After a brief hiatus, Late Night Burners re-enters the party with a fresh reissue in the Still Burning series, the first of a few that will drop throughout 2024. And again, the adventure was found close by.

Roland Klinkenberg operates under many clever aliases (Simsalabim!) but arguably his biggest moment as a producer was the progressive trance tune “Inner Laugh”, which was remixed by none other than Border Community founder James Holden. And when those kinds of tunes get cross-bred with uptempo house and menacing techno, you get “SIM 01 / Trance Textures 2”. Originally released as the first record on his own Sim label in 1995, these tunes were part of the beginning of Roland’s long and illustrious career. You’ll understand it when you hear it. No remixes this time, just the four OG cuts remastered from the DAT tapes with love, respect, and tenderness.

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Following up on our reissue project Still Burning, we have put together a compilation of three hard-to-find tracks by Spookin’ Tha House a.k.a. Silverlining a.k.a. Asad Rizvi.
For nearly 25 years Asad has been committing his singular, shuffle-heavy brand of house music to wax, and he simply refuses to go out of style; any self-respecting DJ who manages to snag a copy of one of his many twelve-inches will not easily let it go. But you gotta find one first. To help you with that we’ve gathered three tracks originally released in 1996 on Asad’s own Reverberations label, remastered and recut from the original DAT tapes for maximum dance floor pleasure.


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Windows - Could I Be Crazy
Match Box - Spaarndammerstraat
L.N.B. - Let's Create (Eternal Mix)
MOOR - Moody B
We’re opening the new year with a homegrown white label, the first in a series strictly showcasing artists from Amsterdam.

On the A1 we have the talented guys of Windows with the epic “Could I Be Crazy?”. Yes, but you’re not; this is definitely anthem material. Next up it’s Match Box’s “Spaarndammerstraat”, a breaky, ravey ode to one of their favorite streets in the city. The B1 is a twisty take on classic deep house by Late Night Burners’ own Kurley and Roman Coskun, while for the B2, veteran MOOR blends more than a decade of experience into a vibrating slice of broken beat.


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Late Night Burners EP number five brings us Montreal’s Riohv for three deep cuts plus fellow Montrealer man of the hour Priori providing the remix.
The first place you’ve never been is Planet Namek, locking you in with lush pads and tropical synth work. Then immediately on the A2 we move to Priori’s Spellcaster Mix. It takes a while to get there, but once the spell is cast, you don’t want to leave Namek anymore. On the flip we start off with the deep and groovy club workout Obstacle, followed by the blissful downtempo comedown of Ev Eb Otto.


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Various Burners 1 EP

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The third EP on the label is by newcomer Vegetable Disco, who delivered five searing hot cuts that will probably melt your turntable. Expect spicy and sharp percussion grooves, and the grooviest leads. Bring it to the club and turn it up!

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180G vinyl pressing

After releasing their well-received 7” and 12” singles ‘Night Time’ and ‘Feel It / So Hot’, Isle of Jura is pleased to present Exotic Illusions, the debut album from D.D. Mirage, the Sydney-based duo of Josh Dives and Disky Dee.

Having first played music together during the mid-2010s in the indie-psyche and punky-shoegaze bands King Colour and SCK CHX, the two Australian musicians/DJs came up in the warehouse party scene that fermented in the wake of the Sydney lockout laws. While organising mixed media events under the Yeah Nah Yeah brand, they discovered the joys of disco, dance-punk and the Balearic beat through Pender St Steppers’ DJ mixes and reissue releases and found themselves changing direction in response.

Written and recorded with a range of vintage keyboards and preamps, instruments and digital studio software, Exotic Illusions is a cosmopolitan love letter to the immaculate blend of Italo disco, Neopolitan funk, Nigerian boogie, cosmic house, synth-pop, UK street soul and lovers rock sounds that have inspired D.D. Mirage since they began this iteration of their ever-evolving musical relationship.

“The name Exotic Illusions refers to our fascination with all of this music made in other parts of the world,” they explain. “During lockdown and thereafter, we indulged in these exotic sounds as an antidote to our lack of travel. This fascination continued as the world opened up again, and we started working on tunes together. It’s also a way of acknowledging that we feel like tourists partaking in these styles and established sounds. They aren’t ours and weren’t born out of the place we’re from, but we hope we’ve been able to add something unique to them.”

In recognition of this, rather than just reinterpreting genre motifs through an antipodean lens, D.D. Mirage opened up lines of communication with some of their favourite musicians from the Neapolitan scene, bassist Daniel Monaco (Rush Hour, Periodica Records) and drummer Andrea De Fazio (Parbleu/ Nu Genea), who recorded the rhythm section for ‘So Hot’. They also wrote to the Manchester-based singer/producer Private Joy, who graced ‘Night Time’ with a smoother-than-silk street soul vocal that helped the single secure crucial plays on NTS and BBC Radio 6.

Opening with the tropical melodies, post-disco machine beats and jilted art-punk singalong chants of the title track, Exotic Illusions unfolds as a series of sturdy, internationally-minded dancefloor excursions. ‘Piranesi’ is boogie with a South American shuffle. ‘So Hot’ is Neapolitan funk with a Leichhardt strut, and ‘Antenna’ (featuring Jofi) is D.D. Mirage’s love letter to ‘80s drum machine bossa nova from Brussels.

On ‘Feel It’, the duo hit a sparking groove that reaches into an eternal sunset of the mind before throwing out a bubbly disco-not disco spoken word bounce on ‘Cat’s Cradle’, featuring psychedelic-pop singer Jermango Dreaming. From there, D.D. Mirage bring it home with a cheeky Aussie drawl on ‘Living Upside Down’ and the nocturnal excellence of ‘Night Time’, making a case for themselves as a significant new force from Australian music to the world.
full sleeve artwork from Bradley Pinkerton.

A1. Exotic Illusions (Feat Hotel)
A2. Piranesi
A3. So Hot
A4. Antenna (Feat Jofi)

B1. Feel It
B2. Cat's Cradle (Feat Jermango Dreaming)
B3. Livin' Upside Down
B4. Night Time (Feat Private Joy)

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Dance Mutha Records continues with I Wanna B House, recorded between 88-91 by the Chicago master Mike Dunn. I Wanna B House comes with an edit from Johnny Aux (one half of Paranoid London) and another straight up acid track I'm The Houze.

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Moods & Grooves welcomes back Romanian producer Andu Simion, nearly a decade after his first appearance on the label with Les Sons De La Lisière, the 2014 debut of Lisière Collectif. Since then, Simion has carved out a reputation as one of the most exciting names in the European underground, delivering a string of refined minimal
techno and microhouse releases that highlight his meticulous approach to groove and sound design.

With the Code Shot EP, Simion pushes beyond expectations, presenting a record that bridges the subtle precision of his earlier work with a broader, more playful energy.

Balancing technical mastery with bold creativity, Code Shot EP signals the next chapter in Andu Simion’s artistic evolution. His return to Moods & Grooves not only reconnects him with the label where his journey first gained attention but also reaffirms his place in the global minimal and house community.

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