths throughout the course of its almost 6 minutes, it closes the release in truly emphatic fashion.
Space-influenced tracks that bring the listener to the heart of the funk cosmos, Residual's latest serves up a brilliant and dexterous voyage to soundspheres that are well worth getting lost in.
More
Tracklist:
A1- Rukka- Stellar Radiation 7:08
A2- Teakup-Believe 3:56
B1- Sepehr-Exit Your Body 6:21
B2- Pressure Point- So Far, So Good 5:45
Release info / promo text:
If you've encountered Titonton Duvante's Residual over the years, then you'll be all too aware of their ability to conjure up genuinely thrilling and thought-provoking electronic works. Indeed, while he's best known as a DJ/producer in his own right, Duvante's own A&R skills are impressive, with Residual counting on everyone from Fym to Boo Williams to Garrett David over the years. As with their last V/A (the brilliant Refraction Vol. III), the label owner has done another expert job at rounding up some great troops here, with four emerging producers delivering the goods courtesy of Refraction Vol. IV.
We get underway courtesy of Rukka's 'Stellar Radiation'. Full of zippy, nimble synths and clever cowbell sounds, 'Stellar Radiation' is a brilliantly constructed slice of intergalactic funk that brings the rabbit role in some style. Teakup's 'Believe' is a more stuffy, techno-focused cut, the likes of which has been produced in a unique, urban-influenced vein. Miscellanea I on the Is / Was label, it's another reminder of the Ohio native's undoubted talents.
'Sepehr's 'Exit Your Body' plays out like a vintage cut from The Martian. Loaded with funk and soul motifs and characterised by its 808 sounds, this is techno of a real swagger and panache. Deep but brilliantly catchy, it's indicative of the label at its very best. It's then left to Italian producer Pressure Point to see us out, a task he fulfils in some fashion thanks to 'So Far So Good'. Another track with its roots in classic sounds, it too maintains a sort of contemporary edge. Really fascinating and sumptuous stuff that strays down different paths throughout the course of its almost 6 minutes, it closes the release in truly emphatic fashion.
Space-influenced tracks that bring the listener to the heart of the funk cosmos, Residual's latest serves up a brilliant and dexterous voyage to soundspheres that are well worth getting lost in.
More
Metronomy release their third album, 'The English Riviera' on April 11th through Because Music. The follow up to 2008's critically acclaimed 'Nights Out', 'The English Riviera' is a sonic progression of epic proportions and affirms Metronomy front man and producer, Joseph Mount, as a rare British talent.
Since 'Nights Out', the band have swollen to a four piece with new members Anna Prior on drums, Gbenga Adelekan on bass, original member Oscar Cash on keys/sax, and Joe himself on vocals, keys and guitar. This expansion of personnel is reflective of a new record that is mapped by vast soundscapes, incredible depth and warmth, and big pop hooks
Part love letter to the area of Devon coast Mount grew up in and part concept album about his own semi-fictionalised vision of "The English Riviera", the tone for the album is set by the opening sounds of seagulls, distant waves and a Music Hall string quartet. However, any notion of whimsy is swiftly dispelled, as the seismic bass line of 'We Broke Free' shudders and ushers in waves of layered guitars and synths.
Having produced and remixed everyone from Roots Manuva to Kate Nash and the forthcoming album from Nicola Roberts, this is the first Metronomy album that Mount has taken out of his bedroom and recorded in a proper studio. The results are telling.
Characterised throughout with a sense of warmth and richness, 'The English Riviera' is in parts reminiscent of seminal 1970s West Coast studio albums from the likes of Fleetwood Mac and The Eagles, but due to Mount's studio wizardry, the record sounds vibrant and entirely of its time.
Few other albums released this year will so successfully transcend such a plethora of influences and ideas and form such a coherent body of work.
Tracklisting:
Side A:
The English Riviera
We Broke Free
Everything Goes my way
The Look
She Wants
Trouble
Side B:
The Bay
Loving Arm
Corinne
Some Written
Love Underlined
More
Since 'Nights Out', the band have swollen to a four piece with new members Anna Prior on drums, Gbenga Adelekan on bass, original member Oscar Cash on keys/sax, and Joe himself on vocals, keys and guitar. This expansion of personnel is reflective of a new record that is mapped by vast soundscapes, incredible depth and warmth, and big pop hooks
Part love letter to the area of Devon coast Mount grew up in and part concept album about his own semi-fictionalised vision of "The English Riviera", the tone for the album is set by the opening sounds of seagulls, distant waves and a Music Hall string quartet. However, any notion of whimsy is swiftly dispelled, as the seismic bass line of 'We Broke Free' shudders and ushers in waves of layered guitars and synths.
Having produced and remixed everyone from Roots Manuva to Kate Nash and the forthcoming album from Nicola Roberts, this is the first Metronomy album that Mount has taken out of his bedroom and recorded in a proper studio. The results are telling.
Characterised throughout with a sense of warmth and richness, 'The English Riviera' is in parts reminiscent of seminal 1970s West Coast studio albums from the likes of Fleetwood Mac and The Eagles, but due to Mount's studio wizardry, the record sounds vibrant and entirely of its time.
Few other albums released this year will so successfully transcend such a plethora of influences and ideas and form such a coherent body of work.
Tracklisting:
Side A:
The English Riviera
We Broke Free
Everything Goes my way
The Look
She Wants
Trouble
Side B:
The Bay
Loving Arm
Corinne
Some Written
Love Underlined
More
LP,180, 2018 REISSUE - REMASTERED FROM ORIGINAL TAPES, CAREFULLY REPRODUCED ORIGINAL ART
Released in the same year as Synthesis over on KPM, 1974's Synthesizer and Percussion is its essential companion piece. "This record features the many distinctive sounds of the ARP Synthesizer plus percussion in various moods and tempos" is the even more underwhelming than usual library record sales pitch for Alan Hawkshaw and Brian Bennett's second collection of what is basically minimal G-funk, with overtones of primitive acid house. This is ridiculously good.
This is one of Hawkshaw and Bennett's wilder joints and aeons ahead of its time. Bennett's tough drums provide the underpinnings for the prominent bass, keys and bubbling synths high up in the mix, alongside Hawkshaw's deranged clavinet-funk-rock. There are heavenly break loops galore.
Opener "Mon Amour" is ultra-smooth funk, all inter-weaving melodic lines whilst the seminal "Oddball" is an incredible hard electro strut with a knocking break. "Mile High Swinger" is a tranquil Spaghetti Western whistling theme over double tempo rhythmic movement and the pulsating "Auto Pilot" has a percussive groove elevated by electric piano and synthesizer. Check "Driving Force", "Home Run" and "Pacesetter" for electroid prog-funk dripped in acid squelch.
All five final tracks are beatless synth workouts, because they can.
As with all ten re-issues, the audio for Synthesizer and Percussion comes from the original analogue tapes and has been remastered for vinyl by Be With regular Simon Francis. We've taken the same care with the sleeves, handing the reproduction duties over to Richard Robinson, the current custodian of KPM's brand identity.
TRACKLISTING
Mon Amour
Oddball
Daytripper
Mile High Swinger (Vers. A)
Mile High Swinger (Vers. B)
Auto-Pilot
Pacesetter
Home Run
Driving Force
Action Man
Funky Chicken
Jolly Roger
Dumbo
Plain Song
Fanfair
More
Released in the same year as Synthesis over on KPM, 1974's Synthesizer and Percussion is its essential companion piece. "This record features the many distinctive sounds of the ARP Synthesizer plus percussion in various moods and tempos" is the even more underwhelming than usual library record sales pitch for Alan Hawkshaw and Brian Bennett's second collection of what is basically minimal G-funk, with overtones of primitive acid house. This is ridiculously good.
This is one of Hawkshaw and Bennett's wilder joints and aeons ahead of its time. Bennett's tough drums provide the underpinnings for the prominent bass, keys and bubbling synths high up in the mix, alongside Hawkshaw's deranged clavinet-funk-rock. There are heavenly break loops galore.
Opener "Mon Amour" is ultra-smooth funk, all inter-weaving melodic lines whilst the seminal "Oddball" is an incredible hard electro strut with a knocking break. "Mile High Swinger" is a tranquil Spaghetti Western whistling theme over double tempo rhythmic movement and the pulsating "Auto Pilot" has a percussive groove elevated by electric piano and synthesizer. Check "Driving Force", "Home Run" and "Pacesetter" for electroid prog-funk dripped in acid squelch.
All five final tracks are beatless synth workouts, because they can.
As with all ten re-issues, the audio for Synthesizer and Percussion comes from the original analogue tapes and has been remastered for vinyl by Be With regular Simon Francis. We've taken the same care with the sleeves, handing the reproduction duties over to Richard Robinson, the current custodian of KPM's brand identity.
TRACKLISTING
Mon Amour
Oddball
Daytripper
Mile High Swinger (Vers. A)
Mile High Swinger (Vers. B)
Auto-Pilot
Pacesetter
Home Run
Driving Force
Action Man
Funky Chicken
Jolly Roger
Dumbo
Plain Song
Fanfair
More
1
Peter Ludemann & Pit Troja - A1 : The Now Generation
2
Peter Ludemann & Pit Troja - A2 : Panama
3
Peter Ludemann & Pit Troja - A3 : Inorganic Matter
4
Peter Ludemann & Pit Troja - A4 : African Nightclub
5
Peter Ludemann & Pit Troja - A5 : Grease Plant
6
Peter Ludemann & Pit Troja - A6 : Southerly
7
Peter Ludemann & Pit Troja - B1 : Mechanical Heart
8
Peter Ludemann & Pit Troja - B2 : Chemical Threat
9
Peter Ludemann & Pit Troja - B3 : Steady Going
10
Peter Ludemann & Pit Troja - B4 : Nepal Trek
Format Notes:
140g vinyl, remastered from the original analogue tapes, metallic silver sleeve
Territories:
Worldwide no restrictions
Track List:
A1 : The Now Generation (3:29)
A2 : Panama (2:24)
A3 : Inorganic Matter (3:27)
A4 : African Nightclub (3:18)
A5 : Grease Plant (3:20)
A6 : Southerly (2:15)
B1 : Mechanical Heart (7:22)
B2 : Chemical Threat (3:26)
B3 : Steady Going (3:16)
B4 : Nepal Trek (2:47)
Release Notes:
Release Notes:
They Say: “Documentary and industrial underlays for current themes of modern life”.
We say: Mind-blowing, percussion-heavy, Afro-tinged, cosmic-disco library bomb.
This is the one. An absolutely outstanding record from 1983 and definitely one of the hardest to find on the collectable German library label, Coloursound. The Now Generation (Percussive Underscores) is comfortably one of the very best library records full stop.
The record comes galloping out the gate with a pair of rapid synthy-eurodisco bombs - the title-track and “Panama” - before slowing down to a woozy pace on “Inorganic Matter”. “African Nightclub” sounds like it reads, and is a particular favourite of Prins Thomas. Indeed, it was used to great effect on his seminal Cosmo Galactic Prism mix for Eskimo back in 2007. It’s followed by the dark, druggy, slow motion industrial groove of “Grease Plant” before “Southerly” lifts the tempo to close out side A with its Latin funk strut of bells and melancholic keys.
For us, though, it’s all about the opener to side B: “Mechanical Heart”. Seven minutes of building, mid-tempo disco-funk joy, deceptively explosive, club-ready gear for body and soul. The back cover dryly describes the track as “Guitar and percussion, light industrial underlay”. Hmmm. How about, “after finally emerging from a particularly heavy week jamming in a sunless, lawless German warehouse, Chic warily press record on a wayward, illicit instrumental for basement gatherings”. Just wait for those drums at the 3 minute mark…
The beatless ambience and menacing stabs of the proto-electro “Chemical Threat” follows, before the open drums and incredible fills of the metronomic “Steady Going” and fantastically monotonous funk breaks of “Nepal Trek” round out this sensational set.
This is a library masterpiece in no uncertain terms, full of synth funk, afro beats, exotica, leftfield madness, dance floor dynamite and all-around greatness.
As with our KPM and Themes re-issues, the audio for The Now Generation comes from the original analogue tapes and has been remastered for vinyl by Be With regular Simon Francis. Richard Robinson has brought the original Coloursound sleeve back to life in all its metalic silver glory.
More
140g vinyl, remastered from the original analogue tapes, metallic silver sleeve
Territories:
Worldwide no restrictions
Track List:
A1 : The Now Generation (3:29)
A2 : Panama (2:24)
A3 : Inorganic Matter (3:27)
A4 : African Nightclub (3:18)
A5 : Grease Plant (3:20)
A6 : Southerly (2:15)
B1 : Mechanical Heart (7:22)
B2 : Chemical Threat (3:26)
B3 : Steady Going (3:16)
B4 : Nepal Trek (2:47)
Release Notes:
Release Notes:
They Say: “Documentary and industrial underlays for current themes of modern life”.
We say: Mind-blowing, percussion-heavy, Afro-tinged, cosmic-disco library bomb.
This is the one. An absolutely outstanding record from 1983 and definitely one of the hardest to find on the collectable German library label, Coloursound. The Now Generation (Percussive Underscores) is comfortably one of the very best library records full stop.
The record comes galloping out the gate with a pair of rapid synthy-eurodisco bombs - the title-track and “Panama” - before slowing down to a woozy pace on “Inorganic Matter”. “African Nightclub” sounds like it reads, and is a particular favourite of Prins Thomas. Indeed, it was used to great effect on his seminal Cosmo Galactic Prism mix for Eskimo back in 2007. It’s followed by the dark, druggy, slow motion industrial groove of “Grease Plant” before “Southerly” lifts the tempo to close out side A with its Latin funk strut of bells and melancholic keys.
For us, though, it’s all about the opener to side B: “Mechanical Heart”. Seven minutes of building, mid-tempo disco-funk joy, deceptively explosive, club-ready gear for body and soul. The back cover dryly describes the track as “Guitar and percussion, light industrial underlay”. Hmmm. How about, “after finally emerging from a particularly heavy week jamming in a sunless, lawless German warehouse, Chic warily press record on a wayward, illicit instrumental for basement gatherings”. Just wait for those drums at the 3 minute mark…
The beatless ambience and menacing stabs of the proto-electro “Chemical Threat” follows, before the open drums and incredible fills of the metronomic “Steady Going” and fantastically monotonous funk breaks of “Nepal Trek” round out this sensational set.
This is a library masterpiece in no uncertain terms, full of synth funk, afro beats, exotica, leftfield madness, dance floor dynamite and all-around greatness.
As with our KPM and Themes re-issues, the audio for The Now Generation comes from the original analogue tapes and has been remastered for vinyl by Be With regular Simon Francis. Richard Robinson has brought the original Coloursound sleeve back to life in all its metalic silver glory.
More
As one half of the revered duo Zombi and with solo releases under is fake movie soundtrack composer alias Gianni Rossi ( permanent vacation ) or his real name ( Kompakt, L.I.E.S. ) STEVE MOORE has an extensive record of worshiping wholeheartly and toying around with his musical obsessions: glam and prog rock, early spacey synth pop and their manifestations in tv themes and b-movie soundtracks, mainly of the italian kind. Under his new guise LOVELOCK he plunges fearlessly and with verve into the pastel shining, glossy world of Italo Disco and Synth Pop and there couldnt be a niftier choice to remix the first 12" of his upcoming album on Internasjonal than MORGAN GEIST who has been championing disco of the more synth-driven italian variety long before it became the fashionable thing to do again. from the anthemic intro with big piano chords forcefully laying out the main theme in a almost broadway musical style errupting into supercharged, nightprowler-like synth chords to the joyous guitar melody, the sweeping complex synth melodies and the oblivious, longing vocals this record refuses every millisecond to end on the pile of drawn by numbers, safe club-tools. it succesfully aims much higher, cunningly balancing along and avoiding the slope into kitsch along the way into the pantheon of glittering timeless pop music.
More
1
Jensen Interceptor x DeFeKT - Free Your Body 5:58
2
Jensen Interceptor x DeFeKT - Mr Kinney 6:05
3
Jensen Interceptor x DeFeKT - Bipolar 5:46
4
Jensen Interceptor x DeFeKT - Life 5:00
5
Jensen Interceptor x DeFeKT - 7000 Miles 4:45
FORMAT 12” 180g, T30 Obi Strip, full printed sleeve, incl. Download Code
TRACKLIST
1./A1 Free Your Body 5:58
2./A2 Mr Kinney 6:05
3./B1 Bipolar 5:46
4./B2 Life 5:00
5./B3 7000 Miles 4:45
Release Note:
Ignore expectations and Free Your Body.
Travel a new path and Free Your Body.
Accept the limitations and Free Your Body.
Free your mind then Free Your Body.
Move to the beat and Free Your Body.
We encourage you to Free Your Body.
More
TRACKLIST
1./A1 Free Your Body 5:58
2./A2 Mr Kinney 6:05
3./B1 Bipolar 5:46
4./B2 Life 5:00
5./B3 7000 Miles 4:45
Release Note:
Ignore expectations and Free Your Body.
Travel a new path and Free Your Body.
Accept the limitations and Free Your Body.
Free your mind then Free Your Body.
Move to the beat and Free Your Body.
We encourage you to Free Your Body.
More
1
Various - A1 : Sweeny Todd
2
Various - A2 : The Heister
3
Various - A3 : Getaway
4
Various - A4 : Speed Run
5
Various - A5 : Pressure Point
6
Various - A6 : Grand Central Station
7
Various - A7 : The Pick-Up
8
Various - B1 : Soul Train
9
Various - B2 : Smokey Joe
10
Various - B3 : Grit Band Reggae
11
Various - B4 : West Coast Horn
12
Various - B5 : Overide
180g vinyl, remastered from the original analogue tapes
Territories:
Worldwide no restrictions
Track List:
A1 : Sweeny Todd (2:06)
A2 : The Heister (1:57)
A3 : Getaway (2:38)
A4 : Speed Run (2:27)
A5 : Pressure Point (2:57)
A6 : Grand Central Station (3:04)
A7 : The Pick-Up (2:11)
B1 : Soul Train (4:29)
B2 : Smokey Joe (2:57)
B3 : Grit Band Reggae (3:49)
B4 : West Coast Horn (4:10)
B5 : Overide (3:31)
Release Notes:
They Say: “Driving brass and sax ensemble over funky rhythm section, playing tracks of various feel and style”.
We say: From the Lincoln Continental that memorably adorns the cover to the tranquil funk contained within, this glowing ode to the grooving force of 70s American soul music is ice cool all over. With brilliant contributions from the Three Key Alans™ (Hawkshaw, Parker, Tew) as well as Mike Moran, Les Hurdle and Keith Roberts, this is driving music for only the vibiest cats.
Originally released in 1976, The All American Powerhouse is one of the very best of the Themes library releases. It’s killer. A feast of dramatic jazz, horizontal, melodic funk and bouncing sunshine-y West-Coast feels throughout, there also lurks an intense injection of the Blaxploitation sound. Understandable, given the subject matter and year it was released.
Highlights include Alan Parker’s confident, horn-heavy wah-wah-fuelled album-opener “Sweeny Todd”, Hawkshaw’s graceful “Getaway” glide and dramatic, breathless “Speed Run”, Mike Moran’s loose, organ-driven propulsive B-Boy classic “The Pick-Up” and Keith Roberts’ percussive tour de force “Overide” that closes out the LP.
Yet, perhaps the most significant track here is Les Hurdle’s long-adored “Soul Train”. A grooving, bass-heavy library classic, it’s all swirling strings, stabbing horns, heavy open drums and melodic funk-rock guitars. Add in the funky clavinet, and the combination works beautifully.
As with all of our other Themes re-issues, the audio for The All American Powerhouse comes from the original analogue tapes and has been remastered for vinyl by Be With regular Simon Francis. We’ve taken the same care with the sleeves, handing the reproduction duties over to Richard Robinson, the current custodian of KPM’s brand identity.
More
Territories:
Worldwide no restrictions
Track List:
A1 : Sweeny Todd (2:06)
A2 : The Heister (1:57)
A3 : Getaway (2:38)
A4 : Speed Run (2:27)
A5 : Pressure Point (2:57)
A6 : Grand Central Station (3:04)
A7 : The Pick-Up (2:11)
B1 : Soul Train (4:29)
B2 : Smokey Joe (2:57)
B3 : Grit Band Reggae (3:49)
B4 : West Coast Horn (4:10)
B5 : Overide (3:31)
Release Notes:
They Say: “Driving brass and sax ensemble over funky rhythm section, playing tracks of various feel and style”.
We say: From the Lincoln Continental that memorably adorns the cover to the tranquil funk contained within, this glowing ode to the grooving force of 70s American soul music is ice cool all over. With brilliant contributions from the Three Key Alans™ (Hawkshaw, Parker, Tew) as well as Mike Moran, Les Hurdle and Keith Roberts, this is driving music for only the vibiest cats.
Originally released in 1976, The All American Powerhouse is one of the very best of the Themes library releases. It’s killer. A feast of dramatic jazz, horizontal, melodic funk and bouncing sunshine-y West-Coast feels throughout, there also lurks an intense injection of the Blaxploitation sound. Understandable, given the subject matter and year it was released.
Highlights include Alan Parker’s confident, horn-heavy wah-wah-fuelled album-opener “Sweeny Todd”, Hawkshaw’s graceful “Getaway” glide and dramatic, breathless “Speed Run”, Mike Moran’s loose, organ-driven propulsive B-Boy classic “The Pick-Up” and Keith Roberts’ percussive tour de force “Overide” that closes out the LP.
Yet, perhaps the most significant track here is Les Hurdle’s long-adored “Soul Train”. A grooving, bass-heavy library classic, it’s all swirling strings, stabbing horns, heavy open drums and melodic funk-rock guitars. Add in the funky clavinet, and the combination works beautifully.
As with all of our other Themes re-issues, the audio for The All American Powerhouse comes from the original analogue tapes and has been remastered for vinyl by Be With regular Simon Francis. We’ve taken the same care with the sleeves, handing the reproduction duties over to Richard Robinson, the current custodian of KPM’s brand identity.
More
UPC: 827170441569 Release date 15.7.2013
Tracklist 12: A1 Wanna Let You Go B1 Back On Earth B2 Reagy Dub
Markus Fix has been one of the early companions of Deep Vibes Recordings and we're happy to see him back with this stunning 3 Track solo EP. In fact this record somehow seems to close the circle between his early playful works and today's club sound. " Wanna Let You Go" is a beautiful warm house track with a sweet piano line. What might seem like a perfect sundowner has potential to become a secret weapon for early morning hours too. Release your mind and let the body follow! Whilst speaking of that: " Back On Earth" will make you jack! Pure energy, compressed to a juicy baseline. No more words needed. " Reagy Dub" makes the round up and fills in somewhere between the two others. Warm up, cool down or open airs sun splash. Check out this diverse as beautiful record!
Have a great summer! Yours truly, DVR.
More
Tracklist 12: A1 Wanna Let You Go B1 Back On Earth B2 Reagy Dub
Markus Fix has been one of the early companions of Deep Vibes Recordings and we're happy to see him back with this stunning 3 Track solo EP. In fact this record somehow seems to close the circle between his early playful works and today's club sound. " Wanna Let You Go" is a beautiful warm house track with a sweet piano line. What might seem like a perfect sundowner has potential to become a secret weapon for early morning hours too. Release your mind and let the body follow! Whilst speaking of that: " Back On Earth" will make you jack! Pure energy, compressed to a juicy baseline. No more words needed. " Reagy Dub" makes the round up and fills in somewhere between the two others. Warm up, cool down or open airs sun splash. Check out this diverse as beautiful record!
Have a great summer! Yours truly, DVR.
More
1
Louh - A1 M 8 8 12
2
Louh - A2 I am the moonchild
3
Louh - A3 Traince Ride (to a not so well known place)
4
Louh - B1 Stato d'ansia
5
Louh - B2 Welcome to 2019
Tracklist EP Vinyl :
A1 M 8 8 12
A2 I am the moonchild
A3 Traince Ride (to a not so well known place)
B1 Stato d'ansia
B2 Welcome to 2019
Short Info:
Louh returns with his second solo EP on Les Points. Expect 5 signature psychedelic acid cuts.
Moonchild they call me, because I only appear once a month during full moon. I was once saved by the damned & doomed; now I have awoken from a structural nightmare. In my new & limited existence, I felt the urge to cast a bright light on those creatures of the night as we would share a common faith (or systematic oppression). I suppose we are a fragmented community – once a month – when the moon shines the strongest – we bring death & despair to the ones that marginalized our spirits.
More
A1 M 8 8 12
A2 I am the moonchild
A3 Traince Ride (to a not so well known place)
B1 Stato d'ansia
B2 Welcome to 2019
Short Info:
Louh returns with his second solo EP on Les Points. Expect 5 signature psychedelic acid cuts.
Moonchild they call me, because I only appear once a month during full moon. I was once saved by the damned & doomed; now I have awoken from a structural nightmare. In my new & limited existence, I felt the urge to cast a bright light on those creatures of the night as we would share a common faith (or systematic oppression). I suppose we are a fragmented community – once a month – when the moon shines the strongest – we bring death & despair to the ones that marginalized our spirits.
More