FORMAT 2LP 180g vinyl, printed sleeve, dl card

TRACKLIST
1. / A1 Transport 07:28
2. / A2 Odyssey 07:28
3. / B1 Lightyears 06:08
4. / B2 2600 06:44
5. / C1 Merkur 04:09
6. / C2 Riod 09:14
7. / D1 Zeolites 10:30

Juan Atkins and Moritz von Oswald – the two indispensable protagonists of the Electric Garden – plug back into the wilderness.
‘Transport’ – the full length effort brings together a set of studio-refined sequences aimed at colonizing some of the dark energy that
pulsates through those areas that are thoroughly electrified, even if not ‘on the grid’.
The Detroit-Berlin axis triangulated to a third point which, like the atomic particle that lives in two places at once, flickers between a
form of techno-charged ambience and a futuristic club-jazz which cannot be broken down into constitutive parts.
Borderland remains caught in a state of enraptured stillness, invisibly moving between every imagined future for electronic sound
making.
The result: a font from which springs serene and exhilarating musical ideas that vibrate with refined energy for sixty seconds in every
minute.

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2024 Repress

Genre: House, Jazz, Breaks, Electronic, Beatdown,

Tracklist 12":
A1. It never Stops 06:40
B1. One For The Brain 06:36


Release Info:
Imagine a held-up-in-traffic Wayne Shorter arriving late to a Weather Report studio session and Joe Zawinul, Victor Bailey, and Omar Hakim filling in the time by jamming on a grooving house cut. Had that happened, it might have sounded a little bit like “It Never Stops,” one of two ultra-fresh tracks on Kaidi Tatham's Yore debut. Jazz and house are obviously distinct genres, yet as this irresistible cut makes clear swing is common to both. The other track, the cerebrally titled “One for the Brain,” locates itself closer to house music proper but is no less appealing for doing so.
Given the jazzy vibe of “It Never Stops,” it's fitting that Benji B once deemed Tatham the "Herbie Hancock of the United Kingdom.” Regarded as one of the originators of the Broken Beat sound, the UK-based multi-instrumentalist has worked with many an artist, from Bugz In The Attic and The Herbaliser to DJ Jazzy Jeff, and his session work credits list Slum Village, Amy Winehouse, Soul II Soul, and others. His own discography includes EPs and releases for labels such as 2000 Black, First World Records, Theo Parrish's Sound Signature, Eglo Records, and now, of course, Yore.


“It Never Stops” rolls in on a wave of silky synthesizer textures and percolating precision with a tight, funky groove that instantly pulls you into its velvety world. Triangles, electric bass, and clavinet add collective radiance to the material as the tune struts its way into your psyche. As if to make the jazz connection even more explicit, Tatham works an acoustic piano solo into the cut's second half before shifting focus back to the groove for the coda. “One for the Brain,” by comparison, digs into its chugging house pulse with fervour whilst also sweetening the arrangement with painterly synth flourishes. This one charges with breathless determination and like “It Never Stops” nods in jazz's direction with the inclusion of a freewheeling piano solo. Every minute and second on this strictly limited 12“ release seem's meaningful.



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2022 Repress

Tracklist
A1 Just B1 Celeste B2 Back 2 U (Tranz Dub)
Info:
Hot on the heels of AUS' recent releases from Breach, Huxley and Bwana they ready their next offering from Irish duo and long term label affiliates Bicep. Aptly timed for the festival months, their 'Just' EP follows up a series of self-released titles which include collaborations with Ebony and Midland and is an impassioned bundle of broken beats, shimmering synth lines and rapturous piano chords. The title track kicks things off and suffuses a broken kick and snare combo with a poignant sequence and heart-rending synth strings. A vocal refrain drops in and out throughout a lucent breakdown before () lays a soft, filtered croon over a swelling piano motif. Tension is astutely balanced, never quite boiling over and keeping the listener pinned before () drives a tough, gravelly kick under gentle flecks of acid and rich sweeping pads.
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Entering a decade of existence since the first release back in 2015, Imogen Recordings has a constant flow of hi-quality releases. Based on an inhouse sound and artists that perfectly fits to that sound, Imogen label gained small but finger picked releases catalog and artists repertoire. Among those few Label released music from Darshan Jesrani ( Metro Area, Startree ), Charles Webster - Presence, Don Carlos, Ian Pooley, Ilija Rudman, Kai Alce to name a few and most recently Antonio Zuza.

New Catalog Number 19, brings Antonio Zuza and a duo Project between Ilija and Antonio - Imogen Soundsystem on the table. It's a "never leave my bag" material.
Antonio's "Palmizana" or Imogen Soundsystem's " Paloma" are both strong munition for any dancefloor request by simply delivering that vibe that we all love.
Powered by pristine production as Imogen's standard signature Darshan Jesrani and Ilija Rudman brought 2 sublime remixes to wrap this beautiful 12" Vinyl.
If we are talking about modern house approach with all the respect to it roots, we are talking about this record. It is here to satisfy old diggers and new people on the scene.

A1 - Imogen Soundsystem - Paloma (Original Mix)
A2 - Antonio Zuza - Palmizana (Original Mix)
B1 - Imogen Soundsystem - Paloma (Darshan Jesrani Remix )
B2 - Antonio Zuza - Palmizana (Ilija Rudman's King Of Snakes Mix)
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Genre: Detroit Techno, Techno, Soulful Techno

Tracklist 12":
A1. 313 Hazy Days 06:55
A2. Shimmering Lights 07:27

B1. Motor City Dreams 07:41
B2. X-Ray Eyes 05:25



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