Kirk Degiorgio is back on Neroli with a follow up of his acclaimed 2023 ‘Robe Of Dreams’ album. In this new record, aptly entitled ‘The Statement’, Kirk widens the jazz/modern jazz palette and it almost feels like an extension of the previous one, but this time exploring more unbeaten paths. Free-jazz drums meet ambient pads, soaring vocal harmonies from Beauty Room vocalist Jinadu meet funky breakbeats, some channeling of classic Lonnie Liston Smith/Marcus Miller era jazz-funk all adds up to another feast of sonic delights from Degiorgio.

Artwork by Tommy Verità.

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Like a long-lost Holy Grail album from the mid-seventies, Kirk Degiorgio’s latest project explores both Modal Jazz and Seventies Jazz Fusion in the Library album format. Side One swings with a vengeance with its tight arrangements built around acoustic bass, electric piano and glorious analogue synth leads and side 2 takes us on a journey of funk fuelled, percussive workouts and heavy breaks. The contribution of renowned session drummer Chris Whitten adds to the authenticity of the album as does the use of vintage, analog synths.

The Library album was predominant in TV and film studios in Italy and France with composers creating background, incidental and scene music for use in TV and movie production. In recreating the sound library format Kirk Degiorgio has revelled in both the creative freedom and the test of melodic capability that the short form of the Library album allows. As Kirk says, ‘the skill with this kind of composing is to be able to express your ideas and thoughts in a maximum of two minutes at a time.’

Kirk Degiorgio is a DJ, composer and music lover whose influences, from family and then going out to clubs from under-18 discos to attending the Belvedere Arms and ‘Shoom’ and working in Reckless Records, cover all genres of Black music. From Soul, Jazz-Funk, Funk and then House and Detroit Techno Kirk has a love and an appreciation for how all these sounds work together and evolve from each other.

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British techno stalwart Kirk Degiorgio steps up for the next SUARA release with three heavy hitting originals alongside a stomping remix from Mark Broom.

‘Arc Mode’ is drenched in 303 acid lines, pounding kicks and resonating cymbals, it’s ready-made for big rooms and dark dancefloors as surges of synths pulse through. Another ‘90s powerhouse Mark Broom takes to remixing ‘Arc Mode’ dialling down the acid in place of full-frontal stabs, squelching bass synths and dizzying hats.

On the flip, Degiorgio unleashes ‘Redeemer’ an amalgamation of swirling, siren-like synthlines, rising percussion and the kind of urgency that will raise fists over heads wherever it’s heard. Closing out the EP ‘Astral Cell’ is a bleepy, space searching cut to get lost in that’s both immersive and stirring in equal measure.


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It's taken over two-decades - legendary UK Techno label Ferox enter their 24th year with a 4 trackerAfrom fellow Brit KIRK DEGIORGIO. Beholden looks both to the future with influences from Kirk's seminal MACHINE events which he hosts with Ben Sims, and the illustrious past of deep melodic UK Techno which he shares with Ferox owner Russ Gabriel. It continues a resurgence of lush, harmonic techno that once dominated the electronic music scene and which is now findingAa fresh, young audience. Expansive chords, delicate melodies and intricate grooves are once again on the cutting edge agenda.


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Two years after his 'Ripple Effect' release on Rush Hour, Kirk Degiorgio returns to the label with a new single, entitled 'Divine Logic'. The legendary UK techno producer Kirk Degiorgio is known as a purveyor of techno soul in its finest form. He was at the root of the UK techno movement in the early 90's, soon after the Detroit sound went global. He has recorded many now classic releases under guises as Future/Past, As One and Elegy for labels such as Planet E, R&S and Mo' Wax as well as his own ART label. With 'Divine Logic' he keeps true to his own tradition by delivering a timeless piece of techno music. A string-laden track that evolves around an arpeggiated synth line. A classy joint that shows that the heritage of Detroit techno still lives on.

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1990 was the decade Kirk established healthy roots with the network trio of Detroit producers: Derrick May, Juan Atkins and Kevin Saunderson. In preparation for Kirks most influential journey to the US, he collaborated demos with Ed Handley and Andy Turner under the collective The Black Dog. During his inspirational visit to Detroit Kirk took noticed of the affordable studio setups he observed at Transmat, Metroplex and KMS. Consequently Kirk sold his entire record collection upon his return to London and invested in an Atari, Akai S950 sampler, a broken TB303 and a Roland R8 drum machine. To complete his Detroit inspired studio the last pieces were actually loaned from Derrick - including a Kawai K3 and the infamous DX100. Fast forwarding to the more present time, Kirk has released purist techno EP's for an EMI subsidiary 'New Religion'. For the same label he has collaborated with Dan Keeling under the name 'Critical Phase' and together with Alex Bond has also co-ordinated the joint ART-New Religion compilation 'The Electric Institute'. On this compilation Kirk shocked purists with the techno breaks track 'Whatever Happened To the Cosmic Kid' which was co-written with Dan Keeling and Chris Martin of Coldplay. Kirk?s revolutionary pulse has been recognized and is credited with being the first known professional DJ to use Ableton Live alongside vinyl for his DJ sets. A tour of Japan 2002 saw him use Live exclusively which he has now done ever since in venues worldwide. Kirk paved the way for the current popularity of laptop DJing.

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Almost exactly 30 years ago in 1994 Jamie Odell released his Loxodrome EP on legendary London label Jumpin & Pumpin, a release that has since gone onto receive a lot of love and attention and got reissued by Craigie Knowes sub label Wormhole Wisdom back in 2020. Fast forward three decades and Jamie aka Jimpster has decided to dust off his Loxodrome cap, and now we’re happy to present you with the fruits of his studio sessions in the form of The Drop Out EP.

The title track treads a much darker, more minimal path than we’re used to hearing on his Jimpster or Franc Spangler releases. Aimed fairly and squarely at the dance floor, Drop Out goes heavy on squelching, modular synth sequences which build around a stripped back jacking drum groove. Jamie’s trusty Juno 106 gets dusted off to provide the chunky bassline and ominous pads which are interjected with a trippy vocal sample and white noise fills.

Emberfall follows in fine style with saturated 808 drums and 303 acid line taking centre stage. Overall, an optimistic and uplifting atmosphere emits from the speakers, heightened by the Juno string chords, taking inspiration from classic 90’s Italian Dream House.

Flipping over we have a dub version of Emberfall which loses the pads and stabs in favour of dub delays and extra snare fills for a more impactful and minimal acidic club workout.

Closing out the EP things get lush as Jamie heads into deep, late night electro territory on Fornax A. Memories of Black dog and B12 are channeled through the layers of filtering synths and glitchy breakbeats and are inspired by his production approach and Atari ST running C-Lab Creator and Akai S900 - the tools at his disposal when producing his debut Loxodrome EP all those years ago.

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Last year marked the reemergence of Anoesis following a 20-year hiatus. A highly respected producer across the ‘90s, specialising in interstellar IDM and electronica, Howard Dodd rose from his statis to release two new albums alongside a five-track EP on Cyphon Recordings last year. A bold statement and stake in the ground showcasing that Dodd’s production prowess has not faltered in that time, but has rather taken on a fresh vitality in this new chapter.

The Megacognition EP exudes Dodd’s distinctive style. A master at making tracks that sound like they were created in an extraterrestrial laboratory, fed by long lost tapes of Detroit techno from ‘Planet Earth’.

‘Vision Off’ opens the EP. Subaquatic rumblings with precision drum programming that dials from reverberating kicks to crunched claps. Trembling basslines and hypnotising synths entice you to the depths, as arps trickle to the top disorientating your brain.

‘Do Don’t Don’t Do’ and ‘Polybius’ follow. The former, a spiralling, off-kilter web of interlocking synthesis, that’s both dizzying and harmonising in the same breath. The latter a dubbed-out, minimal house groover packed with tactile basslines, dusty drum loops and echoed vocal samples.

Take to ‘New Style of Life’ for a transfixing dose of twisted Martian music, guaranteed to cause a stir. Warped electro meets cybertronic electronica with a techno edge. ‘Voxelle’ then closes out the EP. A soul-rousing cut of euphoric deep house. Stargazed, sunrise hazed, it’s a track that can be deployed anytime, anywhere and is sure to leave a lasting mark. Layers of luscious pads and celestial strings topped with an infectious synthline that will suspend you weightlessly in a bubble of worry-banishing brilliance.

Active in an age where talent, diligence and taste meant more than social media traction and algorithmic obedience, Dodd’s versatility and class have clearly never waned since those early days. If anything, the Megacognition EP shows it is as strong as it has ever been.

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Operating from the depths of London’s musical underground since the late ‘90s, Infinity Plus One has been quietly toiling away, letting his music do the talking for the past two and a half decades. Cyphon Recordings draft in the veteran producer for a rare four-track EP of Detroit-infused, future-facing house and techno laced with the compelling lyricism of JaronX.

The Rebellion EP sees Infinity Plus One in some of his finest form to date. Leading the charge, ‘Context is Broken’ opens with JaronX’s poignant and passionate lyric on the state of global media, where sensationalism sells more copies than facts. From there, you dive headfirst into a hit of heavy-duty, contorted house. Crisp hats, punchy kicks and echoing stabs are interspersed with twisted electronics and JaronX’s arresting vocals. A sub-rattling bassline hits you square in the chest taking this neural club cut to the next level.

‘Say The Truth’ follows. A glitching, syncopated roller, woven with an entrancing monologue that is modulated and layered into tripped-out harmonies that echo around your brain.

On the flip side, ‘Identity Keeps Changing’ is a morphing techno weapon, where voices and synthesisers oscillate through different forms with every new turn. Rave-infused synth lines, breakbeats and a warped bassline channel that ‘90s warehouse flavour for a kinetic dose of dancefloor bedlam.

Rounding off the EP, the surging chords of ‘Utopia’ ping between your ears. A pulse that rides the kick drum, as dizzying arps and heavenly strings are layered into the mix to form a transfixing, gravity-defying techno immersion.

Fusing lyricism with the depth and dynamism of house and techno’s roots, Infinity Plus One hardwires meaning within his music. Visceral and thought-provoking, it’s a welcome respite in a sea of conformity.

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One of the most consistent new labels around, Cyphon Recordings, marks double figures with another standout release that gleans from the past, but faces the future. This time they look to the talents of Emotive Technology, a new alias from Chilean Massiande who provides a five-track EP of machine-wielding, soul-rousing techno from across the spectrum.

Although this may be the first release under his new moniker, Massiande has spent the last decade putting out productions with labels such as Housewax, Phonica, Freerange and Groovin. Firing on all cylinders from the get-go, ‘Rise’ kicks off the Walk Into The Light EP. A hyperspace melding of new beat, Italo and arp-operating techno that opens out into a slice of peak-time revelry.

The swirling textures of ‘It’s On’ follow, pushing you into the next dimension. A hypnotic, entrancing and arresting heads-down powerhouse. Crunchy and considered it's the kind of strobe-stuttering basement jam that turns heads inside out.

Two Detroit-leaning tracks ‘Your Zone’ and ‘Walk IntoThe Light’ are up next. The former is a heavyweight machine workout. Layered synth lines and crisp drum programming transfix, as that grooving low-end powers bodies into bedlam. The latter, a Motor-City-influenced tour de force. One that sees Massiande recode the circuitry to hit with a piano-laden stunner, balancing power and presence, with emotion and nuance.

Closing out proceedings, ‘The Swing’ sucks you in deeper. A resonating world of synth stabs, pulsating basslines and atmospheric electronics.

Doing the Emotive Technology namesake proud, Walk Into The Light is machine music hardwired with a heavy sense of soul.

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Cyphon Recordings continue their remarkable run of form with a brand new six track mini LP from Aussie powerhouse Ewan Jansen. With three decades of experience permeating his productions, Chroma Sea is a signature Jansen voyage - crisp, colourful, groove-heavy house and techno anchored by an analog weight.

A veteran of the scene, Jansen cut his teeth in the early '90s producing hardware-saturated house music drenched in depth and feeling. Having released on the likes of Moods & Grooves, Going Good, Freerange and Butter Sessions across the years, he’s also been captaining his own label Red Ember Records since 1997.

Leading the Chorma Sea odyssey is 'Salt Circuit', a squelching '90s tech house leaning track with a Detroit influenced touch, where bounce and power balance expertly with intricate synthwork and synapse-firing breakdowns.

'Brinewave' and 'Cybercanisco' follow, the former a head pickling, bass heavy, atmospheric electro joint. The latter a blinding yet blissful, Motor City channelling techno creation, that burrows deep down into your soul.

On the flip, 'Hydronexus' swallows you up in with a hit of absorbing space-age techno that envelopes your brain in layer upon layer of tactile sounds, before 'Faulty Gelfling' fires you out the other side into a twisted, robo electro hyperspace.

Closing out the release and bringing you back down to earth, 'Surabaya', where soft pads swell and oscillating synths wash over you, as that grooving low-end just keeps on rolling.
The Chroma Sea release expertly illustrates Ewan Jansen's ability to craft a vibrant blend of house and techno that nods across the ocean to the US and Europe, yet grounds itself down under. Earthly and analog yet explorative all at once.

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Following on from Anoesis’ standout Stasislogue EP, Cyphon look to the interstellar offerings of Ben Sun for the next release on the label. On an axis that Cyphon are fast becoming known for, Ben presents four spine tingling, celestial cuts that balance weight, precision and emotion with a distinct solar flair.

Having released on the likes of Housewax, Delusions of Grandeur and Utopia Records, Ben Sun has sculpted a sound that exudes warmth from it’s rays, whether plotting a disco trajectory or looking to the atmospheres of house and techno. The Apex EP sees Ben orbit the latter, with opening track ‘Tether’ as enticing an opener as you could ask for. Modulated arps and dreamstate voices build into a deep yet powerful techno-leaning cut, doused in engulfing pads and peaking toplines.

Following this, ‘Self - Other’ is a rich, Detroit-flavoured journey travelling from galaxy to galaxy. Marrying an electro funk feeling with synth strings and acid touches, atop a chunky bass and potent kick.

Take to the B side to see Sun hit deep space for the title cut, serving up a hypnotising slice of mind-bending electronica meets atmospheric techno. Otherworldly arps run your mind in circles, the bassline grooves across dimensions, before an enchanting breakdown opens out into a euphoric universe.

Closing out this trip, ‘Shores Of Minds’ serves up a 303-infused hit of mesmerising textures and glistening sonics. Heads down business, with Sun’s signature stabs anchoring this trance-inducing jam.

Blending the classic and contemporary, Ben Sun’s Apex EP hits that sweet spot that straddles the space and time between the two. As far in the future, as it is in feeling the past, with a gravitational pull that draws you in closer with every new element added.

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Having surfaced from a 20 year hiatus this year with two new albums, Anoesis continues his restored run of form letting loose a five track masterclass in IDM, electronica, house and electro on Cyphon Recordings. Showcasing a signature touch crafted across the ‘90s, the Stasislogue EP flies the flag for the fact that Howard Dodd has by no means lost the ability to make a dancefloor move.

Operating in a far flung corner of the cosmos, Anoesis was responsible for some truly mind-warping breakbeat and IDM across the ‘90s on labels such as D*Fusion Records and Octopus - releasing tracks that always felt like they were made in another dimension.

Continuing where he left off, the EP opens with ‘Track Thirty 7’, a production that could just as easily have come from Mars, as it could Detroit. Glitched out yet driving, conceptual yet considered, it’s got an ethereal urgency that moves limbs with purpose.

‘Callisto’ follows, part UR, part dream house - an emotive, eyes closed journey with soaring pads and glistening synths laid over a bubbling beat. Rounding off the A side, ‘May Eleventh’ gives a real insight into the modulated mind of Anoesis, a hardware-heavy, underwater electro trip that nods to the deep sea dwellers, Drexciya.

Flip it over to find ‘Space Watch’, a skippy house bumper with a grooving low-end and lunar transmissions hypnotising from the off, before a peak-time, dancefloor-focussed slice of mind-expanding electronica, ‘Places For People’, rounds off the package.

Honed in the ‘90s, yet firmly rooted in the present, it’s clear to see that Dodd’s ability to write absorbing, interplanetary machine music with a human heart at its core is as strong as it’s ever been.

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Cyphon is proud to bring you brand new music from one of Europe’s pioneers of techno and IDM, Stefan Robbers aka Terrace and Florence. His early releases for Djax-Up-Beats and his own Eevo Lute Muzique in the early 90’s were hugely influential striking a sweet spot between stark minimalism, majestic analogue lushness and dance floor grooves. In more recent years his own reinterpretation of the Detroit sound can be found on the highly regarded Dutch label Delsin.

Here on his ‘Thermionic EP’ Terrace sings out with such intensity that minds are blown. Listen to the brutal, exhilarating sequences of ‘Territorial’ which leads the new EP, and you will receive that message loud and clear. While the music is as much about the consequence of soulful depth, it is also about edgy machines communicating intimately. Sweet chords fuse and then contrast with grainy acidic sonics, leaving the tempo poised at an irresistible pace like all our futures depended on it.

As you move next onto the more subtle electro pulse of ‘Thermon’, shimmering keys dance around a frame-by-frame remembrance of robotic disco in the 23rd century. The uplifting brilliance of ‘Woodward’ follows filling the void with an explosion of colour that is all about life-affirming instrumentation, hitting you fast and loose with a cascade of arpeggios, tough drums plus an incendiary surge of melodic distraction causing the airwaves to crackle with celebration.

Completing this stunning release from Terrace are the fierce, hotwired grooves forged by ‘Ritual’, conjuring up endless combinations of an analogue model rediscovered. The sheer dancefloor animation found within each of Terrace’s productions on this EP purposefully point to and enhance Cyphon Recordings own mission to explore, propelling the emphasis forever forwards.

DJ Support:

Sean Johnston, Kevin Reynolds, Vince Watson, Gareth Sommerville, Daniele Baldelli, Dj Rocca, Massimiliano Pagliara, Craig Smith, Jason Kendig, Rarish & Yoshi Horino

A LOVE FROM OUTER SPACE / SEAN JOHNSON
Love this - proper techno!

GRAEME PARK/ THE HACIENDA
Wonderful slice of electro goodness. I love it! Especially "Thermon".

KEVEIN REYNOLDS / TRANSMAT
Basking in the gleam of Woodward, dopeness!

HARRI SUB CLUB
Love this techno release.

VINCE WATSON/ EVERYSOUL
Woodward is the one, sick

GARETH SOMMERVILLE/ ATHENS OF THE NORTH
‘Territorial’ is sleek, emotive body music and ‘Ritual’ is a groove that won’t stop. Ace.

MASSIMILIANO PAGLIARA / BLACK SPUMA
Great stuff!

CRAIG SMITH/ 6TH BOROUGH PROJECT
Woodward is the one for me on this EP

JASON KENDIG/ HONEY SOUNDSYSTEM
Wow!! new Stefan Robbers is cause for celebration! These are dope!! not enough exclamations!!!!

RARISH
Amazing tunes.

DR ROB/ BAN BAN TON TON
This guys a techno legend – I have a fair few of his earlier releases on my shelves

GINO GRASSO/ BBE
Super Techno release. Territorial I love this track Chicago style

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Cyphon Recordings welcome DJ, producer, musician, and D.KO co-owner Flabaire for the fourth outing on the label.

At just 29, the Parisian artist, already has a fair share of victories under his belt. On his acclaimed D.KO imprint, which will celebrate its 10th anniversary this year, he’s released three albums and several EPs, as well as charting releases for Organic-Music, Deeppa Records and South Street.

For his next solo EP, he brings his beautifully affecting and nostalgic blend of electro, IDM, and deep house to Cyphon. Doing what he does best, Flabaire’s ‘Entre-Deux’ is an EP brimming with emotion and atmosphere. Pulling at the heartstrings, opener ‘In Between’ layers an electro beat over lush pads with iridescent synth lines rising out of the haze. Cowbells swing into action, pads swell and glisten, making way for a squelchy 303 to bubble underneath.

‘No Minding’ moves into softer realms, a serene blend of deep house and electronica, it’s paced by a warm bass bounce and shuffling percussion sprinkled with chopped vocal samples and bright keys. Flabaire’s bass mastery continues ‘Click Plok’, as does his deftness at producing delicate, gliding pads, this time punctuated by tight bleeps, gentle open hats, and a meandering synth solo.

Closing out the EP the atmospheric ‘FBG’, a balmy syncopated groove joined by twinkling synth melodies that dance over dusty breakbeats and hushed vocal stutters.


DJ Feedback:

MAD MATS
Click Plok is really nice, small hours house music :)

DOMENIC CAPPELLO/ SUB CLUB
Click clock is a tune

MASSIMILIANO PAGLIARA / OSTGUT TON
Groovy!!

GREG WILSON
This is a bit spesh!

KEVIN REYNOLDS
Click Plok is an absolute jam! That 909 shuffle, the pad and lead line are killer. Love it

RICHARD DORFMEISTER
The Flabaire-no minding version is the one for me …

JASON KENDIG/ HONEY SOUNDSYSTEM
No Minding is the highlight here for me. FBG rounds things out with a wonky shuffle that seems like it will be fun to play out.

CHRIS DUCKENFIELD.
I like it.

PHILIPPA/ FREERANGE
This is great. Will def play In Between in more expressive moments - gorgeous stuff.

HECTOR ROMERO/ DEF MIX
Solid deep grooves on this EP.

CRAIG SMITH/ 6TH BOROUGH PROJECT
Solid EP. Clik Plok is the one on the selection

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Hot on the heels of their sophomore release with DJ Rocca, Cyphon Recordings welcome Tijuana’s Cyborg Nerve to the family for the third installment in their busy label schedule.

A new project helmed by the Cedillo brothers - also known for their work under the monikers Soul of Hex and Mano De Fuego - Cyborg Nerve’s sound tips the hat to the roots of Detroit electro and techno.

The Vicario Musique Recordings bosses have already made a mark under their Soul of Hex alias, pushing their cosmic, vibrant take on deep house. It’s caught the ear of labels and artists across the world; the likes of Delusions of Grandeur, Freerange Records and Quintessentials have shared their music and they’ve even earned the Larry Heard seal of approval, with the legendary Chicago producer stepping up to remix their 2014 track ‘Lip Reading’. As Mano De Fuego they’re also getting their music into the hands of pioneering figures in the American dance music scene - summer of this year saw them release a shamanistic debut via the inimitable Underground Resistance.

For their debut outing as Cyborg Nerve, the pair deliver four tracks of old school electro grooves. Title track ‘Cristalizacion’ kicks things off. A slice of intergalactic electro; celestial pads soar above warm bass and staccato drum rhythms. Their eponymous track follows and takes the energy levels up a notch: a warbling bass line drives the track forward, whirring and revving while crisp hats fizz overhead.

‘Tijuana 3000’ is another cut that's custom-made for the dance floor. As with the title track, the duo call to mind the interstellar jazz-tinged electronics of Detroit outfit Galaxy 2 Galaxy, as they pair cosmic twinkling melodies with a hypnotic acid line that takes centre stage. ‘Machine Effect’ brings the EP to a close. Like its name suggests the track is powered by a raw, machine funk groove and precise drum programming - no bells and whistles, just pure cosmic vibrations to move your body.

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A1 – Forever
A2 – Mojito
A3 - Hug Close
B1 - Illuminated Night
B2 - Stay With Us

Tokyo-based DJ, producer and sound artist Yuu Udagawa inaugurates the freshly launched Cyphon Recordings with her debut EP, ‘Forever’.

Growing up on a cocktail of everything from rock, hip-hop and Latin jazz to techno and house, Yuu’s immersive musical output draws inspiration from this diverse pool of influences to create ‘uplifting and healing’ music for the mind and body. There’s an elegance and sophistication to her productions, which stems from her desire to make music guided by the Golden Mean philosophy of finding a middle ground between two extremes: excess and deficiency.

Active as a DJ since the millennium, which saw her playing at clubs, festivals and fashion shows across the country, she soon turned her attention to music production and has since self-released a handful of singles and contributed audio commissions for Sony Playstation3, museums, theatres and apparel brands. Yuu’s meditative pallet of sounds instantly grabbed Cyphon’s third ear which led to the tracks that make up ‘Forever’: a collection of analog slo-mo electronica and leftfield minimal house that strike a perfect balance between warmth and depth.

The release opens with the titular track: a deep, emotive electro cut punctuated by a twinkling synthline and blissful vocals. ‘Mojito’ continues the EP’s voyage into the deep, matching softly spoken word with jazz-tinged chords and meandering melodies, before ’Hug Close’ strips things back, guided by a crunchy minimal groove, warm, resolute keys and reflective synths.

The B-Side steers things on a soulful course. The dark, enveloping atmosphere of ‘Illuminated Night’ is lifted by bright synth stabs and harmonic R&B-flavoured vocals. These influences continue on closer ‘Stay With Us’. Slowing down the pace, the track is a wash of shimmering funk-inspired chords and shuffling rhythms, laced once again with effortless, soaring vocal tones.

Radio:

Ed Banger – Apple Music’s Ed Wreck show "Brillant record! Very ecelctic I love love it!"

Mr Beatnick – NTS Radio

Matthias Hellwig - RBB Radio Eins / Kaleidoskop


DJ Feedback:

Joyce Muniz - Nice one!

Andrew Wowk - "Mojito" is awesome - such a nice groove (followed up)

Geordie Elliot-kerr - Some really interesting stuff in here. Digging the whole thing.

Simon Caldwell - Cool and different.

Paul Beller - super star release.

Fred Peterkin - Dope...

Alex Barck - Sounds fresh to me

Ruben Mandolini – Nice

Gabriel Izarraraz - great music will play for sure

Kristijan Molnar - Very nice!

Chris Loxton - superb

Danton Eeprom - Really love the production and original vibe of this record. bring it on!

Raymundo Rodriguez - cool release

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Cyphon Recordings continue their deep dive into the rich heritage of UK and Detroit electronic sounds with their second label release, this time from Danny Was A Drag King label boss DJ Rocca.

Active since the 90s, the Italian producer is a dedicated explorer of the Italo Disco-inspired sounds native to his home. He’s been plotting his sonic journey for decades, making pit stops at labels across Europe including Rekids,Toy Tonics, Slow Motion, Rotten City Records and Roam Recordings. On top of his solo outings, collaboration has played a big role in his production journey to date. He’s worked with artists like Howie B, Jazzanova and Zed Bias, as well as joining forces on ongoing projects with fellow Italian stalwart Daniele Baldelli and Dimitri From Paris, the latter under the name Erodiscotique.

Now back on his solo pursuits for Cyphon, Rocca proves he’s still very much at the top of his game. The four cuts on ‘Code 041’ explore all shades of electro, from raw, old school machine funk to futuristic cosmic sounds. It’s electro done the Rocca way.

The title track sets the tone. An eerie bass line crawls along, providing a bed for reflective pads to glide and mysterious synth sounds and echoing vocal samples to ricochet above. ‘No Gym’ greets us next, bringing that Italo flair Rocca’s mastered so well. It’s the most vibrant track on the release, matching colourful pinging synths and tropical-tinged melodies with a signature driving acid bass line.

On the flip, ‘The Bigger Lake’ takes the EP in a different direction, on a trip through dark glistening pads, tittering percussion and sub aquatic bass before the dusty breaks and moody, jazzy keys of ‘Omega’ bring the release to a close. Mirroring Cyphon’s label ethos, Rocca showcases the best of the past and present of a timeless sound.


DJ Feedback:

Hammer / Feel My Bicep - This is sounding absolutely great! x

Laurent Garnier - Twisted funkyness… Great stuff

Pattn / Fabric Resident - These are quality productions, sounding crisp. Really like the No Gym track.

Josh Cheon / Dark Entries - loving the first track!

Cormac / Polari Records - enjoying the no gym track

Justin Cudmore / The Bunker NYC - I am liking this release! I'd love to play this.

REES / CWPT - Big lover of this one!

Ryan Clover / Homage NYC - Sound a bit too lo-fi for my tastes when it comes to electro.

Ngoni Egan / United Identities - Really solid release. Love the Omega track. The pads are lovely in it! Arrangement and journey of the track is great :)

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Repress!

Re-issue of seminal Mr. Fingers album 'Amnesia', available officially for the first time in 32 years on Larry Heard's own Alleviated Records. This remastered collection of early Mr. Fingers works is an absolute must have.

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Denizens of the Oyster Cult, rejoice. Elusive dancefloor operator S.O.N.S has followed last year’s compilation cameo up with the deadliest of full debuts.

Booting off with some rough ‘n ready gear, “Drive” is the latest chapter as S.O.N.S undergoes his metamorphosis into a more brooding entity. The esteemed Junction Records and Junction Forest proprietor oscillates between tunnelling acid techno and a darkwave-indebted workout somewhat reminiscent of Dutch pioneer Das Ding. Three night-stalking club trax rooted in ominous portent.

Trading the gentler touch and sound sensitivity of releases past for something tougher, and meaner, but there aren’t any diminishing returns. Quite a departure from the introspection of that aforementioned compilation appearance while retaining the transcendent qualities that always typified his work.

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Tracklisting
A1 Steve Bicknell - Basic questions
A2 Steve Bicknell - Magnitude of such
B1 Steve Bicknell - Construction of thousands
B2 Steve Bicknell - Mobile terminals
C1 Steve Bicknell - A single process
C2 Steve Bicknell - Accelerating others
D1 Steve Bicknell - They speak
D2 Steve Bicknell - Adverse effects

Sales Note
RE-ISSUE / RE-MASTERED / RE-PRESSED
Steve Bicknell - Lost Recordings 1

This is a seminal double LP consisting of 8 tracks by Steve Bicknell (originally released in 1996)
from one of UK's most influential techno / electronic labels Cosmic Records - to introduce the incredible series LOST RECORDINGS

Rich, raw and unpredictable - every single one of these tracks sounds FRESH as ever!

In the 90/00's in London, Steve Bicknell was at the forefront of techno as a producer and DJ but also as a promoter (of the event series LOST)

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“It’s just too easy to make a standard dance track,” Aphex Twin said of his mindset back in 1992. “You’ve got to put a bit of thought into it to get something a bit different.” ‘Didgeridoo’ was released on the Belgian R&S Records label in 1992, and originally peaked at #55 in the UK singles chart in May of that year. Over the last 32 years the track has become one of the essential Aphex Twin tracks in a gargantuan catalogue that continues to amaze and inspire. “I wanted to have some tracks to play to finish the raves I used to play in Cornwall, to really kill everybody off so they couldn’t dance,” Richard D James, AKA Aphex, told Select magazine back in the 90s. “Digeridoo came out of that.” Released as a 4 track EP that also included early Aphex productions (now classics) including the industrial, acidic clang of ‘Flap Head’ and hyperbolic futurism of ‘Isopropanol’, the release cemented a relationship with the R&S label that went on to release the ‘Xylem Tube’ EP and the pivotal album ‘Selected Ambient Works 85-92’ in the same year. The label’s owner & A&R Renaat Vandepapeliere reflected “When I first heard Aphex Twin’s music I said, ‘This is it!’, and everybody else said, ‘You’re crazy!’ …a lot of the hardcore R&S fans dropped us. To them it wasn’t music.” ‘Didgeridoo’ (Expanded Edition) is the first time the EP has been re-issued with extra material. Whilst digging in his DAT archive (allegedly stored in an airtight military ammo box), Richard James revisited the recordings, encoding them through a Nakamichi CR7e cassette deck, using the customised deck with vari-speed to encode at speeds “felt right at the time”. Alongside these CR7e versions, the original mixes have been remastered by Beau Thomas at Ten Eight Seven Mastering, offering a dilated insight into one of electronic music’s most endearing releases.

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Repress!
We are honored to announce the next 12" in Dark Entries Editions is one of the all time Italo Disco club classics: My Mine - ‘Hypnotic Tango’. My Mine were the trio of Stefano Micheli (vocals, keyboards), Carlo Malatesta (vocals, keyboards), and Danilo Rosati (drums, keyboards) formed from the ashes of Italian New Wave group Ipnotico Tango in 1982. They shifted focus from the experimental post punk sounds towards something more commercial with which to try and enter the market, namely to make a record. At that time Carlo was studying in Bologna and he had heard about producer and arranger Mauro Malavasi famous at that time for the many hits produced for Macho, Peter Jacques Band, Change, Luther Vandross, Ritchie Family. The group handed Malavasi a demo tape and four days later they were invited to Fonoprint Studios to record their first single, “Hypnotic Tango”.

Utilizing new electronic instruments like the now legendary Roland TB-303, Danilo improvised a simple but effective synthesizer bass line and passed it through the Roland Echo until something magical came out. “Hypnotic Tango” was released on Progress Record in 1983 and became an international hit across Europe and US dance clubs in New York, Detroit and Chicago, capturing the imagination of House and Techno producers. In 1987 the legendary Frankie Knuckles remixed “Hypnotic Tango” at Seagrape Studios in Chicago, with assistance from studio engineers Tommy White and Brett Wilcotts. Originally released on Danica Records as the “Powerhouse Mix” paying tribute to the Windy City club atmosphere and adding his own "sighs" in the track as well. The Hypnotic Remix This reissue presents 4 mixes of “Hypnotic Tango” including the “Hypnotic Mix” only appearing together once before in 1990 on Rams Horn Records. All songs are remastered for vinyl by George Horn at Fantasy Studios in Berkeley. The vinyl comes housed in a jacket with original artwork and includes an insert with photos and liner notes by Stefano Micheli. “Look on the floor and all is spinning round, Someone told me this was just a dance And take a chance I ain't met before..Do you think I really have a chance??"

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Almost exactly a year since since ‘Felt Cute’ debuted on Kalahari and Blu:sh is back in the building. But this time around, it’s with a record evoking the muggy closeness of a dancefloor suspended somewhere between peak-time elation and wide-eyed vision quest.

Tweaking the blueprint to rapturous ends, the latest offering from this Blu:sh project propels itself forward with a muscle-bound groove. Six robust, deadly club trax replicate the breathy seduction of its predecessor, but this time, with added velocity.

Pinky Promise is full frontal and deadly while channelled through the same explorative prism characterising Benoit’s best work. Probably the toughest material the prolific shapeshifter has put out to date.

Nods to Eurocentric styles shine through with particular emphasis on the sexy and trance-inducing. It goes straight out the traps with a big dose of fractal fuel and stays murkily psychedelic to the very end.

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Vinyl only

Tracklisting:
A1 Vid - Crazy
A2 Vid - Edge
B1 Vid - Last Stop
B2 Vid - Subumbre

Sales Note
Vid joins the Purple Print roster offering his signature dark minimal sound.


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High Fashion Music enlist an All-Star A Team of world-renowned remixers that includes; Ben Liebrand, Dave Lee, Michael Gray & Luca Moplen. Each step up to the controls and lay down four salacious new grooves on Firefly’s ItaloFunk Disco stomper from the early 80’s – ’Love’ (Is Gonna Be On Your Side).

Each remix brings a new vibe and a fresh wax coating. Ben Liebrand adds his own imitable production values as he brilliantly beefs up the original vibe with sass and verve. Dave Lee brings his encyclopaedic disco know how to proceedings with a classic sounding, Chic like journey, whilst Michael Gray’s version has a stylish new four-to-the-floor drums sound, he keeps the funky instrumentation firing whilst still managing to hark back to the days of hanging out in salubrious NYC nightclubs. Finally, Luca Moplen delivers a dance floor delight, an up to date production with real a get down and boogie retro twist. One can just imagine his mix being played back to back on syndicated radio stations across the USA and Europe!

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Bristol-based imprint Sex Tapes From Mars third release comes via JATA, presenting a reissue of his highly sought after, 1991 dance relic. Presented are three gritty, pulsing exercises in delayed gratification that have all the more impact when they finally hit top gear.

The A1, ‘Stutter I’ manages deep introspection while still holding on to the part of the night that makes your head rush and your heart flutter. It comprises four sublimely sewn, yet prominently different movements, climaxing in beating, bumpy bliss.

On the flip, the sense of strangely balanced synthesis makes ‘Midstate’ a remarkable sonic quandary. Its uptempo synth melody is joined with spacey stabs, and deep, unnerving swells.

"Stutter II," meanwhile, centers on trippy, bright-eyed acid, lifted by a surprisingly tight flex of pummelling kicks, jagged hi-hats and pure, swelling pads. It’s a psychedelic symphony of earnest rhythms and bass, perfect for early-morning smoke and shadows.

Each track on STFM03 has its own subtle but effective drama, sharing a masterclass in esoterically crafted noises.

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