Hell Yeah heads to Brazil and the cultured sounds of Pedro Bertho for a hot new 12" that features Mariana Gehring and remixes from Romain FX and My Friend Dario. The digital version includes two bonus cuts while the vinyl is the first to have all-new artwork by FJD.

Now based in France, inclusive party promoter Pedro Bertho’s music is a melting pot of sound that draws on his own personal heritage and a life spent digging for records. That means that afro rhythms, Italo melodies, rolling reggae, deep house, and plenty more all get mixed up into something new.

They have come on the likes of Cracki Records and always search out innovative ways to bring euphoria to the dance floor.

For the first tune, he works with Mariana Gehring, a Sao Paulo-based singer and composer influenced by new MPB and other signature Brazilian sounds like Forro, Maracatu and Samba.

Their excellent 'Tornei' is a mix of full-fat bass and sensuous vocals. Fizzing synths, percussion and FX bring the energy while Gehring arrives in the breakdowns to bring the spine-tingling soul. Romain FX is a scene mainstay, label head at fauve, boiler room veteran and has released on the likes of Kalahari oyster cult and many more.

His version is a retro workout with lush cosmic melodies and slinky grown-up grooves sure to get the floor full.

Next is 'Elephants au 5eme', a busy mix of analogue drums and hits, wild elephant trumpets and fleshy synths that bring unusual tropical heat to any party. The same track is remixed by label regular and new school Balearic boss my Friend Dario.

He plays with the vocals, layers in shimmering chords, and keeps things dubby to make for another of his signature grooves. More

For her first solo project, the French-Chilean singer Alsy has teamed up with producers Rose, Peter Dallas and Jimmy Whoo. Co- produced with Jimmy Whoo, this EP reflects the meeting of the two artists' worlds, between the nocturnal atmosphere of Motel Music and the sunny ambiance of the singer's South American influences.

With her project Candela, Alsy has imagined her own musical universe, intimate and deep, rich in the variety of her influences. The lyrics are passionate, the rhythms smooth and warm, and the project is a subtle mix of modernity and nostalgia, between steamy reggaeton, smooth synth pop and hypnotic electro.

The singer's smooth and bewitching voice is the hallmark of this debut EP, which takes us on a dreamy journey from Paris to Santiago, against a backdrop of rhythmic and atmospheric music.

A1 - Paraiso
A2 - Sensitiva
A3 - Santiago
A4 - Candela feat. Jimmy Whoo
A5 - Soledad
B1 - Sensitiva (Dinamarca Remix)
B2 - Santiago (Rose Remix)
B3 - Soledad (Peter Dallas Remix) More

Is it really possible to create without making references? Feeling inspired without being inspired from the outer space ? With this disc, Tushen Raï comes to reconnect with his first passion, collecting records and falling in love with pieces that have unfairly fallen into oblivion, left behind, lost in the meanders of the musical hyper productivity of the 80s and 90s.

As a tribute to these unlucky melodies : he samples, he reinvents, he reconstructs. Not in the hope of giving them a second life, and without the pretention of changing their destiny. But simply to cherish them, to show them his love and his respect for what they are.
As a geographical snub, Tushen Raï chose to invite his neighbors, both producers and friends, to join forces on this trip through Peru, Finland, Italy and France. A singular record like an ode to curiosity, thought under the sign of sharing and respect.


A1 - Tushen Raï & Mangabey - The Hand Of God
A2 - Tushen Raï & Neskeh - Mé Nété Pas
A3 - Tushen Raï & Pedro Bertho - Les Camarades
B1 - Tushen Raï & Warum - Trance Deux
B2 - Tushen Ra¨& Cornelius Doctor - Les Femmes Qui Ne Pleurent Pas More

More than four years after his previous EP and after having released some remixes and collaborations with Agar Agar,
Black Devil Disco Club or the Italian design studio Burro Studio, LeonxLeon comes back with a new EP, passing to the
electronic shaker the styles of music listened since the last release.
4 tracks all as different as each other with first Itanewa, where the Parisian producer tries for the first time to give voice,
without vocoder, well aware that on a track inspired by South African productions of the 80s, an instrumental version only
would not be enough to do justice. It is thus in a kind of invented Esperanto that the lyrics, a call to lightness and simplicity
according to the artist, are distilled between synthetic bass, keyboards and other percussions.
On Piano Mondo, we leave rather in the direction of South America with pianos of Bossa inspiration on a bass italo-disco,
rises and descents as if we were in Val d'Isere and breaks just long enough to catch its breath.
The idea of Solid Dose is completely different since it was a question of taking the post new-beat dance sound of the
beginning of the 90s, with a big blow, hence the title, of the synthetic bass sound "Solid Bass" which will be used in a lot
of ways at this period and which is coming back in force nowadays, and to mix it with the Nordic touch of dance music for
a soaring, evolving track, with arpegios which cross each other and an acid line which finally makes its appearance here.
The last track is a wink to the well-known movie that gave its name to the whole project: it is indeed Luc Besson's Léon
that we are talking about, re-cut on the dialogues of Nathalie Portman and Jean Reno, supported by a simple rhythmic,
analogical bass and electronic kick at the service of a dark atmosphere, closing the record at the antipodes of the first track,
without ever having left the universe of melodies and percussions that already characterized the previous releases of
LeonxLeon.

A1 - Itanewa
A2 - Solid Dose
B1 - Piano Mondo
B2 - Italian Hitman
B3 - Solid Dose (Bell Towers Remix) More

After a tour in alternative venues and small festivals, Agar Agar announced a new album to be released on January 20th
and a European tour !
The duo composed of Clara Cappagli and Armand Bultheel is back with a video game developed by Jonathan Coryn, an
immersive visual and sound experience directly linked to the twelve new tracks.
"Player Non Player", name of the album and the video game, speaks about the intrusion in the intimacy, the need to escape
from the finished borders… or even dragons !
A whole universe to discover live !

A1 - Grass
A2 - The Visit
A3 - Trouble
A4 - Odile
A5 - Dragon
A6 - Dragonlie
B1 - Crave
B2 - Fake Names
B3 - No Pressure
B4 - Dude On Horse
B5 - Plaine
B6 - It's Over More

Eliott Litrowski and Voiski’s could have done so 15 years ago, after a first meeting in Paris on the Island of Swans, during a ‘Free Party’ event shut down by the police. But it didn’t. Each one followed his own way, and if their paths crossed many times, they only began collaborating in 2021.

Cracki Records’s 10th anniversary Compilation was the trigger: the two artists locked themselves in the studio to create what has become since their signature sound: The Friendship Spacecake, a perfect alliance, driven by their common love for analogic synthesizers, between Eliott Litrowski’s hybrid electro and Voiski’s post-trance.

Neither of them wanted to stop at this stage. One is living in Copenhagen, the other in Paris, yetcreating an album together quickly became the next obvious step.
This common desire led to the beginning of the suitably called Superski duo: a great name that encapsulates both artists’ committed live performances, their unusual musical language, between electro, trance and Italo, and their vision of an uncompromising, colorful and positive club culture.

Oberheim 6, Jupiter 8, TR808, Roland JX8P, Microwave XT and FutureRetro XS, all synthesizers are limitlessly pushed to their last breath, creating an almost retro-futuristic decor for the artiststo evolve in.

Their debut album “Mondo Moderno” will be out March 31st

A1 - It's always fun at the beginning
A2 - Espace Supertemporel
A3 - Tropical Cyclone
A4 - Ajax Planet
B1 - Positive Energy
B2 - Sentimental Rainbow
B3 - The Friendship Spacecake
B4 - Internet Killed The Internet Star More

Agar Agar is a french electropop band signed on Cracki Records.
On 2016, their released their first EP "Cardan" including instant classics like "Prettiest Virgin" and "I'm That Guy".

Cardan EP navigates between synth-pop and new wave, led by the bewitching voice of Clara Cappagli and the 90's rave synthesizers of Armand Bultheel.

A1 - I'm that guy
A2 - Prettiest Virgin
B1 - Cuidado, Peligro, Eclipse
B2 - Symbiose
B3 - Aquarium More

Cracki Records (Agar Agar, Mangabey, Saint DX...) and Fauve Records, run by the DJ and producer Romain FX, are teaming up for the first time on "Make Italo Disco Great Again Vol.3", a new compilation dedicated to a trend of electronic music loved by all, Italo Disco !

"Make Italo Disco Great Again" is a project that gathers 8 artists from all over the world (France, Hong-Kong, Russia, Germany, Netherlands) under the same banner, with one goal : make people dance !

Featured on this new compilation : Mangabey, Maltitz, Arash & Quasar, Tre Turner, COEO and Romain FX !

Tracklist:

A1 - Mangabey - Totalitalia
A2 - Maltitz - Dolce Fragola
A3 - Arash & Quasar - Svoboda
B1 - Tre Turner - Counting
B2 - COEO - Stop Trying To Sound Like The Chromatics (My Gf Says)
B3 - Romain FX - Elephantom More

The French-Hong Kong DJ and producer Romain FX, founder of Fauve Radio and Fauve Records,
debuts on Cracki Records !
After having made his mark on renowned labels such as Exploited, Eskimo Recordings, Novaj V‚µ,
LAGASTA, Fantastic Voyage, Mamie's Records or Hard Fist Records, the ultra-productive artist is about
to release Le Sucre d'Adam a new EP of 4 tracks and 2 remixes with the Parisian label Cracki Records.
Mixing Italian dream house, jazz, and Italo Disco, Romain FX wanted to create with this EP a
timeless record and convey a message of hope for a better world.
The first track "Zeste d'Orange" is full of joyful emotions, with a feeling of unity and sharing, strongly
influenced by 80-90's pop songs like "Rise Up" by The Parachute Club, and "Send Me On My Way" by
Rusted Roots.
With its melancholic keyboards, "Le Sucre d'Adam" is a pure concentrate of Italo Dream House, and
it's not a coincidence that Romain FX entrusted the remix of the track to the German Lauer, specialist of
the genre.
"Italominati" with its powerful bass, draws him in the field of the fairy, influenced by artists like Todd
Terje or Skatebard. It is the Korean producer Shubostar, new figure of the dark disco scene, who took
care of the remix for a very effective cosmic version !
Last track of the EP, "Crave Cave Rave" with its Rave UK and progressive house accents was
imagined as a long DJ Set closing. Intense and heavy at the beginning, the track ends with a feeling of
extreme release, closing the EP in the most beautiful way.
www.crackirecords.

TRACKLIST:
A1. Zeste d'Orange
A2. Le Sucre d'Adam
A3. Le Sucre d'Adam (Lauer Fun Remix)
B1. Italominati
B2. Italominati (Shubostar Remix)
B3. Crave Cave Rave More

Technology for the Afterlife (aka Victor Groth) is an ambient/new age
artist from Denmark, set to release his debut album Interpretations of
Eternity on Cracki Records in the spring.
The instrumental album explores the frontiers between faith and knowledge,
consciousness and oblivion, past and future. It is about longing for a time
when rationality and spirituality are not arch enemies, but one and the same.
When there is neither science nor religion: Only mythology.

TRACKLIST:

A1. Aeternum
A2. Forging of the Moon
A3. Sunset Over Silver Plains
A4. Descent of the Spaceship of the Creator
B1. An Awakening
B2. Pangæa
B3. Seducing the Serpent
B4. The Forest God Awaken
B5. Interpretation of Eternity More

TRACKLIST:
A1. East-Balearism
A2. Tropical Depression
B1. The Sardines Dance
B2. Bordel des Ärts
B3. The Sardines Dance (Zombies In Miami Remix)

For his first solo EP, Tushen Raï designed a record in the form of a colorful patchwork of
sounds, a meticulous collage of samples, surrounding noises and synthesizers. Here, Maori
percussion dug on field recording discs from the late 60s and 70s meet Indonesian chants
recorded on phones and posted anonymously online. A nostalgic yet deeply contemporary
testimony to an imagination weakened resulting from the cultural globalization.
With Drums Circles, Tushen Raï wants to reconnect with the adventure novels, from
Jules Vernes to Barjavel, which nourished his childhood. Thought out as an ode to the
diversity of our cultures, our practices and our beliefs, Drums Circles is a cry in favor of
open-mindedness and curiosity. It is an invitation to discovery rather than to conquest.
A humble invitation to embark on a journey and to collective trance. More

Tracklist:

A1 - Scheduled Mask
A2 - Sleep Node
A3 - Also Rhythm
B1 - Hidden Mile
B2 - Idle Promess
B3 - Soft Wave
B4 - Empty Holder
B5 - User Interlace

Armand Bultheel is half of the group Agar Agar. He also makes music on his own, which he now feels ready to present to the world.

He composed an album, Lullabies For Computer which will be his first to be released on vinyl.

It's a series of lullabies, addressed to our computers that so often accompany us in bed and sleep - even if in the end, while composing the tracks, Armand felt more like writing them for his friends. With this album, he presents a sensitive and organic electronic music, whose softness provokes a contrast of emotions between joy and melancholy.
Happy to share these tunes, he put in the softest ingredients possible, with round bass and little melodies that wander over.
He slipped in the colors of his favorite synths, one of which he made in the shape of a human mouth.

Lullabies for Computers is the second part of the new "Meditations" series from Cracki Records, a series of records made to listen (for once) to escape and dream.

More

Number 03 in the Dolly TS series is Italian techno wonderboy Rosati. 'First impression' has its own unique techno signature, raw energetic techno funk with a Detroit flavor directly from the machines. 4 straight up heavy groove hitters on this 4 track EP!!! More

Two longstanding electronic legends, Steve Bug reunites with frequent collaborator Cle for the three-track ‘It Just Happened EP’ on Nu Groove. The German tastemaker and Poker Flat label boss has helped define a plethora of electronic sub genres through his modern releases and expansive DJ sets. From early LPs ‘Volksworld’ and ‘Da Minimal Funk’, to later works ‘Traffic Signs’ and ‘Never Ending Winding Roads’, Bug’s futuristic vision is apparent throughout his experimental releases. Joined once again by Cle, a fellow veteran of the German rave scene, the pair return to the cult NYC label with three striking originals following previous release ‘Let It Go / Suitcase In A Box’. The EP’s lead, ‘It Just Happened’ features breathy synths and acidic loops that harken back to an era of underground house, immediately nostalgic yet forward thinking in its technique. ‘Crew Thing’ and ‘House Music Transcends’ follow suit, both teeming with energy as the two producers show off their unique creative process through sound. More

3 monstruous tracks straight from the basement feat. one of the original house music creator RON HARDY.

All the real djs were looking for those for years. Grab it before it's sold out, we have very few copies. A must have.
ESSENTIAL ITEM - LIMITED EDITION - NO REPRESSa More

Absolute mastery of the Nu-boing movement. Release your release. More

The third in a series of self-released Liquid Earth Physical Records, “Three Dimensional Rocker” is a sonic cheese plate for the dedicated dancer.

The 12” navigates through four robust club tunes, surely an expected outcome from the seasoned Californian producer. From Aside titles’ full throttle funkery to the equally nauseating floor fillers on the flip, LEP003 is one big kahuna. More

Classic 90's Larry Heard production for this x-rated* track by Ché on the updated re-issue of "The Incident". Originally came with four mixes on Trackmode Recordings from 1994. Now with extra "Prototype 1" version unearthed from the Alleviated archives. *NOTE: disclaimer included on original 12" release: "The scene expressed in this recording is a fantasy in the age of promiscuity and HIV (let alone full blown aids). The truth is, be careful about who you love and always wear a condom". More

Release number 7 on Posh End Music comes from Frankfurt-based producer Emil Seidel. With a string of widely played ghetto-infused releases under his Toni Moralez moniker and harder edged full-throttle techno as DJ Disrespect, the House Infusion EP sees him release his inner child as Toni M, and return to his house roots. More

Sacred Medicine, the joint project/label Joaquin Joe Claussell and Ron Trent have been carefully crafting and honing over the past couple of years, brings you the second instalment of deepness and authenticity.The much anticipated ‘Magic Carnival’, a song heavily programmed in their sets to maximum effect, is finally here!Another manifestation of the powerful and original output of the label, ‘Magic Carnival’ builds and builds in a musical crescendo with signature musical elements pulsating all over the song to full impact.A relentless spiritual groove….another jam in the Sacred Medicine building catalogue…a special one-sided 12 inch made with love and extra care, to spread the message loud and clear! More

Nothing But Nice is back for round 4 with an EP from co-founder James Andrew. The 4 track excursion showcases James’ current sound palette, ranging from deep and dubby, to groovy and trippy, each guaranteed to do the do. More

Dazzle rolled deep. Very deep. In the 1980s, it wasn't unusual for the Milwaukee-based group to show up at various Midwest night clubs in a caravan of 30-40 cars and vans. Their live following was hard won over a career that spanned 20+ years, many line up changes, and a handful of project names. Friends, family, and fans made the journey with them weekend after weekend, a testimony to both the musical prowess of the group and the tight-knit community that they emerged from.

Donald Smith, band leader, was there the whole time - joined by many of his siblings and friends - first as founder of the Ghetto Players, a early 70's nine-piece which also included siblings Michael, Ronald, and Charles. They played hard funk in the style of early Kool and the Gang, and although they sadly left no recordings, the strength of their live act managed to catch the eye of local Milwaukee R&B music entrepreneur Cobie Joe Payne. Cobie had made a couple of records locally in the early/mid 70s as a singer, including the impossibly weird and amazing rare afro-blues-funk 45 "Sweet Thing", but had never enjoyed national success. When the Ghetto Players disbanded in the early-mid 70s, Donald soon put together a new group, C on the Funk (the 'C' referring to lead vocalist and sibling Charles), under Payne's tutelage. Sister Lorrie Smith came in as the drummer, the line-up being fleshed out by brothers David and Melvin Johnson, and friend Robert Mitchell. After a few years as a strictly live attraction, they drove to Chicago and produced a single, "In the Disco" / "A Place" for Payne's small record label Sweet Thang Records in 1980. Lacking the financial backing needed to supply the local R&B disk jockey's "promotional fees" , this single sadly languished in obscurity, gathering dust inside the local tavern jukeboxes and manilla promo envelopes that comprised Payne's DIY distribution network.

C on the Funk were traveling the Mid West extensively at this point, and making some important friends on the road. Ike Wiley Jr. of the Dazz Band/Kinsman Dazz took particular interest and the band was re-christened Dazzle, partially as a tie-in with Dazz, partially to embrace the new sounds that would distinguish the 70s disco scene from what record collectors and DJs would now refer to as the "Boogie" era. There no doubt was a stigma attached to the word "Disco" as the eighties began, and as we see in this collection C On the Funk's "In the Disco" is remixed and transformed into the psychedelic synth instrumental of Dazzle's "Disco's Out", a title which embodies both the next-step approach Smith and company were pushing for, and humorously comments on the state of black dance music in the early 1980s. The Dazzle recording, done in Chicago in 1982, updated the sound and featured an expanded line up, most notably a second synth player (Charles Washington), and a percussionist/second lead vocalist (Greg McDonald). The added synth textures and deep percussive grooves give the Dazzle recordings an elegant late night vibe that resonate just as well in a good pair of headphones as they do on the dance floor. The trance inducing cough syrup-warble of "Explain" may best exemplify this here. Sadly, a pressing flaw in the 12" halted production and promotion, and the EP and the songs within were lost to the ages. The group, having done a much better line in the live music business, followed that path instead all the way to the early 90s. --bio provided by andy noble More